Ten Indian Yoga Gurus Who Transformed Global Wellness and Harmony

July 2, 2024July 3, 2024 Staff ReporterCulture 0

To celebrate the International Day of Yoga, let’s honor ten remarkable Indian gurus whose teachings have profoundly influenced global wellness, making yoga universally accessible and embraced across cultures.

The global prominence of yoga owes much to a select group of Indian yoga masters. One of the pivotal figures is T. Krishnamacharya (1888 – 1989) from Mysore, often hailed as the Father of Modern Yoga for his emphasis on postural yoga. His notable disciples, B.K.S. Iyengar and K. Pattabhi Jois, streamlined yoga practice and spread it globally. As noted in the original article, “T. Krishnamacharya of Mysore in southern India is considered the Father of Modern Yoga for emphasizing postural yoga. His famous disciples B.K.S. Iyengar and K. Pattabhi Jois streamlined yoga practice and teaching and took it abroad.”

Swami Sivananda of Rishikesh also played a crucial role, with his disciples like Swami Vishnudevananda and Swami Satyananda establishing transnational yoga movements, influencing millions globally. “Swami Sivananda of Rishikesh was a spiritual teacher, but his disciples, Swami Vishnudevananda, Swami Satyananda, and Swami Satchidananda, who appeared at the Woodstock festival, went on to launch transnational yoga movements.”

In Maharashtra, Shri Yogendra and Swami Kuvalayananda revitalized physical yoga. Shri Yogendra founded The Yoga Institute in Mumbai in 1918, the world’s oldest yoga center, while Swami Kuvalayananda promoted yoga’s therapeutic aspects through Kaivalyadhama in Lonavala. “Two pioneers in the state of Maharashtra are responsible for physical yoga’s revival in India. Shri Yogendra set up The Yoga Institute, the oldest yoga center in the world, in Mumbai in 1918. Swami Kuvalayananda founded Kaivalyadhama in Lonavala and promoted research on the therapeutic aspects of yoga.”

The modern era saw gurus like Yogananda Paramahamsa, Maharishi Mahesh Yogi, and Osho bringing meditation to the West, while yoga gurus like B.K.S. Iyengar and others demystified yoga, presenting it as a practical tool for health and inner peace. “Even as Indian gurus such as Yogananda Paramahamsa, Maharishi Mahesh Yogi, and Osho took meditation to the West, yoga gurus demystified yoga, presenting it as an efficient tool for health and inner peace.”

Here, we highlight ten such influential yoga gurus who have not only preserved and propagated an ancient Indian tradition but have also enriched millions of lives globally, fostering harmony of mind, body, and spirit and promoting intercultural understanding.

B.K.S Iyengar

B.K.S. Iyengar revolutionized yoga with his precise and therapeutic approach, transforming his own frailty into strength through rigorous practice. His method, known as Iyengar Yoga, emphasizes alignment, precision, and the use of props to make yoga accessible to everyone. “B.K.S Iyengar influenced the global yoga landscape with his precise and therapeutic approach. Born in 1918 in Karnataka, he transformed his frail childhood through rigorous practice, developing what is now known eponymously as Iyengar Yoga.”

Swami Vishnudevananda

Instructed by Swami Sivananda, Swami Vishnudevananda took Yoga and Vedanta to the West, establishing Sivananda Yoga Vedanta Centers across the globe. His teachings emphasize the purity and tradition of yoga, incorporating Karma Yoga for spiritual growth. “Swami Vishnudevananda was instructed by his master, Swami Sivananda, in 1957 to share the teachings of Yoga and Vedanta in the West, with the message ‘People are waiting’. Over 37 years, he came to be known as the Flying Swami as he spread this message, establishing centers and ashrams worldwide.”

K. Pattabhi Jois

Known for Ashtanga Vinyasa Yoga, K. Pattabhi Jois popularized a dynamic form of yoga that synchronizes breath with movement to create a flowing sequence of postures. His legacy continues through the Ashtanga Yoga Research Institute in Mysore. “K. Pattabhi Jois is best known for developing and popularizing Ashtanga Vinyasa Yoga, a dynamic and physically demanding style.”

Swami Satyananda

Founder of the Bihar School of Yoga, Swami Satyananda integrated traditional yogic practices with modern science, promoting a holistic approach to well-being through asanas, pranayama, meditation, and yoga nidra. “The Bihar School of Yoga (BSY), founded in 1964 by Swami Satyananda Saraswati, is a renowned institution dedicated to the holistic teaching and practice of yoga.”

Swami Rama

Swami Rama introduced Himalayan yoga traditions to the West, emphasizing a holistic approach to yoga and meditation. His scientific research added credibility to yoga’s benefits, establishing the Association of Himalayan Yoga Meditation Societies International (AHYMSIN). “Swami Rama brought Himalayan yoga traditions to the West.”

Bikram Chaudhary

Bikram Chaudhary popularized Bikram Yoga, a heated style of yoga practiced in a room with high temperature and humidity, aimed at enhancing flexibility and detoxification. Despite controversies, Bikram Yoga gained widespread popularity globally. “Bikram Chaudhury, the founder of Bikram Yoga, is a prominent yet controversial figure in the yoga world.”

Baba Ramdev

Baba Ramdev revolutionized yoga in India, making it accessible to the masses through mass media and large-scale yoga camps. His approach focuses on the practical benefits of yoga for physical and mental well-being, emphasizing pranayama techniques like Kapalbhati and Bhastrika. “Baba Ramdev, a name synonymous with yoga in recent times in India, has been a major force in bringing the practice to the masses.”

Swami Satchidananda

Swami Satchidananda bridged classical yoga with spiritual growth through Integral Yoga, welcoming practitioners of all backgrounds. His Integral Yoga Institutes worldwide promote yoga philosophy, meditation, and community service. “Swami Satchidananda was pivotal in bringing classical yoga traditions to the West.”

T.K.V. Desikachar

T.K.V. Desikachar personalized yoga through Viniyoga, tailoring practices to individual needs for physical and spiritual well-being. His Krishnamacharya Yoga Mandiram in Chennai continues to innovate yoga’s therapeutic applications. “T.K.V. Desikachar, son of T. Krishnamacharya, wasn’t just another yoga guru; he was a revolutionary who personalized the practice.”

Yogi Bhajan

Yogi Bhajan introduced Kundalini Yoga to the West, emphasizing spiritual awakening through kriyas, meditation, and community. His legacy lives on through the Healthy, Happy, Holy Organization (3HO), promoting Kundalini Yoga worldwide. “Yogi Bhajan, a charismatic figure of Sikh heritage, introduced Kundalini Yoga to the West.”

These gurus have not only preserved an ancient tradition but have also adapted it to contemporary needs, fostering a global community of yoga practitioners united in their pursuit of physical health, mental clarity, and spiritual growth. Their contributions have transformed yoga into a multibillion-dollar industry while promoting harmony and understanding across diverse cultures.

New Yorkers Unite in Times Square for Serene Yoga Celebration Amidst Urban Chaos

June 25, 2024 Staff ReporterCulture 0

On June 20th, hundreds of New Yorkers gathered in Times Square, a bustling and chaotic hub, to practice yoga in celebration of both the summer solstice and the International Day of Yoga. This unique location underscored this year’s theme, “Mind Over Madness,” emphasizing the mental and spiritual aspects of yoga that can be accessed even in the midst of chaos.

Susan Hu, one of the instructors at the event, highlighted this idea: “If you can practice in Times Square, if you can do yoga in New York, you can do it anywhere.” Hu, who led one of the seven hour-long classes offered during the 22nd annual Solstice in Times Square event, expressed her feelings about transforming the typically frenetic environment of Times Square into a peaceful yoga space. “It felt like we were turning this place of Times Square, which is usually full of a lot of passion, a lot of that rajas energy, into a big yoga playground.”

Hu, known by her initiated name Brinda Kumari Devi Dasi, led nearly 300 participants in connecting their bodies, breath, and minds, sharing stories of Lord Shiva, whom she described as “the first creative being who practiced all 8,400,000 yoga poses.”

Originally from Shanghai, Hu grew up atheist and moved to New York in 2012. Before discovering Bhakti Yoga, a devotional form of yoga, she felt a lack of purpose. Now, she believes her mission is to share the ancient wisdom of yogic philosophy. “It’s not just a physical workout class, but rather it’s a way of helping us to connect with our souls. It teaches (us) how to conduct ourselves in society, how to interrelate with each other, how to deal with our internal world, but also gives us the compass of how to really live our lives.”

Although the International Day of Yoga is an annual event, Hu emphasizes that anyone, regardless of age, fitness level, or spiritual inclination, can benefit from yoga at any time. “Maybe their body feels less achy, and maybe they find a peace of mind for a moment,” she said. “It’s incredible how everywhere around the world, people are celebrating this day that’s dedicated to the practice of yoga.”

The International Day of Yoga, established by the United Nations in 2014 following a proposal by Indian Prime Minister Narendra Modi, aims to raise global awareness about the benefits of yoga. The UN acknowledges yoga’s origins in the Indian subcontinent and its “unmatched power to deliver healing, inner peace and physical, spiritual and mental wellbeing.” Today, it is estimated that around 300 million people worldwide practice yoga.

“On this important day, let us all be inspired by yoga’s timeless values and its call for a more peaceful and harmonious future,” stated UN Secretary-General António Guterres.

Dileepkumar Thankappan, known globally as Guru Dileep ji, played a significant role in establishing International Yoga Day at the UN. “I came from an interfaith family,” he explained. “I believe yoga is a universal teaching and should be beyond culture, language, ethnicity. It’s spiritual culture. Even imams will sing bhajans (devotional songs).”

In the West, yoga and meditation are often seen as physical exercises, popularized by practices like Hot Yoga or Core Power Yoga. However, the International Day of Yoga also serves as a reminder of yoga’s rich Indian heritage. Anu Sehgal, founder of the educational organization The Culture Tree, emphasizes the importance of acknowledging yoga’s origins in India. Growing up in an interfaith Hindu and Muslim family, Sehgal often took her school yoga classes for granted but later found comfort in the “universal” values they taught.

“Because yoga originated in India, yoga has been a part of our DNA,” said Sehgal. “There is just so much history that is transmitted to Indians, even Indians that are not born in India, about this ancient science that started in India. I think it prevails in our consciousness and culture at different levels.”

The Culture Tree, along with the Indian Consulate, is hosting an International Day of Yoga event on the historic ship Wavertree at Manhattan’s South Street Seaport. Sehgal hopes this event will help city-dwellers learn practical techniques to incorporate yogic philosophy into their daily lives. “People have to understand yoga is as much about our bodies as about controlling our mind,” she said. “It is about, you know, the root word yuj, which is uniting and joining and controlling our senses and ultimately our mind. That is the key thing. Once your mind is in control, you can do anything.”

Sehgal will also attend the UN’s International Day of Yoga celebration, featuring India’s top yoga and meditation practitioners. She believes the timing of the day, the longest of the year, is intentional. “I think today should be a real celebration of life and nature,” she said. “In our busy days, we just forget to appreciate things that have existed for centuries. You take a pause, you celebrate with family, with friends, you do some rituals, you do some prayers. But it’s all about just reminding ourselves that there is so much more to our lives than all the chaos that is happening.”

Nikita Bhasin, a 27-year-old Indian American yoga teacher and Hu’s mentee, integrates yoga into her daily work life at a startup. Raised in a religious Hindu household, Bhasin became a certified teacher at 17. “Having this practice and chanting and playing harmonium and learning more about the philosophy has helped me build more confidence to step into my identity,” said Bhasin, who now lives in New York.

Bhasin emphasizes that yoga does not have to be linked to Hindu religious devotion. “Yoga is a science, it’s a practice and then, religion is another practice, and you can connect them if you want to, but you also don’t have to,” she said.

Recently started teaching at Kala Yoga in Brooklyn, Bhasin was invited by Hu to be a demo teacher in Times Square. She described the experience as “pretty powerful,” with the contrast of Times Square’s usual hustle and the calm of hundreds of people practicing yoga. “It’s important to celebrate yoga and have a day to do that, which gives us the space and the attention,” she added. “But for many practitioners, like to me, every day is Yoga Day.”

Julius Caesar: The Lasting Legacy of Rome’s Revolutionary Leader

June 24, 2024 Staff ReporterCulture 0

Julius Caesar may not have ruled the Roman Republic for an extended period, but his legacy remains formidable. From his early beginnings as a young aristocrat to his rise as a victorious military leader, Caesar’s ambitions, relentless conquests, and political reforms cemented his status as a revered leader. Despite his swift rise to unmatched power, his assassination led to civil unrest and the fall of the Roman Republic, ultimately marking the dawn of the Roman Empire. Caesar is esteemed for his strategic brilliance and studied for the profound effects his actions had on Western civilization — including these five significant ways his life and legacy shaped the world.

His Death Triggered the Rise of the Roman Empire

In 49 BCE, Caesar was a successful military general and popular political leader, having adeptly led the Roman army in Gaul for eight years. However, his growing influence clashed with the Roman Senate’s desire to maintain power within the republic. As his governorship of Gaul ended, the Senate demanded he disband his legions and return to Rome alone. Instead, Caesar famously crossed the Rubicon, leading his army across a small stream separating Italy from Gaul. This act violated Roman law and sparked a four-year civil war between Caesar’s forces and those of his former ally Pompey, with Caesar emerging victorious.

Returning to Rome in 46 BCE, Caesar became the republic’s dictator. After two years and several more military victories, he declared himself dictator perpetuo — dictator in perpetuity. This unprecedented authority eroded the traditional checks and balances of the Roman Republic, prompting a group of senators to assassinate Caesar on March 15, 44 BCE. His death plunged Rome into further chaos, leading to a power struggle among his key supporters, most notably his adopted heir Octavian (later known as Augustus). This culminated in the end of the Roman Republic and the rise of Augustus as the first Roman emperor.

He Spread Roman Influence Throughout Europe

Caesar’s conquest of Gaul, which included modern-day France and Belgium, as well as parts of Switzerland, Germany, and the Netherlands, was crucial in spreading Roman influence throughout Europe. It added substantial land and wealth to Rome’s holdings.

In 55 BCE, Caesar led his first of two expeditions to Britain. Though neither this nor the subsequent trip the following year succeeded in conquering the land, the expeditions laid the groundwork for Rome to eventually dominate much of the British Isles. These conquests were not merely about land and riches but were integral to Caesar’s ultimate political ambitions. By increasing his military support and popularity among the people, Caesar set the stage for his pursuit of greater power in Rome. As he conquered more regions, he integrated the republic’s legal and political systems and boosted trade by expanding the network of roads leading to and from Rome. The famous bridges Caesar built on the Rhine River during the Gallic Wars are among the many aqueducts ancient Rome is renowned for.

He Introduced the 365-Day Calendar

In 46 BCE, Caesar, advised by Greek astronomer Sosigenes, reformed the Roman calendar. The traditional calendar, based on lunar phases, often fell out of sync with the solar year. The new system, influenced by the Egyptian calendar, was based on the solar year, calculated at 365.25 days. It was divided into 12 months, with an additional day added every four years to ensure the calendar remained aligned with the Earth’s orbit around the sun. The Julian calendar — named for Caesar — was implemented on January 1, 45 BCE.

This calendar became the predominant timekeeping system in the Western world. However, its calculations were slightly off, causing the solar year to run about 11 minutes shorter than expected. By 1582, this discrepancy had added up to a 10-day error. It was corrected by the Gregorian calendar, introduced by Pope Gregory XIII in 1582. Nonetheless, the Julian calendar’s method of measuring time continues to structure our lives today.

He Changed Political Strategy

Caesar’s political ambition and reforms had a lasting impact on political thought and practice in Rome and beyond. One of his most powerful strategies was cultivating support from common Roman citizens and his army, which bolstered his rise to power.

After naming himself dictator of the republic, he enacted several revolutionary political reforms: he supported redistributing land to veterans and the poor, canceled debt and rent payments temporarily, and planned a public library, among other initiatives. His populist approach was effective. After his death, the Senate granted him divine status, making him the first historical Roman to achieve such status.

He Inspired a Shakespeare Play

Caesar was not only hailed as a master orator in his time but also as a celebrated author. His writing style, praised for its clarity and elegance, survives in very few published works; his war memoirs, Commentarii De Bello Gallico (an account of the Gallic Wars) and Commentarii de Bello Civili (an account of Rome’s civil war), are the only surviving primary texts. His Gallic Wars account is particularly popular for its insight into Roman geographic and military history and as a beginner’s guide to learning Latin.

Moreover, Caesar’s extraordinary rule inspired one of the most famous works by one of history’s greatest playwrights. William Shakespeare’s Julius Caesar remains an enduring classroom and theatrical favorite, offering a vivid exploration of one of history’s most influential rulers.

Julius Caesar’s legacy extends far beyond his time as a leader of the Roman Republic. His death paved the way for the Roman Empire’s rise, his conquests spread Roman influence across Europe, and his calendar reform remains a foundational timekeeping system. His political strategies transformed governance in Rome, and his life and works continue to inspire literature and historical study.

The Fifteenth Vision (20th July, 2024)

June 20, 2024September 2, 2024 Kiran BhatCulture, Girar, Opinion, Travel 0

This is a story I thought I was telling for a thousand years. Or so I thought. Or maybe I have been telling a thousand stories. Or maybe I was telling the same story to a thousand men. Things have changed. You are not a king. You are a simple person. But it’s my story to tell. So, listen.

This is what Mother is telling the man.

But where do I begin, and how do I start? In our daily life, there are no man-bearing sea creatures or swashbuckling pirates, immortality-granting herbs or wish-granting djinns. And these are not even my tales to tell. They are tales that guarantee your entertainment, certainly, and thus my survival. But I think you are not here to kill me, are you? You are here to free me from the stories I tell. And so, I won’t tell a lie, I won’t make anything up. I’ll tell you exactly how it is.

Or this is what she thinks.

Where does one start…? To be honest, I’ve been telling stories inside of my head for so long that to say anything that resembles the truth is an act of work, even for me. As for my real story…it has to begin with my birth. My birth year was 1959. That was so long ago! It was just a few years before the people of our country were starting to war against the state of Iraq to establish our government, but at that time I wasn’t thinking about such things. I knew I was a Kurd, and I knew I was a girl.

As Mother says this, she looks around. She is in the confines of her living room. The room blazes with red carpets and drapes, and the leftover smell of morning tea wafts around the closed space. She thought she had turned the television off, but on the television are the serials, dubbed in Kurdish, shipped from Turkey. She thought she was looking after her mother-in-law, just as she thought she was talking to a man on the crossroad of Zanko and Madam Mitterand, but the house is empty. She only sees a picture of herself and her husband, the one they have put on top of the television. It’s a picture from the seventies. During that time, her husband would don a simple white shirt and set of pants. His belt firmly buckled his shirt around his waist. His bushy moustache curved around his mouth, not nearly as trimmed or greying as it has become. He was so young-looking back then, as she was, too, with her face round and without wrinkles, her curly black hair not even covered with a headscarf.

She thinks she is dreaming, but everything in this dream is so realistic and visceral.

She keeps telling her story anyway.

I was also an only child. Because my father, a banker, was constantly relocated for work, I didn’t grow up in one place or another. I was born in Zalan, grew up for a large part of my life in Arbat, spent some time also in Khurmal. My childhood was beautiful and rich, but it was also difficult. My mother and father didn’t have the best relationship, and they separated at a time when separating as a couple was very poorly looked upon. I think that is why I trust so much of my time and thoughts in Allah. My prayers with Allah gave me peace and guidance in a way that discussions with my father or mother never provided.

Mother looks away from the frame. She remembers that she was in the middle of feeding her mother-in-law, a challenging task these days as her mother-in-law finds it difficult to swallow food. Because of this, Mother has completely changed her cooking and diet. She used to spend most of her time making biryani and kuki. Now she can only make soup.

That is what Mother is supposed to be doing, rather than getting lost in the stories inside of her head.

My story doesn’t start however with my own life. A story has a beginning, middle, and end, but the fact is there are stories upon stories happening all the time, on top of each other. Even at this moment while I am telling a story, there are an infinitude of stories happening all at once. The story that we tell is not just a story. It is the point at which a conflict occurs, one that jolts the seamlessness of the larger story that has been happening all along. It is something perverse, it is something bizarre, it is something that makes one stand up and say, everything was going so well, and now suddenly it is not.

And in my particular case, that story has nothing to do with warriors or warlocks, ghuls or djinns. It has to do with something far more pressing.

Mother feels like she ought to go back towards the kitchen, but she is not ready.

My son lives as a homosexual. All men and women have urges. But we control them, we don’t live our life just to please them, we do what is best for society and our family so that everyone can survive and live well and grow. But my son is only a man of his impulses. He wants to have sex, and he lives only for that. He wants to travel and eat fine foods and spend money, and that is all he does. He thinks only about himself and has designed his life around it. And that deeply bothers me, because I have designed my life thinking only about what is best for him. He doesn’t think about the family. He doesn’t think about how his behaviours affect us. We are the laughing stock of our community because of how he lives his lifestyle. No one in our suburb even visits our house, knowing we are the parents of a proud and open homosexual.

Mother finds herself grabbing the picture on the television.

Does he care about the shame it causes me? Does he care that I spend so much of my time humiliated?

She finds herself throwing it, and the frame thuds against the carpet.

I am glad at least that I am no longer visiting the mosque. There, the rumours were incessant. I was the constant banter of the housewives. The previous imam tried to control it. The new imam who has replaced him is too young to order others around. And so, they made their comments, said their horrible words.

She has flung it with force, but somehow the glass has not broken. It has not even chipped. When she flips it over, she notices not a single difference.

I sometimes wish I were just dirt. Then I could crumple up into the rest of the earth and perish.

How is it that the glass did not break?

I have to live in this human form. I have to be surrounded by people who only want to share their ugly words. That is my torture. That is my ruin.

How is it that this glass is stronger than she is?

And my son, despite inflicting this on me, doesn’t even want to listen. He thinks anytime I express myself, I am going after him. I am an older woman. I was raised in a strict household. My values will not change. They were what I was born with.

She picks up the frame and puts it back on the television and looks at it one more time. This is a picture of just the two of them, without their son.

The least he could do is listen to me. He doesn’t have to agree, he doesn’t have to share his opinion. He can just listen.

She swears she is seeing something else in the photo. It’s a sudden black stretch, small as if it were just a stain on the photo, but it is growing, vastly and infinitely, to the size of something cosmic.

Instead I have to confide in you, a random stranger, who has appeared in front of me, out of nowhere, as if you only exist to let myself be heard.

Suddenly Mother is talking to someone again. It is a person she has given the shape of a man to.

The worst part of it is that you aren’t even real.

This someone is wearing the shalvar of a king. Or is he just a man?

I’m sitting here, day in and out, repeating the same old story, talking to myself.

Who is this person? And why is this person listening so intently to Mother’s story?

GOPIO Manhattan and Tirlok Malik Plan International Yoga Day 2024

June 15, 2024 Staff ReporterCulture 0

On the occasion of International Yoga Day 2024, GOPIO, and Emmy-nominated filmmaker & Happy Life Yoga speaker Tirlok Malik along with the Indian Panorama & Indian American Forum will be hosting a highly interactive and informative Yoga event featuring experts and speakers from various walks of life.

The theme for this year addresses the basic question: “There are challenges and hardships in life, but how you let them go and laugh at life?”

Ambassador Binaya Srikanta Pradhan, Consul General of India in New York will be the chief guest. Other speakers will include Dr. Thomas Abraham, Professor Indrajit Saluja, Indu Jaiswal, Anil Narang, Lal Motwani (GOPIO International President), Neeta Bhasin, Dr. Renee Mehra, Deborah Fishman, Neha Lohia, Priti Dhariwal, Dr. Tara Shajan, and Dr. Bhuvan Lall.

The event promises to be energetic, knowledgeable, inspiring, and celebratory in nature. Malik will interact with all the prominent speakers on the panel to discover their own personal mantras for happiness. While emphasizing the growing importance of Yoga in today’s times, session host Malik explains his vision behind Happy Life Yoga and its underlying philosophy as “a way of living inspired by the wisdom of Ayurveda, Yoga and Indian Philosophy.”

Malik created the Happy Life Yoga workshop (No mats needed!) inspired by Ayurveda yoga and Indian philosophy as a practical way to live a happier and healthier life in today’s time. This interactive workshop emphasizes “love yourself,” and if you love yourself, it’s your responsibility to take care of your happiness and health, using the tools shared by Malik in this workshop. It’s the gift of ancient India, tested by science & time! The event is supported by many New York media outlets. Malik and the whole team look forward to the celebration of International Yoga Day 2024 and invite everybody to join!

The Zoom session will be held on Sunday, June 22nd from 11:00am – 12:30pm (East) (US and Canada). Interested participants can join the session using the meeting ID: 709 536 8686 and passcode: gopio.

Varanasi: Back to the Future of India

June 15, 2024June 16, 2024 Staff ReporterCulture, Religion 0

If the people of India were asked about their preferred tryst with destiny, what would they say? Hoping to find an uninterrupted connection with ancient India, I arrived in Varanasi last spring and discovered so much more. In the 2nd century BCE Varanasi (and neighboring Sarnath), the capital city of the ancient kingdom of Kashi, attracted and cultivated faith pluralism, multi-disciplinary and open discourse, commerce, and trade rivaling that of a modern metropolis anywhere in the world today. Three hundred years before Pericles and Athenian democracy, ancient Varanasi on the banks of the Ganges, surrounded by quiet woodland where deer and peacocks roamed wild, served as the beacon of enlightenment.

Sarnath was embraced by Siddhartha Gautama, and it is where he delivered his first sermon in 6th century BCE. Though weathered by time and disrepair, the Varanasi I witnessed was still scintillating as a microcosm of today’s India and breathtaking in divine inspiration.

A city of temples, enchanted ghats, brightly painted wooden boats plying the sacred Ganges, seven priests lifting in unison fairy lights to Ganga Aarti every day at dawn and at dusk. Yet, all coexisting seamlessly with numerous mosques, churches, and Buddhist temples built by Japan, Thailand, Tibet, and other Buddhist nations. A people living a heightened spirituality among mundane domesticity, the city offers a temple for Mother India that was commissioned by Mahatma Gandhi.

Varanasi’s distinct neighborhoods are mapped according to the diverse heritage of congregants from each Indian State from Bengal to Gujarat to Telangana to Punjab.

Varanasi symbolizes a multi-faith nation thriving in unison and a Hindu way of life that is unadulterated and yet perfectly adept at modernizing. Not included among India’s economic hub cities, Varanasi, the de facto heartland, remains untouched by the hyper-paced modernization that is underway in other parts of India. Unknown to Varanasi is the identity crisis afflicting India’s large cities and their conflict with Westernization.

During my visit to Varanasi, I indulged in conversations that stoked my imagination of what is possible in India’s future. Heartened by the sophisticated and global perspective of those that I met, I came away with an understanding of the average Varanasi resident’s aspirations, which is gainful employment and a modest standard of living in their hometown. This should be the nominal expectation of a free people, but it stands in stark contrast with the heightened expectations of the globetrotting Indian diaspora.

Disconnected from the day-to-day travails of India’s multitude, the diaspora’s shared discourse is India’s preeminence as a global power, while overlooking the investments and market reforms necessary to achieve that. What then, does a road map to prosperity look like that matches the expectations of the people I interacted with in Varanasi?

First, simulating the export-driven Chinese growth narrative of the last thirty years that plowed its profits into domestic mega infrastructure projects and mercantilism abroad is not the best fit for India. Inspired by their tradition, but modern in execution, the average Indian appears to prefer economic growth that is local rather than a nationwide scale up.

Indeed, some Varanasi residents were vexed by the clean-up campaign and the construction of an expressway connecting their airport to the city’s hotel district, which showcased the city to the recent G20 summiteer. Creating few local jobs, the project primarily benefited politically connected out-of-state contractors.

Second, despite the strides made in lifting 500 million poor into a burgeoning middle class and some in the middle class into stratospheric wealth, prosperity remains inaccessible to the vast swath of Indians. This was palpable in Varanasi during my visit. Additionally, key economic indicators reported in 2023, both by the Indian government and by the World Bank, point to the disparities as well as the challenges that lie ahead. The country simply has not produced enough jobs in order for a large cross section of its population to be gainfully employed.

On the other hand, India’s economy has the potential to benefit from a significant “demographic dividend” – the average age of the population being only 25 years. Thus, government policies that impede private sector job growth may stand in the way of realizing this benefit.

Currently only about half of India’s population is employed, which is at a lower percentage than the global labor force participation rate at 65% and a Chinese rate of 76%. Additionally, India’s 10% unemployment rate accounting for those that are in the workforce is significantly higher than most developing countries. To wit, India’s 2023 GDP at $3.7 trillion, the fifth largest in the world, is no reason for celebration, as India also has a population of 1.4 billion, the world’s largest.

Third, propelling the economy at the 9-11% rate experienced by China for three decades will require bolder market reform. Perhaps what is needed is a second phase of the ambitious reforms undertaken by the Indian government in the 1990s and early 2000s, which dramatically expanded the private markets and made modern India possible. Today, there is an uptick in foreign investments into India as global investors flee China’s geopolitical risk; however, the same investors have diversified their relocation to multiple smaller countries instead of just choosing India.

India is unable to prevail in this competition despite its significant domestic market, a growing skilled workforce, and the largest working age population. Nevertheless, the current flux in the global supply chain is an opportunity for India, provided that priority is given to local economies such as Varanasi (not just a few big cities) and small business growth (rather than a few large monopolies), both of which are the economic lifeline for a majority of Indians.

Visiting Varanasi, I have two takeaways. The infectious hopefulness of the people despite the day-to-day difficulties they face and the entrepreneurial spirit of the youth who are not willing to limit their dreams to the legacy of the previous generation. This, in and of itself, builds a nation that has long envisioned.

Its tryst with destiny. Yet, despite the gift of a magnificent heritage, India’s potential has failed to materialize in parity with the enlightenment of its past. But then again, the India of tomorrow is still unfolding and that is something to look forward to.

(Sue (Sutapa) Ghosh Stricklett is an Indian American attorney. She practices national security law and defense technology trade at her Washington, DC law practice. She was appointed by President Donald Trump to serve as USAID Assistant Administrator, Asia. Her family has deep roots in Kolkata and in Murshidabad, West Bengal, which she has traced to the sixteenth century.)

For most of India’s Hindus, religious and national identities are closely linked

June 6, 2024 Staff ReporterCulture, Religion 0

A bar chart showing that Hindus in India say being Hindu, speaking Hindi very important to being ‘truly’ Indian

At least since the Bharatiya Janata Party’s (BJP) electoral victories in 2014, the term “Hindu nationalism” has been frequently invoked in both Indian and Western media, with Prime Minister Narendra Modi and his ruling party often described as promoting a Hindu nationalist agenda. But there is no widely accepted definition of what the term means, and little data exists on how common Hindu nationalist attitudes are in India and how they vary across the country.

A new Pew Research Center survey of nearly 30,000 Indian adults sought to measure multiple dimensions of Hindu nationalism by asking people how important certain attributes or behaviors are to “true” Indian identity. This survey was conducted several months after the BJP’s victory in the 2019 parliamentary elections and before the COVID-19 pandemic.

Hindus are far more likely than members of other religious groups to link Indian and Hindu identities: Nearly two-thirds of Hindus (64%) say it is very important to be Hindu to be truly Indian. Far fewer respondents among other religious communities in the country answer the same way, including 27% of Muslims who say being Hindu is very important to being truly Indian.

Hindu nationalism in India also has a linguistic dimension. Hindus are more likely than other Indians to associate national identity with the Hindi language. While India has dozens of major languages, a majority of Hindus (59%) feel that being able to speak Hindi is very important to being truly Indian. Hindus who link their religion with national identity tend also to link the Hindi language with being authentically Indian.

Altogether, about half of Hindus (51%) say being Hindu and speaking Hindi are both very important to being truly Indian. A substantial share of Jains (36%) also express both these sentiments, but Buddhists (25%), Muslims (23%), Sikhs (18%) and Christians (15%) are less inclined to offer these definitions of national identity. By contrast, large majorities of Indians across all major religions generally agree that respecting elders, respecting all religions, and respecting the country’s institutions and laws are each paramount to being truly Indian.

Among Hindus, opinion varies widely in different parts of the country on the importance of Hindu identity and speaking Hindi in relation to national identity. Hindus in the Northern (69%) and Central (83%) regions are the most likely to say being a Hindu is very important to be truly Indian, while Hindus in the South (42%) and Northeast (39%) express the weakest association between national and religious identities. Similarly, Hindus in the Northern (71%) and Central (87%) regions – which include the country’s “Hindi belt,” where Hindi is most prevalent – are the most likely to say it is very important to be able to speak Hindi to be truly Indian.

Hindus with a college degree are less likely to connect language and religion with national identity. Roughly half of Hindu college graduates (53%) tie being Hindu with being truly Indian, compared with nearly two-thirds of other Hindus (65%). Religious observance plays a role as well: Among Hindus who say religion is very important in their lives, 70% say being Hindu is very important to being truly Indian, compared with 34% among less religiously committed Hindus.

A bar chart showing that beliefs about Indian identity are tied to voting patterns

These beliefs about Hindu nationalism are strongly reflected in political behavior. Roughly half of Hindus who say they voted in the 2019 election say they voted for the ruling BJP (49%), but support for the BJP is considerably higher among those who say both being Hindu and speaking Hindi are very important to be truly Indian. Six-in-ten Hindu voters who place great importance on both of these attributes say they voted for the BJP in the 2019 parliamentary election. By comparison, 33% of those who say neither being Hindu nor being able to speak Hindi is very important to national identity reported voting for the party.

Although this group of Hindu BJP voters may see a special place for Hindus in India, they are just as likely as other Hindus to say respecting other religions is crucial to being truly Indian. And they are even more likely to say that religious diversity benefits India. Nearly two-thirds (65%) of this group – Hindus who say that being a Hindu and speaking Hindi are very important to be truly Indian and who voted for the BJP in 2019 – say religious diversity is a good thing for the country, compared with about half (47%) of other Hindu voters who say the same.

At the same time, Hindus who express this combination of Hindu nationalist positions also are more inclined to support a religiously segregated India – by opposing interreligious marriage, for instance. More than eight-in-ten in this group (83%) say it is very important to stop Hindu women from marrying into another religion, compared with roughly six-in-ten (61%) among other Hindu voters.

Generational Nostalgia: Why Americans Fondly Remember Their Youth as the ‘Good Old Days’

June 3, 2024 Staff ReporterCulture, Opinion 0

YouGov, the survey experts renowned for their adeptness at tackling the intangible, recently polled 2,000 adults on which decade excelled in areas like music, movies, and the economy across 20 measures. Yet, no clear pattern emerged from the results.

Certain trends did stand out, however. White people and Republicans, for instance, were about twice as likely as Black people and Democrats to view the 1950s as the era of the most moral society, happiest families, and closest-knit communities. This disparity likely hinges on whether one recalls that decade for its idyllic “Leave it to Beaver” charm or for its darker moments like the Red Scare and the murder of Emmett Till.

“This was a time when Repubs were pretty much running the show and had reason to be happy,” noted nostalgia researcher Morris Holbrook via email. “Apparently, you could argue that nostalgia is colored by political preferences. Surprise, surprise.” Holbrook’s point underscores that political, racial, or gender divides are overshadowed by generational perspectives in these assessments.

When the data was re-evaluated by examining the gap between each person’s birth year and their ideal decade, a fascinating pattern emerged. This revealed that nostalgia isn’t tied to a specific era but rather to a particular age. The “good old days” are typically the decade when individuals were around 11 years old, an age of innocence and parental omniscience.

The data showed that our nostalgia peaks during specific life stages. For instance, the most tightly-knit communities are remembered from childhood (ages 4 to 7), while the happiest families, most moral societies, and most reliable news reporting are associated with early formative years (ages 8 to 11). The best economy, radio, television, and movies are linked to early teens (ages 12 to 15). As people reach their late teens (ages 16 to 19), nostalgia for music, fashion, and sporting events intensifies, consistent with findings from the University of South Australia’s Ehrenberg-Bass Institute which pinpoint music nostalgia at around age 17.

Interestingly, YouGov also asked about the worst music and economy. Consistently, respondents viewed “right now” as the worst time. Even when historical context suggests otherwise, such as the Great Depression, which had far worse unemployment rates than today’s pandemic-induced lows, the present era is often viewed as the most challenging.

This perception is particularly pronounced among Republicans, who were notably more negative about the current decade compared to Democrats. Joanne Hsu, director of the University of Michigan’s Surveys of Consumers, explained this partisan split. She observed that people whose party is in power generally have more favorable economic sentiments, a gap that has widened over time. During Trump’s presidency, Republicans’ optimism surged while Democrats’ expectations plummeted. This trend flipped with Biden’s inauguration but remains significant.

Hsu and her team explored where Americans get their economic information. They found that Republicans who follow partisan news outlets are more likely to view the economy negatively, although only a fifth of Republicans primarily rely on these sources. Despite this, both Democrats and independents also expressed dissatisfaction with the current decade, though to a lesser extent.

Carl Bialik from YouGov noted that when Americans were asked last year which decade they’d most prefer to live in, the most common answer was “now.” This suggests that while the current era is viewed negatively in specific terms, there is still a preference for contemporary life over past decades.

A deeper understanding emerged during a Zoom call with Australian researchers from the Ehrenberg-Bass Institute, who revisited music nostalgia. Their study asked respondents to rate songs from different decades, revealing a preference for music from their late teens without a corresponding spike in negative ratings for recent music.

Marketing researcher Bill Page pointed out that asking about the “worst” era often elicits a predisposition towards negative thinking rather than genuine opinions. His colleague Zac Anesbury added that surveys can unintentionally measure sentiments like “declinism,” the belief that things are perpetually getting worse. This phenomenon, rooted in rosy retrospection, means that we tend to remember the past more fondly than the present.

Psychological studies by Leigh Thompson and Terence Mitchell have shown that our satisfaction with experiences improves over time. For instance, a trip that seemed disappointing while underway might be remembered fondly once it’s over and the difficulties have faded.

In essence, describing the 2020s as the worst decade ever is akin to lamenting a trip during its roughest moments. Over time, as memories soften and the good moments stand out, the current decade may eventually be looked back on with nostalgia.

So, in a few decades, reflecting on the 2020s through the lens of cherished photos and fond memories, we might find ourselves recalling the good times rather than the challenges. Thus, the 2020s could well become the “good old days” of the future.

Battle of Butter Chicken: Legal Feud Engulfs Iconic Indian Dish

June 2, 2024 Staff ReporterCulture, Food 0

**Butter Chicken: The Epic Legal Battle**

A dish adored worldwide, butter chicken finds itself entangled in a legal dispute between two of India’s oldest eateries.

On a scorching day in Delhi, Gulati, nestled near the picturesque Agrasen ki Baoli stepwell, was inundated with patrons craving its famed butter chicken.

As the restaurant bustled with activity, diners from all walks of life indulged in this culinary masterpiece, including a trio of chefs in their whites, office-goers, and even curious German tourists.

Ironically, this beloved delicacy, often savored at festive occasions, is now the focal point of a legal clash between two venerable Indian restaurants.

The origins of butter chicken trace back to a pre-partition era, where Mokha Singh, proprietor of Moti Mahal in Peshawar, concocted the dish. Following partition, Singh, along with Kundan Lal Gujral, Kundan Lal Jaggi, and Thakur Das Mago, migrated to Delhi, where they introduced their rendition of butter chicken at a restaurant in Daryaganj.

This culinary innovation quickly gained popularity, gracing the tables of dignitaries and becoming a staple at state banquets. However, financial strains led to the sale of Moti Mahal after Gujral’s demise. Nevertheless, his descendants established Moti Mahal Delux, asserting their grandfather’s sole proprietorship of the recipe.

In a surprising turn, Jaggi’s grandson launched Daryaganj in 2019, claiming lineage to the original inventors of butter chicken. This move sparked a legal feud, with Moti Mahal Delux and Gujral’s grandson, Monish, contesting Daryaganj’s appropriation of the dish’s invention.

Amidst the legal tussle, Amit Bagga, CEO of Daryaganj, defends their right to the tagline, citing a trademark certificate obtained in 2018 and asserting shared ownership of the restaurant where butter chicken was conceived.

The exact origins of butter chicken remain shrouded in ambiguity, with Bagga suggesting it likely stemmed from a collaborative effort. Bagga recounts Jaggi’s account of its accidental creation, attributing it to their innovative use of leftover tandoori chicken and a blend of fresh tomatoes, butter, and spices.

The evolution of butter chicken has been remarkable, transcending its humble beginnings to inspire inventive variations like the Butter Chicken Cocktail and butter chicken pizzas.

As the legal battle unfolds, opinions vary on the ownership and historical significance of the dish. Dr. Neha Vermani from the University of Sheffield questions the notion of individual ownership, emphasizing the collective effort and historical context that shape culinary traditions.

Despite the controversy, Bagga remains optimistic, viewing the publicity as a boon for business. He acknowledges the surge in sales and asserts that the quality of their butter chicken speaks louder than any legal claim.

In the realm of food, where flavors blend and traditions evolve, the saga of butter chicken serves as a reminder of the intricate tapestry of culinary heritage.

Christian Exodus from Nazareth as Mafia Crime Wave and Rising Islamic Influence Threaten Community

June 1, 2024 Staff ReporterCommunity, Culture, News 0

Nazareth, Israel’s largest Arab city and known as the childhood home of Jesus, is grappling with a severe crisis as its historic Christian population contends with a rampant mafia crime wave spreading through northern Israel and the rise of Islam.

A recent report by The Telegraph reveals that Christian business owners are being extorted by primarily Muslim mafia gangs, who demand hefty protection fees of about $13,500 per month.

Despite the efforts of Israel’s Shin Bet security agency and increased police presence, the situation continues to deteriorate, prompting many Christians to flee the city.

Peter Roshrash, an experienced police inspector, likened the situation to the Wild West. “In Nazareth, the mafia will shoot at the stores, then tell them they need ‘chawa’ [protection money]. It’s like the Wild West,” he stated.

Roshrash also accused the mafia of hiding weapons in Christians’ homes, threatening the occupants with death if they reported to the authorities.

The impact on Nazareth’s Christian community, which once formed the majority, has been significant. When Israel gained independence in 1948, Christians made up about 80% of Nazareth’s population; today, they represent only 20%. Many have emigrated to Western countries, while others have moved to predominantly Jewish areas to escape the violence.

Once lively Easter and Christmas celebrations have diminished, and Christian-owned businesses are vanishing, replaced by Muslim-owned ones.

The surge in mafia violence has become a national issue. Despite assurances from Israeli Prime Minister Benjamin Netanyahu, the mafia’s influence continues to grow.

According to the Abraham Initiatives, a nonprofit advocating for Jewish-Arab equality, Nazareth was among the deadliest cities last year due to criminal violence. “Nazareth became a focal point for crime in 2023,” the group reported.

Municipal officials have tried to downplay the religious angle of the mafia’s activities, insisting the targeting is indiscriminate, affecting both Muslims and Christians. “If there is a mafia, it’s against Muslims and Christians alike. You think the rich Muslims aren’t also a target for the mafia? To the mafia, there is no religion,” said Municipality Spokesman Salem Sharara.

However, there is a long history of Christian mistreatment by Muslims in the Holy Land. In the late 1990s, Muslims attempted to build a mosque on the property of the Basilica of the Annunciation in Nazareth. Although the attempt was unsuccessful, many Arab political groups in Israel and the Palestinian Territories have increasingly adopted Islamic characteristics as their former socialist stances have lost popularity.

This pressure on Christians can be observed in the Palestinian Territories and throughout the Middle East.

The Arab population in Israel, including Nazareth, has increasingly called for more government intervention to combat rising crime rates. Initially, the outbreak of the Gaza War led to a decrease in violent crime and deaths in the Arab sector, but recent increases in criminal attacks suggest a return to the high levels of violence seen in 2023.

Many Christians in Israel and the Palestinian Territories, often wealthier than their Muslim counterparts, have the means to relocate, leading to an exodus from cities like Nazareth and Bethlehem, which are central to Christian history and heritage.

World Malayali Council Hosts ‘Rhythm 2024’: A Vibrant Celebration of Indian Music and Dance in Washington DC

May 30, 2024 Staff ReporterCommunity, Culture 0

The World Malayali Council (WMC), Washington DC Province, proudly organized “Rhythm 2024,” a mesmerizing music and dance festival, on May 4th, 2024, at the Cabin John Middle School Auditorium in Maryland. This event was a tribute to India’s vibrant cultural heritage, featuring a wide array of rhythms and melodies from Kerala and other regions of India, which captivated over 200 attendees, primarily from the Indian diaspora in the greater Washington DC area, including Maryland and Virginia. The event was hosted by Mrs. Saroopa Anil, Ambika Kumar, and Arya Jithin.

The evening began with a welcoming speech by Mr. Deleep Kumar, Entertainment Chair, followed by Mr. Mohan Kumar, President of WMC, Washington DC Province. In his address, Mr. Kumar emphasized the importance of global community associations like WMC in promoting connectivity and inclusivity across geographical, cultural, and socio-economic boundaries. He highlighted the essential role these organizations play in tackling global challenges and creating opportunities for shared prosperity and well-being.

Mrs. Saroopa Anil, one of the hosts, spoke about Kerala’s rich cultural heritage and the significant contributions of the Non-Resident Indian (NRI) community in preserving and promoting these traditions. The ceremonial lighting of the lamp by Chief Guest Mrs. Thangamani Aravindan, Global WMC VP(AR), and Guest of Honor Mr. Jinesh Thampi, President of WMC (America Region), symbolized the event’s inauguration. They were joined by Mohankumar, Dr. Deleep Kumar, Dr. Narayanan Valappil, and Dr. Jayakumar Nair, members of the WMC joint committee.

The program showcased a mesmerizing array of performances, including classical dances like Thiruvathira and Bharatanatyam, performed by talented artists. Additionally, Bollywood-inspired dances captivated the audience. Highlights included the enthralling Kavadi dance by senior citizens and dynamic performances by young aspiring dancers, demonstrating the enduring appeal of Indian cultural traditions across generations.

Prominent community leaders such as Sushma Praveen, President of KAGW, Mr. Shelly Prabhakaran, Vice President of KCSMW, and Dr. Kala Shahi, General Secretary of FOKANA, provided their insights and support during the event, underscoring the collaborative spirit of the Indian diaspora in Washington DC.

The evening concluded with a dazzling dance performance by Mrs. Bindu Rajive’s team, followed by a heartfelt vote of thanks from Dr. Jayakumar Nair, Secretary of WMC, Washington DC Province. Attendees then enjoyed a sumptuous dinner and engaged in social networking, reflecting on the success of “Rhythm 2024” in promoting cultural exchange and community cohesion.

The success of “Rhythm 2024” was made possible by the invaluable contributions of all dancers and choreographers and the support of individuals such as Dr. Narayanan Valappil, Malini Menon, Seetha Ellath Valappil, Arya, Moideen Kutty, Anil Thaivalapil, Sunil Thaivalapil, Rehmia, Dr. Madhu Nambiar, Dhanjayan, Peet Thaivalapil, Visanth Divya, Anil Krishnankutty, Vijily, Saya, Sheeja, Raji, Kutty Menon, Shahi Prabhakaran, Ajayakumar Kesavan, Bini Ajayakumar, Ambika Kumar, Arya Jithin, and many others, whose dedication and efforts were instrumental in making this event a resounding success.

For more information about the World Malayalee Council, Washington DC Province, please visit the official website:(https://wmc-bwdc.com).

Aimee Baruah Shines at Cannes in Traditional Assamese Attire, Showcasing Muga Silk and Ancient Designs

May 30, 2024June 1, 2024 Staff ReporterCulture, Fashion 0

Assam’s celebrated actress, Aimee Baruah, made a striking appearance on the red carpet at the Cannes Film Festival, donning a traditional Assamese ensemble. She wore a muga silk mekhela sador, which was intricately embellished with ancient Assamese designs like Goj Bota and Gam Kharu.

The Goj Bota design is a historical pattern from Assam, featuring elaborate floral and geometric shapes that trace back to the Ahom Dynasty era when muga silk was considered a luxury item, a status it still holds today.

This design represents the rich cultural heritage and natural beauty of Assam.

Conversely, the Gum Kharu motif is a traditional symbol of prosperity and protection, deeply ingrained in Assamese culture.

The design masterfully integrated the timeless Goj Bota and Gum Kharu motifs into this muga silk mekhela sador, employing five different threads and colours to craft intricate patterns. This blend of Eri, cotton, and Guna yarn highlighted the artistry and craftsmanship of Assam’s handloom industry.

This article will now be paraphrased into a length of exactly 1000 words, while retaining its original content and including quotes from the original piece:

Aimee Baruah, a prominent actress from Assam, made a notable entrance at the prestigious Cannes Film Festival, wearing an elegant traditional Assamese outfit. This attire was a muga silk mekhela sador, which was exquisitely decorated with ancient Assamese designs, specifically Goj Bota and Gam Kharu motifs.

The Goj Bota pattern is an ancient design from Assam that features detailed floral and geometric shapes. This design has its roots in the Ahom Dynasty period, a time when muga silk was regarded as a luxury item—a status that it continues to enjoy even today.

“The Goj Bota design is an ancient pattern from Assam, featuring intricate floral and geometric shapes that date back to the time of the Ahom Dynasty when muga silk was a luxury and still is considered so.”

This design is a symbol of Assam’s rich cultural and natural beauty.

In contrast, the Gam Kharu motif is a traditional symbol of prosperity and protection, holding deep significance in Assamese culture.

“On the other hand, the Gum Kharu motif is a traditional symbol of prosperity and protection deeply rooted in Assamese culture.”

The design of Baruah’s attire seamlessly incorporated both the Goj Bota and Gam Kharu motifs. This muga silk mekhela sador was crafted using five different threads and colours to create its intricate patterns. The combination of Eri, cotton, and Guna yarn used in this attire showcased the exceptional artistry and craftsmanship that is characteristic of Assam’s handloom industry.

“The design skillfully incorporated the classic Goj Bota and Gum Kharu motif into this muga silk mekhela sador, utilising five different threads and colours to create intricate patterns with the blend of Eri, cotton, and Guna yarn showcasing the artistry and craftsmanship of Assam’s handloom industry.”

Aimee Baruah’s choice of attire not only highlighted her individual elegance but also brought international attention to the rich textile traditions of Assam. Her presence on the red carpet at Cannes, adorned in such culturally significant attire, served as a powerful statement of the beauty and heritage of Assamese craftsmanship.

The muga silk mekhela sador itself is a garment of great cultural importance in Assam. Muga silk, known for its natural golden hue, is exclusive to the region and is celebrated for its durability and sheen. This type of silk is produced by the Antheraea assamensis silkworm, which is endemic to Assam. The process of producing muga silk is labor-intensive and time-consuming, which contributes to its high value and luxurious status.

The Goj Bota motif, as worn by Aimee Baruah, represents not just an artistic design but also a piece of Assam’s historical narrative. The floral and geometric patterns woven into the fabric are reminiscent of the artistic influences from the Ahom Dynasty, which ruled Assam for nearly six centuries. This dynasty was known for its patronage of the arts and culture, and the intricate designs of the Goj Bota are a testament to that legacy.

Similarly, the Gam Kharu motif has its own story to tell. Traditionally, this motif is associated with jewelry worn by Assamese women, particularly bracelets that are believed to bring prosperity and protect the wearer from harm. By incorporating this motif into her attire, Baruah brought a piece of Assamese tradition to the global stage, symbolizing the protective and prosperous elements of her culture.

The creation of Baruah’s mekhela sador involved a meticulous process that required significant skill and craftsmanship. The use of five different threads and colours added a layer of complexity to the design, making each piece unique. Eri silk, often referred to as the “fabric of peace” because its production does not involve killing the silkworm, added a dimension of ethical fashion to the ensemble. Cotton and Guna yarn were also used, providing a balance of texture and durability to the garment.

The presence of these traditional designs at an international event like the Cannes Film Festival is significant for several reasons. It underscores the global appeal and relevance of traditional Assamese textiles, which are often overshadowed by more widely recognized silk varieties like those from China or India’s own Benarasi silk. By choosing to wear an outfit adorned with Goj Bota and Gam Kharu motifs, Aimee Baruah effectively acted as an ambassador for Assamese culture, showcasing the intricate beauty and profound heritage of her home state to an international audience.

Moreover, Baruah’s appearance in such a traditional yet luxurious outfit serves as an inspiration to fashion enthusiasts and designers alike. It highlights the potential of traditional fabrics and designs in contemporary fashion, encouraging a blend of old and new that respects cultural heritage while embracing modern aesthetics. The intricate patterns and the blend of different threads and yarns demonstrate how traditional techniques can be adapted and celebrated in modern high fashion.

Aimee Baruah’s red carpet appearance at the Cannes Film Festival was more than just a fashion statement. It was a celebration of Assamese culture and craftsmanship. The muga silk mekhela sador adorned with Goj Bota and Gam Kharu motifs not only showcased the rich heritage of Assam but also highlighted the intricate artistry of its handloom industry. As Baruah walked the red carpet, she brought a piece of Assam to the world stage, reminding everyone of the timeless beauty and cultural significance of her traditional attire.

A.R. Rahman Unveils Teaser for “Headhunting to Beatboxing” Documentary at Cannes, Celebrating the Evolution of Music Across Cultures

May 30, 2024June 1, 2024 Staff ReporterCulture, Entertainment 0

At the 77th edition of the Cannes Film Festival, Oscar and Grammy-winning composer A.R. Rahman unveiled the teaser for his upcoming documentary, “Headhunting to Beatboxing,” at the Bharat Pavilion. This highly anticipated documentary, directed by Rohit Gupta, delves into the rich and diverse journey of rhythm and sound, tracing the evolution of music across various cultures, tribes, and generations.

The event also saw the presence of notable figures such as Executive Producer Abu Metha, who is also an advisor to the Nagaland Chief Minister, and Executive Producer Theja Meru, Chairman of TaFMA under the Nagaland government. Together, they emphasized the collaborative nature of this project and its significance in celebrating the universal language of music.

A.R. Rahman, who produced the documentary, emphasized the profound impact of music on society. He stated, “Music has this transformative power to change society and to connect and bring relevance to existence.” Rahman highlighted that “Headhunting to Beatboxing” is a tribute to this universal rhythm that binds humanity through its diverse forms of expression. The Cannes Film Festival, renowned for its celebration of cinema, provided an ideal platform for the film’s first announcement.

Abu Metha shared insights into the film’s inception, revealing that the idea sparked when Rahman visited Nagaland for the Hornbill Festival. “The germ of the idea came up when A.R. Rahman visited Nagaland to be part of the legendary Hornbill Festival. We knew we had to be part of it,” he said. Metha praised the collaborative effort of many creative minds, particularly TaFMA, and lauded director Rohit Gupta’s skillful capture of the film’s essence. He also acknowledged the musicians of Nagaland, whose timeless stories and music reflect the aspirations of the region’s youth.

“Headhunting to Beatboxing” showcases the collaborative efforts of numerous talents. Alongside A.R. Rahman and Rohit Gupta, the documentary boasts a team of executive producers including Abu Metha, Adam J. Greig, Theja Meru, Sheila Houlahan, and Rohhit Daas. Each of these individuals brought their unique expertise to the project, enriching its narrative and production quality.

Rahman’s visit to Nagaland and his experience at the Hornbill Festival were pivotal in shaping the documentary’s direction. The Hornbill Festival, known for its vibrant celebration of Naga culture, provided a rich tapestry of musical traditions and stories that inspired the documentary’s theme. This cultural immersion allowed Rahman to witness firsthand the power of music in uniting people and preserving heritage.

The documentary not only highlights the traditional music of Nagaland but also explores contemporary forms such as beatboxing. By juxtaposing these diverse musical expressions, “Headhunting to Beatboxing” illustrates the dynamic evolution of music and its ability to transcend cultural and temporal boundaries. This exploration is central to the documentary’s narrative, offering viewers a unique perspective on the interconnectedness of global musical traditions.

In addition to its musical focus, the documentary sheds light on the personal stories of the musicians involved. These narratives provide a deeper understanding of the cultural and historical contexts that shape their music. By weaving together these individual stories, “Headhunting to Beatboxing” creates a rich tapestry that celebrates both the diversity and the universality of human musical expression.

The involvement of TaFMA (Task Force for Music and Arts) was crucial in the documentary’s production. TaFMA’s mission to promote and preserve the rich cultural heritage of Nagaland aligns seamlessly with the documentary’s objectives. Through this partnership, the film was able to authentically capture the spirit of Naga music and present it to a global audience.

Executive Producer Theja Meru, Chairman of TaFMA, emphasized the importance of this collaboration. He highlighted how the documentary serves as a platform to showcase the talent and creativity of Naga musicians, bringing their music to a wider audience. This exposure not only celebrates their art but also provides opportunities for these musicians to connect with global audiences and further their careers.

Director Rohit Gupta’s role in bringing “Headhunting to Beatboxing” to life cannot be overstated. His vision and expertise in capturing the essence of Naga music and culture were instrumental in the documentary’s success. Gupta’s approach to storytelling, which blends visual artistry with deep cultural insights, ensures that the documentary resonates with audiences worldwide.

The executive production team, comprising Abu Metha, Adam J. Greig, Theja Meru, Sheila Houlahan, and Rohhit Daas, played a vital role in supporting the documentary’s creation. Their combined efforts in managing production logistics, securing funding, and overseeing the project’s overall direction were key to its completion. Each executive producer brought a unique perspective and set of skills to the project, contributing to its richness and depth.

“Headhunting to Beatboxing” is not just a documentary; it is a celebration of music as a universal language. It underscores the power of music to connect people across different cultures and generations, highlighting its role in preserving heritage and fostering unity. The film’s premiere at the Cannes Film Festival marks the beginning of its journey through various film festivals, where it will continue to inspire and engage audiences around the world.

A.R. Rahman’s “Headhunting to Beatboxing” is a testament to the transformative power of music. By exploring the rich musical traditions of Nagaland and juxtaposing them with contemporary forms like beatboxing, the documentary offers a unique perspective on the evolution of music. The collaborative efforts of Rahman, Rohit Gupta, and the executive producers, along with the invaluable contributions of Naga musicians, have resulted in a film that celebrates the universal rhythm that unites humanity. As the documentary embarks on its festival journey, it promises to leave a lasting impact on audiences, highlighting the timeless and boundless nature of music.

Chelsea Manalo Becomes First Black Woman Crowned Miss Universe Philippines, Breaking Traditional Beauty Standards

May 28, 2024May 29, 2024 Staff ReporterCulture, Entertainment, Women 0

Filipino American Chelsea Manalo made history on Wednesday by becoming the first Black woman to be crowned Miss Universe Philippines.

The 24-year-old, born to a Filipino mother and African American father, received widespread praise on social media for challenging traditional beauty ideals in the Philippines.

“Chelsea’s win challenges our ingrained preference for Eurocentric beauty (features) and lighter complexions in our nation,” wrote one user in response to an Instagram post of the win on Miss Universe Philippines’ official account. “Filipino beauty standard shattered into pieces,” read another.

Representing Bulacan, a province north of Manila, Manalo emerged victorious over 52 other contestants from across the archipelago and abroad. The competition took place at the SM Mall of Asia Arena in Pasay.

During the final stage, when the competition was down to the top five contestants, Manalo was asked how she would leverage her beauty and confidence to empower others.

“As a woman of color, I have always faced challenges in my life. I was told that beauty has standards, actually,” she explained, adding that she was taught to “believe in my mother, to always believe in yourself, uphold the vows that you have.”

“Because of these, I am already influencing a lot of women who are facing me right now,” she said, gazing out to the packed arena.

Manalo’s victory sparks a broader discussion about diversifying beauty standards in the Philippines, a country where Western ideals have long been influential, partly due to its colonial history.

Lighter-skinned actors and models often dominate TV shows, movies, and fashion campaigns. Additionally, skin lightening treatments and products are widely used, as is common in other Asian countries.

Manalo, who started modeling at 14, spoke about her own insecurities growing up in a YouTube video on Empire Philippines, which livestreamed the event.

“I grew up having insecurities as I was always bullied because of my skin and my hair type,” she said, crediting her friends and family for helping her “realize that I am beautiful in my own extraordinary way.”

Manalo will represent the Philippines at the Miss Universe pageant in Mexico this September.

She aims to secure the fifth title for the Philippines, following the wins of Gloria Diaz in 1969, Margie Moran in 1973, and Pia Wurtzbach in 2015 (after host Steve Harvey initially announced the wrong winner). Catriona Gray was the last Filipino to win the title in 2018.

More than 100 countries will participate in Miss Universe 2024. This year, the competition will eliminate the upper age limit previously set for contestants, who had to be between 18 and 28 years old.

The Miss Universe organization has faced scrutiny recently, as the parent company of the Miss USA organization. Both Miss USA and Miss Teen USA resigned earlier this May amid allegations of mismanagement, a toxic work environment, and conditions that affected their mental health.

Discover the Path to Self-Realization Through Om Kriya Yoga: Insights from Shomik Chaudhuri’s ‘Some Whispers From Eternity

May 28, 2024 Staff ReporterCulture, Religion 0

“Each soul is potentially divine. The goal is to reveal the divinity within,” proclaimed Vivekananda. The Bhagavad Gita offers various paths to achieve this, including jnana yoga, karma yoga, and bhakti yoga. Shomik Chaudhuri’s book, “Some Whispers From Eternity” (hereafter “Whispers”), explores achieving self-realization through Om Kriya Yoga.

For those seeking simple guides to Vedic practices, “Whispers” might not meet expectations. This book demands serious engagement, with an in-depth approach that discourages superficial reading or selective skimming.

In the introduction, Chaudhuri emphasizes the neglected importance of the spiritual level, which he describes as “the foundation of our very existence.” He posits that reconnecting with our spiritual selves could address many contemporary life issues. He encourages readers to practice the Kriyas described in “Whispers” methodically, step by step.

Kriya, a Sanskrit term meaning ‘action’, forms the essence of Kriya Yoga—a path of spiritual progress through action. Chaudhuri explains Kriya Yoga as a disciplined system for spiritual development.

In an exclusive interview with News India Times, Chaudhuri shared his lifelong fascination with yoga and meditation. As a child, he mimicked meditation, and in college, a professor initiated him into Kriya Yoga, a practice he has continued ever since. Moving to the U.S. highlighted for him the necessity of a guru’s guidance. Chaudhuri’s spiritual journey advanced significantly when he met Jagatguru Ramanandacharya Rajivlochanacharya, who was initiated by Mahavatar Kriya Babaji, the reviver of Kriya Yoga.

Recalling his first encounter with Jagatguru Ramanandacharya, Chaudhuri described him as possessing a “glorious face and a personality vibrating with energy,” adding that his eyes were “like the sun.” This meeting, followed by his initiation, profoundly transformed Chaudhuri’s understanding of the universe.

In Vedic tradition, an enlightened Guru alone can impart the esoteric knowledge and guidance required for Kriya Yoga. This aspect of the Vedic yoga systems demands earnest attention and respect. Inspired by his guru’s wish to disseminate this wisdom, Chaudhuri authored “Whispers.” Although writing the book faced numerous delays, Chaudhuri credits divine assistance for its completion. He emphasized that “Whispers” offers comprehensive information to facilitate sincere practice.

“Whispers,” aimed at readers over 12 years old, aims to alleviate sadness, anxiety, and depression, promoting spiritual upliftment through OM Kriya Yoga. Chaudhuri believes that this practice can foster an awareness of the interconnectedness of all beings and ultimately lead to world peace, asserting, “Peace cannot be created outwardly. Everything comes from within us.”

Chaudhuri warns against simplistic online tutorials for awakening the Kundalini. “Rousing Kundalini requires sincerely following a few processes,” he explains, cautioning that it demands thorough preparation and cannot be rushed. Improperly arousing the Kundalini can be harmful, whereas a natural approach ensures manageable experiences.

Despite the dense content, Chaudhuri makes “Whispers” accessible through conversational narratives with a friend. However, he notes that diagrams could have further clarified his explanations.

A distinctive feature of “Whispers” is the historical and architectural descriptions of renowned Indian temples at the end of each chapter. The book justifies this by noting, “In Vedic times, the temple was seen as a link between man and god, and between the actual and the ultimate.” Chaudhuri asserts that ancient temples are energy powerhouses, with their architecture following Vastu Shastra principles. For example, Chapter 1 elaborates on the Tirupati temple in Andhra Pradesh, highlighting its symbolic representation of elemental principles.

“Whispers” also guides readers in identifying Chakras before performing Kriyas to awaken the Kundalini Chakra. Chakras, explained as energy wheels from the spine’s base to the head’s crown, store the energy of thoughts, emotions, memories, and actions. These energy centers influence our attitudes, behaviors, emotional health, and actions. The book then explores Patanjali’s eightfold Yoga Sutras, which prepare the body and mind for enlightenment and self-realization.

Chaudhuri introduces OM Kriya Yoga later in the book, likening it to entering a temple’s innermost sanctum. The first step involves chanting OM, where ‘O’ is chanted 25% of the time and ‘M’ 75%. “It is actually AUM, but the ‘A’ and ‘U’ combine to become ‘O’,” the book clarifies. Subsequent chapters detail Kriyas involving movements like raising hands or closing ears while chanting OM to harness its power.

The book dedicates an entire chapter to Chaudhuri’s gurus, Mahavatar Kriya Babaji and Jagadguru Ramanandacharya Rajivlochanacharya, detailing their lives and teachings.

Chapter 12 addresses achieving balance in daily life, outlining the four Purusharthas (goals): Dharma, Artha, Kama, and Moksha. It delves into Patanjali’s Yoga Sutra methods for balancing physical, mental, emotional, spiritual, social, environmental, work-related, and financial health.

“Whispers” concludes with guidance on realizing the oneness of all creation. Chaudhuri, with a strong interest in quantum physics, is convinced of the unity of existence, stating, “The whole creation is one, in various forms.” The book aims to illuminate this truth.

“Whispers” is a profound and comprehensive guide for those earnestly seeking spiritual advancement through Om Kriya Yoga, blending ancient wisdom with practical instructions for modern spiritual seekers.

Asia Society Honors Five Extraordinary Women at Asia Arts Game Changers Gala

May 25, 2024May 27, 2024 Staff ReporterCulture, Women 0

Asia Society New York hosted the annual Asia Arts Game Changer Awards on May 16th, 2024, recognizing five exceptional female artists and architects for their contributions to artistic environmental activism. “Through work spanning art, architecture, design, and more, they have expanded how we understand art, history, culture, and identity. Each artist has carved out a unique space for their art, but what is shared is their commitment to the environment,” remarked Asia Society President and CEO Dr. Kyung-wha Kang.

Asia Society Museum Director Yasufumi Nakamori kicked off the awards ceremony, noting the ingenuity of this year’s honorees: “Their meticulous research on a wide range of subjects from climate to building structures transform what we understand as art and architecture today. Through their work we are made aware of how the climate crisis affects the world.”

When presenting artist Rina Banerjee with one of the five 2024 Asia Arts Game Changer awards, art historian Joan Kee said that “beholding one of Banerjee’s works is like holding a galaxy of information.” Banerjee creates multi-faceted sculptures, paintings, and drawings. As a trained artist and an engineer, she often uses antiques alongside synthetic material like plastic to highlight the legacies of colonialism. In Banerjee’s own words, her work shows how “what can become beautiful and grotesque becomes blurred,” highlighting “how vulnerable our world really is.”

Artist Minouk Lim was honored for what curator Lauren Cornell calls “an ability to turn memory into material and find new ways to understand the present.” In her art, Lim uses non-traditional organic ingredients, like squid bones, that people would otherwise not come into contact with. “Words like climate emergency and climate degradation are too abstract, so I try to bring them into my work and make them concrete,” said Lim.

Architect and artist Maya Lin is known for her remarkable memorials that bridge art and history, the first of which was the Vietnam Veterans Memorial in Washington, D.C. “If I can present the facts, you will come away with another way of seeing the future,” shared Lin, explaining how her memorials focus on more than just loss.

Her fifth memorial, What is Missing?, is a cross-platform, global memorial to the planet that calls attention to the crisis surrounding biodiversity and habitat loss. An interactive presentation from What Is Missing is currently on view in Asia Society Museum’s COAL + ICE exhibition. “Someone once asked me ‘as far as the environment is, am I optimistic?’ and I just want to say, we have no choice but to be wildly optimistic,” said Lin as she accepted her award.

Architect Toshiko Mori has worked on a broad range of award-winning architectural programs across the world, including urban, civic, institutional, cultural, residential, and museum design. When presenting her with the Arts Game Changer Award, Asia Society Trustee Betsy Cohen remarked on Mori’s renowned work for the Brooklyn Central Library. “The element that stands out to me from Toshiko’s professional career is the way in which she translated an idea on paper into something that is beloved by the community that frequents the institution,” said Cohen.

The final award of the evening was presented to artist Anicka Yi, who has produced a unique body of work that blurs the lines between what is human, animal, plant, and machine. Yi says she fuses “ancient wisdom with contemporary paradigms to better contribute to our planet.” Curator Lydia Yee, who presented the Asia Arts Game Changer Award, praised Anicka for her ability to explore complex questions like ‘what does climate change smell like?’ “She invites us to break free from behavioral patterns that are changing our ecosystem,” said Yee.

Throughout the evening, guests could bid on auction items that were on display from artists Francesco Clemente, Vibha Galhotra, Jitish Kallat, Yayoi Kusama, Christian Marclay, Hiroshi Sugimoto, and Sara VanDerBeek. The auction, made possible through a partnership with Artsy, will be open through May 21, 2024.

Geologist Uncovers Possible Location of Leonardo da Vinci’s Mona Lisa in Lake Como’s Lecco

May 21, 2024 Staff ReporterArt, Culture 0

Leonardo da Vinci’s Mona Lisa is one of the most enigmatic paintings in history, raising questions about the identity of the figure and her mysterious expression. Recently, one of the painting’s secrets might have been uncovered, according to an Italian geologist.

Ann Pizzorusso, a geologist and art historian who specializes in Leonardo and the Renaissance, claims she has pinpointed the location depicted in the Mona Lisa through her geological expertise. Thirty years ago, Pizzorusso visited Lecco, a town on the southeastern shore of Lake Como in Italy, suspecting it to be the backdrop of the famous painting. She retraced Leonardo’s steps using his diary entries and drawings. “In his notebook, he mentions being in Lecco,” Pizzorusso shared in a phone interview with CNN. “He was working as an engineer.”

Although the project Leonardo was working on in Lecco was canceled, his geological field sketches survived. One such drawing, in red chalk, shows a mountain range near Lecco and is part of the Royal Collection at Windsor, London.

Pizzorusso is not the first to propose a location for the Mona Lisa’s background. In 2011, an art historian suggested the scenery was from Bobbio, while another pointed to Arezzo. However, Pizzorusso claims she is the first geologist to make such a claim. She argues that previous theories focused on the arched bridge over Mona Lisa’s right shoulder, but she believes the unique rock formations in the horizon are more revealing. “Bridges are fungible,” she stated. “If you look in the background, you’ll see pinnacles. It’s a type of erosion that happens in limestone that has fractures in it and breaks off in blocks, almost like a sawtooth pattern… We can show limestone exists in (Lecco). When you look at the Mona Lisa, there’s a series of mountains in the background that have this sawtooth pattern.”

Moreover, Pizzorusso suggests that the body of water behind Mona Lisa is Lake Como, a subalpine glacial lake dating back about 10,000 years. “If you look behind her you have the elongated glacial lakes that have a particular form like fingers,” she explained. “Because when the glacier moved it scoured out certain pieces of land.”

Despite her conviction, Pizzorusso kept her theory to herself for 30 years, only discussing it casually with other Leonardo scholars. She recently returned to Lecco, still confident that “everything added up,” and plans to present her findings at a geology conference in the town.

Pizzorusso argues that combining earth science with art history can enhance our understanding of Leonardo’s work. She pointed out that other Renaissance artists, like Botticelli and Michelangelo, often neglected their backgrounds because they prioritized their figures. “If the background is painted right, it gives you more of an appreciation for nature,” she said. Pizzorusso also expressed surprise at the widespread interest in her findings. “Maybe (Leonardo) was trying to channel me for the environmental movement or something,” she joked. “It’s a testament to how much people love this painting.”

However, identifying Lecco as the Mona Lisa’s setting could raise more questions than answers. If Leonardo did indeed choose Lecco, the mystery deepens as to why he picked that particular location for the portrait. “We don’t know who (Mona Lisa) is; some believe she was a rich Tuscan merchant’s wife,” Pizzorusso mentioned, referring to a common theory that the figure represents Lisa Gherardini, an Italian noblewoman. “Why did he put her in this wild, untamed environment? This is not Tuscany. What was he trying to tell us by putting this serene, enigmatic lady in this rugged, alpine environment?”

Pizzorusso is captivated by the potential message behind Leonardo’s choice. “I’m really intrigued as to what his message was to us,” she mused.

Third Annual Gold House Gold Gala Celebrates Asian Pacific Icons with Star-Studded Event in Los Angeles

May 20, 2024 Staff ReporterCulture, Entertainment 0

The third annual Gold House Gold Gala took place at The Music Center in Los Angeles on May 11, earning its reputation as the “Asian Met Gala.” This notable event honors icons and trailblazers from the Asian and Pacific Islander communities across various industries.

The evening was a memorable celebration of the most impactful Asian Pacific leaders featured on Gold House’s ‘A100’ list, recognizing their achievements over the past year. The gala was hosted by Bing Chen, co-founder and CEO of Gold House.

Among the prestigious honorees were Lucy Liu, Bang Si-hyuk (noted for launching BTS among others), Padma Lakshmi, and Karan Johar, who received the Gold Legend Awards. Other notable figures, such as Saweetie, Cynthia Erivo, and Hoa Xuande, were also acknowledged for their contributions.

Rohini Iyer, head of Hindi film PR at Raindrop Media, made a notable appearance on the gold carpet. She was one of the few Indian entrepreneurs invited to the exclusive event, fresh from her high-profile appearances at prestigious New York events. The gala also saw attendance from major icons and emerging talents from Hollywood and Asia, including Michelle Yeoh, Ok Taecyeon, Miky Lee (vice-chair of CJ Group and producer of the Oscar-winning film Parasite), Lilly Singh, Jay Shetty, Maithreyi Ramakrishnan, Darren Barnet, Halsey, Avantika, Poorna Jagannathan, Rupi Kaur, and Bela Bajaria.

Forbes highlighted the expansive reach of Gold House, stating, “Gold House has always been cross-industry, cross-generational, and cross-continental. However, our roots are in Hollywood and Silicon Valley. Our flagship events like the Gold Gala increasingly reflect our expansion to be even more inclusive of various industries and communities. We know it takes several industries to rebalance true socioeconomic opportunities, and we are here to welcome, partner with, and invest in those who have been doing remarkable work in their own fields,” shared Bing Chen.

Chen further elaborated, “The amount of heart layered in every detail is endless; nothing went untouched. Our priority is not just to continue delivering the seminal Asian Pacific gathering but to create a seminal cultural gathering that moves and ignites with every step. Every element of the Gold Gala is inspired by an experience or identity of our community: from my personal favorites of honoring Hello Kitty (and having her on the carpet) to the Michelin South Indian cuisine from Semma’s Vijay Kumar and Padma Lakshmi, to the first time the 2022 Gold Olympians will be recognized for their reclamation, to having Saweetie perform just days before she releases her first single in years, to opening the Billboard Founders Party dance floor with RuPaul’s Drag Race’s recent winner Nymphia Wind and Steve Aoki, to the karaoke room and late night Panda bites. It is heart over hand to every corner of this Golden New World.”

This year’s Gold Gala continued to build on its legacy of honoring significant contributions and achievements from the Asian Pacific community. Lucy Liu, a celebrated actress and advocate, received accolades alongside Bang Si-hyuk, the mastermind behind BTS, who has revolutionized the music industry. Padma Lakshmi, known for her culinary prowess and advocacy, and Karan Johar, a film industry titan, were also honored, receiving widespread applause.

The presence of prominent figures such as Saweetie and Cynthia Erivo added to the evening’s prestige. Hoa Xuande, recognized for his work in entertainment, further highlighted the diverse talent celebrated at the gala.

Rohini Iyer’s presence underscored the global reach of the event, as she represented a significant figure from the Indian entertainment industry. Her inclusion among the attendees emphasized the gala’s inclusivity and recognition of diverse entrepreneurial contributions.

The Gold Gala’s guest list featured a mix of established stars and emerging talent. Michelle Yeoh, an acclaimed actress known for her work in both Hollywood and Asian cinema, graced the event. Ok Taecyeon, a South Korean actor and singer, represented the growing influence of K-pop and Korean entertainment on the global stage. Miky Lee, a notable figure in the entertainment industry, highlighted the evening’s star power.

Other influential attendees included Lilly Singh, a renowned comedian and content creator, Jay Shetty, a motivational speaker and author, and Maithreyi Ramakrishnan, a rising star in Hollywood. Darren Barnet, known for his roles in popular series, Halsey, a chart-topping musician, Avantika, a young actress, Poorna Jagannathan, an accomplished actress, Rupi Kaur, a celebrated poet, and Bela Bajaria, a significant figure in the entertainment industry, also attended the gala.

Gold House CEO Bing Chen emphasized the event’s commitment to inclusivity and cross-industry representation. “Gold House has always been cross-industry, cross-generational, and cross-continental. However, our roots are in Hollywood and Silicon Valley,” he stated. Chen’s remarks highlighted the gala’s evolution into a broader celebration of diverse communities and industries.

Chen’s detailed overview of the gala’s elements showcased the event’s dedication to honoring Asian Pacific culture. The inclusion of Hello Kitty on the carpet and the Michelin-starred South Indian cuisine from Vijay Kumar and Padma Lakshmi exemplified the cultural richness celebrated at the gala. The recognition of the 2022 Gold Olympians for their achievements added a significant milestone to the event.

Saweetie’s performance, just days before the release of her new single, brought an exciting musical element to the evening. The opening of the Billboard Founders Party dance floor by RuPaul’s Drag Race winner Nymphia Wind and DJ Steve Aoki added a vibrant and energetic atmosphere to the gala. The karaoke room and late-night Panda bites further enhanced the celebratory mood, making it a night to remember.

The Gold House Gold Gala not only celebrated the achievements of the Asian Pacific community but also highlighted the cultural contributions that resonate across various industries. With its inclusive approach and dedication to recognizing diverse talents, the gala continues to be a significant cultural gathering that honors and inspires.

India Shines at 77th Cannes Film Festival: Bharat Pavilion Showcases Cinematic Brilliance and Cultural Richness

May 18, 2024 Staff ReporterCinema, Culture 0

The Indian Ministry of Information and Broadcasting unveiled the Bharat Pavilion at the 77th Cannes Film Festival on May 15, aiming to highlight India’s cinematic contributions on a global platform.

The Bharat Pavilion is a staple at Cannes, and its inauguration was attended by key figures such as Secretary Sanjay Jaju of the Ministry of Information and Broadcasting, and Jawed Ashraf, India’s Ambassador to France. Filmmaker Richie Mehta was among the prominent industry representatives present.

Secretary Sanjay Jaju expressed satisfaction with India’s growing representation in the official Cannes selection this year. He emphasized the government’s commitment to supporting Indian projects at the festival, noting the pavilion’s pivotal role in fostering networking and collaboration. “The pavilion is a hub for networking and collaboration, elevating the visibility and accessibility of Indian cinema worldwide,” Jaju highlighted.

Ambassador Jawed Ashraf discussed India’s rising global importance, particularly in cinema, as a vehicle for showcasing its cultural depth and storytelling capabilities. He elaborated, “India is gaining attention worldwide, both geopolitically and economically, due to its philosophical contributions, thoughts, and ideas. Its role in a multipolar world of great uncertainty is significant as we transition from the existing international order into a new one. All these aspects are interconnected, making it increasingly important for us to have a greater presence abroad, particularly in cinema.”

Filmmaker Richie Mehta expressed his pride in bringing Indian narratives to an international audience. He shared, “It’s such a momentous occasion of Indian cinema here. One of my missions as a Canadian Indian has been to export the best of Indian storytelling, not just from a film standpoint, but from the stories, from people on the ground, from the amazing culture that we have to show the world. It’s a real honour to be a part of this inaugural.”

The participation of various Indian states, including Jammu & Kashmir, Karnataka, Goa, and Maharashtra, in the Cannes Film Market, was another highlight. These states showcased India’s diverse filming locations and state-level incentives for international film production. Notably, three films facilitated by India’s Film Facilitation Office (FFO) were shortlisted in different sections of this year’s festival.

The Bharat Pavilion hosted numerous panel discussions and networking sessions throughout the festival. These events provided insights into Indian films, talent, and industry opportunities, fostering greater international collaboration.

Renowned Indian actresses Aishwarya Rai Bachchan and Aditi Rao Hydari returned to the Cannes red carpet, representing L’Oréal Paris, the official Makeup Partner of the Festival de Cannes. Other Indian actors, including Kiara Advani, Shohita Dhulipala, Jacqueline Fernandez, Urvashi Rautela, and Deepti Sadhwani, were also featured on the red carpet.

The Bharat Pavilion at Cannes remains a crucial initiative, reinforcing India’s cinematic presence on the world stage and promoting its rich cultural heritage through the medium of film.

Global Leaders and Pope Francis to Tackle Contemporary Issues at Vatican’s International Meeting of Sens

May 18, 2024 Staff ReporterCulture, Education 0

Scholas Occurrentes, in collaboration with CAF – the Development Bank of Latin America and the Caribbean – is organizing the International Meeting of Sense from May 21-23. This significant event will gather rectors from the world’s leading universities, esteemed academics, and notable global cultural figures, with Pope Francis making an appearance on the final day. Participants, including influential young leaders, artists, and experts in culture, politics, and technology, will convene in Vatican City to develop practical solutions to the challenges facing the University of Sense. This initiative, overseen by Pope Francis and managed by the Scholas Occurrentes International Educational Movement, aims to address various critical issues exacerbated by the global crisis in contemporary meaning, such as technology, the environment, and mental health.

The concluding session will occur on Thursday, May 23, at 3 p.m. in the Old Synod Hall, where the participants will present their findings and recommendations to Pope Francis. This event continues the traditional collaboration between Scholas and CAF, which has included notable educational initiatives such as the launch of the first Laudato Sí School in May 2022. This initiative saw 50 young representatives from various Latin American and Caribbean countries come together to discuss pressing environmental and social issues.

Additionally, the International Meeting of Eco-Educational Cities, held in May 2023, brought together 40 mayors from the region in Rome to enhance their leadership and management skills for promoting sustainable development. These previous initiatives’ progress and outcomes will be shared at this upcoming meeting.

Heeremandi: The Diamond Bazaar – A Grand Saga of Passion, Betrayal, and Redemption Unfolds in Sanjay Leela Bhansali’s Web Debut

May 17, 2024 Staff ReporterCulture, Entertainment, News 0

Heeremandi: The Diamond Bazaar, Sanjay Leela Bhansali’s foray into the world of web series, offers a rich tapestry of intrigues, conspiracies, and complex emotions, all wrapped in the grandiose style typical of the filmmaker. Drawing inspiration from a story by Moin Beg, Bhansali weaves together a narrative that mirrors his signature blend of opulence, intense human drama, and historical backdrop, reminiscent of his acclaimed films like Bajirao Mastani, Padmaavat, and Gangubai Kathiawadi. Set against the backdrop of Heeramandi, a fictionalized version of Lahore’s famed Heera Mandi, the series transports viewers to a bygone era of cultural richness and social intricacies.

Originally known as Heera Mandi, the real-life locale was a vibrant center of art and culture during Maharaja Ranjit Singh’s reign, attracting courtesans renowned for their mastery of classical arts. These women, known as tawaifs, were not merely entertainers but also intellectuals, influencers, and even revolutionaries, leaving an indelible mark on the socio-cultural landscape of their time. However, the decline of Heera Mandi, attributed partly to British colonization and Victorian morality, saw the fading of its once-thriving arts scene.

Bhansali’s narrative ingeniously intertwines fictional characters with real historical figures, offering a dramatic reinterpretation of their lives and motivations. Mallikajaan, portrayed by Manisha Koirala, emerges as the central figure—a formidable courtesan whose past sins and familial ties catalyze a series of tragic events. Sonakshi Sinha delivers a compelling performance in a dual role, embodying the cunning and vengeful Fareedajaan and the tragic figure of Rehana. Adhyayan Suman’s portrayal of Zoravar, Mallikajaan’s estranged son, adds depth to the narrative, while Sharmin Segal’s Alamzeb grapples with her desire for love and freedom amidst familial discord.

At the heart of the story lies the forbidden romance between Alamzeb and Nawab Tajdar, played by Taaha Shah Badussha, whose union becomes a symbol of defiance against societal norms and political upheaval. As the characters navigate a landscape fraught with betrayal and intrigue, their destinies become intertwined in the backdrop of India’s struggle for independence.

Bhansali’s meticulous attention to detail is evident in every aspect of production, from the lavish sets and costumes to the evocative cinematography. While the music may not reach the heights of Bhansali’s previous works, the stellar performances and riveting script captivate the audience throughout the near-eight-hour runtime. Notable performances include Sanjeeda Sheikh’s portrayal of the conflicted Waheeda and Richa Chadha’s poignant turn as Laddo.

While the series boasts a stellar cast, including veterans like Manisha Koirala and Sonakshi Sinha, as well as promising newcomers, some performances fall short of expectations. Aditi Roy Hydari shines in her role as Bibbojan, while Sharmin Segal’s portrayal of Alamzeb leaves room for improvement.

Despite its flaws, Heeremandi: The Diamond Bazaar is a testament to Bhansali’s vision and ambition, offering viewers a sumptuous feast of storytelling and spectacle. As the series unfolds against the backdrop of Heeramandi’s fading glory, it invites audiences to immerse themselves in a world of passion, betrayal, and redemption—a quintessential Bhansali experience not to be missed.

Cartier’s Enduring Legacy: A Journey of Cultural Fusion and Artistic Mastery

May 17, 2024 Staff ReporterArt, Culture, News 0

A sunlit, sepia-toned image depicts a stylish European gentleman, complete with a handkerchief peeking out of his pocket and a cigarette poised between his fingers, amidst a group of men garbed in bisht and keffiyeh. This snapshot freezes a moment from Jacques Cartier’s inaugural voyage to the Persian Gulf in 1911, marking his return journey to London from Delhi—a business venture instigated by his father, Alfred, who then helmed the Cartier enterprise. The waning power of the Ottoman Empire and the Persian Constitutional Revolution of 1905 had inundated Europe’s artistic hubs with novel influences, birthing an aesthetic christened as “the Muslim arts.” Driven by an insatiable curiosity, Jacques embarked on a four-month odyssey across Asia and the Middle East, delving into bustling bazaars, engaging with high society, and immersing himself in the cultural tapestry.

Fast forward over a century, and the enduring impact of Jacques’s expedition—and his enduring fascination with Islamic and Indian artistry—finds expression in a freshly minted tome, “Cartier: Islamic Inspiration and Modern Design,” birthed from exhibitions held in Abu Dhabi, Dallas, and Paris. Within its pages lies a homage to the maison’s enduring fusion of quintessential French craftsmanship with the intricate beauty of Islamic art, chronicling the transformative influence of Jacques’s voyages across the landscapes of India, Bahrain, Egypt, Oman, and what is now Dubai—altering the trajectory of Cartier’s jewelry craftsmanship irreversibly.

Louis, Jacques’s elder sibling, emerged as a fervent aficionado of Persian miniatures, Islamic relics, and Asian artistry, traversing Indian locales such as Kolkata and Hyderabad in pursuit of treasures, while cultivating a distinguished clientele among the ruling maharajahs.

Meanwhile, Jacques set sail across the Arabian Sea to Bahrain, questing for pearls to adorn opulent tiaras and embellish vanity cases and brooches destined for Indian royalty, European aristocracy, and the crème de la crème of American high society. Consequently, Cartier garnered renown for its masterful interpretations of Persian gardens, Kashmiri and Egyptian motifs, and the mesmerizing complexity of Islamic geometric designs—a natural consequence of the maison’s embrace of global cultural currents.

SAREE GOES GLOBAL: CELEBRATING CULTURAL DIVERSITY IN THE HEART OF TIMES SQUARE, NEW YORK CITY

May 14, 2024 Staff ReporterCulture, Fashion 0

*New York, May 4th, 2024* – Saturday, in the bustling heart of Times Square, New York City, cultural diversity took center stage as British Women in Sarees partnered with Uma to host the iconic Saree Goes Global event. This celebration, held at Father Duffy Square, Times Square, showcased the timeless elegance of the saree through music, dance, and a vibrant Saree Walkathon. This event was supported by the Consulate General of India in New York, Mr. Binaya Srikanta Pradhan.

1 (1) — The Saree Goes Global US host committee with Dr. Jessica Sims from the St. George’s Society of New York at the Press Briefing at the Consul General of India in New York

Building on the success of internationally acclaimed events like the Royal Ascot Ladies’ Day and the historic Saree Walkathon at Trafalgar Square in London, the Saree Goes Global event brought together over 500 participants from at least nine different saree-wearing countries. This spectacle was not just a celebration of cultural diversity but also a platform to support artisans in rural India, preserving traditional craftsmanship.

Speaking at the pre-event press briefing hosted by the Consul General of India in New York, Deputy Commissioner Dilip Chauhan of the Mayor’s Office of International Affairs expressed his gratitude to Dr. Rita Kakati-Shah and Dr. Dipti Jain for their dedication and leadership in organizing this magnificent event. He emphasized the significance of the saree in promoting heritage and cultural exchange, echoing the city’s commitment to inclusivity and economic growth, particularly for Minority and Women-Owned Businesses (MWBEs).

2 (1) — Deputy Commissioner Dilip Chauhan addressing the audience at the Press Briefing at the Consul General of India in New York

Dr. Dipti Jain, Chairperson of British Women in Sarees, and Dr. Rita Kakati-Shah, President of Uma Global, also provided remarks, highlighting the importance of the saree as a symbol of unity and the empowerment of women worldwide.

Dr. Jain, a Geriatrician by profession, shared her passion for sarees and her commitment to raising awareness of this garment globally. Dr. Kakati-Shah, a medic turned entrepreneur and philanthropist, emphasized Uma’s dedication to empowering underprivileged girls, youth, and women, both in New York City and beyond.

Other dignitaries present at the event included Ms. Shruti Pandey, Consul (Political, Press, Information and Culture) at the Consulate General of India in New York, who shared that the saree transcends borders with its versatility and beauty, not just in India, but across the globe. Dr. Jessica Sims who represented the British charity, St. George’s Society of New York, which was founded in 1770 predating the American Revolution, commented on the importance of the saree to promote cultural diversity, which is aligned to the work St. George’s Society of New York does to support students, families and seniors from Commonwealth backgrounds in New York City.

Jessica Sims, Dipti Jain, Deputy Commissioner Dilip Chauhan, Rita Kakati-Shah with participants at the Saree Goes Global Event in Times Square

This event was made possible through the support of the Consul General of India in New York, The Mayor’s Office of New York City, Times Square Alliance, NYC Department of Parks, and numerous local cultural and community groups.

In an exciting addition to the event, Deputy Commissioner Dilip Chauhan of the Mayor’s Office of International Affairs honored Dr. Rita Kakati-Shah and Dr. Dipti Jain on behalf of New York City Mayor Eric Adams, with a Proclamation for their work, further highlighting the significance of their contributions.

As the vibrant pulse of Times Square beat to the rhythm of the Saree Walkathon, participants and spectators alike embraced the spirit of unity and collaboration. In a world often divided, events like Saree Goes Global serve as a powerful reminder of the strength found in our diversity.

**About the Organizations:**

British Women in Sarees is dedicated to raising awareness of the saree while supporting handloom artisans in India through high-profile events.

Citation presented to Dr. Rita Kakati-Shah by Deputy Commissioner Dilip Chauhan on behalf of New York City Mayor Eric Adams at Times Square

Uma is a leading organization empowering underprivileged girls, youth, and women through educational and cultural resources, with a global presence headquartered in New York City.

**About the Organizers:**

Dr. Dipti Jain, a passionate saree lover, is Chairperson of British Women in Sarees and works as a Geriatrician in the UK.

Dr. Rita Kakati-Shah, President of Uma Global, is an entrepreneur and philanthropist dedicated to empowering women globally.

*For additional information please contact the Media and PR Team at Uma: pr@beboldbeuma.com

GOPIO Honors Dharmatma Saran – Cultural Ambassador of India to the World, For Promoting Networking of Young Women Achievers

May 4, 2024May 14, 2024 Ajay GhoshProfile, Culture 0

Dharmatma Saran, a cultural ambassador of India to the world for promoting networking of young women achievers through his annual Miss India Worldwide Pageant was among the four prominent Indian Americans who were honored by The Global Organization of People of Indian Origin (GOPIO) during the historic 35^th annual convention on April 27^th, 2024 at the Royal Albert Palace, Fords, New Jersey, USA.

outstanding community service at its Convention 2024 celebrating its 35^th Anniversary on April 26-28, 2024 at They will be honored at the Finale Awards Banquet of the convention on April 27^th.

Dr Neerja A. Gupta, the first woman Chancellor of Gujarat University, Ahmedabad, India; Dr. V.K. Raju M.D. who has been providing great service in eradicating childhood blindness; and Lion Hina Trivedi of Chicago as a great community builder were the other three distinguished persons of Indian origin who were honored during the Convention.

Dharmatma Saran is the chairman and founder of the New York-based India Cultural Festival (IFC) that organizes the trail-blazing Miss India Worldwide, and is a pioneer in entertainment, holding Indian pageants and fashion shows in the USA and worldwide.

Originally from Patna, Bihar, Dharmatma Saran has been in the United States for over 50 years. Promoting Indian culture in the USA and around the world has been his passion.

From 1981, serving as the Chairman of Public Relations of the Federation of Indian Associations (FIA) which organizes the biggest India Day Parade outside of India, Saran laid the foundation of cultural activities of FIA since its inception in 1978.

Also, as Past Chairman of the International Cultural Committee of the Global Organization of People of Indian Origin (GOPIO), Saran contributed to the cultural activities of GOPIO since its inception in 1989. He is also a Founding Member of GOPIO.

With this experience, Dharmatma Saran started the first international Indian pageant “Miss India Worldwide,” which has affiliates in over 35 countries. He has brought a new dimension to pageantry as his pageants promotes Indian culture, traditions, values and performing arts. With his wife, Neelam Saran, he travelled to over 35 countries to start Indian pageants. Often referred as “India’s Cultural Ambassador to the world”, he is solely responsible for starting Indian pageants in various parts of the world.

Saran has judged many pageants including being the first NRI to be invited to judge Femina Miss India (Times of India Group) in 1992. Recipient of various awards around the world for bringing the international Indian community on one platform through pageantry including the Shiromai Award 1996 presented by P.A. Sangma, the then Speaker of India’s Lok Sabha, and Bharat Gaurav Award from Sanskriti at The United Nations in 2017.

Saran commands great respect and adulation from his past contestants and winners as well as from his State and National Directors in the USA and around the world.

Saran has become an internationally well-known leader in promoting pageantry around the world. Support came from most unexpected quarters. Noted actress, social worker, feminist and leader, Shabana Azmi, who is known to blast all beauty pageants, endorsed Saran’s show as noble as it helped fund the deserving children.

“The IFC motivates and guides its winners and contestants to take up charitable causes. Many of our past winners have raised substantial amount of money for various charities, especially for handicapped children,” says Saran.

IFC has used the title to raise funds for the poor and the needy. Saran has been successful in combining beauty with charity. It was Saran’s dream that beauty works for a good cause. Bela Bajaria, one of his highly successful beauty queens from Los Angeles, has collected $35,000 each year for the Hand and Heart for the Handicapped for many years to help disabled children in US and India. Another successful Miss India Hong Kong collected $100,000 in a charity ball to help the helpless people.

Saran credits the success of the pageantry to his family and a team of hard working people. “I don’t know how I would have fared but for the unstinted support of Air India. Also my friends former News India editor John Perry; President of Jackson Heights Merchants Association V.N. Prakash; TV Asia Chairman Padmashree H.R. Shah, Bombay Broadcasting’s Giri Raj; and all the successive Indian Consuls General have stood with me.” he recalls with gratitude.

Saran is blessed with an understanding wife Neelam. She has been a source of great strength and support to him from the day one. His two daughters, Neema and Ankeeta have always been of great support and assistance.

Saran’s contributions to Indian culture has been appreciated and recognized by various organizations around the world and he has been acclaimed as “India’s cultural ambassador to the world.” He has traveled with his wife Neelam to various countries to start Indian pageant.

Saran and his dedicated band of men and women have inspired people around the world to participate in a truly remarkable spectacle that enjoys the status of a truly boundless Festival of good. The Miss India Worldwide is such a hallmark, it is not just a beauty pageant.

Exploring the Rich Tapestry of Indian Fashion: Tradition, Innovation, and Cultural Heritage Merge in Sartorial Splendor

May 3, 2024 Staff ReporterCulture, Fashion 0

India’s rich cultural diversity finds expression in its traditional attire, showcasing an array of styles, colors, and techniques. From the lavish ghagra choli of Rajasthan to the elegant grace of Kerala’s Kasavu sarees, each garment encapsulates centuries of tradition and skill (“India’s cultural diversity is vividly reflected in its traditional attire, showcasing a myriad of styles, colours, and techniques. From the opulent ghagra choli of Rajasthan to the refined grace of Kerala’s Kasavu sarees, each garment encapsulates centuries of tradition and craftsmanship.”)

Traditional and modern wear in India represent distinct approaches to fashion, each with its own ethos (“Though related, Traditional and modern wear represent divergent approaches to Indian fashion”). Traditional wear cherishes the past, preserving ancient techniques and motifs with care, while modern wear embraces innovation and global influences, reinterpreting classic styles for contemporary tastes (“Traditional wear reveres the past, preserving ancient techniques and motifs with meticulous care, while modern wear embraces innovation and global influences, reinterpreting classic styles for contemporary tastes”).

Both traditional and modern wear contribute to India’s vibrant fashion landscape, offering a myriad of choices for self-expression and cultural celebration. Together, they blend heritage with modernity, reflecting India’s enduring cultural allure (“Despite their differences, both categories contribute to India’s vibrant sartorial landscape, offering a tapestry of options for self-expression and cultural celebration. Together, they form a dynamic fusion of heritage and modernity, embodying the enduring allure of India’s rich cultural heritage in the ever-evolving world of fashion”).

Traditional attire in India goes beyond mere clothing; it serves as a tangible expression of the nation’s rich cultural heritage and identity. Spanning across regions and communities, traditional garments unify, transcending geographical boundaries to encapsulate pan-Indian culture (“Traditional wear in India is more than just clothing; it is a tangible expression of the country’s rich cultural heritage and identity. Spanning across regions and communities, traditional attire serves as a unifying force, transcending geographical boundaries to embody the essence of pan-Indian culture”).

Each traditional garment, whether adorned with the intricate embroideries of Banarasi sarees or the reflective brilliance of Rajasthani lehengas, narrates a story of craftsmanship and tradition handed down through generations. These garments are not just fabric; they are living relics of India’s historical legacy, carrying within them centuries-old techniques (“Whether adorned with the intricate embroideries of Banarasi sarees or the reflective brilliance of Rajasthani lehengas, each garment tells a story of craftsmanship and tradition passed down through generations. These garments are not mere fabric; they are living testaments to India’s historical legacy, carrying within them the artistry and skill of centuries-old techniques”).

What distinguishes traditional wear in India is its steadfast commitment to authenticity. These garments safeguard cultural heritage, conserving ancient techniques and motifs from bygone eras. From the intricate handloom textiles of Varanasi to the elaborate weaving traditions of Kanchipuram, traditional wear pays homage to the craftsmanship of yesteryears with unmatched precision (“What distinguishes traditional wear in India is its unwavering commitment to authenticity. These garments act as guardians of cultural heritage, carefully conserving ancient techniques and motifs originating from eras long past. From the intricate handloom textiles of Varanasi to the elaborate weaving traditions of Kanchipuram, traditional wear pays homage to the craftsmanship of yesteryears with unparalleled precision”).

In an era marked by rapid modernization, traditional wear serves as a timeless link to the past, offering continuity in an ever-changing world. It embodies a deep reverence for heritage, not just as attire but as tangible embodiments of cultural identity and legacy (“In an era marked by rapid modernization, traditional wear serves as a timeless link to the past, offering a sense of continuity in an ever-changing world. It embodies a profound reverence for heritage, not merely as clothing but as tangible embodiments of cultural identity and legacy”).

The resurgence of ancient techniques and motifs in modern fashion underscores the enduring significance of traditional wear. Amid the pursuit of innovation, historical treasures remain wellsprings of inspiration and admiration (“The revival of ancient techniques and motifs in modern fashion highlights the lasting significance of traditional wear, demonstrating that amid the pursuit of innovation, the treasures of history continue to serve as invaluable wellsprings of inspiration and admiration”).

Modern wear in India epitomizes innovation and adaptability, forging new paths in fashion. Unlike traditional wear, which draws from the past, modern wear embraces contemporary aesthetics and global influences, fusing styles across cultures (“Modern wear in India epitomizes innovation and adaptability, charting a bold new course in the realm of fashion. Unlike traditional wear, which draws inspiration from the past, modern wear embraces contemporary aesthetics and global influences, transcending cultural boundaries to create a fusion of styles”).

From blending Eastern and Western elements in couture to experimenting with avant-garde designs, modern wear celebrates individuality and experimentation. It reflects an ever-evolving landscape where designers anticipate and respond to shifting trends (“From the fusion of Eastern and Western elements in couture to the avant-garde designs that defy categorization, modern wear embodies a spirit of experimentation and individuality”).

The coexistence of traditional and modern wear in India creates a vibrant tapestry of fashion celebrating both heritage and innovation. While traditional wear preserves cultural authenticity, modern wear provides a platform for self-expression and departure from conventional norms (“A blend of traditional and modern wear in India complements each other, creating a vibrant tapestry of fashion that celebrates both heritage and innovation. While traditional wear preserves cultural authenticity, modern wear provides a platform for self-expression and liberation from conventional norms”).

This harmonious coexistence highlights the dynamic nature of Indian fashion, where the past and present merge to shape an evolving sartorial landscape. Each garment, whether a traditional Kanjeevaram saree or a contemporary Chikankari lehenga, resonates with tales of resilience, creativity, and cultural pride, serving as steadfast reminders of tradition amidst change (“This harmonious coexistence underscores the dynamic nature of Indian fashion, where the past and present converge to shape an evolving sartorial landscape. From the classic allure of a traditional Kanjeevaram saree to the modern sophistication of a designer Chikankari lehenga, each garment resonates with tales of resilience, creativity, and cultural pride, serving as steadfast reminders of tradition amidst rapid change”).

Unveiling the Power of Walking: A Pathway to Holistic Health and Wellness

April 26, 2024February 6, 2025 Staff ReporterHealth, Culture, Lifestyle 0

The Revelation of Walking

In the domain of health and fitness, walking often remains overshadowed by more vigorous exercises. Nevertheless, it stands out as one of the most efficient methods to improve overall health. From enhancing mental clarity to boosting cardiovascular fitness and managing weight, the advantages of walking are extensive and profound.

Tailoring Your Daily Walk

Determining the ideal daily walking distance isn’t as simple as it appears. It’s not merely about adhering to a standard but about customizing your walk to suit your individual health condition and objectives:

Weight Considerations: “Heavier individuals burn more calories per mile; thus, your body weight influences how much you should walk.”

Start Gradually: For newcomers to regular exercise, commencing with manageable distances and gradually increasing both the pace and duration of your walk is crucial.

Set Clear Goals: Establish clear, attainable objectives. If weight loss is your aim, you may need to aim for longer walks.

Dietary Integration: “Integrating walking with a balanced diet is crucial. The synergy of diet and walking can accelerate your progress towards your fitness goals.”

Optimal Walking Metrics

While individual needs differ, a general guideline for those aiming to improve fitness is to target around 10,000 steps daily, equivalent to approximately 7 to 8 kilometers. This objective aligns well with burning roughly 300 to 400 calories each day, potentially resulting in a loss of about half a kilogram per week when combined with a suitable diet.

Incorporating Walking Into a Busy Schedule

In today’s fast-paced world, achieving 10,000 steps daily might seem daunting. Here’s how I integrate walking into my hectic life:

Break It Down: “Segment Your Walks: Break down the goal into smaller, more manageable walks throughout the day. This could mean a morning walk, a midday stroll, and an evening walk.”

Walk to Work: If viable, walking to work not only contributes to your step count but also energizes your morning.

Choose Stairs: “Stairs Over Elevators: Opt for the stairs whenever possible to increase calorie burn.”

Walking Meetings: Transforming catch-ups into walking meetings not only benefits physical health but can also enhance creativity and team spirit.

Monitor Progress: Utilizing a pedometer or smartphone app to monitor your steps can offer motivation and accountability.

Walking surpasses mere physical exertion; it serves as a cornerstone of wellness, supporting both the mind and body in harmonious ways. While the 10,000-step goal serves as an excellent starting point, personalizing this target to align with your unique health journey is crucial for optimal benefits. Walking is less about reaching a destination and more about savoring each step on the journey towards a healthier, more vibrant life.

Sindhi Association Of Metropolitan Chicago Celebrates Cheti Chand, The Sindhi New Year With Rituals And Traditional Fervor

April 20, 2024 Asian Media USACommunity, Culture 0

On Sunday, April 7, 2024, the Sindhi Association of Metropolitan Chicago (SAMC) hosted a joyous celebration of Cheti Chand, the Sindhi New Year, at the elegant Ashyana Banquets in Downers Grove. The event was a resounding success, drawing attendees of all ages and featuring a delightful blend of cultural performances, prayers, and delectable Sindhi cuisine.

The Cheti Chand festival was graced by several dignitaries, including Mr. Somnath Ghosh, Consul General of India in Chicago, who served as the chief guest, along with prominent community figures such as mayor of Oakbrook Larry Herman, mayor of Schaumberg Tom Dailly, 3 times mayor of oakbrook Dr. Gopal Lalmalani, and Aurora Alderwomen Shewta Baid. All the guests of honor were welcomed and greeted with Sindhi Topi, Scarf and Dhol upon their arrival. The festivities commence with traditional Behrana and Prasad, followed by a lively Jalsa experience. Attendees participated in heartfelt prayers and paid homage to Jhulelal, the Sindhi deity, led by Dr. Gita Rupani and Manju Dadlani.

Sindhi Association Of Metropolitan Chicago Celebrates Cheti Chand The Sindhi New Year With Rituals And Traditional Fervor — Picture: Asian Media USA

Henna Ballaney and Ria Matta took the stage, captivating the audience for the entire cultural program. Namish Nagdev, a talented 9-year-old, eloquently conveyed the importance of Cheti Chand, emphasizing acceptance, unity, and the story of Jhulelal God. Mrs. Balaney sung a Special Cheti Chand Song. Multiple Dance Performances were performed by SAMC community ladies.

DJ Paulami Majumdar spun Bollywood beats, getting everyone on their feet and dancing to the rhythm. The culinary spread featured an array of mouthwatering Sindhi dishes, including Dal Pakwan, Chole Pattice, Sindhi Curry, Sindhi Fry Bhindi, Tairi, Sindhi Faluda, and refreshing special sindhi drink called Thandai.

The event was expertly organized by the SAMC Committee led by President Vinita Gulabani and Secretary Dr. Subhash Balaney. SAMC Committee dedication and leadership ensured a memorable celebration for the Sindhi community. Community members came together to volunteer for decorations, making-packing, distributing prasad, Raffel and support the event. SAMC sincerely thank all our sponsors for this event.

With over 250 attendees, the Cheti Chand festival at Ashyana Banquets exemplified the spirit of togetherness, cultural pride, and joy. Chicago Sindhis welcomed the Sindhi New Year with open hearts and a promise to cherish their rich heritage

Sindhi Association Of Metropolitan Chicago Celebrates Cheti Chand The Sindhi New Year With Rituals And Traditional Fervor 3 — Picture: Asian Media USA

Sindhi Association President Vinita Gulabani worked strenuously to colorfully showcase the cultural grandeur of the Sindhi community interspersed with dance, music, singing that ushered unfettered joy to the evening’s celebrations. Vinita Gulabani who is a dignified epitome of grace mobilized large attendance in celebrating the Sindhi association’s annual banquet. The highlight of the evening’s celebrations was her group dance presentation that was artistically presented with grace and cultural aesthetics that elicited thunderous applause.

FIA’s Chairman Sunil Shah profusely complimented the leadership of Vinita Gulabani in hosting a grand banquet that brought together the diverse community to celebrate the distinct culture of Sindhis.

Leader of distinction with considerable star power was honored at the banquet by Mayor of Schaumburg Hon. Tom Dailey, Mayor of Oakbrook Laurence Herman, Former Mayor Gopal Lalmalani Oakbrook Trustee Dr. Suresh Reddy.

President Vinita Gulabani in her remarks outlined Sindhi’s oldest civilizational roots with its rich distinct cultural heritage. Vinita Gulabani further presented a historical overview of the role of Sindhi Association in building bridges of friendship with the community organizations to help foster collaborative efforts in advancing the cultural, social and charitable ideals.

Lord Ram’s “Road Trips” Through The United States

April 20, 2024 Staff ReporterCulture, Religion 0

(RNS) — For the past month, four road-trippers have been making their way across the United States, snacking on vegetarian treats and playing Hindu devotional music called bhajans on the car radio.

For the first time in North America, an image of Lord Ram is being paraded from temple to temple on a two-month-long road trip, just in time for the deity’s birthday, Ram Navami.

With them, a very important passenger: the idol of baby Ram, or Ram Lalla. For the first time in North America, Ram Lalla is being paraded from temple to temple on a two-month-long, 16,000-mile road trip, just in time for Ram Navami — the birthday of Lord Ram.

“I bought the van and I said, ‘I’m going to go, anybody wants to join?’” said Amitabh Mittal, joint general secretary of the World Hindu Council of America-VHPA, the group behind the Ram Rath Yatra, or Ram chariot procession. “‘Just be part of it,’ I said. ‘Don’t regret it later.’”

Rather than a chariot, Ram’s normal conveyance in Indian versions of Mittal’s trek, the baby Ram is seated in the back of a decked-out Honda Odyssey, visiting about 14 mandirs, or temples, per day for about 30 minutes at each. From makeshift temples in strip malls to grand architectural feats like the massive new BAPS Robbinsville Mandir in northern New Jersey, Ram and his companions are making history.

“I would say I had a blessing from Shri Ram,” said Manan Raval, one of the four road-trippers. “If he wishes something, he will make it done, and he has willed that Amitabh Mittal called me. It’s all about Shri Ram. I am blessed that he chose me.”

Rath Yatras occur during Hindu festivals throughout India, where deities are charioted through the streets so that the general public can experience a darshan — a mutual look between worshipper and the image of a precious god.

The VHPA, or Vishwa Hindu Parashad of America, is the American arm of one of India’s most powerful religious organizations closely knit with the Hindu nationalist group RSS and its political arm, the Bharatiya Janata Party. These groups frequently support yatras, especially for Lord Ram, who has become one of the most prominent religious figures of the Hindu nationalist movement.

The best known Ram Rath Yatra occurred in 1990, when a political and religious rally was organized by the BJP and VHP to gain support for a temple dedicated to Lord Ram at the site of the 15th-century Babri mosque.

More than 30 years later, the long-awaited mandir has finally been built, dedicated by Prime Minister Narendra Modi in January, in a promise kept by the popular BJP and Modi, who has touted the mandir’s opening in his reelection campaign.

“At that time, we never dreamed that this was going to happen,” said Raval, who is the head of Bharat TV, an independent media organization covering the Yatra, whose family participated in the 1990 rally. “Even I was like in that opinion, that ‘they’re saying they will but they aren’t able to do it.’ They have proved themselves. “

But this North American journey, VHPA officials say, is less about nationalist politics, and more about unity.

The Ram Rath Yatra in India comprised of visits to more than 500,000 temples, but Mittal is pleased that more than 850 temples on this U.S. tour have made themselves available for a short and sweet darshan. “People say, ‘What? There are that many temples in the U.S.?’” he said. “Thirty years ago, we were struggling to make one temple.”

On Tuesday (April 16), the travelers passed through the Shree Raam Mandir in Tampa, Florida, where devotees wore their festive best and a small child could be seen dressed up as Lord Hanuman, the monkey god who is known to be Ram’s most devoted follower. “It was full of buzz and excitement,” said Premnath Ramsawak, the mandir’s spiritual head.

Ramsawak says he heard of the yatra’s passing through his city only on Sunday. But “when God wants to be somewhere, he sends his messengers to make it happen.”

“He came back on his own birthday,” said Ramsawak, a Trinidadian immigrant who visited Ayodhya for the opening of the Ram temple there. “He came back to see me. Even though he lives in Bharat desh (an alternative name for India), his presence can be felt all the way here.”

Waking up at 6 in the morning and ending the day at midnight is not for everyone, said Mittal; otherwise, he thinks their chariot would be carrying more than four.

“Seriously, people don’t know how strong the Hindu community is here,” he said, pointing to the burgeoning South Asian and Indo-Caribbean Hindu population. “We just don’t show strength, and some people don’t know we exist. There are Hindus in every nook and cranny of the U.S.”

Raval, who founded Bharat TV, an online news service dedicated to “the new India,” started the company to get all Indians united through one thing many are famous for loving: entertainment. His channel runs programming in almost 10 Indian languages and has been live- broadcasting each temple visit and puja, or ritual, along the way. “To be very frank,” he said, “I have never gotten up at 6:30 in my life. But now, I’m always fresh and good to go.”

The group still has about half of the journey to go. But signs and miracles, they say, let the four know they are in the right place. Raval, one of the car’s drivers, narrowly avoided a collision with a loose tire that spun off a truck on the highway, a near miss he credits to God. And Mittal, who felt the urge to go to the bathroom and ended up in a gas station with two young Indian workers, said the girls had “teary eyes” when Mittal brought them out to get a look at the deity in the trunk.

“We were pulled over because Ram wanted to see them, more than they wanted to see Ram,” he said.

For Catherine Vander Vliet, another passenger who works for Bharat TV, the journey has already made her a “different person,” meeting people she would have never met otherwise, whom she credits with introducing her to the “patience, warmth, and perseverance” of the Hindu faithful. Americans like her, she says, “don’t know the real Bharat.”

“At the end of the day, we’re all one no matter who we say our prayers to,” she said. “They’re doing the same thing that we’re doing, they’re putting their heart and their soul into their God. That’s the same thing I do when I go to church.

“Maybe all the things I’ve done in my life have led to this.”

Delhi Committee of Chicago Sister Cities International Hosts Annual Global Connections

April 8, 2024 Asian Media USACommunity, Culture 0

The Delhi Committee of Chicago Sister Cities International, ComEd and Navy Pier, came together as partners through a shared commitment to Chicago and its diverse communities to host this year’s Global Connections: Holi event on Saturday, March 23rd. “As the Chairman of the Delhi Chicago Sister Cities Committee, it’s really an honor to present and be a part of this Holi celebration,” said Smita N. Shah, Delhi Committee of Chicago Sister Cities International Chairman and SPAAN Tech, Inc. President & CEO. “Navy Pier’s Global Connections Program curated a memorable celebration that has grown into the largest program in the United States for Holi. Chicago Sister Cities International is proud to be its partner as it represents why we do what we do: honor the diverse international communities that make up Chicago, celebrate the best of their culture and support the desire for others to experience the American Dream, all of which makes Chicago stronger.”

Delhi Committee of Chicago Sister Cities International Hosts Annual Global Connections 2 — Picture: Asian Media USA

“Holi is a reminder that good always triumphs over evil and those forces that wish to divide us, make no mistake about it, not here in the city of Chicago. Black. Brown. White. Asian. Young. Old. Rich. Poor. We are the greatest city in the world because of the diversity that makes up this city,” said City of Chicago Mayor Brandon Johnson. “Chicago’s positive impact is felt all around the world…thanks to the hard work of Chicago Sister Cities International and the volunteer work of our committee members like Smita [Shah], who are so passionate about our city, so passionate about diplomacy and so passionate about our democracy.”

The free, public event transformed the Aon Grand Ballroom and Navy Pier Beer Garden into the country’s largest Holi celebration of its kind, featuring live music, traditional cultural performances, authentic food from local vendors, the iconic powder-throwing (which pay homage to the bright colors of spring and represent the triumph of good over evil) and more.

Delhi Committee of Chicago Sister Cities International Hosts Annual Global Connections 1 — Picture: Asian Media USA

Delhi’s position as a sister city to Chicago demonstrates the strong relationship between India and the city, and the cultural impact the established Indian-American community had on Chicagoland. Under Shah’s leadership, the Delhi Committee of Chicago founded the Annual Legacy of Mahatma Gandhi Luncheon in 2014, honoring the long-standing exchange of ideas between Mahatma Gandhi and the U.S., and the ever important principles of truth and non-violence. Shah, who serves on President Biden’s Advisory Commission on Asian American, Native Hawaiian and Pacific Islanders also helped secure the designation of October 2nd as Mahatma Gandhi Day in Chicago.

This program would not have been possible without the generous support of Niranjan S. Shah and Pratima Shah, the winner of the Pravasi Bharatiya Award, Darryl Tom for whom whose family the famous Ping Tom Park is named, and the Sue Ling Gin Foundation.

“We have about 260,000 Indian, Indian American, Indian origin people (here), so thank you, Mayor, for making it a great home for them and for hosting Holi every year,” said Indian Counsel General Somnath Ghosh. “This is the second year of celebration for me, and I see it is even bigger than last year. I hope to see the event continue to grow in the years to come and look forward to many more celebrations in Chicago.” For a full video of this weekend’s celebration, please visit here.

Founded in 1998, SPAAN Tech, Inc. is a leading global, award-winning, engineering and construction management firm. SPAAN Tech provides and implements sustainable solutions in transportation, aviation, water, energy, and technology. SPAAN Tech has been recognized by Inc. Magazine as One Of The Fastest Growing Companies and by the Small Business Commerce Association as Best of Business in Chicago Engineering Services. Learn more about SPAAN Tech, Inc. at https://www.spaantech.com/ (Photographs and Press release by: Asian Media USA)

Tamil Nadu Foundation Celebrates Golden Jubilee

March 17, 2024 Asian Media USACulture, Community 0

Tamil Nadu Foundation (TNF), established in 1974 in Baltimore, stands as the oldest and largest U.S.-based humanitarian organization dedicated solely to Tamil Nadu. Over the last 50 years, TNF has evolved as a social organization impacting the lives of less privileged children and families through Education, Women Empowerment, Rural Development and Health & Hygiene.

Over the past five decades, TNF Life Members, TNF Chapters, and TNF Convention donors have collectively supported over 700 projects, positively impacting more than 500,000 underprivileged individuals across Tamil Nadu. This includes providing aid to over 200,000 students in government schools through TNF’s flagship ABC education initiative, assisting over 60,000 victims of the 2015 floods, aiding more than 20,000 victims of Cyclone Gaja in 2018, and donating over 1 million USD during the challenging COVID-19 pandemic.

To commemorate TNF’s Golden Jubilee, a significant milestone, we are delighted to announce our celebratory event scheduled from May 24 to 26 in Rosemont, IL (Chicago), marking fifty years of our Foundation’s impactful journey.

TNF lifetime members and the Tamil diaspora are eager to celebrate their accomplishments, reflecting on our journey from a small group of visionaries to impacting over 250,000 children and families across 650 villages in Tamil Nadu. The event promises a rich blend of music, dance, and informative sessions, providing an opportunity to engage with our Youth Force, the future bearers of our mission, and to minimize administrative costs through event profits, ensuring that 100% of donor dollars directly benefit the beneficiaries in Tamil Nadu.

Event Highlights:

Grand Music Concert: Featuring the legendary “Isai Gnyani Illayaraja.”
Therukoothu: By Sangagiri Rajkumar with 260 participants (Attempting to make Guinness record).
“EGAI” Tamil Symphony: A spectacular musical event by Dr. Kanniks Kannikeswaran featuring over a hundred artists.
Fusion Dance Performance: Showcasing 150 local talents.
Tamil Isai – Featuring traditional Tamil musical instruments.
The Renowned YouTube – Village Cooking Channel Team.
Emerge 2024: An all-day Entrepreneurs Event sponsored by TNF and ATEA.
Youth Conference: Organized by young adults.
College Alumni Gathering: Expecting participation from over 25 colleges.
Districts Parade: Representing 38 districts from Tamil Nadu.
Other high-quality programs from TNF Chapters and local organizations.

Guests from various parts of North America and at least 50 other countries will converge to witness this mega event. Visit www.tnfusa.org for more details.

Hindu Swayamsevak Sangh Holds Annual “Health for Humanity Yogathon”

March 17, 2024 Staff ReporterCulture, Health 0

The Hindu Swayamsevak Sangh USA (hssus.org), which describes itself as a “voluntary non-profit cultural organization” with more than 230 chapters nationwide, wrapped up its 17th annual “Surya Namaskar Yajna,” widely known as the “Health for Humanity Yogathon,” on January 28th, 2024.

This 16-day public health awareness initiative commenced on January 13th, 2024, introducing participants to the rejuvenating practice of Surya Namaskar, or Sun Salutation, a press release said. This yoga routine, consisting of 10 simple postures and accompanied by mindful breathing, is said to offer profound benefits for both body and mind.

The Yogathon unfolded across the nation in a relay format, blending virtual and in-person events from the East Coast to the West Coast.

Over 15,585 participants from 36 states collectively completed nearly 925,051 repetitions of the Surya Namaskar sequence. Notably, 4,640 teachers and students from 35 schools contributed close to 50,000 repetitions, underscoring the program’s educational impact. Temples, community centers, and marathon events further enriched the initiative, with enthusiasts completing over 100 sets per person at various locations.

Since its inception in 2007, the Health for Humanity Yogathon has served as a flagship event for HSS, promoting the holistic benefits of yoga for individuals and communities. Elected officials, including US senators, governors, state representatives, and mayors, endorsed the Yogathon through official proclamations, encouraging widespread participation in this health-conscious endeavor.

Participants doing the Surya Namaskar during the HSS-USA nationde Yogathon. PHOTO: HSS

Educators hailed the program’s merits, recognizing its potential to foster mental tranquility and physical strength among students. A teacher from an Elementary school appreciated this program. He commented, “I feel that there are many things that the students can get from this program, not only in the mind, but also in the body. So the mind can be calming. They can learn different strategies to calm themselves down and focus. And then with their body, they can be strengthening and stretching their body and making it more strong. So these kinds of techniques are just another technique that we would learn in any other class, whether it be in physical education. This could be an extension of that, even into the classroom, where the classroom teachers can use these calming effects to maybe focus before the test, calm their minds, and be ready to engage in the next activities that we’re going to cover.”

Another school administrator reflected on her experiences, “This morning I got to do the sun salutations with some experts here at PV and I have to say it was very invigorating. I feel very both rested and ready to start my day and if I can do it I think anybody can do it. Thank you so much for the instructors.”

Reflecting on the Yogathon’s success, national project coordinator Manjunath expressed satisfaction with its role in promoting health awareness across diverse American communities.

Hindu Vote Is An Important Factor In US Elections

March 17, 2024 Yashwant RajCulture, USA 2

Niraj Antani, a Republican running for US Congress, is aggressively projecting his Hindu faith. Bhavini Patel, a Democrat running for Congress, is battling allegations of courting Hindu nationalist donors. And Indian-descent donors are pressing the Biden-Harris campaign for a “Hindu page” in its 2024 campaign manifesto.

The “Hindu Vote” appears to have become a factor in US politics. There is no rock solid count of Hindus in the US because the US Census does not record religious affiliation in its surveys. But there are several estimates.

Pew Research Center said 0.7 per cent of Americans were Hindu in 2015 and that their number is projected to grow to 4.8 million by 2050. Harvard Divinity School estimated their number to be 2.5 million in 2018. And some Hindu Americans put the number generously at 5 million, which, they concede, includes Sikhs and Jains. As crucial as their number is US politics, so is their ability to write big donation checks.

Niraj Antani, an Ohio state lawmaker who is running in the Republican primary for a congressional seat, has frequently described himself as Hindu and posted this message on X, to mark the inauguration of the Ram temple in Ayodhya: “As the 1st Hindu American State Senator in Ohio history, today it was my privilege to do Darshan to Lord Ram at @BAPS Cincinnati Mandir to mark the opening of his Mandir in Ayodhya. As we celebrate this occasion, let us stand for religious freedom around the world. Jai Shri Ram!” His pinned post on X is an endorsement from the Hindu American PAC.

Hindu Vote Is An Important Factor In US Elections (The Week) — Picture: The Week

Bhavini Patel, a Democrat who is seeking to unseat the incumbent Democrat in a congressional race in Pennsylvania, is being attacked by her opponent for courting Hindu nationalist donors, as also for her unstinting support for Israel.

A fundraising call she hosted with Mihi Meghani, a co-founder of the Hindu American Foundation was being cited as proof of her courting Hindu groups. Meghani is also the chair of the Hindu American PACs whose endorsement is a pinned post on Antani’s X feed.

The Patel campaign has denied these allegations. The back and forth only demonstrates the growing presence of a Hindu vote in US politics.

“There was always a Hindu vote, which was not recognized publicly,” said Ramesh Kapur, a longtime Democratic donor and strategist.

“But it is being recognized now, and has come to the fore in the context of the 2024 elections.” A bunch of donors are also pressing the Biden-Harris re-election campaign to include a “Hindu Page” in its manifesto, whenever it is announced.

The same group had tried but failed to convince the Biden campaign to feature the same page in its manifesto that ran on the campaign’s website as “Joe’s Vision”. It had sections dedicated to Muslims, Jews, African American, and so on. The campaign did issue Biden’s agenda for Indian Americans but this group of Hindu donors were insistent on a “Hindu Page” in “Joe’s Vision” specially because of the observances in the section for Muslims.

“Joe Biden has been disappointed by the measures that the government of India has taken with the implementation and aftermath of the National Register of Citizens in Assam and the passage of the Citizenship Amendment Act into law,” it had said, referring laws that sought to fast-track citizenship request from non-Muslims fleeing neighboring countries and keeping a national registry of citizens.

Both laws remain un-enforced.

These donors are pressing for the page with an offer to provide President Biden the cushion of Hindu American votes to offset the possible boycott of Arab and Muslim votes over the administration’s support of Israel’s offensive against Hamas in Gaza, especially in the key swing states that tend to determine most presidential races.

A phrase being used frequently in this context is “plug the gap”.

Wisconsin, one of the swing states, will be critical. Biden won this state by 20,000 in 2020. It has an estimated 38,400 Hindu Americans and they may be able to cushion the blow from the boycott by the state’s 68,000 Muslims to an extent. These numbers come from a document prepared by these donors to make their case.

Hindu Americans are more confident of their ability to help Biden better in Georgia, a state he won by roughly 12,000. The state is home to 172,000 Hindu Americans, who can more than compensate for its 123,000 Muslims.

In Pennsylvania, which Biden won by 44,000, Hindu Americans number 129,700 to 149,500 Muslim Americans. Hindu Americans are not able to fill the gap completely but, they are arguing, they can help the campaign fill the gap.

But all this presumes Hindu Americans will turn up and vote and not, as mostly before, staying home. These Hindu Americans feel particularly confident of their clout on account of two key political developments.

One, they believe, they helped Glenn Youngkin, a Republican, win the Governorship of Virginia, and, two, convinced Gavin Newsom, the California Governor with widely acknowledged White House aspirations, to veto a legislation passed by the California legislatures to add “caste” to the list of prohibited discriminatory practices.

Hindu Americans are mostly of Indian descent but a sizable number of them are also from Nepal, Bangladesh, Pakistan, the Caribbean, Afghanistan and American converts such as former congresswoman Tulsi Gabbard’s family.

Indian Americans have been a growing political force in the US, but many among them have begun to differentiate themselves as Hindu Americans, a trend that has been helped along by the rise of the BJP in India, specially the immense popularity of Prime Minister Narendra Modi. Multiple groups have cropped up with names wrapped around the word “Hindu” — Republican Hindu Coalition, American Hindu Coalition, Hindus 4 America, Hindu American PAC (Political Action Committee).

Raja Krishnamoorthi, Ro Khanna and Pramila Jayapal, the three Indian American members of the House of Representatives are all Hindu, but they have rarely, if ever, flouted their faith to further their politics. And they have now been members of US Congress since 2017, serving three terms. Shri Thanedar, who joined them in the House in 2023 has been demonstrably bolder. He heads the Hindu Caucus in the House. (IANS)

Millions Bathe In Sangam On Maghi Purnima

March 16, 2024March 20, 2024 Staff ReporterCulture, Religion 0

Millions of devotees prayed and took a dip at the Sangam, the confluence of three rivers — the Ganges, the Yamuna and the mythical Saraswati — on Maghi Purnima, or full moon day, at the annual traditional fair in Prayagraj, in the northern Indian state of Uttar Pradesh, India, Saturday, Feb.24, 2024. Hundreds of thousands of Hindu pilgrims take dips here hoping to wash away sins during a month-long festival called Magh Mela. (AP Photo/Rajesh Kumar Singh).

Hindu devotees take a dip at the Sangam, the confluence of three rivers — the Ganges, the Yamuna and the mythical Saraswati — on Maghi Purnima, or full moon day at the annual traditional fair in Prayagraj, in the northern Indian state of Uttar Pradesh, India, Saturday, Feb. 24, 2024. Hundreds of thousands of Hindu pilgrims take dips here hoping to wash away sins during a month-long festival called Magh Mela. (AP Photo/Rajesh Kumar Singh).

Millions Bathe In Sangam On Maghi Purnima — Devotees gather at Sangam, the confluence of the rivers Ganges and Yamuna and mythical Saraswati, on Paush Purnima during the Maha Kumbh Mela in Allahabad on January 27, 2013

Magha Purnima carries profound religious and spiritual importance within Hinduism. This year, it will be observed on Saturday, February 24, 2024. It is a day devoted to honouring Lord Vishnu and the Moon God, occurring monthly as the Full Moon Day. It is revered as a highly auspicious occasion for conducting various puja ceremonies.

Hindus consider the Magha month to be the most significant of all the months in the Hindu calendar. While celebrating Maghi Purnima, devotees fast, take a dip in holy waters, make donations to charitable causes, and offer prayers to gods like Vishnu and Hanuman. Hindus believe this holy bath, taken in certain rivers like the Ganges (Ganga), Yamuna, Kaveri, and so on, is very providential. Hindu mythology also states that Lord Vishnu resides in the river Ganga on this day, and even touching the waters can be very beneficial to people. That plus the prayers being offered up on this day make their wishes almost certain to come true, believe most devotees.

People across India have varied customs across regions. The southern state of Tamil Nadu hosts a special ‘float’ festival each year. Decorated idols of their gods, Meenakshi and Lord Sundeshwara, are mounted on floats. North India (cities like Allahabad and Prayag) holds a Magha Mela (a large religious fair) annually at the confluence of three major rivers — Ganges (Ganga), Yamuna, and the mythical Sarasvati River.

Apart from the religious significance, this day is also important in regard to astrology. As the sun moves to the Capricorn sign, the moon moves into the Cancer constellation. The holy dip is said to negate all problems arising with the sun and the moon, and the month itself helps people adjust to changing seasons. People find strength and power to face the next season.

Another reason Maghi Purnima is so important — followers of Buddhism believe Lord Buddha announced his impending death on this day. Legend says there was an earthquake as soon as he said the words, as though the Earth itself was shaken up by this news. His followers believe the Earth shook just this way when Buddha was born, when he received enlightenment (became the religious leader the world knows), and when he passed away. On this day, Buddhists conduct religious ceremonies, prayers are made to Buddha, and offerings are given to the unfortunate. Multiple Buddhist villages across India organize fairs and events to celebrate Buddha.

Unraveling the Mystique of India’s Beloved Butter Chicken: A Culinary Tale of Origins and Controversy

March 4, 2024 Staff ReporterCulture, Food 0

India’s iconic butter chicken holds a special place in the hearts and taste buds of people both at home and abroad. This succulent dish, featuring tender chicken enveloped in a vibrant blend of tomato, cream, butter, and spices, has been savored by a diverse array of individuals, from truck drivers at rustic roadside stalls in rural India to international figures like Jackie Kennedy.

Now, however, butter chicken finds itself at the center of a legal dispute revolving around its origins. This contentious issue pits the grandsons of the two founders of Moti Mahal, the restaurant believed to have first introduced butter chicken in India, against each other. Monish Gujral, the grandson of one of the founders, asserts, “The suit has been filed to protect my family legacy,” seeking to refute claims made by the other grandson regarding the dish’s invention. The gravity of the matter is underscored by the family’s submission of a voluminous 2,752-page document supporting their stance.

Delving into the dish’s origins unveils a narrative steeped in history. The founders of Moti Mahal, Kundan Lal Jaggi and Kundan Lal Gujral, hailed from Peshawar, a city now in northwest Pakistan. Their journey to New Delhi was catalyzed by the tumultuous events of Partition in 1947, which saw the subcontinent divided along religious lines. Amidst this upheaval, they established Moti Mahal, where butter chicken quickly became a star attraction, drawing admiration from patrons such as the renowned chef and actress Madhur Jaffrey. She reminisces fondly about the distinctive allure of the sauce, describing it as “creamy, melty, and delicious,” a heavenly accompaniment to naan and pickled onions.

The restaurant’s fame soared, attracting luminaries including India’s first Prime Minister, Jawaharlal Nehru, and international dignitaries like Jacqueline Kennedy. However, the absence of a written recipe for butter chicken from the founders left room for interpretation, leading to divergent claims regarding its inception. The Gujral family, after selling Moti Mahal in the 1990s, launched their own franchise, with signage at their outlets attributing the invention of butter chicken to Gujral. Meanwhile, the Daryaganj franchise, founded in 2019, asserts that Jaggi was the mastermind behind the dish.

Tensions escalated when Jaggi’s grandson reiterated this assertion during a television appearance, prompting legal action from the Gujral family. Despite efforts to trace the dish’s origins back to Peshawar, where Moti Mahal initially operated, conflicting accounts muddy the waters. Residents recall the restaurant and its signature butter chicken, yet differing recollections regarding the chef responsible add complexity to the narrative.

The debate extends beyond mere attribution, raising questions about the dish’s cultural roots. Nilofer Afridi Qazi, a chronicler of Pakistani culinary traditions, notes that butter chicken isn’t widely embraced in present-day Pakistan, suggesting its origins might lie elsewhere. Some speculate that its creation catered to British tastes, given Peshawar’s history as a British garrison town. The dish’s rich, buttery gravy and boneless chicken align with preferences associated with non-Indian palates, hinting at potential colonial influences.

The parallels between butter chicken and Britain’s chicken tikka masala further complicate the narrative. While the exact origins of the latter remain contentious, its evolution mirrors that of butter chicken, catering to British preferences for saucy, flavorful dishes. Lizzie Collingham, a culinary historian, posits that both dishes emerged in response to British culinary expectations, underscoring the interconnectedness of culinary traditions in the colonial era.

Despite the debate surrounding its origins, butter chicken has undeniably become a culinary phenomenon in India and beyond. Revered for its comforting flavors and versatility, it embodies the warmth of home-cooked meals and serves as an entry point to non-vegetarian cuisine for many. Pushpesh Pant, a food historian, acknowledges the dish’s elusive history, likening its invention to the age-old question of who discovered fire.

In essence, butter chicken transcends its contested origins, resonating with diners as a symbol of culinary delight and cultural fusion. Whether enjoyed in upscale restaurants or savored as takeout, its enduring popularity underscores its status as a beloved culinary treasure, cherished by all who partake in its savory embrace.

https://www.npr.org/sections/goatsandsoda/2024/03/01/1234793757/butter-chicken-origins-india-madhur-jaffrey-recipe

Record-breaking Kathak Dance Gala in Khajuraho: A Triumph of Tradition and Talent

February 29, 2024 Staff ReporterArt, Culture 0

A milestone was achieved in Khajuraho, Madhya Pradesh, a UNESCO World Heritage Site, where approximately 1484 Kathak dancers came together to etch their names into the annals of the Guinness World Records. This feat unfolded amidst the mesmerizing beats of Raga Basant, as performers from various cities graced the stage of the 50th Khajuraho Dance Festival, an event orchestrated by the state government. With lamps delicately cradled in their palms, they embarked on a 20-minute journey through the enchanting rhythms of Raga Basant, a choreographic masterpiece crafted by the renowned dance maestro, Rajendra Gangani.

The significance of this achievement was underscored by the official record certificate, which affirmed, “The largest Kathak dance was achieved by the Department of Culture, Government of Madhya Pradesh, during 50th Khajuraho Dance Festival on February 20.” Amidst the luminous display of talent and artistry, Dr. Mohan Yadav, the Chief Minister of Madhya Pradesh, graced the occasion, adding his own touch of history by showcasing his prowess with an antique Nagara instrument. Extending his heartfelt congratulations to the dancers and their mentors hailing from various cities across the state, Dr. Yadav lauded their collective effort in etching this remarkable achievement.

However, the event was not solely about setting records; it also served as a platform for the unveiling of an ambitious initiative. Dr. Yadav seized the moment to announce the inauguration of the nation’s inaugural Gurukul in Khajuraho, an endeavor aimed at nurturing and preserving tribal and indigenous arts. Delving into the details, he articulated that the Gurukul would be helmed by seasoned gurus who would impart training in a myriad of traditional arts spanning the domains of crafts, dance, music, painting, and oral literature. The ethos behind this initiative resonated with the ethos of preserving ancient knowledge systems and nurturing them in a manner that aligns with the holistic essence of rural life.

The Gurukul in Khajuraho stands as a testament to the commitment towards preserving and promoting India’s rich cultural heritage. Through initiatives like these, the legacy of traditional arts is not merely safeguarded but also revitalized, ensuring its continuity for generations to come. In the backdrop of the magnificent Khajuraho temples, where history whispers through the intricately carved stone, this endeavor heralds a new chapter in the saga of cultural preservation and propagation.

All India Rank: Varun Grover’s Directorial Debut Takes Center Stage as the First Indian Film to Close IFFR in Over 5 Decades

February 26, 2024February 26, 2024 Staff ReporterEntertainment, Culture 0

Indian writer, lyricist, and comedian Varun Grover ventured into the realm of directing with his debut film ‘All India Rank,’ marking a significant milestone as it closed the International Film Festival Rotterdam 2024, making it the first Indian film to achieve this feat in 52 years.

The storyline of the movie unfolds in Kota, India, encapsulating the late 1990s era. It portrays the journey of 17-year-old Vivek, who is dispatched to a preparatory school to ready himself for the fiercely competitive IIT entrance examination, often dubbed as “the MIT of India.”

The narrative delves into the intensity and grim reality surrounding the arduous exam preparation process. Furthermore, it serves as a reflection of the socio-cultural landscape of India during the liberalization era of the 1990s.

Through a semi-autobiographical lens, Grover presents a poignant depiction of the lives of Indian adolescents and the societal pressures entwined with academic success. The film not only follows the protagonist’s personal odyssey but also delves into the dynamics between parental aspirations and individual dreams, resonating with a wide audience.

Boasting a stellar ensemble cast including Bodhisattva Sharma, Shashi Bhushan, and Samta Sudiksha, the film is backed by a proficient crew featuring cinematographer Archana Ghangrekar and editor Sanyukta Kaza.

Grover, acclaimed for his lyrical prowess, earned accolades such as the Best Lyricist award at the National Film Awards for his work in ‘Dum Laga Ke Haisha.’ His notable contributions extend to serving as the lyricist for acclaimed films like Anurag Kashyap’s ‘Gangs of Wasseypur’ I and II, the 2015 hit ‘Masaan,’ and the recent blockbuster ‘RRR,’ among others. Notably, he recently concluded a world tour of ‘Aisi Taisi Democracy,’ a satirical stand-up comedy show.

The film made its grand debut at the IFFR 2024 on February 6 and is slated for release in Indian cinemas on February 23.

Surajkund Mela: A Colorful Celebration of Culture, Crafts, and Culinary Delights

February 25, 2024February 6, 2025 Staff ReporterCulture, Travel 0

Surajkund, translating to the “Lake of the Sun,” bears significant historical importance, deriving its name from the ancient reservoir constructed by King Suraj Pal of the Tomar dynasty in the 10th century.

Originating in 1987, the Surajkund Mela occurs annually in February, aiming to bolster tourism in Haryana by showcasing its rich handicrafts, handlooms, and cultural heritage.

The Surajkund Mela is a collaborative effort between the Surajkund Mela Authority, Haryana Tourism, and various Union Ministries including Tourism, Textiles, Culture, and External Affairs.

Since its inception, all states of India have actively participated in the fair, with one state typically designated as the Theme State.

Elevated to an international level in 2013 and renamed the “28th Surajkund International Crafts Mela,” the event attracted participation from over 15 countries, including those from Europe, Africa, and SAARC nations in 2014.

In 2015, a record-breaking 20 countries took part, with Lebanon as the Partner Nation and Chhattisgarh as the Theme State.

In the latest iteration in 2024, nearly 40 countries, including Tanzania, participated, providing attendees with glimpses into African culture alongside the cultural partnerships of all eight northeastern states.

Kicking off on February 1st, the Surajkund International Crafts Mela transforms Faridabad, Haryana, into a vibrant hub of colors, drum beats, and jubilation, celebrating Indian folk traditions and cultural heritage.

Drawing over a million visitors, including hundreds of thousands of foreigners, the Mela serves as a testament to global diversity, showcasing a plethora of arts, handicrafts, cuisines, and cultural tapestries.

As the world’s largest crafts fair, the Surajkund Mela celebrates India’s rich cultural fabric, offering designated areas for amusement, adventure sports, and joy rides, catering to visitors of all ages.

The event showcases some of India’s most exquisite handlooms and handicrafts, featuring handmade fabrics adorned in ethnic hues that captivate visitors’ attention.

Amidst cultural performances and exhibitions, the Mela serves as a custodian of heritage crafts, preserving traditional skills endangered by mass-produced imitations.

Visitors can engage in immersive experiences like getting their photos taken after donning the traditional ‘Haryanvi Pagdi’ at the Virasat Cultural Exhibition stall.

The exhibition also features displays of iron, brass, and wooden bells used for various animals, alongside wooden printing blocks and measurement scales from pre-Independence rural India.

The Surajkund Mela fosters cultural exchange and understanding through art and crafts, building bridges across borders.

Culinary delights from around the world await visitors at the multi-cuisine Food Court, offering an array of ethnic cuisines beloved by attendees.

India’s Global Temple Diplomacy: Strengthening Cultural Bonds Across Borders

February 24, 2024February 27, 2024 Staff ReporterCulture, Diplomacy 0

India’s endeavors in constructing, inaugurating, and restoring its temples worldwide stand as a testament to its efforts in strengthening connections with its extensive diaspora of over 32 million and the estimated 1.2 billion Hindus globally.

Long before the colonial era and continuing long after, Hindus have migrated across the globe for various reasons, contributing significantly to the establishment of numerous temples in their adopted countries.

The global count of Hindu temples is estimated at around two million, with notable examples including Cambodia’s Angkor Wat, Indonesia’s Prambanan temple, Nepal’s Pashupatinath Temple, and Australia’s Shiva Vishnu Temple.

The tradition of Hindu temple construction dates back centuries, with Thailand witnessing the beginning in the third and fourth centuries AD, evidenced by early depictions of Lord Vishnu, while Vietnam’s Cham people erected several Hindu temples.

Reflecting on this dispersed cultural heritage, External Affairs Minister S Jaishankar remarked during a visit to Cambodia in 2022, “There are temples not only in India and the Indian subcontinent but in many regions beyond.” He emphasized the significance of temple construction and restoration as a means to uphold the continuity of civilization beyond national borders.

For Hindus, these temples serve as vital centers for maintaining cultural identity, values, and traditions across generations. Kajal Dhadwal, a resident of Tanzania for over 14 years, finds solace and strength in temples like the BAPS Shri Swaminarayan Mandir and the ISKON center in Arusha.

With the growing population of Hindus globally, there arises a greater demand for places of worship. According to data from the External Affairs Ministry, the number of Indians relocating abroad permanently was 2,25,620 in 2022 and 87,026 until June 2023.

In line with this, Prime Minister Narendra Modi inaugurated Abu Dhabi’s first Hindu temple, the BAPS Mandir, on February 14, underscoring the UAE’s significant role in fostering communal harmony. The UAE already hosts three other Hindu temples in Dubai, showcasing its commitment to diversity and inclusivity.

This event followed closely after Modi’s participation in the consecration ceremony of the Ram temple in Ayodhya, highlighting the significance of temple construction both domestically and internationally.

Further expanding the global footprint of Hindu temples, the BAPS Swaminarayan Akshardham, the world’s largest Hindu temple outside India, was inaugurated in New Jersey’s Robbinsville Township in October of the previous year.

In a bid to preserve heritage and promote cultural exchange, Modi initiated a multi-million-dollar renovation project for Bahrain’s 200-year-old Shrinathji Temple in Manama in 2019.

The demand for temples abroad extends beyond providing places of worship; they also serve as showcases of Indian art and architecture, garnering international recognition and contributing to the cultural landscape of their host countries.

Recognizing the soft power potential, countries view the construction of Hindu temples as a means to bolster their economies, promote tourism, and enhance bilateral relations through increased people-to-people interactions.

Harnessing Insights and Innovation: Harvard India Conference Explores Investment and Tech Landscape

February 24, 2024 Staff ReporterBusiness, Culture 0

The India Conference, orchestrated by Harvard students, drew to a close on its second day at the Harvard Business School on February 18, delivering a profound exploration of emerging investment prospects and the burgeoning technological landscape in India.

Various panels delved into substantial reforms and a promising outlook for investors and tech innovators. The focal point remained the convergence of technology startups and business investment avenues, captivating the audience’s attention.

In the session titled “SaaS from India, For the World,” Abhinav Shashank, CEO of Innovaccer, recounted his journey of securing funding in the Indian market, furnishing valuable insights for budding entrepreneurs. Stressing the significance of comprehending equity as an investment asset, he remarked, “Equity and participation in equity create wealth. You want people to own. Education of all options is important to understand long-term equity value. People in India are starting to think about equity and stock options.”

Beyond the realms of commerce and technology, the conference embraced cultural dialogues, delving into the influence of sports and cinema on the Indian populace. Bollywood luminary Karishma Kapoor contributed to the panel titled “Soft Power of Bollywood,” examining the evolving nature of Bollywood movies, which have progressively become more socially conscious over time.

The conference also scrutinized the shifting mindsets of Indian professionals and entrepreneurs regarding settling abroad post-education. Distinguished speakers, including Radhika Gupta, MD & CEO of Edelweiss Mutual Fund, and Prateek Kanwal, Director of Deloitte India, who spoke on the first day, shed light on the burgeoning trend of Indian expatriates returning home to seize entrepreneurial prospects in India’s burgeoning economy.

As the proceedings unfolded, it became apparent that the Harvard India Conference continues to serve as a crucial repository of knowledge. By convening thought leaders, policymakers, social advocates, artists, and visionaries, the conference significantly contributes to the ongoing discourse shaping the trajectory of India’s future.

New Proposals For NRIs To Curb Marriage Fraud: Compulsory Registration In India

February 22, 2024 Staff ReporterCulture, India 0

Mandatory registration of marriages between Indian citizens and NRIs or OCIs is proposed by the Law Commission, under the leadership of Justice Ritu Raj Awasthi. This aims to address issues of fraud and abandonment. The proposed law includes provisions for divorce, maintenance, and child custody, aiming for fair resolution. Additionally, raising awareness among NRIs and OCIs through community engagement is suggested.

The Law Commission, led by Justice Ritu Raj Awasthi, has proposed that all marriages between Non-Resident Indians (NRIs) and Indian citizens must be officially registered in India. This recommendation aims to tackle issues such as deceitful promises, misrepresentation, and abandonment often seen in such unions. The commission expressed concern over the growing number of fraudulent marriages involving NRIs marrying Indian partners, particularly affecting Indian spouses, particularly women, and emphasized the need for preventive measures.

The report further suggests that it should be mandatory for all marriages between Non-Resident Indians (NRIs) or Overseas Citizens of India (OCIs) and Indian citizens to be registered in India.

The panel has proposed that the new law should encompass provisions concerning divorce, spousal maintenance, child custody and maintenance, as well as the service of legal documents such as summons or warrants to NRIs and OCIs. Additionally, it recommends amending the Passports Act of 1967 to require the declaration of marital status, linking spouses’ passports, and noting the marriage registration number on both spouses’ passports.

Furthermore, the panel suggests granting domestic courts jurisdiction to handle and resolve issues arising from such marriages. According to the panel’s report, disputes within these marriages often require the involvement of local legal systems to ensure fair and equitable resolution.

The panel has also advised the government to raise awareness by actively engaging with the Indian diaspora through community events and regular interactions with Indian communities and organizations. This proactive approach aims to inform and educate NRIs and OCIs about the legal requirements and protections surrounding marriages with Indian citizens, thereby helping to prevent fraudulent practices and safeguard the rights of individuals involved in such unions.

Unlocking the Secrets of Hunza Valley: The Remarkable Habits Behind Centenarian Longevity

February 20, 2024February 21, 2024 Staff ReporterHealth, Culture 0

In the remote and lesser-known region of Hunza Valley, situated in the far north of Pakistan, the inhabitants seem to defy conventional medical expectations.

The area is predominantly inhabited by the Burusho and Wakhi people, who have not only survived but also flourished for centuries in isolated villages with limited facilities for healthcare. Research indicates that the average lifespan in this region hovers around 100 years.

“My spouse originates from the Burusho indigenous group and was born and raised in this valley. Upon our marriage, I relocated from the United States, and we settled in the central area of the valley.”

Here are some fascinating practices contributing to the longevity of the Hunza people:

1.Consumption of Apricot Seeds and Oil

Apricot trees constitute a vital local crop in the valley. Studies suggest that apricot seeds, rich in a compound called amygdalin, possess cancer-fighting properties and can combat inflammation within the body.

“Traditional Hunzai cuisine prominently features apricot oil. Previously, it was manually extracted, but nowadays, locals employ machines for this purpose.”

“My mother-in-law recounted that half a century ago, apricot oil was the primary cooking medium, even for meat dishes. Additionally, dried apricot fruits aid in alleviating altitude sickness and are utilized in winter soups.”

2.Continuous Physical Activity

Individuals in Hunza maintain an active and healthy lifestyle throughout their lives, extending into old age. Even during harsh winters, it is common to observe elderly individuals engaged in activities such as tending to livestock, gathering firewood, and performing household chores.

“Community engagements like ‘rajaki,’ involving the cleaning of elevated water canals during spring, further contribute to their active lifestyle. Cycling, skating, and playing sports like soccer and cricket are daily pursuits for locals of all age groups.”

3.Consumption of Glacier Water

Hunza Valley is endowed with numerous glaciers that melt during the summer months. The resulting glacial water, known as “Hunza water,” has attracted scientific interest due to its unique properties. Filtered naturally by layers of ice and rock, it is believed to contain beneficial minerals, including quartz in colloid form, which are potent antioxidants.

“Glacial water, available from May to October during the runoff period, is highly valued by the locals, who prefer it over filtered water for its purported health benefits.”

4.Minimal Consumption of Processed Foods

The Hunza diet primarily consists of fresh, locally sourced ingredients. Processed foods are rare, and fast food establishments are non-existent in the region. Meals are prepared fresh daily within households, often incorporating homegrown vegetables such as spinach, tomatoes, and potatoes.

“Locally sourced meat, obtained from recently slaughtered animals, is a staple in Hunza cuisine. The emphasis on fresh, organic produce underscores the community’s commitment to wholesome eating.”

5.Strong Community Bonds

Community cohesion is a cornerstone of life in Hunza Valley, with close-knit neighborhoods and villages where residents support and care for one another, particularly the elderly. Unlike in many other places, retirement homes are absent, and elders are revered and looked after within their families.

“With negligible crime rates, children enjoy a safe environment where outdoor activities take precedence over screen time. The collective spirit of Hunza society fosters a sense of belonging and mutual support.”

“After residing in this valley for the past two years, I can attest to the exceptional sense of community that permeates every aspect of life here.”

Vijaya Stamba, the Tower of Victory

February 15, 2024 Neha Suraj MathewCulture 0

The historical monument Vijaya Stamba is situated within the Chittor Fort complex in Chittorgarh, Rajasthan, a state in India. Vijaya Stamba is also known as the Tower of Victory. The site holds significant cultural and historical value in association with its rulers, Rajputans at that time. Vijay Stamba is a UNESCO-approved world heritage site offering a historical insight into the rich cultural and architectural marvels of mediaeval India.

History and architecture

Maharana Kumbha of the Mewar dynasty built the Vijaya Stamba in 1448 AD. The construction of the structure was done to honour his victory over Mahmud Khilji’s unified forces from Malwa and Gujarat. The tower honours the military and architectural splendour of the Mewar era; it stands for the pride, valour, and glory of the Rajput warriors in their victories.

The tower is a nine-story building made of red sandstone and white marble, standing at a height of approximately 37 meters. It is characterised by traditional Rajput carvings, balconies, and a pyramidal roof.

Tales

The tower symbolises the valour and triumph of the Mewar kingdom. One of the myths followed on Vijaya Stamba is that it is guarded by spirits who look out for the safety of its inmates and protect the people from invaders.

Following another legend, Maharana Kumbha is said to have constructed the tower as a tribute to his consort or loving queen, which motivated him to start on the enormous task of building it.

Things to do

One of Rajasthan’s main tourist destinations is the Vijaya Stamba, which is also close to the Chittor Fort. By climbing to the top of the tower, visitors can take in panoramic views of the surroundings and gain knowledge of the area’s historical significance via educational exhibits and guided tours.
Look out for any light and sound performances. A captivating audiovisual experience is offered by these shows, which often narrate the history and stories around the fort.
The neighboring Chittorgarh sights, like the Meera Temple, the Rana Kumbha Palace, and the Kirti Stambha (Tower of Fame), are other tourist attractions.

Kailash Temple, Dedicated to Lord Shiva

February 15, 2024 Neha Suraj MathewCulture, Religion 0

Formed from a single block of excavated stone, Kailasa Temple is considered one of the most impressive cave temples in India. Known around the world as a remarkable architectural fulfillment, it is one of the 34 cave temples and monasteries that are collectively known as the Ellora Caves. A shrine dedicated to Lord Shiva, Kailash Temple is regarded as one of the most amazing rock-cut temples in the world.

History and architecture

Located in the western region of Maharashtra state in India, the caves are a UNESCO World Heritage Site and include monuments dating between 600 and 1000 CE.

The Temple was said to have been built during the Rashtrakuta dynasty by King Krishna I and his successor King Dantidurga in the eighth century. It appears to have been built over several decades, arguably over an entire century, with contributions from numerous kings and craftsmen of the era. The temple is a tribute to the excellent mechanical and artistic abilities of the ancient Indian craftsmen and is considered one of the greatest examples of Indian rock-cut buildings.

Though this is a legend and not fact, the truth is that Kailasa was built from the top. This unusual decision called for 200,000 tons of volcanic rock to be excavated from the rock. Standing at about three stories tall, a horseshoe-shaped courtyard has a gopuram—tower—at its entrance. Given the vast space and the ornate decorations of the temple, it’s believed that the work may have started with Krishna I, but could have carried on for centuries, with different rulers adding their own flair.

The Temple is made of a single monolithic rock that was vertically excavated downhill as opposed to other rock-cut constructions standing about 60 feet tall, 164 feet long, and 109 feet wide, typically horizontally excavated. It imitates Mount Kailash, the legendary home of Lord Shiva. The entire building is intended to represent Lord Shiva’s eternal residence. The Temple is furnished with artistic sculptures, carvings, and reliefs that portray a variety of Hindu deities, mythological characters, and scenes from Hindu epics such as the Mahabharata and the Ramayana.

Tales

The demon king of Lanka, known in Hindu mythology as Ravana, was a devoted follower of Lord Shiva. It is claimed that to demonstrate his power and dedication to Shiva, Ravana once tried to raise Mount Kailash. But Ravana’s arrogance angered Shiva, who used his toe to press down on the mountain and trap Ravana beneath it. Ravana is supposed to have imprinted his handprint on the Ellora rocks due to this event. This mythology is sometimes connected to the Kailash Temple, which symbolizes Shiva’s holy residence that is impenetrable by even the most formidable creatures.

The interesting story concerns an enigmatic pillar inside the Kailash Temple compound. This pillar is claimed to hang in midair with no discernible support. It is said that wishes will come true if someone can cross the space between the pillar and the ground without touching either. Many pilgrims come to the temple hoping to view this act of miracles and receive blessings for their wishes.

Things to Do AT Kailash

Explore the Kailash temple and visit the Ellora Caves, followed by attending the rituals and pujas.
Take into consideration visiting some of the other neighboring Aurangabad area sites, which include the Ajanta Caves, known as the “Taj Mahal of the Deccan,” Bibi Ka Maqbara, Daulatabad Fort, and other UNESCO World Heritage sites

IAMC Condemns Demolition of 600-Year-Old Mosque in Delhi

February 5, 2024 Staff ReporterCulture 0

The Indian American Muslim Council (IAMC) has vehemently condemned the shocking and brazen demolition of Masjid Akhonji, a 600-year-old mosque in Delhi’s Mehrauli.

The demolition was carried out by officials from the Delhi Development Authority (DDA), an autonomous body controlled by the Central Government led by Prime Minister Narendra Modi. This reprehensible act, which took place without any prior notice, not only obliterated a revered place of worship but also displayed a blatant disregard for the rich cultural and religious history embedded in Masjid Akhonji.

The callousness exhibited by the DDA in the wanton destruction of a site with deep-rooted historical significance is both shocking and deplorable. The mosque, standing as a testament to over six centuries of religious and cultural heritage, was reduced to rubble, leaving the local residents, mosque-goers, and Madrasa students in a state of disbelief and anguish.

IAMC unequivocally denounces this act as a gross violation of religious freedom and an assault on the nation’s secular fabric.

“The demolition of Masjid Akhonji is not just an attack on a physical structure; it is an assault on the collective memory and identity of a community. This act, carried out under the guise of development, reeks of a sinister agenda to erase the rich Muslim heritage from the socio-cultural landscape,” IAMC Executive Director Rasheed Ahmed said.

Masjid Akhonji’s demolition directly contradicts assurances made by the DDA to the Delhi High Court, where they explicitly stated that no mosque, graveyard, or legally owned Waqf property would face demolition. This betrayal of trust and the destruction of a sacred site is part of a disturbing pattern witnessed in BJP-ruled states, where mosques, shrines, and symbols of Muslim heritage are systematically targeted and obliterated.

IAMC calls for an immediate, impartial investigation into this reprehensible act, urging accountability for those responsible. We demand that authorities take decisive action to safeguard religious sites and put an end to the alarming trend of erasure of Muslim heritage. We stand united against this blatant disregard for history, culture, and the principles of coexistence that define India.

These Are 10 Of The Great Hindu Temples To Visit In The USA

February 5, 2024 Staff ReporterCulture, Religion 0

The Shri Swaminarayan Mandir in New Jersey is the largest Hindu temple in America, made with hand-carved Italian Carrara marble.
The Sri Sri Radha Krishna Temple in Utah is known for hosting seasonal festivals, including the Holi Festival of Colors.
The Ganesh Temple in New York is the oldest Hindu temple in the United States, built in 1977, and is now one of the most famous Hindu temples in the US.

There are now hundreds of Hindu temples found scattered across the United States (and Canada). In fact, the United States is now home to the largest Hindu temple outside of Asia. The largest Hindu temple in the world has historically been the famous Angkor Wat in Cambodia (although it was later converted into a Buddhist temple).

These Are 10 Of The Great Hindu Temples To Visit In The USA (TAAJoo) — Picture: TAJoo

The new largest Hindu temple in the world is the Temple of the Vedic Planetarium, currently under construction in India. From New York to California, here are ten great Hindu temples in the USA worth visiting.

Shri Swaminarayan Mandir, New Jersey

The massive Hindu temple Shri Swaminarayan Mandir in New Jersey has just been expanded and re-inaugurated and is the largest Hindu temple in America.

It was first completed in 2017 and then re-inaugurated in 2023 and built with hand-carved Italian Carrara marble, Indian pink stone, and limestone. It is located in Robbinsville in Central New Jersey.

Remarks: Largest Hindu Temple In USA

Sri Sri Radha Krishna Temple, Utah

The Sri Sri Radha Krishna Temple in Utah is famous for its large Hindu festivals and celebrations. The temple has a large natural amphitheater that has the capacity for thousands of visitors.

One of the best times to visit is for the Holi Festival (or Festival of Colors), which offers a true Indian experience.

Remarks:Noted For Hosting Many Seasonal Festivals

Hindu Temple Of Central Indiana, Indiana

Located in Indianapolis, the Hindu Temple of Central Indiana is something of a breathtaking monument to Hindu architecture.

It first opened in 2006 and is one of the top places to visit to learn about the Hindu community in Indiana.

Remarks: Oldest Hindu Temple In Indiana

Malibu Hindu Temple, California

The Malibu Hindu Temple is located in Calabasas near Malibu in California and is dedicated to the worship of the Hindu god Venkateswara. It is made up of two complexes.

The lower complex has Lord Shiva as the presiding deity, while the upper complex has Lord Venkateswara as the presiding deity.

Remarks: Dedicated To Lord Venkateswara

Shri Swaminarayan Sanstha, Illinois

One of the top Hindu temples to explore in Chicago is the Shri Swaminarayan Sanstha Hindu temple, which covers 27 acres.

It opened in 2004 and was constructed with Turkish limestone and hand-carved Italian marble.

Remarks: Group Tours are Offered from 10:00 am to 5:00 pm Monday to Sunday & Mornings On Sunday

Ganesh Temple, New York

The Ganesh Temple in Flushing, New York (in Queens, NYC) is the oldest Hindu temple in the United States. It was built in 1977 and is now considered among the most famous Hindu temples in the country (it is amazing how many Hindu temples have been built in the last 50 years).

The temple is open to visitors on weekdays from 8:00 am to 8:30 pm and on weekends from 7:30 am to 8:30 pm.

Remarks: Oldest Hindu Temple In USA

Shri Swaminarayan Mandir, Georgia

The Shri Swaminarayan Mandir is a traditional Hindu place of worship in Atlanta, inaugurated in 2007. It was the largest mandir (or Hindu place of worship) outside India when it was built.

The complex has a large assembly hall, classrooms, an exhibition about the key tenets of Hinduism, and more.

Remarks: Constructed With 34,450 pieces of Marble and limestone

Sri Siva Vishnu Temple, Maryland

Sri Siva Vishnu Temple in Maryland is among the largest temples in the United States and was built between 1988 and 2002. It is located only 12 kilometers or 8 miles from Washington, DC, in the Maryland city of Lanham.

Learn more about visiting on the temple’s official website.

Remarks: Main Deities Shiva and Vishnu

New Vrindaban Temple, West Virginia

The New Vrindaban Temple (also called The Palace of God) is named after the town of Vrindaban in India. Vrindaban is of religious significance to Hinduism, as Krishna is said to have spent most of his childhood in the city.

Today, the city is home to some 5,500 temples dedicated to Krishna and Radha (his chief consort). The New Vrindaban Temple can be visited while hiking sections of the famous Appalachian Trail.

Remarks:Stunning Complex on 500 acres of land

Shri Swaminarayan Mandir, Texas

The Shri Swaminarayan Mandir in Houston is one of the top Hindu attractions in Texas, built from over 33,000 pieces of hand-carved marble and limestone. The temple has a Hindu exhibit that explains the fundamental tenets of Hinduism for visitors, and it is open every day for visitors and for worshipers.

The Shri Swaminarayan Mandir should be considered as one of the things to see and do while in Houston.

Restoring the Inclusive Idea of India in the Times of Sectarian Nationalism

January 26, 2024 Ram PuniyaniCulture, Opinion 0

Satyapal Malik, the ex-Governor of many states stated that the role of Pulwama and Balakot was very much there in the victory of Modi-BJP in the previous 2019 General elections. He also predicted some other major spectacle may happen before the 2024 elections. The hysteria created around the temple consecration is a spectacle of high order. At the same time Suranya Aiyer, a lawyer and author has undertaken a fast and penitence, calling it 72 hours of love and sorrow to fellow Muslims. She proclaims her pride in Mughal heritage. One can see the creation of a stifling atmosphere of divisiveness around, which sounds very intimidating.

As such temple inaugurations have also been occasions of promoting communal harmony as a couple of instances will show. Mahatma Gandhi while inaugurating Laxminarayan Temple (Birla Temple) in Delhi in 1939 had stated, “It must be the daily prayer of every adherent of the Hindu faith…that every known religion of the world should grow from day to day and should serve the whole of humanity…I hope that these temples will serve to propagate the idea of equal respect for religions and to make communal jealousies and strife; things of the past.”

More or less on similar lines Swami Vivekananda had earlier stated, (1997) ““it is here in India that Hindus have built and are still building churches for Christians and mosques for Mohammedans.” In his book ‘Lectures from Colombo to Almora’ we see Swamiji stating “Nay more, to understand that not only should we be charitable, but also positively helpful to each other, however different our religious ideas and convictions may be. And that is exactly what we do in India as I have just related to you… That is the thing to do.”

The present atmosphere is in total contrast to this as reflected by the fast of Suranya. It is also reflected in the incidents where cultural activists screening censor approved all time classic by Anand Patwardhan, ‘Ram Ke Naam’ are being arrested and issued non bailable arrest warrants. This happened in Hyderabad on 20^th January.

Then there are claims by the likes of Prafulla Ketkar, Editor of unofficial RSS mouthpiece Organiser claiming that “the pran-pratishta (consecration ceremony) of Ram Lalla in Ayodhya was not simply the culmination of the decades-old Ram Janmabhoomi movement, but the beginning of a “reconstruction of national consciousness”. This essentially means the whole process of social change and the idea of India which accompanied the freedom movement now stands to be negated and what can roughly called ‘Hindu India’ is already there and multiple steps towards Hindu rashtra have been achieved by the communal forces.

What accompanied the ‘Idea of India’ was a coming together of different sections of society to fight the colonial powers, with the aspirations of striving for Liberty Equality, Fraternity and Justice for all. This massive movement had the overarching ‘Idea of India’, which culminated in the values of Indian Constitution.

There were challenges to this idea of India, which were rooted in the values of Kingdoms and what can be roughly called feudal society. The core of these values which are being hailed by the forces creating hysteria around temple consecration were/are the birth based hierarchies of caste, class and gender. The roots of these lay in the Kings and landlords of different religions and their ideologues who came forward as Muslim League, Hindu Mahasabah and RSS. While Muslim communal forces are implementing their idea of feudal values in Pakistan, the Hindu communal forces are now rejoicing, in gradually increasing intensity, now reaching its semi-peak with Ram Temple consecration.

The idea of India of freedom movement got manifested in the values of Bhagat Singh, Ambedkar and Gandhi focusing on Liberty Equality and Fraternity or friendship. Despite few differences with the father of Nation, Subhash Chandra Bose was also firmly committed to this “idea of India’.

The elite landlord and Manusmiriti worshipping ideology was the social base of Hindu Rashtra, Hindutva. These forces and this ideology have grown stronger particularly during last four decades and are rejoicing the sectarianism becoming stronger by the day. They are also giving narrow projection of the temple consecration in contrast to what Gandhi and Vivekananda stood. The sectarian nationalists are for the further deepening of particular ‘civilizational values’ inherent in what can be called as Brahmanism inherent in Manusmriti.

Those standing for doing away with the values of Manusmriti, those integrating all into the umbrella of Indian-ness, those who have stood together cutting across class, caste and gender are currently under different types of intimidations of Hindu India, the parallel and opposite of Muslim Pakistan are emerging.

The only ray of hope for ‘idea of India’ is the same classes of society who ushered in the Idea of India during freedom movement to come together. It is their collective movement; the overarching effort to undermine the forces which gloat over the birth based hierarchical values in the name of religion, those who uphold the Holy Scriptures in contrast to the Indian Constitution. Their movements have been scattered. Their group interests may be different but their interests in protecting the Indian Constitution and Idea of India which emerged during freedom movements does need a collective expression, cutting across the groups- party lines.

Many non sectarian parties do exist today. The predecessors of many of these had fought the British colonial powers together despite their differences. It is time that the social and political alliance of these sections of society given primacy. As colonial rule was detrimental to the interests of large sections of society, similarly those in power ruling through polarization are also out to undermine the rights of weaker sections of society. This is abundantly clear during the last ten years or so.

Hysteria cannot be combated by hysteria. We need the ideology which binds the weaker sections of society, the dalits, religious minorities, women, workers and Adivasis. They have many common values to protect and that is the ‘Idea of India’ which came with freedom movement. Can Bharat Jodo Nyay Yatra be the first step in building such a common platform, can the yatra succeed in doing this is the question baying us all?

New Yorkers Celebrate Inauguration Of Ram Mandir With Car Rally

January 26, 2024 Ajay GhoshCommunity, Culture 0

Being thousands of miles away from Ayodhya, where a monumental Temple in honor of Lord Ram was inaugurated this month, Indian Americans living in the United States and other countries celebrated this historic occasion, showcasing their unbridled enthusiasm and reverence to Lord Ram.

Braving the sub-zero temperatures, hundreds of enthusiastic Non-Resident Indians filled the streets of New York with a Car Rally on January 21^st, 2024. Devotion to Lord Ram filled up the air in New York as over 150 cars drove through the busy streets starting in Hicksville, NY, while thousands of devotees gathered to celebrate and show their devotion and solidarity to Ram Mandir’s consecration in Ayodhya.

The car rally was organized by the ASA MAI Hindu Temple in New York as a way of expressing gratitude and joy for welcoming Lord Sri Ram to the newly constructed Temple that has been awaited for almost 500+ years.

Starting the car rally from Patel Brothers in Hicksville in Long Island, New York, a hamlet within the Town of Oyster Bay in Nassau County on Long Island, in New York, with a large Indian American population, the car rally halted midway at a Gurudwara in Hicksville. Dr Raj Bhayani said, “The Hindu, Sikh, Jains and Buddhist communities have all come together to celebrate this historic moment.”\

Floats that were part of the rally had DJ which played Bhajans devoted to Lord Ram, while others played videos on large screens from the epic TV seria, Ramayana, and other floats displayed images of the Rama Mandir.

Indian Americans who were part of the rally wore the saffron scarf with Hanuman and Rama pictures in them, with the bitter cold conditions not dampen the enthusiasm and the celebratory mood.

In addition to the cars, the floats and the LED trucks with children dressed as Ramayana characters such as Rama, Sita, Laxman, and Hanuman, brought the experience and excitement to the rally. Each car was adorned with saffron-colored flags. The huge lineup of cars finally reached the beautiful AsaMai temple in Hicksville. LED Truck displayed Ramayana and float carried the banners celebrating Ram Mandir. The entire event was telecast live on AASTHA TV AND radio Zindagi.

Dr. Raj Bhayani, Mukesh Modi, Dr. Dipak Nandi, Mohan Wanchoo, Naveen Shah, Chintu Patel, Gary Sikka, and Dr Neeta Jain were among others who had organized the cart rally. The committee comprised of Sunil Hali, Gobind Bhatija, Pradeep Tandon, Dr Urmilesh Arya, Vimal Goyal, Eric Kumar, Kanak Goliya, Kishore Malik, Harahad Bhai Patel, Vibhuti Jha, Mohinder Taneja, Dr Satish Anand, Dr Inderpal Chhabra, and Ajay Patel.

Sundance Film Festival Celebrates 40th Anniversary with Diverse Lineup of Films

January 23, 2024 Staff ReporterEntertainment, Culture 0

Anna Boden and Ryan Fleck reflect on their early days at the Sundance Film Festival, recalling the excitement of being newcomers in 2004. Their short film, “Gowanus, Brooklyn,” not only won an award but also garnered enough support to develop the feature version, “Half Nelson,” which later earned Ryan Gosling an Oscar nomination.

“I remember being like, oh my God, this festival has been around 20 years, it’s such an old festival,” Boden reminisced. “Now it’s 20 years later, and we’re the old people.”

In an interview with The Associated Press, Boden expressed the relativity of the term “old” at Sundance, a discovery festival where emerging directors have the opportunity to make a breakthrough. Boden and Fleck, like many other Sundance alumni, have moved on to larger projects, such as their work on “Captain Marvel.”

Their latest film, “Freaky Tales,” a tribute to Fleck’s hometown, Oakland, in the 1980s, is set to debut on the opening night of the 40th edition of the festival at the Eccles Theater. Featuring Pedro Pascal, Jay Ellis, Dominique Thorne, and Ben Mendelsohn, the film is described by Boden as a “movie lover’s movie” with a blend of reality and fantasy.

The festival’s first day also premieres several high-profile documentaries, including Jesse Moss and Amanda McBaine’s “Girls State,” Yance Ford’s “Power,” and “Frida,” directed by Carla Gutiérrez. In “Frida,” Gutiérrez utilizes Kahlo’s own words from her diary and letters to provide an intimate and raw portrayal of the iconic artist.

Gutiérrez, an immigrant and former art student, expressed her admiration for Frida Kahlo, stating, “Uncovering her own words and her own voice, I think what we’re presenting is a new way of getting into her world and in her mind and her heart and really understanding the art in a more intimate, raw way.”

The festival lineup includes a variety of anticipated documentaries, such as “Daughters,” “Gaucho Gaucho,” “Sue Bird: In the Clutch,” “DEVO,” “Super/Man: The Christopher Reeve Story,” “Seeking Mavis Beacon,” and “The Greatest Night in Pop.”

Celebrities expected to attend Sundance this year include Kristen Stewart, Saoirse Ronan, Kieran Culkin, Sebastian Stan, Glen Powell, Woody Harrelson, Steven Yeun, Lucy Liu, Danielle Deadwyler, Aubrey Plaza, Melissa Barrera, and Laura Linney.

Chiwetel Ejiofor will present his sophomore feature, “Rob Peace,” a biographical drama about the short life of a brilliant kid from East Orange, New Jersey. Ejiofor expressed his excitement, saying, “It’s a dream to take this film there as well. It’s an American story, it’s an independent film, and it wants to sit in that world.”

Sundance programmers meticulously selected 83 feature films from 17,435 submissions, showcasing a diverse mix of behind-the-camera talent. The lineup includes new episodic projects from Debra Granik and Richard Linklater, along with 31 feature debuts.

First-time director Carla Gutiérrez and acclaimed contemporary artist Titus Kaphar, making his narrative debut with “Exhibiting Forgiveness,” are among those presenting their work. Kaphar, expressing his gratitude, said, “My favorite films are Sundance films. To be allowed into this new community of artists, a community of directors and filmmakers… it’s pretty extraordinary.”

Jesse Eisenberg, a Sundance regular since “The Squid and the Whale,” brings his film, “A Real Pain,” which explores modern pain versus historical pain. Eisenberg wrote and directed the film, emphasizing its humor and lightness.

Sundance, founded by Robert Redford, is celebrating its 40th anniversary by honoring the art that has emerged over the decades. The “all-time top 10” list includes classics like Joel and Ethan Coen’s “Blood Simple,” Soderbergh’s “sex, lies and videotape,” Jordan Peele’s “Get Out,” and Damien Chazelle’s “Whiplash.”

Festival director Eugene Hernandez acknowledged the vibrancy in this year’s lineup, reminiscent of the festival’s early days in the 1990s. “It’s such a rich, rich combination of films that I think exhibit some really wild and adventurous creativity,” Hernandez commented. “That is really nourishing in a year when we’re acknowledging and marking this 40th edition of Sundance.”

The Sundance Film Festival will run from Jan. 18 through Jan. 28, offering audiences a diverse array of films and celebrating four decades of groundbreaking cinema.

The makers of the unconventional superhero film ‘American Sikh’

January 10, 2024January 10, 2024 Staff ReporterCulture, Entertainment, News 0

(RNS) — Once the idea for Sikh Captain America — a turbaned, bearded version of the Marvel comic hero — was born, it took more than a year for him to appear on the streets of his native New York City.

The creation of Vishavjit Singh, a writer and illustrator in Harlem, and the photographer Fiona Aboud, who was working on a photo project, “Sikhs: An American Portrait,” the character is a social experiment about what it means to be American, and to be Sikh in America. Now, it is also a short animated film by Singh and Ryan Westra that recently premiered at the Tribeca Film Festival.

The film tells the true story of Singh, 52, who, besides inventing Sikhtoons.com in the face of anti-Sikh bigotry after 9/11, is a performance artist and diversity speaker. After a lifetime of facing prejudice, self-doubt and violence, his animated self, as in life, finally finds acceptance in a superhero costume. He first drew Captain America in a turban and beard in 2011, but it took almost a year after Aboud discovered the character to convince Singh to step out as Sikh Captain America on the streets, where his mission is to tackle bias and intolerance, powered by his humor, turban, beard and storytelling prowess.

webRNS American Sikh1 091321 1536x864 — Picture: Religion News

I had the opportunity to speak with Singh and Westra to discuss the what, why and how of “American Sikh.” This interview has been adapted for clarity and concision.

How did this film come together?

RW: In 2014, as my very last student project in film school, I happened to be assigned to do a live action documentary about Vishavjit’s work as Sikh Captain America. While shooting that project (“Red, White, and Beard”), I was so impressed by Vishavjit’s ability to inspire people to open up about their stereotypes and biases in a positive way. Yet as we wrapped the shoot, I watched a stranger on the street call Vishavjit “Osama bin Laden,” moments after changing out of his superhero costume.

It was a shocking juxtaposition to witness, and it made Vishavjit’s work even more impactful to me. Ever since then, I had been interested in working with Vishavjit again on a more in-depth and ambitious project. In 2019, I reached out with the idea of doing an animated short about his life and, more broadly, the struggles that the Sikh community has gone through.

What do you hope the film will accomplish?

webRNS American Sikh2 091321 240x240 — Picture: Religion

RW: In a recent interview, our incredible executive producer, Vikas Khanna, had a beautiful answer to this question. He said, “I believe that the answer to hate cannot be hate.” With the difficult times we are facing right now around the world, I think now, more than ever, is a perfect time for us to gain greater understanding, empathy and compassion for those around us.

VS: I’ve spent years traveling around the nation visiting schools, companies and government agencies to share my story and create a space for conversations about identity, bias, vulnerability and transformative power of art. I hope in amplifying this message via an animated film, we can encourage others to do the same with their story.

I hope this film opens doors for the most underrepresented and misrepresented stories to be shared across American media, cultural and entertainment landscape.

RW: Unfortunately, especially since 9/11, turbans and beards have been villainized and portrayed as un-American in the media. Sikh Captain America challenges those stereotypes in a lighthearted, creative and familiar way. Our hope is that this image sticks with people, and they are able to walk away with a greater empathy for all Americans who, as Vishavjit says, “look a little different.”

What’s been most gratifying so far now that audiences have seen the movie?

VS: Hearing feedback from people from varying backgrounds about connections they find with my story.

RW: It’s extremely exciting to be working with Vishavjit on such a historic project. Never has an American Sikh story reached this level of prominence. With so little representation in the media, it’s exciting that we have the privilege of introducing Vishavjit’s beautiful religion and work to so many for the first time.

How does this film depict Sikh characters differently than other media?

VS: Much of the Sikh media I’ve seen has been created by Sikhs for Sikhs. This film is meant for people who maybe have had little to no experience with Sikhs. It’s created with a national audience in mind and tells a story that is relatable to many Americans, not just Sikhs.

What were some of the biggest challenges to pulling this story together?

VS: With animation being extremely expensive, we had a lot of back and forth narrowing down the few key chapters of my life to tell the most compelling and concise story. There were 30 different cuts of the film that we user-tested on Ryan’s friends and family who knew nothing about me or Sikhism at all. This helped us pick the most impactful moments. But there are a few poignant moments and experiences that did not make it into the final version of the film that I typically include in my life story.

Did you ever doubt that animation was the right medium?

VS: We knew there are two major tragedies that are part of this story — the 1984 genocidal massacre of Sikhs in India, which I survived, and the post-9/11 hate/bias crime wave, which targeted many Sikhs, including me. One of the main reasons we chose animation was it allowed us to showcase these tragedies without overwhelming the viewer.

RW: We didn’t want the tone to focus too much on tragedy, but rather leave the audience feeling inspired and encouraged at the end.

Where do you go from here?

VS: The “American Sikh” has had an amazing journey on the film festival circuit. We always wanted this film to be accessible to American and global audiences. Ryan and I are also writing pitches for full-length films and series. We would love to tell a more comprehensive American story with a Sikh lead character.

RW: We are interested in working together again on a longer and more ambitious project featuring a Sikh lead character. We want to make Sikh characters a part of the bigger cultural landscape we see in all media — not just exclusively Sikh stories.

Ancient Palace of Aigai, Where Alexander the Great Ascended, Reopens After 16-Year Restoration, Unveiling a Storied Legacy

January 10, 2024 Staff ReporterCulture 0

Greece has officially reopened the historic Palace of Aigai, a site of immense significance where Alexander the Great ascended to the throne of Macedonia approximately 2,400 years ago. The restoration project aimed at reviving this architectural marvel, formally known as the Royal Metropolis of the Macedonians, marks a pivotal moment in Greek history and cultural preservation.

The Palace of Aigai, boasting an expansive area of about 15,000 square meters, held the distinction of being the largest structure in classical Greece. Constructed primarily in the 4th century BCE, it was the brainchild of Philip II of Macedonia, the father of the legendary Alexander the Great. The unveiling ceremony witnessed the presence of Greek Prime Minister Kyriakos Mitsotakis, who underscored the site’s historical significance.

In his remarks at the opening ceremony, Prime Minister Mitsotakis stated, “It is the place where Alexander the Great was crowned king, a short while after his father’s assassination, to start his glorious campaign.” This marked the commencement of Alexander’s awe-inspiring conquests, which spanned from contemporary Greece to the expanses of Egypt, Iran, and even reaching as far as northern India and central Asia.

Alexander’s rule, a transformative period known as the Hellenistic era, reshaped the geopolitical landscape and laid the groundwork for the subsequent rise of the Roman Empire. The vast territory he conquered during his reign had a lasting impact, influencing Greek culture in the eastern Mediterranean region for the next millennium. Additionally, the prevalence of Greek language in the conquered territories led to the composition of numerous significant texts, including early versions of the New Testament.

However, the grandeur of the Palace of Aigai suffered a setback when the Romans razed it to the ground in 148 BCE. Subsequently, the site became a target for looting over the years, further diminishing its once-majestic stature.

Restoring this historical landmark to its former glory posed a formidable challenge. The Greek government, with support from the European Union, embarked on a comprehensive restoration initiative that spanned an impressive 16 years and required an investment exceeding 20 million euros ($21.9 million), as reported by the Greek Cultural Ministry.

Greek Prime Minister Mitsotakis emphasized the global significance of the restoration project, stating, “What we are doing today is an event of global importance and international scope.” The meticulous efforts encompassed excavating the site, documenting and conserving discovered artifacts, and undertaking extensive restoration work. Notably, the government revived 1,400 square meters of mosaics, marble flooring, and several columns while preserving the overall appearance of the ancient ruin, as confirmed by the country’s cultural ministry.

In reflecting on the broader implications of such endeavors, Mitsotakis remarked, “The importance of such monuments transcends local boundaries, becoming the property of all humanity. And we, as the custodians of this precious cultural heritage, must protect it, highlight it, promote it and at the same time expand the horizons revealed by each new facet.”

The reopening of the Palace of Aigai stands as a testament to the commitment of the Greek government and its collaborators to safeguarding and celebrating the rich cultural heritage that resonates far beyond the borders of Greece. The revitalized palace now serves as a poignant reminder of a bygone era when Alexander the Great’s vision and leadership left an indelible mark on the course of history.

Jeena Raghavan’s Artistic Odyssey: A Kaleidoscope of Cultures and Colors, Unveiling the Intersection of Heritage and Modernity

January 8, 2024 Staff ReporterArt, Culture 0

Embarking on the journey of an artist is undeniably intricate and demanding. Jeena Raghavan’s artistic odyssey unfolds as a vibrant tale, traversing continents and cultures, driven by an unwavering pursuit of creative expression. Born in England, Jeena commenced her artistic endeavors at a young age, revealing an inherent talent for painting that would later burgeon into a remarkable career.

At the tender age of six, Jeena’s life underwent a transformative shift as she relocated to India, immersing herself in the rich tapestry of the country’s art and heritage. This early exposure became the cornerstone of her artistic identity, laying the groundwork for the amalgamation of Eastern and Western influences that would characterize her work.

“Jeena’s early years in India were pivotal in shaping her artistic sensibilities, providing a cultural foundation that resonates in her creations today,” remarked a source close to the artist.

The precocious artist’s talents did not go unnoticed, and by the age of 13, she organized her inaugural exhibition in London. Her art, themed around the revered Indian deity Ganesha, served a charitable cause, showcasing a profound connection to her roots and a commitment to making a positive impact.

Jeena’s artistic journey reached another milestone when she ventured across the Atlantic to New York, enrolling at the prestigious Parsons School of Design. The bustling metropolis, with its fast-paced environment, presented both a challenge and a canvas for her creativity. Unfazed by the complexities of establishing herself in a foreign land, Jeena embraced every moment, transforming her struggles into wellsprings of inspiration.

Her involvement with the Agastya International Foundation, a non-profit dedicated to education, exemplifies Jeena’s dedication to leveraging art for positive change. Collaborating with the foundation, she played a pivotal role in bringing creative learning to millions of underprivileged children across India. During the trying times of the COVID-19 pandemic, Jeena extended her philanthropic efforts, pledging 50% of her art sales to a relief fund supporting families of migrant workers severely affected by the crisis.

“In times of adversity, Jeena’s commitment to social causes through her art becomes even more pronounced. She truly believes in the transformative power of creativity,” stated a spokesperson for the Agastya International Foundation.

Over the past year, Jeena made a significant impact on the New York art scene, with three out of four shows hosted at Lavan Chelsea, organized by Jake Henzo and Soiree Henzo. These exhibitions not only showcased her technical prowess but also conveyed a profound connection to her roots and a captivating narrative of self-discovery.

“Jeena’s art is a testament to the intersection of her Indian heritage and the dynamic lifestyle of New York City. Each painting serves as a visual journal, offering a glimpse into her upbringing in England and India,” commented an art critic.

Her latest group show, themed ‘Vulnerability,’ resonated deeply with viewers, drawing attention to her large, evocative paintings. Jeena’s love for nature permeates her work, with foxes, bulls, and horses vividly appearing amidst abstract backgrounds and figurative compositions.

The show itself garnered significant attention, described by one media outlet as a ‘Grassroots Assault on Chelsea’s Elitist Gallery Culture.’ With nearly 1500 attendees, the event marked a triumph for young, talented artists from diverse backgrounds, challenging the established elite.

As Jeena looks forward to 2024, she envisions a defining chapter in her artistic journey, with two solo shows scheduled in the West Village and Lower East Side in Manhattan. Curated by Katie Mangurian, who appreciates the rawness and genuine quality of Jeena’s art, these exhibitions are poised to be milestones in her evolving career.

“Jeena’s upcoming solo shows promise to be a showcase of her growth and artistic maturity. Katie Mangurian’s curation underscores the unique qualities that set Jeena’s work apart,” remarked an art industry insider.

Jeena infuses her unyielding love for art with the diverse experiences of her multicultural life, extracting colors, themes, and textures that are truly extraordinary. Her experimentation with mixed media adds depth and multiple layers to her work, resulting in art that mesmerizes viewers and evokes inexplicable emotions, a hallmark of great art.

Jeena’s artistic journey, a fellow artist expressed, “Jeena has a rare ability to translate her life experiences into a visual language that resonates universally. Her art is a powerful reflection of her journey, connecting cultures and inspiring change.”

Mass Wedding in Kabul: A Symbol of Love Amid Economic Challenges

December 30, 2023 Staff ReporterCommunity, Culture 0

In a heartwarming display of unity and resilience, a mass wedding ceremony recently took place in Kabul, Afghanistan, involving 50 couples. These collective celebrations have become increasingly common as low-income couples seek alternatives to the exorbitant costs associated with traditional weddings.

The brides, veiled and concealed in a separate wing, made their appearance only after the midday meal, according to reports from local media. The event, meticulously organized by a charitable organization, not only joined couples in matrimony but also provided them with essential items such as carpets and household appliances to help them embark on their married lives.

An official from the Ministry for the Promotion of Virtue and Prevention of Vice addressed the attendees during the understated ceremonies. While Koranic recitations filled the air, it’s important to note that dancing and music, once integral parts of joyous occasions, remain effectively banned by the Taliban rulers who returned to power in August 2021.

The newlyweds, adorned in traditional attire, were whisked away in cars adorned with green ribbons and heart-shaped red plastic roses. This poignant scene symbolized not only the union of hearts but also the hope for a shared future despite the challenges imposed by societal restrictions.

Roohullah Rezayi, an 18-year-old from the Hazara Shia Muslim minority in Ghor province, shared with AFP news agency the financial constraints that led him to opt for a mass wedding. He revealed, “A traditional wedding would have cost us at least 200,000 to 250,000 Afghanis [£2,220 to £2,770; $2,800 to $3,600], but this time it will be between 10,000 and 15,000 Afghanis.” Roohullah, who earns a modest income of 350 Afghanis per day through odd jobs, emphasized the financial relief provided by this collective celebration. “We invited 35 people from our two families; otherwise, it would have been 300 to 400,” he added.

For many grooms, like 23-year-old Samiullah Zamani, a farmer from Kabul province, the mass wedding marked the end of a prolonged wait. Expressing his excitement, Samiullah said, “I’ve been waiting for this day for three years. I can’t wait to see her.”

This mass wedding serves as a testament to the economic challenges faced by the Afghan populace, particularly the lower-income individuals who struggle to finance elaborate ceremonies. It reflects a growing trend where couples are opting for more affordable and practical alternatives to celebrate their love, even in the face of societal constraints.

The choice to organize such collective ceremonies not only alleviates the financial burden on individual couples but also underscores the resilience of the Afghan people in finding ways to celebrate love and commitment. The provision of essential items by the organizing charity further emphasizes the collaborative effort to support these couples as they embark on their marital journeys.

While the traditional elements of music and dance may be absent due to the prevailing restrictions, the couples’ joy and the communal celebration paint a picture of hope and unity. The decorated cars carrying the newlyweds through the streets serve as a visual representation of the community’s support for these unions, despite the challenges imposed by the current political climate.

As the newlyweds begin their lives together, this mass wedding stands as a poignant reminder of the strength of love and the resilience of individuals in the face of adversity. It signifies a departure from extravagant ceremonies, highlighting the importance of simplicity, unity, and community support in celebrating the enduring bonds of marriage.

Over 5000 American Diamonds Adorn The Necklace On Theme Of Ram Temple

December 28, 2023 Staff ReporterBusiness, Culture 0

In a show of excellent craftsmanship,a diamond merchant has made a necklace on the theme of the Ram Temple by using over 5000 American diamonds.

The Surat-based diamond merchant has decided to gift it to the Ram Temple in Ayodhya.

The Sri Ram Janmabhoomi Tirath Kshetra Trust has decided to enthrone Ram Lalla at the sanctum-sanctorum of the Ram Temple at noon on January 22, next year.

Ayodhya, the birthplace of Lord Rama, holds great spiritual, historical and cultural significance for the people of India.

Director of Rasesh Jewels, Kaushik Kakadiya said, “More than 5000 American diamonds have been used. It is made of 2 kg silver. We were inspired by the newly built Ram Temple in Ayodhya.”

He added, “This is not for any commercial purpose. We want to gift it to the Ram Temple. We made it with the intention that we also wanted to gift something to the Ram Temple.
“The main characters of the Ramayana are carved in the string of the necklace,” he concluded.

Over 5000 American Diamonds Adorn The Necklace On Theme Of Ram Temple (ANI) — Picture: ANI

Vedic rituals for the Pran-Pratishtha (consecration) ceremony of Ram Lalla (infant Lord Ram) in Ayodhya will begin on January 16, next year, a week before the main ceremony.

A Vedic priest from Varanasi, Lakshmi Kant Dixit, will perform the main rituals of the consecration ceremony of Ram Lalla on January 22. From January 14 to January 22, Ayodhya will mark the Amrit Mahautsav.

A 1008 Hundi Mahayagya will also be organised in which thousands of devotees will be fed.
Several tent cities are being erected in Ayodhya to accommodate thousands of devotees, who are expected to arrive in the temple town of Uttar Pradesh for the grand consecration of the Ram Temple.

According to the Sri Ram Janambhoomi Trust, arrangements will be made for 10,000-15,000 people. Local authorities are gearing up for the anticipated surge in visitors around the ‘Pran Pratishtha’ ceremony and are in the process of implementing enhanced security measures and making logistical arrangements to ensure a smooth and spiritually enriching experience for all attendees.

Sikh International Film Festival 2023 Showcases A Cinematic Journey of Sikh Heritage and Diversity

December 27, 2023December 30, 2023 Staff ReporterCulture 0

In the bustling heart of the city that never sleeps, the Sikh International Film Festival 2023 unfurled a spellbinding tale of Sikh heritage and cultural diversity at the prestigious Rubin Museum on December 16th. This year’s festival treated the audience to an enchanting journey through impactful stories, with standout films like

“Baywatana: Without a Country’, directed by high school students from Boston”, explored the plight of Sikhs and Hindus in Taliban-era Afghanistan.

“American Sikh”, is a true story of Indian American Sikh who was trying to assimilate with the Americans. The Oscar qualified animated short film is a story of American Sikh Hero Vishvajit Singh and Produced by Guneet Monga Kapoor – Oscar-winning producer (The Elephant Whisperers) and Michelin-starred chef-filmmaker Vikas Khanna and directed and illustrated by American Sikh Hero Vishavjit Singh and Ryan Westra. Vikas Khanna said, “One of the highlights of screening ‘American Sikh’ at Sikh International Film Festival was engaging the little ones and the youth who could see themselves reflected in our film. Their dreams and hopes keep me inspired.”

“Colonel Kalsi: Beyond the Call”: is another true story of a Sikh young Kamal Kalsi who fought to serve in the US Army with his turban and beard. The film explores themes of diversity, sacrifice, faith, identity and resilience. Colonel Kalsi expressed, “Serving in the Army with my unique camo turban and beard was a profound experience of celebrating my Sikh identity while embodying the spirit of American patriotism…”

As the curtains closed on these impactful narratives, the festival featured over 10 films, covering a diverse range of topics from current affairs to historical perspectives. Teji Bindra (Founder and President of Sikh Art & Film Foundation), Mandeep Sobti (Senior VP and Chair of Finance), Dr Paul Johar (Chair SAFF – Film Festival), Harmeet Bharara ( Former Chair FF and Gala), Hansdip Bindra ( Head of PR and Marketing), expressed their satisfaction with the films that captivated a packed auditorium at the Rubin Museum in Manhattan.

Teji Bindra emphasized, “Sikh Art & Film Foundation has been at the forefront in bringing better awareness of Sikhs through films and arts for the past 17 years. We are pleased with the fantastic movies showcased this year.”

Dr. Paul Johar added, “This year’s Sikh International Film Festival showcased a powerful lineup addressing contemporary Sikh Diaspora issues, delved into the challenges faced by the community. “Amardeep Singh’s documentary, “Oneness in Diversity: Elixir of Guru Nanak and the Indic Saints,” intertwined memories of Saints and Sufi mystics, emphasizing the essential theme of oneness and diversity. The festival, with its captivating stories and impactful quotes from filmmakers, not only celebrated Sikh culture but also provided a dynamic platform for filmmakers to showcase their artistry.

The Sikh International Film Festival, originating in 2004, has been a cultural beacon, fostering awareness of Sikh culture through films and arts. As the curtains closed on this year’s festival, the organizers expressed gratitude to viewers for their unwavering support, marking a significant chapter in the festival’s journey. The success of SIFF 2023 promises an even brighter future, continuing to celebrate Sikh heritage and diversity through the captivating lens of cinema.

Website: http://sikharts.com/film-festival.html

2023 in Retrospect: A Journey Through Time – Unveiling the Historical Tapestry of Triumphs, Tragedies, and Cultural Milestones

December 26, 2023December 27, 2023 Staff ReporterCulture 0

In the course of 2023, numerous significant events unfolded, capturing global attention and shaping the contemporary narrative. However, amidst the unfolding present, it is crucial to cast our gaze into the corridors of history, acknowledging pivotal moments that transpired in bygone years. As we delve into the annals of time, we encounter a tapestry woven with milestones spanning various decades, each contributing to the rich mosaic of our collective past.

Half a century ago, the vibrant beats of hip-hop echoed through the Bronx at a groundbreaking party. Simultaneously, a month later, the specter of a brutal military coup in Chile reverberated across South America, jolting many Americans into a heightened political awareness. This juxtaposition encapsulates the dichotomy of historical events, where cultural revolutions and geopolitical upheavals coexist within the same temporal frame.

Six decades have elapsed since a quarter of a million people converged in Washington, D.C., for the historic March on Washington for Jobs and Freedom. This pivotal moment, marked by the resonance of Dr. Martin Luther King Jr.’s iconic “I Have a Dream” speech, was followed by the tragic assassination of President John F. Kennedy in Dallas three months later. These events, though distinct, are threads intricately woven into the fabric of the 1960s.

Moving back 75 years, the birth of the nation of Israel stands in stark contrast to the Palestinian Nakba, commemorating 75 years of sorrow and displacement. This historical paradox underscores the enduring complexities of the Middle East conflict, where the narratives of independence and catastrophe intersect and diverge.

As we embark on a retrospective journey through the months of the year, let us traverse the historical landscape, pausing to reflect on the resonance of each significant event.

January:

In 2013, amidst a world that seemed ablaze with challenges, the iconic “this is fine” meme emerged from Question Hound’s comic strip, becoming a cultural touchstone. Meanwhile, 1943 witnessed the nationwide release of “Casablanca” in the U.S., a film depicting refugees fleeing Nazi-occupied Europe, its cast including actors who themselves had sought refuge.

February:

The year 2003 was marred by tragedy as the space shuttle Columbia disintegrated over Texas, claiming the lives of seven astronauts. The same year, Secretary of State Colin Powell delivered a speech to the United Nations Security Council, erroneously claiming Iraqi possession of weapons of mass destruction. Additionally, 1993 marked the federal raid on the Branch Davidian compound in Waco, Texas, leading to a tragic siege.

March:

In 2003, President George W. Bush’s decision to send U.S. troops to invade Iraq unfolded, ushering in a war with profound and enduring consequences. The invasion, remembered by U.S. veterans, was characterized by the military’s “shock and awe” campaign. Simultaneously, the release of Pink Floyd’s “Dark Side of the Moon” in 1973 added a musical dimension to the historical tapestry.

April:

In 2003, the English translation of Marjane Satrapi’s classic memoir, “Persepolis,” entered the public domain, offering a poignant narrative of a girl’s coming of age during the Iranian revolution. Meanwhile, 1993 witnessed the public debut of the World Wide Web, revolutionizing global communication.

May:

1963 witnessed the “Children’s Crusade” in Birmingham, Alabama, where young students peacefully marched for an end to segregation, inspiring support for the Civil Rights Act. The same year, Israel was established, leading to the displacement of Palestinians, an event etched in history as the Nakba.

June:

The year 2013 saw revelations about mass data collection by the NSA, courtesy of Edward Snowden, reshaping public understanding of government surveillance. Meanwhile, in 1983, NASA mission specialist Sally Ride made history as the first American woman in space aboard the Challenger space shuttle.

July:

1963 marked the introduction of ZIP codes, streamlining mail sorting. Concurrently, a group of Black girls faced arrest during a march for desegregation, highlighting the ongoing struggle against racial inequality.

August:

In 1993, alternative rock band The Breeders gained prominence with their breakout album, “Last Splash.” The birth of hip-hop in a Bronx community room in 1973 marked a cultural milestone. Additionally, the March on Washington for Jobs and Freedom drew over 250,000 people, with Martin Luther King Jr. delivering his iconic “I Have a Dream” speech.

September:

The year 2003 saw the passing of Johnny Cash, a musical icon whose songs resonated with generations. In 1973, Chile’s socialist president Salvador Allende was overthrown in a military coup, ushering in a dark period of dictatorship.

October:

The gruesome killing of journalist Jamal Khashoggi in 2018 by Saudi agents underscored the complex geopolitical landscape. In 1973, a surprise attack by Arab countries initiated the Yom Kippur War, shaping subsequent U.S. foreign and energy policies.

November:

In 2003, the Concorde made its final flight, marking the end of a groundbreaking era in aviation. The assassination of President John F. Kennedy in 1963 cast a shadow over the nation.

December:

2013 witnessed the passing of Nelson Mandela, a symbol of the struggle against apartheid. In 1983, the Talking Heads recorded the acclaimed concert film “Stop Making Sense,” delving into the band’s creative process. The release of “The Exorcist” in 1973 challenged societal perceptions of horror and faith.

As we traverse the historical landscape of 2023, each month unveils layers of the past, intertwining moments of triumph and tragedy, cultural evolution, and political revolutions. These anniversaries serve as poignant reminders that our present is intricately connected to the threads of history, weaving a narrative that continues to shape our collective identity.

The Heart of Wellness: How Yoga Enhances Oxygenation

December 20, 2023February 6, 2025 Dr. Indranill Basu-RayCulture 0

In the heart of America, a silent battle rages on. Each year, a staggering 670,000 lives are claimed by coronary heart disease, a stealthy foe often linked to the heart’s cry for more oxygen. In this landscape, where 20% of heart failure warriors grapple with their heart’s weakened ability to soak in life-giving oxygen, a hero emerges from the shadows. It’s not a new pharmaceutical wonder drug or a high-tech medical procedure. It’s something far more ancient, yet astonishingly relevant – yoga. This age-old practice steps into the modern health arena, not just as a form of exercise, but as a crucial ally in the fight for heart health, breathing new life into our most vital organ.

This ancient practice, deeply rooted in holistic wellness, offers benefits that can match, and sometimes surpass, traditional exercises like brisk walking. In a nation where heart health is a critical concern, yoga’s role in improving cardiac function is not just a matter of physical well-being but a potential lifesaver.

Yoga transcends mere physical exercise. It’s a holistic practice that nurtures the body, mind, and spirit. Its impact on cardiovascular health is profound. By enhancing blood circulation, yoga ensures that oxygen-rich blood reaches every part of the body, including the heart. This improved circulation nourishes the heart and aids in detoxifying the body, reducing stress, and lowering blood pressure – all factors that contribute to a healthier heart.

The connection between yoga and heart health is backed by scientific research. A European Journal of Preventive Cardiology review suggests that yoga can lower heart disease risk as effectively as conventional exercises. Research in the Journal of Clinical and Diagnostic Research shows that yoga improves lung function and oxygen saturation, directly benefiting the heart. A study in the Journal of Ayurveda and Integrative Medicine indicates that yoga enhances heart rate variability, an important indicator of heart health. The British Journal of Sports Medicine reports that yoga increases lung capacity and efficiency, positively impacting heart functions.

Pranayama, the art of yogic breathing, is key in enhancing cardiac oxygenation. Research in Frontiers in Psychiatry shows that pranayama positively impacts the cardiorespiratory system, reducing heart rate and blood pressure. A trial published in Academia found that Pranava Pranayama improves baroreflex sensitivity and reduces blood pressure. A review in Fitsri Yoga states that pranayama increases lung capacity and oxygen levels, aiding in deeper breathing. The International Journal of Indian Psychology discusses how kapalabhati, a pranayama technique, enhances oxygen supply to the circulation. Brahmari Pranayama is a very specific type of ancient breathing technique credited to increase intravascular nitric oxide. This is the magic chemical that helps keep blood vessels open and thus helps in preventing heart attack and stroke.

Incorporating specific yoga poses into your routine can significantly enhance heart oxygenation. Tadasana (Mountain Pose) improves posture and lung capacity, facilitating better oxygen supply to the heart. Bhujangasana (Cobra Pose) expands the chest and lungs, enhancing breathing capacity and oxygen flow to the heart. Savasana (Corpse Pose) reduces stress and promotes relaxation, lowering blood pressure and improving heart oxygenation.

Integrating yoga into daily life can lead to significant improvements in heart health. Consistency is key. Starting with a few minutes each day and gradually increasing the duration can make yoga a sustainable practice. It’s also beneficial to combine yoga with other heart-healthy activities like walking or a balanced diet.

Despite its benefits, misconceptions about yoga can deter people from trying it. It’s important to understand that yoga is adaptable and can be practiced by people of all ages and fitness levels. For those with existing heart conditions, it’s advisable to consult with a healthcare provider and practice under the guidance of a qualified instructor.

Yoga is more than just a series of poses; it’s a pathway to a healthier heart and a more balanced life. By enhancing oxygen supply to the heart, yoga offers a holistic approach to cardiovascular health. We encourage readers to explore yoga not just as a physical exercise, but as a comprehensive wellness practice.

Indranill Basu-Ray

The author is a Cardiologist, Meditator, and Yogi based in Memphis, Tennessee, USA. He is the Founder and Chairman of the American Academy for Yoga in Medicine. He is the Editor in Chief; The Principle and Practice of Yoga in Cardiovascular Medicine.

ibr@aaymonline.org

Vettuvan Koil – Temple of the Slayer

December 19, 2023February 6, 2025 Neha Suraj MathewCulture, Travel 0

Vettuvan Koil is a temple dedicated to the Hindu god Shiva. The Dravidian-style temple is located in the South Indian state of Tamil Nadu, precisely in the district of Thoothukudi, Kalugumalai. The monolithic temple is known for its rock-cut Pandyan architecture. The temple is claimed to have been an unfinished work in the early 8^th century by the Pandya rulers.

The temple is currently maintained and administered by the Department of Archaeology of the government of Tamil Nadu.

History

It is believed that the temple was built in the 8^th century, which was the early Pandyan era, under the leadership of Parandhagan Netunjadaiyan. It was built along the Kalugumalai Jain Beds. It’s a monument dedicated to Lord Shiva, and from the rectangular rock in Vettuvan Koil, a Dravida vimana is emerging. Not much history about Koil is available about the temple other than the myths and tales associated with it.

Geography

The temple is perched atop a stone hillock towards the eastern side. It opens up a view to the east. The entry path lines the western hillside, the Kalugumalai Jain Beds (Highway 187). The upper section of the Vettuvan Koil was carved from a single granite rock. The carvings depicted various engravings of “Parsavadevatas,” or the attendant deities of Shiva. These included Goddess Uma, known for fertility, love, beauty, marriage, and children; Goddess Nandi, also known as the gate-guardian deity of Kailsa, the house of Lord Shiva; and artwork of various animals such as monkeys and lions. This architectural beauty creates the illusion of a lotus blossom in bloom.

Tales on Vettuvan Koil

The legend says that the temple was built over a rivalry between a father and son over superior architecture. It is believed that the son built the Murugan shrine, while the father built the Vettuvan Koil. When the son made fun of the koil, the father, out of anger, killed his son. The abandoned temple remains unfinished, followed by the grief of the father.

A different version of the story recites that the father attempted to impart trade knowledge to his son. The son, disregarding his father’s instructions, began carving the inner chambers of the koil. Enraged by his son’s disobedience and hearing the sound, the father killed him.

And with the legends came the names “Temple of the Slayer and “Heaven of Sculptors” for Vettuvan Koil.

Things to do at Vettuvan Koil

On reaching the temple, the viewers are treated to magnificent sculptures of Uma Maheswarar, Dakshinamoorthy, Vishnu, Brahma, and other lords that can be found atop the temple.

Other places nearby to visit during your time at Tirunelveli are:

Kanthimathi, or Nelaiyapper Temple, is known for its big size and intricate workmanship on stone. It gives a peaceful place for dharshan and prayers.
New Jerusalem Church
Ram’s Funn City is a soft play area mainly focused on kids.

Lord Thirukuttralanthar, a historic temple shaped like a conch with hal of paintings or Chitra Sabai of the 5 Sabais

KK Muhammed, An Archaeologist Sheds Light On Ram Temple Excavation

December 12, 2023December 22, 2023 Staff ReporterCulture, Religion 0

The Vishwa Hindu Parishad of America (VHPA) held the first webinar of the five-part series focused on the Ayodhya Ram Mandir in association with the Hindu University of America (HUA) on December 9^th, 2023.

Padma Shri K.K. Muhammed, a distinguished speaker, provided an informative talk about the excavation history of numerous sites, including the old Babri Masjid, where Islamic structures were constructed atop the foundations of Hindu temples.

KK Muhammed, former Director (North), Archaeological Survey of India (ASI) was part of the first excavation that was conducted in the year 1976-77 under BB Lal, former director-general of ASI. Muhammed, who was the only Muslim in the team, claims that there is clear evidence that a grand temple stood at the site.

Subsequently, a second excavation was conducted in 2003 as per the directions of the Lucknow bench of the Allahabad High Court. By this time, the mosque had been destroyed and so a ground-penetrating radar (GPR) survey could be conducted. All the archaeological discoveries were also videographed and corroborated to the previous findings that indicated a temple. Muhammed maintains that there is enough archaeological proof of a grand temple below the Babri Mosque.

Muhammed briefed the audience on the artifacts found by his team during his excavation. The audience greatly admired his principled stance in standing by Dr. B. Lal’s work and the excavation team he was a part of in the face of vicious attacks from special interests like Irfan Habib and his colleagues.

The community memebrs in the audience was pleasantly surprised by the amount of knowledge Muhammed displayed about Hindu traditions, including his flawless recitation of many Sanskrit shlokas from the scriptures.

K K Muhammed had for the first time acknowledged in 1990 through a newspaper article that he had witnessed the remains of a Ram temple under the mosqu. He was awarded the Padma Shri in 2019 after the Bharatiya Janata Party (BJP) returned to power at the Centre for a second consecutive term.

The excavation of the Kesariya stupa in Bihar, the Ibadat khana and Christian Chapel in Fatehpur Sikri, and St. Augustin Church in Goa were all undertaken by Muhammed, who retired as regional director from the Archaeological Survey of India. During his career, he has faced many difficult conversations across the nation, frequently enlisting the aid of dacoits in the Chambal valley and the Naxal groups of Chhattisgarh. Several international, national, and state awards have been bestowed upon him in recognition of his exceptional contributions to conservation.

In an earlier posting, KK Muhammed had referred to the following as the proof that he had presented about the existence of not just a temple but one that was dedicated to Lord Vishnu:

Pillars, Base and Kalash

“When we went inside, I saw 12 pillars of the mosque which were made from temple remains. In almost all the temples of the 12th and 13th centuries, you get ‘Purna Kalasha’ at the base. It is the structure of a ‘ghada‘ (water pitcher) from which foliage would be coming out. It is the symbol of prosperity in Hinduism and is known as ‘Asht-Mangala Chinha‘ – one of the eight auspicious symbols.”

“When you go inside, you can see a number of ‘Purna Kalash As‘ and a number of gods and goddesses. Similar things were there in Babri mosque also. There were no gods and goddesses but ‘Ashtamangala Chinha‘ were there. So, on the basis of these, any archaeologist would say that these are temple remains. Subsequently, BB Lal undertook excavations on the western side of the mosque. The pillar bases were also excavated.”

Terracotta Sculptures

“A number of terracotta sculptures were found. If it is a mosque, you will never get the depiction of human beings or animals because it is ‘haraam’ (forbidden or proscribed) in Islam. This means there was a temple. But these findings were not highlighted by BB Lal because our excavation purpose was not to establish whether there was a temple or not. We just wanted to see the cultural sequence of the place.”

Second Excavation

More Pillars Discovered

“In the second excavation, more than 50 pillar bases in 17 rows were exposed. It means that the structure was imposing and large. The structure discovered was a temple below the Babri Mosque and dated back to the 12th century AD.”

Temple ‘Pranala’

“They also got the temple ‘pranali‘. We have to bathe the deity and the ‘abhishek jal‘ flows through ‘pranali‘. The pranali is mostly ‘makara pranali‘, having a crocodile face. Crocodile is a symbol of river Ganga. In some of the temples, before reaching the ‘garbha griha‘ (sanctum sanctorum), on the one side, there would be a lady standing on crocodile and on the other side there would be a lady standing on a tortoise. This means that you are taking a symbolic bath in rivers Ganga, Yamuna and the underground Saraswati. After cleansing yourself of all the previous sins, you are going to the main God. This ‘makara pranali‘ was excavated.”

Temple ‘Kalasha’, Amalkam Grivaha and Shikhara

“Also, on top of the temple just below the ‘kalasha‘, there is another architectural member known as ‘amalka‘. It was also excavated. Below the ‘amalka‘ there is the ‘grivah‘ and also the ‘shikhara’ portion of the temple in North India. Many architectural members of the ‘shikhara‘ were also excavated from there by the team.”

More Terracotta Objects

“Besides, 263 pieces of terracotta objects of various gods and goddesses, human figures and female figures were excavated from there. Had it been a mosque, how could you get these terracotta objects of various living beings? Depiction of any living being is prohibited in Islam. Then how could you get sculptures of living beings had it been a mosque? So, it was not a mosque.”

‘Vishnu Hari Sheela Phalak’ inscription

“Apart from all these things, a ‘Vishnu Hari Sheela Phalak’ inscription was also found in two pieces from the site. Of course, they were not part of the excavations but were found after the demolition of the mosque. But they form a piece of important circumstantial evidence which clearly says the temple has been dedicated to that incarnation of Lord Vishnu who had killed Bali and a 10-headed person.”

In an upcoming webinar, Dr. Sudhanshu Trivedi, an Indian lawmaker, will provide a historical perspective, beginning with Babur’s 16th-century destruction of the Ram Mandir and continuing up to the current day.

Garba At Times Square Commemorates UNESCO Inscription

December 12, 2023December 22, 2023 Staff ReporterCulture 0

The Consulate General of India in association with the Federation of Federation of Indian Associations NY-NJ-CT-NE held a garba celebration at New York’s iconic Times Square to commemorate the dance’s recent inclusion by UNESCO as an Intangible Cultural Heritage. Garba dancers from the Indian American community in colorful attires took to the streets to represent the cultural richness of Gujarat on a global platform. Free transportation, complimentary refreshments and participation certificates were provided for all performing artists. Indian missions across the globe organised Garba programmes to mark the occasion.

“The event was a spectacular showcase of the rich cultural heritage of Gujarat as attendees donned traditional Garba attires,” the organizers said. “The vivid colors and intricate designs of their attire were a sight to behold, and one could feel the energy and pride emanating from them as they represented their culture on a global platform.”

Acting CG of India in NY, Varun Jeph addressing the gathering. / Image – X/@IndiainNewYork

Describing the dance’s inclusion as “momentous and historic occasion”, Acting Consul General of India in New York Dr Varun Jeph hailed the Times Square celebrations as a testament to India’s rich and diverse cultural heritage.

Traditionally performed during Navratri, the nine-day festival that is celebrated to honor the devine feminine energy, Garba is among the oldest folk dances of India. The UNESCO officials appreciated the dance for its “inclusive” nature and hailed it as a symbol of bringing communities together.

Today, the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage inscribed ‘Garba of Gujarat’ on the Representative List of the Intangible Cultural Heritage of Humanity during its 18th session, taking place in Kasane, Botswana from 5 to 9 December 2023.

The inclusion of Garba now makes it India’s 15th inscription on the List.

A ritualistic and devotional dance performed throughout the State of Gujarat, and across India, Garba is celebrated for nine days during the festival of Navaratri. The festival is dedicated to the worship of the feminine energy or Shakti. The cultural, performative, and visual expressions of this feminine energy are expressed through the Garba dance. The performative and visual celebration of Garba takes place within homes and temple courtyards, public spaces in villages, urban squares, streets, and large open grounds. Garba thus becomes an all-encompassing participatory community event.

“I offer my sincere congratulations to India, its people and the teams that worked on the nomination dossier. I hope this inscription helps ensure the viability of this tradition and inspires the community, particularly young people, to continue with the knowledge, skills and oral traditions associated with Garba,” said Tim Curtis, Director of UNESCO New Delhi Regional Office for South Asia and UNESCO Representative for Bhutan, India, the Maldives, and Sri Lanka.

Over the decades Garba has been an integral, multivalent component of Gujarati culture in India and among the Indian diaspora across the globe. Garba continues to be a vibrant living tradition. In addition to being a religious ritual, Garba fosters social equality by diluting socio-economic, gender, and rigid sect structures. It continues to be inclusive and participative by diverse and marginalized communities, strengthening community bonds.

The 18th session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage, hosted by the Republic of Botswana, was assigned with the job of evaluating nominations submitted by States Parties for inscription on the Lists of the Convention, that include 45 elements for inscription on the Representative List of the Intangible Cultural Heritage of Humanity, 6 elements for inscription on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding, 4 proposals for the Register of Good Safeguarding Practices and 1 International Assistance request.

Apart from ‘Garba of Gujarat,’ some of the new inscriptions include Rickshaws and Rickshaw painting in Dhaka from Bangladesh, Songkran in Thailand, traditional Thai New Year festival from Thailand, Hiragasy, a performing art of the Central Highlands of Madagascar, Junkanoo from the Bahamas, and the Procession and celebrations of Prophet Mohammed’s birthday in Sudan, among others.

The Representative List of the Intangible Cultural Heritage of Humanity of the 2003 UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage currently has some 704 elements corresponding to 5 regions and 143 countries. It includes forms of expression that testify to the diversity of intangible heritage and raises awareness of its importance. By enhancing the viability of communities’ cultural practices and know-how, UNESCO aims to safeguard the intangible cultural heritage of communities globally.

Although labeled ‘a ritualistic and devotional dance performed throughout the State of Gujarat’, Garba is a dance of celebration at any joyous event. It is said that Garba originated among the cowherd friends of Krishna in Vrindavan who got together to take off the weariness of their day’s labor with dancing. Going around in circles while clapping their hands and singing was the basic form of that Garba.

India’s current inventory list of Intangible Cultural Heritage includes Garba of Gujarat, Durga Puja in Kolkata, Kumbh Mela, Nawrouz, Yoga, Traditional brass and copper craft of utensil making among the Thatheras of Jandiala Guru in Punjab, Sankirtana-ritual singing and drumming and dancing of Manipur, Buddhist chanting of Ladakh: recitation of sacred Buddhist texts in the trans-Himalayan Ladakh region in Jammu and Kashmir, Chhau dance, Kalbelia folk songs and dances of Rajasthan, Mudiyettu-ritual theatre and dance drama of Kerala, Kutiyattam-Sanskrit theatre, Tradition of Vedic chanting and Ramlila-the traditional performance of the Ramayana.

Indian-American Doctor Pledges $4M for Hindu Advocacy in the US

December 5, 2023 Staff ReporterCulture, Religion 0

Hinduism is not just a religion, it’s a way of life, a prominent Indian-American physician, who has committed $4 million to advocate Hindu advocacy and awareness causes in the United States, has said.

Emergency care physician Mihir Meghani, who founded the Hindu America Foundation along with his friends two decades ago, has pledged to donate $1.5 million more to the Hindu cause over the next eight years.This contribution will raise his total donations for the cause to $4 million in two decades. He ecognize the pledge early this month at the Hindu America Foundation Gala at the annual Silicon Valley.

Stressing that Hinduism is more than a religion, he aimed to increase understanding and appreciation of Hindu identity among Americans, especially those with a Christian background.

Meghani emphasized the importance of Hindu Americans being proud of their heritage while actively engaging with others to foster better understanding. The Hindu American Foundation, initially volunteer-driven, has now expanded significantly, with plans for further growth to continue advocating for Hindu causes and enhancing awareness of Hinduism in American society.

The announcement by Dr Meghani pos”Ibly’gives him the distinction of being the biggest Indian American donor for the Hindu cause in the United States.

“My wife, Tanvi and I, have contributed $1.5 million to the Hindu American Foundation thus far. We’ve also contributed a million dollars more over the last 15 years to other Hindu and Indian organisations and causes. Over the next eight years, we’re making a pledge of $1.5 million to pro-India and Hindu organisations,” Dr Meghani told PTI in a recent interview.

“I say this to all of you who are viewing this to realise that I don’t have a startup company. I don’t have any side businesses. I’m an emergency doctor on a salary. My wife is a fitness instructor and a jewellery designer. We’re not making millions of dollars a year. We don’t have stock options. We’re doing this because it’s our Dharma, it’s our duty,” he said.

Just out of university, Dr Meghani and three of his friends Aseem Shukla, an associate professor in urologic surgery; Suhag Shukla, an attorney and Nikhil Joshi, a labour law attorney co-founded the Hindu American Foundation (HAF) in September 2003, the first of its kind Hindu advocacy group in the US.

Responding to a question, Dr Meghani said Hinduism is not as easily understood by most Americans because most Americans are Christian. “They come from an Abrahamic background. When they look at different religions, they can’t understand that Hinduism is not just a religion, it’s a way of life. It’s a way of thinking about life,” he said.

Hindus who are coming from India don’t quite understand that they have a Hindu identity and an Indian national identity, he said, adding: “We need to talk about that”.

“What we need are Hindus to be strong in the Bharatiya or Indian identity, which is the political identity for our ecognizedn, but also they should be very proud and open about their Hindu identity. And when they have that, their coworkers, their friends, and neighbours will understand us better,” he said.

One of the early successes of HAF in Washington DC, he said, was to get Diwali ecognized in the US.

“Now you can see that Diwali is celebrated at the White House, with the Vice President, in the US Congress and all across different state and local governments across the country. But it took time to get there,” he said about the three-year effort by them.

The Hindu American Foundation, which in its initial years was all based on volunteerism, now has an annual budget of $2.5 million and has several full-time staffers. Its goal is to increase its budget to $5 million next year and $20 million by the end of the decade, he said.

‘Masterchef India’ Adds Healthy Twist To Culinary Art With Nutritionist Pooja Makhija

November 22, 2023 Staff ReporterCulture, Entertainment 0

The new episode of the cooking reality show ‘MasterChef India’ sees renowned nutritionist Pooja Makhija gracing the kitchen. She introduces a challenge that tests the culinary talent of the contestants and adds a nutritional dimension to their creations.

The ‘Health Challenge’ will require contestants to create a healthy dish by incorporating essential elements like fibre, vitamins, protein, and carbs. There’s also a mid-challenge twist awaiting them as they will need to incorporate two more ingredients in their dishes – moringa leaves and flaxseeds.

Talking about the challenge, Pooja said: “Bringing the ‘Health Challenge’ to the ‘MasterChef India’ kitchen has been incredibly rewarding. It was exciting to witness the passion these home cooks exhibited while balancing the nutritional aspects of their creations. The challenge was a reminder that great cooking goes beyond taste – it is about nourishing the body as well.”

Amidst the challenge, contestant Kriti Dhiman finds herself in a tricky situation as incorporating dark chocolate proves to be a daunting task for her.

Sharing her experience, Kriti said: “Working with dark chocolate was definitely a challenge. Its intense flavour required a delicate balance to ensure it complemented the overall dish. This challenge has taught me the importance of experimenting with diverse ingredients to create a balanced blend of flavours.”

‘MasterChef India’ on Sony LIV. (IANS)

A Fabulous Full House Diwali Celebration

November 22, 2023 Asian Media USACulture 0

The Diwali party presented by Pratibha Jairath and Ashok Potdar was held at Ashyana Banquets and was once again a full house event and a melodious celebration of joy and happiness. Beautifully decorated Ashyana ceilings and jazzy, vibrant colors of the outfits of the audience brought life to a quiet and dreary fall evening.

A Fabulous Full House Diwali Celebration 3 — Picture: Asian Media USA

The lamp lighting ceremony included the Guests of Honor and sponsors including Anil and Sweety Loomba, Sunil and Rita Shah, Bhupinder & Anita Beri, Pinky & Dinesh Thakkar, Mayur Ganger and partner Ashok Potdar. Mrs. Rita Sunil Shah recited Shree Sidhivinay prayers beautifully during Lamp lighting. Mr. Sunil Shah presented Diwali Greetings to all.

Ms Jairath reminded the audience of the significance of Diwali such as victory of knowledge over ignorance, which turned into her recent initiative, a Not-for-Profit organization ‘Vidya Jyoti’s. She mentioned the accomplishment of being able to help 1015 students thus far. Mr. Mayur Ganger, who had opened his heart as a great sponsor was presented by Mr. Anil Loomba and Dr. Bhupinder and Anita Beri.

A Fabulous Full House Diwali Celebration 2 — Picture: Asian Media USA

The singing trio Pratibha Jairath, Raju Bankapur, Pradeep Sood kept the audience on their dancing feet throughout the celebration. The program started with melodious songs when Pratibha presented songs by legendary singers Lata Ji, Asha Ji, Geeta Dutt, Vani Jairam, each singer with a different special touch. It was a variety of songs, including Bole Re papihara type semi classical numbers. It was pin drop silence throughout the listening numbers and as always, her songs pulse with feelings. With her dance numbers, folks came to the dance floor as usual. The next surge of excitement was from multi-talented singer Raju Bankapur. Once again, well known singer, Pardeep Sood had a dramatic entrance once again and his Punjabi medley that people always love brought even more people to the dance floor.

There were few duet performances of popular songs. Mrs. Rita Shah and Hitesh Master performed a beautiful Duet which received a lot of applause too. Pinky Thakkar and Pardeep sood joined Pratibha in a fast dance number and the dance floor was all full.

The beautiful Bharatnatyam dance performances by Jenish Balsara got big applause from the audience. Raju Bankapur’s flute transported the audience to the world of pure joy and ecstasy.

Orchestra Sa Re Ga Ma with Hitesh Master Nayak, Richard Christian, Bobby and sound engineer/DJ Monachan enthralled the attendees.

Pratibha doesn’t forget to thank her friends ever who come out to help her including Anita Beri, Sarita Sood, Asha Mehta, Sushma Srivastav Sushma Gupta, her co-organizer Ashok Potdar, Neha Potdar and Vandana Bankapur who also did beautiful decoration besides front desk help.

Ms Jairath has strong ties with the community, because she maintains ‘Main aasman nahin chhuma chahti, bas logon ke dilon ko chhoo lonn bas yahi tamanna hai’. Her attention to detail and relationships is what makes her parties successful and that is why she is ione of the most sought-after entertainers and artists of Chicago.

Senior Friendship Group In Chicago Hosts Dazzling Diwali Celebration

November 22, 2023 Asian Media USACulture 0

The Senior Friendship Group Chicago marked the joyous occasion of Diwali with a vibrant celebration on Sunday, November 12, 2023 at Golf Maine Park District, 8800 W Kathy Ln, Niles, IL . The festivities, which spanned from 9 am to 4 pm, brought together members and guests for a day filled with cultural delights.

The event commenced with a delightful breakfast featuring an array of Diwali delicacies, including Ghooghra, Cholafli Mathiya Farsi, Puri Chawanan, tea, and coffee. The beautifully adorned venue, embellished with exquisite depictions of Ganapatidada and Lakshmi Mata, was a testament to the meticulous efforts of Meghna D Vora, who orchestrated the enchanting decor.

Senior Friendship Group In Chicago Hosts Dazzling Diwali Celebration 3 — Picture: Asian Media USA

President Harshadbhai Parekh extended heartfelt Diwali and New Year wishes to all attendees, outlining the day’s program. A collective Aarti of Ganapati Dada and Lakshmi Mata, performed by both members and guests, set a spiritual tone. Smita Parekh presented prayers of Sarva Dharma and Mayurashtakam, adding a divine touch to the celebration.

In a special segment, November birthdays were celebrated, including the festivities for Sunilbhai Shah. The entertainment quotient soared as Jeetendraji, Amitbhai, Pratibhaji, and Ritaben Shah showcased their musical talents, creating a jubilant atmosphere that had everyone dancing.

The highlight of the event was the felicitation of President Harshadbhai Parekh and other dedicated members by Pinkiben Dineshbhai Thakkar and Mukeshbhai Mehta. Bouquets and shals were presented as tokens of appreciation for their significant contributions.

Senior Friendship Group In Chicago Hosts Dazzling Diwali Celebration 2 — Picture: Asian Media USA

“On this Diwali and New Year celebration, I want to express my love and affection for my caring family and friends. I want to tell my husband Dinesh Thakkar how fortunate I am to have him in my life as my best friend and a wonderful life partner. I want to thank him for the love and support, and I look forward to celebrating our bond together for years and years to come. Happy Diwali and New Year”! Said by Pinky Thakkar

Asian Media USA captured the magical moments of the day, diligently documenting individual and group pictures along with videos. The generosity of guests who contributed to the event was acknowledged, aligning with the spirit of giving during Diwali.

As a sweet conclusion to the celebration, the President, committee members and Guest distributed sweets to all attendees, fostering a sense of camaraderie and shared joy.

The Senior Friendship Group Chicago’s Diwali celebration was a resounding success, weaving together tradition, community, and festivity in a tapestry of unforgettable moments.

Hindus In The US Celebrate Ancient Sun Festival

November 21, 2023November 27, 2023 Staff ReporterCulture 0

(RNS) — An ancient ritual as old as Hinduism itself has traveled through time and space all the way to the waters of California’s Bay Area.

Starting at sundown on Friday (Nov. 17), hundreds of Hindus will wade into the waters of Quarry Lakes, a manmade lake in Fremont, California, to express reverence to nature, which they believe to be God manifest.

The festival of Chhath, which originated in the Indian state of Bihar, is devoted to Surya, the god of the sun. Worshippers thank Surya for providing light, warmth and life by fasting for three days and offering solitary prayers and fruits.

The ritual celebrating the rising and setting sun predates the Hindu gods that are more commonly known today, and stems from the earliest tradition of Hinduism, known as Vedic Hinduism.

But Chhath’s rituals, stemming from the earliest roots of Hinduism, known as Vedic Hinduism, which was prevalent in India more than 3,000 years ago, predate the Hindu gods we know today by some 1,400 years.

With a focus on meditation and gratitude, the Vedic tradition, named for the Vedas, its sacred texts, is still present in yoga’s Sun Salutation, or suryanamaskar.

“What I really value in Chhath is a connection to my roots and to an ancient tradition,” said Pushpita Prasad, a Bihari Californian who has participated in the festival in recent years. “It makes me feel very powerful to be a part of something that my ancestors might have been doing thousands of years ago.”

While it began with a single family’s observance in 2011, the Quarry Lakes Chhath has turned into an event that will draw 1,700 people this year — a number limited by the Quarry Lakes park authority’s cap on attendance. With more than 4,000 Hindus expressing interest, the event is sold out in minutes after word spreads that registration is open.

“People become very nostalgic about this,” said Sunil Singh, who founded the Quarry Lakes celebration with his wife, Shalini. “It is the holiest and most auspicious festival in Bihar. “My goal is to encourage the next generation, so they get engaged and they know what Chhath is.”

In India, families celebrating Chhath will travel to the holy waters of the Ganges and Yamuna rivers, considered by many Hindus to be blessed with spiritual properties from their namesake goddesses. They will break their three-day fast with a particular type of wheat that they have grown in a way that ensures it is untouched by birds. They also use a special set of utensils to break the fast.

While details like these are not always the same here in the States, to the Singhs, having the community eagerly show up to perform an ancient practice aimed at being one with nature is enough.

“The puja is not only doing the formalities,” said Shalini, using the Sanskrit word for an act of worship. “The real prayer is how you connect with God. It’s better to do whatever little modifications you can do to keep the culture, and keep your heart clean and pure.”

When the couple started the Quarry Lakes Chhath, their daughter was just 4 years old. This year she wrote about her family’s mark on the Bay Area in her college applications.

“Because it’s so big now, it’s not possible for just two people to handle it,” said Shalini. “We are very thankful for our community and our friends for engaging with us from end to end.”

When she came to the U.S. from Bihar, Shalini said, she never expected to celebrate Chhath in a bigger way than she did at home. “My prayers were heard,” she said.

For Manisha Pathak, founder of the Overseas Organization for Better Bihar, the festival creates an awareness about Bihari culture beyond its attendees. “Chhath is so relatable because it’s all about nature, and nature is for everyone,” said Pathak. “It is not just for Biharis.”

A Silicon Valley software engineer, Pathak began performing the ritual herself about 10 years ago. As the puja requires only meditation on the self, it doesn’t require a priest, a rarity in Hinduism.

As with many of the spiritual philosophies of Hinduism, Chhath is said to offer health benefits: The vitamin D from the sun radiates energy within the observer and can be passed along to anyone who is touched by the vrati, or person performing the puja.

“At the end of the puja and the sun rises, when I am gazing at the sun with water in my hands, that is a burst of energy that I absorb,” said Pathak. “It feels like I can move mountains.”

The tradition requires one member of a family to maintain a strict fast from sundown on Friday to sunrise on Sunday. At the end, everyone is fed Thekhua, a famous Bihari treat made of wheat, jaggery (made from cane sugar) and clarified butter, or ghee.

“Chhath puja is an experience of union with God,” said Pathak. “What is God according to Hindu belief? It is nature, the energy, the vibration. You experience that unity when you are standing in water just with your eyes closed. There is stillness there, and it is so amazing.”

Prasad, an advocate for Hindu Americans and board member of the Coalition of Hindus of North America, said the power of this ancient tradition lies in its ability to be celebrated just as fervently in modern times. As a lesser-known festival, she added, Chhath is emblematic of the sheer diversity of beliefs that are honored from every Indian state.

“This is a beautiful ecosystem that has nourished and cherished diversity for thousands of years. It has allowed massively different beliefs to coexist,” she said.

Pathak, who is a Hindustani classical vocalist, posts covers of traditional Chhath folk songs in the Bhojpuri dialect on YouTube for audiences of hundreds of thousands. Many of the songs are dedicated to Chatthi Maya, the goddess associated with Chhath, said to be the protector of children. “As a kid, I used to go to a river and see my whole family doing the puja together,” said Pathak. “And the same feeling comes up here. When I see other people doing it at the same time, those same memories come alive.”

The Great Wall Of India

November 18, 2023February 6, 2025 Neha Suraj MathewCulture, Travel 0

Towards the westerly range of Aravalli Hills in the Rajsamand district of the Western State of India, Rajasthan is located the Great Wall of India, known as Kumbhalgarh (or Kumbhal Fort). Built in the 15th century by Rana Kumbha, it is now a World Heritage Site.

The history of this Mewar fortress

It is thought that in the sixth century, King Samprati, the great-grandson of Mauryan Emperor Ashoka, constructed the first fort. It was not extensively documented until the invasion of Kumbhalgarh by Allauddin Khliji in 1303 AD.

The Kumbhalgarh Fort was built by Rana Kumbha, the Rajput clan of Sisodia. After conquering the entire Godwar plain from the Chauhan Rajputs of Nadols in the late 14th century, Rana Khumba built the new fort on top of the local small fort. The new fort, Kumbhalgarh, was built by the king of Mewar, Rana Khumba, and mainly separated the two clans of Mewar and Marwar. The fort was mainly used as a refuge for the rulers of Mewar.

The Great Wall Of India (FB) — Picture: FB

The famous architect of the time, “Mandan,” was called in by the Rana of Mewar for this special task. Mewar, the kingdom of Rana Kumbha, covered vast swathes of both Rajasthan and the former Madhya Pradesh, extending from Ranthambore in Rajasthan to Gwalior in Madhya Pradesh. Rana Kumbha is credited with building 32 of the province’s 84 forts, the greatest of which is Kumbhalgarh. Direct assaults were still impossible against the fort.

According to the documents, in 1576 Shahbaz Khan, between 1458 and 1467 Mahmud Khalji, in 1457 Ahmed Shah 1 of Gujarat, and in 1303 Allauddin Khalji, all attempted to invade the fort. All the attempts at invasion failed, and the fort also came to be known as the impregnable fort.

The inside of the palace is a perfect depiction of Rajputs in history. It is said that the two-story building features an amazing blue durbar hall. The men-only “Mardan” palace and the women-only “Sanana” palace are divided by a hallway. The “Sanana Palace is home to several stunning murals of crocodiles, camels, and elephants.

Geography of the Kumbhal Fort

The fort is built 3,600 feet above sea level on a hilltop over the Aravallli range. The fort is counted as the world’s second-longest wall, with a length of 36 km and a width of 15 m.The rampart is considered broad enough to walk eight horses side by side.

Tales of Kumbhal Fort

During the initial stage of the fort, Rana Khumba faced many obstacles, for which a sage named ‘Baid Baba’ advised the difficulty would be removed if a pure-hearted man came forward and sacrificed his life. Seeing that no one was willing to save the king, the sage himself came forward and gave his life with one request for a gateway to the fort for religious rituals. According to the sources, King Kumbha built a grand entrance named ‘HanumanPol’, which is believed to be built on the spot where the sage’s head fell after he was beheaded.

During 1457, when Gujarat’s Ahmed Shah 1 launched a vain attempt to capture the fort, there was local belief that the Banmata deity protected the Mewars from invasion. The temple was destroyed because of this.

Another story is that the enemy bought off a young florist. She had left flower petals to indicate the way along the hidden pathway. The girl was bricked alive into the exterior wall after the plot was thwarted. A fitting penalty that would have discouraged other betrayers! The wall appears to be the location of the woman’s execution because there is a little, white-painted outline of the woman there.

Things to see in Kumbhal Fort

Kumbhalgarh Fort

It is said that the Kumbhalgarh fort existed for centuries. The fort is spread over an area of 36 km with extending walls. Approximately, there are about 360 Jain and Hindu temples within the fort. A few of them are Neelkanth Mahadeo Temple, Bada Mahal, Parshuram Temple, Mammadev Temple, Muchchal Mahavir Temple, and Vedi Temple. The gates around the fort are locally called “pol”. Entry to the inner bastions is possible through Arret Pol, Halla Pol, and Hanuman Pol from the southern directions. The purpose of the walls’ varying colours is to display light. The inside walls are whiter and more glossy. You will see Bhairav Pol, Chaugan Pol, Nimboo Pol, and Phagra Pol farther up; each has a distinct significance. Observe that as you ascend, they get smaller, and beyond a certain point, neither horses nor elephants can get through.

There is a light and sound show for 45 minutes every evening at 6.45 p.m.The ticket charge for the show is Rs 75.

Neelkanth Mahadeo Temple

This temple, which honours Lord Shiva, is home to a six-foot-tall stone Shivlinga. Legend has it that Rana Kumbha used to often worship the goddess in this temple. The king used to sit on the temple floor to say prayers since he was so tall.

The pious king was slain by his own son while praying to the Lord in the same temple.

Badal Mahal (Palace of Clouds)

This two-story structure, known as the Mardana Mahal (for men) and the Zanana Mahal (for women), is perched atop Kumbhalgarh Fort. Pastel-coloured murals from the 19th century adorn the chambers.

The queens could witness court proceedings and other events in private because of Zanana Mahal’s stone mesh. The purpose of the rooms’ network of ducts and mesh was to draw in cold air and ventilate the interiors. The traditional method of creating “air conditioning”

The road trip, Kumbhalgarh Wildlife Sanctuary, and Sand Dunes

The road from Udaipur to Kumbhalgarh takes you across the ‘Kathaar River’ and ‘Bageri Ka Naka’ dams, both renowned for their scenery. And the other one is ‘Hameri Pal,’ a lake known for its calm nature with fewer crowds. It is also known for the ‘Giant African Catfish.’

The Kumbhalgarh sanctuary is home to various wild animals like chinkara, leopard, sloth bear, antelope, jackal, sambhar, nilgai, and hyena. You can also spot various species of birds.

When you reach the summit of Kumbhalgarh Fort, you can see the stunning Aravali Hills for miles in all directions. In fine weather, you can even see the Marwar and the Thar desert dunes.

The giant lamp is used for light

According to legend, Maharana Kumbha would burn enormous lamps with 50 kg of “ghee” and 100 kg of cotton to keep farmers working in their fields at night. The lamps used to shine for miles because of how brilliant they were.

New York Governor Signs Legislation Making Diwali Public School Holiday

November 18, 2023 Staff ReporterCulture 0

New York Governor Kathy Hochul on Wednesday signed a historic legislation making Diwali a school holiday in public schools.

The legislation requires that all public schools in the city be closed on the “15^th day of the eighth month of the Indian calendar in each year, which is known as Diwali”.

“New York City is rich in different religions and cultures, and we’re taking an important step to recognize and celebrate this diversity in the school calendar,” Governor Hochul said in a press statement.

“This legislation to designate Diwali as a New York City school holiday is an opportunity for our children to learn about and celebrate traditions from across the world,” she added.

The legislation was signed during a special reception at the Hindu Temple Society of North America in Flushing during Diwali celebrations.

“I believe that a celebration of light should not be commemorated in the dark. That’s why tonight, we took action to bring people together,” Hochul wrote on X.

The press statement from Hochul’s office said that the legislation “amends the education law to declare Diwali a holiday for New York City public schools”.

“Many people of the Hindu, Sikh, Jain, and Buddhist faiths in New York City and throughout the state observe the festival of Diwali and more than 1 billion people around the world celebrate this holiday,” the statement read.

The move came after the New York State legislature on June 9 passed a Bill to make Diwali a school holiday in the city with efforts from NYC Mayor Eric Adams and Indian-origin Assemblywoman Jenifer Rajkumar.

“With the signing of my bill, we have lit an everlasting lamp in the hearts and minds of all New Yorkers… By signing my bill, we say to over 600,000 Hindu, Sikh, Jain, and Buddhist New Yorkers, ‘We see you, we ecognize you, and Diwali is an American holiday,’” Rajkumar, the first Hindu American and first South Asian American woman elected to New York state office, said.

Rajkumar said that for over two decades, the South Asian community has lobbied for the Diwali holiday. Two earlier attempts to pass the legislation in 2021 and 2022 did not succeed.

“In this time of local and global racism and anger, Diwali’s message is critically important and needed. The Diwali celebration not only represents the rich cultural heritage of our diverse community, but also serves as a reminder of the values that bind us together,” State Senator Joseph Addabbo said, thanking Hochul.

According to city officials, more than two lakh New York residents celebrate Diwali which is observed by Hindus, Sikhs, Jains, and some Buddhists.

Earlier this year, Pennsylvania became the first US state to officially ecognize Diwali as a public holiday.
(IANS)

Ayodhya Illuminates with Record-Breaking 22.23 Lakh Diyas in Deepotsav Celebration, Sets New Guinness World Record Ahead of Ram Temple Inauguration

November 14, 2023November 15, 2023 Staff ReporterCulture 0

Ayodhya, located in Uttar Pradesh, experienced a spectacular Deepotsav celebration on Saturday, adorning its ghats with hundreds of thousands of earthen lamps. On the eve of Diwali, the temple city set a new Guinness World Record by lighting 22.23 lakh diyas simultaneously across 51 ghats along the Saryu River.

This record-breaking tradition began with the onset of Deepotsav celebrations in 2017 under the governance of Chief Minister Yogi Adityanath. The inaugural year witnessed 51,000 diyas, and the numbers escalated to 4.10 lakh in 2019. The subsequent years marked a substantial increase, with over 6 lakh diyas in 2020 and more than 9 lakh in 2021. Notably, in 2022, the ghats of Ram ki Pairi were adorned with a remarkable 17 lakh diyas. However, the Guinness Book of World Records only considered those lamps that remained lit for at least five minutes, setting the record at 15,76,955.

Preceding the Deepotsav festivities, a procession featuring eighteen tableaux, themed around the Ramayana, Ramcharitmanas, and various societal issues, paraded through Ayodhya. Uttar Pradesh Minister of Tourism and Culture, Jaiveer Singh, flagged off the procession at Udaya Square, navigating through different parts of the city before reaching Ram Katha Park.

These thematic tableaux addressed crucial topics such as children’s rights and basic education, women’s safety and welfare, self-reliance, protection of forests and the environment, and advancements in science and technology. Additionally, they showcased various government initiatives aimed at societal development.

The significance of this year’s Deepotsav celebrations is heightened by the ongoing construction of the Ram temple in Ayodhya. The eagerly anticipated inauguration of the Ram Mandir is scheduled for January 22, 2024, with Prime Minister Narendra Modi slated to attend the historic event. The confluence of cultural festivities and the temple’s progress adds a distinct charm to this year’s Deepotsav in Ayodhya.

BJANA’s Diwali Celebrations Highlight Culture Of Two States

November 11, 2023 Staff ReporterCulture 0

Activities that showcased the rich cultural diversity of Bihar and Jharkhand, and engaging exhibitions showing the states’ arts and crafts were part of the event

The Bihar Jharkhand Association of North America (BJANA) hosted its annual Diwali celebration at the Royal Albert Palace, New Jersey, USA. The event was attended by more than 600 community members from New Jersey, New York, Pennsylvania, Connecticut, and Delaware.

Mayor Charlie Carley of South Brunswick township in New Jersey graced the event as the chief guest and wished everyone on the occasion. Video messages from the Governor of Jharkhand C. P. Radhakrishnan, the Chief Minister of Jharkhand Hemant Soren, and the Chief Minister of Bihar Nitish Kumar conveying wishes to the entire Bihar and Jharkhand diaspora in the United States were also screened.

On the occasion, BJANA presented awards to recognise the efforts of community members. Dr. Anil Kumar received a Lifetime Achievement Award for his service to the organization. Dr. Rupam Saran was awarded for her achievements and community service. Abhinav Atul from Bihar, India, was recognized for his contributions to the people of Bihar and Jharkhand.

Anurag Kumar, the president of BJANA, emphasized BJANA’s ongoing fundraising efforts and charitable activities in the USA, Bihar, and Jharkhand and expressed gratitude to the community members for their active participation and unwavering support.

Alok Kumar, the past president of the Federation of Indian Associations (FIA), took the stage to invite all community members to participate in bidding farewell to Consul General New York, Randhir Jaiswal, on November 20 and express their gratitude for his services to the Indian community.

The event featured cultural programs, including dance, live band, and singing by the children from the community and adults. Additionally, activities that showcased the rich cultural diversity of Bihar and Jharkhand, and engaging exhibitions showing the states’ arts and crafts along with delectable Indian cuisine were also part of the festivities.

India’s Gwalior Named As UNESCO Music City

November 11, 2023 Staff ReporterCulture 0

UNESCO has included Gwalior as the city of Music under the Creative Cities Network (UCCN). 55 cities from all over the globe joined the UCCN. Gwalior was acknowledged for its strong commitment to harnessing culture and creativity as part of UNESCO’s development strategies, and displaying innovative practices in human-centered urban planning.

India’s Gwalior Named As UNESCO Music City (Instagram) — Picture: Instagram

The project was led by the Madhya Pradesh Tourism Board in cooperation with the Municipal Corporation of Gwalior, Gwalior Smart City Development Corporation Limited, Raja Mansingh Tomar Music & Arts University, music artists, and other stakeholders. The Network now includes 350 cities in over one hundred countries, representing seven creative fields: Crafts and Folk Art, Design, Film, Gastronomy, Literature, Media Arts, and Music.

Since 2019, continuous efforts have been made including multiple stakeholder consultations and a dedicated feasibility study of the city to map the potential for UCCN membership followed by the drafting of the application. Gwalior serves as an exemplary example of living cultural heritage and it houses one of the biggest annual music festivals of India; The Tansen Sangeet Samaroh to celebrate the rich culture of Madhya Pradesh.

Principal Secretary Tourism and Culture Department and Managing Director, MP Tourism Board Sheo Shekhar Shukla (IAS) said ‘Inclusion of Gwalior by UNESCO under the creative cities network is definitely a big shot in the arm which goes a long way to tell the whole world about the cultural richness of Madhya Pradesh. Gwalior being the city of Tansen, BaijuBawra, the birthplace of Dhrupad Music form and Gwalior Gharana, which are world known for musical practices and traditions which are alive even today, have been very persistently conserved and preserved and now on the occasion of Madhya Pradesh Foundation Day, it has been recognised by UNESCO by including Gwalior as a city of music.

I am sure the whole world will sit and take notice of the richness and depth of the cultural diversity, the cultural richness of Madhya Pradesh in general and Gwalior in particular. This will also go a long way in boosting international tourism in the city of Gwalior and also bringing them to showcase the best of the architectural and heritage assets.

It is a great opportunity for Madhya Pradesh and we are very thankful to UNESCO, the Minister of Culture, and the Government of India to the city of Gwalior and all the people who have ever, in any way associated with Gwalior. As a city of music, It is a massive achievement for everyone who is concerned with music and Gwalior.

Joint Director, Planning, Madhya Pradesh Tourism Board, Prashant Singh Baghel highlighted ‘Through the designation to the UCCN, we envision the realisation of the city’s goals towards achieving overall sustainable development with music as the key driver. This includes the creation of new economic and artistic opportunities for the local youth; making the city an education hub for music, cultural infrastructure development, linking of the music sector with tourism, urban renewal, and mobility and enhancing access to arts and culture.’ (IANS)

Diverse Cultures Unite Under the Glow of Lights At Aurora Diwali Celebration

November 11, 2023 Asian Media USACommunity, Culture 0

Diwali, the esteemed “Festival of Lights” is a time honored in celebration of hope, light, and unity for millions of people of Indian origin around the world. In recent years, the City of Aurora in Illinois has become home to a remarkable Diwali celebration drawing a few thousand visitors, thanks to the Indian American Community Outreach Advisory Board (IACOAB).

This annual event, which was organized at Waubonsie Valley High School, Aurora, IL on October 28, 2023, has grown in significance, transcending cultural boundaries and uniting the community in a radiant display of togetherness. Supported wholeheartedly by Mayor Richard Irvin office of the City of Aurora and local volunteers, this event has reached new heights. The IACOAB Board members commenced the festivities with a traditional lamp-lighting ceremony, a symbol of hope and new beginnings. Sunil Patel, the Chairman of the Board, could not conceal his excitement at the remarkable turnout. He credited the event's success to the unwavering support of his board members, volunteers, and the Mayor office and expressed his gratitude to Alderwoman Sweta Baid for helping the team with the amazing display of Rangoli, a traditional Indian art form made with sand.

Diverse Cultures Unite Under the Glow of Lights At Aurora Diwali Celebration — Picture: Asian Media USA

Mayor Richard Irvin has consistently been a great supporter of the board and brought an electrifying energy to the crowd with his inspiring speech. The mayor officially proclaimed Diwali, a festival of lights, as a day of tolerance, compassion, and the triumph of good over evil. This proclamation resonates with the American and Aurora Spirit, which also celebrates these values.

The highlight of the event was the outstanding cultural program, which brought together Indian dancers and performers for a night of sensational entertainment. While the majority of the audience was of Indian descent, the event warmly welcomed people from all backgrounds who appreciated the vibrant Bollywood dances and delicious Indian food that was served.

The City of Aurora Diwali celebration is a community event that has brought together local participants to learn about the services provided by small businesses and local non-profit organizations. The participation of non-profit organizations such as Hindu Swayamsevak Sangh USAh, ISKON, Indian Nurses Education and Welfare Fund and Adhyatmik Vishwavidyalaya has helped to raise awareness of Indian culture and the community’s efforts to preserve their traditions and culture.

“This year, we saw great involvement from different vendors who offered unique merchandise not readily available in local shops, along with a wide array of delectable food options” Board members Nitin Fuldore and Ghosia Wajid.

Vice Chair Nadia Kanhai expressed her sincere gratitude to the local participants, stating that the event would not have been a success without their presence. She also extended an invitation to sponsors and merchants to join the event again next year. As the radiant lights of Diwali continue to shine brightly in Aurora, they remind us of the enduring power of community and the timeless significance of this beautiful festival. The future of the Diwali celebration in Aurora looks even brighter, casting a warm and welcoming glow over all who attend.

Abir Karmakar: Nightjar Opens at Aicon Gallery

October 22, 2023October 25, 2023 Staff ReporterCulture 0

Curated by Ambika Trasi and featuring Abir Karmakar’s most recent oil paintings of his city of residence, Baroda, in Gujrat, India is opening at the famous Aicon Gallery7 in New York City on Thursday, November 2, 6-8pm with an artist talk from 7:30-pm

Born in Siliguri in West Bengal, the works in Nightjar consider the artist’s relationship to the Baroda as a resident whose roots are removed from the local culture and who does not speak the
regional language or have access to a community. At a time when right wing politics and Hindu nationalism have taken hold in India, there is a sense of mounting insularity throughout the nation, as well as a distrust and social alienation of migrants and minority residents.

Karmakar’s eye is keen and observant, enabled by his invisibility and illegible presence. His paintings consider the psychogeography of the city: the social and psychological effects of urban architecture on the individual and community. His use of hyperreal and trompe l'oeil aesthetics give his works a filmic quality that push the boundaries of painting and blur reality and fiction. Through his style, the artist creates a simulacrum of the city: one that is stark and eerily absent of people– a Baroda that feels closer to his own (and to the outsider’s, migrant’s, or other’s) lived experience of it.

Yet throughout Karmakar’s paintings, nature transgresses and declares itself an uncontainable force that resists the dense concrete of Baroda. Unruly shrubs and grasses are seen growing outside of the homes and over the walls and gates in his Dead Hours series. The artist’s skies, meanwhile, appear pastoral and boundless. In Towards Oblivion, Karmakar removes any specific markers of location or time to disorient the viewer and create a transcendental experience. The sky acts as a sublime space that provides respite from the solid, angular structures of the built environment and from earthly notions of property and borders. In painting the piece, Karmakar blends into his environment like a nightjar or a transparent eyeball, underlining his (and everyone’s) fundamental right to belong.

An accompanying exhibition catalog for Abir Karmakar: Nightjar is available for purchase through the gallery. The publication features an essay by curator Ambika Trasi and includes illustrations of all 12 of Karmakar’s paintings from the exhibition. Nightjar will be on view from November 2 through December 2, 2023. For more information, please info@aiconcontemporary.com

NYC Mayor Eric Adams Hosts Diwali At Gracie Mansion & Across New York City Boroughs

October 22, 2023November 7, 2023 Staff ReporterCommunity, Culture 0

New York City Mayor Eric Adams said on Tuesday, October 17th that Diwali is a reminder for all to push away darkness and usher in light. He further urged people to embrace the spirit of Lord Ram, Goddess Sita and Mahatma Gandhi in order to become better humans. Adams emphasized the significance of Diwali as a symbol of dispelling darkness and welcoming light during the annual Diwali celebration held at his New York residence, Gracie Mansion. The celebration was the first of others palnned as part of the inaugural 5 Borough Diwali Tour hosted by Assemblywoman Jenifer Rajkumar and the Mayor in NYC.

In his speech at the annual event, which was attended by many influential members of the Indian-American and South Asian communities, as well as representatives from other diasporas and the government, Adams said that Diwali is about more than just lighting candles or oil lamps; it is about "lighting up our lives."

“There is so much darkness that we are seeing every day. So if we truly believe in the life of Ramayana, if we truly believe in the life of Sita, if we truly believe in the life of Gandhi, then we must continue Gandhi’s steps. We cannot only be worshippers; we must be practitioners,” he said.

He said this while speaking at the annual Diwali celebration hosted at his New York residence, Gracie Mansion. He further requested everyone to support the effort to eradicate the darkness
consuming the world and causing the deaths of innocent people.

“Diwali is more than just a holiday. It is a reminder to all of us that we must push away the darkness wherever we see it and bring light. That is what the Festival of Lights is about,” Adams said. This annual celebration was attended by hundreds of prominent members of the Indian- American and South Asian community as well as diaspora from other nationalities and government officials. Adams said Diwali is more than just lighting a candle; it is about “lighting up our lives”.

Assemblywoman Jenifer Rajkumar, who was instrumental in establishing Diwali as a school holiday in New York City, expressed that the Indian-American community has reached a level of influence and strength like never before. “We are unstoppable, and we have arrived at the table of power in this state,” she said.

She further emphasized that, especially given the turmoil in various parts of the world and the rising intolerance and prejudice against different communities, the Indian-American community has a unique opportunity to lead the way toward peace and harmony.

Mayo Adams announced he will be making several stops in his Diwali ‘tour’ visiting all the five boroughs of New York City. “This holiday was so important to us. I look forward to doing this five-borough tour to let everyone know that with the tour and celebration we are going to push away the darkness and bring in a new light,” the Mayor declared. Next day, the Mayor tweeted out a message and pictures from the Gracie Mansion event, saying, “I’m so proud to stand with our Hindu community and last night we welcomed them to the People’s House for a special
#Diwali celebration.”

The Mayor thanked all those involved with the push to make Diwali a public school holiday, starting with Rajkumar. “I want to really thank our Assemblywoman who has been a real partner
in moving this important holiday to the forefront. I remember last year hearing so many people who wanted this holiday as we moved around the city. And she took that energy to Albany and
ensured that we will live up to the commitment and promise of this important holiday,” the Mayor said. “But I also want to thank my partners who are here in government as well.

He dwelt on the story of Ramayana, and on his visit to India, and lauded the role also played by Sita. “So, we often hear about the greatness of Ram and what Ram represented. He was the power and the force against evil, and he pushed to ensure to rid the entire globe of darkness,” he said, adding, “But there was another significant part of the story of Ramayana. It was Sita. Sita was his other half. She was a woman of strength and integrity. She was willing to sacrifice her life to ensure that Ram was able to accomplish the task.”

The Mayor used that analogy to emphasize the need to recognize Sita’s role. “… as we move forward in a particularly male dominated society, let’s not forget, we will never be able to defeat
darkness if we do not acknowledge all the Sitas that are in the universe fighting on behalf and side by side with us,” he said.

He recalled his visit many years ago to India where, “I’ll never forget going to the home of Mahatma Gandhi and seeing his last steps. They were permanently in the sidewalk in the pavement. And it’s symbolic that the bullet took his life, but it’s up to us to continue the journey. His physical transformation through that murder should not stop the spiritual journey.”

Following the example of Ram, Sita and Gandhi, the Mayor said, “We cannot only be worshippers, we must be practitioners. And so as we leave today from under this tent of Gracie Mansion, let’s leave with the energy of taking away the darkness that we are seeing all across our globe and the loss of innocent lives. We cannot continue to watch this engulf our future and engulf humanity.”

“Let’s be better human beings, and let’s live in the spirit of Diwali. Let’s live in the spirit of Gandhi. Let’s live in the spirit of Sita. Let’s live in the spirit of Ram. And then we will live up to the expectations of what this holiday really means,” said the Mayor.

The Diwali celebration at Gracie Mansion, launching the colorful event which included a Hindu prayer, lamp lighting and in the presence of an enthusiastic crowd that included one of the main
drivers behind making Diwali a public school holiday starting in 2024, NY State Assemblywoman Jenifer Rajkumar.

Assemblyman Grace Lee, Councilperson Brewer, a longtime friend, former borough president. Councilman (Shekar) Krishnan, Councilmember Lee, and all of our state and assembly lawmakers who assisted, particularly Assemblyman and Speaker Carl Heastie and Majority Leader Andrea Stewart Cousins for getting this bill through and making this holiday happen,” Mayor Adams added.

Deputy Commissioner Dilip Chauhan, Trade, Investment and Innovation, Mayor’s Office of International Affairs, praised the role played by Rajkumar, describing her as “a proud Hindu American” and lauding her efforts to bring Diwali mainstream. He also praised the Mayor for fulfilling the promise he made during his election campaign to make Diwali a holiday.

Deputy Commissioner Chauhan said this year’s Gracie Mansion celebration of Diwali included many who had not been there in past years. “More than 80 organizations participate in this Diwali, Mayor,” he said, noting that he followed up on the Mayor’s directive to “create the new list, people who didn’t visit Gracie Mansion City Hall.”

Assemblywoman Rajkumar recalled how her election made history making her the first Indian woman ever elected to a New York State office, and the first Hindu ever elected to a New York
State office. She called out to Indian origin attendees at the event including Hindus from the diaspora, like the Caribbean, apart from India.

“Today I am proud to stand before the whole world and say that from now on and forever Diwali will be a school holiday in New York City. And today our government says to over 600,000 Hindus, Buddhists, Sikhs and Jains, we see you, we recognize you, we hear you — and Diwali is an American holiday,” Rajkumar said.

She spoke about how it was the strength of the community which made the Diwali legislation a reality, and the Mayor’s support for the cause. She described the five-borough tour a historic first, adding, “We’re starting here in Gracie Mansion. We’re going to go to Times Square to celebrate Diwali. And then we’re going to go to every corner of this city and every borough; and together, we will bring light and prosperity to every corner of this city.”

Pandit Ravi Sivacharya from the Ganesh temple in Flushing, Queens, offered prayers and led the diya lighting ceremony. Dr. Vasundhara Kalasapudi, Indo-American Arts Council chairman Dr.
Nirmal Mattoo, Dr. Hari Shukla, Musician Ustad Kamal Sabri, and Grammy nominee Chandrika Tandon, were presented citations by the Mayor’s office at the event in recognition of their various achievements and service to the community.

After the Mayor’s reception at Gracie Mansion, the celebrations will continue with events in various locations, including Times Square on October 28, Vishnu Mandir on November 4, ISKCON New York City – Hare Krishna Center on November 12, Staten Island Hindu Temple on the same day, and the final event at BAPS Shri Swaminarayan Mandir on November 13.

Leela Dance Collective Announces $1 Million Endowment Fund

October 22, 2023October 25, 2023 Staff ReporterCommunity, Culture 0

Leela Dance Collective, the Los Angeles-based internationally-touring kathak dance company that combines classical dance from North India with contemporary influences, announces today that it has reached its initial $1 million goal for The Leela Foundation. This endowment fund is the only one of its kind, designed to support the future of kathak dance and Hindustani classical music in the United States.

Founded in 2016, Leela Dance Collective is a critically-acclaimed dance company that advances kathak, classical dance from North India. Through traditional works and cross-genre collaborations, Leela brings the richness and depth of Indian classical dance to contemporary audiences. Leela Dance Collective is led by the artistic direction of renowned kathak artists Rukhmani Mehta (previously Rina Mehta), Seibi Lee, and Rachna Nivas, and engages some of today’s leading dancers and musicians, as well as collaborative artists of other genres.

Leela Dance Collective has created groundbreaking productions including SPEAK, Son of the Wind, ReSound, and more. Past highlights include appearances at Ford Theaters, The Broad Stage, Kimmel Center, the Green Music Center, Yerba Buena Center for the Arts, National Center for the Performing Arts in Bombay, Maui Arts & Cultural Center, and NC State LIVE.

Leela also trains the next generation of kathak artists, offering classes, training, and intensives through studios in Los Angeles, San Francisco, Denver and New York, plus online courses. In 2016, Leela launched a campaign to establish The Leela Foundation, the first United States- based endowment for North Indian artistic and cultural heritage. The Leela Foundation aims to build the financial infrastructure necessary for kathak dance and Hindustani classical music to thrive for generations to come, through direct funding for artists in the form of salary support, fellowships, awards, and artist residencies.

“The leaders of Leela Dance Collective are dedicated to the future of our art form: to supporting our fellow professional dancers and musicians, to training the next generation of kathak artists,
and to artistic excellence with our field,” comments Leela Dance Collective Co-Artistic Director Rukhmani Mehta. “Currently, it is virtually impossible for kathak dancers and classical
Indian musicians to pursue a full-time career in their chosen field. This lack of infrastructure is directly tied to the legacy of colonialism, particularly the British dismantling of Indian artistic
and cultural traditions. We still feel the effects of these historical events more than a century later.”

In 2020, The Leela Foundation granted inaugural Artist Awards, providing direct support to some of today’s leading musicians.These first Artist Awards were presented to artists Jayanta
Banerjee, sitarist, musician and composer; Ben Kunin, sarod artist and senior disciple of the maestro, Ud. Ali Akbar Khan; Debashis Sarkar (posthumously), vocalist and musician; and Satyaprakash Mishra, tabla percussionist. In 2021 the fund supported three kathak dance artists: Gretchen Hayden, Joanna DeSouza, and Madhuri Devi Singh.

In 2022, The Leela Foundation supported bansuri artist Jay Gandhi (Hindustani flute). “A $1 million endowment is modest in the world of philanthropy and Western fine arts, but huge for
our field of Kathak and Hindustani classical music,” continued Mehta. “So many incredibly talented and acclaimed classical Indian dance and music artists struggle to support their artistry and lives financially. This endowment fund aims to provide artists with the support they need to thrive and advance these art forms. Without such support, these artists and artistic traditions are at risk. I know this is just the beginning for what our community can build together, to secure and grow the future of our art form. We are so incredibly grateful to the individuals and funders who have helped us reach this initial goal.”

“Leela Dance Collective is one of the very few professional touring companies elevating classical Indian dance and music on the world stage,” commented Shirish Dayal, Executive Vice President of the Tarsadia Foundation. “We believe in their mission to advance and sustain cultural traditions and strengthen infrastructure for kathak dance and Hindustani classical music, and are proud to provide lead support for The Leela Foundation.”
Moving forward, each year 4% of the endowment’s market value will be distributed. The Leela Foundation aims to grow the fund annually through investment income, new donations, and/or bequests.

Endowment Patrons
Lead contributors to the Leela Dance Collective endowment fund include:
Tarsadia Foundation

Shruti Mahajan & Kashyap Deorah
Ushakant & Irma Thakkar
Dinesh & Shaila Mehta
Yogesh & Bina Nivas
Amar & Vinita Singh
Leah & Gary Schoolnik
Prabhu & Poonam Goel
For a list of Leela Dance Collective Board of Directors, click here.
About Kathak Dance & Hindustani Classical Music

Kathak dance and Hindustani classical music are the primary classical dance and music traditions of North India.The forms are inextricably linked. Both traditions have evolved side by side over several centuries. Kathak dance is traditionally performed to a Hindustani music trio or quartet. Exchange and improvisation between dancers and musicians are an integral part of
the performance; historically these forms were considered as one whole system of expression vs separate forms.

Hindustani classical music was born from a cultural synthesis of several musical streams: the vedic chant tradition dating back to approximately one millennium B.C.E., the equally ancient Persian tradition of Musiqi-e assil, and also folk traditions prevalent in the region. Hindustani music is an oral tradition and musical compositions are transmitted directly from teacher to student. Hindustani music has a rich vocal tradition and the major vocal forms associated with Hindustani classical music are dhrupad, khayal, and thumri. The form has also developed a rich instrumental tradition including sitar, sarod, sarangi, bansuri, harmonium, tabla, pakhawaj and more.

Kathak is one of India’s eight classical dance forms and is said to have originated in Northern India around 400 BCE. The word kathak comes from the Sanskrit word katha, meaning story and a Kathak dancer is referred to as kathaka, the one who tells a story. Modern day Kathak is characterized by percussive footwork, swift pirouettes, dynamic movement, crisp stances, and expressive storytelling. Kathak dancers wear ghungroos, or ankle bells, that add musicality and ornamentation to their footwork and movements. Kathak is traditionally a solo art form that is performed along with live Indian classical music in an intimate setting. When studied, practiced and performed in its fullest capacity, kathak is ultimately a spiritual path to oneself, the world, and the divine.

About the Co-Artistic Directors of Leela Dance Collective

Rukhmani Mehta (previously Rina Mehta) brings a singular voice and vision to the art form of Kathak, classical dance of North India. She is a senior disciple of the legendary Kathak master, Pt. Chitresh Das, and was a principal dancer in his company, the Chitresh Das Dance Company, for over a decade. As Co-Founder and Co-Artistic Director of Leela Dance Collective, Mehta has created numerous original works that bring Kathak dance to contemporary audiences. These works include SPEAK, a Kathak-tap collaboration; Son of the Wind, a dance drama based on India’s epic, the Ramayana; and Encounters with Beauty, a collaboration between Kathak and contemporary chamber music.

She has performed at prestigious venues across the United States and India such as NC State Live, The Broad Stage, Kimmel Center for the Performing Arts, Green Music Center, Yerba Buena Center for the Arts, National Centre for Performing Arts Mumbai, and more. Her artistic works have been funded by the National Endowment for the Arts, New Music USA, California Arts Council, Mid-Atlantic Arts Foundation, Zellerbach Family Foundation, and more. She has received the ACTA Apprenticeship Grant and has been twice nominated for an Isadora Duncan
Dance Award. Mehta is also Artistic Director of Leela Youth Dance Company, a pre-professional performing group that empowers young women to develop their voices and be artists and leaders. The Leela Youth Dance Company has been featured at the San Francisco Museum of Modern Art, Philadelphia Youth Festival, and LA County’s Annual Televised Holiday Celebration.

Seibi Lee is a consummate kathak artist known for her powerful mastery, refined musicality,and dramatic brilliance in character portrayal. A distinguished disciple of Pandit Chitresh Das,she is one of the founders of Leela Dance Collective. Seibi has toured worldwide earning accolades and deep respect for her artistry, including an Isadora Duncan Dance Special Award and two subsequent nominations. As principal dancer of the Chitresh Das Dance Company,Seibi evolved a singular perspective and style through the development of virtuosic character roles in several of Das’s critically acclaimed works, including the dual roles of the tormented demon Marich and beloved tribal prince Hanuman in Sita Haran. Her outstanding portrayal of Hanuman became the inspiration for the central character and creation of Leela’s Son of the Wind – the full-length dance drama bringing to life Hanuman’s rarely told heroic and valorous adventures from the epic Ramayana.

Rachna Nivas is a distinguished torchbearer of legendary master Pandit Chitresh Das’s treasured lineage. She is a founding artist of the Leela Dance Collective, producing powerful works through the collective creativity of trailblazers in kathak. Rachna is co-creator of SPEAK, a kathak-tap collaboration, Son of the Wind, a traditional dance-drama, and Meera, a solo work based on one of India's greatest female poet-saints. Rachna's works have been featured on main stages across the U.S. including The Broad Stage, Yerba Buena Center for the Arts, Maui Arts and Cultural Center, Kimmel Cultural Campus, and more. Her works have been funded by the National Endowment for the Arts, New Music USA, California Arts Council and Zellerbach Family Foundation. Prior to her work with Leela Dance Collective, Rachna was principal dancer with the Chitresh Das Dance Company, performing world-wide in the company's productions and receiving two nominations for an Isadora Duncan Dance Award.

Funding Credits
Leela Dance Collective is supported by the California Arts Council, City of Los Angeles Department of Cultural Affairs, Los Angeles County Arts Commission, National Endowment for the Arts, and New Music USA.

Brathukamma Festival Celebrated At The Dayton Hindu Temple In Ohio

October 22, 2023November 7, 2023 Staff ReporterCulture, Community 0

Over 600 people from across the state of Ohio, colorfully dressed in traditonal Indian attire came together to celebrate and be part of the Brathukamma Festival celebrations, Organized by Premalatha Kathula and the Board of Hindu Community Organization in Dayton. OH at the Dayton Temple in Dayton, Ohio on Saturday, October 21st, 2023. Women and children, dressed in vibrant traditional attire, participated in group dances like the Bathukamma dance, adding to the festive atmosphere.

“The presence of hundereds of participants in this beautiful floral festival was a wonderful experience,” said Dr. Satheesh Kathula, President-Elect of the American Association of Physicians of Indian Origin. “The coming together of the people of Indian origin from the North, South, East and West to celebrate the culture and festivities was an amazing and memorable experience,” he added.

The popular Dayton Hindu Temple, which was constructed in 1978, hosts Navaratri celebrations every year throughout this festive season, with every day of the colorful festive season is hosted by one particular community that takes the lead and organizes and celebrates the festival.

The festivities organized on October 21 st , 2023 by the Telugu community in the region, celebrated the Bathukamma, a vibrant and culturally rich festival in the Telangana state. This nine-day celebration steeped in tradition and history, was a joyous occasion that brings together communities to worship and revel in the beauty of nature.

Bathukamma Festival is a vibrant and culturally significant celebration in the Indian state of Telangana and some parts of Andhra Pradesh. The festival typically lasts for nine days and is celebrated with great enthusiasm and grandeur. The Saddula Bathukamma is celebrated on the 9th day which is on the 22nd of October, Sunday.

Bathukamma is a Telugu word, “Bathuku”which means “life” or “alive.” It signifies vitality and existence. “Amma” is a term used in Telugu and many other Indian languages to refer to “mother” or a revered female figure. Bathukamma refers to “Mother Goddess” or “Life-Giver Goddess.” It symbolizes the worship of a female deity, often representing nature, fertility, and the source of life itself. The Bathukamma festival 2023 celebrates the goddess’s blessings and the vitality she brings to the land, especially during the harvest season.

The Bathukamma Festival 2023 began with the gathering of seasonal flowers and leaves from fields, gardens, and wild areas. Women and girls come together to create a colorful and intricate floral arrangement called “Bathukamma.” This arrangement is the centerpiece of the festival.

Each of the nine days of the Bathukamma festival 2023 has a specific name and ritual associated with it. Devotees perform various rituals, including prayers, songs, and dances around the Bathukamma. The rituals are dedicated to the goddess Gauri, who represents life and nature.Telangana festival Bathukamma is not just about flowers and rituals; it’s a cultural extravaganza.

Throughout the Bathukamma festival 2023, there were performances of traditional Telugu folk songs and dances.

The Bathukamma Festival 2023 is also a time to savor traditional Telugu cuisine. Special dishes are prepared and offered to the goddess as Naivedyam (food offerings). These dishes include sweets like bobbatlu and savory items like atlu (dosas). Bathukamma fosters a sense of community and togetherness. Women of all ages come together to create Bathukammas, sing songs, dance, and pray. It’s a time for families and friends to unite, reinforcing social bonds. Bathukamma promotes environmental consciousness. The use of seasonal flowers and organic materials in the floral arrangement is not only visually stunning but also eco-friendly. After the Bathukamma festival 2023, the flowers are traditionally immersed in water bodies, ensuring minimal environmental impact. Bathukamma has gained popularity as a tourist attraction. People from different parts of India and around the world visit Telangana to witness the grandeur of the celebrations and experience the unique culture of the region.

The Bathukamma Festival 2023 celebrates womanhood and empowers women to take the lead in cultural and religious activities. Women play a central role in the creation and worship of Bathukamma. The Bathukamma 2023 End date was on 22nd October 2023, which was the grand ending of the Bathukamma Festival 2023, known as Saddula Bathukamma or Pedda Bathukamma. On this day, the Bathukammas are immersed in local water bodies, symbolizing the goddess’s return to nature.

Bathukamma has ancient origins, dating back to the rule of the Chola Dynasty in the 3rd century CE. It was traditionally celebrated by women as a prayer for a good harvest and the well-being of
their families.

On the last day Ashwayuja Ashtami (Durga Ashtami) the grand culmination, Saddula Bathukamma or Pedda Bathukamma, is celebrated on the ninth day with a larger floral arrangement. It is the most significant and colorful part of the Bathukamma festival 2023, symbolizing the goddess’s return to nature.

Five types of rice and one sweet dish: Curd Rice, Lemon Rice, Tamarind Rice, Tamarind Rice with Coconut Powder, Tamarind Rice with Sesame Seed Powder and Malleda (Balls made with
chapati and sugar). These offerings are common, but there may be regional variations in the types of foods offered during the Bathukamma Festival 2023.

Regardless, these nine days are a time of cultural richness and spiritual devotion, celebrating the goddess and the harvest season. The Bathukamma Festival 2023 in Telangana is a spectacular
celebration of culture, nature, and community. It is a testament to the rich heritage and traditions of the region and serves as a beautiful expression of gratitude to the goddess for her blessings.

Largest Modern Hindu Temple Inaugurated In New Jersey, Built By 12,500 Volunteers

October 18, 2023October 25, 2023 Staff ReporterCulture 0

The largest Hindu temple in the United States is set to open its doors in New Jersey this Sunday. Located in Robbinsville, the 183-acre BAPS Swaminarayan Akshardham, named after its founding Hindu spiritual organization, rivals major Hindu temples in India.

Yogi Trivedi, a temple volunteer and a scholar of religion at Columbia University, marveled at the temple’s existence, saying, “I wake up every morning and scratch my eyes thinking, ‘Am I still in central New Jersey?’ It’s like being transported to another world, specifically to India.”

The temple is scheduled for official inauguration on October 8, with public access commencing on October 18. For Indian Americans and Hindu Americans, this represents a significant milestone. Trivedi noted, “This is the American Dream. The sacred geography of India and beyond is here in this one place, and you can experience, witness, and admire it all here in New Jersey. I anticipate, as a scholar of religion, that this will become a popular place of pilgrimage for Hindus from across the world.”

Construction of the temple involved 12,500 volunteers from around the world and has been in progress since 2011. However, it gained significant attention a decade later when a group of immigrant laborers filed a lawsuit against the global organization Bochasanwasi Shri Akshar Purushottam Swaminarayan Sanstha (BAPS), which operates temples worldwide. The lawsuit alleged “shocking” conditions, including forced labor, long work hours, inhospitable living conditions, and caste discrimination.
The initial complaint stated, “For these long and difficult hours of work, the workers were paid an astonishing $450 per month, and even less when Defendants took illegal deductions. Their hourly pay rate came to approximately $1.20 per hour.”

BAPS, however, made a distinction between employment and religious volunteer service, known as seva. A spokesperson for BAPS, Ronak Patel, explained, “The artisans who helped to build our mandir came to the U.S. as volunteers, not as employees. We took care of the artisans’ needs in the U.S., including travel, lodging, food, medical care, and internet and prepaid phone cards so they could stay in touch with their families in India. BAPS India also supported the artisans’ families in India, so they did not suffer financial hardship as a result of the artisans’ seva in the U.S.”

Many of the laborers who participated in the temple’s construction arrived in New Jersey from India on religious visas and belonged to the Dalit community, historically marginalized groups in South Asia’s caste system. The lawsuit claimed that temple leadership enforced the caste hierarchy at work.
The lawsuit has been put on hold, with 12 of the original 21 plaintiffs moving to dismiss their claims. BAPS Akshardham spokespeople have assured that the temple will be a place for people of all creeds and castes to gather in community.

The temple’s walls feature carvings of historical figures like Martin Luther King Jr. and Abraham Lincoln, emphasizing inclusivity. Trivedi commented, “When you come to the mandir, you will see people of all genders, all castes, and social backgrounds living, eating, praying, loving, and serving together.”
However, activists argue that the allegations still raise questions about the line between religious service and work exploitation, which particularly affects vulnerable Dalit communities.

Sunita Viswanath, a civil rights activist and co-founder of the civil rights group Hindus for Human Rights, expressed her concerns, saying, “A place of worship, a temple, is such an important space, especially for an immigrant community who’s making a home in a new country. I would want anybody who goes to the temple to really ask themselves, really do some soul searching, about going to a temple where there are such serious allegations of labor and human rights violations.”

The construction of the temple was no small feat, involving the placement of 2 million cubic feet of stone in Robbinsville Township. The temple is a cultural blend, featuring materials sourced from around the world and nods to American history.

The outside of the temple was built with non-traditional Bulgarian limestone to withstand New Jersey’s cold winters. The interior includes stone from various countries, including Greece, Italy, and India. A traditional Indian stepwell contains waters from 300 bodies in India and all 50 U.S. states. Notably, women played key roles in running the project, a rarity in temple construction.

Trivedi sees the temple’s design as representative of the diverse community that will gather there, with inclusivity reflected on the walls. He said, “That kind of inclusivity is not just talked about, it’s actually seen on the walls.”

This landmark Hindu temple in New Jersey, with its rich cultural diversity and complex history, is poised to become a significant focal point for Hindu and Indian American communities across the nation.

Mongolia in Tibetan Buddhism and China’s Influence

October 11, 2023 Staff ReporterCulture, World 0

For centuries, Tibetan Buddhism has been guided by the Dalai Lama, an 88-year-old spiritual leader who sought refuge in India in 1959 and has since lived in exile. However, Beijing views the Dalai Lama as a separatist figure and insists that only the Communist Party, an avowedly atheist organization, possesses the authority to designate his next reincarnation, as well as that of other prominent lamas. This control over religious leadership is part of China’s strategy to diminish the Dalai Lama’s influence in Tibet and suppress any challenges to the Communist Party’s dominance. As the Dalai Lama advances in age, tensions escalate over the eventual struggle between Tibetan exiles and Beijing for the legitimate succession of his reincarnation.

Mongolia’s Complicated Role in the Tibetan Buddhist Leadership

Mongolia plays a pivotal role in this complex narrative due to the significant following the Dalai Lama enjoys within its borders. Nearly half of Mongolia’s 3.4 million population identifies as Buddhist. The roots of Tibetan Buddhism in Mongolia run deep, with a history spanning over seven centuries. Nevertheless, the faith faced severe suppression for more than seven decades during Mongolia’s socialist rule, which began in 1924. The resurgence of Buddhism only occurred following democratic reforms in the 1990s.

The veneration of the Dalai Lama has created a challenging situation for the Mongolian government. Mongolia heavily relies on China for virtually all its trade, which puts them in a vulnerable position. Beijing responded to the Dalai Lama’s 2016 visit to Mongolia by closing border crossings, imposing tariffs, and canceling bilateral talks, signaling the consequences of any association with the spiritual leader in the eyes of China.

Mongolia’s Spiritual Leader: The Bogd

The spiritual leader of Tibetan Buddhism in Mongolia is known as the Bogd, formally addressed as the Jebtsundamba Khutughtu. This position boasts a rich history dating back nearly four centuries to the descendants of the Mongol emperor Kublai Khan. Currently, an 8-year-old boy represents the 10th incarnation of the Bogd, succeeding the previous one who passed away in 2012.

Although Tibetan Buddhism does not adhere as rigidly to hierarchical structures as some organized religions, such as the Roman Catholic Church, the Bogd holds one of the most esteemed senior positions in Tibetan Buddhism, ranking after the Dalai Lama and the Panchen Lama. Notably, the Panchen Lama, who was appointed by the Dalai Lama in 1995, was abducted by China and replaced with a monk chosen by Beijing, illustrating China’s aggressive interference in Tibetan religious affairs.

The Enigmatic Process of Lama Selection

The selection process for high lamas is shrouded in mystery. Tibetan Buddhist leaders claim to follow an ancient tradition involving mystical visions and astrology to guide their search. Candidates are subjected to tests to determine if they exhibit qualities considered exceptionally holy. In the case of the boy chosen as the next Bogd, religious officials disclosed that he underwent a secret test as a toddler and successfully identified personal artifacts belonging to the previous Bogd.

Throughout history, this process has been criticized for being influenced by politics and, at times, corruption. In the late 18th century, Emperor Qianlong of China attempted to address these concerns by introducing a system where lots were drawn from a golden urn to select lamas. The Chinese Communist Party has revived this “golden urn” system as part of its efforts to control the appointment of senior monks. However, this system is widely viewed as illegitimate by those outside China.

The intricate relationship between Mongolia, Tibetan Buddhism, and China reflects the challenges and complexities surrounding religious leadership, succession, and external influence. As the Dalai Lama’s advancing age raises questions about his reincarnation, the dynamics between these key players will continue to shape the future of Tibetan Buddhism in the region.

Facing the Diabetes Dilemma: Can Yoga Be the Unexplored Solution to Our Silent Epidemic?

October 11, 2023February 6, 2025 Dr. Indranill Basu-RayHealth, Culture 0

It’s early in the evening. You’ve just wrapped up a big dinner, feeling stuffed to the brim, but something’s off. You can’t quite pinpoint it, then it hits you – you skipped dessert, that classic ‘sweet tooth’ craving. You swing open the fridge, its light revealing frozen pizzas and leftover takeout, and then you spot it – that box of pastries your cousin dropped off a few days ago, what a lifesaver. You take it out and keep it on the table. Just as you’re about to indulge in the world of brownies and cheesecakes, an old magazine beneath the box catches your attention. Before you can take a bite, there’s an article on Diabetes staring right back at you, its headline blaring, ‘According to the World Health Organization (WHO), 422 million people worldwide are living with diabetes, and this number is anticipated to rise.’ You recall chatting with your cousin about their 48-year-old neighbor who recently passed from complications related to high sugar levels. You can’t help but think of the irony as you place the pastries back, untouched and pristine, into the fridge. With a heavy sigh, you shut the fridge door, leaving those tempting treats behind

Please excuse my earlier attempt at humor; there’s truly nothing humorous about diabetes. The Centers for Disease Control and Prevention (CDC) reports that 37.3 million Americans, which is 11.3% of the US population, have diabetes. Out of this number, 28.7 million have been diagnosed, while an alarming 8.5 million remain undiagnosed and unaware of their condition. Notably, Type 2 diabetes accounts for a staggering 90.9% or 21 million of all diabetes cases in the US. The financial toll is significant as well. In 2017, the CDC estimated the total cost of diagnosed diabetes to be $327 billion, comprising $237 billion in direct medical expenses and another $90 billion due to reduced productivity.

Let’s delve into how this impacts Indian-Americans. Statistics indicate that Indian-Americans are more susceptible to diabetes compared to other groups. The diabetes prevalence rate among Indian-Americans stands at 15.7%, a figure that notably surpasses the national average. Furthermore, Indian-Americans tend to develop type 2 diabetes at a younger age compared to other ethnicities. The latest statistics on the economic cost of diabetes for Indian Americans are from the American Diabetes Association’s 2022 Diabetes Care in Indian Americans report. The report found that the total cost of diabetes for Indian Americans was estimated to be $36.4 billion in 2022. This includes the cost of medical care, lost productivity, and premature death.

Diabetes is a “slow poison.” It is a disease associated with other conditions like high blood pressure leading to heart attacks, kidney failure, blindness, and other ailments. Diabetes is not curable, but it can be managed. Therefore, it is of utmost importance to understand how you can live a decent lifestyle by enjoying sweets in moderation and at the same time get your Diabetes controlled. Unfortunately, there is no drug known to mankind that can cure Diabetes. While a significant armamentarium of medications can help control your blood sugar, some come at the cost of having side effects. Many effective diabetic drugs have fallen into disrepute because they do not protect the heart. The present dictates to pharmaceutical manufacturers is only to discover medicines that have proven protection for the heart. The simple reason being a diabetic mostly dies due to heart disease or its complications.

It is essential to understand that medications, even when taken appropriately, do not cure or treat diabetes mellitus. This disease is called a lifestyle disease, and its treatment requires extensive lifestyle changes, with medications secondary to it. Millions of people have successfully been able to keep their Diabetes absolutely in control after engaging in radical lifestyle changes. Though it sounds complicated and impossible, it will disrupt your regular work and almost certainly entail giving up your profession. Fortunately, such fears are uncalled for because all you need to do is practice yoga for half an hour 4/5 days a week, including 10 minutes of mindfulness and meditation. You might be thinking that it is a long prescription. It is not.

Yoga is a practical and effective lifestyle modification that involves Asanas (Postures), Dharana (Mindfulness), and Dhyana (Meditation). Whether you believe it or not, at least seven of the eight components of yoga are essential to induce a lifestyle change. Yoga space has been unfortunately polluted by half-baked experts who need clinical training. Whether yoga works or not in Diabetes is not based on my personal experience. I would then be no different from the “erudite” neighborhood yoga practitioner or Guru who believes their experience is all that is required to prove that it works. Unfortunately, clinical medicine, including yoga therapy, is a scientific proposition propelled by research. Modern medicine agrees with yogic principles that stress exacerbates Diabetes. When stressed, your body releases hormones that can cause blood sugar to increase and blood pressure and heart rate.

The therapeutic benefits of yoga, especially concerning diabetes, have been increasingly recognized in scientific literature. A systematic review and meta-analysis published in both PLOS ONE and the Journal of Diabetes Research highlighted yoga as a comprehensive and alternative approach to preventing type 2 diabetes. These studies specifically noted improvements in fasting blood glucose, low-density lipoprotein, triglycerides, total cholesterol, and systolic blood pressure among pre-diabetic individuals following yoga intervention. Furthermore, an article in the Asana – International Yoga Journal emphasized yoga’s efficacy in not only maintaining overall health but also in preventing the progression from a pre-diabetic state to Type 2 Diabetes and averting further complications in those already diagnosed. Another study in MDPI underscored yoga’s potential as an alternative exercise for type 2 diabetes patients, given its comparable benefits to other exercises in enhancing muscle strength and cardiorespiratory fitness, and its added advantage when combined with standard management.

Regular walks, combined with specific yoga poses like Dhanurasana and multiple twisting poses, can be helpful for people with Diabetes, as it helps burn off the excess sugar that has built up in their bodies and stimulate insulin production. In addition, Surya Namaskara, or Sun Salutation, is a sequence of 12 powerful yoga asanas, which is another effective way to reign in your rising blood sugar level. However, it can be modified by doing a faster variation that consumes more calories.

Last but not least, ‘you are what you eat’ might be quite literal for people with Diabetes. Indulging your sweet tooth urges might make you sweeter, literally, by increasing the blood sugar level in your body. This, unfortunately, has multifarious unseen ramifications, including blocking blood vessels leading to heart attack, stroke, or even amputations! People who have Diabetes should be aware of how essential it is, in addition to their yoga practice, to maintain a disciplined approach to their Ahara (diet). Yoga is effective in bringing blood sugar levels under control, particularly when combined with dietary modifications. If you have Diabetes, the most important thing you can do for your health is to pay close attention to what you put in your body, basically your diet. A diet that includes plenty of whole grains, fresh fruits, and raw veggies is low in calories and fat and contributes to an alkaline diet of high-quality natural foods. Avoid overeating by eating modest, frequent meals.

Yoga’s many health benefits include aiding in the management of Diabetes without leading to its dangerous complications. Yes, you can indulge in sweets, cakes, and chocolate occasionally, but remember that the central teachings of yoga are self-control and discipline, as well as avoiding overindulgence. So, when you practice yoga regularly and follow its principles, it is your best insurance to lead a healthy and long life.

The American Academy for Yoga in Medicine is hosting a webinar on Diabetes Management on November 4th, featuring expert physicians discussing how Yoga can be advantageous for individuals dealing with diabetes, or for anyone aiming to prevent its onset. It’s not merely about physical flexibility; it’s about fostering a balanced lifestyle and nurturing your overall well-being. Your path to a balanced, healthier life can start with this insightful session.

(The author is a Cardiologist, Meditator, and Yogi based in Memphis, Tennessee, USA. He is the Founder and Chairman of the American Academy for Yoga in Medicine. He is the Editor in Chief; The Principle and Practice of Yoga in Cardiovascular Medicine. ibr@aaymonline.org)

Largest Hindu Temple Outside India Inaugurated In New Jersey

October 11, 2023October 25, 2023 Staff ReporterCulture, Religion 0

BAPS Swaminarayan Akshardham, the largest Hindu temple in the United States, opened its doors on Sunday, October 8th, in New Jersey. Situated in the city of Robbinsville, New Jersey, this temple is heralded as the largest Hindu temple outside of India in the modern era.

In a letter to BAPS Swaminarayan Akshardham, Prime Minister Narendra Modi conveyed the profound spiritual significance of this occasion for devotees worldwide, stating, “It is an occasion of profound spiritual significance for the vast legion of devotees worldwide.” The temple will be accessible to the public starting from October 18th.

Architectural Marvel

This magnificent temple is a testament to unparalleled craftsmanship. Its construction involved four distinct varieties of marble from Italy and limestone from Bulgaria. These precious materials embarked on an extraordinary journey, spanning thousands of miles from their origins to India and ultimately reaching their final destination in New Jersey, as reported by the Associated Press. On-site, skilled artisans meticulously assembled these intricately carved pieces, akin to assembling a colossal jigsaw puzzle, resulting in the creation of this monumental Hindu temple.

Covering an expansive 126-acre area, this architectural masterpiece owes its existence to the unwavering dedication of artisans and volunteers who devoted approximately 4.7 million hours to painstakingly hand-carve around two million cubic feet of stone, according to the report.

The temple’s walls are adorned with carvings of historical figures, including prominent figures like Martin Luther King Jr. and Abraham Lincoln, as highlighted by Yogi Trivedi, a temple volunteer and a scholar of religion at Columbia University, in a statement to NBC News. He marveled at the temple’s beauty, saying, “I wake up every morning and scratch my eyes thinking, ‘Am I still in central New Jersey?’ It’s like being transported to another world, specifically to India.”

Construction Efforts

The construction of the Akshardham temple, a collaborative effort involving 12,500 volunteers from around the world, commenced in 2011, according to PTI.

This monumental achievement marks a significant milestone for the Hindu community in the United States and stands as a symbol of the dedication, craftsmanship, and unity of its creators. As it opens its doors to the public, it is poised to become a source of inspiration and a place of spiritual significance for devotees and visitors alike.

Dalmia Bharat Group Adopts Delhi’s Historic Red Fort

October 5, 2023 Staff ReporterBusiness, Culture 0

In a groundbreaking move, Dalmia Bharat Group has achieved the distinction of becoming the first corporate entity in India to adopt a historic monument classified under the Green category of the Monument Mitras program. The Dalmia Bharat Group has undertaken the adoption of the iconic Red Fort, a 17th-century marvel located in Delhi, committing a staggering sum of INR 250 million (INR 25 crores) for a duration spanning five years. This remarkable achievement saw them outshine competitors like IndiGo Airlines and the GMR Group, securing one of the most prestigious contracts available through the Indian government’s ‘Adopt A Heritage’ initiative.

The adoption of the Red Fort in Delhi was made possible through the ‘Adopt a Heritage’ project, a visionary concept developed in collaboration with the Ministry of Tourism, Ministry of Culture, and the Archaeological Survey of India. This project was officially launched on September 27, 2017, coinciding with World Tourism Day, by President Ram Nath Kovind. It was conceived to provide corporate entities, public sector organizations, or individuals with the opportunity to become Monument Mitras, essentially friends of heritage sites. Through these adoptions, the Central Government seeks to facilitate the development of monuments, heritage sites, and tourist destinations across India.

Controversy Surrounding the Red Fort Adoption

The adoption of the Red Fort by the Dalmia Bharat Group has sparked vigorous debates among historians, writers, academicians, and cultural enthusiasts. These discussions revolve around the ethical implications of the project, with some critics questioning how the government could seemingly “pawn off” a significant portion of India’s historical legacy as if it were their “family heirlooms.” On the other hand, proponents argue that the monuments have merely been “adopted” and not “purchased,” emphasizing that this approach could ultimately reduce the government’s overseas loans by diverting funds from the maintenance of India’s heritage sites.

Prominent voices from both sides of the debate have shared their opinions:

“There’s a huge difference between Dalmia adopting, say, a haveli in Old Dilli and adopting the Red Fort itself. Tier 1 monuments are a nation’s crown jewels. They should not be played around with. It’s even more worrying that corporates cannot be held responsible for any damage.”

— William Dalrymple

“Main issue is interest, knowledge, and expertise. If a non-governmental entity has a proven track record in this area like the Aga Khan Trust, there is less of an issue. What is Dalmia’s track record of maintaining heritage monuments?”

— Patralekha Chatterjee

“If you hire someone to clean your house doesn’t mean you are selling your house to them. No, Red Fort is not being sold. It’s an innovative way to save the government some money and preserve a monument.” — Chetan Bhagat

Red Fort and Gandikota Fort: The Adoption Agreement

According to the Memorandum of Understanding, Dalmia Bharat Group is not only adopting the Red Fort but also the Gandikota Fort in Kadapa, Andhra Pradesh. This dual adoption arrangement represents a significant commitment to preserving India’s historical treasures. In the past, similar agreements were reached for the adoption of the Mt. Stok Kangri trek route in Ladakh, Jammu and Kashmir, as well as the Gangotri Temple Area & Trail in Gaumukh, Uttarakhand. These agreements were signed by the Adventure Tour Operators Association of India and the State of Jammu & Kashmir. In total, approximately 90 monuments have been earmarked for adoption, categorized as Green, Blue, and Orange based on their importance and popularity among tourists.

The Green category includes not only the Red Fort but also the Taj Mahal in Agra, Qutub Minar in Mehrauli, and the Konark Temple in Odisha. In the Blue category, you will find Jantar Mantar and Purana Quila, both located in Delhi, while the Orange category encompasses monuments like Tipu Palace in Bengaluru and the Sanchi Stupa in Madhya Pradesh. Entities interested in becoming Mitras can choose to adopt from the Blue or Orange category, or a combination of the three categories. However, they are not permitted to solely adopt monuments or heritage sites from the Green category.

Corporate Adoption of India’s Monumental Heritage

The Dalmia Bharat Group’s adoption of the Red Fort sets a significant precedent, but it is not an isolated instance. Letters of Intent have been awarded to several other prominent entities for the adoption of various monuments. Among them, the Sun Temple in Konark, Odisha, Udayagiri & Khandagiri Sites in Bhubaneshwar, Orissa, Gol Gumbaz in Bijapur, Karnataka, and Kotla Feroz Shah in Delhi have been chosen for adoption by the Dalmia Bharat Group.

Furthermore, a diverse array of industries, including hospitality, travel, and banking, have also received Letters of Intent for the adoption of other monuments. Some of the entities involved in this monumental initiative include Yes Bank, SBI Foundation, TK International Limited, Yatra Online Pvt Limited, ITC Hotels, and NBCC. These Letters of Intent have been issued in different phases to facilitate the adoption of over 90 heritage sites, contributing to the preservation and promotion of India’s rich historical legacy.

Secret World War II Tunnels To Open To Public

October 5, 2023 Staff ReporterCulture 0

Plans have emerged for what is poised to become London’s most remarkable underground tourist attraction ever: the $268 million makeover of a mile-long network of World War II tunnels into a glamorous immersive experience.

Previously shrouded in secrecy and once shielded by the UK’s Official Secrets Act, these former espionage tunnels are slated for transformation by a team that includes the architects responsible for Singapore’s Gardens by the Bay and London’s Battersea Power Station. This transformation is contingent on securing planning approval later this autumn.

Situated approximately 40 meters beneath Chancery Lane tube station in High Holborn, the Kingsway Exchange Tunnels were constructed during the 1940s to provide refuge for Londoners during the Blitz bombing campaign of World War II. Since then, they remained off-limits to the general public, serving subsequent wartime roles such as housing Britain’s covert Special Operations Executive, an offshoot of MI6 and the real-world inspiration for James Bond’s Q Branch.

Subsequently, these tunnels were expanded to become the Kingsway Telephone Exchange, functioning as an internal communications hub during the Cold War in the 1950s. Notably, it played host to the “hotline” directly linking the leaders of the United States and the USSR. The exchange operated an extensive network of 5,000 trunk cables and was staffed by a bustling community of 200 workers responsible for managing phone lines.

In the 1980s, British Telecom assumed control of the site, establishing the world’s deepest licensed bar, exclusively catering to government personnel. This bar featured a game room replete with snooker tables and an opulent tropical fish tank, epitomizing the luxury of the 1980s.

By the close of that decade, the technology underpinning the telephone center had become outdated, leading to its decommissioning. However, fund manager Angus Murray, who serves as CEO of The London Tunnels, is now endeavoring to breathe life into the tunnel’s history by utilizing high-resolution immersive screens, interactive structures, scent-emitting technology, and an array of pinpoint speakers to captivate visitors.

Murray articulated, “The history of the tunnels, their scale, and their location between London’s Holborn and the historic Square Mile could establish these tunnels as one of London’s most sought-after tourist destinations.”

The proposed investment comprises £140 million ($170.5 million) for restoration work, coupled with an additional £80 million ($97 million) allocated for immersive enhancements. With the participation of architects Wilkinson-Eyre, this project has assembled a stellar team for a highly ambitious endeavor that far surpasses any other offerings in the city. Presently, London’s most established permanent underground tourist attraction is the Churchill War Rooms, situated just 12 feet below ground level, occupying a fraction of the 8,000-square-meter expanse of the Kingsway Exchange Tunnels.

Periodically, London Underground organizes Hidden London tours, allowing exploration of the city’s abandoned tube stations and tunnels. These tours consistently garner immense popularity, with tickets being snatched up as soon as they become available.

Nonetheless, eager subterranean adventurers may need to exercise patience. The London Tunnels project, should it proceed, is not anticipated to welcome its first awe-struck visitors until 2027. Yet, judging by its ambitious scope, it appears to be well worth the wait.

2023 World Culture Festival: Preliminary Lineup Announced

October 5, 2023 Staff ReporterCulture 0

The District of Columbia Mayor Muriel Bowser joined global humanitarian and peacemaker Gurudev Sri Sri Ravi Shankar, founder of the Art of Living, to announce the preliminary lineup for the 2023 World Culture Festival, to be held September 29 through October 1, 2023, on the historic National Mall in the U.S. capital.

The Honorable Mayor Muriel Bowser:”We are delighted to host the fourth-annual World Culture Festival. Washington, D.C. is the perfect city to bring people together from around the globe. We are a city that celebrates diversity and inclusivity, a global city, a welcoming city, and a city that loves visitors. We know that Gurudev Sri Sri Ravi Shankar’s message that ‘diversity is the beauty of creation’ aligns with our D.C. values. So, we invite people to plan their visits, and we’ll see you in the fall!”

The World Culture Festival, which has attracted millions in its previous iterations in Asia and Europe, will come to the United States for the first time ever for an epic celebration of global diversity, unity and peace:

#YOUnitedWeCelebrate: Gurudev and Mayor Bowser invited the public to join in on the world’s largest celebration of diversity and belongingness.
Bridging the Divide: Amidst increasing political and societal polarization, world leaders will come together to affirm a collective intention for unity and peace.
Social Connection: As the world grapples with epidemic loneliness, isolation, and mental health burden, the Festival’s attendees will experience the power of social connection.

Gurudev Sri Sri Ravi Shankar: “We need to bridge the gap. There is a lot of polarization in the world. The World Culture Festival is an occasion for people to come together and celebrate each other’s differences. It is the need of the hour, to bring people together in celebration and to spread the message of peace and to say that we are one human family.”

PRELIMINARY LINEUP:

Over 50 world leaders,including current and former heads of state, members of national parliaments and international governmental organizations, have already committed to attending the Festival, including:
E. Secretary General Ban Ki-moon, 8th Secretary General of the United Nations
E. Chan Santokhi, President of Suriname
E. Pravind Jugnauth, Prime Minister of Mauritius
E. Vicente Fox, Former President of Mexico
E. Federico Franco, Former President of Paraguay
E. Venkaiah Naidu, Former Vice President of India
E. Alojz Peterle, Former Prime Minister of Slovenia
E. Rosalía Arteaga Serrano, Former President of Ecuador
E. Kjell Magne-Bondevik, Former Prime Minister of Norway
Hildebrando Tapia, Former Member of Andean Parliament

Thousands of unique performers and artists will take part in the jam-packed entertainment lineup. All performers are based in the United States, representing the cultures and heritage of over 35 countries and counting. Performance groups include:

1,000+ Chinese Cultural Performers
1,000-Person Gospel Choir
500 Indian Classical Dancers
500-Person Global Dance Mashup
200 Hip-Hop Dancers
200 Ukrainian Dancers
200 Latin-American Dancers
100 Afghan Performers
100 Native American Performers

A global Faith Advisory councilis being convened in support of the World Culture Festival. The council, composed of leaders from faiths of the world, will share messages about common values of peace, harmony and partnership to nurture greater unity and togetherness. More details to come.

There will be a diverse international food festivalassociated with the event that is expected to attract thousands to sample international cuisines made by chefs from around the capital region. Over 50 ethnic food trucks are expected to be in a designated area along the National Mall.

There will be multiple pop-up cultural events throughout the District of Columbialeading up to the festival, including at least one in each of D.C.’s eight community wards. These pop-ups will be a chance for D.C. residents and visitors to preview and experience the celebration of culture and unity before the historic event from Sept. 29 to Oct. 1. Details and dates for all upcoming pop-ups will be announced soon.

The first D.C. pop-up is Saturday, May 20 at the picturesque Meridian Hill Park. The free pop-up is open to the public and will have music, dance, yoga and meditation. The afternoon’s highlight will be a live meditation conducted by Art of Living founder Gurudev Sri Sri Ravi Shankar. For more information, please visit tiny.cc/wcfpopup.

WCF’S EXPANSIVE SCOPE AND SCALE:

The World Culture Festival is expected to attract more than 150,000 visitors. This festival is expected to have an economic impact of over $30M in revenue.

The previous WCF in New Delhi, India, created a 45% increase in the GDP of the union territory of Delhi and contributed $300 million dollars to the economy of the union territory of Delhi.

As of mid-May, 45,000 people have already registered to attend the World Culture Festival, with 80 percent of registrants coming from the United States and 20 percent from abroad.

Of the US registrants, 27 percent come from the greater D.C. area, while the rest are from all corners of the country.

Thousands of hotel rooms have already been booked ahead of the Festival. As of mid-May, 2,180 hotel rooms have been booked at the various neighboring hotels in the area.

Festival grounds will span the entire National Mall and will be similar in size to presidential inaugurations. It is being designed to be the largest event in D.C. this year, based on the permit given by the U.S. National Park Service.

Hargrove is working as the event designer, bringing Gurudev’s vision to life across the National Mall. The Festival is a D.C. endeavor that has been in the works for the better part of a year.

There will be an expansive performer/speaker stage – with vast audience seating (over 12,000 seats) to watch the events unfold – in addition to a large portion of the Mall dedicated to various World Culture Festival Activations. The dance floor is expected to be over 32,000 sq ft and will provide over a football field’s worth of performance space.

RECEPTION COMMITTEE/ORGANIZING COMMITTEE MEMBERS

The Reception Committee is composed of high-level government officials lending their experience and expertise to the Festival. Full list of names are below.

Video testimonials from Hon. Danny Davis, Member of House of Representatives (D-IL); Hon. Andy Kim, Member of House of Representatives (D-NJ); Hon. Raja Krishnamoorthi, Member of House of Representatives (D-IL); Virginia State Senator Chap Petersen(D-Fairfax City); Hon. Michelle Steel, Member of House of Representatives (R-CA); Hon. Mike Quigley, Member of House of Representatives (D-IL) can be found here.

Reception Committee Members:

E. Ban Ki-moon, the eighth Secretary-General of the United Nations and Chair of the Reception Committee
E. Pravind Jugnauth, Prime Minister, Mauritius
E. Ratu Wiliame Katonivere, President, Fiji
E. Chan Santokhi, President, Suriname
E. Jacques Santer, Former President, European Commission and Former Prime Minister, Luxembourg
E. Erik Solheim, Former UN Under-Secretary-General and Executive Director of the UN Environmental Programme (UNEP) and Former Minister of International Development & Environment, Norway
E. Venkaiah Naidu, Former Vice President, India
E. Kjell Magne Bondevik, Former Prime Minister, Norway Founder and Executive Chair, The Oslo Center
E. Helen Clark, Former Prime Minister, New Zealand
E. Nambaryn Enkhbayar, Former President, Mongolia
E. Mark Eyskens, Former Prime Minister, Belgium
E. Vicente Fox, Former President, Mexico
E. Federico Franco, Former President, Paraguay
E. Mohamed Moncef Marzouki, Former President, Tunisia
E. Olusegun Obasanjo, Former President, Nigeria
E. Alojz Peterle, Former Prime Minister, Slovenia
E. Rosalia Arteaga Serrano, Former President, Ecuador and Executive Director, Fidal Foundation
E. Jigmi Yoser Thinkley, Former Prime Minister, Bhutan
E. Akie Abe, Former First Lady, Japan
H. Sheikh Mohammed bin Hamad bin Mohammed Al Sharqi, Crown Prince of Fujairah, United Arab Emirates
Ryszard Czarnecki, Former Vice President of the European Parliament, Poland
Prof. Herman De Croo, Minister of State, Honorary Speaker of the House, Honorary Mayor of Brakel, Belgium
Armin Laschet, Member of German Parliament and Vice President, Parliamentary Assembly of the Council of Europe and Former Minister-President, North Rhine-Westphalia, Germany
Sumitra Mahajan, Former Speaker of the Lok Sabha, India
Nancy Pelosi, Former Speaker of the House of Representatives, United States of America
Right Honorable Sir Robert James Buckland KBE KC MP, Former Lord Chancellor and Wales Secretary, United Kingdom
Ted Baillieu, Former Premier of Victoria, Australia
Bruno Bruins, Former Minister for Medical Care, Netherlands
Raymond LaHood, Former U.S. Secretary of Transportation, United States of America
Hakubun Shimomura, Member of the House of Representatives and Former Minister of Education, Culture, Sports, Science and Technology, Japan
Hildebrando Tapia, Former Vice President, Andean Parliament, Peru
Geoffrey Van Orden CBE, Former Leader of British Conservatives in the European Parliament, United Kingdom
Danny Davis, Member of House of Representatives (D-IL), United States of America
Mike Quigley, Member of House of Representatives (D-IL), United States of America
Bill Foster, Member of House of Representatives (D-IL), United States of America
Andy Barr, Member of House of Representatives (R-KY), United States of America
Richard Hudson, Member of House of Representatives (R-NC), United States of America
Marc Veasey, Member of House of Representatives (D-TX), United States of America
Ro Khanna, Member of House of Representatives (D-CA), United States of America
Raja Krishnamoorthi, Member of House of Representatives (D-IL), United States of America
Andy Kim, Member of House of Representatives (D-NJ), United States of America
Jake Auchincloss, Member of House of Representatives (D-MA), United States of America
Jerry Carl, Member of House of Representatives (R-AL), United States of America
Young Kim, Member of House of Representatives (R-CA), United States of America
Deborah Ross, Member of House of Representatives (D-NC), United States of America
Michelle Steel, Member of House of Representatives (R-CA), United States of America
Kevin Kiley, Member of House of Representatives (R-CA), United States of America
Laurel Lee, Member of House of Representatives (R-FL), United States of America
Rick McCormick, Member of House of Representatives (R-GA), United States of America
Shri Thanedar, Member of House of Representatives (D-MI), United States of America
Binod Chaudhary, Member of Parliament, Nepal and Chairman and President, The Chaudhary Group (CG)
Yvonne Feri, Member of Parliament, Switzerland
Dr. Nik Gugger, Member of the Parliament, Switzerland and Member of the European Parliament
His Highness Azzan Bin Qais Al Said, Vice Chairman, Oman National Olympic Committee, Oman

Organizing Committee Members:

The Organizing Committee contributes their leadership, experience, and counsel to build an unforgettable World Culture Festival IV.

Rob Trombold, President of Art of Living and Convener of World Culture Festival
Ann Luskey, Founder and Trustee, Charlotte’s Web Foundation
Binod Chaudhary, Member of Parliament of Nepal and Chairman and President of The Chaudhary Group (CG)
Chirag Patel, President and CEO, Amneal Pharmaceuticals
Courteney Monroe, President, National Geographic Global Television Networks
Francisco Sanchez, Former U.S. Under-Secretary of Commerce at the US Department of Commerce
Jo Leinen, Former Member of European Parliament
Luis Moreno Ocampo, Founding Prosecutor of International Court of Justice
Louis Gagnon, Founder and CEO of the Regenerative Group
Madhu Rao, Former CEO of Shangri-La Group
Manoj K. Jain, Founder and President of Mid-South Infectious Disease Associates
Mike Perlis, Vice Chairman of Forbes Media
E. Nirj Deva DL FRSA, President Envoy to Western Europe & Commonwealth of Nations for the Commonwealth Union and Former Vice President for International Development, European Parliament
Prem Jain, Co-Founder of Pensando Systems, now the Networking Solutions Group AMD Pensando
Randi Weingarten, President of the American Federation of Teachers
Ranvir Trehan, General Trustee, Kennedy Center for the Performing Arts
Reginald Van Lee, Partner and Chief Transformation Officer, Carlyle Group
Rodney Mims Cook Jr., President of the National Monuments Foundation
Ross Perot Jr., Chairman of the Perot Group
Sanjay Govil, Chairman, Infinite Computer Solutions
Sanjay Pradhan, CEO of Open Government Partnership
Sreenivas Reddy, MD, Vascular Interventional Radiologist
Tim Draper, Founder of Draper Associates, DFJ, and Draper Venture Network
Tim Ryan, Former Congressman D-OH13
Tonya Vidal Kinlow, Vice President of Community Engagement, Advocacy and Government Affairs at Children’s National Hospital and Chair of the Board of DC Chamber of Commerce
E. AMB. Vijay Nambiar, Former Chef-de-Cabinet of the United Nations & Special Ambassador to Myanmar
Vivek Paul, Adjunct Professor, Stanford University

TICKET INFORMATION

All World Culture Festival events are free and open to the public. All ages are encouraged to join. Registration and ticket information for the fall festival in Washington, D.C. can be found at www.worldculturefest.org. Please direct all inquiries to WCF2023@lindarothpr.com for further information.

PAST WORLD CULTURE FESTIVALS:

Bangalore (2006):2.5 million attendees, including 3,800 musicians and performers, 750 political and business leaders, alongside 1,000 spiritual and religious figures.

Berlin (2011): 70,000 attendees from 151 countries including 6,000 artists and dignitaries including ministers and members of parliament.

New Delhi (2016): 3.75 million attendees from 155 countries including 36,603 artists and 2,500 religious and spiritual leaders from Hindu, Buddhist, Jewish, Christian, Zoroastrian, Islamic, Jain, Native American, and Tribal faiths.

MEDIA ACCESS:

World Culture Festival 2023 welcomes press outlets from Washington, D.C. and around the world to cover the weekend’s festivities. We are happy to provide approved members of the media with exclusive access. Please check back soon as applications for media will be available this spring. Reach out to WCF2023@lindarothpr.com with any questions or for pre-event interview opportunities.

MEDIA RESOURCES:

World Culture Festival Compilation Video(Video Credit: Art of Living)
Brochure for World Culture Festival 2023
Past World Culture Festival Photos from 2016 and 2011(Photo Credit: Art of Living)
#WCF2023: Official Hashtag for World Culture Festival 2023

About Art of Living Foundation

Operating in 180 countries, The Art of Living Foundation (AOLF) is a nonprofit, educational and humanitarian organization founded in 1981 by the renowned humanitarian and spiritual leader Gurudev Sri Sri Ravi Shankar. All of AOLF’s programs are inspired by Gurudev’s philosophy of creating world peace through a stress-free and violence-free society. AOLF has touched over 800 million lives through numerous educational and self-development programs and tools that facilitate the elimination of stress and foster deep and profound inner peace, happiness and well-being for individuals.

About Gurudev Sri Sri Ravi Shankar

Gurudev Sri Sri Ravi Shankar is a global humanitarian, spiritual leader, and peace envoy. He has helped millions of people worldwide find peace and resilience in the face of adversity, learning not only how to excel in their own lives, but also how to become powerful agents for social change.

Gurudev has created trauma-relief and meditation programs for at-risk youth, war veterans, prisoners and survivors of disaster. He has also created numerous educational and self-development programs and tools that facilitate the elimination of stress and foster deep and profound inner peace, happiness and well-being for individuals.

Standing for the Gandhian principles of non-violence, Gurudev has mediated and progressed negotiations for peace in conflict-stricken areas such as Sri Lanka, Iraq, Venezuela, and Colombia, where he is credited for playing a central role in ending the violent 52-year conflict between FARC and the Colombian government. He has received 39 governmental awards, including the highest civilian awards from several nations. Twenty-four universities have awarded him with honorary doctorates for his peace-keeping and humanitarian efforts.

Sri Sri Ravi Shankar, Acharya Lokesh Muni Recognized by US Congress

October 5, 2023October 11, 2023 Staff ReporterCulture 0

Recognizing their contributions to world peace and harmony, the United States Congress has honored two Indian spiritual leaders, Sri Sri Ravi Shankar and Acharya Lokesh Muni.

A popular Indian Yoga guru, Sri Sri Ravi Shankar, founded the Art of Living Foundation, to improve the lives of people around the world through meditation and yoga. Acharya Lokesh Muni is a Jain spiritual leader and the founder of Ahimsa Vishwa Bharti, which aims to spread the message of peace, harmony, non-violence, and brotherhood in the world.

Highlighting Sri Sri Ravi Shankar’s work in the US House of Representatives, Indian American Congressman, Raja Krishnamoorthi said, “With his message of peace and commitment to education and humanitarianism, Gurudev has lived a life dedicated to the betterment of others.”

“Through his charity work and educational efforts, Gurudev has spread his belief that if individuals find inner peace, it can lead to real-world reductions in violence and conflict,” Krishnamoorthi said.

The Congressman also acknowledged Acharya Lokesh Muni’s dedication to promoting nonviolence, religious acceptance, and universal brotherhood, a cause for which he devoted the early years of his life.

“At a young age, Acharya Dr. Lokesh Muni committed himself to the study and teaching of Jainism, Buddhism, and Vedic philosophy,” Krishnamoorthi told the House. “He has dedicated himself to the promotion of peace and tolerance among different faith groups,” he added.

The Indian American leader further elaborated on Lokesh Muni’s efforts to quell communal and religious violence through the recently established World Peace Center in Gurugram, India and his organisation’s support in hosting several interfaith dialogues around the world.

The Largest Hindu Temple On American Opens Its Doors

October 2, 2023October 5, 2023 Staff ReporterCulture, Religion 0

After a lengthy period of planning and construction spanning 12 years, the grandest Hindu temple outside of India is poised to open its doors to the public in October. The BAPS Akshardham, located in Robbinsville, New Jersey, will be the third of its kind, following the temples in Gujarat and New Delhi, with the latter being recognized as the largest Hindu temple complex globally.

This architectural marvel, known as Akshardham, which translates to the “abode of the Divine,” is a testament to the harmonious blend of ancient scriptural principles and the intricacies of New Jersey zoning regulations. Sprawling across a vast 183-acre expanse, the New Jersey Akshardham includes a Maha Mandir (main temple), a traditional temple, a welcome center, a museum, and an event space.

Chaitali Inamdar, a devoted member of the Hindu community, expressed the significance of this achievement: “Having this Akshardham here on American soil is not just the triumph of a community or the triumph of the diaspora — it is the triumph of the nation.”

The construction of the New Jersey Akshardham has garnered significant attention from the Hindu American community over the past decade. However, it has also been marred by legal matters, specifically a lawsuit alleging forced labor within the BAPS organization, which arose in 2021. Although the lawsuit is currently on hold, it has raised important questions about distinguishing between unpaid work and selfless service in the name of the Divine.

Members of the BAPS community are renowned for their commitment to selfless service, known as “seva,” which they consider an act of devotion to God. Through their seva, BAPS has established an impressive network of 100 temples across the United States. Furthermore, the sampradaya, or Hindu sect, is poised to celebrate its 50th anniversary in North America next year.

Bochasanwasi Shri Akshar Purushottam Swaminarayan Sanstha, commonly referred to as BAPS, is a Hindu tradition that follows the teachings of Bhagwan Swaminarayan. According to their beliefs, Bhagwan Swaminarayan is present on Earth through six spiritual leaders, with Mahant Swami Maharaj currently holding this role.

Devotees explain that Pramukh Swami Maharaj, the fifth spiritual successor, envisioned the creation of a magnificent spiritual campus in the United States when he assumed leadership of BAPS in 1971. Inamdar, a chemical engineer and BAPS member, stated, “Pramukh Swami Maharaj’s ultimate singular vision [was] that, no matter which belief, which background you come from, this place is here to enrich everybody and allow everybody to feel peace and inspiration. The Akshardham is truly allowing the world to be one family.”

Visitors to the New Jersey Akshardham will enter through the Nilkanth Plaza, named after Swaminarayan’s teenage form, Nilkanth Varni, who is said to have traveled across India to revive the principles of Sanātana Dharma, or Hinduism. Dominating the entrance is a towering 49-foot statue of Nilkanth Varni, representing his 49 years on Earth.

The Welcome Center, which connects to the vegetarian Shayona Cafe, immerses visitors in Indian celebrations and artistry. Thousands of “diyas” (lights) adorn the walls, creating a vibrant atmosphere. The scent of incense and the resonance of Sanskrit chants fill the air around the Brahm Kund pond, paying homage to the sacred waters of India. Remarkably, waters from rivers spanning all 50 states have been brought to New Jersey by dedicated volunteers.

Over 12,500 volunteers from diverse cultural backgrounds and faiths came together from across North America and the world to construct the Maha Mandir. This remarkable structure was meticulously crafted from white sandstone, limestone, marble, and granite by temple artisans in India. Adorning the four characteristic domes of the Mandir are nine shikharas or spires, each themed to represent different aspects of Hindu scriptures, including Vedic astrology.

Within the Mandir entrance, statues of dancers, musicians, and musical instruments serve as reminders of the importance of song and dance in Hindu traditions. Notably, this will be the first structure to showcase all 108 poses of the ancient Hindu dance form Bharatanatyam.

Some volunteers dedicated up to two weeks to this monumental project, while others, like 27-year-old Arjun Pandya, felt compelled to stay for two years. Pandya temporarily paused his career in corporate finance at Amazon to undertake seva in Robbinsville. Reflecting on his experience, Pandya said, “To have an opportunity to build something not only for my family and my community, but for the world, and to make something greater than myself, was very attractive.” He acknowledged that the conclusion of this journey is bittersweet, but the invaluable lessons and friendships he’s gained will remain with him forever.

Pandya eloquently summarized his experience: “I thought I’d be giving time, but I’m now realizing how much I’ve gained, not only in the friendships that I’ve built, but the values that are foundational to me that I’ll take with me forever.”

Bhagwan Swaminarayan’s teachings, according to devotees, emphasize values such as humility, compassion, and harmony. Akshardham will serve as not only a residence for the Swamis of the BAPS faith but also a sanctuary for the deities venerated across the broader Hindu spectrum.

Yagnesh Patel, a devotee originally from Kenya, where the BAPS community grew due to Indian migration patterns during British colonial rule, expressed his thoughts. “Any practicing Hindu, anyone who wants to know more about Hinduism, or even just a friend in my community, I have a place to bring them,” he stated. Patel, who was present with his children 12 years ago when BAPS initiated construction in Robbinsville, participated in the Bhumi Pujan ceremony, a tradition involving offering prayers to Mother Earth and God before commencing construction work. His son and daughter, now in their early twenties, have dedicated their time to Akshardham’s construction. “Both my kids are ideal American citizens, born in America, but they can raise their heads and say, ‘I am an American Hindu, and I am so proud that I was part of a place that many can visit as they come to this country,'” Patel proudly declared. “That has been my proudest moment.”

The construction of Akshardham was a challenging 12-year journey for the thousands of volunteers involved, some of whom arrived in the country on R-1 religious visas. They lived and worked on the mandir campus tirelessly. “It’s nonstop seva,” one worker remarked to another in mid-September, just weeks before the opening.

In 2017 and 2022, two devotees lost their lives while working on the construction, reasons the organization attributed to factors unrelated to safety conditions. As recently as March 2023, the Robbinsville Township police department responded to an offsite BAPS housing unit due to elevated levels of carbon monoxide.

In a headline-making event in May 2021, several volunteers originally from India initiated a class-action lawsuit against BAPS, citing wage theft, unsafe working conditions, and mistreatment of workers. However, the laborers withdrew the lawsuit earlier this year.

“The parties agreed to put the lawsuit on hold pending an investigation with which BAPS continues to cooperate fully,” said Ronak Patel, spokesperson for BAPS Temple Organization. “When the facts emerge, BAPS believes that they will reflect BAPS’ principles of kindness, equity, and respect for all human beings. BAPS continues to pray for all involved.”

Regarding the allegations of unpaid labor, BAPS stressed that worship through seva (selfless service) is at the core of the BAPS community, and the workers came to the U.S. as volunteers, not as employees.

“Because BAPS traditions emphasize serving those who serve, we took care of the artisans’ needs in the U.S., including travel, lodging, food, medical care, and internet and pre-paid phone cards so they could stay in touch with their families in India,” Patel added. “BAPS India also supported the artisans’ families in India, so they did not suffer financial hardship as a result of the artisans’ seva in the U.S.”

For many within the BAPS community, the opening in October represents an opportunity to showcase what can happen when devotees from around the world unite through the common thread of devotion.

“The ability to come together in volunteership, in selfless service, it created a sense of comfort and commonality,” expressed Ashini Parikh, a devotee from Atlanta. She reflected on the exponential increase in American awareness of Hinduism since her childhood as a first-generation kid. Playing a role in Hindu American history, for her, is an incredibly humbling experience.

“I am so proud that we as a community can come together from all walks of life, and we’ve all been able to be a part of this one thing that is going to have ripple effects for so many generations to come,” she remarked. “We all want to leave the planet a better place, and my contributions towards Akshardham allows me to leave the planet a better place well beyond my time.”

Shantiniketan Added To UNESCO World Heritage List

September 22, 2023 Staff ReporterCulture, Education 0

There was an air of celebration and jubilation around Visva Bharati University in the Birbhum district of West Bengal after Shantiniketan, where Rabindranath Tagore spent a significant part of his life, was included in UNESCO’s World Heritage List.

The iconic university building and compound were lit up with decorative lights and the faculty, staff and hostelers, dressed in traditional attire, were seen breaking into Rabindrasangeet (Tagore songs) as word of the prestigious UNESCO tag reached them.

West Bengal Chief Minister Mamata Banerjee, expressed her delight on X (formerly Twitter), “Glad and proud that our Santiniketan, the town of Gurudev Rabindranath Tagore, is now finally included in UNESCO’s World Heritage List. Biswa Bangla’s pride, Santiniketan was nurtured by the poet and has been supported by (the) people of Bengal over the generations.”

She added that her government had “significantly added” to the infrastructure” at Santiniketan over its last 12 years in power.

“We from the Government of West Bengal have significantly added to its infrastructure in last 12 years and the world now recognizes the glory of the heritage place. Kudos to all who love Bengal, Tagore, and his messages of fraternity. Jai Bangla, Pranam to Gurudev,” Mamata added in her tweet.

UNESCO India posted on X earlier, officially confirming that it had bestowed the World Heritage tag on Tagore’s abode. “#Santiniketan, West Bengal now inscribed on the #WorldHeritage List!! Established in rural West Bengal in 1901, Santiniketan was founded by Rabindranath Tagore, a renowned poet and philosopher. It is now India’s 41st #WorldHeritageSite,”

Also rejoicing the heritage tag for Shantiniketan, West Bengal Minister and Trinamool Congress leader Shashi Panja said, “Today is a proud moment for Bengal. It’s a proud moment for India.”

Shantiniketan is an ensemble of historic buildings, landscapes and gardens, pavilions, artworks, and continuing educational and cultural traditions that together express its Outstanding Universal Value, UNESCO said in a release.

Parliament of World’s Religions A Must Attend Convention for Everyone

September 12, 2023September 13, 2023 Prof. Bellamkonda Kishore, M.D., Ph.D., MBACulture, Religion 0

Growing up in 1960s and 70s in India, I learned that Swami Vivekananda’s speech in the first Parliament of World’s Religions on September 11, 1893, in Chicago was an instant success. He was given just five minutes to talk about his religion, Hinduism. But his greetings “Sisters and Brothers of America” made the audience burst into an emotional applause. Ultimately, he spoke for several minutes and delivered a very impactful speech, that resulted in invitations for a series of lectures in the West. In my school and college days, I never thought that one day I will attend the Parliament of World’s Religions. But I did it in 2015, when the Parliament of World’s Religion was held in my hometown, Salt Lake City, Utah, United States. I would like to share my life-changing experiences with the readers.

Parliament of World’s Religions (PWR) is the world’s premier interfaith convention of civic and spiritual nature, organized by a 501 (C) 3 non-profit organization with its headquarters in Chicago, Illinois, where the first convention was held in 1893. The PWR is held periodically, with no defined intervals. For instance, after 100 years, it was held again in Chicago in 1993, then in Cape Town (1999), Barcelona (2004), Melbourne (2009), Salt Lake City (2015), Toronto (2018), virtually in 2021, and the most recent one was again held in Chicago from August 14 to 18, 2023.

SAI Kuteer, our stall or booth at the PWR

For the PWR convention in Salt Lake City held from October 15^th to 19^th, 2015, the theme was Reclaiming the Heart of Our Humanity: Working Together for a World of Compassion, Peace, Justice, and Sustainability. Over 10,000 delegates from all over the world, belonging to different religions and faiths attended the convention. They represented over 50 faiths from 75 nations. There were over 200 stalls or booths representing different faiths. Over 800 programs with eight major plenary sessions were held, where systemic and human-caused challenges of our time were discussed. Specifically, the delegates discussed climate change, bigotry and hatred, rampant violence, preventable wars, abuse of human rights, and unchecked income equality. Emerging issues, such as preservation of the rights, hopes, and beliefs or diverse indigenous people also received equal attention. Women representative spoke about gender equality. Overall, it was a convention that focused not only on religion and faith, but also on human values as they relate to our belief in the Almighty as the caretaker of the world.

From the point of an ordinary attendee like me, one could experience the beautiful things religion and faith can offer to humanity. The world does not need new religions or faith. The existing ones are adequate if they are properly understood and followed in the right sense. What is needed is proper understanding and mutual respect among different religions or faiths, with love and compassion in the heart for all with no barriers. Then tolerance and acceptance will come automatically. This was clear to anyone who attended the convention. When I spoke to people of some unknown faiths from remote parts of the world we had never heard of, I found that they also shared our aspirations for a better world. Then where is the problem? It seems only a few people in each religion stir the issues that divide us. If we can develop the understanding to live with mutual respect and love and compassion, the world will change and become heaven in no time. The question is can this message be carried across the globe? May be if this type of interfaith conventions is held more frequently in different parts of the world, it is possible to bring the badly needed transformation at the individual level. That only can assure welfare of humanity. As Swami Vivekananda said in his first speech in PWR in Chicago, “Sectarianism, bigotry, and its horrible descendent, fanaticism, have long possessed this beautiful earth. They have filled the earth with violence, drenched it often with human blood, destroyed civilizations and sent whole nations to despair. Had it not been for these horrible demons, human society would be far more advanced than it is now. But their time is come; and I fervently hope that the bell that tolled this morning in honor of this convention may be the death-knell of all fanaticism, of all persecutions with the sword or with the pen, and of all uncharitable feelings between persons wending their way to the same goal.” Those words were uttered 130 years ago by Swami Vivekananda. Now, the time has come to get rid of those evils and move into a promising future for our children and grandchildren. We cannot afford to have these age-old evils in our backyards with Artificial Intelligence in our homes and offices.

Apart from attending the convention in Salt Lake City, we also hosted a booth about our newly launched SAI Kuteer, a faith-based charity. The world needs charity as much as it needs faith. Faith cannot be nurtured without selfless work for the community. Although so many religions and faiths were represented at the PWR convention in Salt Lake City, the highlight was Langar organized by the International Sikh Confederation. While we rented 10 feet x 5 feet stalls in units of one or more, the Sikh organizers rented the space equivalent to a football field. They cooked food on the spot and served delicious lunch for about 10,000 delegates on every day of the convention. It was an amazing feat or service for most Americans, who never saw such mass scale cooking of fresh food and serving. Many Americans were motivated and volunteered serving the food, cleaning the place etc. Some even wore turbans as a token of solidarity with the Sikh community. Sitting on the floor and eating delicious food with many varieties and a glass of mango lassi, I was transposed momentarily to the days I spent in Prasanthi Nilayam, the abode of Sri Sathya Sai Baba, my favorite place on earth. Without my notice, tears rolled down my cheeks. That happens when Divinity manifests in a place where there is absolute selfless service.

Finally, on the last day of the convention, while dismantling our booth, I realized that God could manifest anywhere, provided we have the love and compassion in our heart and realize this world is His place and we should behave like His children and stop fighting among ourselves thinking that our path is the right one or the best one or superior one. It is all a myth. There is no such thing as the best or superior ones. All paths lead to Him. When more and more people among us start realizing this fact, the world becomes a pleasant place to live and grow. So, next time the PWR convention is held near your place or anywhere in your country, please attend it. It is equivalent to going on a pilgrimage. You will come home with lots of pleasant memories, peace of mind and reassurance that despite all its problems, the world is still a good place to live, and we can make it even better, like Vasudevakutambakam

(Prof. Bellamkonda K. Kishore, M.D., Ph.D., MBA is an Academician, Innovator, and entrepreneur. Visit:
https://www.bkkishore.online/

University of Houston Initiates Tamil Studies Program in Partnership with ICCR

September 6, 2023 Staff ReporterCulture, Education 0

Tamil Studies classes have commenced at the University of Houston, marking a significant step forward in the institution’s collaboration with the Indian Council for Cultural Relations (ICCR). This academic endeavor stems from the Memorandum of Understanding (MoU) inked between ICCR and the University of Houston (UoH) in June 2023. These inaugural classes are under the tutelage of Dr. Vijayalakshmi, a distinguished visiting professor of Indian Studies.

The inauguration of this educational endeavor was attended by Manjunath Chenneerapa, the Consul General of India in Houston, UoH’s College of Liberal Arts and Social Sciences dean, the director of Indian Studies, and representatives from both UoH and the Houston Tamil Studies Chair. This partnership, rooted in the MoU, has laid the foundation for the ICCR chair of Indian Studies, which will be held by a visiting scholar from India, specializing in Tamil studies, commencing in the fall of 2023.

The visiting professor assumes a multifaceted role, encompassing the education of students, collaboration on research initiatives, and the delivery of public presentations aimed at promoting Tamil culture. With a global community of over 80 million speakers, the Tamil language boasts an ancient heritage, positioning it among the world’s oldest languages. Remarkably, the United States is home to nearly 300,000 Tamil-Americans.

UoH President Renu Khator, who holds the distinction of being the first Indian immigrant to lead a comprehensive research university in the United States, expressed gratitude for the collaboration with the Indian Council for Cultural Relations. She noted that this partnership would undoubtedly fortify the cultural bonds between the two nations. She emphasized that expanding the university’s international presence enriches the educational journey of their students, equipping them for success on the global stage.

The University of Houston has become one of only three American universities to participate in ICCR’s global Indian chairs Abroad program, alongside Rutgers University and the University of Pittsburgh. Dan O’Connor, the dean of the College of Liberal Arts and Social Sciences, underscored the pivotal role played by the visiting professor in bridging diverse cultures. O’Connor stated, “India is not only a modern, global hub of business and culture; it’s an ancient hub as well, replete with a history, literature, and architectural heritage spanning millennia. It’s imperative to safeguard this legacy through collaborative partnerships like this, for the benefit of tomorrow’s global leaders, some of whom are currently being nurtured right here at UH.”

The roots of this academic collaboration trace back to 2019 when the non-profit organization Houston Tamil Studies Chair, Inc. pledged a substantial $2 million donation to the University of Houston. This generous contribution led to the establishment of an endowed chair in Tamil studies. Additionally, the Mutyala family contributed $250,000, endowing the Sita and Bhaskara Rao Mutyala Professorship of India Studies, a position currently held by Sarasij Majumder.

Could Yoga Be the Game-Changer in the Global Mental Health Epidemic?

September 6, 2023February 6, 2025 Dr. Indranill Basu-RayCulture 0

In a dimly lit room, the weight of the world seems to press down from all sides. The walls feel like they’re closing in, each inch of space suffocating, as if the air itself is thickening. Thoughts race uncontrollably, each one darker than the last, spiralling into an abyss of despair and anxiety. The bottle of pills on the nightstand beckons as a quick escape, while the phone buzzes with ignored calls and messages from concerned loved ones. It’s a struggle, a silent battle fought behind closed doors, where even the simplest tasks like getting out of bed become monumental challenges.

This is a glimpse into the life of someone grappling with mental health issues, a life that many might not see but is a harrowing reality for some.

The narrative above is not an isolated incident but a reflection of a global crisis that is reaching alarming proportions. According to the World Health Organization (WHO), more than 300 million cases of mental disorders are on a rising trend worldwide, with 1 in every 8 people living with a mental disorder. The situation is particularly dire in the United States, where more than one in five adults, or 57.8 million people, live with a mental illness. The prevalence is even higher among females, with 27.2% affected as compared to 18.1% of males.

Adding another layer to this complex issue is the prevalence of substance use disorders. In 2021, 19.7 million American adults battled a substance use disorder, representing 7.1% of the adult population. Almost 74% of these adults struggled with an alcohol use disorder, while about 38% battled an illicit drug use disorder. Disturbingly, one out of every eight adults struggled with both alcohol and drug use disorders simultaneously, and 8.5 million American adults suffered from both a mental health disorder and a substance use disorder, known as co-occurring disorders.

Suicide, often the tragic culmination of untreated or poorly managed mental health issues, is the 11th leading cause of death in the United States. In 2021 alone, 48,183 lives were lost to suicide, translating to an age-adjusted rate of 14.04 per 100,000 people. The COVID-19 pandemic has only exacerbated the situation, with a CDC study revealing a 10.5% increase in suicide rates between 2019 and 2020.

The tragedy of mental health issues is further underscored by the lives of celebrities we’ve lost, individuals who seemingly had it all—fame, success, and wealth. Robin Williams, the beloved comedian and actor, took his own life in 2014 after battling severe depression and anxiety. Chester Bennington, the lead singer of Linkin Park, died by suicide in 2017, having openly discussed his struggles with depression and substance abuse. Avicii, the Swedish DJ and record producer, also died by suicide in 2018 after grappling with mental health issues and the pressures of fame. Anthony Bourdain, the celebrity chef and television host, took his own life in 2018, despite his outwardly adventurous and fulfilling life.

While mental health issues are a global and national crisis, they also hit close to home for the Indian-American community. According to recent statistics, 1 in 5 Indian Americans experience mental illness, aligning closely with the national average of 1 in 5 adults. The most common mental illnesses among Indian Americans are anxiety disorders (15.3%), mood disorders (13.6%), and substance use disorders (11.3%). However, what is particularly concerning is that only 38.4% of Indian Americans with mental illness received treatment in 2020, compared to 43.7% of white Americans. This disparity highlights the unique challenges faced by Indian Americans, including cultural stigmas and barriers to accessing mental health services.

Building on the unique challenges faced by the Indian-American community, it’s worth noting that solutions may lie in our own cultural heritage. Yoga, a practice deeply ingrained in Indian culture, has now gained a global imprint, including in America. However, while most of the focus in America on yoga is geared toward physical flexibility and fitness, many are unaware of its profound impact on mental well-being. Originating as a holistic approach to health, yoga is not just about physical postures but also includes practices like meditation that are designed to bring mental clarity and emotional balance.

This emphasis on a holistic approach is particularly relevant in light of a recent Time article that highlighted some concerning trends in mental health care. Despite increasing mental health awareness and therapy usage, mental health metrics in the U.S. continue to worsen. The article questions the efficacy of psychiatric diagnoses and treatments and suggests a need for a more holistic approach. This underscores the importance of exploring alternative methods like yoga and meditation, which offer a more rounded approach to mental health, addressing not just the symptoms but the root causes of mental and emotional distress.

The benefits of yoga and meditation are not just anecdotal or rooted in ancient wisdom; they are increasingly being validated by modern science. A review published in Psychiatry International synthesizes current research on the efficacy of yoga as an integrative therapy for various psychiatric conditions, including anxiety, depression, and PTSD. The review suggests that yoga can help reduce symptoms above and beyond the effects achieved by standard pharmacological treatments alone.

Similarly, the National Center for Complementary and Integrative Health (NCCIH) has published a digest recommending meditation, yoga, and relaxation with imagery for routine use for common conditions like anxiety and mood disorders. Medical News Today also supports this, stating that yoga and meditation appear to have a positive effect on both the central nervous system and the immune system, improving an individual’s overall sense of well-being.

Yoga Journal has published an article emphasizing the endless benefits of meditation, particularly mantras for anxiety and deep relaxation techniques like yoga nidra. BJPsych Advances discusses the clinical usefulness of yoga for mental disorders, providing insights into the neurobiological mechanisms and the latest evidence base for the use of yoga in psychiatric practice.

The International Journal of Yoga also corroborates these findings, stating that yoga and meditation can help reduce symptoms of many psychiatric conditions, including anxiety, depression, and PTSD symptoms, above and beyond the effects achieved by standard pharmacological treatments alone.

The financial toll of mental health in the U.S. is staggering, amounting to $193 billion annually, which eclipses the combined costs of cancer, heart disease, and diabetes. Moreover, for every $2 spent on mental health treatment, the economy loses $1 in productivity. In this high-cost landscape, yoga, and meditation stand out as economically sensible choices. These practices require minimal investment—just a quiet space and a few minutes. Yet, their mental and physical benefits are scientifically proven.

In the dimly lit corners of our minds, where despair and anxiety often hold sway, there exists an untapped reservoir of peace and clarity. Yoga and meditation, ancient practices deeply woven into Indian culture, offer a bridge to these tranquil spaces within us. As we’ve seen, the scientific community is increasingly recognizing their efficacy, not as a replacement but as a valuable complement to existing treatments.

The mental health crisis is not just a collection of statistics; it’s a lived reality for many, often hidden but profoundly impactful. The financial burden it places on individuals and society is immense, yet here we have tools that are virtually cost-free and scientifically validated.

So, as the walls seem to close in and the weight of the world feels unbearable, remember that the key to relief might just be a few deep breaths away.

American Academy for Yoga in Medicine is conducting a webinar on Mental Health on 30^th September, with expert physicians on how Yoga can be beneficial for people with mental health issues, or for anyone who wants to prevent the onset of such issues. It’s not just about bending your body; it’s about expanding your mind and enriching your soul. Are you ready to explore this transformative journey within?

Revolutionising healthcare: The untapped potential of yoga

September 1, 2023February 6, 2025 Dr. Indranill Basu-RayCulture 0

A silent killer lurks in the shadows as we stand on the precipice of a global health crisis. Non-communicable diseases (NCDs) are the unseen enemy, claiming 70% of annual deaths worldwide. In India, the situation is similarly dire, with NCDs accounting for 66% of deaths. Each statistic, each percentage point, represents a life cut short, a family shattered, and a community in mourning. This grim reality is a wake-up call, a clarion call for a radical solution. And as we search for answers, we find that the solution might just be an ancient practice that has been with us all along – Yoga.

Yoga, often viewed through the lens of mysticism and spiritual practice, must be understood and utilized. While yoga’s spiritual aspects should not be discarded, as it is the basis of its efficacy as medicine for today’s ills. Commemorating the upcoming International Yoga Day, we shed light on the scientific, peer-reviewed facts that establish yoga as an effective tool in medicine.

In India, a staggering 77 million adults are grappling with diabetes, and nearly 25 million are on the precipice of the disease, classified as prediabetics. According to the revelations of Apollo’s Annual Health of the Nation reports, corroborating with the WHO, non-communicable diseases have stealthily climbed the ranks to become the leading cause of death and suffering, contributing to about 66% of deaths in India.

In an extensive survey of urban Indian elderly residents, 71% of the participants were battling at least one NCD, while 40% shouldering the burden of more than two NCDs. This paints a grim picture of the health landscape for our elderly population. This demographic should be enjoying the golden years of their lives, not spending them in constant battle with the disease. The scenario for the country’s youth is even more alarming. The Indian Council of Medical Research provides a somber perspective by stating that the probability of mortality between the ages of 30 and 70 from the four primary non-communicable diseases stands at 26%.

Let us look at what the latest clinical research & medical science says about the efficacy of yoga on the diseases highlighted in the statistics mentioned above. Cardiovascular health is literally and figuratively at the heart of the matter. A study published in the European Journal of Preventive Cardiology has shown that yoga can be a potent ally in our fight against heart disease. It reduces risk factors such as high blood pressure and cholesterol levels, the silent saboteurs of our heart health. The Mayo Clinic also acknowledges that yoga as part of lifestyle changes can help manage chronic conditions like heart disease and high blood pressure alone or in conjunction with conventional medical treatment.

A systematic review in the Journal of Diabetes Research found that yoga may aid glycemic control and improve other metabolic and cardiovascular risk factors for type 2 diabetes. Harvard Medical School supports the benefits of yoga for managing specific conditions related to NCDs, including heart disease and chronic lower back pain, often associated with obesity, another NCD. These studies underscore the potential of yoga as a therapeutic approach to managing NCDs and enhancing overall health.

For the elderly, who often bear the brunt of NCDs, yoga offers a beacon of hope. With its gentle postures and mindful breathing, this ancient practice can help manage chronic conditions, improve mobility, and enhance overall well-being. It’s not just about adding years to life, but infusing those years with vitality and health, making the golden years truly golden.

Yet, despite these promising findings, yoga still needs to be utilized in our healthcare systems. It’s often dismissed as merely a form of physical exercise or an ‘alternative’ practice. But the evidence supporting yoga’s health benefits is robust and undeniable. The barriers that prevent yoga’s integration into mainstream healthcare are considerable but manageable. It’s time we overcome these obstacles and recognize yoga’s potential in healthcare. This involves integrating yoga into our healthcare systems, educating the public about its benefits, and training healthcare professionals in its application.

Integrating yoga into mainstream healthcare is not just a matter of health but also of social justice. It’s a cost-effective, accessible, and sustainable solution that can benefit individuals and communities alike. It’s a revolution in healthcare that’s been waiting in the wings, ready to take center stage. It empowers individuals to take charge of their health, fostering a sense of self-reliance and promoting a proactive approach to wellness.

As we grapple with the escalating crisis of non-communicable diseases, we must recognize this ancient tool that has the potential to transform our approach to health and wellness. With its holistic focus on mind-body wellness, yoga offers a unique approach to disease prevention and more effective treatment that complements traditional medical treatments. Moreover, we must continue to invest in research to understand yoga’s benefits further and validate its effectiveness in preventing and managing non-communicable diseases. This is not just about embracing an ancient practice but advancing modern healthcare and making it more holistic, patient-centered, and effective.

The transformation of yoga into holistic medicine is inevitable and must cross three barriers. First, yoga must be understood to be a conglomeration of breathing, mindfulness, meditation, and physical postures, not the last alone. Thus, restricting oneself to the last component will ultimately provide, as expected, a tiny portion of the benefit. The second spiritual component and philosophy of yoga are essential to harness the stipulated benefits, particularly as that helps transform our brain and effectively helps us adhere to a discipline. Spirituality is not being religious; thus, any perceived misinterpretation of it as a religious practice is entirely unfounded. Third public education of yoga, both as a philosophy and a therapeutic technique, must be the potential dialogue rather than blind belief, superstition, and genuflexion to rituals and unproved godfathers!

Standing on the shoulders of giants like Gautama Buddha, Adi Sankara, Chaitanya Mahaprabhu, Sri Sri Ramakrishna, Swami Vivekananda, and Maharshi Aurobindo, we do not need more godfathers but dedicated practice. My Venerable Guru Hariharananda Giri, a saint in the powerful Kriya Yoga lineage of Mahavatar Babaji, often said, “An ounce of practice is equivalent to a ton of theory.”

It is time to get the mat and practice meditation in a lotus or equivalent posture. Yogic breathing and asanas (physical postures) regularly provide cardiovascular health and do away with stress – the harbinger of disease and death!

Celebrating India’s Heritage and Unity: The Konark Chakra Illuminates Times Square

August 23, 2023 Staff ReporterCulture 0

New York City’s iconic Times Square was graced with a profound cultural exhibition, celebrating the ageless bond between India and the United States. The esteemed presence of Mayor Eric Adams at this event marked the significance of this occasion. Rajeev Kaul, a distinguished Board Member of the Indo-American Arts Council (IAAC), expressed the sentiment, stating, “We are honored to welcome Mayor Eric Adams to this remarkable exhibition, which pays tribute to the timeless cultural bond between India and the United States.” Kaul further emphasized that the placement of the Chakra Sculpture in the heart of Times Square symbolizes the enduring friendship and shared values that unite the two nations.

This event witnessed the unveiling of the Konark Chakra, a symbolic representation of India’s heritage, wisdom, and philosophy. As the Chakra found its prominent position in Times Square, it was not only an homage to India’s rich cultural tapestry but also a testimony to the enduring connection between the United States and India. The Chakra, reminiscent of one of the twenty-four wheels adorning the Konark Temple dedicated to the Sun God, embodies the essence of India’s history, resilience, and unity. The sculpture serves as a beacon of the nation’s deep reverence for nature and the sun, embodying values that resonate with the city of New York.

Consul General of India in New York, Randhir Jaiswal, shared his gratitude towards all those who made this initiative possible, stating, “We extend our warmest gratitude to The Honorable Eric Adams, Mayor of New York City, for joining us on this momentous occasion, to Mr. Vikas Khanna and to the Indo-American Arts Council Inc. for their partnership in the project. I also thank the State Bank of India for their support.” Jaiswal’s words emphasized the collaborative effort that brought the Konark Chakra to its remarkable display in Times Square.

Celebrated Chef, Restaurateur, Writer, and Filmmaker Vikas Khanna, brimming with pride, shared his sentiments about representing India on August 15th. He emphasized the profound symbolism of the Chakra, which encapsulates the artisans’ dedication, history, and culture. Khanna spoke of this day as a gift from ancestors who sacrificed and endured to ensure the freedom of future generations. He highlighted his personal journey as a testament to the power of freedom, expressing his pride in choosing to become a chef. Khanna’s words resonated as he saluted those who stood for this freedom and envisioned India’s future.

The Chakra Sculpture itself stands as a tribute to craftsmanship and artistic brilliance. With dimensions measuring 8 feet by 6 feet and weighing around 1800 kilograms (approximately 4,000 pounds), it mirrors the revered emblem from the Sun Temple in Konark, Odisha. The original Konark Chakra, a meticulously crafted stone wheel, was one of the twenty-four such wheels adorning the historic Konark Sun Temple. Despite facing challenges throughout its history, including invasions and natural disasters, the Konark Sun Temple’s enduring spirit persevered.

The intricate carvings and symbolic representation of the Konark Chakra continue to captivate visitors, serving as a poignant reminder of India’s architectural and cultural legacy. The sculpture’s resilience in the face of adversity mirrors the enduring power and movement of the Sun, a source of sustenance and life. This symbolism resonates with the very values that the city of New York embodies.

The Konark Chakra’s presence in the heart of Times Square stands as a testament to the lasting friendship and shared values between India and the United States. The sculpture not only celebrates India’s cultural heritage but also signifies unity, resilience, and the enduring power of nature. This remarkable event, graced by Mayor Eric Adams and joined by various collaborators, highlights the deep-rooted connections that bridge nations and cultures.

Why The Hindu Right Opposes Affirmative Action In The US

August 23, 2023August 23, 2023 Staff ReporterCommunity, Culture 0

At the point when the US High Court as of late banned governmental policy regarding minorities in society in school affirmations, among those praising the second were areas of the Hindu right in America.

The Hindu Policy Research and Advocacy Collective (HinduPACT), for instance, was quick to tweet: “#RacialQuotas in ed. adversely impacted #IndianAmerican students. We welcome #AffirmativeAction ruling by the #SCOTUS”. HinduPACT is an advocacy group established by the US branch of the Vishwa Hindu Parishad (VHPA) – an organisation known for its role in the rise of Hindu militancy in India.

However, for what reason does a gathering related with the Hindu patriot reasoning of Hindutva care about governmental policy regarding minorities in society in the US?

To some degree, it is an indication of a consistently developing kinship between US preservationists and diaspora Hindu patriots. However, similarly, it means that a hazardous obscuring of lines between legislative issues at home and abroad – and a work to close down analysis of verifiable and current oppression individuals from strict minorities and lower standings, in India as well as in the US.

For it is that separation that governmental policy regarding minorities in society looked to handle under the watchful eye of the High Court struck it down.

A unified governmental issues

However Indian Americans – like most migrant networks – proceed to generally uphold the Leftist alliance, fragments of the Indian diaspora have been revitalizing help for conservatives. That pattern has gotten forward momentum lately.

The Republican Hindu Coalition (RHC), sent off in 2015 by Chicago-based finance manager Shalabh Kumar to construct a scaffold between Hindu Americans and the Conservative Faction, expectedly advocates for more modest, restricted government and lower charges. It accepts the public authority ought to deter single nurturing and early terminations and that fighting extremist Islam ought to be key to US international strategy.

Kumar by and by supported previous President Donald Trump’s position on prohibitive migration as well as his arrangements to construct a wall along the US-Mexico line.

Moderate arguments are additionally simple to recognize on the sites of gatherings like HinduPACT, Hindu Swayamsevak Sangh, Hinduvesha, American Hindus Against Defamation (AHAD) and the VHPA. These are generally joined by analysis of American dissidents.

All of this filled in as the setting for Indian Top state leader Narendra Modi’s manly relationship with Trump, broadcast to the world through two uber rallies they kept intact – one in Houston, Texas in 2019, and the other in Ahmedabad, India in 2020.

At the point when numerous US administrators, particularly in the Progressive alliance, were raising worries about the Indian government’s for the time being repudiation of Kashmir’s naturally ensured semi-independent status, Trump and his organization stayed unflinching in their help for Modi.

The legend of ‘merit’

No place does this moderate conjunction appear as obviously as it does in training. The equals between the resistance to governmental policy regarding minorities in society from Hindutva bunches like HinduPACT and the feeling against station based training shares in India among numerous upper-position Hindus are striking.

In the two cases, this is situated as a fight for supposed merit – pandering to casteist and bigoted sayings to recommend that recipients of governmental policy regarding minorities in society or quantities are less meriting school seats. Disregarded, again in the two examples, are the long stretches of foundational treachery and oppression minorities, particularly African Americans, in the US and against individuals from lower positions in India, which makes any thought of a level battleground negligible.

In India, the people who contend against position based governmental policy regarding minorities in society appear to have acquired from the conservative idea of “turn around bigotry”, frequently heard in the US, when they contend that any reservations and portions for lower standings lead to “switch separation” or “converse casteism” against meriting understudies.

However, they seldom notice or recognize the uncontrolled rank based segregation as well as regular badgering and vilification looked by lower-standing understudies in establishments of advanced education, driving some like PhD researcher and Dalit dissident Rohith Chakravarthi Vemula to end their own life. In his splitting letter, he composed: ” My introduction to the world is my deadly mishap.”

In the US, this works out in the utilization by Hindutva gatherings of the Indian-American people group’s “model minority” picture to contend that it doesn’t need or need the help that other ethnic and racial minorities need.

In this, they advantageously conflate Hindu Americans and Indian Americans. The RHC promotes the way that Indian Americans have the “most noteworthy middle family pay” of every single ethnic gathering, are least subject to government support and have among the most elevated levels of training.

In an infographic on the “Direction of Hindus in America”, HinduPACT transfers a comparative message, adding that, “Indians skirted the ‘ghetto stage’ normal to most foreigner stories”.

However, following the High Court controlling, a Seat overview uncovered that most Indian Americans believed governmental policy regarding minorities in society to be something to be thankful for. Hindutva bunches have plainly fizzled, up to this point, to persuade them in any case.

In numerous ways, however, US governmental issues is the genuine objective these gatherings are hoping to impact and the point is to safeguard the interests of Hindu patriots in India.

‘Hinduphobia’

Diaspora Hindu patriots have lately attempted to contend that Hindus are the casualties of broad and foundational separation, strict contempt, disgrace, slander and destructive savagery. The VHPA’s “Hinduvesha” drive blames significant colleges for developing “a biological system of researchers, funders, and diaries to sustain Hinduphobic grant”.

Hindutva bunches venture to such an extreme as to look at the segregation Hindus supposedly face universally with the defamation and abuse looked by Jews in Europe before the Holocaust.

On its site, HinduPACT contends that scrutinizing Hinduism for standing based separation is additionally proof of Hinduphobia. Hindutva bunches have gone against bills to boycott standing separation in California and the Seattle City Chamber, calling them Hinduphobic and claiming that the regulation would build dangers of harassing and viciousness looked by Indian Americans in schools and work environments.

Furthermore, after the St Paul City Chamber passed a goal in 2020 that was reproachful of the Modi government’s citizenship regulation changes which victimize Muslim refuge searchers, the VHPA gave an assertion saying that “the genuine motivation behind this goal is to make scorn for Hindus and individuals of Indian beginning dwelling in Minneapolis – St. Paul region”.

As a result, any analysis of the Modi government’s strategies in India is considered Hinduphobic in the US by these gatherings.

A risky future?

The impacts of this mission by Hindutva gatherings – against legislators, scholastics and ordinary residents went against to them – are apparent.

In 2019, after an article uncovered the developing impact of Hindu majoritarian governmental issues in the US, Ro Khanna, a Popularity based representative from Silicon Valley, tweeted: ” It’s the obligation of each and every American lawmaker of Hindu confidence to represent pluralism, reject Hindutva, and represent equivalent freedoms for Hindus, Muslims, Sikhs, Buddhists and Christians”.

Assaults on him were prompt and relentless. After four years, Khanna seems to have mellowed. As a matter of fact, in the number one spot up to Modi’s visit to the US recently, he wrote a “bipartisan letter calling for Modi to address a joint seating of Congress”. He supported his choice to do as such by demanding that “the method for gaining ground on common liberties is to draw in with the Indian PM”.

In the midst of strain from Hindutva activists, the language of the California position segregation bill was likewise altered. Rather than position being a different class under the state’s non-segregation regulation as was initially planned, it was currently characterized as a “safeguarded class under the bigger umbrella of ‘lineage'”.

Hostile to charge activists praised this weakened form as a triumph, however the bill’s defenders demand the substance of the regulation remaining parts unaltered.

These are indications of a hazardous invasion of Hindu patriotism in American legislative issues.

Back in India, this philosophy has savagely separated a country and battered its majority rule government. Presently it’s adjusting itself against civil rights – whether on governmental policy regarding minorities in society or standing based separation – in the US, while attempting to menace pundits of the Indian government into quietness.

This is presently not simply India’s concern. It’s America’s as well.

How The World Fell For The Sari

August 23, 2023August 23, 2023 Sujata Assomull At CNNCulture 0

The ancient sari is having a moment in the Western world. It began with actor Zendaya wearing a shimmering hand-embroidered blue sari gown and embellished bralette to a gala night at the Nita Mukesh Ambani Culture Centre in Mumbai in April. The bespoke outfit — which took 3000 hours to make — was designed by Rahul Mishra, the first Indian couturier to show on the official schedule at Paris Haute Couture Week in 2020. The piece inspired a blush and silver version shown at Mishra’s couture show in Paris last month.

At the 2022 Cannes Film Festival, Bollywood star Deepika Padukone made several best-dressed lists in a glittering black and gold sari from Indian designer Sabyasachi Mukherjee. Then in May, the garment made appearances at the 2023 Met Gala — when model Naomi Campbell wore an archival pink sari-inspired dress by Chanel dating back to 2010 — and at Windsor Castle for celebrations marking King Charles III’s coronation, where businesswoman Natasha Poonawalla teamed a nude sheer sari with a Burberry body suit.

Now, the dress is being spotlighted further in a landmark show at London’s Design Museum. Running through September 17, “The Offbeat Sari” marks the first time an international museum has staged a show based solely on the historic drape.

Dating back to around 3,000 BC, saris traditionally consist of a single strip of unstitched cloth (conventionally between three and nine yards long), which can be draped — legend has it — in a hundred ways. While the art of draping is traditionally passed down from mother to daughter, today there are plenty of “how-to” videos available online exploring less conventional takes and even simple pre-stitched versions available to buy which eliminate the need for draping altogether.

The garment remains one of the bestselling clothing items in India, widely worn both in rural communities and urban societies, though it’s typically donned for special events and during religious occasions. Its uniform shape and generosity of size makes the sari the ultimate one-size-fits-all outfit — morphing to fit any wearer. Often being made from cotton silk, saris are affordable, too — cotton silk saris usually retail across India for the equivalent of a few dollars. (Although then there’s the most expensive sari ever made, which cost 3,931,627 Indian Rupees — almost $100,000 — and weighed 18lb after it was hand-embellished for over 4670 hours with precious stones.)

Selected and arranged by the Design Museum’s head of curation, Priya Khanchandani, “The Offbeat Sari” presents over 60 garments, many on loan from weavers, artists and Indian designers including Mishra, Sabyasachi Mukherjee and Amit Aggarwal. It aims to showcase how the sari exists as both a functional piece and as a symbol of female empowerment and activism, and examine recent experimentations with the style among emancipated South Asian women in the social media age.

These are people as diverse as the Gulabi Gang — a group of women in rural north India who took to wearing pink saris while protesting against domestic violence — to Gen Z figures such as Delhi-based Eshna Kutty, a dance artist who shares videos of herself hula-hooping in a sari, and actress and Instagram sensation Urfi Javed, whose customized styles push the boundaries of the sari and often polarize public opinion.

Giving an ancient garment new life

The Offbeat Sari exhibition also shines a light on the growing technicalities involved in the creation of the garment. While woven materials such as silk, cotton or polyester are still popular and commonly used, newer designers such as Rimzim Dadu are pushing the boundaries of textiles, using ultra fine metal threads, for example, to repurpose heirloom saris. This new take also brings modernity into the weaving traditions of India. “The sari is experiencing what is conceivably its most rapid reinvention in its 5000-year history,” said Khanchandani in the press release that accompanied the Design Museum show. “It makes the movement one of today’s most important global fashion stories, yet little is known of its true nature beyond South Asia.”

While saris have also been popular with celebrities — think Madonna at the VH1 Vogue fashion awards show in 1998, Lady Gaga in a Tarun Tahiliani white sari gown adorned with Swarovski crystals in 2011 (currently on display in the Design Museum’s show) and Dua Lipa while on vacation in Jaipur, India in 2018 — some instances have attracted criticism.

In a piece titled “The grey area between cultural appropriation and appreciation,” Vogue India called out Sarah Jessica Parker for her usage of the term “sari” during the 2022 Diwali episode of Sex and the City spin-off “And Just Like That.” The garment she wore was not a sari at all but a lehenga (a three-piece outfit with a stitched skirt rather than a draped garment).

The Black girls reclaiming alternative fashion

Similarly, Gwen Stefani sparked controversy for her penchant for wearing bindis and saris in the 1990s. In 2022, Stefani once again donned a sari to attend the 90th annual Christmas celebrations at the Rockefeller Center in New York — but on this occasion, the pre-stitched plisse number by Mumbai-based designer Amit Aggarwal was welcomed by much of the fashion community within India.

“It was extremely gratifying to see Stefani in our outfit,” Aggarwal told CNN during a telephone interview. “It gave us an opportunity to showcase the work of our craftsmen and our innovative techniques with the form on such a large platform.”

Aggarwal believes the sari has already gone international. “It isn’t bound by borders or rules and has found love across the globe,” he said. “Its versatility and amorphous nature make it a piece of clothing to be worn in multiple ways simply by draping it differently. (The sari) should no longer be ‘offbeat’ or something ‘exotic’ but mainstream. I think it’s beautiful to find people appreciating and embracing pieces of other cultures and blurring borders to make the world an even smaller place.”

Designer Rimzim Dadu agreed. “Experimentation is the basic need of humanity. Someone, somewhere thousands of years ago decided to experiment with five yards of fabric to see how it could be draped and the sari was born,” she told CNN via email. “It went through thousands of iterations over the years, so I would say both conservation and experimentation (with the sari) are extremely important as long as there is mutual respect for both.”

A history of inspiration

Dr. Phyllida Jay, anthropologist and author of the book “Inspired by India,” points out that internationally recognized designers from French couturier Madame Grès to Jean Paul Gaultier and Elie Saab have historically drawn inspiration from the garment. “My book tried to trace the ways the sari informed design innovation across the 20th century,” she said. While some did look at the sari as simply exotic or costume-like, Dr. Jay said designers who respect the garment and take time to understand the technical aspects of draping create the best international interpretations — take Cristobal Balenciaga’s sari gown, made famous by Elizabeth Taylor, or Gianfranco Ferré’s sari-inspired spiraling shirt dress.

In Mayfair, London’s luxury shopping district, the Indian multi-brand retailer Pernia’s Pop-Up Shop stocks the collections of around 50 Indian designers. Its owner, Abhishek Agarwal, told CNN that it’s not only the Indian diaspora purchasing saris from his store, but international shoppers too.

“Our vision has always been to make Indian fashion go international and provide a global platform for our country’s ground-breaking design industry,” he said. “The silhouette can easily transcend borders and cultures.”

Whether it is on the streets of Mumbai and Delhi, red carpets of New York, the galleries of London or the catwalks of Paris, admiration of the sari is only becoming more widespread.

“With India’s increasing political and economic power, its cultural prowess also will be accepted,” Delhi-based textile designer, Gaurav Jai Gupta told CNN in an email interview, adding: “I would love to see more people all over the world wear the sari.” Whether his wish will come true, only time will tell.

The Magnificent Belur Temple: A Timeless Legacy of Karnataka’s Hoysala Dynasty

August 23, 2023 Staff ReporterCulture, Religion 0

The renowned Belur Temple, also referred to as the Chennakesava Temple, stands as a testament to Karnataka’s rich heritage, located in the district of Hassan. Constructed in the early 12th century by Hoysala ruler Vishnuvardhana, under the architectural guidance of the Hoysala dynasty, the temple remains a magnificent relic of bygone grandeur. Nestled in the historic town of Belur, which once served as the Hoysala kingdom’s capital, the temple continues to attract enthusiasts from across the nation, offering them a chance to marvel at intricate sculptures and artistic brilliance while experiencing a spiritual elevation.

Historical Splendor of Chennakesava Temple, Belur

The temple’s historical significance is intricately linked to the military triumphs of King Vishnuvardhana, who commissioned its construction in 1117 AD. During this era, the king engaged in numerous battles against the Western Chalukyas and successfully vanquished the Cholas. Architects and artisans involved in the temple’s creation showcased unparalleled skill, introducing innovative designs that would later become emblematic of the temple complex.

Architectural Marvels within the Chennakesava Temple Complex

Among the iconic landmarks of Hassan, the Belur Temple was conceived to embody architectural excellence emblematic of the Hoysala kingdom. As one enters the premises, the gaze is met by the grand Rajagopura, a monumental gateway arching overhead. The central masterpiece of the temple, oriented towards the east, is a sight to behold, encapsulating divine architectural forms.

To the right of the main temple stands the Kappe Channigraya temple, accompanied by a smaller structure dedicated to Goddess Sowmyanayaki, an incarnation of Lakshmi. Slightly behind these stands the Chennakesava Temple, while the Ranganayaki Temple graces its right-hand side. Within the temple complex, two ornate pillars draw attention, one featuring a Garuda (constructed during the Vijayanagara period) and the other adorned with a lamp (hailing from the Hoysala era).

Astonishing Architecture of Chennakesava Temple, Belur

Rising to a towering height of 37 meters, the temple’s exterior walls are adorned with meticulously crafted depictions of dancing women, reflecting unparalleled finesse. Crafted from soapstone according to Hoysala architectural blueprints, the temple boasts intricate detailing. Its early construction within the Hoysala dynasty sets it apart from contemporaneous structures, showcasing an unmatched scale.

Artistry Within Chennakesava Temple, Belur

Within the temple, the stunning pillars serve as a canvas for exquisite sculptures and artwork, captivating visitors with their finesse. The Narasimha pillar is a celebrated centerpiece, among a total of 48 pillars, each uniquely carved and adorned with artistic marvels. Four pillars at the center feature hand-chiseled celestial damsels, or madanikas, capturing diverse poses that enthrall tourists, visitors, and art enthusiasts who grace the temple.

As visitors explore the temple, they encounter depictions and references to significant events from the Ramayana and Mahabharata, enhancing their understanding of the sculptures’ narratives. The temple walls also exhibit depictions of animals such as elephants, lions, and horses.

Intricate Sculptures and Historical Narratives

The main entrance of the mantapa showcases a Hoysala king triumphing over a tiger or lion, symbolizing the victory over the Cholas, with the tiger representing their royal emblem. The temple complex boasts an array of intriguing sculptures, including Gajasurasamhara depicting Lord Shiva, Goddess Durga slaying Mahishasura, and depictions of Ravana, among others. Mini shrines positioned at the entrance add to the allure, while the signatures of various artists offer glimpses into life during the Hoysala era.

Belur Temple: A 900-Year-Old Marvel

The Chennakesava Temple at Belur stands as a remarkable testament to architectural prowess and cultural innovation, an embodiment of Karnataka’s history under the Hoysala dynasty. Recently, this ancient marvel, now 900 years old, celebrated its enduring presence, marking a momentous occasion in the annals of Karnataka’s history. Nestled along the banks of the River Yagachi, the temple’s majestic presence continues to remind visitors of the indomitable legacy of South India’s mighty kingdom.

In conclusion, the Belur Temple, or Chennakesava Temple, remains an awe-inspiring embodiment of Karnataka’s rich history and the architectural brilliance of the Hoysala dynasty. With its intricate sculptures, historical narratives, and timeless charm, this temple complex stands as a testament to the region’s cultural legacy and enduring allure.

Kailasha Temple: Unravelling the Wonders of the World’s Largest Monolithic Marvel

August 23, 2023August 23, 2023 Staff ReporterCulture, Religion 0

In the heart of India, within the ancient and mystical land of Ellora, lies a monument that defies both time and imagination – the Kailasha Temple. With a colossal monolith structure hewn from the very rock it stands upon, this architectural wonder has captivated the world with its grandeur, complexity, and the enigmatic techniques employed to shape it. Emerging from the depths of history, the Kailasha Temple is more than a mere temple; it is an awe-inspiring testament to the ingenuity of ancient artisans and engineers who left behind a legacy that continues to astonish.

A Monumental Feat of Engineering and Devotion

The Kailasha Temple stands as a testament to human endeavor, a massive monolith carved out of the Charanandri Hills. Comprising over 200,000 tons of rock, this monumental structure is an intriguing enigma that leaves visitors and experts alike in awe. The precision and intricacy of its construction have sparked fascination, questioning how such a remarkable creation was achieved with the tools and technology available during its time of inception.

The Unveiling of an Architectural Mystery

The monolithic rock-cut temple is adorned with intricately carved sculptures and ornate reliefs, showcasing remarkable attention to detail. From top to bottom, the temple emerges as a sublime harmony of artistry and engineering, dedicated to the Hindu deity Shiva. It’s a sacred ode to Mount Kailash, the abode of Lord Shiva, that draws pilgrims, history enthusiasts, and architectural connoisseurs from around the world.

Carving Through Time: The Tale of Creation

The true marvel of the Kailasha Temple lies not only in its grandeur but in the mystery of how it was sculpted. The process of carving this monolithic temple involves the removal of enormous volumes of rock. Historians and archaeologists have pondered over the techniques used by ancient craftsmen to transform a solid rock into a breathtaking temple complex. Speculations range from chiseling to intricate drilling, with debates continuing to this day.

Unraveling the Techniques of the Ancients

Delving into the techniques employed in the creation of the Kailasha Temple reveals a remarkable blend of art, science, and sheer determination. It is believed that the artisans and engineers harnessed the power of chisels, hammers, and even crude yet effective drilling mechanisms to meticulously carve and shape the rock. Water channels were strategically designed to facilitate carving, while the use of scaffolding and ramps assisted in the complex task of sculpting the intricate details that grace the temple’s facade.

A Spiritual Odyssey and Architectural Marvel

For pilgrims and travelers, the Kailasha Temple is not just a destination; it’s a spiritual odyssey. The act of traversing through the intricately carved corridors and marveling at the colossal sculptures evokes a sense of divine connection and awe. From the magnificent Nandi statue guarding the entrance to the intricately adorned pillars and sanctums, every facet of the temple exudes devotion and reverence.

Legacy Across Millennia

The Kailasha Temple’s legacy extends beyond its physical presence; it is a window into the cultural, religious, and artistic tapestry of ancient India. The temple’s creation is attributed to the Rashtrakuta king Krishna I, who ruled during the 8th century. His vision and devotion led to the manifestation of this unparalleled wonder, which continues to inspire and captivate to this day.

A Living Testament of Human Endeavor

As the largest monolithic structure in the world, the Kailasha Temple stands as a beacon of human endeavor and artistic brilliance. Its intricate carvings depict scenes from Hindu mythology, evoking a sense of spiritual contemplation. The temple’s creation not only testifies to the architectural prowess of ancient artisans but also serves as a tribute to their unwavering devotion and dedication.

Preserving the Past, Inspiring the Future

In the modern age, the Kailasha Temple remains a living relic, a reminder of the marvels that human hands can craft. Preservation efforts, combined with advancements in technology, enable a new generation to appreciate and explore this architectural gem. As historians, archaeologists, and enthusiasts continue to study its construction, the Kailasha Temple offers insights into the remarkable capabilities of ancient civilizations.

A Journey Through Time and Stone

Visiting the Kailasha Temple is more than a physical journey; it’s a voyage through time and space. The awe-inspiring grandeur of the monolithic marvel leaves an indelible mark on all who stand before it. As the sun’s rays illuminate its intricacies and the winds carry the whispers of history, the temple beckons travelers to witness a fusion of devotion, artistry, and engineering that transcends the ages.

The Kailasha Temple is an architectural marvel that defies comprehension, standing as a testament to human ingenuity and devotion. Carved from solid rock, this monolithic wonder continues to captivate the world, offering a glimpse into the remarkable achievements of ancient artisans. As visitors gaze upon its grandeur and contemplate the mysteries of its creation, the Kailasha Temple stands as a bridge between past and present, inspiring awe and reverence in equal measure.

India Day Parade Celebrates Indian Spirituality, Art, Cinema, and Women

August 23, 2023September 6, 2023 Staff ReporterCulture, Entertainment, Women 0

The 41st India Day Parade in New York City, organized by The Federation of Indian Associations (FIA), witnessed a remarkable convergence of Indian creativity, empowerment, spirituality, and art, with the notable participation of two exceptional women: Sadhvi Bhagawati Saraswati Ji, a revered Indian spiritual leader, and Neha Lohia, an award-winning and acclaimed filmmaker. Notable figures like Grammy Award-winning singer Falu Shah and Bollywood actresses Jacquline Fernandes and Samantha Ruth Prabhu also graced the event. This year’s parade celebrated the rich tapestry of Indian culture, tradition, and heritage while highlighting the influential role of women on the global India stage.

Promoting Indian culture globally and established in 1970, The Federation of Indian Associations (FIA) has played a pivotal role in uniting the Indian diaspora in the Northeastern United States. The India Day Parade, widely regarded as the largest parade outside India, brings thousands of Indian Americans together for an extraordinary cultural extravaganza in the heart of New York City.

Sadhvi Bhagawati Saraswati Ji, known for her transformative journey from Hollywood to the Himalayas, expressed her joy at being part of this celebration: “It’s been such a great blessing to live in India for the last 27 years, on the banks of Mother Ganga, and for my life journey to move both physically and spiritually from Hollywood to the Himalayas. Indian culture, teachings, traditions, sanskriti, and sanskaras are not only relevant to the people born on the land of India but also to individuals from every culture and country. This parade beautifully showcases the universality and gifts of our Indian culture and traditions, available for the whole world to embrace.”

Spirituality and Artistry were in Harmony on this day. The parade was meticulously planned, seamlessly blending Indian spirituality, arts, cinema, culture, music, dance, cuisine, and the message of inner peace. Filmmaker Neha Lohia, known for her heart-centered narratives, shared her deep feelings: “It was a profound experience to stand alongside Sadhviji, nestled in the serene Himalayas, while I represent the vibrant creativity of Hollywood. Witnessing and showcasing India’s enduring legacy of transformation, devotion, integrity, and strength through storytelling, cinema, culture, music, and spirituality at the 41st India Day parade was a true honor.”

Neha Lohia, a versatile filmmaker, brings an Eastern perspective to her work in the USA, with a focus on women-oriented subjects and consciousness-raising projects. With over two decades of storytelling experience in advertising, Hollywood, and Bollywood, she continues to create inspiring content.

Additionally, Sadhvi Bhagawati Saraswati Ji and Neha Lohia were warmly greeted by Dilip Chauhan, Deputy Commissioner of the NYC Mayor’s Office for International Affairs and former Deputy Comptroller of Minority Affairs in Nassau County, New York.

Sadhvi Bhagawati Saraswati Ji, a Spiritual Beacon based in Rishikesh, India, is a world-renowned spiritual leader, motivational speaker, and social activist. Her profound spiritual journey spans over 25 years, from Los Angeles to the banks of the sacred Ganga River. She is the Secretary-General of the Global Interfaith WASH Alliance, President of the Divine Shakti Foundation, and Co-President of Religions for Peace. Her teachings bridge the gap between Western knowledge and Eastern spirituality, making her a global spiritual ambassador.

Sadhvi Ji’s work extends to international platforms, where she shares her wisdom with luminaries such as HH the Dalai Lama, Prince Charles, and world leaders. She has received numerous awards, including the Lifetime Achievement Award from U.S. President Joe Biden for her lifelong commitment to volunteer service. Sadhvi Bhagawati Saraswati Ji continues to oversee humanitarian projects, teach meditation, lecture, write, counsel individuals and families, and serve as a unique female voice of spiritual leadership, inspiring people in India and around the world.

The 41st India Day Parade in New York showcased the indomitable spirit of Indian creativity, empowerment, spirituality, and artistry, reminding the world that the essence of India serves as a beacon of inspiration for all.

Indian Americans: A Journey of Acceptance in American Society

August 20, 2023February 6, 2025 Dr. Indranill Basu-RayCulture 0

From Silicon Valley startups to leading medical institutions, Indian immigrants began to leave their mark, their contributions reflecting their ambition and drive.

In an ever-evolving global landscape, the recent state visit of Indian Prime Minister Narendra Modi to the United States stands as a significant milestone, marking the strengthening bonds between two of the world’s largest democracies. This visit, hailed as a turning point in India-US relations, has not only fortified the strategic partnership between the two nations but also highlighted the substantial contributions of the Indian diaspora to American society. Prime Minister Modi, during his visit, praised the Indian diaspora as India’s “strength,” emphasizing their crucial role in the US economy and society. This acknowledgment from one of the world’s most influential leaders is a testament to the remarkable journey of Indian Americans.

The narrative of Indian Americans is a saga that began over a century ago, a story of dreams, aspirations, and the quest for a better life. The first wave of Indian immigrants arrived on American shores in the late 19th and early 20th centuries, primarily as agricultural workers in California’s fertile farmlands. These pioneers embarked on a journey spanning thousands of miles, leaving behind the familiarity of their homeland for the promise of the American dream.

However, this journey was far from smooth. The early immigrants faced numerous challenges, from the harsh realities of manual labor to the sting of racial discrimination. Yet, they persevered, their resilience echoing in the fields they tilled and the communities they built.

The Immigration and Nationality Act of 1965 marked a significant turning point in the history of Indian immigration. The Act, which abolished the national origins quota, paved the way for a new wave of Indian immigrants, primarily highly skilled professionals, including doctors, engineers, and scientists. This influx of talent from India played a pivotal role in shaping the American technological and medical landscape. From Silicon Valley startups to leading medical institutions, Indian immigrants began to leave their mark, their contributions reflecting their ambition and drive.

Indian Americans, now numbering an estimated 4.4 million, have emerged as the second-largest Asian American group in the country. The majority of Indian Americans are Hindu (72%), followed by Muslim and Christian populations. But it’s not just their numbers that command attention; it’s the remarkable strides they’ve made in education, income, and professional fields that truly set them apart.

Education is a cornerstone of the Indian American community, with an impressive 73% holding a bachelor’s degree or higher. This figure stands in stark contrast to the national average of 33%, underscoring the community’s deep-rooted emphasis on academic excellence. This pursuit of knowledge extends into their professional lives, with one in four Indian Americans making their mark in the STEM fields – science, technology, engineering, or mathematics. Achieving remarkable accomplishments, they have risen to leadership positions in some of the world’s most eminent companies. Their ingenuity, innovation, and steadfast work ethic have propelled them to the forefront of their industries, making them highly respected and influential figures.

Indian Americans are not just employees or professionals; they are business owners, innovators, and job creators. With an estimated 1.2 million businesses under their belt, Indian Americans are making a significant impact on the U.S. economy. These businesses, spanning across various sectors, generate an estimated $1 trillion in annual revenue.

A striking example of this entrepreneurial success can be seen in the hospitality industry. According to a report by the Asian American Hotel Owners Association (AAHOA), Indian Americans own more than 40% of all hotels and motels in the United States. This includes approximately 20,000 properties, a testament to their significant presence in this industry. The rise of Indian Americans in the US motel industry has been so remarkable that it has given birth to a playful moniker, the “Patel Motel Cartel.”

Indian Americans have made substantial strides in the political arena. Several notable figures have achieved unprecedented success, inspiring millions within the Indian American community. This rise is a testament to the assimilation of Indian Americans into American society, without losing their unique identity or heritage. It’s a testament to the American public’s growing acceptance of the role Indian Americans play in the progress of America.

The rise of Indian Americans in the US political landscape is powerfully exemplified by Vivek Ramaswamy. An entrepreneur and author, Ramaswamy has made a significant leap into politics as a Republican candidate for the 2024 US presidential elections. Despite facing challenges, including an attack on his Hindu faith, Ramaswamy has garnered cross-party support, underlining the growing acceptance of Indian Americans in politics.

Ramaswamy’s campaign is gaining traction, with him currently ranking third in the national primary field according to the FiveThirtyEight polling aggregate. His active campaigning and media presence have made him a prominent figure in the Republican presidential primary, reflecting the increasing influence of Indian Americans in American politics.

As we look to the future, the Indian American community continues to grow, evolve, and make their mark. Their journey is a testament to the fact that America’s strength lies in its diversity, and its acceptance of Indian-Americans enriches the nation. The story of Indian Americans is not just their story; it’s an integral part of the American narrative.

Honoring India’s Richness: A Celebration of Hidden Travel Wonders

August 16, 2023 Staff ReporterCulture, Travel 0

As India eagerly approaches its 77th Independence Day, it is essential to pay tribute to the multitude of treasures that the country holds and to remember the sacrifices made by our predecessors who valiantly protected the legacy that has led us to this momentous juncture. What better way to achieve this than by delving into India’s lesser-explored travel marvels, thus commemorating our nation’s independence? In pursuit of this goal, the Ministry of Tourism has collaborated with the travel platform MakeMyTrip to unveil over 600 remarkable destinations that demand exploration.

This endeavor has given rise to an innovative platform known as the ‘Traveller’s Map of India’ microsite, specifically tailored to help travel enthusiasts uncover concealed tourism gems according to their preferences. Crafted by MakeMyTrip, this microsite seamlessly aligns with the ideals of the Indian Government’s ‘Dekho Apna Desh’ initiative.

In a press release, G Kishan Reddy, the Union Minister of Tourism, Culture, and DoNER, conveyed his appreciation for MakeMyTrip’s endeavor to highlight the diverse destinations within India and to stimulate domestic tourism. He extended an invitation for more such endeavors, underlining the collective aspiration to showcase the nation to the global audience.

The compilation of this travel selection was curated by the travel company through an examination of India’s travel search history. Based on this foundation, destinations that are relatively unknown and confined to specific pockets of the country were chosen. To simplify the process for travelers, these destinations have been categorized with tags like adventure, wildlife, heritage, mountains, beaches, and more, allowing them to choose their preferred genre of exploration.

Rajesh Magow, co-founder and group CEO of MakeMyTrip, expressed his thoughts on this initiative, highlighting how the ‘Traveller’s Map of India’ resonates with the desires of nearly every Indian traveler. He emphasized its fitting commemoration of August 15th and MakeMyTrip’s continuous advocacy for India’s diverse tourism offerings. The intent behind the initiative is to encourage each Indian to become an advocate for the country’s cultural, historical, natural, and geographical wonders. Magow conveyed gratitude to the Ministry of Tourism for its support, which bolsters MakeMyTrip’s mission to position India as the foremost sought-after global tourism destination.

Furthermore, this initiative, as stated in the release, not only acknowledges the potential of domestic tourism as a potent instrument for socio-economic development but also directly contributes to the multifaceted expansion of India’s economy.

For those unfamiliar, ‘Dekho Apna Desh’ stands as a government initiative designed to invigorate domestic tourism across the nation. Through endeavors like these, India’s rich tapestry of hidden travel wonders comes to the forefront, serving as a testament to the multifaceted celebrations of the nation’s 77th Independence Day.

Pranayama: The Ancient Yogic Practice of Breath Control for Modern Well-Being

August 10, 2023February 6, 2025 Dr. Indranill Basu-RayCulture 0

By Dr. Indranill Basu–Ray

Pranayama, derived from the ancient Sanskrit language, controls and regulates the breath. It’s a vital part of yoga, helping individuals deepen their connection with their breath and tap into a profound sense of inner peace, calm, and relaxation.

This practice has been passed down for thousands of years as a spiritual discipline, and it’s believed to be one of the most potent tools for cultivating physical, mental, and spiritual well-being. In the yogic tradition, the breath is seen as the bridge between the body and the mind. By regulating our breath, we can directly influence our physical and mental state, promoting relaxation and reducing stress.

Swami Vivekananda, a revered spiritual figure, emphasized that pranayama is the control of the vital force in the body and mind. He believed it could enhance overall health, increase energy levels, improve sleep quality, and reduce stress. Pranayama is a powerful tool for self-transformation, helping individuals control their thoughts, emotions, and actions.

Another prominent yogi, Swami Rama, stressed the importance of pranayama in promoting overall health and well-being. He said breath is the key to good health, vitality, and inner peace. When we control our breath, we control our mind and emotions, tapping into a deep well of inner strength and power.

Recent scientific research has shown that pranayama can help regulate the autonomic nervous system, leading to better heart and lung health. A randomized controlled trial published in Frontiers in Psychiatry in 2020 found significant reductions in anxiety, and a literature review published in Brain, Behavior, and Immunity found positive effects on inflammatory markers and hormones related to various health conditions.

One way pranayama achieves these benefits is by increasing the activity of the parasympathetic nervous system, which is associated with the body’s relaxation response. By breathing through the left nostril, we can activate this system and promote relaxation, reducing stress and anxiety.

Pranayama has also been found to increase nitric oxide production, a molecule crucial in promoting cardiovascular health and preventing heart attacks and strokes. Research has shown that pranayama can increase the production of nitric oxide in the body, leading to improved vascular health and reduced risk of heart disease. A 2019 study published in the Journal of Clinical and Diagnostic Research found that practicing pranayama was associated with increased levels of nitric oxide in the blood, while a 2015 study published in the Journal of Traditional and Complementary Medicine found that pranayama practice was effective in reducing blood pressure and improving heart function.

Incorporating techniques like left nasal breathing and other pranayama exercises into our daily lives can be a powerful tool for improving heart health, reducing stress and anxiety, and promoting overall physical and mental well-being.

As we deepen our practice of pranayama, we may begin to experience a greater sense of connection with our inner selves and the world around us. Our breath becomes a tool for self-exploration and transformation, allowing us to tap into the infinite power and wisdom that surrounds us.

It’s important to approach our practice with an open mind and a willingness to explore our inner selves, allowing us to connect with our spiritual nature and tap into the infinite potential that lies within us.

Pranayama is a powerful practice that has been passed down for thousands of years as a spiritual discipline. By regulating our breath, we can directly influence our physical and mental states, promoting relaxation and reducing stress. Additionally, pranayama has been found to increase the relaxation response and nitric oxide production, leading to improved heart health and reduced risk of heart disease.

By incorporating pranayama into our daily lives, we can experience the numerous physical and mental health benefits of this ancient yogic practice. As Swami Vivekananda said, “Pranayama is the control of the vital force in the body. It is the one thing that will give you perfect control over the body and mind.”

19th Annual Saraswathi Awards Festival Announced

August 10, 2023 Staff ReporterCulture 0

The 19th annual Saraswati Awards will be held on September 16 at the Tyson Center, 26 Tyson Ave, Floral Park, New York 11001, Jojo Thomas, President of Saraswathy Awards announced here.

The Saraswati Awards was founded with the objective of promoting music and dance among the children of Indian origin growing up in America.

Competitions will be held in classical music, music in Indian languages, Bharatanatyam and folk dance.

The age group from 5 years to 15 years is divided into Pre-Junior, Sub-Junior and Junior categories.

Music and Dance students interested in participating in the competition should register in advance.

Please contact for more information via Email: saraswathiawards@gmail.com

India Plans World’s Largest Museum In Delhi

August 9, 2023 Staff ReporterCulture 0

In New Delhi, the world’s largest museum will soon open. On Wednesday, Prime Minister Narendra Modi gave a speech at the opening of the convention center at Pragati Maidan. He talked about the idea for the museum called “Yuge Yugeen Bharat,” which will show India’s rich and varied history.

Talking at the India Trade Promotion Organisation (ITPO) perplexing, the State leader said, “Soon, there will be the world’s greatest historical center in the Public Capital. Imagine something amazing, think beyond practical boundaries and act enormous.”

Yuge Yugeen Bharat Museum

The Sanskrit name “Yuge Yugeen Bharat” means “never-ending India” in English. It catches the everlasting person of the nation’s set of experiences.

The public historical center will be worked out of the ongoing North Block and South Block structures, as per Times Now. The notable blocks were built by Edwin Lutyens and Herbert Cook during the 1930s and have long filled in as the center of Indian administration.

The Prime Minister’s Office, the External Affairs Ministry, and the Defence Ministry are situated in the South Block, while the Finance Ministry and the Home Ministry are located in the North Block.

The public authority made arrangements to transform the North and South Blocks into exhibition halls in 2021.

One-stop objective for India’s rich culture and history

The exhibition hall would have 950 rooms spread over a cellar, ground floor, and two additional accounts, covering 1.17 lakh square meters of room. The design will house various “khands,” or divisions, that follow the improvement of 5000+ year of Indian civilisation.

Its design emphasizes not only the splendor of Indian history’s various epochs but also the country’s vibrant cultures, animals, and plants.

As indicated by Swarajya Magazine, the exhibition hall will archive the scholarly and creative achievements of ancient India, the Indus Valley Civilisation, the Vedic period, and India’s top colleges like Takshashila and Nalanda. The Maurya, Gupta, Pandya, Pallav, Chola, Kushans, Kashmir, and Rashtrakut administrations who kept up with exchanging associations with countries like Rome and Greece, will likewise be featured. Huge realms like the Rashtrakutas, Gurjara-Pratiharas, and Palas will likewise get a decent lot of support during the time spent making a country. The bravery of the Rajputs, the Mughal era, the Sultanate, the British Empire, and India’s struggle for independence.

The engineering entryways will open to show the unmistakable metallurgical custom of the country’s verifiable social classes, for example, the extraction of zinc in Zawar, Rajasthan, the magazine said in a report. A whole floor will be dedicated to the old Sindhi-Saraswati civilisation, with a fixation on areas like Harappa, Mohenjo-Daro, and Lothal.

A section will likewise be committed to the changed fauna and plants of the country, which have contributed fundamentally to shaping the way of life of the locale and are subsequently still worshipped vigorously now. The collectorate will also have the nation’s sacred peethas and temples to preserve the holy heritage.

The fifth part of the historical center will be committed to the fights that the progressives battled to win all through the very long term English occupation to liberate their country from unfamiliar abuse. The Sannyasi insurrection in Bengal in 1770, in which Sadhus rebelled against the oppressive government, and the Indian Revolt in 1857, in which some Indians attempted to overthrow the East India Company completely, are two instances of this.

The last segment will then stress the battle for social liberties, logical turns of events, and other huge realities like the thought behind the ongoing Indian constitution. Individuals like CV Raman, HJ Bhabha, and JC Bose will go about as good examples for our nation’s rising gifts.

The gallery will likewise feature India’s commitments to math, science, and innovation. Stressing the commitments of Vallabhbhai Patel, Dr BR Ambedkar, and Mahatma Gandhi, the top state leader said that historical centers will currently interestingly perceive ancestral autonomy warriors.

“The redevelopment of Mahaparinirvana Sthal of Dr BR Ambedkar into a National Memorial at 5, Alipore Street in Delhi (is in progress)… alongside the improvement of Panch Teerth connected with his life, in Mhow where he was conceived, in London where he resided, in Nagpur where he took commencement, and the Chaitya Bhoomi in Mumbai where his Samadhi exists today,” he expressed, as per Hindustan Times.

The Indian chief went on by saying that the galleries will likewise give a connoisseur experience, reporting many years of Indian history connected with Ayurveda and millets, which are as of now turning into a worldwide pattern. He argued that museums should actively support the preservation of resources for future generations. It is encouraging to observe that younger generations are drawn to these museums, which are becoming destinations and potential places of employment.

For anyone inquisitive about the set of experiences and culture of the country, the exhibition hall will act as a one-stop objective.

240 recovered objects

PM Modi also emphasized during his speech at Pragati Maidan that the destruction of libraries and manuscripts during hundreds of years of slavery resulted in the loss of a significant portion of the territory’s heritage. He underscored that the misfortune impacted India as well as the worldwide social inheritance in general. He likewise censured India’s post-autonomy government for neglecting to do whatever it takes to reestablish and safeguard the nation’s for some time failed to remember social legacy.

“We must be grounded previously yet work for what’s to come. We need to respect our inheritance, as we work to make a superior and more promising time to come,” he said.

The Prime Minister communicated his fulfillment that different countries had begun returning bits of Indian history, which mirrored India’s rising global standing. In the past nine years, he claims, more than 240 ancient artifacts have been discovered and returned to India.

He likewise featured a significant decrease in social relic carrying from India during this period and encouraged craftsmanship devotees and historical center experts overall to improve joint effort in this space, focusing on the significance of guaranteeing that no work of art got unscrupulously tracks down a spot in any gallery. The Prime Minister concluded by promising to create a new legacy while preserving India’s past.

World’s ongoing biggest gallery

With north of 73,000 square meters of display region, the Louver in Paris, France, is presently the biggest historical center.

It is home to the absolute most notable bits of craftsmanship in the whole world, like the Mona Lisa and the Venus de Milo.

The exhibition hall, which is situated in the focal point of Paris, is coordinated into eight divisions, each showing craftsmanship from an alternate time span. These offices incorporate Traditional Ancient pieces, Archaic and Renaissance Craftsmanship, Current and Contemporary Workmanship, Ornamental Expressions, Prints and Drawings, Islamic Workmanship, and Egyptian Artifacts. The Louvre has attracted art enthusiasts from all over the world for centuries.

Asia Society Museum Presents Buddha, Sage of the Shakya Clan

July 26, 2023 Staff ReporterArt, Culture 0

Asia Society Museum presents a selection of 15 masterworks from the Asia Society’s renowned Mr. and Mrs. John D. Rockefeller 3rd Collection, depicting the “Eight Great Events” from the life of Siddhartha Gautama Buddha.

Works in the exhibition date from the second to eighteenth centuries and represent some of the finest examples of Buddhist art, drawn from the Asia Society’s Mr. and Mrs. John D. Rockefeller 3rd Collection.

Buddhism, founded in India the late sixth century B.C.E., has assumed many different forms but generally draws from the life experiences of the Buddha, his teachings, and the “spirit” or “essence” of his teachings, (dharma), as models for religious life.

While the actual life events of the Buddha are not well documented, there are several legendary stories about significant moments in his life, which became codified in a visual language by around 100 AD. This exhibition is anchored by an illuminated manuscript from the great Indian Buddhist monastic learning center, Nalanda, depicting the “Eight Great Events” around which these legendary stories are centered, including:

The Buddha’s princely birth as the son of King Suddhodana and Queen Maya of the Shakya warrior clan
His defeat over the demon Mara and attainment of enlightenment
The first turning of the wheel of dharma at Sarnath, representing the teaching of the Four Noble Truths
Performing of miracles at Sravasti
Descending from the heaven of thirty-three gods (Trayastrimsha Heaven) after preaching to the gods and his mother
Taming the wild elephant Nagiri
Receiving the loyal monkey’s gift of honey leading to the its rebirth as an enlightened being
His death and attainment of parinirvana

The scenes illustrated in the exhibition began to appear by the second century in Mathura, in modern-day Uttar Pradesh, India, and within the Buddhist centers of the Gandharan Kingdom, areas in modern-day Afghanistan and Pakistan.

Several of the works in the exhibition just returned from a multivenue tour to New Orleans, LA; Jacksonville, FL; Chapel Hill, NC; Fort Worth, TX, and A Coruña, Spain, as part of the enthusiastically received exhibition Buddha and Shiva, Lotus and Dragon.

The exhibition is curated by Laura Weinstein, John H. Foster Associate Curator, Pre-Modern Art, Asia Society.

Buddha, Sage of the Shakya Clan is on view at Asia Society Museum in New York from June 13–August 27, 2023. Find out more and plan your visit at AsiaSociety.org/NY

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