IIT Monk’s Remark to Google CEO Sparks Conversation on Stress and Spirituality

At a time when tech leaders are constantly seeking productivity tools and life hacks to remain youthful and stress-free, an Indian monk and IIT graduate believes he has already unlocked the secret—and it’s entirely non-digital. Speaking at the India Global Forum 2025 in London, ISKCON monk Gauranga Das shared a compelling personal anecdote involving Google CEO Sundar Pichai, triggering thoughtful discussions on spirituality, digital burnout, and the toll of modern life.

On the final day of the event, Gauranga Das, a graduate of IIT Bombay who once appeared set for a bright career in engineering before taking a spiritual path, captivated the audience with his story. During his address, he recalled meeting Sundar Pichai, who was part of the same graduating batch at IIT, though in a different department. Despite not interacting during their student days, the two eventually crossed paths years later under very different circumstances.

What stood out during their meeting was a light-hearted yet meaningful exchange about their appearance. Gauranga Das recounted that Pichai, now 53 and at the helm of one of the world’s most powerful tech giants, remarked on the monk’s notably youthful appearance. In response, the spiritual leader pointed to the divergent lifestyles they lead. He quoted the Google CEO as saying that he looked younger, to which Gauranga Das replied, “You deal with Google, which creates stress. I deal with God, who releases stress.”

The crowd responded warmly to the story, appreciating its humor and underlying wisdom. The remark provided a perfect segue into the monk’s deeper message about the modern mental health crisis, especially one driven by digital overuse. Gauranga Das used the platform to issue a stark warning about the consequences of excessive screen time and growing social media dependence.

He backed up his concerns with data that emphasized the alarming spread of digital addiction. According to him, a staggering 230 million people across the globe are currently addicted to social media. Narrowing it down to India, he claimed that 70 percent of the country’s teenagers are spending an average of seven hours each day online. Additionally, he pointed out that one in every seven individuals worldwide is suffering from mental health disorders.

Gauranga Das used this backdrop to urge a return to more mindful living, emphasizing that a connection with the divine or spiritual discipline could act as a much-needed antidote to the overwhelming pressures of modern digital life.

So who is Gauranga Das? He is not just any monk; his multifaceted profile reveals a deep engagement with both the spiritual and the environmental realms. A product of IIT Bombay, he chose to renounce material pursuits early in life and is now a spiritual teacher, environmental advocate, and education reformer. Presently, he serves as a member of ISKCON’s Governing Body Commission and is the director of the Govardhan Ecovillage (GEV), an innovative project envisioned by Radhanath Swami that serves as a model for sustainable living.

Under Gauranga Das’s stewardship, Govardhan Ecovillage has gained international recognition. It was honored with the United Nations World Tourism Organization Award in 2017 and has earned accreditations from multiple key UN institutions, including the United Nations Environment Programme (UNEP), Economic and Social Council (ECOSOC), United Nations Convention to Combat Desertification (UNCCD), and the Convention on Biological Diversity (CBD).

In addition to his environmental work, Das plays a pivotal role in education and leadership training. He serves on the board of the Govardhan School of Public Leadership, which helps prepare candidates for India’s civil services. He also heads the Bhaktivedanta Research Centre, an institution that works to preserve ancient Vedic manuscripts and provides postgraduate education in philosophy. His literary contributions include the books Art of Resilience and Art of Focus, both of which explore timeless wisdom through a modern lens.

While Gauranga Das has carved his niche in spiritual and ecological circles, Sundar Pichai’s journey has unfolded in the high-stakes world of global technology. Born on June 10, 1972, in Madurai, Tamil Nadu, Pichai grew up in Chennai and later enrolled in IIT Kharagpur, where he pursued metallurgical engineering. His academic brilliance was evident early on—he received a silver medal for his performance at IIT.

Pichai’s pursuit of knowledge took him abroad, where he earned a master’s degree from Stanford University and an MBA from the Wharton School of the University of Pennsylvania. Before joining Google in 2004, he worked with Applied Materials and the consulting firm McKinsey & Company.

At Google, Pichai was instrumental in shaping several flagship products that have become staples of the digital era. He played key roles in the creation and growth of Google Chrome, ChromeOS, Gmail, Google Drive, and Android. His influence at the company continued to grow, and in 2015, he was appointed CEO of Google. In 2019, he assumed leadership of Alphabet Inc., Google’s parent company, succeeding co-founder Larry Page.

As CEO, Pichai has overseen Google’s strategic push into artificial intelligence, cloud computing, and digital infrastructure. His leadership and impact have earned him global recognition. He was named among Time magazine’s 100 most influential people in both 2016 and 2020. In 2022, he received the Padma Bhushan, India’s third-highest civilian award, for his distinguished contributions to trade and industry.

Despite their vastly different paths—one driven by Silicon Valley innovation, the other by ancient Vedic wisdom—both men have emerged as iconic representatives of modern India on the world stage. Their chance meeting and Gauranga Das’s humorous yet thought-provoking remark have opened up a broader conversation about stress, life choices, and the need to re-evaluate what success truly means in an increasingly digital world.

By placing spirituality in the spotlight amid a tech-dominated narrative, Gauranga Das left his audience with a resonant message: real rejuvenation may not lie in productivity apps or CEO routines but in meaningful connection—to others, to nature, and perhaps, to a higher power.

Sholay Returns in Glory: Restored Version to Premiere at Bologna Film Festival on 50th Anniversary

The iconic film Sholay, directed by Ramesh Sippy and produced by G.P. Sippy, is all set to make a remarkable return to the big screen in a way never seen before. On June 27, 2025, the fully restored, uncut version of the film will have its world premiere at the prestigious Il Cinema Ritrovato Festival in Bologna, Italy. The screening will take place on the grand open-air screen at Piazza Maggiore, making for a spectacular setting to celebrate the 50th anniversary of this cinematic milestone.

First released on August 15, 1975, Sholay quickly became a cult phenomenon with its gripping storyline, unforgettable characters, and revolutionary action sequences. Over the years, it has grown in stature to become a cornerstone of Indian cinema. This new restored version, made possible by the collaborative efforts of the Film Heritage Foundation and Sippy Films Pvt. Ltd., promises to present the film as originally envisioned. Audiences will, for the first time in decades, witness the original ending and scenes that had been excluded from theatrical release, offering a revitalized experience of the beloved classic.

Veteran actor Dharmendra, who portrayed the character Veeru, reflected fondly on the film’s legacy. “Sholay is the eighth wonder of the world! I am thrilled to hear that the film is being restored and I am sure it will have the same success as it had 50 years ago. Who can forget the dialogues of Salim-Javed and the direction of Ramesh Sippy? So many scenes have gone down in the history of Indian cinema and every character became a star. But the real hero was the coin. Few people know that I was offered the role of Gabbar and Thakur, but I was clear that I wanted to play the role of Veeru, as he is so much like me. I had so much fun on the shoot. My favorite scenes were the tanki (water tank) scene, the scene in the temple, and so many others, but the most powerful scene I feel was the death of Jai, which is still etched in my mind.”

Amitabh Bachchan, who portrayed Jai, also shared his memories of the film. “Some things in life remain permanently etched in your mind. Sholay is one such film. Shooting for the film was an unforgettable experience, but at the time I had no idea that it would be a watershed for Indian cinema. Its dramatic change in fortunes from being declared an unsuccessful venture to its record-breaking box-office run was an emotional rollercoaster for all of us. It’s wonderful that the Film Heritage Foundation has restored Sholay and that they have managed to locate and include the original ending as well as some deleted scenes in the restoration. I hope that even 50 years later, the film will capture the imagination of new audiences across the world.”

The film also featured stellar performances by Sanjeev Kumar, Hema Malini, Jaya Bachchan, and Amjad Khan, each of whom added to its legendary status.

Shivendra Singh Dungarpur, Director of Film Heritage Foundation, spoke about his personal connection with the film and the restoration journey. “My first memory of Sholay dates back to the time when I was six years old and I remember lamenting because my mother refused to allow me to go to the cinema to watch the film. I would never have imagined that 50 years later, I would have the opportunity to work on the restoration of the film – often described as the greatest Indian film ever made – with Shehzad Sippy of Sippy Films. I know every frame and every dialogue of the film by heart. Sholay was a masterpiece of passion that generations of Indians have loved and seen time and time again. Despite the fact that we could not use the original camera negative and that not a single 70mm print survives, we have left no stone unturned to ensure that this historic film has not only been beautifully restored, but that the restored version that will premiere in Bologna will have the original ending and some never-before-seen deleted scenes. I can’t wait to watch the film in the open air in the Piazza in Bologna along with thousands of cinephiles from around the world.”

Shehzad Sippy, producer of Sippy Films and grandson of G.P. Sippy, expressed pride in being part of the restoration. “Our film is the cornerstone of our family heritage and I am so proud that Sippy Films has been able to do a world-class restoration of the film with Film Heritage Foundation. It has taken us three years, but we were able to find the original ending and some deleted scenes that the world will see for the first time at the grand premiere at the Il Cinema Ritrovato Festival in Bologna. It’s been a labor of love to resurrect the film and this is a tribute to the vision and the legacy of my grandfather, G.P. Sippy. I can’t wait for the film to begin its new lease of life.”

The screening is expected to attract thousands of film lovers, critics, and the general public, all drawn by the opportunity to see this revered film in its most complete and original form. The Il Cinema Ritrovato Festival is known globally for its commitment to classic and restored films, making it the ideal platform for this high-profile premiere.

The restored version will preserve Sholay for future generations, allowing them to experience its full artistic brilliance and historical value. More than just a celebration, the screening is a tribute to the lasting power and cultural significance of one of India’s most important films.

The restoration journey began in 2022 when Shehzad Sippy approached Film Heritage Foundation to preserve the film elements stored in a warehouse in Mumbai. What seemed like ordinary film cans turned out to be extraordinary: they contained the original 35mm camera and sound negatives of Sholay. Ramesh Sippy personally visited the archival facility and was visibly moved upon seeing the materials. Additional film elements stored at Iron Mountain in the UK were accessed with help from the British Film Institute. All the reels were then sent to L’Immagine Ritrovata in Bologna for the restoration process.

The process spanned nearly three years and came with numerous challenges, particularly the deterioration of the original camera negative. Therefore, the restoration primarily used inter-positives from Mumbai and London. A stroke of luck came in the form of a color reversal intermediate located in London, which contained the original ending and two deleted scenes. Film Heritage Foundation also recovered the original Arri 2C camera used during filming.

In the absence of 70mm prints, the Foundation consulted veteran cinematographer Kamlakar Rao, who had worked closely with Sholay’s original cinematographer, Dwarka Divecha. Rao explained how Divecha used a ground glass with markings to frame the 70mm visuals. This insight guided the team to finalize a 2.2:1 aspect ratio for the restored version. Fortunately, the original magnetic sound elements were found at the Sippy Films office, allowing for precise sound restoration using both these and the sound negatives.

The final restored cut integrates material from two inter-positives and two color reversal intermediates, along with the rediscovered original ending and deleted scenes, to present a version truest to the director’s vision.

Interestingly, although the film was re-released in 3D in 2014, audiences largely rejected that adaptation. The original 70mm format and India’s first use of stereophonic sound were seen as strong enough to carry the film on their own merit.

This restored version of Sholay is not just a revival of a film, but a tribute to the visionaries behind it and a gift to generations of filmgoers to come.

Yoga Day Unites the World: From Ancient Roots to Global Celebrations

On June 21, as the summer solstice marks the longest day of the year, people across the globe — from seasoned practitioners to casual enthusiasts — will roll out their yoga mats in recognition of the International Day of Yoga. This global celebration, first initiated 11 years ago by the United Nations and the Indian government, underscores the widespread popularity and impact of this ancient Indian tradition.

In a historic move, the United Nations General Assembly witnessed overwhelming support for the Yoga Day resolution, with 175 countries co-sponsoring it. Passed unanimously in December 2014, it signified a rare show of unity among member nations. At the time, Indian Prime Minister Narendra Modi reflected on the moment, saying, “In this century, we realize that yoga has united the world.”

The term “yoga” comes from the Sanskrit word “yuj,” which means “to unite.” Rooted deeply in Indian philosophy, yoga is designed to synchronize the body, mind, and spirit. Through a series of postures known as asanas, coordinated with breathing techniques, yoga aims to bring harmony and peace within. Whether it’s the rigorous style of Ashtanga or the more passive Yin yoga, its various forms have found resonance across continents, cultures, and demographics. Over the years, yoga has emerged as one of India’s most embraced contributions to global culture.

However, in many parts of the West, especially in the United States, yoga has evolved into something uniquely modern. Adaptations like “beer yoga” and the rise of billion-dollar yoga apparel industries reflect this transformation. Such shifts have raised concerns over whether yoga’s spiritual roots are being overshadowed by commercial trends, especially among those who view it as closely tied to Hindu devotional practices.

Nonetheless, proponents argue that yoga — no matter how it is practiced — has become embedded in the cultural fabric of the U.S. This year’s Yoga Day theme, “Yoga for One Earth, One Health,” will be commemorated across America through a series of events. Among them is a sunset yoga session at the United Nations headquarters in New York City, which two years ago set a Guinness World Record for the most nationalities participating in yoga simultaneously.

Tirlok Malik, founder of the Happy Life Yoga organization, emphasized the universal benefits of the practice. “Yoga, (whether) you do it right or do it wrong, do it this way or that way, it is still beneficial,” he said. He described yoga as “one of the greatest gifts India has given to the world.”

For Malik — who is also an Emmy-nominated filmmaker and restaurant owner — yoga represents more than just physical exercise. It’s a lifestyle rooted in Ayurvedic nutrition, positive thinking, and stress-free living. His organization promotes classes that include affirmations, mindful self-talk, and laughter. According to him, mats are optional. “There’s no need for a mat,” said Malik, who is scheduled to present at both the UPLIFTNY yoga event in Central Park on Friday and an online session hosted by the Indian Consulate on Sunday, June 22.

“Yoga is how you breathe, how you think, what are your emotional values and what are your physical stances,” Malik explained. He cautioned against equating fitness with well-being. “I know many people who practice yoga, but they’re not healthy. They’re not happy. Just because you work out in a health club for one hour every day, it doesn’t give you a happy or healthy life: it gives you a muscular body.”

Guruji H.H. Dileepkumar Thankappan, a globally known Hindu spiritual teacher, also underscored yoga’s deeper significance. While he acknowledged that yoga’s popularity in the West is often centered around its fitness benefits, he emphasized that this is only one aspect of a broader spiritual discipline. His vision extends to seeing yoga formally recognized in global sporting arenas. “Why did the universe give us legs and hands? To do something,” he remarked. “By doing yoga, you get less tired and have more energy. A lot of the time, we are not stretching properly, or we are not getting balance or strength.”

Thankappan also dispelled the idea that expensive gear or classes are necessary. “Lots of people have a wooden floor in their apartment, which is the best,” he said. A longtime U.S. resident, he founded the World Yoga Festival in 1993, choosing the summer solstice as its symbolic date. He has spent years collaborating with spiritual leaders and public officials to help the day gain international prominence. On Friday, he plans to lead a yoga session at the Church Center for the United Nations, specifically designed for those seeking a more spiritual connection through their practice.

“Indian philosophy and Indian culture is for every single being around the globe, not only for Indians,” Thankappan said. “We want to showcase around the world we are under one God, under one family.”

In New York, several spiritual communities are participating in the celebrations. The Brahma Kumaris, a meditation-focused women’s ashram, will hold an event titled “Spirit of Yoga” on Saturday at their Global Harmony House in Great Neck. The organization highlighted the distinction between spiritual yoga and commercial wellness culture.

“In today’s commercialized wellness world, yoga is often reduced to fitness,” said Gayatri Naraine, the Brahma Kumaris’ NGO representative at the U.N., in a press release. “But the true spirit of yoga is about connecting to our highest self, to the Supreme, through spiritual awareness.”

Another major celebration is set to take place in Times Square, where yogis will participate in the Mind Over Madness yoga event. This day-long gathering includes free classes at the Broadway pedestrian plazas and online. Tim Tompkins, former president of the Times Square Alliance, described the event as a spiritual retreat within the city. “Thousands of people are making a different kind of pilgrimage to Times Square, and under the bright light of the longest day of the year, they are bringing just a little bit of stillness, and a little bit of santosa (contentment), to this intense and crazy city that we love,” he stated on the event’s website.

Reflecting on the journey of yoga from the East to the West, Malik believes the efforts of Indian spiritual leaders from the 1960s onward have left a lasting legacy. The foundational ideas they brought with them, he said, continue to thrive in various forms across the Western world.

“I think whatever is happening is very good,” Malik noted. “My salute to the American people who have really promoted yoga. Now, the whole world knows about it.”

Tirlok Malik Lights Up New York with Laughter and Joy

TIRLOK MALIK PRESS RELEASE POSTER
Tirlok Malik In Central Park.

New York, June 24 – International Yoga Day 2025 was marked with uplifting energy, deep spiritual resonance, and a dash of humor as Emmy-nominated filmmaker and wellness advocate Tirlok Malik brought smiles to faces worldwide with his signature “Happy Life Yoga” session at Central Park, New York. The event was “UPLIFTNY2025,” an inspiring celebration of International Yoga Day hosted by philanthropist Meera Gandhi and her foundation, “The Giving Back Foundation”.

Held on June 21, the event blended yoga, mindfulness, laughter, and storytelling — all elements that have come to define Malik’s unique approach to wellness. With the backdrop of Central Park’s summer bloom, participants from various walks of life gathered in person and online, connecting across continents through yoga and joy.

On June 22, the Global Organization of People of Indian Origin (GOPIO) hosted its Annual Global Virtual Celebration, continuing its tradition of organizing large-scale online gatherings since the pandemic. Now in its fourth consecutive year of going digital, the GOPIO event has evolved into a truly global affair, connecting Indian-origin professionals, leaders, and changemakers across time zones.

Tirlok Malik with Anupam Kher in New York
L TO R Tirlok Malik and Anupam kher

Ambassador Binaya Srikanta Pradhan, Consul General of India in New York, served as the Chief Guest for this virtual event, which GOPIO Chairman Dr. Thomas Abraham and President Prakash Shah led. Participants included individuals from diverse regions — North America, Europe, Africa, and Asia — and professions ranging from scientists and authors to entrepreneurs and even a Nobel Peace Prize nominee.

Tirlok Malik participated in the event as both a wellness advocate and filmmaker, sharing insights into how joy and positive thinking can serve as bridges between cultures. “Whether it’s yoga or storytelling, the aim is to touch lives and spread happiness,” he said during the virtual gathering.

On the cinematic front, Malik was also present at The New York Indian Film Festival, which recently celebrated its 25th anniversary, marking a significant milestone in its journey as the oldest and most respected Indian film festival in North America.

Hello Dad poster
Hello Dad poster.

Tirlok Malik, who has attended every edition of the festival, expressed his heartfelt gratitude to Aseem Chhabra, the festival director, and the entire team for consistently organizing this enriching event for New Yorkers. He also praised the festival as a vibrant space where audiences can enjoy the premieres of thought-provoking, artistic films and engage with members of the film fraternity in an atmosphere brimming with creative energy.

Among the showcased films was Tanvi the Great, a moving feature directed by the legendary Anupam Kher, which received heartfelt appreciation for its powerful performances and universal theme. There was also Mr Anupam Kher’s friend, a Hollywood and New York’s most loved actor, Robert De Niro.

Meanwhile, Malik’s short film Hello Dad — directed by Neha Lohia and co-starring Swiss actress Ankita Makwana — continues to gain critical acclaim. The touching father-daughter story, filmed in New York, has been honored with the prestigious Environmental Media Association (EMA) Green Seal Award. This recognition is reserved for productions that adhere to eco-friendly filming practices while delivering compelling narratives.

From breathing joy into yoga mats in Central Park to sparking emotional introspection through film, Tirlok Malik continues to inspire across mediums and platforms. His work — grounded in joy, wellness, and consciousness — reminds us that happiness isn’t a luxury, but a daily practice.

Yoga Day at Times Square Draws 10,000 Participants in a Grand Celebration of Wellness

In a vibrant display of cultural unity and wellness, the Consulate General of India in New York, in collaboration with the Times Square Alliance, hosted the 11th International Day of Yoga at the iconic Times Square on June 20, 2025. The event, known as ‘Solstice at Times Square’, turned one of the busiest intersections in the world into a massive open-air yoga studio, drawing around 10,000 yoga practitioners of various nationalities.

The day-long program was a testament to the growing popularity and deep-rooted presence of yoga in American society. Featuring seven distinct yoga sessions, the event allowed people from different backgrounds to unite through the ancient Indian practice that promotes physical, mental, and spiritual wellness. The participation reflected the widespread enthusiasm for yoga in New York City and throughout the United States.

The Consul General of India addressed the large gathering, welcoming all participants and emphasizing the significance of yoga in today’s world. He spoke about how yoga contributes to both physical health and spiritual wellness. Furthermore, he underscored its unique ability to foster a deeper connection with nature. By promoting holistic health and encouraging sustainable living, yoga aligns closely with global goals for wellness and environmental harmony.

Adding a special dimension to this year’s celebration was the presence of acclaimed actor Anupam Kher. With a distinguished career spanning over 35 years, Kher brought star power and a heartfelt message to the stage. He spoke about the transformative power of yoga and its potential to bring about global healing. “From the stillness of a single breath rises the strength to heal the whole world,” he said, capturing the essence of the practice and its potential to contribute to a more peaceful and healthy world.

The celebration of yoga at Times Square was held in anticipation of the official International Day of Yoga on June 21, a date that coincides with the Summer Solstice—the longest day of the year in the Northern Hemisphere. This year’s global observance of Yoga Day is themed ‘Yoga for One Earth, One Health’. The theme reflects yoga’s role in promoting planetary health and individual well-being, reinforcing its relevance in an age where interconnected health and environmental challenges are at the forefront.

This 11th annual celebration continues a tradition that began when the United Nations adopted a resolution in December 2014 to mark June 21 as International Day of Yoga. The resolution, spearheaded by India, received unanimous support from the UN General Assembly, recognizing yoga’s universal appeal. Since its inception in 2015, the day has grown into a worldwide celebration, with millions participating in yoga sessions and wellness events each year. The objective remains clear—to raise awareness about the multifaceted benefits of yoga and to inspire more people to adopt it as a way of life.

Yoga, which originated in ancient India, has evolved into a global movement for health and inner peace. By encouraging mindful living, yoga has found a special place in modern urban settings like New York, where the fast pace of life often leads to stress and physical strain. Events like the one at Times Square help people reconnect with their inner selves and take a moment to slow down and breathe, even in the heart of a bustling metropolis.

In addition to the main event at Times Square, the Consulate General of India in New York has planned a month-long series of yoga-related activities across the states falling under its jurisdiction. These include New York, New Jersey, Pennsylvania, Ohio, and Connecticut. The outreach program has received strong support from local communities and yoga organizations, with active participation from yoga enthusiasts of all ages and backgrounds.

These regional events serve to expand the reach of the International Day of Yoga and make its benefits accessible to more people. The Consulate’s initiative reflects India’s commitment to sharing its ancient wellness traditions with the world while also fostering stronger cultural ties between nations.

Each session at the Times Square celebration was led by expert instructors and focused on different aspects of yoga, including asanas (postures), pranayama (breathing techniques), and meditation. Participants stretched, breathed, and meditated under the open sky, turning a usually chaotic corner of New York into a peaceful haven. Many attendees noted the surreal experience of practicing yoga amid the towering skyscrapers and electronic billboards that define Times Square.

The visual spectacle of thousands of yoga mats laid out in perfect rows added a layer of symbolism to the event—representing unity, discipline, and shared purpose. As the sun moved across the sky, participants adjusted their poses and energy levels, creating a rhythm that mirrored the flow of nature itself.

The event not only highlighted yoga’s adaptability to diverse urban environments but also served as a reminder of the universal nature of well-being. “Yoga is not just a workout, it’s a work-in,” one participant remarked, echoing a sentiment that was felt by many present at the venue.

With support from the Times Square Alliance, the logistics and management of the event ensured a smooth experience for all involved. From registration to crowd management, the collaboration between the Consulate and local authorities demonstrated how large-scale cultural events can be organized effectively even in high-traffic urban zones.

The involvement of Indian dignitaries, American yoga organizations, and celebrity advocates added credibility and appeal to the event. It also reflected the soft power of cultural diplomacy in strengthening India-U.S. relations, using a common language of health and wellness.

As the world continues to grapple with challenges related to health, environment, and mental well-being, the role of yoga as a simple yet profound solution is gaining renewed importance. Events like the one at Times Square serve not only as celebrations but also as calls to action for people to prioritize their health and live in harmony with the planet.

By the end of the day, as the final yoga session wrapped up and the sun dipped below the skyline, the energy among participants was one of calm satisfaction and collective purpose. The 11th International Day of Yoga in New York had achieved its goal—not just in numbers, but in impact.

As Anupam Kher aptly stated, “From the stillness of a single breath rises the strength to heal the whole world.” The gathering at Times Square offered a powerful reminder that amidst the chaos of modern life, peace and health begin within.

PM Modi’s Vision Made Yoga a Global Legacy, Says Renowned Guru Bharat Bhushan

Celebrated yoga guru and Padma Shri recipient Bharat Bhushan has applauded Prime Minister Narendra Modi for his pivotal role in elevating yoga to the world stage. He believes Modi has given practical form to India’s enduring philosophy of Vasudhaiva Kutumbakam, or “the world is one family,” by making yoga a global movement that transcends borders, cultures, and languages.

In an exclusive conversation with IANS on the 11th International Day of Yoga (IDY), Bhushan reflected on yoga’s transformation from an ancient spiritual discipline to a universally recognized path to well-being. He emphasized that much of this recognition is due to Modi’s relentless efforts. Bhushan also shared his views on what defines a genuine mass movement and how yoga’s widespread adoption is a significant achievement for both India and humanity.

“Yoga is a gift from India to the world,” he affirmed.

When asked directly about the Prime Minister’s role in this transformation, Bhushan was emphatic in his praise.

“Yoga serves as a powerful tool to address the challenges and inequalities faced by humanity,” he said. “Although there have been sporadic efforts to promote yoga over the years, it is Prime Minister Modi who understood his role as the leader of a nation inspired by Krishna, guided by Chanakya, and blessed by Shiva.”

Bhushan considers the United Nations’ recognition of June 21 as International Yoga Day a turning point that validated yoga’s relevance in the modern world. He fondly remembered the slogan from the inaugural celebration held at Delhi’s Talkatora Stadium: “Modi ji ka ye uphaar, yog kare saara sansaar”—which translates to “This is PM Modi’s gift; the whole world is practicing yoga.”

He urged the nation to properly recognize Modi’s contribution. “It’s time we give credit where it’s due,” Bhushan said. “When someone does something significant for the nation and the world, we must acknowledge it with pride.”

Though Bhushan welcomed the worldwide attention given to yoga through IDY, he believes the real value of this movement lies in its daily practice, not just ceremonial observance once a year.

“Publicity alone is not enough,” he cautioned. “Yes, the United Nations’ recognition is a major milestone, but now we must build on it. IDY should inspire people to integrate yoga into their daily lives.”

To make this vision practical, Bhushan’s organization, Mokshayatan Yog Sansthan, partnered with the Ministry of AYUSH to launch early awareness campaigns, beginning a month before June 21. He explained that many institutions are closed in June, and the early engagement was essential to sustaining momentum beyond a single day.

“This is not just about June 21,” he said. “This is about transforming parks into yoga hubs, reducing duplication among institutions, and ensuring that every arm of the government embraces yoga as part of public life.”

He underlined the need for systemic integration, not just symbolic participation.

Bhushan also reflected on his personal experience of practicing yoga alongside Prime Minister Modi, describing it as a time of both rigorous discipline and profound contemplation.

“When I met him after he became Prime Minister, he told me that he wanted to bring yoga to every corner of the globe,” Bhushan recalled. “I understood then that he saw yoga not just as tradition, but as a pathway to elevate India’s place in the world.”

He believes this vision has already influenced a global mindset shift, especially among the younger generation, which now increasingly sees yoga not only as physical exercise but as a holistic approach to living.

According to Bhushan, the new generation is ready to inherit and advance the legacy of Bharat Yog. He feels that yoga’s evolution into a lifestyle—spiritual, mental, and physical—is what gives the movement its enduring relevance.

When asked about his own sources of inspiration in yoga, Bhushan pointed not to any one person, but to the community of dedicated practitioners who embody the yogic spirit.

“Those who practice yoga are the real inspiration,” he said. “From Maharishi Patanjali and Lord Krishna to Lord Shiva and Parvati, yoga has always been passed on by those who live it.”

As for the contemporary era?

“Just as we remember the rishis and gurus of old, we will remember that Narendra Modi became an inspiration for globalizing yoga,” Bhushan stated.

His words emphasize the continuity of yoga’s heritage, connecting past spiritual masters to current leaders who are shaping the movement’s future.

As countries across the world observe the 11th International Day of Yoga, Bhushan’s reflections carry a powerful message. While millions engage in postures and breathing exercises, it is in India—yoga’s birthplace—where its soul remains deeply rooted. The global practice, according to Bhushan, is an extension of India’s spiritual generosity, brought to life through the conviction and clarity of leadership.

He also expressed hope that yoga continues to be adopted not just as a fashionable activity or seasonal celebration, but as a lifelong commitment to personal and social transformation. The practice of yoga, for Bhushan, offers tools to combat modern stress, physical ailments, and emotional imbalances—making it more relevant than ever.

In echoing Modi’s own words and efforts, Bhushan highlighted the importance of viewing yoga not just as India’s cultural asset but as humanity’s shared heritage. He underscored that for yoga to truly fulfill its global promise, it must be lived and experienced, not just displayed on world stages.

With the International Day of Yoga now an established global observance, Bharat Bhushan’s remarks serve as a heartfelt tribute to the potential of ancient wisdom in modern times. They also stand as a testament to how visionary leadership can transform a local tradition into a universal movement.

As the sun rises over parks and city squares worldwide on June 21, thousands will gather to perform yoga under open skies. Yet, behind these scenes lies a deeper truth—that yoga is more than movement, more than breath. It is, as Bhushan and many like him affirm, a living bridge between inner peace and collective harmony.

And in that spirit, the world now moves together—guided by an Indian gift, and a Prime Minister’s resolve to share it with all.

India’s Sacred Art Comes Alive at the British Museum in Groundbreaking Exhibition

A new exhibition titled Ancient India: Living Traditions has opened at the British Museum in London, offering a remarkable exploration of India’s deep spiritual history through art. Showcasing 189 extraordinary objects, this exhibit traces the transformation of sacred art in India over centuries, capturing how religious imagery has evolved from symbolic forms into more humanlike representations.

The exhibition spans an extensive timeline, featuring sculptures, paintings, narrative panels, and manuscripts dating back over 2,000 years. These pieces together provide a vivid portrayal of India’s religious and cultural expression, particularly through the three ancient faiths of Hinduism, Buddhism, and Jainism.

From around 200 BC to AD 600, the Indian subcontinent experienced a striking artistic transformation. During this period, representations of gods, goddesses, saints, and enlightened beings transitioned from purely symbolic figures into human forms. This shift in visual representation signaled a turning point in how sacred imagery was interpreted and presented.

All three religions—Hinduism, Buddhism, and Jainism—shared common cultural threads, including reverence for nature spirits like serpents and the peafowl. However, each religion also navigated profound changes in how deities and spiritual figures were visually conceptualized during this key era. Despite their distinct religious identities, these traditions converged artistically, revealing shared cultural foundations and mutual influences.

“Today we can’t imagine the veneration of Hindu, Jain or Buddhist divine spirits or deities without a human form, can we? Which is what makes this transition so interesting,” says Dr Sushma Jansari, the curator of the exhibition.

Organized into five distinct sections, the exhibition begins by focusing on ancient nature spirits and progresses through dedicated segments on each of the three religions. The final section explores how these religious practices and their artistic expressions expanded beyond India to regions such as Cambodia and China, highlighting their broader global impact.

One of the most compelling artifacts is found in the Buddhist section: a two-sided sandstone panel that beautifully captures the evolution of Buddha’s depiction. One side, carved around AD 250, shows the Buddha in a fully realized human form adorned with intricate details. The reverse side, created earlier between 50 and 1 BC, represents the Buddha symbolically through elements like a tree, an empty throne, and footprints.

This sculpture originates from Amaravati in southeastern India and once formed part of a stupa, a sacred Buddhist structure. The artwork stands out for illustrating a dramatic artistic transition within a single piece.

“To have this transformation showcased on one single panel from one single shrine is quite extraordinary,” Dr Jansari remarks.

In the Hinduism section, a noteworthy early bronze statue highlights the gradual shift in how goddesses were represented. Initially echoing the yakshi, an ancient nature spirit associated with fertility, abundance, and also destruction, the figure is easily identified by her floral crown, jewelry, and full-bodied form. However, she is also depicted with multiple arms carrying sacred items—a visual approach that later became typical in Hindu representations of female deities.

The exhibit also brings attention to Jain religious art, known for its focus on the tirthankaras, the 24 enlightened teachers. One of the earliest depictions is a mottled pink sandstone sculpture over 2,000 years old. These figures are distinguished by an endless knot symbol carved on their chests, signifying spiritual wisdom and continuity.

Many of these sculptures, regardless of religious affiliation, were crafted in shared workshops located in the ancient city of Mathura. This common production ground explains the stylistic similarities across Hindu, Buddhist, and Jain religious artworks.

What sets this exhibition apart, according to Dr Jansari, is its integrative approach. “Unlike other shows on South Asia, the exhibition is unique because it is the ‘first ever’ look at the origins of all three religious artistic traditions together, rather than separately,” she says.

Another distinguishing feature is the transparency in the sourcing of the objects. Each display is accompanied by notes detailing the object’s origin, including how it changed hands over time and how it was eventually acquired by museums or collectors.

One particularly intriguing revelation is the prominent role women played as patrons of Buddhist art. This detail adds nuance to the understanding of historical spiritual life in ancient India. However, one mystery remains unresolved—the exact reason behind the dramatic transformation from symbolic to human imagery in sacred art.

“That remains a million-dollar question. Scholars are still debating this,” admits Dr Jansari. “Unless more evidence comes through, we aren’t going to know. But the extraordinary flourishing of figurative art tells us that people really took to the idea of imagining the divine as human.”

The exhibit is designed as a multi-sensory journey, aiming to replicate the feel of an active temple or shrine. Visitors are greeted with draped fabrics, natural sounds, colorful visuals, and even scents—all intended to recreate the vibrant yet serene atmosphere of Hindu, Buddhist, and Jain sacred spaces.

“There’s so much going on in these sacred spaces, and yet there’s an innate calm and serenity. I wanted to bring that out,” says Dr Jansari. Her work was in collaboration with artists, designers, and community representatives to ensure authenticity and resonance.

Adding another layer to the exhibition are video screens displaying short films of practicing devotees from each of the three religions currently living in the United Kingdom. These moving visuals reinforce the central theme of the exhibition—that the artistic and religious traditions on display are not just relics of the past but continue to thrive today.

The aim, clearly, is not just to celebrate historical craftsmanship but to show how these traditions have endured, adapted, and continued to be meaningful across generations and geographies. The presence of these films emphasizes that these spiritual practices and their visual expressions still hold deep relevance in contemporary lives, both in India and globally.

All of the artifacts on display have been drawn from the British Museum’s renowned South Asian collection. In addition, the exhibition includes 37 items on loan from private collectors as well as from museums and libraries across the UK, Europe, and India. These diverse sources help paint a more complete and nuanced picture of India’s sacred art traditions.

Ancient India: Living Traditions is not just an exhibition; it is an invitation to see the continuity of faith and expression, to recognize the deep cultural links that have persisted for thousands of years, and to appreciate the stunning craftsmanship that helped visualize the divine for generations.

Priyanka Barve Captivates Chicago in Tribute to Legendary Divas at The Matrix Club

2 Priyanka Barve Captivates Chicago in Tribute to Legendary Divas at The Matrix ClubOn a warm evening in Chicago, excitement filled the air at The Matrix Club as music lovers gathered for an unforgettable night of melody and memories. On June 13, 2025, at 7:00 pm, the venue hosted a special event titled “Celebrating Legendary Divas: Mughal-E-Azam’s Anarkali,” presented by Aarush Entertainment, Rudra Creation, and Dhrishti. This performance by the renowned vocalist Priyanka Barve wasn’t merely a concert — it was an emotional tribute to the legendary voices that have shaped Indian music for generations.

The Matrix Club’s top-tier acoustics and welcoming ambiance provided the perfect backdrop for this celebration of3 Priyanka Barve Captivates Chicago in Tribute to Legendary Divas at The Matrix Club cultural heritage and musical expression. It was a full-house event, with attendees of all ages — families, friends, and music connoisseurs — coming together to immerse themselves in the musical legacy of India. The evening became a shared experience of nostalgia, reverence, and joy, leaving a lasting impression on everyone present.

Priyanka Barve, known for her versatility and musical prowess, took center stage with grace and power. With classical training rooted in a musically gifted family, she has made a name for herself in Bollywood and Marathi cinema through her expressive playback singing. Her unique ability to blend classical nuance 4 Priyanka Barve Captivates Chicago in Tribute to Legendary Divas at The Matrix Clubwith a contemporary touch has elevated her career, but it is her portrayal of Anarkali in the stage adaptation of Mughal-E-Azam that has set her apart as a multi-dimensional artist capable of merging voice, emotion, and stage presence seamlessly.

Her setlist for the night was a musical journey through time, starting from the golden age of Bollywood, weaving through evocative classical ragas, and arriving at contemporary hits. Every performance was rich in emotion, ranging from the tenderness of a romantic ballad to the exhilaration of a modern Bollywood chartbuster. With her skillful navigation through classical, semi-classical, and fusion genres, Priyanka offered something for every listener. Whether evoking memories with a Lata Mangeshkar5 Priyanka Barve Captivates Chicago in Tribute to Legendary Divas at The Matrix Club evergreen or lifting spirits with an energetic number, her voice brought each song’s story to life.

Ahead of the event, Priyanka and the organizers held a press conference on June 12 to provide insight into the performance. With heartfelt enthusiasm, Priyanka shared, “This show is my tribute to the divas who have inspired me.” She added, “Expect a journey through Hindi and Marathi songs — from Mughal-E-Azam classics to modern hits. It’s about connecting with the audience through music that speaks to every heart.”

When asked about her acclaimed portrayal of Anarkali, Priyanka reflected on the challenges of embodying such a demanding role. “Singing, acting, and dancing all at once was tough! I’m trained in Kathak, which helped, but capturing Anarkali’s emotional depth was a beautiful challenge. It taught me to push my limits,” she explained, her face glowing with pride.

6 Priyanka Barve Captivates Chicago in Tribute to Legendary Divas at The Matrix ClubPriyanka also spoke fondly of her personal connection with Chicago. “I was 21 when I first performed here. The love from this diverse audience — people from Karnataka, Maharashtra, and beyond — was overwhelming. Coming back feels like coming home,” she said, expressing her appreciation for the warmth and support of the city’s multicultural community.

Discussing her ability to shift between classical and contemporary styles, Priyanka shared her philosophy. “Music is one, whether it’s a raga or a pop song. I started with light classical, then ghazals and bhajans, and now I let each genre flow from my heart. It’s about staying true to the music and the audience.”

For young and aspiring musicians, she had a message of perseverance and dedication. “Classical demands patience, but it’s a foundation that strengthens every performance. Work hard, stay rooted, and let your passion shine,” she advised, offering words of encouragement to those embarking on their own musical journeys.

The success of the event was made possible by the tireless efforts of the organizers. Manoj Rathod and Swati Kukian7 Priyanka Barve Captivates Chicago in Tribute to Legendary Divas at The Matrix Club expressed their deep gratitude to everyone who attended, as well as to the sponsors and fellow organizers who contributed to making the evening a grand success. Their collaborative effort with Rajkumari Rathod of Rudra Creations and Dhrishti demonstrated a shared passion for promoting rich cultural experiences. “This night was not just about the music; it was about honoring our rich culture and the unity we find in it. We’re proud to bring Priyanka Barve to Chicago — a true musical gem,” said the team, underlining the emotional and cultural significance of the occasion.

Beyond Priyanka’s headline act, the event also showcased emerging local talent. Aarush Entertainment and Rudra Creations took pride in providing a platform for community performers, reflecting their dedication to uplifting regional artists and offering a blend of celebrated and rising stars. This marked their second year of celebrating and nurturing talent, reinforcing their long-term commitment to the arts.

8 Priyanka Barve Captivates Chicago in Tribute to Legendary Divas at The Matrix ClubSuresh Bodiwala, Chairman of Asian Media USA, echoed the importance of the concert in highlighting the role of cultural unity through the arts. “We are proud to support Priyanka Barve’s extraordinary concert, a celebration of musical excellence and cultural unity. This event underscores our commitment to promoting diverse artistic talent and fostering community engagement through the universal language of music,” he said. Recognizing the power of music to transcend boundaries, he praised the concert for honoring the timeless voices that continue to inspire. “She brought vocal magic to Chicago, paying homage to the legendary divas — Lata Mangeshkar, Asha Bhosle, Shreya Ghoshal — whose voices have defined generations,” he added.

Indeed, the evening was more than just entertainment — it was a tribute, a cultural milestone, and a shared memory for Chicago’s Indian diaspora and broader music community. As the final notes echoed through The Matrix Club and the audience erupted in applause, it was clear that Priyanka Barve’s voice had done more than entertain — it had united hearts and celebrated a heritage rich in emotion, artistry, and timeless beauty.

India Marks Historic Global Yoga Milestone in Guatemala with Over 10,000 Participants

In a landmark celebration of the International Day of Yoga, the Indian Embassy in Guatemala, representing the Indian Council of Cultural Relations (ICCR), hosted the largest yoga gathering ever seen in Central America—and possibly outside India—on June 13, 2025. Held in San Pedro Carchá, Cobán, this monumental event attracted more than 10,000 yoga enthusiasts, marking a significant milestone in the promotion of yoga on the global stage. The event was jointly organized with the Municipality of San Pedro Carchá, the Association of Don Bosco Center, and supported by Alta Verapaz Governor Ms. Dilia Margarita Co Coy.

To set the stage for this mega celebration, the Embassy had already hosted two large prelude yoga events on June 11. The first was held in Izabal with around 550 participants, and the second in Chalal with a turnout of 1,500 people. These lead-up events highlighted the growing popularity of yoga across Guatemala’s interior regions.

The June 13 event saw full-fledged collaboration from several government bodies and private organizations. The Ministry of Education, Ministry of Defense, the host municipality, Don Bosco Center, Talita Kumu, and a number of Indian companies such as HCL Tech, TCS, Grupo Uma, Caplin Point, 24X7 a.i., Lukham Pharma, Krishper Healthcare, Strikar Pharma, Lakshmi Capital, Pradilsha, Khushi Enterprises, and Sierra Textiles contributed significantly. Their involvement ranged from participant mobilization and logistical support to offering promotional and wellness materials, making the event seamless and inclusive.

Youth participation was a focal point of the event. A staggering number of over 10,000 students from educational institutions in the region formed the heart of the audience. This overwhelming turnout was a testimony to how yoga is resonating deeply with Guatemala’s younger generation.

This grand event wasn’t a standalone success but the culmination of years of sustained efforts by the Indian Embassy. Starting in 2022 with 2,500 participants in Mariscal Zavala, participation grew steadily to 3,500 in 2023 and then 5,000 in 2024. With the number surpassing 10,000 this year, Guatemala has emerged as a leading country in promoting yoga with extraordinary energy and commitment. These annual celebrations have also been instrumental in bringing yoga to remote areas through free workshops, community programs, and school-based activities.

The event commenced on a solemn note with a one-minute silence to mourn the tragic loss of 274 lives in the plane crash that occurred in Ahmedabad, India, on June 12, 2025. Local Guatemalan dignitaries joined in paying their respects and expressing solidarity with India.

Following the tribute, a moving performance of the national anthems of Guatemala, India, and San Pedro Carchá was carried out by the Don Bosco Center’s Music Band Symphony Orchestra, representing the Music School-Art and Culture section.

Mayor Erwin Alfonso Catún Maquín of San Pedro Carchá formally opened the event, extending a warm welcome to all attendees. Remarks were also delivered by Governor Dilia Margarita Co Coy, representatives of the Don Bosco Association, and Indian Ambassador to Guatemala, Dr. Manoj Kumar Mohapatra. The Ambassador emphasized yoga’s universal relevance, calling it “a powerful tool for peace and wellbeing.” He also presented three busts of Mahatma Gandhi to the Don Bosco institutions to symbolize India’s enduring values of peace and nonviolence.

Key contributors to the event received special honors during the ceremony. Commemorative plaques were handed out to sponsors, municipal partners, and Indian business representatives in recognition of their support. In his heartfelt address, Ambassador Mohapatra said, “I thank the ICCR and all our stakeholders for their pivotal role in making this the largest yoga gathering outside India.” He specially acknowledged the efforts of the San Pedro Carchá Municipality, headed by Mayor Maquín, and the Association of Don Bosco for their dynamic youth outreach.

He also credited the Ministry of Defense for their crucial role in crowd management and safety. Local vendors and partners who provided t-shirts, nutritious food, and transportation were praised for fostering an inclusive and celebratory environment. Governor Dilia Margarita Co Coy, Mayor Maquín, and Father Antonio de Groot of Don Bosco were honored for their invaluable contributions.

A notable moment of appreciation came from Prof. Indrajit S. Saluja, Publisher and Editor of The Indian Panorama, a digital weekly published from New York. He presented Ambassador Mohapatra with a replica of the Golden Temple, describing it as “a symbol of honor and recognition from the global Sikh community.”

Mayor Maquín expressed his gratitude to the Embassy and ICCR, stating, “We are proud to have been part of this historic event and pledge to continue promoting yoga as part of our community’s everyday life.” Indian business sponsors echoed these sentiments, proud to be part of a movement that enhances wellness and fosters deeper India-Guatemala ties. Contributions like yoga mats, refreshments, t-shirts, and water bottles ensured the event was accessible and welcoming to all.

The yoga session itself, led by Embassy Yoga teacher Ms. Ruth Morales, followed the Common Yoga Protocol under the theme “Yoga for One Earth, One Health.” Participants of all ages, from students and teachers to military officers and civilians, participated enthusiastically. Under Morales’ guidance, they practiced asanas, pranayama, and meditation focused on physical fitness, mental clarity, and ecological harmony.

The visual of over 10,000 people practicing yoga in unison under the morning sun at the Juan Ramón Ponce Guay Stadium was nothing short of breathtaking. As the session ended, Mayor Maquín encouraged attendees to join him in a dance, which they did with infectious enthusiasm. Youth participation remained high-spirited throughout, even during the impromptu dance session.

Earlier that morning, folk dancers performed an electrifying routine inside the stadium, which was met with loud applause and joy from the attendees. As participants headed home, they were given refreshment bags, adding a thoughtful touch to the event.

Later, Mayor Maquín hosted a lunch in honor of the Indian Embassy staff and their guests. Among them were senior journalist and novelist Baldev Singh Grewal and acclaimed photographer Jay Mandal, both from New York, who were present to witness and document the celebration.

Following the success of this historic gathering, the Indian Embassy is now preparing to host additional International Day of Yoga events in San Salvador and Tegucigalpa on June 21, 2025. These upcoming celebrations, supported by local authorities and sponsors, aim to further amplify India’s message of health, harmony, and peace through yoga.

India’s growing impact in Guatemala has not only strengthened bilateral ties but also demonstrated the power of cultural diplomacy. Through yoga, India has united thousands across borders in a shared pursuit of well-being and inner peace.

Malayalam Cinema Expands OTT Presence with Three Diverse Releases This Week

As India’s OTT landscape continues to embrace a broader range of regional narratives, Malayalam cinema is making a notable mark this week with the release of three new films and series across major platforms. Viewers can look forward to a mix of comedy, crime, and family drama as Aap Kaise Ho, Kerala Crime Files Season 2, and Prince and Family debut on Sun NXT, JioCinema-Hotstar, and ZEE5 respectively, starting June 20, 2025.

This line-up not only reflects the diversity in storytelling that Malayalam content consistently offers but also underscores the growing appetite for regionally grounded, yet universally appealing stories on streaming platforms.

Aap Kaise Ho on Sun NXT: Comedy of Pre-Wedding Mayhem

Premiering on June 20, 2025, Aap Kaise Ho brings comedy lovers a refreshing dose of chaos and laughter. This situational comedy is set around a bachelor party that goes terribly awry, spiraling into a string of unforeseen misadventures. The film stars Dhyan Sreenivasan as Christy, the groom-to-be whose final celebration before tying the knot takes an unexpected turn.

Set against the backdrop of camaraderie, revelry, and pre-marital nerves, Aap Kaise Ho aims to tap into the hilarity that often emerges when things don’t go as planned. The ensemble cast includes veteran actors Ramesh Pisharody, Sudheesh, and Sreenivasan, who add a seasoned touch to the otherwise youthful chaos. The film’s strength lies in its ability to mix relatable scenarios with exaggerated comic timing, making it an ideal watch for audiences seeking light-hearted entertainment.

With its familiar setting and laugh-out-loud moments, the film is expected to appeal to a wide demographic, particularly those familiar with the madness that can accompany wedding planning. As streaming audiences continue to gravitate toward content that blends humor with heartfelt storytelling, Aap Kaise Ho is poised to make a solid impact.

Kerala Crime Files Season 2 on JioCinema-Hotstar: Delving into the Dark Side of the Police Force

Also launching on June 20, 2025, is the second season of the gripping investigative thriller series Kerala Crime Files. Building on the success of its first season, the show returns with a new storyline that probes deeper into the complexities of crime and accountability. This time, the narrative pivots dramatically as it centers around an unlikely suspect within the police force itself.

The spotlight is on CPO Ambili Raju, who becomes entangled in a case that blurs the line between protector and perpetrator. As the story unfolds, viewers are taken on a suspense-filled journey that challenges their understanding of law, loyalty, and justice. The new season is led by the character SI Noble, who heads the investigation. His team must navigate not only the intricacies of the case but also the emotional and ethical dilemmas that arise when one of their own is implicated.

The creators of Kerala Crime Files have skillfully crafted a narrative that forces viewers to ask hard questions about the nature of institutional trust and the shades of grey that exist within the justice system. By positioning a police officer at the center of suspicion, the show explores a rarely addressed angle in crime dramas.

The return of this series is expected to further deepen its fanbase, offering a layered story that combines procedural drama with character-driven storytelling. The series continues to uphold the Malayalam industry’s reputation for crafting suspenseful, socially conscious thrillers.

Prince and Family on ZEE5: A Tale of Tradition and Modern Love

The third major release on June 20 is Prince and Family, which arrives on ZEE5 with a focus on the intersection of familial duty and contemporary romance. The story follows Prince Chakkalakkal, a bachelor navigating the often conflicting demands of family expectations and his personal aspirations. His life takes a surprising twist when a marriage proposal comes from an unexpected source—a social media influencer.

The film’s central theme examines the changing face of relationships in a time where tradition and modernity coexist, often in conflict. Prince, played by Dhyan Sreenivasan, finds himself caught between the expectations of his traditional family and the realities of a rapidly evolving social landscape. His internal conflict reflects that of many young Indians today who are trying to balance parental hopes with individual choices.

The film features a strong cast, including respected actors Siddique, Bindu Panicker, and Johny Antony, alongside Sreenivasan. Each actor contributes to a heartfelt portrayal of a family grappling with generational shifts and the nuances of matchmaking in the digital age.

Prince and Family seeks to engage viewers who are drawn to stories of emotional complexity wrapped in the warmth of familial love. Its narrative taps into current societal conversations about how families adapt—or struggle to adapt—to new paradigms of courtship and marriage.

By presenting a story that is both rooted in cultural values and open to modern influences, the film resonates with a wide audience. It sheds light on how technology, especially social media, is reshaping the contours of personal relationships in India.

A Week to Celebrate the Range of Malayalam Content

The simultaneous release of these three Malayalam titles across major OTT platforms marks a significant moment for the industry. Each offering caters to a different mood—comedy, crime, and drama—underscoring the creative breadth of Malayalam storytellers. While Aap Kaise Ho brings a dose of humor, Kerala Crime Files Season 2 offers intensity and suspense, and Prince and Family brings emotional resonance and cultural commentary.

These releases also highlight how streaming platforms have become crucial spaces for regional content to thrive and reach global audiences. By tapping into culturally specific yet universally relatable themes, Malayalam creators are pushing the envelope while staying true to their roots.

Audiences can look forward to exploring these diverse narratives starting June 20, 2025, making it a noteworthy week for Malayalam entertainment on OTT. Whether you’re in the mood for a good laugh, a gripping mystery, or a heartfelt family saga, this lineup has something to offer for everyone.

Sahitya Akademi Unveils 2025 Yuva and Bal Puraskar Winners Across 24 Languages

On June 18, 2025, the Sahitya Akademi, India’s premier institution for literary arts, revealed the recipients of its prestigious Yuva Puraskar and Bal Sahitya Puraskar for the year. A total of 23 young authors have been selected for the Yuva Puraskar, while 24 authors will be honored with the Bal Sahitya Puraskar, reflecting the Akademi’s continued commitment to nurturing literature across multiple Indian languages.

Recognized as the country’s National Academy of Letters, Sahitya Akademi plays a central role in literary exchange, publication, and promotion in India. It remains the only institution in the nation that conducts literary activities in 24 Indian languages, including English. Through these awards, the Akademi celebrates emerging talent and encourages a younger generation of writers to contribute meaningfully to Indian literature.

This year, the Yuva Puraskar will be awarded in 23 languages. Among the recipients is Advait Kottary, chosen for his contribution in English. The award in Hindi has gone to Parvati Tirkey, while Latshmihar has been named the Tamil awardee, and Prasad Suri will be honored for his work in Telugu. Notably, no award will be given in Dogri this year.

The list of winners also includes Suprakash Bhuyan for Assamese, Sudeshna Moitra for Bengali, R. Dileepkumar for Kannada, and Akhil P. Dharmajan for Malayalam. These writers, all under the age of 35, were recognized for their outstanding literary works in their respective languages, selected after a careful and structured evaluation process.

According to an official statement from the Sahitya Akademi, “The Executive Board of the Sahitya Akademi in its meeting held today, under the Chairmanship of its President, Sri Madhav Kaushik approved selection of 23 writers who were selected on the basis of recommendations made by the Jury comprising three members each in the concerned language in accordance with the rules and procedure laid down for the purpose.” This underscores the meticulous and rule-based approach that the Akademi follows in ensuring transparency and merit in the selection process.

In addition to the Yuva Puraskar recipients, the Akademi also announced the names of 24 authors who will be honored with the Bal Sahitya Puraskar, awarded to writers contributing significantly to children’s literature in the country.

For the Bal Sahitya Puraskar in English, the honor goes to Nitin Kushalappa MP, whose book of stories titled Dakshin South Indian Myths and Fables Retold impressed the jury with its engaging retelling of regional myths and folktales. In the Hindi category, the award will be presented to Sushil Shukla for Ek Batey Bara, a work that has resonated deeply with young readers and critics alike.

Other Bal Puraskar awardees include Tridib Kumar Chattopadhyay for Bengali, K. Shivalingappa Handihal for Kannada, Nayana Adarkar for Konkani, Sreejith Moothedath for Malayalam, Vishnupuram Saravanan for Tamil, and Gangisetti Sivakumar for Telugu. These writers have been commended for their creativity, language skills, and the ability to connect with children through meaningful and imaginative storytelling.

These awards serve to spotlight the diverse literary voices rising from different parts of India and writing in different tongues. By honoring authors in such a wide range of languages, the Sahitya Akademi emphasizes the richness of India’s multilingual literary landscape.

All winners of both the Yuva Puraskar and Bal Sahitya Puraskar will receive a distinguished honor consisting of a specially designed casket that includes an engraved copper plaque and a monetary reward of ₹50,000. The awards will be presented at a formal ceremony to be held at a later date, as per tradition.

This annual recognition by the Sahitya Akademi not only acknowledges the literary achievements of the present but also aims to inspire future generations of writers. The Yuva Puraskar, focused on young writers, recognizes contemporary themes, innovative narratives, and promising voices in Indian literature. Meanwhile, the Bal Sahitya Puraskar underscores the importance of children’s literature in shaping young minds and preserving cultural heritage through stories.

Over the years, these awards have significantly contributed to bringing regional literature to the forefront, offering a platform for writers from diverse linguistic backgrounds. Through its robust evaluation mechanism involving language-specific juries and a well-defined selection process, the Akademi continues to uphold high literary standards.

With this year’s announcements, the Sahitya Akademi reinforces its role as a key promoter of literary excellence in India. The institution’s commitment to celebrating both emerging and established writers ensures that the country’s literary heritage continues to evolve and flourish across generations.

As the winners prepare to be honored, their contributions serve as a testament to the enduring power of words and storytelling. These awards stand not only as recognition but also as encouragement, motivating writers to explore deeper narratives, cultural roots, and imaginative landscapes.

By nurturing literary voices across different age groups and languages, the Sahitya Akademi remains central to India’s cultural and intellectual fabric, ensuring that literature continues to thrive in all corners of the country.

Malabar River Festival 2025 Set to Make a Splash with Thrilling Kayaking Events in Kerala

The Malabar River Festival is set to return for its 11th edition from July 24 to 27, 2025, bringing a wave of thrilling action to the rivers of Kozhikode. This much-anticipated international kayaking event will once again take place across the stunning Chalipuzha and Iruvazhinjipuzha rivers near Thusharagiri, a region known for its natural beauty and adventure appeal. The festival continues to affirm Kerala’s growing reputation as a leading destination for adventure sports in the country.

The annual festival, which has steadily gained prominence over the years, is being jointly organized by the Kerala Adventure Tourism Promotion Society (KATPS), the District Tourism Promotion Council (DTPC), and the Kozhikode District Panchayat. Technical support and expertise are being provided by the Indian Kayaking and Canoeing Association (IKCA), ensuring the event adheres to international standards and safety protocols. Thanks to its professional management and commitment to excellence, the Malabar River Festival has become a magnet for both professional and amateur kayakers from various corners of the globe.

The upcoming 2025 edition of the festival will feature an array of competitive kayaking events spread across multiple categories to cater to different levels of expertise. The competition will be divided into Open and Amateur categories, giving athletes the opportunity to demonstrate their skills and passion for river sports in a supportive and picturesque environment.

For experienced kayakers, the Open Category offers a platform to compete in challenging and rewarding events. This segment is specifically designed for participants with a paddling proficiency of Class 3 or above. The highlight events in this category will include the Kayak Cross and the Downriver Time Trial, where seasoned paddlers will race against time and navigate through the dynamic river terrain. This category not only includes competitive races but also offers full amenities for participants, including accommodation support and access to essential resources.

Meanwhile, the Amateur Category is intended for emerging talents and kayaking enthusiasts with Class 2 paddling skills. While the races in this section will not be officially competitive, they provide an excellent opportunity for participants to gain valuable experience, improve their skills, and become a part of the vibrant kayaking community. This inclusive approach has helped the Malabar River Festival nurture young talents and broaden participation in river sports in India.

The festival’s continued growth and success are largely attributed to the strong institutional backing it receives and the natural beauty of its location. By showcasing the rivers of Kozhikode as prime locations for water-based adventure activities, the Malabar River Festival has become more than just a sporting event. It serves as a celebration of Kerala’s unique river ecosystems, its growing adventure tourism industry, and the state’s capacity to attract global travellers seeking offbeat experiences.

Officials behind the event emphasize that the Malabar River Festival plays a vital role in supporting Kerala Tourism’s long-term goals. “The festival is not just about kayaking. It’s about opening up Kerala’s lesser-known destinations to the world and encouraging sustainable tourism,” said one of the organizers. By drawing attention to areas like Thusharagiri, the event helps stimulate the local economy while preserving ecological balance through carefully managed tourism.

The blend of high-octane sport and picturesque landscapes has made the Malabar River Festival a major attraction in the adventure travel calendar. Participants, spectators, and adventure enthusiasts from around the world gather in Kozhikode not just for the competition but for the immersive experience that the festival offers. Over the years, it has become a meeting point for global kayakers who share their knowledge, passion, and respect for river sports and conservation.

The upcoming 2025 edition promises to be no different, with enhanced arrangements and a welcoming environment for all involved. According to the organizers, “The event has always emphasized camaraderie, safety, and the spirit of adventure. In 2025, we are expecting even more international participation, better logistical support, and an overall elevated experience for everyone.”

To make participation as seamless as possible, the organizers have ensured that online registration for the 2025 edition will be open shortly. Interested participants can sign up through the official website of Kerala Adventure Tourism at www.keralaadventure.org. Registrants will receive complete festival packages that include race kits, on-site transportation, and meals, allowing them to focus entirely on the adventure ahead.

In keeping with international best practices, all safety measures and race protocols will be supervised by trained professionals from the Indian Kayaking and Canoeing Association. The inclusion of technical guidance ensures that participants can compete in a secure and controlled environment, regardless of their experience level. This focus on safety and professionalism has helped the festival maintain its credibility and grow year after year.

The local authorities also play a critical role in supporting the event’s success. The Kozhikode District Panchayat and DTPC have worked closely with KATPS to ensure smooth logistics, community involvement, and hospitality for visitors. Their joint effort has helped the festival integrate well into the local fabric while also putting Kerala on the international map of adventure tourism.

Beyond the sports, the festival creates a festive atmosphere for locals and visitors alike. The event period often sees cultural programs, food stalls showcasing Kerala cuisine, and interactive sessions on environmental conservation and river health. These side activities add an educational and cultural layer to the festival, making it a holistic celebration of Kerala’s natural and human heritage.

What makes the Malabar River Festival truly stand out is its commitment to sustainable tourism. Rather than focusing solely on footfall or revenue, the event has emphasized preserving the environment and respecting local traditions. Organizers are careful about minimizing ecological disturbance during the event and work with local communities to ensure that the benefits of tourism are shared fairly and transparently.

Looking ahead, the organizers are confident that the Malabar River Festival will continue to grow in scale and prestige. “With every edition, we are learning and evolving. Our goal is to make this not just India’s biggest river festival but one of the best in the world,” said a senior KATPS official.

In conclusion, the Malabar River Festival 2025 is gearing up to deliver an exciting, action-packed experience for participants and spectators alike. With its unique blend of sport, culture, nature, and community involvement, the festival remains a shining example of how adventure tourism can thrive in harmony with sustainability and local engagement.

Muslims Emerge as Fastest-Growing Religious Group While Christianity Sees Decline in Global Share

A comprehensive new study by the Pew Research Center has revealed that Muslims are currently the fastest-growing religious group in the world, with the religiously unaffiliated not far behind. While Christianity continues to hold its place as the largest global religion, it has experienced a decline in its overall percentage of the global population between 2010 and 2020.

Released on June 9, the Pew Research Center’s Global Religious Landscape report is the second major demographic overview of religious groups worldwide, following the initial edition in 2010. This latest study draws attention to how factors like fertility, mortality, age distribution, education, and migration have shaped religious growth and decline across continents.

“We look at the demographic characteristics of these groups, their age structure, how many children they’re having, how much education they have, because these demographic characteristics affect the future size of the religious groups,” explained Conrad Hackett, a senior demographer at Pew Research Center, in an interview conducted on June 6.

The research focused on major world religions including Christianity, Islam, Hinduism, Buddhism, Judaism, and the religiously unaffiliated or “nones.” It also considered smaller or traditional groups categorized as “others,” such as folk religions, Wiccans, and Zoroastrians.

The findings offer crucial insights into how religious switching and natural demographic shifts have altered the global religious landscape. According to the report, the Muslim population grew by an astonishing 347 million people over the decade, surpassing the growth of all other religious groups combined. This spike was primarily the result of high birth rates among Muslim populations.

“Muslims are having children at a greater number than Muslims are dying,” Hackett said. “Very little of the change in Muslim population size is a result of people becoming Muslim as adults or leaving Islam as adults.”

To produce the study, Pew researchers analyzed 2,700 data sources, including national censuses, population and demographic surveys, and official registries. These sources represented 201 countries and provided data on over 100,000 people. Questions primarily focused on religious affiliation and were used in conjunction with statistics on fertility, death rates, and age structures to evaluate changes from 2010 to 2020. The study also acknowledged the impact of data delays caused by the COVID-19 pandemic.

Muslims are heavily concentrated in regions experiencing rapid population growth. For instance, in the Middle East and North Africa, they make up 94.2% of the population, while in sub-Saharan Africa, they constitute 33%. The Asia Pacific region, home to the world’s largest Muslim population, experienced a 16.2% rise in its Muslim population during the decade studied.

Christianity, despite remaining the largest religion globally with 29% of the population, saw a 1.8% dip in its global share. The number of Christians grew numerically, but not at the same pace as non-Christian populations. Hackett noted that Christianity witnessed declines in regions such as Europe, North America, the Americas, Australia, and New Zealand.

Europe experienced an 8.8% drop in its Christian population, while North America saw a 10.8% decline. In the United States, Christians dropped from 78.3% of the population to 64% over the course of the study. Other countries like France, Uruguay, the United Kingdom, and Australia also saw the Christian share dip below 50%.

The primary causes for Christianity’s decline in Europe included an aging population, lower birth rates, and higher mortality. Meanwhile, sub-Saharan Africa emerged as a new stronghold for the faith, now hosting one-third of all Christians globally due to higher fertility rates.

Christianity continues to be the majority religion in all global regions except the Middle East-North Africa and Asia Pacific. Despite its relative decline, it remains the most geographically dispersed religious tradition worldwide.

Meanwhile, the population of non-Christians grew by 15%, bolstered significantly by the rising number of religiously unaffiliated individuals. With 24% of the global population now identifying as nones, they rank as the third-largest group after Christians and Muslims.

Although the nones have an older demographic and lower fertility rates, their numbers increased primarily because of religious switching. The study found that for every adult raised without religion who later adopted one, 3.2 adults abandoned the religion in which they were raised.

“This pattern is common in European and North American countries, as well as in Australia and New Zealand, where many people who were raised Christian no longer claim any religious affiliation,” the report stated.

Hackett added, “Christians are seeing a lot of people who are raised in the faith changing as adults to people who don’t identify with any religion.”

This report marks the first time Pew has attempted to track religious switching trends, using data from 117 countries to compare the faiths individuals were born into with the religions they identified with as adults.

In North America, the proportion of religiously unaffiliated grew by 13 percentage points, reaching 30.2% by 2020. The trend was also evident in Latin America-Caribbean, where nones rose by 4.1 percentage points, and in Europe, where they grew by 6.6 percentage points to reach 25.3%.

The Asia Pacific region hosts the largest number of nones, with 78.3% of the world’s religiously unaffiliated population living there. A staggering 67% of them are located in China. However, Hackett acknowledged the difficulty of analyzing religious identity in China, stating that Pew has conducted specific research into the complex dynamics of religiosity in the country.

“China has 7 times as many religiously unaffiliated people as the U.S. and Japan combined,” the report highlighted.

Buddhism, another major religion, saw a net decline during this period. Between 2010 and 2020, the global Buddhist population fell by 19 million due to both disaffiliation and low demographic growth. It was the only major religious group to lose members.

The report noted that the impact of Buddhism may be underrepresented since many individuals practice Buddhist customs without formally identifying as Buddhists.

Hindus, who make up 14.9% of the global population, are the fourth-largest religious group. Nearly 95% of Hindus reside in India. The Hindu population grew significantly in the Middle East-North Africa region by 62%, largely because of migration. In North America, it increased by 55%.

The Jewish population, the smallest group included in the study, grew modestly by 6%, rising from about 14 million to 15 million. Jews now account for 0.2% of the global population. The majority—45.9%—live in Israel, the highest proportion of any country. In the U.S., Jews make up about 2% of the population, a figure that includes religious Jews as well as secular individuals who identify culturally or ethnically as Jewish.

Migration patterns also influenced religious demographics in various regions. In the Gulf countries—Bahrain, Kuwait, Oman, Qatar, Saudi Arabia, and the UAE—the influx of foreign-born residents led to increased numbers of non-Muslims, especially Hindus and Christians.

The Pew study is part of the Pew-Templeton Global Religious Futures project, which is funded by the Pew Charitable Trust and the John Templeton Foundation. This initiative explores shifts in global religious practices and their influence through extensive surveys and demographic analysis.

A Soulful Odyssey: Ustad Ghulam Abbas Khan Mesmerizes Chicago at Al Larson Prairie Center

Raga & Resonance: A Night of Classical Magic with Ustad Ghulam Abbas Khan

Ustad Ghulam Abbas Khan:Global King of Raga, Sufi, and Ghazal

Asian Media USA ©

Chicago, IL:  On the enchanting evening of May 31, 2025, the Al Larson Prairie Center for the Arts in Schaumburg, Illinois, transformed into a sanctuary of soul-stirring melodies, as the legendary Ustad Ghulam Abbas Khan took center stage for an unforgettable night of Hindustani classical music, Sufi, and ghazals. Organized by Khurram Syed under the esteemed banner of DK Omsheel Production and with the gracious support of Chicago community leader Mr. Iftekhar Sharif, the first overseas citizen of India, this cultural extravaganza, titled Soulful Classical, Sufi & Ghazals, brought together connoisseurs of music for a four-hour journey from 8:00 PM to midnight. The event was a testament to the timeless allure of Indian classical music, weaving together tradition, artistry, and emotional depth.

The evening was masterfully hosted by Amin Haider, whose eloquent commentary and storytelling added a profound layer to the experience. Haider’s insightful introductions, peppered with anecdotes from Ustad Ghulam Abbas Khan’s illustrious career, illuminated the maestro’s journey from a musically inclined youth to a globally revered artist. One such story captivated the audience: a young Ustad, at just 16, faced the daunting challenge of performing classical musica genre unfamiliar to himat Delhi’s Daulat Ram College. Despite his inexperience, his innate talent shone through, earning praise from none other than Pandit Debu Chaudhary, who paused the performance to personally tune the tanpura, ensuring the young artist’s brilliance was perfectly showcased. This anecdote set the tone for an evening that celebrated not just music, but the resilience and passion of a maestro whose name is synonymous with excellence.

Ustad Ghulam Abbas Khan, a scion of the Rampur-Sahaswan Gharana, delivered a performance that was nothing short of transcendent. His mastery over khayal, thumri, dadra, Sufi kalams, bhajans, and ghazals left the audience spellbound. From the intricate taans of Raga Puriya Kalyan to the emotive renditions of traditional and original bandishes, such as “More Ghar Aaja” and “Ab ToTumhi Sang Lagan Lagai,” his voice carried the weight of centuries-old traditions while infusing them with contemporary resonance. His performance was a seamless blend of technical precision and emotional depth, reflecting the legacy of his mentors. His father Padmashri Ustad Ghulam Sadiq Khan a renowned Hindustani Classical Vocalist and his maternal grandfather Padmabhushan Ustad Mushtaq Husain Khan.

The evening was further enriched by the soulful performance of Chicago’s own Payel Ganguly, whose brief yet powerful presentation paid homage to the traditions that continue to inspire artists across generations. Her authentic and heartfelt rendition added a local flavor to the night, earning her resounding applause and cementing her place as a rising star in the classical music scene.

The musical ensemble was elevated by the exceptional accompaniment of Shehzad Marcus on keyboard, whose melodic flourishes provided a rich backdrop to the vocal performances. Young tabla prodigy Abhijeet Kastha demonstrated a masterful command of rhythm, weaving intricate patterns that complemented the maestro’s vocals with precision and flair. The seamless coordination between the artists created an immersive experience, transporting the audience to the heart of India’s musical heritage.

The event was graced by distinguished guests, including Nayab Hamid Ali Khan, son of the legendary Ustad Hamid Ali Khan, and community leaders such as Paul Chopra, Ramesh Punatar, Chris Veteran, and Syed Razi, alongside US and Indian Army veterans. Their presence underscored the event’s significance as a cultural milestone for Chicago’s South Asian community. Although Mr. Iftekhar Sharif, the chief guest, was unable to attend due to an unforeseen schedule change, the evening was honored by the presence of Amir Mohammed Khan, a renowned ghazal singer, as the Guest of Honor.

Ustad Ghulam Abbas Khan’s performance was not just a concert but a celebration of a legacy that spans continents. With over 15 albums to his name and performances across prestigious stages in the UK, Australia, Japan, Singapore, Hong Kong, China, Indonesia, Malaysia, Mauritius, Thailand, Pakistan, Afghanistan, Saudi Arabia, UAE, and Oman, the Ustad has carried the torch of Hindustani classical music to global audiences. His contributions have earned him accolades such as the Central Fellowship Award from the Ministry of Culture, the Global Achievement Award in 2017, and the Dr. Radhakrishnan Award in 2018. Notably, his performance at the President’s House during Dr. APJ Abdul Kalam’s tenure remains a highlight of his illustrious career.

The event’s success was bolstered by the generous support of sponsors, including Masood Ali of Ali’s Catering, Ena Agnihotri of Radisson Hotel in Schaumburg, Urdu Institute, Aftab Baig of Monty’s Banquet, Windy City Pharmacies, South Asian Seniors, United States Disability Cricket, and Universal Seniors Association. Their contributions ensured a flawless execution, making the evening a cherished memory for all attendees.

Special thanks to Mahesh Kumar of Melody and Soul of Playback USA, whose expert sound engineering delivered pristine acoustics, amplifying every note’s brilliance.

This evening was a radiant celebration of India’s musical heritage, brought to life by the unparalleled artistry of Ustad Ghulam Abbas Khan and the vibrant contributions of Chicago’s own Payel Ganguly. Payel Ganguly’s authentic rendition in Chicago earned warm applause, complemented by Shehzad Marcus on keyboard and tabla prodigy Abhijeet Kastha. Notable guests, including Nayab Hamid Ali Khan, and Guest of Honor Amir Mohammed Khan, attended.

“Event was not only showcased the depth of Hindustani classical music but also highlighted the cultural unity and passion of Chicago’s South Asian community. Events like these remind us of the power of music to transcend borders and connect hearts, and we look forward to supporting more such cultural milestones in the future”Editor’s Note by Suresh Bodiwala, Chairman and Founder of Asian Media USA

 

Photographs and Press release by:Asian Media USA

 

Suresh Bodiwala
Chairman

Asian Media USA

Cell: 847-420-4789
E-Mail: bodiwalasuresh@gmail.com

Soulful Evening in Schaumburg Celebrates Legacy of Ustad Ghulam Abbas Khan

On the magical night of May 31, 2025, the Al Larson Prairie Center for the Arts in Schaumburg, Illinois, transformed into a haven of emotionally charged and spiritually rich melodies. The centerpiece of the evening was none other than the celebrated Hindustani classical vocalist Ustad Ghulam Abbas Khan, who headlined a four-hour musical spectacle titled Soulful Classical, Sufi & Ghazals. The event, orchestrated by Khurram Syed under DK Omsheel Production and supported by Chicago’s prominent community figure Mr. Iftekhar Sharif—the first Overseas Citizen of India—drew music enthusiasts from far and wide for an immersive musical experience that lasted from 8:00 PM until midnight.

Soulful Evening in Schaumburg Celebrates Legacy of Ustad Ghulam Abbas Khan1Serving as a cultural showcase and tribute to the enduring legacy of Indian classical music, the event harmonized tradition with emotional storytelling. Anchoring the evening was the eloquent Amin Haider, whose articulate hosting and thoughtful commentary added significant depth to the program. Haider’s narration was not just informative but evocative, highlighting several memorable moments from Ustad Ghulam Abbas Khan’s life and career. A particularly striking story he shared revolved around a young Ghulam Abbas, only 16 at the time, who had to perform Hindustani classical music at Delhi’s Daulat Ram College—a genre then unfamiliar to him. Despite his lack of experience, the young artist impressed none other than Pandit Debu Chaudhary. So captivated was the maestro that he interrupted the concert to tune the tanpura himself, allowing Ghulam Abbas to shine at his best. As Haider described, this story was emblematic of “the resilience and passion of a maestro whose name is synonymous with excellence.”

A direct musical descendant of the Rampur-Sahaswan Gharana, Ustad Ghulam Abbas Khan brought to the stage aSoulful Evening in Schaumburg Celebrates Legacy of Ustad Ghulam Abbas Khan 2 performance that was as spiritually uplifting as it was technically flawless. He seamlessly navigated an array of musical forms, from khayal and thumri to dadra, Sufi kalams, bhajans, and ghazals. Audiences were deeply moved by his performance of Raga Puriya Kalyan and original and traditional bandishes like “More Ghar Aaja” and “Ab To Tumhi Sang Lagan Lagai.” His ability to infuse these centuries-old compositions with fresh emotion and contemporary nuance was nothing short of mesmerizing. The performance bore the unmistakable imprint of his artistic lineage—being the son of Padmashri Ustad Ghulam Sadiq Khan, and the maternal grandson of Padmabhushan Ustad Mushtaq Husain Khan.

Soulful Evening in Schaumburg Celebrates Legacy of Ustad Ghulam Abbas Khan 3Adding a local flavor to the evening, Chicago-based vocalist Payel Ganguly gave a brief yet impactful performance that paid homage to the same musical traditions Ustad Ghulam Abbas embodies. Her rendition was heartfelt and authentic, resonating powerfully with the audience. The crowd responded with enthusiastic applause, affirming her rising status in the realm of classical music.

The richness of the vocal performances was amplified by a superb musical ensemble. Shehzad Marcus brought depth to the evening with his expert handling of the keyboard, weaving melodies that perfectly complemented the vocals. Meanwhile, young tabla virtuoso AbhijeetSoulful Evening in Schaumburg Celebrates Legacy of Ustad Ghulam Abbas Khan 4 Kastha delivered a stunning rhythmic performance, displaying a maturity and finesse that belied his age. His intricate patterns and subtle flourishes aligned flawlessly with the vocal cadences, creating a musical dialogue that captivated listeners throughout the night.

The event also drew the presence of several notable guests, further elevating its stature. Among the dignitaries were Nayab Hamid Ali Khan, son of the illustrious Ustad Hamid Ali Khan, and respected community figures including Paul Chopra, Ramesh Punatar, Chris Veteran, and Syed Razi. Veterans of the US and Indian Army were also in attendance, Soulful Evening in Schaumburg Celebrates Legacy of Ustad Ghulam Abbas Khan5emphasizing the evening’s significance as a unifying cultural moment for the South Asian community in Chicago. Though Mr. Iftekhar Sharif, the designated chief guest, was unable to attend due to unforeseen scheduling issues, the event was graced by the esteemed ghazal singer Amir Mohammed Khan, who appeared as the Guest of Honor.

Beyond being a musical performance, Ustad Ghulam Abbas Khan’s presence on stage symbolized a rich cultural heritage that spans continents. With over 15 albums to his credit, the Ustad has performed on some of the most prestigious stages around the globe—including in the United Kingdom, Australia, Japan, Singapore, Hong Kong, China, Indonesia, Malaysia, Mauritius, Thailand, Pakistan, Afghanistan, Saudi Arabia, UAE, and Oman. His global influenceSoulful Evening in Schaumburg Celebrates Legacy of Ustad Ghulam Abbas Khan 6 and contributions to Hindustani classical music have earned him several prestigious honors. These include the Central Fellowship Award from India’s Ministry of Culture, the Global Achievement Award in 2017, and the Dr. Radhakrishnan Award in 2018. One of the pinnacles of his career was a performance at the President’s House during the tenure of Dr. APJ Abdul Kalam—an event that remains a highlight in his professional journey.

The success of the evening was bolstered by the generosity and support of key sponsors and partners. Masood Ali of Soulful Evening in Schaumburg Celebrates Legacy of Ustad Ghulam Abbas Khan 7Ali’s Catering ensured that guests were well-fed, while Ena Agnihotri of the Radisson Hotel in Schaumburg provided additional hospitality support. Other significant contributors included the Urdu Institute and Aftab Baig of Monty’s Banquet. Their collective efforts helped transform the evening into more than just a concert—it became a holistic celebration of culture, heritage, and music.

Soulful Classical, Sufi & Ghazals was not merely a concert but a cultural landmark that paid homage to the legacy of Hindustani classical music and its contemporary torchbearers. Through the stellar performances of Ustad Ghulam Abbas Khan, Payel Ganguly, and the supporting artists, the event showcased the power of music to transcend borders, generations, and traditions. In the words of Amin Haider, the evening stood as a “celebration of a legacy that continues to inspire and elevate.”

Lavish Indian Baraat Takes Over Wall Street in a Grand Spectacle of Culture and Celebration

Indian weddings are globally admired for their opulence, colorful traditions, and rich cultural displays. Known for their grandeur and vibrant ethnic attire, these celebrations often captivate onlookers—especially after the much-talked-about Ambani wedding festivities, which drew international attention, including from the Kardashian clan. The extravagant nature of Indian weddings has since inspired many to dream of receiving an invite to such an event. Recently, New York City residents had the rare chance to witness the joyous chaos of an Indian wedding procession—commonly known as a “baraat”—as 400 people took over the city’s iconic Wall Street, adorned in outfits by Indian designer Sabyasachi Mukherjee.

The unique moment unfolded when a large group of Indian wedding guests paraded through Wall Street, a symbol of global finance, in a celebratory mood, creating a fusion of traditional Indian culture and a distinctly modern urban backdrop. A video capturing the event quickly went viral, showing the massive group dancing their way to the bride’s location. The groom, dressed in a classic ivory sherwani, led the procession. The atmosphere was electric, amplified by a DJ who blended upbeat Bollywood tracks with popular Western pop music, creating a cross-cultural celebration that brought the bustling street to a complete standstill.

Amid the dancing crowd, the bride made a striking entrance dressed in a signature red lehenga by Sabyasachi Mukherjee. Her look was completed with party makeup that highlighted her features, turning heads as she joined in the dance with friends and family. The ladies in attendance expressed their joy through unrestrained dancing, while others captured the vibrant moments on their phones. The DJ, clearly proud of the occasion, shared a clip on social media with the caption:

“We shut down Wall Street for a 400-person baraat – who would’ve ever thought? Definitely a once-in-a-lifetime kind of magic.”

Among the attendees was Instagram influencer and Gujarati actor Devarshi Shah, who shared his experience online. In his footage, the groom could be seen dancing enthusiastically, supported on the shoulders of one of his American groomsmen. The groomsmen themselves embraced Indian tradition, dressed in coordinated pink and white ethnic outfits, symbolizing a beautiful blend of cultures at play.

The footage sparked a flurry of reactions on social media. Many users were impressed, expressing awe at the wealth and bold celebration style of Indian families abroad. One user wrote, “Indians have all the money anywhere and everywhere. Loving this.” Another added, “The first NRIs with real style AND swag- Waaah!” However, not everyone was impressed. A third commenter remarked, “For god sake, NRIs can’t even do basic baraat dance!”

Some responses also reflected deeper societal concerns. One user commented, “Yes true. All this flaunting wealth and lifestyle when the average American citizen is trying to make a living is bound to make an impact. That explains why immigrants were a stepping stone for Trump and he’s using it to stamp Indians down (lived in USA and still have family there. We chose to keep a low profile. Some don’t seem to get it).” These remarks reflect the wider debates around visibility, identity, and wealth display among the Indian diaspora.

For those unfamiliar with the concept, a baraat is a central and beloved ritual in many North Indian, especially Sanatani or Hindu, weddings. It is the groom’s ceremonial wedding procession, which includes close family members and friends dancing and celebrating as they escort the groom—traditionally on a horse—to the wedding venue where the bride awaits. The baraat is not just about movement; it’s a festive journey filled with music, dancing, and cultural rituals.

Before the groom mounts the horse, his sister traditionally feeds the animal a meal of lentils and chickpeas, a symbolic act of care and goodwill. Additionally, the groom’s sisters-in-law, or bhabhis, apply a “kaalateeka” or black dot on the nape of his neck, a gesture believed to protect him from the malevolent gaze or ‘evil eye’ during this important life event.

The grandeur of this particular baraat that took over Wall Street served as both a cultural statement and a celebration of identity. For many, it was a stunning example of how traditional Indian customs are finding expression in global cities and public spaces. The event not only captivated the attendees but also passersby who watched the spectacle unfold in one of the world’s most famous financial hubs.

It was a rare moment when New York’s buttoned-up business district became the stage for an exuberant expression of Indian culture. Onlookers paused, not for a stock ticker or trading update, but to witness a real-life cultural pageant filled with music, dance, and joyous community spirit. The merging of Wall Street’s formality with the uninhibited joy of a baraat created a memorable juxtaposition that few who witnessed it are likely to forget.

As the video continues to garner attention online, reactions remainmixed—ranging from admiration for the bold display of heritage to critiques rooted in the politics of wealth and migration. Still, the consensus for many was clear: it was a once-in-a-lifetime moment, a vivid example of how traditions travel, evolve, and thrive in new environments.

With this event, Indian weddings once again reaffirmed their global reputation—not just for their extravagance, but for their ability to merge cultural richness with modern celebration. Whether met with awe or critique, the Wall Street baraat succeeded in bringing Indian festivity to the heart of New York in an unforgettable way.

So, what are your thoughts on the majestic Indian baraat that momentarily brought one of the world’s busiest financial centers to a halt?

One in Three Americans Turn to Tarot, Astrology, and Fortune Tellers Annually, Mostly for Fun, Says Pew Study

Roughly one-third of Americans are engaging in New Age spiritual practices such as astrology, tarot card readings, and visits to fortune tellers at least once every year, according to new research. Despite this notable trend, most individuals report that they turn to these practices simply for entertainment rather than for serious spiritual guidance.

A report released by Pew Research on Wednesday revealed that around 30 percent of adults in the United States participate in at least one of these practices annually. Among the various forms of New Age spiritualism examined, astrology emerged as the most commonly consulted, with 28 percent of Americans turning to horoscopes. Tarot card readings followed, with 11 percent participation, and fortune tellers were consulted by 6 percent of respondents.

Though these activities have gained traction, the majority of people who engage in them say it’s mainly for enjoyment. They do not necessarily see them as paths to spiritual insight or decision-making guidance. However, some voices, especially within the Catholic community, are raising alarms about the spiritual implications of these practices.

Tom Nash, an apologist with Catholic Answers, expressed serious concerns about the popularity of such activities. He emphasized their spiritual risks, saying, “Tarot cards, Ouija boards, seances, and other similar activities are all dangerous forms of divination.”

The Catholic Church has taken a firm stance on these matters. According to the Catechism of the Catholic Church, “all forms of divination” are condemned because they contradict the faithfulness and reverence owed solely to God. The Catechism warns that these practices “contradict the honor, respect, and loving fear that we owe to God alone” (No. 2116).

Nash reinforced the Church’s teaching by cautioning that participating in any kind of divination opens the door to further moral and spiritual challenges. “We’re likely to get drawn deeper into a life of vice and related problems,” he said, explaining the dangers that can arise from beginning what may seem like a harmless exploration.

Interestingly, belief in astrology isn’t limited to those who identify as religious. According to the Pew study, both religious and nonreligious Americans report comparable rates of belief in astrology and related practices. This blurs the conventional lines between faith-based spirituality and secular engagement with mysticism.

The data shows that belief in the spiritual insights of astrology and related methods is most prevalent among Hispanic Catholics, Black Protestants, and those who identify with no particular religion. These groups are more inclined to believe that consulting a fortune teller or using tarot cards can provide valuable insights. On the other hand, atheists and white evangelical Christians are the least likely to participate in or believe in these practices.

When comparing this year’s findings to Pew’s previous survey in 2017, the study observed that interest in New Age practices has remained fairly constant. The percentage of adults who say they believe in astrology has not significantly changed, slightly dropping from 29 percent in 2017 to 27 percent in 2024. Earlier Gallup polls from the 1990s to the early 2000s showed similar levels of belief, ranging from 23 percent to 28 percent, suggesting a long-standing curiosity rather than a recent surge.

The study also revealed a generational divide in attitudes toward astrology and similar beliefs. Younger adults, particularly young women, appear more inclined to trust in horoscopes and spiritual readings. In fact, among women between the ages of 18 and 49, 43 percent reported that they believe in astrology, a considerably higher percentage compared to older generations.

Another group showing elevated interest in these practices is the LGBT community. According to the research, nearly half of LGBT Americans engage with astrology at least once a year. Furthermore, LGBT adults are three times more likely than their non-LGBT counterparts to turn to tarot card readings for insight or entertainment.

Nash suggested that this growing engagement with New Age spirituality could be linked to broader cultural shifts in the United States, particularly the rise of the so-called “nones”—individuals who identify as having no formal religious affiliation. This trend represents a departure from traditional religious institutions while still maintaining a search for spiritual fulfillment.

Despite turning away from organized religion, Nash observed that people often continue seeking deeper meaning and spiritual understanding in their lives. “And yet, human beings remain human — made in the image and likeness of God as body-soul composites,” he said, referencing the Book of Genesis (Genesis 1:26-27) to underline his theological perspective.

Nash emphasized that spiritual hunger persists, even when traditional religious structures are rejected. He argued that this yearning stems from a core part of human nature, saying, “In our very being, we realize that there’s more to life than just our temporal, material world.”

According to Nash, without a relationship with Christ to fill that internal void, people may seek spiritual alternatives that lack the depth and direction provided by traditional Christian belief. “We’ll tend to seek out other outlets,” he reflected.

He warned that such outlets, while popular and even fashionable, may ultimately lead people away from the true spiritual path. “Thus, in the absence of true religion, the fullness of which is only found in Our Lord Jesus Christ and his Catholic Church, we will tend to seek out alternatives,” Nash concluded.

The Pew study illustrates that New Age spiritual practices continue to hold a place in American life, often straddling the line between entertainment and belief. While some view them as harmless diversions, others, particularly within religious communities, warn of the spiritual pitfalls that could accompany even casual participation. Whether driven by curiosity, a sense of fun, or a deeper search for meaning, Americans’ engagement with astrology, tarot, and fortune telling reveals a persistent and complex relationship with the unknown.

Shomik Chaudhuri’s Some Whispers From Eternity Wins Prestigious 2025 Nautilus Book Award

May 23, 2025– Author Shomik Chaudhuri’s book, Some Whispers From Eternity, has been honored with the 2025 Nautilus Book Award under the category Religion / Spirituality of Eastern Thought (Silver). This accolade adds to the book’s growing list of recognitions, including the 2024 International Impact Book Award, 2025 Titan Book Award, and 2025 The BookFest Award. The Nautilus Awards, known for recognizing books about societal and environmental justice, have previously honored luminaries such as astrophysicist Neil deGrasse Tyson and Buddhist monk Thich Nhat Han.

In his book, Chaudhuri addresses the deep divisions plaguing modern society—religious strife, racial and national conflicts, and the fading of kindness and compassion in an increasingly divided world. He observes how humanity has fragmented itself along artificial lines, religion, caste, creed, and nationality leading to perpetual discord. In such a world, self-improvement, introspection, and spiritual growth often take a backseat. Chaudari authored the book based on some of his real life experiences, witnessing the lack of empathy, compassion and concern people have for each other in society. He offers time-tested and authentic methods and ideas to help individuals evolve into better, more compassionate human beings. The book works as a guide to transformation, providing techniques that enhance concentration, patience, emotional balance, physical well-being, and overall life satisfaction.

The book’s central premise is that spirituality should be made an integral part of daily life, and it’s not an abstract concept reserved solely for monks. Chaudhuri’s message is urgent yet hopeful: real change starts within. By turning inward, readers can cultivate a deeper relationship with the Divine—transforming not just themselves but the world around them.

Visit https://www.nautilusbookawards.com/copy-of-2024-winners-21-29 to learn more.

About the Author:

With over 30 years as an author, Shomik Chaudhuri’s writings have been featured in prestigious publications such as The Statesman, The Asian Age, United Nations Chronicle, and various Indian American newspapers like News India Times and Desi Talk. At just 25, he became the youngest person in United Nations history to represent the organization at the 1995 World Summit for Social Development in Copenhagen.

He co-founded an NGO at the UN that introduced spirituality as a key aspect of human development, influencing global policy. Today, he leads another international NGO in Special Consultative Status with the UN ECOSOC, with branches in New York and Europe. A lifelong practitioner of Kriya Yoga for over four decades, Chaudhuri was initiated into OM Kriya Yoga by Jagadguru Ramanandacharya Rajivlochanacharya in 1999.

Global Malayalee Festival Rescheduled For January 1 & 2, 2026 In Kochi, India

The Global Malayalee Festival is rescheduled and will now be held from January 1 – 2, 2026, at the Crown Plaza, Kochi, India, the Malayalee Festival Federation, an NGO registered in India as a Section 8, Not For Profit Company, has announced here today .

Living thousands of miles away from this beautiful land of diverse traditions, yet the center of global ambitions, every Malayalee longs to be connected with and rediscover her/his roots. The fist ever Global Malayalee Festival planned to be held in Kochi, the most modern and ancient city of the state of Kerala, promises to offer millions of Malayalees spread across the globe, a unique opportunity to “Bond Beyond Borders,” to experience and relive the rich cultural heritage of Kerala.

The Festival 2026 brings together Malayalee diaspora leaders, innovators, and visionaries from around the globe to discuss and collaborate on shaping future technologies and their impact on global communities. According to the organizers, “Malayalees from 53 countries representing all five continents have joined the Global Malayalee Festival as advisors, ambassadors, and coordinators. We expect to create a global networking of New Gen, Businesspeople, and Technocrats.”

“We are anticipating several foreign dignitaries, including representatives of Royal families in the Gulf, the Finnish Prime Minister, Malayalee MPs from the UK and South Africa, Central Cabinet Ministers,  Kerala Chief Minister and other Ministers from Kerala, MPs, MLAS and Political leaders. We will have Malayalee Political Leaders from foreign countries like Mr. Sojan Joseph. Member of Parliament, United Kingdom, and Mr. Anil Pillai, a Member of the Provincial Parliament, South Africa.

“We urge Malayalees from all over the world to come and be part of the two-day festival. This is the first time such an event is being organized,” Andrew Pappachen, the Director & Chief Organizing Officer of the Global Malayalee Festival said. “Come and be be part of the cultural celebrations, celebrating our achievements, transformative discussions, and groundbreaking ideas at the inaugural Global Malayalee Festival in Kochi.”

The festival will feature keynote sessions, panel discussions, cultural showcases, and networking opportunities designed to celebrate and empower the Malayalee diaspora’s contributions to the cultural and technological advancement of the world.

Dr. Abdulla Manjeri, the Director and Managing Director of the Festival said, “The Global Malayalee Festival is a celebration of Kerala’s culture, heritage, and global connections, offering opportunities for growth, networking, and unity. It blends tradition with modern opportunities, focusing on areas like trade and investment and celebration.”

This event brings together the worldwide Malayalee community to celebrate their rich traditions while fostering opportunities in trade, investment, and cultural exchange. With a diverse lineup of performances, workshops, and networking events, the festival aims to strengthen ties and showcase Kerala’s vibrant contributions to the world. Join us in Kerala for this unique cultural and economic convergence.

Founded with the objective of upholding and sharing the rich cultural values of Malayalees, the Global Festival envisions a cohesive community that not only embraces but actively perpetuates in the rich cultural traditions. “By nurturing our ties to cultural roots, we seek to instill a deep-seated sense of identity and belonging, preserving the ethnic, cultural, and social essence of the Malayalees and ensuring that aspects of this identity and unity remain eternal in spiritual and actual ways which should be vibrant in the future generations for global Malayalees,” said Pappachen.

For more information, please contact WhatsApp at: 01 2014013955 or 0966 559994863 or email: haridaspot@gmail.com

India Celebrates International Tea Day at UN, Showcasing Tea’s Role in Livelihoods and Sustainable Development

The Permanent Mission of India to the United Nations in New York recently organized a special event at the UN Headquarters titled “Tea for Livelihoods, Tea for SDGs,” in celebration of International Tea Day. The gathering drew attention to tea’s significant role in promoting employment, empowering women, and supporting global sustainable development goals.

During the event, Ambassador P. Harish, India’s Permanent Representative to the United Nations, delivered opening remarks that emphasized the powerful impact of tea cultivation and its economic influence. He described tea as a “transformative force” that contributes meaningfully to rural employment and the upliftment of women, while also serving as a critical element in advancing sustainability. According to Harish, India has taken a leading role in applying innovative technology to make tea production more inclusive and resilient to the impacts of climate change.

He further acknowledged the work of scientific institutions in India that are instrumental in this progress. In particular, Harish credited the Tocklai Tea Research Institute for its significant contributions to scientific innovation in the tea sector. The institute, based in Assam, is one of the oldest and most respected tea research centers in the world. Harish noted that such institutions play a key role in ensuring that tea production evolves in alignment with sustainable practices and global standards.

The event also featured remarks from several prominent diplomats and UN officials. Among them was Angelica Jacome, Director of the Food and Agriculture Organization (FAO) UN Liaison Office in New York. Alongside her, ambassadors and representatives from major tea-producing and tea-consuming nations also voiced their perspectives on tea’s social, economic, and cultural significance.

Ambassador Dang from Vietnam, Ambassador Lokaale from Kenya, and Charge d’Affaires Perera from Sri Lanka each addressed the importance of tea within their respective countries. They highlighted how the tea sector not only sustains millions of livelihoods but also serves as a symbol of their national identity and pride. Mamesah, the representative from Indonesia, contributed further by outlining how tea production continues to be central to the rural economies of the Global South, particularly in the context of agricultural exports and employment.

China, a country with a long-standing and rich tea tradition, was represented by Counsellor Liqun, who focused her remarks on the broader international goals connected to tea production. She stated that the tea industry is vital to the realization of the 2030 Agenda for Sustainable Development, particularly in areas related to job creation and gender equality. Liqun highlighted, “The tea industry has played an important role in achieving Agenda 2030, especially in generating livelihoods and empowering women.”

The celebration brought together an impressive lineup of Permanent Representatives from a diverse group of countries, each showing solidarity in recognizing the importance of tea. Among those in attendance were Sunil Sitaldin of Suriname, Joan Forner of Andorra, Michel Xavier Biang, who represented the International Organization of La Francophonie (IOF), Gheorghe Leuca of Moldova, and Deputy Permanent Representative David Abesadze of Georgia.

These diplomats expressed support for global cooperation in sustainable tea cultivation, emphasizing the unifying power of tea as both a beverage and a socio-economic driver. Their presence underlined the shared interest of both producing and consuming nations in sustaining the tea economy in a way that aligns with the United Nations’ Sustainable Development Goals (SDGs).

The event also aimed to provide an immersive cultural and sensory experience. As the formal discussions concluded, attendees were invited to participate in a curated tea tasting session featuring some of India’s most iconic tea varieties. The selection included Assam tea, known for its bold and malty flavor; Darjeeling tea, often referred to as the “champagne of teas” due to its delicate aroma; Nilgiri tea from the Blue Mountains of South India, prized for its bright and brisk character; and Masala Chai, the spiced tea blend that has become a staple in Indian households and a global favorite.

This tasting experience allowed participants to appreciate the diversity and richness of Indian tea culture. It also served as a reminder of the historical and cultural significance of tea in India, which is one of the world’s largest producers and consumers of tea.

Beyond its sensory appeal, the event sought to underline the global message that tea is much more than just a drink. It is a lifeline for millions, particularly in rural communities across Asia, Africa, and Latin America. It provides employment, promotes gender inclusion, and supports local economies while being deeply intertwined with traditional knowledge and environmental stewardship.

The commemoration of International Tea Day at the United Nations also reinforced India’s commitment to sustainable agriculture and international collaboration. Through initiatives such as this, India is positioning itself not just as a major tea producer, but as a global advocate for inclusive and environmentally responsible development.

In his concluding remarks, Ambassador Harish reiterated India’s readiness to share knowledge, technology, and best practices in sustainable tea production with other countries. He stressed the importance of global cooperation in achieving sustainable food systems and encouraged member states to recognize tea as an integral part of this goal. As he put it, “Tea is more than just a commodity. It is a symbol of sustainability, unity, and empowerment.”

Overall, the event succeeded in blending diplomacy with cultural exchange, scientific discussion with sensory delight, and tradition with innovation. By celebrating tea in this multifaceted way, India highlighted its enduring commitment to the global development agenda while also showcasing one of its most beloved and influential agricultural products.

Global Malayalee Festival Rescheduled For January 1 & 2, 2026 In Kochi, India

The Global Malayalee Festival is rescheduled and will now be held from January 1 – 2, 2026, at the Crown Plaza, Kochi, India, the Malayalee Festival Federation, an NGO registered in India as a Section 8, Not For Profit Company, has announced here today .

Living thousands of miles away from this beautiful land of diverse traditions, yet the center of global ambitions, every Malayalee longs to be connected with and rediscover her/his roots. The fist ever Global Malayalee Festival planned to be held in Kochi, the most modern and ancient city of the state of Kerala, promises to offer millions of Malayalees spread across the globe, a unique opportunity to “Bond Beyond Borders,” to experience and relive the rich cultural heritage of Kerala.

The Festival 2026 brings together Malayalee diaspora leaders, innovators, and visionaries from around the globe to discuss and collaborate on shaping future technologies and their impact on global communities. According to the organizers, “Malayalees from 53 countries representing all five continents have joined the Global Malayalee Festival as advisors, ambassadors, and coordinators. We expect to create a global networking of New Gen, Businesspeople, and Technocrats.”

“We are anticipating several foreign dignitaries, including representatives of Royal families in the Gulf, the Finnish Prime Minister, Malayalee MPs from the UK and South Africa, Central Cabinet Ministers,  Kerala Chief Minister and other Ministers from Kerala, MPs, MLAS and Political leaders. We will have Malayalee Political Leaders from foreign countries like Mr. Sojan Joseph. Member of Parliament, United Kingdom, and Mr. Anil Pillai, a Member of the Provincial Parliament, South Africa.

“We urge Malayalees from all over the world to come and be part of the two-day festival. This is the first time such an event is being organized,” Andrew Pappachen, the Director & Chief Organizing Officer of the Global Malayalee Festival said. “Come and be be part of the cultural celebrations, celebrating our achievements, transformative discussions, and groundbreaking ideas at the inaugural Global Malayalee Festival in Kochi.”

The festival will feature keynote sessions, panel discussions, cultural showcases, and networking opportunities designed to celebrate and empower the Malayalee diaspora’s contributions to the cultural and technological advancement of the world.

Dr. Abdulla Manjeri, the Director and Managing Director of the Festival said, “The Global Malayalee Festival is a celebration of Kerala’s culture, heritage, and global connections, offering opportunities for growth, networking, and unity. It blends tradition with modern opportunities, focusing on areas like trade and investment and celebration.”

This event brings together the worldwide Malayalee community to celebrate their rich traditions while fostering opportunities in trade, investment, and cultural exchange. With a diverse lineup of performances, workshops, and networking events, the festival aims to strengthen ties and showcase Kerala’s vibrant contributions to the world. Join us in Kerala for this unique cultural and economic convergence.

 

Founded with the objective of upholding and sharing the rich cultural values of Malayalees, the Global Festival envisions a cohesive community that not only embraces but actively perpetuates in the rich cultural traditions. “By nurturing our ties to cultural roots, we seek to instill a deep-seated sense of identity and belonging, preserving the ethnic, cultural, and social essence of the Malayalees and ensuring that aspects of this identity and unity remain eternal in spiritual and actual ways which should be vibrant in the future generations for global Malayalees,” said Pappachen.

GMF 2025 2

Gauranga Das Highlights Harmony Between Work and Life Purpose at New York Event

On May 16, 2025, a special event was held in New York City, jointly organized by the Indian Consulate and the Bhakti Center. The forum featured a talk by Gauranga Das, a well-known monk, leadership coach, and director within the International Society for Krishna Consciousness (ISKCON). The topic of the discussion was “Reconciling Purpose of Life with Pursuit of Work,” a theme that resonated deeply with a packed audience of around 150 attendees.

Gauranga Das, known for his extensive work in sustainability, social reform, and spiritual education, captivated listeners with insights that merged ancient Vedic principles with the challenges of the modern workplace. According to a post by the Indian Consulate on its official X account, “In a world where success is often measured by titles and bank balances, Shri Gauranga Das invited us to pause – and reflect. Drawing from ancient Vedic wisdom and decades of personal practice, he shared that true prosperity lies in alignment: when our work becomes an expression of our higher purpose.”

The audience comprised a mix of professionals, spiritual seekers, and community leaders, all eager to absorb the message. The Bhakti Center, in a press release, noted that Gauranga Das’s talk not only explored how spiritual principles could bring meaning and balance to contemporary professional lives but also sparked a lively question-and-answer session. The discussion made a strong impact, encouraging introspection and practical consideration of how personal purpose can align with one’s daily professional endeavors.

Das’s diverse background includes leading the Govardhan Eco Village in Maharashtra’s Palghar District, serving on the ISKCON Governing Body Commission, and even transforming the organization’s kitchens through his innovative approach to food and sustainability. He holds multiple prestigious roles, including Visiting Faculty at the Indian Institute of Management in Nagpur, Board of Advisors member at the Chanakya IAS Academy, and a Counsellor for the United Nations Environment Program (UNEP). In addition, he is an accomplished author and has received numerous awards for his multifaceted contributions to society.

His official website, gaurangadas.com, describes him as someone whose influence spans both the corporate world and the domain of personal development. “His ability to inspire and transform lives has earned him a well-deserved reputation as a true champion in both the business world and the realm of personal growth,” the website states.

The event was further elevated by the presence of several dignitaries. The Consul General of India in New York, Binaya Srikanta Pradhan, addressed the gathering and voiced his support for activities that nurture spiritual growth and inner peace. He emphasized the importance of fostering dialogue around well-being in the professional realm. In attendance were also Padma Shri awardee and Chairman of Parikh Worldwide Media and ITV Gold, Dr. Sudhir Parikh, alongside Dr. Sudha Parikh. The event saw participation from other notable figures such as Dilip Chauhan, NYC’s Deputy Commissioner for Trade and International Affairs, and Hemant Patel from the Bhakti Center.

Gauranga Das’s leadership of the Govardhan Eco Village has earned the community global recognition. The village is accredited by several United Nations bodies, including the United Nations Environment Programme (UNEP), the United Nations Convention to Combat Desertification (UNCCD), the United Nations Economic and Social Council (UN ECOSOC), and the United Nations Convention on Biological Diversity (UN CBD). It also holds the distinction of being recognized by the United Nations World Tourism Organization (UNWTO) as an ecovillage community.

His commitment to sustainability extends to the global stage. According to his Wikipedia profile, in 2023, he was a co-facilitator for the Food Systems, Hunger, and Poverty Working Group as part of the C20 Brazil summit, representing India. During this international event, he also led the Food and LiFE Sub Working Group and spearheaded an initiative to designate the years 2023 to 2033 as the decade focused on conscious food production and consumption. These efforts underline his holistic approach to solving large-scale global issues through a spiritual and sustainable lens.

The Bhakti Center, which co-hosted the event, is located in the East Village of New York City. It is known for being a spiritual and cultural hub that introduces visitors and locals to Bhakti-yoga, a path rooted in devotion and self-realization. According to the center’s website, it is “devoted to sharing the experience of self-transformation through the timeless culture and practices of Bhakti-yoga.”

Through his talk, Gauranga Das underscored the relevance of ancient teachings in modern life. His message focused on the idea that material success and spiritual purpose do not need to exist in conflict but can be harmonized when approached thoughtfully. He urged individuals to consider work not merely as a means to earn a living but as a platform to express their deeper calling and values.

The enthusiastic response from the audience and the strong turnout at the event reflected a growing interest in spiritual leadership that addresses real-world challenges. As the Bhakti Center noted, his talk did more than just share philosophical concepts; it opened the door to tangible change in how people perceive their personal and professional lives.

By integrating mindfulness, ethical living, and sustainability into his message, Gauranga Das has managed to create a framework that speaks to both heart and intellect. His contributions stretch across diverse areas—spiritual guidance, education, environmental conservation, and global policymaking—all rooted in a foundation of compassion and conscious living.

The New York event offered a rare opportunity for individuals to engage directly with a thought leader who has not only studied and lived these teachings but also applied them in organizational, environmental, and academic contexts. His multifaceted approach highlights the importance of intentional living in an increasingly fast-paced world.

As attendees left the venue, they carried with them more than just notes—they took away a renewed sense of clarity on how they could better integrate their values with their careers. Through the collaborative efforts of the Indian Consulate and the Bhakti Center, this event served as a powerful reminder that conversations about purpose, well-being, and work are not only possible but essential in today’s world.

Buddha’s Teachings Offer Timeless Wisdom for Modern-Day Global Peace, Say Leaders at UN Vesak Celebration

At a special event held on May 15, 2025, at the United Nations Headquarters to mark the International Day of Vesak, India’s Permanent Representative to the UN, P. Harish, emphasized the enduring relevance of the Buddha’s teachings. “The principle of moderation, or the middle path, remains more relevant today than ever before. The Buddha’s teachings, simple yet profound, encourage us to transcend our differences and embrace a universal bond of loving kindness,” he said.

Harish was addressing a panel discussion themed “Teachings of Gautama Buddha – a Path to Internal and Global Peace.” He noted that in a time of global uncertainty and unrest, the teachings of Buddha could serve as a valuable guide. “The teachings of Lord Buddha can be a guide in today’s times of uncertainty,” he stated.

Harish pointed out India’s historical and spiritual connection to Buddhism, calling it the birthplace of the religion. “Vesak is an occasion for us to celebrate the shared heritage of Buddhism, an occasion to reaffirm and strengthen the cultural and civilizational ties that bind nations of our region,” he said.

He also highlighted recent diplomatic efforts that underscore India’s reverence for Buddhism, particularly Prime Minister Narendra Modi’s visits to prominent Buddhist sites in Thailand and Sri Lanka. During his trip, Modi visited Bangkok’s Wat Pho temple, where he paid homage to the Reclining Buddha and offered ‘Sanghadana’ to senior monks. Additionally, the Prime Minister visited the Jaya Sri Maha Bodhi temple in Anuradhapura, Sri Lanka, demonstrating the Indian government’s continued engagement with the Buddhist world.

The event began with a short film showcasing the life and teachings of Gautama Buddha. This was followed by a series of speeches from distinguished guests, including Professor Abhay Kumar Singh, Vice Chancellor of Nalanda University in India, and Santosh Kumar Raut, a visiting professor from Harvard Divinity School. Diplomats and permanent representatives from several Buddhist-majority nations, including Vietnam, Bhutan, Thailand, Cambodia, Nepal, Sri Lanka, Mongolia, Lao PDR, and the Russian Federation, also shared their insights.

Harish elaborated on how Buddha’s core messages of compassion, non-violence, and wisdom remain highly relevant in a world plagued by conflict and suffering. “Lord Buddha’s message of compassion, non-violence and his wisdom offer a path to inner and global peace in a world writ with crisis and suffering,” he said.

He stressed the importance of cultivating both inner and outer peace for a balanced life. These forms of peace, he explained, could be nurtured through mindfulness, wisdom, compassion, and joy. Buddhism encourages creating a positive physical and material environment that fosters pleasant and respectful relations with others. “Maintaining this peace continuum is necessary in today’s world,” he emphasized.

Harish also spoke about Vipassana, the meditative technique in Buddhism that trains individuals to respond mindfully and wisely to external stimuli. He said the practice remains relevant today and can be pursued throughout one’s life. “Developing the correct attitude, comprehension and reaction to outside stimuli through Vipassana is important in Buddhism and will be of use even today and can be pursued throughout life,” he stated.

Discussing how Buddhist thought could be integrated into the modern world, Harish called for equitable resource distribution, a universal legal framework, and constructive conflict resolution. “Buddhist principles could be extended to the modern world through fair distribution of resources, maintaining a universal code of conduct or legal system and through building consensus by constructively dealing with differences,” he said.

Furthermore, he emphasized that peace and compassion should be cultivated at all levels—personal, communal, national, and international. “Buddhism further speaks of cultivating peace and compassion through maintaining international peace, between groups, between nations at an international level or a regional level,” he added.

However, Harish also acknowledged the limitations of applying Buddhist principles in a world marked by state-level aggression. He said that although individual adherence to Buddhist values could be successful, it might fall short when nations act out of self-defense or are forced to prevent large-scale suffering. “Following Buddhist practice, although successful at individual level, can fail on an interstate level in today’s world of aggression and pursuit of violence. At such times, harm can be minimized by keeping in focus the greater good, the motive of national defense, protecting citizens and preventing suffering,” he observed.

Harish concluded his remarks with a powerful endorsement of Buddhism’s transformative potential. “This transformative power of Buddhism is not limited to individuals, but it can change societies. It can change nations and indeed the whole world,” he said.

Echoing Harish’s sentiments, Professor Abhay Kumar Singh emphasized the need to embrace Buddha’s teachings in today’s complex world. “Lord Buddha’s message of compassion, non-violence and his wisdom offer a path to inner and global peace, in a world beset with crisis and suffering,” Singh said. He urged the global community to draw from these ancient teachings to create a more peaceful and harmonious world.

Adding to the discussion, Santosh Kumar Raut offered a scholarly perspective on how Buddhist philosophy could equip humanity to face the complex challenges of the 21st century. He discussed the relevance of mindfulness, ethical living, and inner peace in countering today’s widespread anxiety, divisiveness, and environmental degradation.

Other speakers at the event further elaborated on how Buddhist teachings could offer solutions to many modern-day challenges. They agreed that the principles of moderation, ethical living, mindfulness, and compassion offer practical guidance for a more sustainable and harmonious future. These teachings, they noted, have the potential to address a wide range of global issues—from conflict and inequality to environmental crises.

As the event concluded, the recurring message from all the speakers was clear: the world needs to revisit the teachings of Gautama Buddha now more than ever. By applying these ancient yet timeless principles, both individuals and societies can navigate today’s turbulence and find a path to lasting peace.

The International Day of Vesak celebration at the United Nations served not only as a tribute to the Buddha’s life and legacy but also as a call to action for world leaders, scholars, and citizens to embrace his teachings. In doing so, the speakers hoped, humanity could move toward a more peaceful, compassionate, and united world.

A Night Under the Stars: Aditya Gadhvi’s Historic Open-Air Gujarati Concert Lights up Chicago

Echoes of Gujarat: Aditya Gadhvi’s Landmark Concert Unites Thousands

Breaking Barriers: Aditya Gadhvi’s Historic Concert Redraws Cultural Maps

Asian Media USA ©

Chicago, IL: On May 9, 2025, Wintrust Field in Schaumburg, Illinois, transformed into a vibrant celebration of music, culture, and unity as Aditya Gadhvi, Gujarat’s revered folk and playback singer, headlined North America’s first open-air Gujarati concert. Aditya Gadhvi concert brought to life with the dedication of community organizers, this historic event drew thousands of music enthusiasts, marking a pivotal moment in the global ascent of Gujarati music and culture under a starlit sky.

Aditya Gadhvi, whose voice embodies the spirit of Gujarat, took the stage with an electrifying presence, weaving a rich tapestry of sound that blended the soulful depth of traditional folk, the mystic allure of Sufi melodies, and the dynamic energy of contemporary beats. The sprawling outdoor setting of Wintrust Field amplified the evening’s enchantment, offering an immersive experience that felt both intimate and grand. From the first note, Gadhvi held the audience spellbound, their rhythmic swaying and enthusiastic cheers a testament to his status as a global sensation.

This concert was more than a musical performance; it was a cultural milestone. Gadhvi’s carefully curated stylist honoured Gujarat’s storied musical heritage while embracing modern innovation. He performed timeless folk classics that paid homage to the state’s traditions alongside contemporary hits that resonated with universal appeal. Songs inspired by the poetic brilliance of Narsinh Mehta and the devotional intensity of Kabir Das filled the air, while devotional tracks celebrating the divine love of Lord Krishna and Radha transported listeners to the sacred streets of Vrindavan. The diverse audiencecomprising the Gujarati diaspora and music lovers from varied backgrounds—lit up the field with mobile flashlights during poignant moments, creating a breathtaking sea of stars that mirrored the celestial sky above.

Gadhvi’s connection with the crowd was palpable, marked by moments of heartfelt engagement. Sharing personal anecdotes about Gujarat’s literary luminaries, such as Jhaverchand Meghani, he infused the evening with warmth and authenticity. “This is not just a concert; it’s a celebration of our roots, our stories, and our unity,” Gadhvi declared, igniting thunderous applause. The energy surged as fans clapped, danced, and sang along, their voices harmonizing with his in a powerful testament to music’s ability to transcend cultural and geographic boundaries. From children twirling in the aisles to elders reminiscing over familiar folk melodies, the night was a shared celebration of heritage and joy.

The event’s success was underpinned by a robust network of sponsors and organizers. Main sponsor Rise 2 Shine, a gaming terminal operator, and event promoters World Power Solutions, Core Exteriors &BuzzTicks, event sponsor Elgin Toyota led the charge, supported by Gokul Processing. Community leaders and event managers consist of Navnit Patel, Roshan Patel, Hasmukh Patel, Brijesh Patel, Umesh Patel (Canada), Nil Patel, and Ghanshyam Patel played a crucial role in orchestrating the event. Buzz Ticks, the official ticketing partner, facilitated seamless access through Buzzticks.com, with tickets selling out swiftly, underscoring Gadhvi’s immense popularity and the event’s historic significance.

Wintrust Field’s expansive green landscape and state-of-the-art facilities provided an ideal backdrop, elevating the concert’s grandeur. Its accessibility welcomed families, friends, and first-time concertgoers, fostering a communal atmosphere of celebration. The night brimmed with unforgettable moments, creating memories that will resonate for years to come.

Asian Media USA, the visionary force behind the event, ensured every detail was flawless, from world-class sound and lighting to authentic Gujarati cultural elements. Their commitment to promoting South Asian arts in North America was evident, bridging tradition and modernity in a seamless fusion. The concert highlighted the growing influence of the Gujarati diaspora, whose passion has propelled artists like Gadhvi to international acclaim.

As the final notes faded, the audience rose in a resounding standing ovation, their applause echoing across the field. Visibly moved, Gadhvi expressed his gratitude: “You’ve made this night unforgettable. This is just the beginningGujarat’s music is here to stay.” His words encapsulated the evening’s essence, honouring the past while embracing a vibrant future.

The concert’s impact reverberated far beyond the music, igniting conversations about Gujarati culture’s global reach. Social media platforms buzzed with videos and photos, with hashtags like #AdityaGadhviLive and #GujaratInChicago trending widely. Attendees shared stories of how Gadhvi’s music evoked memories of their homeland and inspired younger generations to embrace their roots.

This landmark event was part of Gadhvi’s 2025 Tour, with additional performances on May 3 in Los Angeles, May 10 in New Jersey, and May 16 in Dallas. Reports of Gadhvi’s appearances in these cities prior to the shows fuelled anticipation, signalling a cultural wave sweeping the United States. As one attendee poignantly remarked, “Where is Gujarat? Look around—Gujarat is here.”

“The Aditya Gadhvi open-air concert at Wintrust Field was a dream realized, showcasing music’s power to unite. Aditya Gadhvi’s talent, supported by our Sponsors, Community organizers and vibrant Gujarati audience, made it a memorable night for Gujarati music in North America. We thank all who joined this celebration of heritage and artistry. This is more than an eventit’s a movement, and we look forward to continuing this cultural journey” said by Suresh Bodiwala Chairman of Asian Media USA.

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Suresh Bodiwala
Chairman

Asian Media USA

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Vidya Jyoti’s “Vibrant India” Illuminates Chicago with Rich Traditions, and Community Spirit

Chicago, IL: There are some events that entertain, others that inspire and then there are those rare, radiant moments, where joy and purpose run together in harmony. April 27, 2025 on a Sunday afternoon, Vidya Jyoti Global Education Opportunity Foundation hosted the Vibrant India Cultural Festival at Ashton Place in Chicago, Illinois.

02 vidya jyoti pj soloFrom the moment the guests stepped through the doors, they were swept into a celebration of Indian heritage, creativity, and most importantly: hope. The festival, free and open to the public, pulsed with color and life. It was hosted with charm and energy by two MC’s Neha Sobti and Priyanka Parekh, who guided the audience through an unforgettable journey. The show opened with an upbeat hip hop performance blending rhythm and youthfulness. As the day unfolded, the stage bloomed with a variety of dances: elegant ballet, vibrant Garba, classical Indian sequences, and children twirling in joyful abandon. Groups such as Suhani Dance Academy, Ghunguru School, and Four Stars Dance Group left audiences spellbound.

At the heart of it all was Vidya Jyoti’s powerful purpose: to educate underprivileged children across India, the U.S., and Haiti. The founder Pratibha Jairath spoke passionately, presenting stories of transformation. One such story was of Radhika, an orphaned child who, because of Vidya Jyoti’s support, is now scoring over 80% (A grade) in school. “We are not just giving money,” said Pratibha, her voice thick with emotion. “We are giving dignity. We are building futures.”

Then came the two fashion walks, a moment where grace met pride. Dressed in stunning saris, lehengas, and Indo-western fusion wear, participants of all ages took to the runway in two dynamic segments. The fashionistas for the evening were: Swati Kukian, Suparna Dutta, Shree Guruswamy, Shraddha Marathe, Shalaka Sawant, Sara Bongale, Sakshi Sharma, Renuka, Pika Munshi, Nidhi Mishra, Neelam Aloor, Manisha Pandit, Kitkat shah, Falguni Sukhadia, Fal Rana, Deepti Gupta, Bharathi Devathi, Alli Dhanaraj.

1 Vidya Jyoti’s “Vibrant India” Illuminates Chicago with Rich Traditions and Community SpiritIn the Title Walk, finalists were judged not only on style, but voice and purpose. When Rihanna Tandon and Archana Pantraffan stepped forward as winners, their poise and eloquence gave everyone chills. The judges Sanskriti Sharma, Sushma Bhanot, and Archana Agarwal beamed with pride.

A moving highlight of the afternoon was the recognition of community champions by Pratibha Jairath and co-founder Madhu Uppal. With the support of Mayor John Leash of Aurora and Alderwoman Shweta Baid, Vidya Jyoti presented Plaques to Vidya Jyoti sponsors, Sunil Shah, Pinky Dinesh Thakkar, Sudhir Agarwal, Brij Sharma, Dr. Ashok Mehta, Bill Lyon, Ramesh Mehra, Dr. Bhupinder Beri. Plaques were also presented to Prem Sharma, Urmil Chawla for their vision and leadership, and to Anita Beri & Sarita Sood for their dedication to Vidya Jyoti.

Recognitions and tokens of appreciation were presented to community heroes; the people whose silent efforts light the path for others. The honorees included Ramesh Malhan, Vipin Wadhera, Balbeer Kaur, Pramila Malhotra, Anu Malhotra, Ram Saini, Anita Rawal Subhash Pandey, Anurag Misra, Jayanti Oza, Atul Wahi, Rosey Bhasin, Krishna Chitturi, Nikhil Shah and Uma Kartiki. Their highlights were also presented on a video screen as they were called, by Vidya Jyoti’s technical director Shivam Viswanathan.

Around the hall, food and shopping booths added flavor and flair to the event. Guests nibbled on savory chaats, sweets, and home-style meals. The effort of vendor booths was coordinated by a team led by Anita Beri, Sarita Sood, Shree Gurusamy, Alka Sood and Preeti Chawla. Colorful stalls offered handwoven jewelry, textiles, and gifts with their own story.

Advisory Board member Dr. Bhupinder Beri echoed the emotions in his powerful appeal, “We are fortunate because2 Vidya Jyoti’s “Vibrant India” Illuminates Chicago with Rich Traditions and Community Spirit someone once invested in our education. For just $30 a month or a dollar a day, we can offer a child that same gift. Let’s make giving a habit, not a moment.” Ashok Potdar, a dedicated and passionate director of organization, reminded the audience that “Knowledge is the only wealth that cannot be stolen.” The room fell silent, then rose to applause. Another passionate advisory member, Ramesh Mehra had another powerful appeal to help folks understand the mission of Vidya Jyoti.

The two raffle draws, including a grand prize of $250, kept the energy high throughout. It was time for the final performance, a full-on Garba circle that united young and old, like the community had become one beating heart, dancing together.

As the event drew to a close, Pratibha took the mic one last time. Her words were soft but strong. “Vidya Jyoti started with a dream in India. Today, we are helping schools in the U.S., in Haiti, and beyond. Because when we educate a child, we educate generations.”

“This was more than a cultural event. It was a radiant expression of humanity’s best. Vidya Jyoti is not just teaching children they are awakening possibilities” said by Suresh Bodiwala, Chairman of Asian Media USA

Vidya Jyoti, through this colorful and impactful celebration, reaffirmed its mission: to educate, empower, and inspire through unity and cultural pride. For more information, sponsor a child or to get involved, visit www.vidyajyoti.com.

Photographs and Press release by: Asian Media USA

India’s Heartbeat Experienced at Trendia Grand Opening, Sparking Cultural Joy

Chicago, IL: The city of Aurora, Illinois, became the backdrop for a vivid cultural celebration as Trendia, a pioneering name in Indian handicrafts and homegrown heritage, officially launched its Experience Centre on May 3, 2025 at 2760 Beverly Dr, Unit 4 Aurora, IL. The grand opening wasn’t merely a ribbon-cutting, it was a heartfelt immersion into India’s soul, carefully curated through crafts, traditions, and storytelling that transcends borders.

3Born as a digital platform in 2020, Trendia’s journey has culminated in a physical space that resonates with authentic Indian artistry, a space where nostalgia, craftsmanship, and culture intertwine to offer visitors a taste of home. The Aurora Experience Centre marks a significant evolution for the brand, reflecting its mission to be more than a store, to be a cultural revivalist, connecting generations and geographies through meaningful craftsmanship.

The launch event began with a sacred prayer led by Priest Aditya Sharma, setting a spiritual tone that reflected the values behind the brand. The event’s high point came when Aurora Mayor Richard C. Irvin, affectionately self-identifying as a “Blindian” (Black and Indian), presented a commemorative plaque to Trendia, acknowledging the store’s role as a vibrant contributor to the city’s cultural tapestry. He rang a ceremonial bell three times, a ritualistic gesture symbolizing Trendia’s formal embrace into the community.

 Alderman Dan Barrero of Ward One and Alderwoman Shweta Baid, Aurora’s first Indian American and Southeast Asian council member, delivered deeply personal remarks. “This isn’t just a store,” said Baid, “It’s a mini-India—a space where smells, colours, textures, and spirituality meet.” Her sentiment echoed throughout the gathering as guests experienced what many described as a “time capsule” to their roots.

Trendia was founded in August 2020 by Vijay Karumanchi and his wife Sampurna Sikha, inspired by an emotional yet everyday story, a father-in-law’s longing to send his daughter her favourite mango pickle from India, during the travel-banned days of the COVID-19 pandemic. That modest act sparked the launch of Trendia, originally focused on Indian sweets, pickles, snacks, and savouries, designed to comfort and connect displaced families.

 The overwhelming community response fueled Trendia’s evolution into a lifestyle brand that today includes traditional Indian apparel, and in the last 18 months, an ambitious move into home decor and art collectibles. The new Aurora Centre is not only a brick-and-mortar expansion, it is a manifestation of memory, heritage, and home.

Beyond being a shopping destination, Trendia is now emerging as the go-to space for all gifting needs, be it corporate gifting, festive gifting, wedding return gifts, or thoughtful personal presents. The carefully curated inventory, direct access to artisans, antique craftsmanship options, and aesthetic packaging make it the perfect one-stop solution for organizations and individuals looking to make their gifts meaningful and memorable.

Trendia’s Experience Centre is a one-of-a-kind cultural emporium, offering over 3,000 artisanal items from 138 (1) Indian states. It includes: Brass idols of deities like Krishna and Jagannath Swami, Marble and brass Buddha statues with intricate inlay, Wooden temples and home altars, designed with both traditional and contemporary sensibilities, Stone sculptures by Padmashri awardee Pravakar Maharana from Bhubaneswar, Patented wooden art from President’s Award winner Charuhas Pandit ji in Pune, Rare Cheriyal masks, hand-painted by Mr. D Vaikuntam one of the last surviving families practicing this dying art in Andhra Pradesh, Upcycled vintage furniture—crafted from salvaged doors and window frames in Jodhpur, Papier-mâché, clay pots, jharokha mirrors, and seasonal décor sourced directly from rural Indian artisans. The collection bridges past and present, offering pieces that reflect deep mythology, spirituality, and symbolism, while also serving as functional and aesthetic decor for global homes.

 During his welcome speech, Vijay Karumanchi shared the deeper purpose behind Trendia’s expansion: “When someone walks through our doors, it shouldn’t feel like they’re walking into a store. It should feel like they’ve stepped into India itself—their grandmother’s home, a street in Rajasthan, or a temple in Bhubaneswar. That emotional connection is what we strive to create,” he said, his voice filled with warmth and pride.

 “When they take a piece of Trendia back to their homes, it shouldn’t just be a product. It should be a memory. A feeling. A piece of their heritage. I want it to remind them of festivals with family, take them back to the lanes of their homeland, the vibrancy of Indian markets, or the quiet serenity of a prayer at dawn. I want them to feel like they’ve brought home a piece of India. Not just to decorate their space, but to nourish their soul. That’s the soul of Trendia.”

 Sampurna, the co-founder and driving force behind Trendia’s creative and operational vision, emphasized the family-first and artisan-forward philosophy of the brand. She noted that the entire venture is powered by a small but passionate team, including their children, her sister in law, sister and a dedicated group of over 40+ individuals in India, working side by side with the artisans whose lives are uplifted through fair trade and creative dignity.

Trendia is also actively seeking to join hands with more like-minded entrepreneurs, community leaders, and partners across cities and states. The goal is to co-create spaces that celebrate Indian identity and craftsmanship while making heritage accessible, relevant, and rooted in local communities across the U.S. and beyond. Trendia welcomes those who share the same vision of making “Indianness” deeply felt—not just as a design aesthetic, but as a way of life. People who believe in preserving the essence of India—its traditions, stories, and soul, through the revival and promotion of its timeless art and craftsmanship. Together, the aim is to build a movement that honours India’s roots while enriching the global cultural landscape.

 More than a shop, the Aurora centre is an interactive destination. It is A cultural classroom for children who visit with curiosity, some even instinctively removing their shoes in reverence, A space for live artisan demos and storytelling weekends, beginning this summer, A resource for heritage educators and local institutions interested in Indian art forms.
The grand opening also served as the kick-off celebration for Asian American Native Hawaiian Pacific Islander (AANHPI) Heritage Month, further reinforcing Aurora’s dedication to cultural representation. As the ceremonial ribbon was cut, with a Bollywood-style flair and cheering crowds, the message was loud and clear: Trendia is here to stay, to serve, and to share. Mayor Irvin, inspired by the experience, declared: “I’ll be back for my Diwali outfit. And I urge every Auroran, Indian or not, to come and witness what cultural pride looks like.”

“Trendia’s Experience Centre is a living bridge between India and America. It doesn’t just preserve art, it dignifies artisanship, empowers creators, and educates the next generation. It is a temple of culture wrapped in fabric, wood, brass, and soul.” said by Suresh Bodiwala, Chairman and Founder of Asian Media USA.

Chicago’s Urdu Mushaira Unites Hearts In Solidaity

Chicago, IL:  On the evening of May 3, 2025, the National India Hub in Schaumburg transformed into a vibrant tapestry of poetry, culture, and unity as it hosted An Evening of Unity – Urdu Mushaira & Cultural Night. This soul-stirring event, bought by the host Iftekhar Shareef was organized by Ashfaq Sharief, Khurram Syed, and Mohammed Hafeez, drew a diverse crowd to celebrate the timeless beauty of Urdu poetry while fostering a powerful message of peace and solidarity. From evocative verses to heartfelt tributes, the night resonated with the spirit of community, transcending borders and beliefs.

03 UnityThe evening was graced by Chief [Host] Guest: Iftekhar Shareef, First Overseas Citizen of India, Guest of honor Ausaf Sayeed, a prominent community leader, and former Consul General of India in Chicago. The event, which commenced at 7:00 PM, was a houseful affair, with attendees eagerly awaiting performances by luminaries such as Imran Pratapgarhi, a celebrated poet and Member of Parliament from India, and Lata Haya, a poetic powerhouse from Bombay. Joining them were international guest Sohail Zarrar from London, UK, Dr Noor Amrohvi from Dallas, Texas, and local Chicago poets, including Nazar Naqvi, Kashif Haidar, Dr. Lateef Saif, Mehboob Ali, and Fahad Khan.

Amplifying this call for peace, Shareef addressed the persistent scourge of terrorism, particularly India’s enduring struggle. “We’ve gathered to condemn the terrorist act in Kashmir last week,” he declared. “Terrorism has no place in the world, regardless of the country. India has faced this for over 70 years, and we earnestly plead: this must not recur. We urge governments, the global community, and the President of the United States to denounce such acts.” Highlighting Imran Pratapgarhi’s presence, Iftekhar Shareef praised the poet’s dynamic leadership in joining this unified stand against violence, elevating the mushaira’s message to a global stage.

The event was emceed by Ashfaq Sharief. Dr. Noor Amrohvi and Ashar Mehdi did the Nezamat for the poets.

The mushaira began with a poignant moment of silence, led by Ashfaq Sharief, to honor the victims of a recent terrorist attack in Pahalgam, Kashmir. Followed by the U.S. and Indian National Anthem. This solemn tribute set the tone for the evening, as poets and attendees united in condemning terrorism and advocating for peace. Iftekhar Shareef emphasized, “Urdu is a language for everyone, irrespective of religion Hindu, Muslim, Christian, Sikh. It bridges hearts through Bollywood songs, poetry, and shared culture.” His words echoed the event’s theme of unity, highlighting Urdu’s universal appeal.

Imran Pratapgarhi, a star of the night, captivated the audience with his powerful nazms and ghazals. His poem Lab09 4A9A1372 Pe Aati Hai Dua reimagined Allama Iqbal’s classic, weaving a heartfelt prayer for peace in conflict-torn regions like Palestine. “When bullets fly anywhere, it is humanity that dies,” he declared, urging the world to embrace love over hatred. His Lal Qila personifying the Red Fort as a witness to India’s history, stirred patriotic fervor, earning thunderous applause. Pratapgarhi’s ability to blend social commentary with poetic finesse left the audience spellbound.

Lata Haya’s soulful recitations added a lyrical charm, while Sohail Zarrar brought an international flair, reflecting Urdu’s global resonance. Local poet Fahad Khan opened the mushaira with verses like, “We tried enmity with ourselves again / Tired of life, we tried suicide,” striking a chord with their raw emotion. The performances, moderated by Ashar Mehdi, flowed seamlessly, with each poet contributing to the evening’s rich mosaic of thought and feeling.

Dr. Ausaf Sayeed, reflecting on his deep connection to Urdu, shared, “My father and uncle were renowned poets in Chicago. Urdu is not just a language; it’s a legacy of unity.” He praised the organizers for creating a platform that celebrates cultural diversity, noting Chicago’s growing prominence as a hub for Urdu literature. The event also acknowledged the contributions of Asian Media USA, whose media coordination ensured widespread coverage, amplifying the mushaira’s message.

Dr. Noor Amrohvi is A Literary Icon and Community Leader in Dallas. He is a distinguished poet and businessman originally from India, has emerged as one of the most prominent literary figures in the Dallas, Texas area. As the chairman of Al-Noor International, he has made significant contributions to Urdu literature and culture, organizing acclaimed international events like “An Evening for Peace and Unity.” Known for his popular poetry, prestigious awards, and widely attended mushairas, Dr. Noor continues to be a celebrated voice for the Urdu-Hindi speaking community.

Beyond poetry, the evening was a cultural feast, with delectable food available to complement the soulful ambiance. The audience, a vibrant mix of ages and backgrounds, remained engaged despite a delayed start due to traffic challenges. Organizers apologized for the inconvenience, promising an even grander event in the future to accommodate Pratapgarhi’s massive fan base, which sold out tickets in just days.

16 4A9A1662The mushaira concluded with a standing ovation for the poets and organizers, followed by the national anthems of the USA and India, symbolizing the shared values of both nations. Flowers were presented to the guest poets, and Minhaj Akhtar, President of the IOC Committee – Midwest region, joined in honoring the performers. Iftekhar Shareef’s closing remarks reiterated the event’s commitment to fostering peace and cultural harmony, leaving attendees inspired and uplifted.

This mushaira was more than an evening of poetry; it was a movement of hearts united for peace and humanity. Asian Media USA is proud to support such initiatives that showcase the power of Urdu to bridge communities. Events like these remind us of our shared heritage and the urgent need to stand against division and violence. We congratulate Iftekhar Shareef, the organizers, and the poets for creating a night that will resonate in Chicago’s cultural landscape for years to come.” Mr. Suresh Bodiwala, Chairman and Founder of Asian Media USA

This unforgettable evening not only celebrated Urdu’s lyrical legacy but also reinforced its role as a beacon of unity in a fractured world. As attendees left the National India Hub, they carried with them the echoes of verses that spoke of love, resilience, and hope—proof that poetry can indeed change hearts and minds.

China Allows Indian Pilgrims to Tibet Again After Five-Year Hiatus

In a move signaling a potential thaw in strained bilateral relations, China’s foreign ministry announced on Monday that Indian pilgrims will once again be allowed to visit sacred religious sites in Tibet starting this summer. This marks the first time in five years that such visits will resume, reflecting what many see as a step toward improved ties between the two Asian giants.

Mount Kailash and Lake Manasarovar, both located in the Tibet Autonomous Region of China, are considered deeply sacred in multiple religious traditions, including Tibetan Buddhism and Hinduism. For Indian devotees, especially Hindus, these sites are of profound spiritual significance. However, since 2020, Indian pilgrims have been unable to access these locations due to the dual impact of the COVID-19 pandemic and the mounting geopolitical tensions between India and China.

Guo Jiakun, spokesperson for China’s foreign ministry, made the announcement during a routine press conference. In his statement, Guo emphasized the cultural and diplomatic importance of the pilgrimage. “The pilgrimage of Indian devotees to the sacred mountains and lakes in Tibet is an important part of cultural exchange between China and India,” he said.

The annual pilgrimage, typically held from June to September, had been a longstanding tradition until its disruption five years ago. Guo expressed optimism that the resumption of this spiritual journey could further facilitate positive engagement between the two countries. “China is willing to work with India to earnestly implement the important consensus reached by the two countries’ leaders,” he said, referencing a meeting that took place last October between Chinese President Xi Jinping and Indian Prime Minister Narendra Modi.

That high-profile encounter marked the first face-to-face meeting between the two leaders in five years, breaking a prolonged period of diplomatic stagnation. It signaled an attempt to stabilize relations that had significantly deteriorated following a deadly clash in 2020 along the disputed Himalayan border.

The violent incident, which occurred in the Galwan Valley, led to the deaths of at least 20 Indian soldiers and four Chinese troops. It triggered a sharp deterioration in bilateral ties and led to heightened military presence and tension in the region, with both countries deploying troops and equipment in the high-altitude zone.

Since that conflict, diplomatic channels had remained largely dormant until Xi and Modi’s meeting last year, which appears to have prompted a shift toward reconciliation. Since then, several high-level diplomatic and political meetings have taken place between the two nations, aimed at resolving contentious issues and resuming normalcy in bilateral interactions.

In December, a key development took place during a diplomatic meeting held in Beijing, where China and India arrived at a six-point consensus concerning their contested border. Among the points agreed upon was a joint commitment to encourage the return of Indian pilgrims to Tibet, a topic that had been suspended from dialogue for several years. This agreement laid the groundwork for Monday’s announcement and was seen as a significant milestone in the easing of tensions.

In addition to religious and cultural exchanges, the December consensus also aimed at improving communication mechanisms along the Line of Actual Control (LAC) and avoiding further military escalations. The two countries also expressed a shared interest in continuing efforts to build trust and manage border affairs more effectively.

Momentum continued into the new year. In January, India and China took further steps toward restoring bilateral ties during a visit by India’s foreign secretary to Beijing. This meeting was notable for the renewed focus on broader cooperation. During discussions, both sides agreed to address trade and economic disputes, which have also been a source of friction. Moreover, they reached an understanding to resume direct air connectivity between the two nations, a move that would significantly ease travel and bolster people-to-people contact.

These recent interactions are viewed by analysts as part of a broader effort to stabilize the fragile relationship between the two nuclear-armed neighbors, whose ties had reached a historic low following the border clash in 2020.

While military tensions have not entirely subsided, both countries have demonstrated an increased willingness to engage in constructive dialogue and rebuild diplomatic bridges. The resumption of pilgrimages to Mount Kailash and Lake Manasarovar is being interpreted as both a symbolic and practical outcome of this new phase in bilateral relations.

Chinese authorities have emphasized that the move is not only a religious gesture but also a diplomatic opportunity to promote mutual understanding. The Chinese foreign ministry hopes that welcoming Indian pilgrims back into Tibet will be seen as a sign of goodwill and trust-building.

On the Indian side, the reopening of this sacred route is likely to be welcomed by religious groups and cultural organizations that have long sought to restore access to the revered sites. For many Hindus, a pilgrimage to Mount Kailash and Lake Manasarovar represents a lifetime aspiration, believed to bring spiritual enlightenment and blessings.

While the announcement has not yet included detailed logistical or visa information, observers believe that more clarity will emerge as the pilgrimage window approaches in June. It remains to be seen whether there will be any caps on the number of pilgrims or new procedural requirements, especially given the lingering sensitivities along the border.

The broader regional context also adds layers of complexity to the situation. India and China are not only neighbors but also strategic competitors with differing geopolitical visions. Their rivalry extends beyond the Himalayas to international platforms, trade partnerships, and influence in South Asia and the Indo-Pacific region.

Despite these long-standing rivalries, the latest developments indicate that both countries recognize the value of restoring people-to-people exchanges and cultural diplomacy. As many diplomats have pointed out, religious pilgrimages have often served as neutral avenues for rebuilding strained relationships.

China’s move to re-open access to sacred Tibetan sites for Indian nationals could pave the way for more cooperative engagements in the future. While significant obstacles remain—particularly with regard to territorial claims and military deployments along the LAC—the current trend suggests a cautious but deliberate shift toward normalization.

The world will be watching closely as the pilgrimage season begins this summer. It will serve as a litmus test for how much trust can be rebuilt and whether cultural and religious diplomacy can help mend the deep fissures that have developed over recent years.

Ultimately, this development may represent more than just a religious reopening—it could be a meaningful step in reshaping a complex and often fraught relationship between two of the world’s largest and most powerful nations.

Grand Egyptian Museum Offers Visitors a Glimpse Into Five Millennia of History Ahead of Grand Opening

Upon entering the Grand Egyptian Museum (GEM), visitors are immediately greeted by a towering 36-foot-tall, 82-ton granite statue of Ramesses II, one of Egypt’s most renowned pharaohs who reigned over 3,300 years ago. Since 2006, Ramesses II has been a sentinel at the site, being one of the first artifacts installed during the early stages of construction. However, only recently have travelers been able to view him along with the more than 100,000 ancient artifacts contained within this expansive new museum that captures 5,000 years of Egyptian civilization.

The GEM spans over 5 million square feet and is hailed as the largest archaeological museum in the world dedicated to a single civilization. Visitors have been getting an early look at 12 selected exhibits during the museum’s soft opening phase, which precedes the official grand opening scheduled for July 3, 2025. According to the museum’s official website and ticketing portal, this preliminary phase has been designed “to test the site’s readiness and visitor experience prior to the official opening.”

As per the museum’s advisory, “During this phase, you will be able to visit the main exhibition halls, the Grand Atrium, the Grand Staircase, the commercial area, and the outdoor gardens. The King Tutankhamun Halls will remain closed until the official opening.” For now, the museum welcomes guests daily from 9 a.m. to 5 p.m., although it will temporarily close on June 15 to finalize preparations for the grand opening.

The journey to this point has been long and tumultuous. Construction began 20 years ago but was significantly delayed by political unrest, financial challenges, the global pandemic, and regional conflicts. Despite these setbacks, the museum is finally nearing completion.

The GEM’s facade is an impressive display of alabaster and glass, adorned with hundreds of cartouches—ovals encircling hieroglyphs that contain the names of ancient Egyptian kings and queens. However, the new museum is not intended to replace the historic Egyptian Museum in downtown Cairo, which opened in 1902 and is housed in a two-story building. Rather, it serves to accommodate Egypt’s vast collection of archaeological artifacts, providing a more spacious and organized setting.

“Over the years, artifacts started piling up in the basement, in the attic, in storage rooms, and it became too much,” explained Marwa Abbas, an Egyptologist who collaborates with AmaWaterways, a cruise company that offers Nile River sailings with pre-departure tours in Cairo. She further stated, “It was decided that a new museum would open to house new excavations and allow curators to better organize findings by theme, creating better understanding.”

In the upcoming weeks, over 5,000 items from the tomb of the famous boy king Tutankhamun will be relocated from the Egyptian Museum to two massive exhibition halls within the GEM. Among these treasures are King Tut’s ornate throne, intricate royal jewelry, two golden sarcophagi, and his iconic funerary mask, crafted from nearly 25 pounds of solid gold and regarded as one of the most significant artifacts of Egyptian art. Many items from this collection have never before been on public display. Although Tutankhamun’s reign was brief, his tomb’s remarkable preservation provided unparalleled insight into ancient Egyptian life and customs when British archaeologist Howard Carter unearthed it in 1922.

In addition to Tutankhamun’s treasures, the museum will also unveil a separate annex displaying two royal boats that were discovered near the Great Pyramid in 1954. These boats will be available for viewing after the museum’s official opening.

From the Grand Atrium, where the statue of Ramesses II stands, visitors can ascend a magnificent staircase lined with statues of Egypt’s legendary pharaohs. At the landing, guests are treated to a stunning, unobstructed view of the Pyramids of Giza, located just over a mile away. Future plans include creating a pedestrian walkway that connects the museum directly to the ancient pyramids.

The museum’s galleries are designed around three central themes: society, kingship, and beliefs. These themes are further categorized into four historical periods—the Old Kingdom, Middle Kingdom, New Kingdom, and the Greco-Roman period—allowing visitors the option to explore the exhibits thematically or chronologically. The collection includes a diverse range of artifacts such as ancient manuscripts on papyrus, mythological stories etched into stone, ceremonial tools and jewelry, a 3,100-year-old wig made from real human hair, a replica of the Rosetta Stone, royal mummies including a mummified crocodile, and numerous other remarkable objects. Every artifact or set of artifacts is accompanied by clear and informative placards written in Arabic, English, and Braille, ensuring accessibility to a wide range of visitors.

Architectural elements reflecting the pyramid motif are incorporated throughout the museum, from the angular design of the window panes to the stone patterns in the outdoor water features positioned between the security checkpoints and the main building. Besides the exhibition spaces, the museum also features a food hall and several gift shops offering a wide selection of souvenirs.

Admission tickets can be purchased either online or at the museum’s on-site ticket booth, where only credit cards are accepted. The cost for adult admission is 1,200 Egyptian pounds, approximately $24 according to current exchange rates. Children and students aged 4 to 21 are eligible for half-price tickets, and admission is free for children under 4 years old. Visitors also have the option to book a 90-minute guided tour in either English or Arabic for 1,700 Egyptian pounds, about $34.

The Grand Egyptian Museum represents an unprecedented effort to preserve, showcase, and celebrate Egypt’s unparalleled historical legacy. After years of anticipation and obstacles, its imminent grand opening promises to usher in a new era of cultural and historical appreciation for both Egyptians and visitors from around the world.

Kerala Folk Arts Festival, Children’s Talent Competition at Global Malayalee Festival in Kochi

Kerala Folk Arts Festival, Children’s Talent Competition along with the Miss Global Malayalee Pageant to elect the winner based on one’s personality, poise, confidence, presentation and intellect, will be part of the first ever Global Malayalee Festival planned to be held at Crown Plaza Hotel on August 15-16, 2025.

The organizers have urged Malayalees from across the globe to be part of this historic event planned be held in Kerala. Presentation of Kerala Folk Arts like, Kalaripayattu, Theyam, Ottam Thullal, Parichamuttu Kali, Mappilla Pattu, Kadhkali, and Mohini Aattam will be performed during the Miss Global Malayalee Pageant and will elect the best Malayalee woman between 18 and 25 years old.

Expecting participation from the people of Malayalee origin from around the world, the major focus of the Festival is the Global Malayalee Trade, Technology, and Investment Meet planned for August 16th, where Malayalee and foreign business leaders will deliberate on ways to expand business and trade investments in Kerala.

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Boat tour Kochi Backwaters will be arranged for those who want to go sight seeing of Kochi. Global Malayalee Festival will be a true family event where everybody can enjoy. All Malayalee families outside and in India are urged to participate in this great first time event ever organized.

The first ever Global Malayalee Trade, Technology and Investment Meet will be the first of its kind ever held and will be attended by  Malayalee business leaders from all over the world and India, foreign government delegates, along with the national and Kerala government representatives.

For families with children, on August 16 morning, there will be a talent competition for children below 15 under three categories, 5-8, 9-12, 13-15 years and giving awards along with the Global Malayalee Ratna awards under 17 categories in the evening.

Several signatories including the Chief Minister, Tourism Minister, Central Ministers, Political Leaders, Elected Leaders and Foreign Dinghies are expected to be present in the evening public meeting and awards ceremony.

Living thousands of miles away from this beautiful land of diverse traditions, yet the center of global ambitions, every Malayalee longs to be connected with and rediscover her/his roots. The fist ever Global Malayalee Festival planned to be held from August 15th to 16th, 2025 in Kochi, the most modern and ancient city of the state of Kerala, promises to offer the millions of Malayalees spread across the globe, a unique opportunity to “Bond Beyond Borders,” to experience and relive the rich cultural heritage of Kerala.

Andrew Pappachen, the Director & Chief Organizing Officer of the Global Malayalee Festival urged the Malayalee  Diaspora to “be part of the cultural celebrations, celebrating our achievements, transformative discussions, and groundbreaking ideas at the inaugural Global Malayalee Festival in Kochi.”

The Festival 2025 brings together Malayalee diaspora leaders, innovators, and visionaries from around the globe to discuss and collaborate on shaping future technologies and their impact on global communities. The festival will feature keynote sessions, panel discussions, cultural showcases, and networking opportunities designed to celebrate and empower the Malayalee diaspora’s contributions to the cultural and technological advancement of the world.

Dr. Abdulla Manjeri, the Director and Managing Director of the Festival said, “The Global Malayalee Festival is a celebration of Kerala’s culture, heritage, and global connections, offering opportunities for growth, networking, and unity. It blends tradition with modern opportunities, focusing on areas like trade and investment and celebration.”

Early registration is open till May 20 at a discounted rate of Rs.22500 for single, Rs.30000 for double and Rs. 7500 per child. Please visit www.globalmalayaleefestival.com

Write to:registration@globalmalayaleefestival.com

Memories of Kumiben Lakhia – Harbinger of change

– A Tribute by Uttara Asha Coorlawala

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Erasing Borders Dance Festival 2021

In 1984, in Bombay at the East-West Dance Encounter, was when I first saw some kathak that had an exciting contemporary flair, simpler yet figure flattering costumes, dancers flowing in and out of spatial group patterns (as opposed to solos) and flashing through rhythmic designs. I was floored. Until then Kathak had always seemed like a heritage dance form, old precious, subtle complex. And the choreographer of this iconic dynamic new kathak was none other than Kumudini Lakhia from Ahmedabad. Her methods were quickly appropriated by so many kathak dancers that what once was perceived as daring and avante garde soon became mainstream!

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Left Ram Gopal and Kumiben Lakhia, Right Birju Maharaj ji and Kumiben Lakhia

The next day at the seminar following the performance described above, Kumudiniben spoke to the small tightly curated gathering of dancer-choreographers.   Referring to the content of most kathak abhinaya of her time, that consisted of dances of the gopis pining for or playing with Krishna, –  Kummudiniben said simply and with conviction – “I want a divorce from Krishna” A dead silence followed her announcement. Then all  participants stood up and cheered. At last the subject of dance could be normal middleclass women with their realistic concerns!

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Left Ravi Shankar and Kumiben Lakhia Right Atul Desai and Kumiben Lakhia

In the years that followed that pivotal moment, I had many opportunities to be swept away by her choreographic brilliance, her ready witty, cheeky but observant responses and her compassionate relationship with younger dancers. She graciously agreed to appear on our Erasing Borders on the September 22nd, 2021 virtual Dance Festival. Accolades and memorial recollections have been pouring in, an icon for so many.  Dearest Kummiben, you worked hard and gave generously to generations following you.  RIP


Uttara Asha Coorlawala
Senior Curator,
IAAC Erasing Borders Dance Festival

New York Indian Film Festival Marks 25th Anniversary With Powerhouse Lineup, Pays Tribute to Shyam Benegal, Features Special Film on James Ivory

The New York Indian Film Festival (NYIFF), the longest-running and most prestigious U.S. festival dedicated to Indian independent cinema, returns for its milestone 25th edition from June 20–22, spotlighting bold new voices, storied auteurs, and urgent narratives from the Indian subcontinent and its global diaspora.

Screenings will take place at Manhattan’s Village East by Angelika, with tickets and full programming details now live at nyiff.us. All the films have English subtitles.

The 2025 lineup includes 22 feature-length films—18 narratives and 4 documentaries—spanning more than a dozen languages and regions. From Tamil and Odia to Assamese, Hindi, and Malayalam, the selection reflects both the diversity and the evolving language of Indian cinema. The festival program also includes 21 short narrative and documentary films.

Opening Film Showcases Emerging Voices

The festival opens with the East Coast premiere of The Fable, Raam Reddy’s visually arresting drama that debuted at the 2024 Berlinale. Starring Manoj Bajpayee, Priyanka Bose, and Deepak Dobriyal, the film merges surrealism and psychological tension against the Himalayan backdrop. Reddy, whose debut Thithi won the Golden Leopard at the Locarno Film Festival and an Indian National Film Award, returns with what critics have called a “lyrical, genre-defying triumph.” The Fable recently took home Best Film at the Leeds International Film Festival.

With haunting performances and a stellar ensemble including Tillotama Shome in a cameo, The Fable sets the tone for a weekend of cinema that is as thought-provoking as it is emotionally resonant.

Opening Night: The Fable

Centerpiece and Closing Films Bring Star Power

Kennedy, the noir thriller that bowed in Cannes’ Midnight Section, headlines as the centerpiece. Anchored by Rahul Bhat’s intense lead performance—building on his recent acclaim for the series Black Warrant—the film is directed by Anurag Kashyap, stars Sunny Leone and tackles corruption and inner demons.

Centerpiece Film: Kennedy

The closing night film, Little Thomas, is a coming-of-age dramedy set in 1990s Goa, marking the directorial debut of Kaushal Oza. The film stars Rasika Dugal (Delhi Crime, Mirzapur) and Gulshan Devaiah (Hunterrr, Ulajh), who will be in attendance alongside the crew.

Closing night film - Little Thomas

Off-Screen Celebration at Chatti

Following the closing night, the festival will host its official after-party at Chatti, a buzzy new Manhattan hotspot by chef Regi Mathew. Known for its contemporary twist on Kerala cuisine, the venue offers an intimate setting to toast the future of Indian cinema.

Honoring Master Storytellers: Shyam Benegal and James Ivory

The festival pays tribute to Shyam Benegal, a titan of Indian parallel cinema who passed away in 2024. NYIFF will screen a 4K restoration of Manthan (1976), his landmark film about India’s White Revolution, restored by the Film Heritage Foundation. The film premiered at the Cannes Classics in 2024.

 

Also on the slate is An Arrested Moment, a short documentary from The Metropolitan Museum of Art, directed by Dev Benegal. The film explores Oscar-winner James Ivory’s enduring fascination with Indian art and culture.

Narrative Features Reflect India’s Multitudes

Other Feature Narratives Include:

  • Angammal (Tamil) — Vipin Radhakrishna’s emotional film – adapted from a short story by Perumal Murugan, delves into generational resilience and women’s agency in rural South India.
  • Humans in the Loop (Hindi) — Aranya Sahay’s near-future narrative explores the ethics of AI in an increasingly mechanized society.
  • I’m Not An Actor (Hindi/English) — Starring Nawazuddin Siddiqui, Aditya Kriplani’s film blurs fiction and reality in a searing critique of fame and identity.
  • Kaisi Ye Paheli (Hindi) — Ananyabrata Chakravorty’s thriller examines a mother-son relationship and a series of murders.
  • Madam Driver (Hindi/Gujarati) — Indrajit Nattoji delivers a witty, heartfelt tale of a middle aged woman learning to drive.
  • Parab (Odia) — Chinmay Das brings indigenous voices to the forefront in this powerful tale of resistance and land.
  • Parikama (Hindi/English/Italian) — A multicultural cinematic journey along the Narmada River and the dams built around it from veteran director Goutam Ghose.
  • Pyre (Hindi) — Vinod Kapri crafts a haunting drama about an elderly couple facing loneliness and abandonment in a small Himalayan village.
  • LGBTQ Double Feature celebrating Pride Month: Riptide (Malayalam) — Afrad VK’s moody, melodious gay romance that interweaves reality, fantasy and legend. Followed by the short film IYKYK (Hindi) by Bonita Rajpurohit.
  • Second Chance (Hindi) — Subhadra Mahajan’s film tracks the narrative of a young woman’s grief, healing, and rediscovery.
  • Simple Manusan (Tamil) — A collaborative directorial debut from Shobaan Nagarajan and Haran Kaveri that explores marriages, culture and identity among the Tamil community in Kuala Lumpur.
  • Sunday Special (Kannada) — Abhilash Shetty’s film about a young girl who wants a chicken meal.
  • The Ancient (Bengali) — In Suman Ghosh’s new film Sharmila Tagore returns to Bengali cinema after 14 years playing the role of an 80-year-old woman with a deteriorating mental state.
  • The Other Side (Malayalam) — Indu Lakshmi’s debut feature has a teenager coping with her mother’s death and an oppressive patriarchal society.
  • The Tiger (Marathi) — Nikhil Mahajan delivers a rousing tale of climate change, and the struggle between humans and tigers in a rural village.
  • Village Rockstars 2 (Assamese) — Rima Das returns with a follow-up to her internationally acclaimed and National Award winning debut, continuing the story of children and their musical dreams.

Documentaries Spotlight Urgency and Humanity

NYIFF’s nonfiction programming includes A Fly on the Wall, a deeply personal film by Shonali Bose and Nilesh Maniyar documenting physician-assisted suicide in Switzerland. Other standouts: Marching in the Dark (Marathi), on widows of suicide-struck farmers; Renaissance Man, about parliamentarian Vivek Tankha; and Turtle Walker, which follows a conservationist’s mission to protect India’s sea turtles.

Legacy and Looking Ahead

“What began as a grassroots platform is now a global stage for Indian independent cinema,” says Festival Director Aseem Chhabra. “This year’s lineup is one of our most powerful and wide-ranging to date. From deeply personal documentaries to regional narratives that rarely reach global audiences, the 25th edition of NYIFF reflects the evolving language of Indian cinema. We are especially proud to welcome back stalwarts like Goutam Ghose, Rima Das, Suman Ghosh and Nikhil Mahajan, while also shining a spotlight on extraordinary new talent making their debut. And we are thrilled to have actor Nawazuddin Siddiqui, who has won two NYIFF best actor trophies, attend this year’s festival.”

Adds Suman Gollamudi, Executive Director of the Indo-American Arts Council, which presents NYIFF: “This festival has long been a space where India’s cinematic legacy meets its most daring futures. At 25, we are not just celebrating the past—we are investing in what’s next.”

Tickets, schedule, and full program details are available at nyiff.us.

About the New York Indian Film Festival:

The New York Indian Film Festival is presented annually by the Indo-American Arts Council, a non-profit organization dedicated to promoting Indian arts and culture in the United States. Since its inception in 2001, NYIFF has showcased the best in Indian cinema, celebrating the diversity and creativity of filmmakers from India and around the world.

Indian Consulate in New York Marks Baisakhi with Joyous Celebration of Punjabi Heritage

On April 11, 2025, the Indian Consulate in New York commemorated the festival of Baisakhi with an event that brought together community leaders, elected officials, and members of the Indian diaspora. The celebration, co-hosted by the news outlet Indian Panorama, was described by the Consulate as “a joyous celebration honoring the spirit of Baisakhi and Punjab’s rich cultural heritage.”

Baisakhi, an important festival in the Sikh and Punjabi calendar, marks the beginning of the harvest season in Punjab and also commemorates the founding of the Khalsa by Guru Gobind Singh in 1699. The New York event was a cultural tribute to these twin significances, reflecting both spiritual depth and vibrant tradition.

The Indian Consulate shared a detailed account of the evening on the social media platform X, formerly known as Twitter. In its post, the Consulate described how the program commenced with a “soulful” Shabad, a devotional hymn rooted in Sikh spiritual tradition. The evening concluded with a “lively” Bhangra performance, capturing the infectious energy and joy associated with Punjabi folk dance.

The event saw the participation of notable figures from both the community and local government. Among the attendees were New York State Assemblyman Ed Braunstein and North Hempstead Town Clerk Ragini Srivastava, who joined community leaders in celebrating the occasion.

During the event, the Consul General of India in New York, Binaya Srikanta Pradhan, spoke about the values embodied by the Sikh faith and the legacy of its spiritual leaders. He emphasized the enduring relevance of the teachings of the Sikh gurus, particularly their messages of compassion, harmony, selfless service, and equality. As noted in the Consulate’s X post, CG Pradhan also acknowledged the significant contributions of the Punjabi community to the larger process of India’s nation-building.

“The teachings of Sikh gurus—centered on compassion, harmony, service, and equality—are timeless,” Pradhan stated. He further expressed pride in the Punjabi community’s enduring role in shaping India’s development and identity. “The Punjabi community has contributed immensely to India’s nation-building,” the X post quoted him as saying.

In addition to the official remarks, the event featured reflections from prominent members of the diaspora. Gurcharanjit Singh Lamba, a respected scholar and author, spoke about the historic founding of the Khalsa. He offered insights into the transformative significance of this moment in Sikh history and its continued resonance today. Lamba’s reflections reminded the audience of the deep philosophical and spiritual dimensions of Baisakhi, beyond its festive aspects.

Adding a personal and emotional dimension to the evening, attorney Ravi Batra shared his experience visiting Sri Harmandir Sahib, commonly known as the Golden Temple. His account touched many in the audience, highlighting the profound impact of the holy site on those who visit it. Batra’s words served as a bridge between the spiritual roots of the celebration and the present-day experiences of the Indian diaspora.

The event successfully blended cultural expression, spiritual reflection, and community recognition. The Consulate’s efforts, supported by Indian Panorama, created a space where traditions could be honored and community ties strengthened. Through music, dance, and thoughtful speeches, the celebration conveyed the enduring relevance of Baisakhi in contemporary times.

With the combination of devotional Shabad singing and high-energy Bhangra, the evening moved from introspective spirituality to collective celebration. This balance reflected the essence of Baisakhi—a festival that celebrates both divine inspiration and earthly joy.

Elected officials who participated in the event also acknowledged the importance of such cultural gatherings in fostering inclusivity and community understanding. Their presence highlighted the value of the Indian-American community’s cultural contributions in the broader social fabric of New York.

The Consulate’s post also reaffirmed its commitment to celebrating India’s diverse cultural traditions. By spotlighting Punjab’s rich heritage through the Baisakhi celebration, the Indian Consulate in New York once again emphasized its role as not just a diplomatic entity but also a cultural ambassador.

The inclusion of voices like that of Gurcharanjit Singh Lamba and Ravi Batra further enriched the evening’s significance. Lamba’s scholarly interpretation of the Khalsa’s founding encouraged a deeper engagement with Sikh history, while Batra’s heartfelt narrative connected attendees with the spiritual core of the celebration. Their contributions helped ground the event in both history and lived experience.

The celebration of Baisakhi in New York stands as a testament to the vibrancy and resilience of Indian traditions abroad. Events like these allow communities to stay connected to their roots, share their stories with the wider public, and foster a sense of belonging. As the Consulate noted, the festival was not just about celebration—it was about honoring heritage, remembering history, and embracing unity.

The phrase used by the Consulate to sum up the event—“a joyous celebration honoring the spirit of Baisakhi and Punjab’s rich cultural heritage”—perfectly captured the evening’s tone. From the solemn opening Shabad to the exuberant finale of Bhangra, each element reflected the festival’s diverse expressions.

The Consulate’s use of the word “soulful” for the Shabad and “lively” for the Bhangra in its X post highlighted the deliberate contrast between the spiritual and festive aspects of the evening. This juxtaposition is central to understanding Baisakhi itself—a day that is both a religious milestone and a cultural festivity.

CG Binaya Srikanta Pradhan’s remarks served as a reminder of the ethical teachings that underpin Sikh philosophy. His emphasis on compassion, harmony, service, and equality resonates beyond religious lines, offering values that are universally relevant.

Assemblyman Ed Braunstein and Clerk Ragini Srivastava’s participation underlined the acceptance and celebration of multiculturalism in American civic life. Their attendance showed that cultural events organized by diaspora communities not only preserve heritage but also contribute to intercultural dialogue.

Ultimately, the 2025 Baisakhi celebration hosted by the Indian Consulate in New York, with the support of Indian Panorama, was more than a festive gathering—it was a reaffirmation of identity, history, and community. By honoring the past and celebrating the present, the event exemplified how tradition and modernity can coexist harmoniously.

In a world often marked by division, such cultural gatherings remind people of the power of unity and the shared joy of celebrating heritage. Through thoughtful speeches, vibrant performances, and meaningful reflection, the Baisakhi event in New York brought together the diaspora in a spirit of pride, reverence, and festivity.

Ambassador Sreenivasan Inaugurates Registration For Global Malayalee Festival

Ambassador T. P. Sreenivasan, a veteran diplomat and a former Ambassador and Permanent Representative of India to the United Nations, Vienna, and Governor for India at the International Atomic Energy Agency, Vienna, officially inaugurated the early registration for the first ever Malayalee Festival, during a virtual ceremony attended by leaders and representatives from over 52 countries on April 5th, 2025.

GMF 1The Global Malayalee Festival is planned to be held at the Crown Plaza Hotel, Kochi, on August 15 and 16, 2025. Describing the Festival as the largest ever Malayalees Sangamam, where Malayalees from all over the world are expected to be part of and celebrate the culture, traditions, and accomplishments of the Malayalee community, the organizers have urged people of Malayalee origin “to join in this great festival of global Malayalees in our beautiful homeland,  God’s Own Country.”

Ambassador T. P. Sreenivasan, Chief Patron of Global Malayalee Festival, while extending his whole-hearted support and urging all Malayalees to be part of the event, said, “This Festival is not in the name of any organization; anyone could participate in it independently without any affiliation.”

Global Malayalee Festival has the support of the Kerala Government. Chief Minister Mr. Pinarayi Vijayan and Minister of Public Works and Tourism P.A. Mohammed Riyas, along with Central Ministers Suresh Gopi and George Kurien are expected to attend. Other dignitaries expected to attend are representatives of the Royal family in the Gulf, Senior political leaders, and industry executives.

Global Malayalee Festival is being organized by Malayalee Festival Federation, a registered not-for-profit companyT P Sreenivasan in India with an NGO status. The objective of the Festival is to offer a platform to network for the global Malayalees and stay connected for generations to come as members of the Global Malayalee Community.

The Festival is a way of connecting the growing diaspora of Malayalees living outside Kerala with their cultural heritage by organizing events such as the Global Malayalee Trade, Technology and Investment Meet, Miss Global Malayalee Beauty Pageant, and Global Malayalee Ratna Awards. Additionally, we work to support charitable activities in Kerala, with a focus on assisting underprivileged individuals and providing them with the necessary support.

The major events of the festival include, First Ever Global Malayalee Trade and Technology Meet, the First Ever Miss Global Malayalee Pageant, and the recognition of Malayalees all over the World with the Global Malayalee Ratna Awards, during a concluding ceremony, on the last night, which will be attended by several special guests.

Andrew“Malayalees from all over the World are invited to attend this great event, especially the new generation, born and raised outside Kerala. The Festival will be a perfect opportunity for the young generation to seek and explore their roots and heritage,” the organizers stated.

Global Malayalee Trade, Technology and Investment Meet is a major focus of the Festival, which will bring global leaders, visionaries, and innovations under the dynamic themes of Innovation, Sustainability, and Digital Transformation.

Referring to the other two major events that are part of the Festival, Miss Global Malayalee Pageant and Global Malayalee Ratna Awards, Andrew Pappachen, Chief Executive Officer of the Festival said, “Global Malayalee Festival is for every Malayalee around the World, especially the new generation born and brought up in a foreign country giving them an opportunity to explore their heritage and link with the Malayalee culture. The Miss Global Malayalee pageant gives opportunities for young girls to participate in events and display their talents. The Global Malayalee Ratna Award will recognize the most accomplished new Generation Malayalees around the World. Global Malayalee Festival is an opportunity to link with Malayalees in other parts of the world, and therefore, your attendance will benefit you and the future generations.”

According to Abdullah Manjeri, Managing Director of the Festival, The meet will revolve around four competingAbdullah Manjeri themes: 1. Innovating for a sustainable future, 2. Global Trade in the Digital Age, 3. Bridging Markets East Meets West, and, 4.The future of Trade, Trends and Predictions.

Manjeri said, “The Meet will feature keynote addresses from thought leaders, interactive workshops, and panel discussions enriched by expert insights and actionable strategies. Networking opportunities will enable participants to connect with industry pioneers, fostering collaborations that transcend borders.” Abdullah urged all Global Malayalee Businesspersons to join the Trade, Technology, and Investment Meet to take place on August 16 to participate in the meaningful discussions and groundbreaking ideas driving global innovation and sustainable progress. For more information, please contact Abdullah Manjeri at: cmd@globalmalayaleefestival.com

Early registration is open until May 15th with a 20% discount, which includes two two-night stays and all the meals, which is Rs.20,000 for a single, Rs.26,400 for double, and Rs.6,400 for each child. Malayalees, particularly businesspeople and youth worldwide, are encouraged to register for the Global Festival of Malayalees. To register online, you may visit the web: www.globalmalayaleefestival.com or write to registration@globalmalayaeefestival.com

Dr. BK Kishore Collaborates with Shark Tank’s Kevin Harrington in Book Highlighting Innovation and Medical Research

Dr. BK Kishore, a renowned medical expert, researcher, and Global Unity Ambassador representing the Indian community, has reached a significant milestone by co-authoring a book with Kevin Harrington, one of the original investors from the popular television show Shark Tank. This project brings together 16 prominent thought leaders, innovators, and entrepreneurs, each of whom has contributed a chapter rooted in their individual expertise and passion.

In his chapter titled “The Path to Cures is a Long One,” Dr. Kishore delves into the often difficult and complex road that underlies medical breakthroughs and discoveries. He offers a thoughtful exploration of the scientific discipline, persistence, and dedication that are essential to transform medical ideas into real-world treatments. With his deep-rooted knowledge and experience in the medical field, Dr. Kishore’s writing is aimed at both informing and inspiring professionals working in medical research, healthcare, and innovation.

Dr. Kishore’s inclusion in this book is not only a recognition of his professional achievements but also a testament to his continued commitment to education and global collaboration. His work sheds light on the inner workings of medical advancement and emphasizes the critical role of perseverance in the face of scientific challenges. As a distinguished figure in medical research, Dr. Kishore uses his platform in the book to underline how essential long-term vision and tenacity are in the pursuit of life-saving treatments.

Kevin Harrington, who gained global recognition through his role as an original investor on Shark Tank, has built a reputation for identifying innovative ideas and nurturing entrepreneurial ventures. Through his initiative of co-authoring books with other industry leaders, he has established a platform where professionals from various fields can share their knowledge, tell their stories, and inspire emerging entrepreneurs and change-makers. These books act as a vital link connecting the business world with thought leadership, offering valuable insight and motivation to the next generation of visionaries.

Dr. Kishore shared his reflections on being invited to join the collaborative book project. He expressed his appreciation for the opportunity and for being able to work with an esteemed group of contributors. “It is truly an honor to collaborate with Kevin Harrington and a group of exceptional co-authors. The experience has been both inspiring and enriching. Kevin’s vision of promoting innovative ideas and fostering entrepreneurial spirit is something I deeply admire. I feel fortunate to have been invited to contribute to this book,” Dr. Kishore said.

This opportunity also provided Dr. Kishore with a platform to further his mission of spreading knowledge and encouraging international collaboration, especially highlighting the role of Indian professionals in shaping global innovation. His position as Global Unity Ambassador plays a crucial part in this effort. As part of this role, he actively works to bridge communities, promote educational efforts, and foster growth through shared understanding and cooperation.

The book project serves as a collective voice for accomplished leaders in their respective domains, with each author contributing insights rooted in experience and a drive to positively impact the world. Dr. Kishore’s chapter contributes to this vision by focusing on the importance of resilience in the medical research process. He emphasizes that while the road to finding cures can be long and difficult, it is one paved with discovery, hope, and the potential to change lives.

Dr. Kishore’s involvement also highlights the growing recognition of Indian professionals and their influence on the international stage. His perspective brings added depth to the book by emphasizing the global nature of scientific collaboration and the universal challenges shared by those working to improve human health.

The collaboration between Dr. Kishore and Kevin Harrington exemplifies the value of cross-disciplinary partnerships in today’s fast-evolving world. Harrington’s entrepreneurial insights and Kishore’s medical expertise blend well in this collection of ideas designed to push boundaries and spark innovation. Each chapter is a standalone contribution, yet all of them collectively aim to inspire and educate readers in multiple fields, from healthcare to business.

For Dr. Kishore, this book is another significant achievement in a career already marked by dedication to medical science and community service. The recognition associated with this collaboration not only elevates his personal accomplishments but also shines a spotlight on the importance of inclusive leadership and shared knowledge across professions and borders.

This milestone also aligns with Dr. Kishore’s broader goal of emphasizing the value of community-oriented thinking, where knowledge and resources are not confined to one industry or geography but are instead shared across cultural and professional boundaries. His work continues to reinforce the message that collective progress requires input from a variety of perspectives, including those rooted in science, entrepreneurship, and global unity.

The book is expected to inspire readers from various industries, including entrepreneurs, healthcare professionals, business executives, and aspiring innovators. By combining insights from experts in a wide range of fields, the book serves as a guide for those looking to make meaningful contributions in their professions while also navigating the challenges that come with innovation.

Dr. Kishore’s message is clear: while innovation may be difficult and the journey to effective solutions long and demanding, the process itself holds immense value. His story serves as a reminder that breakthroughs are born not only from intellect and skill but also from persistence, collaboration, and an unwavering belief in the power of ideas to improve lives.

Ultimately, this co-authored book stands as a testament to the power of partnerships across domains. It shows what can be achieved when individuals from different walks of life come together with a shared purpose — to inspire, educate, and drive forward the spirit of innovation. With his contribution, Dr. Kishore continues to pave the way for others, reinforcing the importance of unity, knowledge-sharing, and resilience in achieving progress.

“It is truly an honor to collaborate with Kevin Harrington and a group of exceptional co-authors. The experience has been both inspiring and enriching. Kevin’s vision of promoting innovative ideas and fostering entrepreneurial spirit is something I deeply admire. I feel fortunate to have been invited to contribute to this book,” Dr. Kishore reiterated.

Dr. BK Kishore’s role in this collaborative book effort reflects not only his individual success but also his unwavering commitment to advancing medicine, fostering unity, and promoting the exchange of knowledge across communities. His journey, now shared in print alongside other influential voices, is a powerful example of how passion and perseverance can lead to real-world impact.

MF Husain’s Long-Lost Masterpiece Sells for Record-Breaking $13.8M at Christie’s

A forgotten masterpiece by legendary Indian artist MF Husain has set a new benchmark in Indian art history. Untitled (Gram Yatra), a massive 14-foot-wide oil-on-canvas mural, was rediscovered after decades and sold for an astounding $13.8 million (£10.6 million) at a Christie’s auction in New York last week. This shattered the previous record for Indian art, surpassing the $7.4 million (£5.7 million) fetched by Amrita Sher-Gil’s The Story Teller in 2023.

A Forgotten Gem Resurfaces

For nearly 50 years, this record-breaking painting quietly hung on the walls of a Norwegian hospital, unnoticed and undervalued. Originally painted in 1954—long before Husain became an icon—it is now recognized as a defining work of modern South Asian art. The mural, later named Gram Yatra (meaning “village journey”), comprises 13 vivid vignettes depicting rural Indian life, blending Indian folk traditions with modernist influences.

Husain’s use of vibrant, earthy tones brings these snapshots to life, portraying women engaged in daily activities such as cooking, caring for children, and riding a cart. A particularly striking frame features a farmer extending his arm, seemingly connecting to the land in the adjacent panel—a nod to India’s agrarian roots.

A Masterpiece Influenced by Travels

“If you’re looking for a single artwork that defines modern South Asian art, this is it,” said Nishad Avari, head of South Asian Modern and Contemporary Art at Christie’s. He noted that Husain’s brushwork in Gram Yatra reflected influences from his 1952 trip to China, where he encountered the expressive calligraphy of Xu Beihong.

In the years following India’s independence, Husain sought artistic inspiration not in Western metropolises like Paris or New York, but in India’s villages—echoing Mahatma Gandhi’s vision that the nation’s soul resided in its rural heartland. His biographer, Akhilesh, noted that Husain’s deep engagement with India’s cultural fabric helped shape the country’s self-perception.

A Journey from Delhi to Oslo and Back to the Art World

The painting’s fascinating journey adds to its mystique. In 1954, Ukrainian doctor Leon Elias Volodarsky, who was in India on a World Health Organization (WHO) mission, purchased it for just $295. He later took it to Norway, where it remained at Oslo University Hospital for decades.

It wasn’t until 2013—two years after Husain’s death—that Christie’s was alerted to its existence, eventually leading to global exhibitions and its record-breaking sale.

Impact on Indian Art Market

Ashish Anand, CEO of DAG (formerly Delhi Art Gallery), believes this milestone will elevate the value of Husain’s entire body of work and reinforce Indian art’s status as both an aesthetic treasure and a serious financial asset.

Husain, a pioneer of Indian modernism, remains one of the country’s most celebrated artists despite the controversies that led him to leave India in 2006. His legacy continues to shape contemporary Indian art, and with this latest auction, his influence is now more globally recognized than ever before.

Chatti at the Heart of New York City Brings Kerala Cuisine to A Global Audience

“Toddy shop cuisine is a beautiful reflection of the spirit of Kerala—fostering togetherness, warmth, and a sense of celebration,” Chef Regi Mathew

India was the ancient world’s vibrant hub, exporting its diverse civilization across Eurasia for 1,500 years. Its innovations in art, religion, mathematics, astronomy, spices, cuisine, and trade shaped global cultures.

Historian William Dalrymple highlights India’s oft-overlooked influence, from Angkor Wat to Buddhism in China, Roman trade, and the creation of zero.

Speaking at a special celebration of Kerala Cuisine’s first-ever high-end restaurant Chatti by Regi Mathew in New York City on Sunday, March 23, 2025 Ambassador Binaya Srikanta Pradhan, Consul General of India in New York, pointed out Kerala’s historical narrative with an emphasis on ancient trade, cuisine and traditions.

Quoting from Famous historian William Dalrymple’s latest book, The Golden Road, Ambassador Pradhan said that the people who put Rome on ransom had demanded 5000 pounds of gold and 3000 pounds of Indian black pepper. “So, the value of Indian spices from Kerala was worth its weight in gold in the ancient world.”

Chatti at the Heart of New York City Brings Kerala Cuisine to A Global Audience 1
Distinguished Guests at Chatti

The Malayalee Feast, attended by around fifty accomplished Indian American leaders from the fields of business, finance, art, sports, entertainment, technology, and healthcare, was organized by Yakub Mathew, Managing Director at Wells Fargo Bank, New York.

An exhaustive menu, curated by Chef Regi Mathew, included favorite Kerala delicacies and Chatti’s signature cocktails, which were a treat to the heart,soul, and body.

and Yakub Mathew Raising the Toast at Chatti
Ambassador Binaya Srikanta Pradhan, Chef Regi Mathew, Reena Ninan, and Yakub Mathew, Raising the Toast at Chatti

The superb lunch, which included Mathi, Fish Curry, Kappa, Avial, Biriyanis, and fabulous desserts with a Kerala twist, was savored by one and all and will be remembered for long.

The specially prepared dishes with distinct spices and delicate flavors perfectly blended by Chef Regi for the select audience were highly appreciated for their authenticity.

Meticulously planned and flawlessly executed, the luncheon event was highly acclaimed by all attendees. Everyone left with a special memento to mark the occasion and a longing to return for a repeat experience.

“I’ve always believed that breaking bread together is a great bonding, spiritual exercise,” said Yakub Mathew. “Kerala cuisine, the cuisine of my forebears, is not just food; it’s an emotion that combines flavor, aroma, and tradition. Food with spice is food with soul. And Kerala food has plenty of soul!”

Chef Regi Mathew Founder Partner Chatti with Guests
Chef Regi Mathew, Founder-Partner, Chatti with Guests

According to Yakub Mathew, “Chef Regi Mathew, in bringing Chatti to the heart of New York, which is the food capital of the world in many ways, has elevated Kerala, its food, natural beauty, culture and traditions to the spotlight that it deserves. As a proud Malayali, I wish Regi and Chatti every success and hope to see many more Chattis in different parts of the US and the world.”

Regi Mathew, Founder-Partner at Chatti, is a celebrated, award-winning chef, recognized as a pioneer of ethnic cuisine and a champion of India’s regional culinary traditions. Chef Regi’s flagship restaurants, Kappa Chakka Kandhari in Chennai and Bangalore have earned recognition, including a spot in Condé Nast Traveler India’s Top 50 Restaurants.

The Bar at Chatti with the New York City Street View
The Bar at Chatti with the New York City Street View

“My dream has always been to bring Kerala’s cuisine to the global stage and share its unique culinary heritage with a wider audience. I hope to reinforce how the world experiences the taste of Kerala cuisine. The toddy shop cuisine is a beautiful reflection of the spirit of Kerala —fostering togetherness, warmth, and a sense of celebration,” said Chef Regi Mathew.”

As the Culinary Director and Founder, Chef Regi’s restaurants honor Kerala’s timeless homestyle recipes, reflecting his meticulous research, authenticity, and culinary mastery. Chatti marks Chef Regi’s international debut, bringing the
bold flavors of Kerala’s toddy-shop cuisine to a global stage.

served in a chatti
Vattayappam served in a chatti, an earthenware pot used in most households in Kerala

With over 30 years of experience in the Food & Beverage industry, Regi seamlessly blends deep-rooted culinary research with innovative restaurant concepts. He and his team spent over three years in Kerala, visiting 300 homes and 100 toddy shops, testing 800 recipes, and mastering rare cooking techniques.

“Kerala holds a special place in my heart—its warmth, its people, and of course, its incredible food,” said Reena Ninan, an entrepreneur, founder of Good Trouble Productions, TV Anchor and a well-known journalist. Reena, who had served in the Middle East, reporting from Baghdad, Beirut, and Jerusalem, and as a White House Correspondent for ABC News, raised the Toast for the Guests at the Special Luncheon.

“The flavors of Kerala aren’t just about spice; they tell stories, carry traditions, and evoke a deep sense of home. So, stepping into Chatti—Chef Regi Mathew’s newest culinary gem in New York—felt like a homecoming. Every dish was a masterclass in authenticity, with bold spices and delicate flavors perfectly balanced, Ninan said.”

Dalia David a Wellness Chef with Guests
Dalia David, a Wellness Chef with Guests

“The thoughtfully crafted menu, the warmth of the service, and the elegant yet understated ambiance made it an experience to savor. And the signature cocktails? Just the perfect complement. Huge congratulations to Chef Regi and the entire team for bringing the heart and soul of Kerala cuisine to New York,” Reena Ninan added.”

Charisma Glassman, Vice President and Sr. Managing Director at Genpact New York, while appreciating the efforts of Chef Regi and team, said: “Kerala cuisine is a vibrant celebration of culture, heritage, and a timeless bond people share. The rich spices, layers of flavors, and traditional cooking methods make Kerala food truly special. My visit to Chef Regi Mathew’s recently opened Chatti in New York, was a treat to the senses. The carefully and thoughtfully curated menu, the signature cocktails, the service and the understated and elegant ambience – all made it an unforgettable experience.”

Charisma Glassman
Charisma Glassman, Vice President and Sr. Managing Director at Genpact New York

Dalia David, who is a Wellness Chef, Co-Founder, Heritage Space Food, Culinary & Culture Strategist summed it up by saying, “I’ve spent 80% of my life away from my home state, but I can still roll my r’s like a native Malayalee. When I ate at Chef Regi’s new restaurant, Chatti in NYC, it felt like I was right back in my mom’s kitchen—eating something warm and fresh that she had just made. It’s not just good—it’s real.”

According to Dalia, “What stands out to me is that even as NYC is experiencing a surge of regional Indian cuisine, with restaurants showcasing dishes from all across India, Chatti is doing something truly special because it is a restaurant rooted entirely in the state of Kerala’s cooking heritage. Now that is something truly special. Sure, New Yorkers are starting to realize that Indian food is more than just chicken tikka and naan.

Chef Regi is changing just that, and it’s really about time to recognize that there’s Kerala cuisine that is vibrant, vegetable-forward, and rooted in grated coconut—not drowned in heavy, dairy cream based sauces.”

Sabina Singh
Sabina Singh, a Charity Advocate with Guests

Dalia had all praise for Chatti. “What makes this place even more impressive is that it’s not just about introducing New Yorkers to something new, Kerala cuisine is over a thousand years old. It’s about creating something that feels like home to those of us who know. Chef Regi’s food is comforting and subtly Ayurvedic, leaving you satisfied without the usual food coma. He is thoughtful about the details, from the quality of the ingredients to how you feel long after
you’ve left the table. To me, that’s the who cares about the whole experience, not just the meal itself.”

Sabina Singh, a Charity Advocate, shared her thoughts. “A pinch of spice can turn an ordinary meal into a magical feast. Spices have long been known to have curative and antiinflammatory properties. In every distinct flavor in Kerala food is a result of the marriage of these healing spices and local produce perfected over millennia. It is no wonder that Kerala is said to be the home of Ayurveda, the ancient system of traditional medicine.”

Shilpa Mathew at the center with Guests
Shilpa Mathew at the center with Guests

According to Sabina, “Chatti in New York admirably showcases this unique and flavorful cuisine. The depth of flavors, the presentation, and service were all superlative. The tapas-style portions allow one to sample a wider variety of the menu offerings. Chef Regi Mathew, after his successful ventures in India, has brought the flavors of his homeland, Kerala, to the heart of Manhattan. Chef Regi’s labor of love has crystallized into Chatti. I wish him the very best in all his future endeavors.”

Regi leading the pleasant and welcoming staff at Chatti
Regi leading the pleasant and welcoming staff at Chatti

When asked why the name Chatti has been chosen for the restaurant and what is unique about the restaurant, Regi says, “Chatti is an earthen ware pot used to cook food back in Kerala at homes and toddy shops. Since I am representing that food and culture, it is an apt name for the restaurant, which serves authentic traditional Kerala cuisine.”

Select Guests with Yakub and Shilpa Mathew
Select Guests with Yakub and Shilpa Mathew

“By establishing Chatti in New York City, I wanted to showcase the culinary wealth of Kerala and the regional cuisines of India. The general understanding of Indian food is that it is spicy. To me, spice is defined as a flavor and not pungency. In Kerala, we are blessed with long coastlines, backwaters and rivers, and plenty of seafood, farm produce, and spices. Therefore, our cuisine has a great seafood selection as well. And of course, the specialty of Chatti is that the native cuisine of Kerala is through Toddy shop food culture.”

“As I continue to explore and expand the horizons of Kerala cuisine, my focus remains on preservation, innovation, education, and the global promotion of India’s diverse flavors. Every dish I create tells a story; every flavor evokes a memory, as I strive to bring the essence of Kerala to dining tables around the world,” he says, reaffirming his deep devotion to the cuisine of his beloved home state.

Kerala, known as “God’s Own Country,” is celebrated for its vibrant culture, steeped in history, nature, and diverse traditions. From intricate temples and wooden homes to cuisine, art, and dance, its heritage shines.

Recognized around the globe as a role model for every state in India with its strong foundation in skilled talent, world-class infrastructure, and sustainable development, Kerala is emerging today as a global leader in new-age industries.

For Malayalees in the New York region, Chatti offers an authentic taste of home, offering a space to rediscover one’s roots and savor Kerala’s cultural richness, uniting tradition with modern aspirations.

With warm, welcoming professional friendly staff, Chatti by Regi Mathew stands apart from the crowded City Eateries in New York City, and is a great place to enjoy a hearty palate pleasing meal.

Kerala authentic Beef and Mathi Fry at Chatti
Kerala authentic Beef and Mathi Fry at Chatti
The fabulous Bar at Chatti
The Fabulous Bar at Chatti
Menu at Chatti
Menu at Chatti

(Photography by Mini Ajay)

Largest Festival of Colors at Navy Pier In Chicago, Celebrating Unity, and Cultural Exchange

Chicago, IL:This past Saturday, March 23, 2025, Chicago celebrated Holi. the Indian festival of color, showcasing the beginning of spring, a positive environment of inclusivity, and the power of communities working together. This event demonstrated that Chicago, the great city visited by America’s first guru, Swami Vivekananda, who came in 1893 to speak of the Universal Unity of Religion, still remembers his key message: Unity.

The event was organized by Navy Pier Global Connections, in partnership with ComEd, the Pratima and Niranjan Shah Foundation, Sue Ling Jin Foundation, and the Delhi Committee of Chicago Sister Cities. “This memorable celebration represents the Power of Partnerships. It honors the diverse international communities that make up Chicago, celebrates the best of their culture, and supports the desire for others to experience the American Dream, all of which makes our city stronger,” commented Smita N. Shah, Board Member of Navy Pier and ComEd, and Chairman of the Delhi Committee of Chicago Sister Cities.01 4A9A5550

While the Holi event is one of the two most significant celebrations in the Indian community, Holi in Chicago has become very popular. Over 10,000 people of different races, cultures, and religions come. “It is fitting that only in Chicago, the world’s greatest City, that you will have the world’s largest Pier, with the world’s widest embrace, and now the largest Holi event in the US,” noted Mayor Brandon Johnson.

Most significantly, the Mayor of the City of Chicago and three Constitutional Officers of the State of Illinois- Illinois Lieutenant Governor Juliana Stratton, Illinois Secretary of State Alexi Giannoulias, and Illinois Comptroller Susana Mendoza- joined to recognize the importance of the contributions of the Indian Diaspora. “Illinois has the second largest percentage of Indians in the country. We are a cultural hub. We create opportunities for people of all cultures to come together, to experience a little bit about each other, and to see that we are stronger together,” said Lieutenant Governor Juliana

Stratton in her remarks.

This event is a significant departure from the ongoing dialogue regarding people of Indian origin and those making a significant contribution to the American culture and community. Illinois Secretary of State Alexi Giannoulias came with his young daughters, recognizing that “This is a community about family, a belief in higher education, and having opportunity. These are the values of our City and State.”

For the entire four hours, families enjoyed cultural programs, had samosa and lassis, and were able to enjoy color throwing and Indian DJs in the garden. “This entire event is just pure joy. I am so honored to be here and to celebrate with one of the great Chicago communities,” said Illinois State Comptroller Susana Mendoza.

Of course, the Indian Consul General was there in recognition of this great event. “It is so wonderful to see so many people from throughout Chicago join to celebrate on the momentous occasion of Holi!” Consul General Somnath Ghosh noted in his remarks. “I am particularly pleased to see so many City and State leaders join us and recognize the many contributions of this community in family values, education, business and medicine. I am proud to be a part of this celebration.”

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TAGB to Celebrate Ugadi 2025 with Grand Cultural Festivities in Boston

The Telugu Association of Greater Boston (TAGB), a leading non-profit organization dedicated to preserving and promoting Telugu culture in the Greater Boston and New England region, will host its Annual Ugadi Celebration on Sunday, April 13, 2025, at the historic Mechanics Hall in Worcester, MA.

Ugadi, marking the Telugu New Year, is a festival of new beginnings, prosperity, and cultural heritage for Telugu-speaking communities worldwide.

TAGB President Srinivas Gondi expressed enthusiasm about the upcoming celebration, stating, “Ugadi is a time of joy, reflection, and togetherness. We look forward to welcoming the community to celebrate this vibrant festival with traditional music, dance, and festivities that highlight our rich heritage.”

The event will feature an array of cultural performances, including classical and folk dances, live music concerts, and activities for all age groups. Attendees will also enjoy authentic Telugu cuisine, adding to the festive atmosphere.

Mechanics Hall, renowned for its historic charm and grandeur, provides a fitting venue for this community gathering. TAGB, which has been serving the Indian community in New England for over 41 years, remains committed to preserving Telugu traditions and fostering cultural unity.

“This event is more than just a celebration—it is an opportunity to bring together families, friends, and generations to cherish our traditions and strengthen our community bonds,” added Mr. Gondi.

TAGB extends an open invitation to Telugu and Indian community members to join this festive occasion and experience the essence of Ugadi with joy and camaraderie.

For event details, tickets, and sponsorship opportunities, visit TAGB’s official website or contact the event organizers.

Christie’s Auction Sets Record with $13.75 Million Sale of M.F. Husain’s ‘Untitled (Gram Yatra)’

The highest price ever paid for a work of Modern Indian Art was set at Christie’s auction in Rockefeller Center on March 19, as Maqbool Fida Husain’s Untitled (Gram Yatra) sold for $13.75 million to an unnamed institution.

Historic Sale for South Asian Art

The total sales for South Asian modern and contemporary art at the auction reached nearly $25 million, according to Christie’s press release.

“It was a dramatic moment that capped off a day of strong results,” the famous auction house stated.

The final sale total was $24,864,316, with:

  • 95% of lots sold
  • 321% hammer and premium against the low estimate

Breaking Previous Records

Husain’s Untitled (Gram Yatra) shattered multiple records, including:

  • Doubling the previous record for any Modern Indian painting—Amrita Sher-Gil’s The Story Teller (1937), which sold for approximately $7.4 million in Mumbai (September 2023).
  • Surpassing the previous Husain record—his painting Untitled (Reincarnation), which fetched $3.1 million in London last year.

“We are thrilled to have been a part of setting a new benchmark value for the work of Maqbool Fida Husain and the entire category,” said Nishat Avari, head of Christie’s South Asian Modern + Contemporary Art.

“This is a landmark moment and continues the extraordinary upward trajectory of the Modern and Contemporary South Asian Art market.”

The ‘Volodarsky Husain’ – A Hidden Treasure

Christie’s described the sale as the latest chapter in the incredible story of the ‘Volodarsky Husain’, a work that had been hidden away for decades in Norway before resurfacing at the auction.

Multiple Artist Records Set

The auction also saw record-breaking sales for several modern and contemporary South Asian artists, including:

  • Sayed Haider Raza(work on paper)
  • Gulam Rasool Santosh
  • Sudhir Patwardhan
  • Jeram Patel(work on paper)
  • Ivan Peries
  • Senaka Senanayake
  • Prabha(work on paper)

The strong bidding activity underscored the growing global demand for South Asian modern and contemporary art, further solidifying its place in the international art market.

Vatican Introduces Minecraft-Based Game to Engage Younger Generations

In an era where children are constantly immersed in digital worlds and Minecraft dominates online gaming, the Vatican is making a strategic move to connect with the younger audience—through video games.

Vatican officials have unveiled Peter is Here, a Minecraft-based game that allows players to explore the architectural splendor of St. Peter’s Basilica while learning about its rich history and artistic masterpieces.

Developed in collaboration with Microsoft’s Minecraft Education program, the game is part of the Vatican’s jubilee year initiative, aimed at familiarizing younger generations with the cultural and spiritual treasures housed within the Basilica.

“All within the video game, it is a 3D representation—a complete digital reconstruction of St. Peter’s Basilica,” explained Allison Matthews, head of Minecraft Education, during a press conference on Tuesday, March 18. “You have a character in the game, and you can walk through the hallways, explore the entire building, interact with the art pieces, the statues, and the mosaics, and learn about their history.”

Assurances on Pope Francis’ Health

Cardinal Mauro Gambetti took the opportunity to reassure the public that the project had been in progress long before Pope Francis was hospitalized with pneumonia.

“If Pope Francis were here, I imagine he would say, ‘You did well to think of this,’” Gambetti stated. “Even the way he lives and testifies to his faith right now reflects that our perspective is eternal. Through fun, in a certain sense, we are transported to another dimension.”

With a hopeful smile, he added, “He’s getting better. We pray a lot and wait for him to return. That is what we want.”

Minecraft as an Educational Tool

This is not the first time Minecraft has been leveraged for educational purposes.

Last year, the initiative UNITED24 recreated Ukraine’s Soledar salt mines within the game. The project aimed to raise awareness of the ongoing conflict while securing funds for the reconstruction of the Velyka Kostromka school, which had been devastated by Russian attacks.

Similarly, the popular battle royale game Fortnite has been used for historical education. Game designer Luc Bernard developed the platform’s first-ever educational Holocaust museum, offering players an interactive experience of key historical events.

The virtual museum includes narratives of figures such as Abdol Hossein Sardari, the Iranian diplomat who issued thousands of passports to Jews fleeing Nazi-occupied France. It also highlights the stories of LGBTQ+ Jews and the Black Panther tank battalion, which played a crucial role in liberating Jewish prisoners.

Gaming as a Gateway to Cultural Heritage

The Vatican’s embrace of video games as an educational tool reflects a broader trend of using digital platforms to engage younger audiences. By integrating history, art, and faith into an interactive experience, Peter is Here offers a novel way for players to connect with the Vatican’s cultural legacy.

As gaming continues to evolve beyond entertainment, projects like this demonstrate the potential of virtual worlds in education and historical preservation.

Dalai Lama’s New Book: A Candid Critique of China and a Reflection on His Exile

There was a time when Tenzin Gyatso, the 14th Dalai Lama, remained hopeful about returning to Tibet. Now, 66 years after his dramatic escape from Lhasa, his newly released book, which openly criticizes Chinese President Xi Jinping, only diminishes that possibility further.

At just 24 years old, the Dalai Lama fled the 330-year-old Potala Palace, the traditional seat of Tibetan spiritual leaders, under the threat of the Chinese army. Today, as he nears his 90th birthday on July 6, his homeland remains only a distant memory.

“In the darkness and frozen air of the night on March 17, 1959, I slipped out of the main gate of Norbulingka Palace, disguised in a chuba, an everyday layman’s attire,” he recalls in his book Voice for the Voiceless: Over Seven Decades of Struggle with China for My Land and My People, published by William Morrow.

An Unapologetically Candid Account

The 256-page book, released on March 11—just days before the 66th anniversary of his escape—is perhaps one of the Dalai Lama’s most direct commentaries on China. While he has long refrained from harboring personal animosity toward the Chinese leadership, his assessment of Xi’s rule is strikingly forthright.

“Judging by Xi’s last decade in office, when it comes to individual freedom and everyday life, China seems to be reverting to the oppressive policies of Mao’s time, but now enforced through state-of-the-art digital technologies of surveillance and control,” he writes.

This perspective further solidifies the deep freeze in the relationship between the Dalai Lama and Beijing. The last official talks between his representatives and the Chinese government were held in January 2010 in Beijing. At the time, Lodi Gyari, the lead Tibetan negotiator, had expressed cautious optimism: “We do not see any reason why we cannot find common ground… if the Chinese leadership has the sincerity and the political will to move forward.”

Fifteen years later, Beijing appears to be adopting a strategy of attrition, perhaps waiting for the Dalai Lama’s eventual passing. Under Xi Jinping’s 12-year presidency, Tibet and the Dalai Lama’s global standing have gradually faded from international discourse.

A Battle Over Succession

Among the key issues looming large is the Dalai Lama’s succession, which Beijing seeks to control while he remains resolute in preventing it. In his book, he firmly asserts that his successor will be born in the “free world”—a clear rejection of China’s authority over the process.

“Since the purpose of a reincarnation is to carry on the work of the predecessor, the new Dalai Lama will be born in the free world so that the traditional mission of the Dalai Lama—to be the voice for universal compassion, the spiritual leader of Tibetan Buddhism, and the symbol of Tibet embodying the aspirations of the Tibetan people—will continue,” he writes.

Beijing, however, insists that the Chinese state holds the authority to select the next Dalai Lama. This dispute has profound implications for Tibet’s six million residents and the over 100,000 Tibetan exiles worldwide, primarily in India.

For Beijing, controlling the Dalai Lama’s succession is a matter of state authority, aimed at securing greater influence over Tibet and Tibetan Buddhism. For Tibetans, however, it represents a struggle for self-determination and the preservation of their spiritual and cultural identity.

Tibet’s Distinct Identity

In his book, the Dalai Lama reiterates his commitment to a peaceful resolution with China but firmly maintains that Tibetans possess a distinct identity separate from the Han Chinese. Throughout his decades-long exile in India, he has focused on preserving Tibet’s unique culture, language, and religious traditions.

“We Tibetans are the people who have traditionally inhabited the Tibetan plateau for millennia and have every right to continue to be the custodians in our own homeland,” he asserts.

He also dismisses China’s argument that economic development in Tibet undermines his calls for autonomy.

“The issue of Tibet is not about economic development, which we acknowledge has improved significantly since China’s economic liberalization,” he writes. “The issue is about a people’s need and right to exist in their distinct language, culture, and religious heritage. Since the people inside Tibet have no freedom to speak out, it has fallen to me especially, since I came into exile in 1959, to be the voice of the voiceless.”

The Dalai Lama fears that Tibet’s unique civilization faces potential erasure, a concern heightened by Beijing’s increasing grip over the region.

‘Voice for the Voiceless’ and Its Timely Release

The book’s release ahead of the Dalai Lama’s 90th birthday and the 66th anniversary of his escape is unlikely to go unnoticed in Beijing. His remarks likening Xi’s rule to the oppressive policies of Mao Zedong may strike a nerve, especially among Xi’s staunch supporters who revere Mao’s legacy.

The book describes China’s 1950 invasion of Tibet as a “blatant land grab of an independent nation by force,” challenging Beijing’s longstanding narrative that it was merely reclaiming historical territory.

The Dalai Lama first met Mao in September 1954, when Mao was 61 and he was just 19. The 16-year-old Panchen Lama, second in importance within Tibetan Buddhism, was also present and later described Mao as “warm and welcoming.”

During that visit, Mao reassured the young Dalai Lama, saying, “Your coming to Beijing is coming to your own home. Whenever you come to Beijing, you can call on me… Don’t be shy; if you need anything, just tell me directly.”

However, the Dalai Lama’s perception of Marxist ideals evolved over time. Initially, he admired Marxism for its emphasis on uplifting the working class.

“The idea of taking care of the less privileged people, of the working class, is wonderful. To oppose all exploitation and strive for a society without national boundaries—these are excellent ideas,” he writes.

At one point, he even described himself as “half-Buddhist” and “half-Marxist.” But his perspective shifted upon realizing that Marxism lacked compassion. In China, he argues, Marxism has morphed into Leninism, where the primary objective is “state control of the people by the [Communist] Party.”

A Paradox of Hope and Harsh Realities

Despite the Dalai Lama’s unwavering optimism as a monk, his book presents a sobering assessment of China’s policies toward Tibet. The contrast between his hopeful spiritual outlook and his blunt criticism of Beijing underscores the complexities of the Tibetan struggle.

As he nears his 90th birthday, the Dalai Lama remains the most prominent global advocate for Tibet. But with Beijing tightening its grip and the world’s attention shifting elsewhere, the future of the Tibetan cause remains uncertain.

The Psychology of Multilingualism: 7 Unique Traits of Bilingual and Polyglot Thinkers

Being fluent in more than one language carries a unique charm—it’s more than just ordering a croissant in Paris or bargaining at a Moroccan bazaar. Multilingualism profoundly shapes how we think, perceive, and interact with the world.

Psychology suggests that multilingual individuals exhibit distinctive traits that go beyond cognitive benefits. In this article, we explore seven key characteristics that set multilingual thinkers apart.

1) Enhanced Cognitive Flexibility

Ever met someone who seamlessly switches between tasks without hesitation? Chances are, they might be multilingual.

Speaking multiple languages enhances cognitive flexibility—the ability to transition between different ideas and process multiple concepts simultaneously. This mental agility stems from the constant practice of switching between languages, strengthening the brain’s adaptability.

As psychologist Jean Piaget put it:

“The goal of education is not to increase the amount of knowledge but to create the possibilities for a child to invent and discover.”

Multilingual individuals embody this principle, demonstrating enhanced adaptability in complex situations.

2) Increased Cultural Sensitivity

Multilingualism isn’t just about language—it’s about culture. Learning a new language often brings an insider’s perspective on different traditions, customs, and ways of thinking.

Howard Gardner, the psychologist behind the theory of multiple intelligences, highlighted interpersonal intelligence—the ability to understand and relate to others. Multilingual individuals often develop this intelligence as they engage with diverse cultures.

As Gardner noted:

“An individual understands the world through different lenses.”

Speaking multiple languages means acquiring a set of cultural lenses, fostering a broader and more empathetic worldview.

3) Better Decision-Making Skills

Multilingual individuals may have an edge in making rational decisions. Studies suggest that thinking in a second language can reduce emotional bias, leading to more logical and well-reasoned choices.

Daniel Kahneman’s research on cognitive biases and decision-making supports this idea. He proposed two systems of thought:

  • System 1 – Fast, intuitive, emotional
  • System 2 – Slow, deliberative, logical

Switching between languages encourages engagement with System 2, promoting critical thinking and reducing impulsive judgments. As Kahneman noted:

“A reliable way to make people believe in falsehoods is frequent repetition, because familiarity is not easily distinguished from truth.”

Multilingualism equips individuals with tools to analyze situations from multiple perspectives, fostering better decision-making.

4) Superior Multitasking Abilities

Multilingual individuals excel at multitasking, thanks to their ability to switch between languages effortlessly. This constant mental juggling strengthens the brain’s executive functions, making them more adept at handling multiple tasks simultaneously.

Studies indicate that bilingual individuals outperform monolinguals in task-switching scenarios, as managing multiple languages acts as cognitive training. This ability extends to real-world tasks, from navigating busy schedules to problem-solving under pressure.

5) Enhanced Memory Recall

Speaking multiple languages strengthens memory. The process of learning and recalling vocabulary, grammar rules, and pronunciation provides continuous mental exercise, improving overall memory function.

Psychologist Carl Jung once said:

“All the works of man have their origin in creative fantasy. What right have we then to depreciate imagination?”

This insight applies to memory as well—multilingual individuals often engage their imagination when recalling linguistic structures, strengthening their ability to retain and retrieve information.

6) Increased Tolerance for Ambiguity

Navigating multiple languages means dealing with words that lack direct translations and cultural nuances that defy simple explanations. This experience fosters a greater tolerance for ambiguity, making multilingual individuals more comfortable with uncertainty.

Carl Rogers, a pioneer in humanistic psychology, highlighted the power of embracing uncertainty:

“The curious paradox is that when I accept myself just as I am, then I can change.”

By frequently encountering linguistic and cultural gray areas, multilingual thinkers develop resilience and open-mindedness, essential for adapting to unfamiliar situations.

7) Improved Attention to Detail

Multilingual individuals are naturally attuned to linguistic nuances—accents, intonations, and grammatical structures. This heightened awareness often extends beyond language, sharpening observational skills in other areas of life.

William James, the father of American psychology, noted:

“The art of being wise is the art of knowing what to overlook.”

For multilingual individuals, knowing what details to focus on—and what to ignore—is an essential skill, enhancing their ability to process and interpret information efficiently.

Final Thoughts

Language is more than a communication tool—it shapes cognition, perception, and behavior. The unique traits of multilingual individuals, from cognitive flexibility to cultural awareness, highlight the profound impact of language on human thought.

Every time you switch between languages, you’re not just translating words—you’re rewiring your brain, expanding your perspective, and sharpening your mind.

So whether you’re a polyglot or just beginning your language-learning journey, take pride in the cognitive advantages that come with multilingualism. It’s not just about fluency—it’s about cultivating a richer, more interconnected way of thinking.

Attukal Pongala: Celebrating the World’s Largest Gathering of Women

Attukal Pongala, recognized as the world’s largest congregation of women, is a grand 10-day festival held at the Attukal Bhagavathy Temple in Thiruvananthapuram, Kerala. Dedicated to Attukal Devi, also known as Bhadrakali, the Goddess of salvation and prosperity, the festival draws countless devotees who come to offer prayers and seek divine blessings.

Women from various parts of South India participate in this sacred event, preparing and carrying sweet dishes made with coconut, jaggery, and plantain in earthen pots as offerings to the Goddess. The highlight of the festival is the ninth day, known as Attukal Pongala Mahotsavam, considered the most auspicious day of the celebrations.

This year, the festival began on March 5 and will continue until March 15, with the primary gathering taking place on March 13.

Here are some heartfelt Attukal Pongala wishes to share with loved ones:

“May your prayers be answered and your life be filled with the blessings of Attukal Bhagavathy.”

“May this Attukal Pongala bring peace, prosperity, and happiness to your home and heart.”

“Wishing you a joyful Attukal Pongala filled with blessings, prosperity, and the warmth of community spirit.”

“Wishing you prosperity on this auspicious Attukal Pongala.”

“May your prayers be answered and your day be radiant. Attukal Pongala Greetings.”

“Wishing you a joyous Attukal Pongala filled with devotion, peace, and divine blessings. May Attukal Amma shower her grace upon you, bringing peace, prosperity, and good health. Let the sacred fire ignite positivity and faith in your heart.”

“Wishing everyone the divine blessings of Attukal Pongala! On this sacred day of devotion and togetherness, let’s extend our prayers beyond rituals and into actions.”

“Let the flames of Pongala illuminate your path with hope, faith, and positivity. Have a blessed Attukal Pongala!”

“Sending you heartfelt wishes for a Pongala filled with unity, harmony, and togetherness among family and friends. Happy Attukal Pongala!”

“Let this Attukal Pongala mark the beginning of new aspirations, hopes, and opportunities in your life. I wish you success and prosperity!”

Gujarati Comedy Play “Patni Nachave Ene Kaun Bachave”Wins Public Hearts in Chicago

“Gujarati Theater Shines in America with a Rib-Tickling Performance”

“A Theatrical Treat: Ketki Dave and Team Deliver a Comedy Masterpiece”

Asian Media USA ©

Chicago, IL– March 8, 2025: The Jain Centre in Bartlett, IL, was abuzz with excitement as a full house of Gujarati theater enthusiasts gathered for the highly anticipated comedy play “Patni Nachave Ane Kaun Bachave”. Organized by NextGen Events and Manpasand, and powered by PN Entertainment, the play brought an evening of non-stop laughter and pure entertainment to the audience. With Imtiaz Patel as the writer and Kiran Bhatt as the director, the production featured a stellar cast including Ketki Dave, Dilip Darbar, Hitesh Upadhyay, Jyuthika Shah, Chitrak Shah and Hina Velani, who delivered performances that left the audience in splits.

Ketki Dave, a powerhouse of Gujarati theatre, has mesmerized audiences with her vibrant performances and impeccable comic timing. Born into a legacy of acting, she inherited the stage from her legendary mother, Sarita Joshi. With a career spanning decades, Ketki has breathed life into countless characters, making Gujarati drama more engaging and relatable. Her dynamic expressions and effortless charm have also won hearts in Hindi films and television. A true artist at heart, she continues to keep the essence of Gujarati theatre alive, blending tradition with modern storytelling, leaving an unforgettable mark on the industry.

A Story of Love, Betrayal, and Unstoppable Fun, the play follows the hilarious journey of Anand and Shikha, a middle-class married couple of fifteen years. While Shikha is content with her simple life, Anand is driven by ambition and dreams of wealth. In his pursuit of success, he finds a shortcut in Madhurima Banker, a fashion designer who is equally drawn to him. As Anand leaves his wife for her, Shikha refuses to accept defeat and declares a war to win back her husband. What follows is a comical yet emotionally gripping battle of wits between a determined wife and a wayward husband, filled with sharp dialogues, witty one-liners, and laugh-out-loud moments.

The play was an absolute treat for Gujarati audiences, blending traditional humor with modern-day relationship dynamics. Every punch line and situational comedy was met with roaring laughter, making it an unforgettable experience for all. The natural flow of the storyline, combined with tactfully written dialogues and seamless transitions, ensured that the audience remained engaged throughout. The humor was so captivating that no one even realized when the break arrived, and by the time the play reached its climax, the entire auditorium was left craving for more.

The event was made possible by the unwavering support of Grand Sponsors OCI Card Services& Rana-Reagan Pharmacy, along with other esteemed sponsors, including World’s Money Exchange Inc., Dynasty Home Care, Shreeji Builder, Jay Bhavani, Jigar Kitchen, Care For Soul Inc., Vasanti Bhatt – Home 4 U Realty, Core Exteriors, Select One Insurance Group, Bartlett Dental, Nina’s Sports Bar & Resto, and many more. Their contributions ensured a seamless and grand execution of this remarkable theatrical event.

Special Thanks to Haribhai Patel, Atul Shah, Arvindbhai Shah, Ramesh Chokshi, Hema Shastri, Nimesh Jani, Sam Lakhia, Hitesh Lakhani, Jhankhana Desai, Malvika Desai and Gaurav Tuteja of Rajshi Events

With such outstanding performances and an overwhelming response from the audience, Patni Nachave Ane Kaun Bachave proved once again that Gujarati Theater remains a vital part of cultural entertainment, keeping traditions alive with humor, heart, and authenticity.

Local promoter, Neelam Desai of Nextgen Events thanked Manpasand’s Bhavna Modi for the opportunity and support in her new venture to provide excellent programs to the Chicago audience and also warmly acknowledged Payal Shah of PN Entertainment, the power partner behind this success. She thanked the audience for their support and hopes they will continue to support new events by the same team in future.

With such strong backing from sponsors, partners, and supporters, Patni Nachave Ane Kaun Bachave was more than just a play it was a grand celebration of Gujarati culture, laughter, and community spirit.

“Every moment of this play was a delight to watch,authentic, relatable, and full of entertainment. Such productions remind us of our roots and the beauty of our language. I thoroughly enjoyed the performance and appreciate the team for their dedication to keeping Gujarati Theater alive in America.”Suresh Bodiwala, Chairman and Founder of Asian Media USA

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The Mystery of the Indus Valley Script: An Ancient Puzzle Yet to Be Solved

A fish under a roof, a headless stick figure, and a series of lines resembling a garden rake—these are among the many symbols forming an ancient script that has confounded scholars for centuries. Despite the script belonging to an advanced civilization that thrived thousands of years ago, its meaning remains elusive, igniting intense debates, threats against researchers, and even substantial monetary rewards for anyone who can crack the code.

The most recent offer came last month when the chief minister of an Indian state announced a $1 million prize for decoding the script of the Indus Valley civilization. This ancient society, which once spanned present-day Pakistan and northern India, holds critical historical significance.

“A really important question about the pre-history of South Asia could potentially be settled if we are able to completely decipher the script,” said Rajesh P. N. Rao, a computer science professor at the University of Washington who has spent over a decade studying the script.

Deciphering the script could unveil insights into a Bronze Age civilization believed to have been as advanced as ancient Egypt and Mesopotamia. Scholars estimate that this civilization may have housed millions of people and developed impressive urban planning, standardized measurements, and extensive trade networks.

More importantly, understanding the script could help answer deeply contested questions about the ancestry of the Indus Valley people and their modern descendants—an issue intertwined with the politically charged debate over India’s indigenous heritage.

“Whichever group is trying to claim that civilization would get to claim that they were among the first to have urban planning, this amazing trade, and they were navigating seas to do global trade,” Rao explained.

“It has a lot of cachet if you can claim that, ‘Those were our people who were doing that.’”

Why Has the Script Remained Indecipherable?

Although the script remains a mystery despite being documented as early as 1875, archaeological excavations of key Indus Valley sites, such as Mohenjo-daro in Pakistan’s Sindh province, have provided valuable insights into the civilization itself.

The cities were constructed in grid patterns, similar to modern-day New York or Barcelona, and had well-planned drainage and water management systems—features described in one research paper as “unparalleled in history.”

During the second and third millennia BCE, Indus merchants engaged in extensive trade across the Persian Gulf and the Middle East. They transported goods such as copper ingots, pearls, spices, and ivory. The civilization also produced fine gold and silver jewelry and established settlements far beyond its core region.

However, around 1800 BCE—more than a millennium before the rise of ancient Rome—the civilization declined, leading its people to migrate to smaller villages. Some scholars attribute this collapse to climate change, citing evidence of prolonged droughts, shifting temperatures, and unpredictable rainfall that may have crippled agriculture.

Despite these discoveries, our knowledge of the Indus civilization remains limited compared to contemporaneous societies like ancient Egypt, Mesopotamia, or the Maya. The primary reason for this gap is the undeciphered script, which appears on artifacts such as pottery and stone seals.

Several factors contribute to the difficulty in decoding the script. First, there are relatively few examples to study—only about 4,000 inscriptions have been found, compared to the estimated five million words of ancient Egyptian text available in various scripts, including hieroglyphics.

Additionally, most Indus inscriptions are quite brief, often appearing on small stone seals measuring just one square inch, with sequences typically containing only four or five symbols.

Crucially, no bilingual artifact has been discovered containing both the Indus script and its translation into another known language. In contrast, the Rosetta Stone was instrumental in deciphering Egyptian hieroglyphics because it included the same text in Greek and Demotic script. Furthermore, unlike Egyptian or Mesopotamian records, there are no known names of Indus rulers that could serve as reference points for translation, as Cleopatra and Ptolemy did for ancient Egyptian.

Nonetheless, experts have reached some general conclusions. Most agree the script was written from right to left and was likely used for both religious and economic purposes, such as marking trade goods. Some symbols even have widely accepted interpretations, such as a headless stick figure representing a person.

However, without a breakthrough akin to the Rosetta Stone, these remain hypotheses. “No unanimity has been reached even on the basic issues,” noted Indus scholars Jagat Pati Joshi and Asko Parpola in a 1987 book cataloging hundreds of seals and inscriptions.

Even decades later, the mystery persists. “Not a single sign is deciphered yet,” said Nisha Yadav, a researcher at the Tata Institute of Fundamental Research in Mumbai, who has worked with Rao and studied the script for nearly 20 years.

The Controversy Surrounding the Script’s Origins

For many, solving the Indus script isn’tjust about academic curiosity—it carries significant implications for understanding ancient migration patterns and cultural identity.

There are two primary theories about the script’s linguistic roots. One group argues that the script is linked to Indo-European languages, including ancient Sanskrit, which gave rise to many modern languages spoken across northern India.

Most scholars believe Indo-European languages were introduced to India by Aryan migrants from Central Asia. However, some proponents claim the reverse: that Sanskrit originated within the Indus Valley civilization and later spread toward Europe.

According to Rao, their argument is: “Everything was within India to begin with … Nothing came from outside.”

The second major theory suggests that the Indus script is connected to the Dravidian language family, still spoken primarily in South India. If true, this would indicate that Dravidian languages were dominant in the region before the arrival of Aryan languages in the north.

  1. K. Stalin, the chief minister of Tamil Nadu who announced the $1 million reward, subscribes to this belief, which Rao describes as the more “traditional” theory—though both perspectives have reputable scholars supporting them.

Meanwhile, some experts reject the debate altogether, arguing that the distinction between Aryan and Dravidian identities is not as clear-cut as many assume.

“There are no Dravidian people or Aryan people—just like both Pakistanis and Indians are racially very similar,” said Indus scholar Iravatham Mahadevan in a 1998 interview.

“We are both the product of a very long period of intermarriage, there have been migrations … You cannot now racially segregate any element of the Indian population.”

Despite these discussions, the issue remains sensitive. In a 2011 TED Talk, Rao mentioned receiving hate mail after publishing his findings. Other researchers, including Steve Farmer, have even received death threats. Farmer and his colleagues sparked controversy in 2004 by arguing that the Indus script was not a written language at all but merely a set of symbolic markings, similar to modern traffic signs.

Efforts to Crack the Code

Despite the tensions surrounding the script’s meaning, many scholars and enthusiasts remain captivated by the challenge.

Some, like Parpola—one of the leading experts in the field—have attempted to decipher the meanings of individual signs. He suggests that, in many Dravidian languages, the words for “fish” and “star” are homophones. Since stars often symbolized deities in other ancient scripts, he theorizes that Indus symbols resembling fish may represent gods.

Others, such as Rao and Yadav, focus on identifying patterns within the script. Using computer models, they analyze sequences of signs, removing certain symbols and seeing if the computer can predict the missing ones.

This approach helps researchers understand grammatical structures—much like how the letter “Q” in English is almost always followed by “U.” It also aids in reconstructing inscriptions with missing or damaged sections.

Interestingly, seals found in West Asia contain Indus symbols but follow different patterns, suggesting the script may have adapted to multiple languages, much like the Latin alphabet.

Meanwhile, the $1 million prize has reignited public interest. Rao noted, “I used to get about one or two emails a week. But now, after the prize was sent out, I pretty much get emails every day,” with messages coming from people worldwide, even families working on the puzzle together.

Ultimately, decoding the script may require global collaboration, substantial funding, and diplomatic efforts to access disputed archaeological sites.

Yet, for Yadav, the pursuit itself is rewarding. “If we decipher the script, it will open a window into the lives and ideology of Indus people,” she said.

“These details are just hiding from us today … That keeps me glued to the problem rather than anything else.”

Millions Participate in Kumbh Mela Despite Concerns Over Overcrowding and Pollution

Hundreds of millions of Hindu devotees have gathered to bathe in sacred waters, undeterred by concerns regarding overcrowding and pollution, as the world’s largest religious gathering concluded on Wednesday in India’s northern state of Uttar Pradesh.

Over a span of 45 days, the Maha Kumbh Mela, also known as the festival of the Sacred Pitcher, drew more than 620 million attendees—accounting for nearly one-third of India’s estimated 1.4 billion population. The event, held along the riverbanks in Prayagraj, was a grand display of color and devotion.

Pilgrims participated in a holy dip at the Triveni Sangam, the confluence of three sacred rivers—the Ganges, Yamuna, and the mythical Saraswati—believing that this act would purify their sins and bring them closer to “spiritual liberation.”

This festival, which occurs every 12 years with the prefix “Maha,” meaning great, is the largest form of the Kumbh Mela, which is otherwise held every three years in one of four designated cities.

“It is a unique, once-in-a-lifetime experience,” remarked Sushovan Sircar, a 36-year-old independent consultant from Delhi. “People from all over India are here, as I saw number plates of cars from almost every state.”

Despite concerns about overcrowding and reports of high contamination levels in key bathing sites, millions participated in the event. However, the celebrations were overshadowed by two separate tragic crowd crush incidents.

A report from the Central Pollution Control Board (CPCB), part of India’s Environment Ministry, highlighted alarming levels of coliform bacteria in the Ganges and Yamuna rivers. This finding raised concerns despite the government’s emphasis on sustainability initiatives and sanitation measures.

Uttar Pradesh Chief Minister Yogi Adityanath dismissed the government report’s accuracy, asserting that the water was not only safe for bathing but also suitable for the Hindu ritual of drinking a handful after immersion.

Pilgrims often fully submerge themselves in the water, with some drinking or collecting the sacred water in containers.

‘My Sins Are Cleansed, But Not My Body’

Sircar recounted his experience of bathing at Sangam point—the most revered spot where the three rivers meet—twice last week.

“There is a concern because there is nothing I can do about the contamination in the water. In your mind, you tell yourself, this part looks clean, spend a few minutes in, recite prayers and come out,” he said.

He added humorously, “I took a shower for sins and then another shower for the contamination. So you need a bath after the bath… My sins are cleansed, but not (my) body.”

Ahead of the festival, India’s top environmental court had instructed state and federal pollution boards to ensure that the river water was clean enough for both drinking and bathing. The court mandated increased monitoring and sample collection of the Ganges and Yamuna rivers, prohibiting any discharge of untreated sewage or solid waste.

However, a report submitted by the federal pollution board on February 3 revealed that faecal coliform levels, a key indicator of untreated sewage, were significantly above the safe limit of 2,500 units per 100 milliliters.

At multiple locations along the Ganges and Yamuna rivers near Prayagraj, the contamination levels exceeded the safe threshold by more than 1,000 times, according to the report.

Adityanath assured that his administration was continuously monitoring water levels to maintain quality standards.

Kumbh Mela organizers also defended their efforts, stating that an “exhaustive survey” was conducted on all 81 drains that release water into the rivers before the festival began.

“We have ensured that the water quality has been maintained,” said Vivek Chaturvedi, an official overseeing the Kumbh Mela.

Aishwary Sharma, a 31-year-old finance professional from Delhi, admitted he was aware of the potential pollution but still took part in the ritual.

“I think it is quite evident that the Ganga and Yamuna are not clean rivers,” he stated. “(But) there are many things that are bad for you… The air we breathe is so toxic for our health… It is just another thing that is polluted that could have a harmful impact on my health.”

For many, faith and devotion took precedence over health concerns.

“What (most people) are interested in is their devotion and religion and that they want to take that holy dip,” said Sunny Parasher, a 34-year-old from Panchkula in Haryana.

“Where there is devotion, where there is religion, there is no question,” he emphasized.

However, Kalpana Mishra, a 55-year-old housewife from Prayagraj, decided against taking another holy dip after reading the pollution board’s report.

“What does being a literate person mean if you hear all this and still decide to go?” she questioned.

Health experts warn that exposure to faecal contamination can cause waterborne diseases such as typhoid, diarrhea, cholera, gastroenteritis, E. coli infections, skin ailments, and vomiting.

Push to Clean the Rivers

Indian Prime Minister Narendra Modi has prioritized cleaning the Ganges since assuming office in 2014, dedicating billions of dollars to sewage treatment, surface waste cleanup, and afforestation efforts.

The Ganges supports 400 million people who rely on it for their livelihood, but 50 cities along its course discharge nearly 3 billion liters of sewage daily. According to the World Bank, only a fraction of this waste undergoes treatment before entering the river.

The Yamuna, a major tributary of the Ganges, has also been severely impacted by untreated sewage and industrial chemicals for decades.

Ahead of the festival, authorities promoted the event as a “Green Kumbh,” emphasizing sustainability initiatives such as banning single-use plastics, introducing eco-friendly toilets, deploying electric rickshaws, and hiring 15,000 sanitation workers to manage waste during major bathing days.

In January, the Ministry of Culture stated that the festival had been “meticulously planned to uphold hygiene and ecological balance,” describing it as a model for future large-scale events worldwide.

Environmental responsibility was a major topic at a conference held during the festival, where religious and environmental leaders discussed ways in which religious institutions could contribute to addressing the climate crisis.

“If there is no water in the rivers, there is no Kumbh. We don’t consider it water, we consider it nectar,” said Swami Chidanand Saraswati, an Indian spiritual leader. “If we all do not make efforts to protect it, then the next (Kumbh Mela) will be on mere sand.”

Despite these efforts, the overwhelming turnout posed a significant challenge. The festival saw 250 million more attendees than initially anticipated. Authorities had planned for approximately 400 million people over six weeks—averaging about 9 million per day—but government estimates indicate that around 620 million participated.

“It is a mammoth task to take care of such a crowd,” stated Dr. Nupur Bahadur, associate director at The Energy and Resources Institute (TERI), a research institute specializing in wastewater management.

To mitigate river contamination, Bahadur suggested implementing better on-site prevention and disinfection strategies.

“One of them could be halting the dip after every 12 hours for one hour” and allowing fresh water to flow through the bathing areas before “the dips can be restarted,” she proposed.

While the festival’s record-breaking turnout strained its infrastructure, Bahadur acknowledged that the management had achieved “the best human effort possible” under the circumstances.

For residents of Prayagraj, however, the return to normal life could not come soon enough.

“My eyes are constantly burning and there is so much dust,” said Mishra. “I want the festival to end so I can get back to my life.”

Kashi Tamil Sangamam: A Celebration of Timeless Cultural Bonds

The spirit of Kashi Tamil Sangamam, a nationwide cultural festival, continues to resonate globally as Indian missions in various countries host events showcasing the longstanding connections between Tamil Nadu and Kashi. This grand cultural confluence is currently taking place in Varanasi, Uttar Pradesh, from February 15.

On Tuesday, the Indian Embassy in Cambodia organized a seminar to commemorate the third edition of Kashi Tamil Sangamam (KTS). The seminar focused on the significant contributions of Sage Agastya to Indian traditional medicine and Tamil literature. The event, held in Phnom Penh, saw the participation of several members of the Indian diaspora in Cambodia, including members of the Tamil Sangam.

Sage Agathiyar, also known as Agastya, is a revered figure in Hindu mythology, celebrated for his wisdom, spiritual teachings, and cultural impact. He played a crucial role in bridging the cultures of North and South India. He is also widely known for his expertise in Siddha, an ancient Indian system of medicine. Agastya is regarded as the Father of Tamil literature, and it is believed that he compiled the earliest Tamil grammar book, Agathiyam.

Similarly, the High Commission of India in Kuala Lumpur, in collaboration with the Netaji Subhas Chandra Bose Indian Cultural Centre, hosted an event marking the inauguration of KTS 3.0. High Commissioner B.N. Reddy addressed the gathering, emphasizing that the objective of KTS 3.0 is to rediscover and reinforce the centuries-old link between Kashi and Tamil Nadu, two ancient centers of knowledge in India. He encouraged the Tamil diaspora in Malaysia to participate in large numbers at the Kashi Tamil Sangamam 3.0 event in Varanasi.

At the event, speeches were delivered by Nedunchelian Vengu and Vaidyar Sanjay Kumar Ramachandran on the theme of KTS 3.0, highlighting the “Contribution of Sage Agastya in Classical Tamil Literature and Grammar” and “Contribution to the Siddha System of Medicine,” respectively. Both speakers were honored for their contributions. The event saw attendance from approximately 100 people, including representatives from various community associations, members of PEPTIM—a group representing practitioners of Traditional Indian Medicine in Malaysia—and media representatives.

The Consulate General of India in Houston also organized a special event to mark Kashi Tamil Sangamam 3.0 on February 16, in collaboration with Indian diaspora organizations. A panel discussion titled “Sage Agastya’s Contributions – Work, Wisdom & Influence” was held, featuring insights from Naga Ganesan, Thangavel Vijayalakshmi, Rajesh Garga, and Soundar Jeyabal. The Consulate shared details of the event through a social media post. A large number of Indian-American community members attended, making the event a successful and engaging cultural exchange.

Kashi Tamil Sangamam is a prestigious cultural initiative organized by the Ministry of Education in collaboration with multiple ministries and the Government of Uttar Pradesh. This initiative aims to bring together scholars, students, philosophers, traders, artisans, artists, and people from diverse fields to exchange knowledge, share cultural traditions, and adopt best practices through mutual learning.

“Kashi Tamil Sangamam begins. A celebration of the timeless civilizational bonds between Kashi and Tamil Nadu, this forum brings together the spiritual, cultural, and historical connections that have flourished for centuries. It also highlights the spirit of ‘Ek Bharat, Shrestha Bharat.’ I do urge all of you to be a part of Kashi Tamil Sangamam 2025!” Prime Minister Narendra Modi wrote in a post on X, encouraging participation in next year’s event.

A remarkable celebration of life of Ustad Zakir Hussain

New York, NY — The Asia Society & Sneh Arts came together to host a heartfelt memorial tribute in honor of the legendary Ustad Zakir Hussain, in collaboration with Sound Traditions. The event brought together an extraordinary assembly of cultural leaders, admirers and local musicians who celebrated his unparalleled legacy through stories, shared memories, and music.
Collage de fotos neutro minimalista aesthetic
Highlights of the Evening:
The program commenced with inspiring opening remarks by Rachel Cooper (Asia Society), Sunny Thakkar (Sneh Arts & Sneh Arts Foundation), and Shruti Rawoot (Sound Traditions). Their reflections set the tone for an evening of deep gratitude and admiration for Ustad Zakir Hussain’s monumental contributions to music and culture.
The opening musical offering was a deeply spiritual moment, featuring a harmonious blend of:
Shruti Rawoot’s serene rendition of Dhrupad Bandish.
Amira Dvorah’s moving Islamic prayers.
Deepak Kumar’s soul-stirring Sanskrit peace prayer accompanied by the tanpura.
A curated video tribute captured key milestones of Zakir ji’s illustrious career, evoking emotions among the audience as they witnessed his journey through sound and artistry.
Community Reflections:
The memorial brought forth heartfelt reflections from esteemed members of the community. Speakers shared personal anecdotes and professional insights into Zakir ji’s life, influence, and enduring impact.
Musical Tribute:
The tribute continued with mesmerizing performances by:
Avirodh Sharma (tabla) and Rohan Misra (sarangi) in a special dedication to Zakir ji.
Amira Dvorah shared some personal funny stories and music with a moving flute performance.
The program concluded with a final video of Zakir ji speaking about being one with his instrument and the magic that happens when their spirits meet. It created a powerful closing moment that resonated with all in attendance.
Acknowledgments:
This memorial event would not have been possible without the partnership of the Asia Society, the dedication of Sneh Arts in collaboration with Sound Traditions, and the active participation of the community.
About the Hosts:unnamed (1)
Sneh Arts (@snehartsny): A New York-based arts organization founded by Sunny Thakkar, dedicated to preserving and promoting Indian music, dance, and culture.
Sound Traditions: Co-founded by Shruti Rawoot, promoting “Baithak Style” concerts and sparking cultural innovation through Indian classical music.
Asia Society Museum: A leading institution fostering global understanding through arts and education.

The Crisis of Hindi Cinema and the Media’s Role in Its Decline

Hindi cinema has been struggling for quite some time now, facing a downturn that is hard to ignore. Quality films often fail to get the recognition they deserve, while subpar productions occasionally succeed but mostly flounder. This has led to what can be described as an existential crisis for Bollywood—India’s second-greatest obsession after cricket.

Several factors have contributed to this crisis, but beyond the excessive greed of multiplex owners, which has alienated core audiences, and the shifting perspectives of moviegoers, another key culprit is the media. Rather than serving as a stabilizing force or at least offering some support, the media has been largely irresponsible, immature, and, at times, even malicious. From social media platforms like Facebook, Twitter, Instagram, and YouTube to print and online publications, the role played by the press in shaping public perception of Hindi cinema has been overwhelmingly negative.

The Decline in the Quality of Film Journalism

A significant issue with modern film journalism is the lack of deep understanding among those covering the industry. Many of today’s journalists are young and lack substantial knowledge or independent analysis of how Hindi cinema evolved into what it is today. Rather than developing informed perspectives, they often rely on one another, so-called “experts,” or personal biases shaped by their admiration for specific filmmakers, stars, or genres. Very few have a genuine passion for cinema or approach their critiques with objectivity.

Many of these individuals aspire to be filmmakers or screenwriters themselves, which often makes them critical of mainstream Bollywood storytelling. They scoff at elements that have been part of Hindi cinema’s DNA for over eight decades simply because these tropes do not align with the aesthetics of world cinema, particularly its critically acclaimed segments.

There is also a faction of critics who blindly idolize South Indian cinema, which, in itself, is not problematic. However, their excessive praise of regional films often comes at the expense of Hindi movies, leading to unnecessary comparisons and an unfair dismissal of Bollywood’s contributions.

Focusing on Non-Issues

Another distraction in the discourse surrounding Hindi cinema is the undue attention given to so-called “nepotism” and “nepo-kids.” While these terms have lost their significance in Bollywood, they still dominate discussions—despite nepotism thriving even more prominently in South Indian film industries. Critics paradoxically celebrate South cinema as being “grounded” while dismissing Hindi films that tell similar stories as being disconnected from reality.

Moreover, Hindi cinema’s biggest stars, both seasoned and emerging, are frequently criticized for their supposed lack of talent. The line between personal and professional criticism is blurred, leading to unwarranted attacks on actors.

Ignorance and the Abuse of Influence

The biases of film journalists extend to their preferences for certain filmmakers and actors, often disregarding public sentiment. Directors like Anurag Kashyap, Hansal Mehta, and Vishal Bhardwaj, to name a few, receive disproportionate praise, while many truly talented artists go unnoticed. The industry’s fixation on international recognition further exacerbates this trend—global accolades take precedence over domestic achievements, even when Indian audiences fail to connect with these celebrated filmmakers.

There is a growing pattern of outright dismissal of Hindi cinema. While film reviews were once secondary to audience decisions, today, they have an outsized influence. With ticket prices at an all-time high, moviegoers increasingly rely on reviews to decide whether a film is worth watching. Unfortunately, many critics appear more interested in tearing down Bollywood than offering constructive feedback.

Another problem lies in the inconsistent reporting of box office figures. While some journalists inflate earnings to make a film appear more successful than it is, others take a contrarian approach, prematurely labeling movies as flops. Often, films are declared failures even before their release, and post-launch, every effort is made to justify these predetermined verdicts. This creates confusion among audiences, leaving them unsure about a movie’s actual performance.

Of course, box office numbers should not be the sole measure of a film’s worth. A good film does not lose its artistic merit simply because it underperforms commercially. However, exaggerated earnings reports contribute to the growing distrust in media, reinforcing the perception that journalism is tainted by bias and monetary incentives.

The term “paid media” has become increasingly relevant, as even honest journalists are painted with the same brush as those who distort facts for personal gain. Conversely, individuals who peddle negativity under the guise of “telling it like it is” are lauded as voices of integrity.

One senior critic in the industry, who once enjoyed great reverence, was notorious for his inconsistent opinions. He would harshly critique a film, then later praise one aspect of it while condemning the director’s next project. In another instance, he would criticize one movie but later use it as a benchmark to deride another film from the same filmmaker. Audiences began to notice these contradictions, exposing his lack of credibility.

Yet, that was an era when such behavior was still limited. Today, the dominant trend among critics is outright hostility. The tools of their trade—keyboards, microphones, and cameras—are wielded not as instruments of fair critique but as weapons of destruction.

The Rise of Agenda-Driven Journalism

A troubling development in recent years is the increasing number of journalists launching their own platforms, using them to fabricate, amplify, and sustain controversies. They manipulate narratives, cite unverifiable “sources,” and enlist supposed “authorities” to lend credence to their claims. Their primary motivation is not truth but digital engagement—views, likes, and revenue. The impact of their misinformation is growing, influencing public perception in dangerous ways.

One recent example involves a passionate cinephile named Vikram, who happens to be related to a legendary film personality. Vikram had long been influenced by a biased film columnist, often adopting the same views without independent thought. However, when he engaged with me in a private conversation regarding a particular film, I suggested he watch it himself rather than rely on second-hand opinions. Filmmaking, after all, is an arduous process, and while the results may vary from awful to brilliant, every film deserves a fair assessment. To his credit, Vikram acknowledged the validity of my argument.

Unfortunately, not everyone is as willing to challenge their preconceptions. Many simply accept media narratives without question, which is why responsible, honest journalism is more crucial than ever.

What the Media Should Be

A true champion of Hindi cinema should not impose conditions on their appreciation of the industry. Just as a parent or teacher supports a child through challenges, journalists should stand by Bollywood during its rough patches. Constructive criticism is vital, but it should be offered with the intent to improve, not to destroy.

The absence of such support has left a void. Instead of acting as a guiding force, today’s media is complicit in Bollywood’s struggles. If Hindi cinema is to regain its strength, it needs a press that values integrity over sensationalism, fairness over favoritism, and encouragement over perpetual condemnation.

Ultimately, Bollywood’s fate does not rest solely in the hands of filmmakers, actors, or audiences. The media wields significant influence in shaping narratives, and if it continues on its current path, it may contribute to the very downfall it claims to lament.

Royal Navy Updates Mess Dress Code to Include Sari, Reflecting UK’s Cultural Diversity

The United Kingdom’s Royal Navy has broadened its mess dress code policy to incorporate the sari as part of its efforts to embrace diverse cultural identities for formal and ceremonial occasions.

This decision aligns with a broader initiative to represent the cultural heritage of Royal Navy personnel. Lance Corporal Jack Kanani, who serves as the chair of the Royal Navy’s Race Diversity Network (RNRDN), recently confirmed the update, which falls under the force’s “Cultural Equivalent” initiative.

“As Chair of the Royal Navy Race Diversity Network (RNRDN), it gives me great pleasure to announce that the existing Royal Navy (RN) cultural mess dress policy has just been updated to include wider forms of British cultural identity,” Kanani stated.

The Royal Navy already permits traditional attire representing Scottish, Irish, Welsh, Cornish, and Manx heritage, such as kilts and tartan dresses, for formal naval mess functions. The latest update expands on this by allowing personnel to honor their cultural roots while adhering to mess dress requirements.

Kanani highlighted that the Cultural Equivalent initiative began more than two years ago. The Race Diversity Network sought input from ethnic minority personnel within the Royal Navy to gauge how an expanded dress policy might enable them to celebrate both their military and cultural identities.

“The RNRDN’s initiative, coined the Cultural Equivalent, initially began over two years ago. The Network canvassed opinions from ethnic minority service personnel to understand how widening existing policy on cultural mess dress would make them feel able to celebrate both their RN and cultural heritage,” he explained.

He further elaborated that the newly revised guidelines now acknowledge other cultural groups that serve within the Royal Navy.

“The update in policy now widens that to be inclusive of other British cultures that serve within the RN,” he added.

A post shared on social media illustrated this change through an honorary female captain dressed in a white sari, paired with a white shirt, bow tie, and mess jacket.

Naval mess dress regulations mandate strict uniform standards above the waist, requiring officers to wear their uniform jackets with trousers, a tartan kilt, or a skirt. With the updated policy, the Royal Navy hopes its officers will be able to display their heritage by incorporating elements such as a sari or African attire, while still complying with mess dress guidelines by pairing these outfits with the required jacket, shirt, and bow tie.

Despite the intended inclusivity of the move, some critics have voiced concerns. One former high-ranking naval officer argued that the change undermines the purpose of military uniformity.

“The reason for uniform in a disciplined fighting service is to achieve a common identity, not to accentuate the differences… Rather than running a fashion parade, what this team should have been doing is to help recruit sailors from diverse cultural backgrounds,” remarked Retired Rear Admiral Philip Mathias, responding to Kanani’s social media announcement.

However, the Royal Navy’s Race Diversity Network defended the policy revision, asserting that it accurately represents the diversity within its ranks.

Additionally, the Network clarified that the image shared on social media, depicting the honorary captain in a sari, was from an earlier research phase of the Cultural Equivalent initiative. It emphasized that the image does not necessarily reflect how different cultural garments will be worn under the updated mess dress regulations.

Tamil Nadu Offers $1 Million to Crack Indus Valley Script as Roman-Era Treasure Discovered

The Indus Valley Civilization, one of the oldest known civilizations, flourished several millennia ago in regions corresponding to modern-day Pakistan and western India. At its peak, it was home to over five million people and was renowned for its sophisticated urban infrastructure. However, the script used by this civilization remains an unsolved mystery, leaving the language and identity of its people unknown.

The reason behind the civilization’s disappearance around 1900 BCE is still debated. In an effort to decipher the enigmatic script, the Tamil Nadu government in southern India has announced a reward of $1 million for anyone who can successfully decode it. “Whoever solves the Indian enigma will become a millionaire,” the official statement declared.

Indus Valley inscriptions consist of symbols and signs that were primarily etched onto pottery and stones. The inscriptions are brief and follow distinct patterns, leading scholars to question whether they constitute a complete language. Researchers have identified around 400 unique symbols, and with the lucrative prize at stake, interest in solving the mystery has surged.

Rare Roman-Era Coins Discovered

While the challenge to decipher the Indus script gains momentum, a remarkable archaeological discovery has emerged from a small town in the Netherlands. More than 400 gold and silver coins from the Roman era, dating back to the first century CE, have been unearthed.

The treasure includes coins bearing images of prominent rulers from Rome, Britain, and Africa, such as Claudius and Julius Caesar. Among the hoard, 116 coins are made of gold and are believed to have been buried around 47 CE. Experts suggest they may have been hidden by a Roman soldier returning from Britain, possibly with war loot.

This finding is particularly significant as it represents the largest Roman-era treasure ever discovered in the Utrecht province. Additionally, it is the first recorded instance in Europe of a collection containing both Roman and British coins.

Following meticulous cleaning and restoration, the coins have been incorporated into the national archaeological collection. Researchers will continue studying them to gain further insights into the historical connections between the regions they originated from.

2 February, 2025: He Said It

set in West End Village, Anguila, The United Kingdom

Father is standing with his younger brother, Smith, in the graveyard of their village, in front of the two gravestones of their parents. An emotion bubbling up inside of Father tells him that he wants to smile. His father and his mother are finally side by side, the tombstone for his father old and chipped, the one for his mother a fresh pewter, each word clearly legible, with a smiling stencil of her face over it.

Here lies Beverley Williams.

1934–2024

He loves seeing his mother and father enjoying a space together, despite it being in death. His father, he wasn’t the easiest man to be around. He liked to work a lot, and he liked to drink a lot, too. He said bad things about his kids, he hit his wife. He died when Father was just getting settled into his work in the city. His mother had to live a long time without a man, but life at home was peaceful because of it. Despite this history, Father’s mother felt like she was supposed to be buried next to him. It was just the way things were. Men married women. Women gave them kids. And women prayed as they withstood the drinking and bad habits of their husbands, sticking by their sides until the end. The only people who didn’t think this was normal were the ones around Son’s age, and those kids were thinking all sorts of thoughts unnatural to the islands. And his mother would never understand them, in this life or the other. She wanted to be next to her husband in the afterlife, and she got it, even if it took thirty years for it to happen.

So, there she is, there he is, and here are two of their sons, Father and Smith, standing side by side. It’s been a month since he returned to the West End for the funeral. He tries to visit his mother and father once every few days. Sometimes he comes with Smith, sometimes comes with Jeff, sometimes he comes with Uncle Vince, and sometimes he comes with a cousin or a niece or a random neighbour. It’s good to be back in the place where he was born and brought up. Although he does feel like his welcome is drying up. The relatives were polite to him during the first week, but these days they’re making their comments, wondering when he’s going back home to his three-story cottage in Mount Fortune.

Smith and Father’s eyes meet. Father wants to smile, and he wishes his muscles would move, but he’s emotionally drained. It’s been months since he has had a smile on his face. It just isn’t coming to him no matter how hard he tries. Both of their gazes drift downwards to the tombstones. Father doesn’t say much to Smith, but this is the familiar way of their relationship, and Father enjoys their walks together. Smith is an open guy compared to Jeff, who’s never been a real big brother, doesn’t even look Father in the eye unless there’s some alcohol in him and he wants to get a rise out of Father.

Mr Fancy Man is coming to get a look at how us village men live. Aya look wuk he walks like he coming from Spain. Look at the Mr Fancy Man. Is he remembering us and how we live?

What’s worse about the way Jeff talks is that the other uncles and cousins and nephews tend to agree with him. They take a good look at Father, get a little laugh, and agree with whatever Jeff says. They invite him to join in their little groups sitting on the benches or stoops enjoying their beers, but Father doesn’t like getting drunk, and he knows that they’ll take advantage of the alcohol to dig into him. He feels more comfortable going back to his room in his house to chat with his wife or one of the other relatives who live elsewhere and who have likewise returned to the village for the funeral.

Despite feeling somewhat isolated, Father isn’t ready to pack up and go back home yet. It’s because every time he walks past the one-storey homes around the street and the swaying palm trees beside them, he remembers being a boy in flip-flops doing the same. He looks at the gravestones and the tombs, and while it isn’t like he’s seeing their spirits, he is convinced that a part of him still resides here somewhere.

It’s his home, this village. It doesn’t matter how his relatives feel or the fact that he left many years ago. He was a loner as a boy, and he is a loner now. But he still belongs here.

Father doesn’t get the chance to see the graves of his loved ones or pay his respects over in Mount Fortune. And here they are, and will be forever—his mother and father. Two bodies buried in the dirt. His father is probably already a skeleton at this point. There would be more dust in his coffin than anything else. And his mother has been freshly laid to rest. Father remembers how hard the thick curls of the hair on her head became, how purple her feet were, and he breaks eye contact with the tombstone. He thought his emotions were dead, but there is that one gnawing anxiety, that all-consuming sadness, that very dark hole that would be so easy to drop into.

All he has to do is remember the face his mother made as the air gasped out of her and her life force heaved away.

‘Ayuh lawd,’ Smith suddenly exclaims. ‘Is that Mrs Willis ova der?’

Father doesn’t even remember who Mrs Willis is. He sees a bent-over black woman with large graying curls on her head scooting slowly over the pavement with her walker. She is moving incredibly slowly. It wouldn’t surprise him if she would soon be going to her deathbed.

‘She looks to be suffering from some acute back pain and some form of muscular atrophy,’ Father responds. ‘I wonder what medicines she is taking.’ He makes a mental list of the things they used at their hospital to treat palsy, and then he remembers he is talking to Smith, who barely pursued higher education, let alone medical school.

Smith interrupts Father’s thoughts and shouts, ‘Mrs Willis! Ya hearin? Mrs Willis!’

‘Stop,’ Father interjects. ‘I don’t remember her, and she probably won’t remember me.’

Smith keeps shouting, ‘Mrs Willis! Mrs Willis!’ The woman clearly cannot hear well. She continues ambling to her destination, a neighbouring house.

Though the yelling gets Smith nowhere, he continues to say, ‘Ya made the best Johnny cakes last week. They were good with the shrimp. They were good plain, too. We loved ya cooking. We have to invite ya over soon.’

Now he remembers those soggy fried snacks when he visited this random older woman’s house. They ate seafood fresh from the ocean. The smell of coconut was everywhere. So, that was Mrs Willis…and that was her home….

It is nice of Smith to engage with Mrs Willis like that, Father reflects. Smith was always that brother who went out of his way to do things for others. Back when they were kids, Father would sit at his desk at school, lost in his studies and homework. By the time he got back home, Jeff would have eaten almost all of the snacks that were prepared for them. They were hard to resist given how tasty they were—the jam balls were sour with tamarind but overly sweet from the sugary caking, an addictive contrast. But only Smith would keep some extras just for Father. Smith was always considerate, and that is probably why he is the one who has spent the most time with Father visiting the gravestones.

‘Thanks for taking the time to bring me here again,’ Father says to Smith. ‘You really take a lot of time out of your day for me. I appreciate it.’

Father’s words are genuine. They aren’t formalities. He means it. I energy around them changes. The breeze that is hitting them feels a bit cooler. The smell of dried grass lingers.

Smith’s eyes meet Father’s, but he keeps staring into him. Then he tells Father, ‘What happened to Mum…we know ya tried ya best when you took her to the city. We appreciate it. But we did our best for decades, too. We done did a good job when Mum still lived with us, and ya know it. I think ya should have let us keep trying. Ya gave up on us, and then Mum died, and that made us feel a certain way.’

Father’s face curls up. He turns to face Smith. Smith’s the polite one in the family, doesn’t express what he truly thinks that often, if ever at all. Father’s getting a real glimpse into his brother’s heart.

He has to handle it tenderly.

He tries at first to defuse the situation. He asks, ‘Are you angry at me?’

‘No,’ Smith responds. ‘Jeff says what he says cuz he’s angry. Uncle Vince and Dave are angry, too. The kids are angry because everyone else is. They don’t know better. And they love to mash. Everyone loves to mash. But I am not angry.’

Father observes Smith’s body language. He is composed. He speaks matter-of-factly, with no desire to hurt Father.

Despite knowing this, why is it that Father feels like he is being poked at?

‘I was doing what I thought was best. Just like when I used to send money back – ’

‘No, no no.’ Smith’s face, which appeared so peaceful, suddenly clenches. ‘I’m not saying sending money was bad. Ya sent ya money, that was good. We used the money, and we took care of her. You done much good. But it is more than money. We knew what else our mother needed.’

‘She is my mother, too.’

‘We lived with her. We knew her.’

‘I…’ The truth was that Father didn’t know her. The suburb where Father lived wasn’t that far off. It would only take him half an hour maximum to travel home, and yet he acted like he lived in Birmingham or Kent, thousands of kilometres away. He liked having his own family, his own job, his own network, and his own success away from his childhood home. His mother benefited from that—all of the relatives did—but they lived completely separate lives. So, yes, Father didn’t know what they were like. Father didn’t know what they were like at all.

Father takes a deep breath. It isn’t enough. He feels like someone has just punched the air out of him. He needs to breathe again. He knows he has to. He’s really lacking the air. He feels like he’s going to cry. But he doesn’t want to cry. He’s almost seventy. No one who’s a man on the islands cries, and in front of his younger brother of all people.

‘I did my best,’ Father says.

‘Ya did,’ Smith says.

‘It just wasn’t good enough.’

‘That’s not what I said.’

‘I want to go,’ Father says.

Smith stares at the tombstone. He mouths something, addressing the space beyond Father. His eyes are stuck in place, as are his feet.

Smith gets like this when he is tense. As a little boy, Smith didn’t talk much. Neither did Father. Even as adults, neither are particular social, and they like being that way. But as Father looks at Smith now, he wonders if they should have been there for each other more.

Ironically, this is the first time in their entire life that they are addressing each other so candidly, Father realises.

Here they are, standing, not saying a single thing to each other. Father tries to control his breathing. He has to make his heart rate go down, he has to let go of the tension in his nerves and muscles.

He feels like he ought to have so much more to say to his brother in response, and yet nothing is coming out.

All he wants to do is kick at the tombstone, angry at his father and mother. Angry at them for giving him so much responsibility, yet none of the ability to express its weight towards his loved ones.

Naseeruddin Shah Critiques Bollywood’s Reflection of Society at Kerala Literature Festival 2025

Veteran actor Naseeruddin Shah shared candid thoughts about the state of Bollywood during his appearance at the Kerala Literature Festival 2025. His reflections painted a rather critical picture of the industry’s role in representing contemporary Indian society. Expressing concern about the lasting impact of Bollywood films, Shah remarked, “It would be a big tragedy if 100 years later, people look at Bollywood films to understand India of 2025.”

Shah’s critique centered on the idea that cinema should serve as a meaningful record of its time. He argued that while films can raise questions, they often fall short of creating genuine shifts in societal thinking. “I don’t think anybody’s thinking is changed after seeing a film, no matter how wonderful it may be. Yes, it may help you raise a few questions, but the most important function of cinema is to act as a record of its times,” he said.

Delving deeper into the content produced by the film industry, Shah criticized how certain films reinforce outdated and harmful gender stereotypes. According to him, many movies cater to male fantasies, often reflecting and perpetuating regressive attitudes toward women. He did not mince words, stating, “These films feed into the secret fantasies of men who, in their hearts, look down on women.” He added that this dynamic is troubling and sheds light on the persistent issues of gender-based violence and discrimination in society. “It is very terrifying and does explain the horrendous things that happen to women in our society,” Shah observed.

Reflecting on the concept of originality in filmmaking, Shah shared an interesting anecdote from a conversation he had with renowned screenwriter Javed Akhtar. The discussion revolved around Akhtar’s 1975 classic Sholay, a film widely regarded as one of the most iconic and influential works in Indian cinema history. Shah recounted challenging Akhtar’s view of originality, pointing out the visible influences from Western cinema in Sholay. “I remember Javed Akhtar had once said to me, ‘Something can be called original when you can’t find its source.’ I was talking to him about Sholay, and I said, ‘You have copied every scene, you didn’t leave any of Charlie Chaplin’s films, besides Clint Eastwood is felt in every frame,’” Shah recalled.

Despite his blunt critique, Shah acknowledged that defining originality in art and cinema is complex. Akhtar’s response highlighted that originality doesn’t solely depend on whether an idea is entirely new but rather on how it is executed and transformed. “But he said, ‘The question is not about where you have lifted a reference from, it’s about how far you have taken it,’” Shah noted. This perspective underscores the idea that creative works often draw from existing influences, but their uniqueness lies in the way these inspirations are reimagined.

Shah further elaborated on this point by drawing parallels with literary greats like William Shakespeare. Widely celebrated as one of the most original playwrights in history, Shakespeare himself adapted stories from older works. “William Shakespeare, who is considered a great playwright, apparently was also copying stuff from old plays. But originality was there in the way they presented,” Shah said, emphasizing that the essence of originality lies in the presentation rather than the source material.

His remarks at the festival were a mix of sharp critique and thoughtful reflection, challenging the audience to reconsider the role of cinema in shaping and reflecting society. Shah’s comments are particularly relevant in an era where Bollywood continues to grapple with balancing commercial success and meaningful storytelling. His concerns highlight the need for introspection within the industry about the messages films convey and the values they promote.

While Bollywood has produced films that challenge societal norms and provoke thought, Shah’s critique suggests that these are exceptions rather than the rule. He seemed to imply that mainstream cinema often prioritizes entertainment and profit over artistic integrity and social responsibility. His observation that films “feed into the secret fantasies of men who, in their hearts, look down on women” points to a broader issue of gender representation in Indian cinema. Many mainstream films continue to depict women in stereotypical roles, reinforcing traditional power dynamics rather than challenging them.

Shah’s reflections also resonate with ongoing conversations about the influence of popular culture on societal attitudes. While he acknowledged that films might not drastically change people’s thinking, he implied that they still play a significant role in normalizing certain behaviors and beliefs. The connection he drew between cinematic content and real-world violence against women suggests that the portrayal of gender roles in films can have far-reaching consequences beyond the screen.

In discussing Sholay and its influences, Shah raised important questions about the nature of creativity and the fine line between inspiration and imitation. His anecdote with Javed Akhtar offers insight into how even celebrated works of art are often part of a larger cultural dialogue, drawing from existing stories and ideas to create something new. The debate over what constitutes originality is not new, but Shah’s reflections add a nuanced perspective, especially in the context of Indian cinema’s evolution.

His comparison to Shakespeare further reinforces the idea that originality is often a matter of perspective. While Shakespeare borrowed heavily from earlier works, his genius lay in his ability to transform those stories into timeless masterpieces. Similarly, Shah seemed to suggest that Indian filmmakers should focus less on avoiding influences and more on how they can reinterpret and reframe those influences in meaningful ways.

Shah’s comments at the Kerala Literature Festival were both a critique of Bollywood’s current trajectory and a call to action for filmmakers to be more conscious of their work’s cultural impact. His belief that cinema should serve as a historical record challenges filmmakers to think beyond box office numbers and consider the legacy they are creating. His assertion that it would be tragic if future generations looked to Bollywood films to understand India in 2025 reflects his concern that the industry is not fully capturing the complexities of contemporary Indian life.

Ultimately, Shah’s candid remarks highlight the power of cinema—not just as entertainment but as a mirror to society. His critique of Bollywood’s portrayal of women, the influence of Western cinema on Indian films, and the elusive nature of originality offer valuable insights for both filmmakers and audiences. As Indian cinema continues to evolve, voices like Shah’s serve as important reminders of the responsibilities that come with storytelling.

Kerala Literature Festival 2025: A Global Celebration of Art and Ideas

The Kerala Literature Festival (KLF), hailed as Asia’s largest literary gathering, is gearing up for its 8th edition with a stellar lineup of luminaries from literature, music, film, and art. Scheduled to take place in Kozhikode, a UNESCO-designated City of Literature, the event will run from January 23 to 26, drawing a diverse global audience for an extraordinary celebration of creativity.

This year’s festival boasts an impressive roster of renowned figures. Flute virtuoso Hariprasad Chaurasia, acclaimed filmmaker Mani Ratnam, and legendary violinist L. Subramaniam, fondly called the “God of Indian Violin,” are among the standout names. Bollywood stalwarts Naseeruddin Shah and Ratna Pathak Shah, versatile actor Prakash Raj, and YouTube sensation Prajakta Kohli will also be present, ensuring a dynamic blend of culture, artistry, and intellectual exchange. “Their presence creates a one-of-a-kind cultural experience, making KLF a must-attend for enthusiasts of art and literature,” stated the organizers.

Adding to the festival’s grandeur, KLF will feature a remarkable array of talents, including Nobel laureates, Booker Prize winners, and award-winning authors and artists. Some of the notable personalities include Malayalam cinema icon Parvathy Thiruvoth, vocalist Mir Mukhtyar Ali, musician Vidya Shah, dancer Methil Devika, French poet Fred Nevché, Bharatnatyam artist Rajashree Warrier, singer Harish Sivaramakrishnan, pianist Stephen Devassy, and Spanish performer Mónica de la Fuente. These distinguished figures will engage in stimulating discussions and artistic performances, enriching the festival’s appeal and cultural impact.

Beyond the luminaries, the festival will shine a spotlight on Kerala’s vibrant cultural heritage, showcasing traditional art forms, dance, and performances deeply embedded in the region’s history. These local expressions will complement a series of global cultural acts, creating a harmonious fusion of the local and the international. “This blend of traditional Kerala culture and global artistry will foster a universal dialogue, celebrating the interconnectedness of art and literature,” remarked Ravi Deecee, the festival’s Chief Facilitator.

France takes center stage this year as the Guest Nation, bringing its artistic flair to the KLF. French cultural performances will share the spotlight with Kerala’s traditional art forms, symbolizing a rich cultural exchange. Among the distinguished French participants are Fred Nevché and Alfred Lionel Papagalli, whose contributions promise to enhance the collaborative spirit of the event. Their presence reflects the festival’s commitment to cross-cultural engagement, breaking barriers and uniting creative minds across borders.

Expressing his enthusiasm for the festival, Ravi Deecee said, “We are thrilled to bring together such a distinguished lineup of artists, writers, and intellectuals for this year’s festival. The fusion of global cultures, including French and Kerala traditions, will offer a unique platform for cross-cultural engagement. It is a celebration of the diverse ways in which art and literature bring people together, breaking boundaries and fostering a universal dialogue.”

With an estimated footfall of six lakh attendees, KLF 2025 is poised to be a grand spectacle of artistic expression and intellectual discourse. Attendees from all corners of the globe are expected to convene in Kozhikode, where the four-day event promises an immersive experience. The festival’s diverse programming will seamlessly intertwine literature, music, art, and culture, creating a space where ideas and creativity flourish.

In its 8th edition, the Kerala Literature Festival aims to reaffirm its reputation as a premier cultural event, uniting audiences and artists in a shared celebration of creativity, dialogue, and the power of the written word.

Shivam Dhol Tasha Pathak to Make History at Presidential Inaugural Parade

On January 20, the Presidential Inaugural Parade following the swearing-in of President Donald J. Trump and Vice President J.D. Vance is set to showcase a grand celebration of America’s cultural diversity and unity. Among the highlights of this event is the participation of Shivam Dhol Tasha Pathak, a Dallas-based Indian-American drum ensemble, marking a historic first as the inaugural Texas-based Indian diaspora group to join the esteemed procession.

Renowned for their captivating fusion of traditional Indian rhythms with contemporary global percussion, the group will bring a distinctive cultural element to the 60th U.S. Presidential Inauguration. With prior performances at major events such as the Howdy Modi rally, NBA and NHL halftime shows, and the ICC T20 World Cup opening ceremony, their inclusion highlights the growing recognition of Indian-Americans in national events.

“This is a proud moment for our community,” stated a spokesperson for Shivam Dhol Tasha Pathak. “It’s an honor to showcase the vibrancy of Indian culture on such a monumental stage.”

The parade will feature nearly 7,500 participants from 23 states, encompassing a variety of groups such as veterans, first responders, school and university bands, equestrian teams, and cultural ensembles. Co-chairs of the inaugural committee, Steve Witkoff and Kelly Loeffler, underscored the importance of this tradition in fostering national unity. “We are overwhelmed by the response from across the country,” they said in a statement. “This parade will celebrate America’s diversity and mark the beginning of a new Golden Era.”

Indian-Americans, a steadily growing demographic in the U.S., are gaining increasing prominence in cultural and national platforms. Shivam Dhol Tasha Pathak’s participation represents a significant step in illustrating the contributions of the Indian-American community to the broader cultural and political narrative of the United States. Their dynamic performance is expected to be a memorable highlight of the parade, exemplifying the harmony between traditional and contemporary identities.

Other participants in the parade include groups like the Butler County First Responders from Pennsylvania, marching in tribute to a fallen colleague, and the Benedictine Schools of Richmond, making their debut appearance. Additional notable participants include the NYPD Emerald Society Pipes & Drums, the Ross Volunteer Company from Texas A&M University, and the Diamond D Cowgirls from Georgia, contributing to the parade’s rich tapestry of participants.

Musical performances will also enliven the event, with stars like Carrie Underwood performing “America the Beautiful” and the Village People delivering their iconic hit “Y.M.C.A.” These acts are expected to add a celebratory tone to the inaugural festivities.

Inaugural parades have long been a significant tradition in American history, dating back to the time of President George Washington, though formalized parades began with President James Madison in 1809. This year’s event holds added importance, aiming to bridge divides and celebrate the nation’s resilience and unity.

Shivam Dhol Tasha Pathak’s inclusion has sparked a wave of pride among Indian-Americans across the country. Their performance along Pennsylvania Avenue is anticipated to infuse the parade with energy while serving as a vivid representation of the multiculturalism that defines the United States today.

For the Indian-American community, the significance of this moment extends beyond the parade’s festivities. It stands as a testament to their expanding role in shaping the evolving American narrative, blending heritage with modern-day contributions to the nation.

Resolution Introduced to Declare January as Tamil Language and Heritage Month

Congressman Raja Krishnamoorthi, a Democrat representing Illinois, introduced a bipartisan resolution on January 14 to designate January as Tamil Language and Heritage Month. The initiative received widespread support from lawmakers across party lines, including Representatives Nicole Malliotakis (R-NY), Shri Thanedar (D-MI), Ro Khanna (D-CA), Suhas Subramanyam (D-VA), Pramila Jayapal (D-WA), Ami Bera (D-CA), Ilhan Omar (D-MN), Yvette Clarke (D-NY), Sara Jacobs (D-CA), Deborah Ross (D-NC), Danny Davis (D-IL), Dina Titus (D-NV), Don Davis (D-NC), and Summer Lee (D-PA).

In a statement, Rep. Krishnamoorthi emphasized the significance of the Tamil language, which is spoken by more than 80 million people globally, including 360,000 individuals in the United States. He highlighted that Tamil is one of the oldest languages in the world and plays an integral role in preserving cultural heritage.

The resolution aligns with Pongal, a prominent Tamil festival celebrated in mid-January. Pongal symbolizes gratitude, prosperity, and unity as families, friends, and communities come together to honor their traditions.

“As a Tamil American, I am proud to introduce this bipartisan resolution honoring the Tamil language, heritage, and culture here at home in the United States and around the world,” said Congressman Krishnamoorthi. He described the United States as “a mosaic of different languages, cultures, ideas, and traditions,” expressing hope that the resolution would illuminate the rich history and achievements of Tamil Americans. “I encourage my colleagues in Congress to swiftly take up this resolution to recognize the impact Tamil Americans have in our communities,” he added.

Organizations supporting the resolution lauded its introduction, underscoring the importance of recognizing Tamil heritage and contributions to society. Tamil Americans United PAC expressed gratitude to Congressman Krishnamoorthi and other members of Congress for their efforts. “This significant legislation highlights the rich history of the ancient Tamil people and their invaluable contributions to the modern world,” the organization stated. They encouraged Tamil Americans to actively support the resolution’s passage through Congress.

The Federation of Tamil Sangams of North America (FeTNA) echoed these sentiments, declaring strong support for the resolution. “As proud Tamil Americans, we strongly support Rep. Krishnamoorthi’s resolution to create a Tamil Language and Heritage Month,” the organization said. They added that sharing Tamil history, language, and culture with fellow citizens would allow Tamil Americans to make meaningful contributions to their adopted homeland.

The U.S. Tamil Action Group (USTAG) also applauded the initiative. “We thank Rep. Krishnamoorthi for spearheading the effort to designate January as Tamil Language and Heritage Month and urge the U.S. Congress to pass this resolution with all due speed,” the group stated. They highlighted the pride Tamil Americans take in their ancient language, traditions, and culture, noting how these enrich America’s diverse cultural landscape.

PEARL (People for Equality and Relief in Lanka) praised Congressman Krishnamoorthi’s leadership in advancing the resolution. “The resolution celebrates the invaluable contributions of the Tamil community to the United States across generations,” the organization stated. It also emphasized how the resolution reinforces the importance of diversity in American society, while celebrating the extensive history and cultural richness of Tamil people.

The resolution serves as a testament to the enduring significance of Tamil heritage in the United States and globally. By recognizing January as Tamil Language and Heritage Month, the proposed legislation not only honors the contributions of Tamil Americans but also celebrates the broader cultural diversity that strengthens the fabric of American society.

Millions Gather at Prayagraj for Maha Kumbh, the World’s Largest Religious Festival

On Monday, millions of Hindu devotees, mystics, and holy figures from across India assembled in Prayagraj, marking the beginning of the Maha Kumbh festival. This event, regarded as the largest religious gathering globally, will unfold over six weeks, drawing Hindu pilgrims to the confluence of three sacred rivers: the Ganges, the Yamuna, and the mythical Saraswati. Participants engage in sacred rituals aimed at achieving liberation from the cycle of rebirth, a fundamental goal in Hindu philosophy.

A Confluence of Faith and Tradition

For Hindus, rivers hold profound spiritual significance, particularly the Ganges and the Yamuna. Many believe that immersing oneself in their waters can cleanse sins and break the cycle of reincarnation, especially during auspicious days determined by astrological cycles. The Maha Kumbh Mela, held every 12 years, is a grand festival centered on these rituals.

Dating back to medieval times, this festival involves ritualistic baths by Hindu sadhus (holy men) and pilgrims at the sacred confluence in Prayagraj. It is believed that the Saraswati river once flowed here alongside the Ganges and the Yamuna, forming a trinity of sacred waters.

While bathing is performed daily, certain auspicious days see dramatic rituals, with ash-smeared monks dashing into the rivers at dawn. Many pilgrims remain for the festival’s entirety, practicing austerity, offering alms, and bathing at sunrise. One pilgrim, Bhagwat Prasad Tiwari, shared, “We feel peaceful here and attain salvation from the cycles of life and death.”

The festival’s origins lie in Hindu mythology, which recounts how the god Vishnu seized a golden pitcher containing the nectar of immortality from demons. According to tradition, drops of this nectar fell in four locations: Prayagraj, Nasik, Ujjain, and Haridwar, making them the sites of the Kumbh festival for centuries. The festival rotates among these four cities approximately every three years based on astrological dates.

This year’s Maha Kumbh is considered the largest and most significant of these gatherings. In 2019, during a smaller version of the festival called Ardh Kumbh, 240 million visitors participated, with 50 million bathing on the busiest day.

A Gathering on an Unparalleled Scale

The Maha Kumbh is expected to host an astounding 400 million people over 45 days, surpassing the annual Hajj pilgrimage to Mecca and Medina, which drew around 2 million last year. This staggering scale underscores the festival’s logistical and cultural significance.

Authorities face a monumental challenge in managing this event, which combines religious devotion, tourism, and large-scale crowd control. A vast 40-square-kilometer area along the riverbanks has been transformed into a tent city, equipped with over 3,000 kitchens, 150,000 restrooms, and essential amenities like housing, roads, electricity, and water. Communication towers, murals depicting Hindu scriptures, and 11 hospitals have also been established.

Indian Railways has introduced more than 90 special trains making nearly 3,300 trips to transport devotees, supplementing regular train services. Security has been ramped up, with 50,000 personnel—50% more than in 2019—stationed in the city. Over 2,500 cameras, some powered by artificial intelligence, monitor crowd movements, providing real-time data to central control rooms for quick response and to prevent stampedes.

A Political Undertone

Historically, Indian leaders have leveraged the Kumbh festival to strengthen ties with the nation’s Hindu majority, comprisingnearly 80% of the population. Under Prime Minister Narendra Modi, the festival has become a key element of his party’s promotion of Hindu nationalism. Modi’s government views Indian civilization as deeply intertwined with Hinduism, though critics argue that this stance promotes Hindu supremacy.

Uttar Pradesh’s state government, led by Adityanath—a prominent Hindu monk and hard-line politician in Modi’s party—has allocated over $765 million to this year’s event. Giant billboards and posters featuring Adityanath and Modi adorn the city, highlighting their government’s welfare policies alongside religious imagery.

The festival bolsters the Bharatiya Janata Party’s (BJP) strategy of promoting Hindu cultural symbols to solidify its support base. However, recent Kumbh gatherings have sparked controversies. In 2019, Modi’s government renamed the city from Allahabad to Prayagraj, a move critics linked to its broader effort to replace Mughal-era names with Hindu ones. This decision preceded both the festival and the national election, which the BJP won.

In 2021, the government faced criticism for not canceling the festival in Haridwar despite a surge in COVID-19 cases. Many viewed this decision as an attempt to avoid backlash from religious leaders in the Hindu-majority nation.

A Celebration of Faith Amid Challenges

The Maha Kumbh remains a vibrant testament to Hinduism’s rich cultural heritage, drawing millions to Prayagraj in pursuit of spiritual fulfillment. While the festival presents logistical challenges and serves as a platform for political narratives, its essence lies in the timeless tradition of devotion and the pursuit of liberation.

As the sacred waters of the Ganges, Yamuna, and Saraswati continue to draw pilgrims from across the nation, the Maha Kumbh stands as a remarkable convergence of faith, culture, and humanity.

Laurene Powell Jobs to Embrace Hindu Rituals at Maha Kumbh 2025 with New Name ‘Kamala’

Laurene Powell Jobs, widow of late Apple co-founder Steve Jobs, has been given the Hindu name ‘Kamala’ ahead of her participation in the Maha Kumbh 2025, set to begin in Prayagraj on January 13. The billionaire philanthropist, known for her interest in spirituality and humanitarian work, is currently in Varanasi and will join the grand Hindu festival to immerse herself in traditional rituals under the guidance of her guru, Swami Kailashananda.

Swami Kailashananda, the ‘Mahamandaleshwar’ of the Niranjani Akhara, confirmed her new name and her spiritual journey. Speaking to Hindustan Times, he said, “Laurene has a deep interest in Sanatan Dharma and treats me like a father. I also give her the same love as a daughter.” He added that she had been given a new name after receiving her guru’s Gotra, symbolizing her spiritual inclusion. “She is coming to visit her guru here. We have named her Kamala, and she is like a daughter to us. This is the second time she is coming to India… Everyone is welcome in Kumbh,” he told ANI.

Laurene’s visit to India is not her first encounter with the country’s spiritual practices. She previously visited India and has been deeply connected to Sanatan Dharma, as emphasized by her guru. Her upcoming participation in the Maha Kumbh will include her taking part in the Akhara’s Peshwai ritual and adopting the saffron robes of a sanyasin. She is expected to perform the royal dip, or Shahi Snan, on two key dates – January 14 (Makar Sankranti) and January 29 (Mauni Amavasya).

The Maha Kumbh, held every 12 years, is a significant event in Hindu culture and is considered the largest human gathering in the world. This year’s event, running from January 13 to February 26, is projected to attract around 400 million pilgrims to Prayagraj in Uttar Pradesh. It is a time for spiritual cleansing, meditation, and devotion, where saints, seers, devotees, and VIPs gather to perform rituals along the sacred rivers.

Laurene’s engagement in the festival will also include observing the ancient tradition of Kalpvas. This practice involves a month-long period of devotion and ascetic living, observed by devotees known as Kalpvasis. It begins on Paush Purnima and concludes on Maghi Purnima, with participants dedicating themselves to prayers, meditation, and rituals by the riverbanks.

Before arriving in Prayagraj, Laurene visited the Kashi Vishwanath Temple in Varanasi on Saturday. Accompanied by her guru, she offered prayers at the revered shrine. However, adhering to temple traditions, she was only allowed to view the sacred Shivling from outside, as touching the holy symbol of Lord Shiva is restricted to certain devotees.

Preparations for the Maha Kumbh are nearing completion, with the Uttar Pradesh government sparing no effort to ensure a successful event. State Chief Secretary Manoj Kumar Singh revealed that the budget allocated for the 45-day festival is approximately Rs 7,000 crore. This year’s Kumbh Mela will be the first to incorporate advanced technology, including artificial intelligence and chatbots, to enhance the experience and ensure seamless management of the massive crowds.

Security has been a top priority, with the UP Police implementing a multi-layered system to safeguard the millions of pilgrims expected to converge on Prayagraj. The main bathing rituals, or Shahi Snan, will take place on three auspicious dates: January 14 (Makar Sankranti), January 29 (Mauni Amavasya), and February 3 (Basant Panchami). These royal baths are the highlight of the festival, drawing devotees seeking spiritual merit.

Laurene Powell Jobs’ participation in the Maha Kumbh underscores her deep respect for Indian spirituality and traditions. Her spiritual journey reflects the growing global fascination with Hindu practices and the cultural significance of events like the Kumbh Mela. As she takes the name Kamala and dons the saffron attire of a sanyasin, her presence adds an international dimension to the festival, further highlighting its universal appeal.

Swami Kailashananda expressed his joy at welcoming her to the Maha Kumbh, emphasizing the inclusive nature of the festival. “Everyone is welcome in Kumbh,” he reiterated, underscoring the event’s spiritual openness and significance. The seer also mentioned her intent to meditate and participate fully in the rituals during her stay, aligning with the essence of the Maha Kumbh – a convergence of faith, devotion, and humanity.

The Maha Kumbh 2025 promises to be a historic and spiritually enriching event, with millions gathering to seek blessings and participate in the age-old traditions that define Hinduism’s rich cultural heritage.

Los Angeles Residents Mourn the Loss of Historic Landmarks and Cultural Institutions Amid Devastating Wildfires

As wildfires continue to ravage the Los Angeles area, several beloved landmarks and cultural treasures have been destroyed, leaving residents grieving the loss of places that were integral to the community.

One of the major casualties of the ongoing fires is the Will Rogers ranch house, a state park named after the early 20th-century actor and columnist. The ranch, located in the Pacific Palisades, once belonged to Rogers, who is also known as a “cowboy philosopher.” California State Parks confirmed that the ranch house was completely destroyed by the flames. In addition, the Palisades Fire claimed other structures within Will Rogers State Historic Park and the nearby Topanga State Park. California State Parks Director Armando Quintero expressed his sorrow, stating, “We grieve for these invaluable natural and cultural assets, and our thoughts are with everyone affected by the catastrophic fires in the Los Angeles region.”

Another cherished local spot, the Rosenthal Wine Bar & Patio in Malibu, was also engulfed by the flames. The wine bar, located along the scenic Pacific Coast Highway, was a favorite destination for wine lovers and those seeking stunning views of the ocean. Following the destruction, Paige Johanna North, a regular patron, shared her heartbreak on Instagram, writing, “I am absolutely heartbroken over the loss of Rosenthal Wines. I’ve spent so many wonderful afternoons there over the years, from tastings with family to my bachelorette party. This is so terrible.” The wine bar’s social media pages were filled with similar tributes and memories, with images and videos showcasing the warm, laid-back atmosphere that made Rosenthal a beloved spot.

The Pasadena Jewish Temple and Center was another institution destroyed in the Eaton Fire. In a heartfelt letter posted on the center’s website, its leadership expressed the gravity of the loss, stating, “This is beyond devastating and heartbreaking for us all.” Thankfully, the temple managed to rescue all Torah scrolls from the sanctuary, chapel, and classrooms. Despite the destruction, the temple’s leadership has vowed to rebuild, focusing on both recovery and supporting congregants, some of whom have lost their homes.

The historic Topanga Ranch Motel, a group of bungalow-style cabins nestled in the Malibu hills, was also consumed by the Palisades Fire. Originally built nearly a century ago and once owned by newspaper magnate William Randolph Hearst, the motel had served as a retreat for workers constructing the Pacific Coast Highway, as well as a getaway for families and filmmakers. Though the motel had been shuttered for some time, there were plans to restore some of its cabins for public use. Esotouric, a local tour company, fondly remembered the motel, stating, “If you’ve ever eaten at the Reel Inn on PCH (RIP), you probably admired the time capsule Topanga Ranch Motel cottages just off the parking lot.”

The Pacific Palisades community theater, Theatre Palisades, was another victim of the fire, which struck just days before the theater was set to debut its new production, “Jest a Second!” Kentwood Players, another local theater company, expressed its condolences on social media, stating, “We are so deeply saddened to hear of the loss of our sister theater company, Theatre Palisades. This tragedy not only impacts the incredible performances they’ve brought to life but also the vibrant community they’ve fostered over the years.”

Altadena residents also suffered the loss of a beloved institution, the Altadena Hardware store, which was destroyed in the Eaton Fire. The store, a fixture in the community for more than 80 years, had been a go-to destination for residents in need of tools, gardening supplies, and more. Writer Peachy Keenan shared her sorrow on Twitter, recalling, “Altadena Hardware, run by the local Orlandini family for many years, where two of my kids worked, where one kid was working just last night selling emergency supplies to people, is gone.”

The Altadena Community Church also fell victim to the flames in the Eaton Fire. In a post on its Facebook page, the church expressed its sadness, stating, “It is with great sadness that we announce the loss of our church building to the Eaton fires.” The church, which had been a pillar in the community for over 80 years, was known for its outreach programs, including a food pantry and preschool. The church’s leadership assured the public, “We will regroup to find our path forward. Until then, we may be pretty silent as we each work through this tragedy individually and together in spirit.”

Another victim of the Palisades Fire was Palisades Charter High School, affectionately known as “Pali High.” The school, which has been an academic and cultural fixture in Los Angeles, was heavily damaged by the fire. In a letter to parents and students, Principal Pam Magee assured the community that, despite significant damage, 70% of the campus remained intact and that plans were in place to reopen the school the following week.

The loss of Fox’s Restaurant, a landmark in Altadena, has left the community heartbroken. The restaurant, known for its hearty breakfasts and classic diner fare, had been a local staple since the 1950s. Co-owners Monique King and Paul Rosenbluh, who revitalized the diner in 2018, expressed their devastation over the fire. “It’s so they can figure out what’s next,” King shared, referring to the GoFundMe campaign launched to support the restaurant’s employees, many of whom had worked there for over 30 years.

Another beloved Altadena institution, The Bunny Museum, was also destroyed in the fires. Co-founded by Steve Lubanski and Candace Frazee, the museum, which housed over 45,000 rabbit-themed artifacts, had delighted visitors for nearly three decades. In a post on social media, a fan expressed hope for the museum’s future, writing, “We will help you and your family rebuild The Bunny Museum!” The museum’s owners shared their plans to launch a fundraising campaign with hopes of rebuilding and creating a 501(c)3 non-profit museum.

The iconic Malibu restaurant Moonshadows, perched over the Pacific Ocean, was another casualty of the fire. Known for its chic patio and seafood offerings, the restaurant had been a staple in the community since 1966. Jenny Turnbull, a longtime patron, tweeted in tribute, “We only have ash covered decks and cars here. Remembering countless special occasions and carefree Sundays along PCH in Malibu.” The restaurant’s owners had previously faced hardship when it was damaged in the 2018 Woolsey Fire.

Finally, the Getty Villa, a cultural institution in Pacific Palisades, narrowly avoided destruction as the flames of the Palisades Fire came dangerously close to its grounds. Thanks to years of fire mitigation efforts, including clearing brush and installing fire prevention systems, the museum and its priceless collection of ancient artifacts were spared. Getty President and CEO Katherine E. Fleming confirmed that while vegetation on the property had burned, “Getty structures have been unaffected, and thankfully, both staff and the collections are safe.”

The fires that have devastated the Los Angeles area have left a trail of destruction, affecting not only the physical spaces but also the communities tied to these landmarks and institutions. As residents reflect on the loss, the shared memories of these cherished places continue to resonate, offering solace in the face of calamity.

Indus River’s Hidden Treasure: Pakistan Discovers Gold Worth Billions

The Indus River, one of the world’s longest and oldest rivers, is making headlines for an extraordinary reason—reports suggest it is now “spewing gold.” Revered as the cradle of the Indus Valley Civilization, the river’s historical importance is unparalleled. Between 3300 and 1300 BCE, the Harappan civilization thrived along its banks, marking a golden era of prosperity. Today, however, the focus has shifted from history to its astonishing gold reserves, leaving many astonished.

Media reports from Pakistan claim that the river, which was entirely within Indian territory before the 1947 partition, now deposits treasures worth a staggering 600 billion Pakistani rupees daily in Pakistan. The river’s abundant water resources, essential for millions, have now taken on a new role—as a source of immense wealth. Gold and other precious minerals are reportedly being extracted from the Indus in Pakistan’s Punjab province, particularly in the Attock district.

A River of Gold

The Indus River flows through India and Pakistan, originating from the Himalayas and stretching over 3,200 kilometers, making it one of the world’s longest rivers. Historically, it has been revered for sustaining civilizations and enriching the cultures that settled along its banks. Mentioned in the Rigveda, the river holds immense cultural and spiritual significance.

In recent developments, fast-moving waters from Pakistan’s northern mountainous regions are believed to carry gold particles downstream. These particles settle in the riverbed, contributing to what experts call placer deposits. Such deposits result from the natural flow of water, which separates heavier gold particles from lighter sediment, allowing them to accumulate along the riverbanks.

The significance of this phenomenon isn’t new. For centuries, the river has transported gold from the Himalayan region, depositing it along its course. Scientists attribute this to the Himalayas’ geological history. It is believed that around 6 to 10 million years ago, the collision of tectonic plates formed the mountain range and the river system. This geological process continues to influence the natural distribution of minerals.

Illegal Mining Sparks Concerns

Despite the immense potential of these gold deposits, the Pakistani government faces a challenge—illegal mining. Reports suggest that during winter, when water levels drop, locals resort to extracting gold particles from the riverbed. What began as manual panning has escalated to the use of heavy machinery, intensifying the environmental and regulatory concerns surrounding these activities.

In response, authorities in Pakistan’s Punjab province have implemented Section 144, banning illegal gold extraction in the region. The province’s Home Department emphasized the need to safeguard these resources, stating that minerals like placer gold could provide substantial benefits to the country’s treasury.

Mining Minister Ibrahim Hassan Murad revealed that gold deposits, transported by the river from the Himalayas, are estimated to amount to 32.6 metric tons. He noted, “The deposits, valued at approximately 600 billion Pakistani rupees, span a 32-kilometer area in Attock.” This discovery has the potential to significantly bolster Pakistan’s economy if properly managed and regulated.

Geology Meets History

The Indus River’s gold deposits are not only an economic boon but also a geological marvel. A survey conducted by the Khyber Pakhtunkhwa provincial government highlighted that significant amounts of gold particles accumulate near Peshawar, carried down by the river from the Himalayan region. These findings align with historical records, which suggest that the river has long been a carrier of natural wealth.

The historical relevance of the Indus River cannot be overstated. It was the lifeline of the Indus Valley Civilization, fostering a culture of innovation and trade. This ancient civilization thrived by utilizing the river’s resources, including its fertile plains and abundant water supply. The discovery of gold along the river’s course adds another layer to its rich legacy, tying together history, culture, and natural wealth.

Future Prospects

While the potential economic impact of these gold reserves is immense, challenges remain. Illegal mining threatens both the environment and the equitable distribution of resources. The Pakistani government has acknowledged the importance of regulating mining activities to ensure the river’s wealth benefits the nation as a whole.

Moreover, experts caution that overexploitation of these resources could have dire consequences. The river, already a vital water source for millions, could face ecological degradation if mining activities are not carefully monitored. Striking a balance between economic gains and environmental conservation will be crucial in the coming years.

A Turning Point for Pakistan?

For a nation grappling with economic challenges, the discovery of gold in the Indus River represents a potential turning point. If managed effectively, the wealth generated from these deposits could provide much-needed relief to Pakistan’s struggling economy. However, this will require stringent regulations, sustainable mining practices, and a commitment to transparency.

The discovery also raises questions about regional cooperation. As the river flows through both India and Pakistan, its management and the equitable sharing of its resources could become a topic of international dialogue. Collaborative efforts could not only preserve the river’s ecological balance but also maximize its potential benefits for all stakeholders.

Conclusion

The Indus River, a symbol of ancient prosperity, is now being hailed as a modern-day treasure trove. From its historical role in shaping one of the world’s earliest civilizations to its newfound identity as a source of immense wealth, the river continues to captivate and inspire. As Pakistan navigates the challenges of harnessing its gold reserves, the story of the Indus River serves as a reminder of the delicate interplay between nature, history, and human ambition.

As Ibrahim Hassan Murad aptly put it, “The Indus River has been a gift to this region for centuries. Its gold deposits are a blessing, and we must approach their management with wisdom and care.”

Meditation brings tranquility at UN headquarters consumed by global turmoil

The General Assembly adopted by acclamation on December 6 the resolution moved by a core group of India, Liechtenstein, Sri Lanka, Nepal, Mexico, and Andorra, and joined by many others to declare the Winter Solstice Day the World Meditation Day.

Eighteen minutes of tranquility descended on the world organisation’s headquarters consumed by global turmoil as Indian spiritual guru Sri Sri Ravi Shankar led a meditation session to show a path to world peace.

At that very moment on Friday, the Security Council down the corridor was grappling with “threats to international peace and security” in a bitter debate, having earlier in the day disposed of topics like “children in armed conflicts”, the tensions in the Middle East and Africa, and the Ukraine War.

In the oasis of peace at the Trusteeship Council Chamber, Ravi Shankar, who runs the Art of Living Foundation, presided over the “Meditation for Global Peace and Harmony” on the eve of World Meditation Day newly minted by the General Assembly this month.

He noted that there are a lot of discussions about peace and security at the UN, and meditation can bring inner security and inner peace to make the world a much better place.

“I urge all the nations here to put a little more attention in peace education. Let us educate our young people, how to relax, how to get rid of tensions on a daily basis, how to manage their negative emotions, and be centered”, said Ravi Shankar, who founded the Art of Living Foundation.

The General Assembly adopted by acclamation on December 6 the resolution moved by a core group of India, Liechtenstein, Sri Lanka, Nepal, Mexico, and Andorra, and joined by many others to declare the Winter Solstice Day the World Meditation Day.

It bookends with the International Day of Yoga on Summer Solstice Day, which was also declared by the General Assembly at India’s initiative.

General Assembly President Philemon Yang said, “Meditation transcends borders, faiths, traditions, and time, offering each of us the opportunity to pause, to listen, and to connect with our inner selves”.

“In its silence, meditation speaks a universal truth: that we are all human, all seeking balance, and all striving for a better understanding of our inner self and world in which we live”, he said.

Under-Secretary-General Atul Khare said that the UN peacekeepers are “tasked with protecting civilians against physical violence, and are often themselves exposed to atrocities, war crimes and crimes against humanity”.

It is critical that their mental health is taken care of and for this the UN introduced an app in 16 languages that includes meditation to help them, he said.

India’s Permanent Representative P. Harish said, “The ancient Indian practice of Dhyana, or meditation, goes back thousands of years to yogic traditions and holds the key to achieve inner calm and attain harmony between mind and body, thought and action, humanity and the external world”.

The winter solstice in the Indian tradition, “is the beginning of ‘uttarayana’, an auspicious time of the year, especially for inner reflection”, he said.

“India’s leadership in overall human well-being stems from our civilizational dictum of Vasudaiva Kutumbakam or the whole world is one family”, he said.

India and France Collaborate on World’s Largest Museum to Celebrate 5,000 Years of Heritage

New Delhi: India and France have joined forces on a landmark initiative to create the world’s largest museum, the Yuga Yugeen Bharat National Museum. Located on Raisina Hill, this museum will narrate India’s rich cultural heritage, spanning over 5,000 years. “Culture in many ways is the essence of soft power,” noted Foreign Minister S. Jaishankar during the announcement of this historic collaboration.

The museum will occupy the iconic North Block and South Block buildings, which currently house key government ministries, including foreign affairs, home, defence, and finance. This ambitious project aims to preserve and showcase India’s legacy while repurposing these architectural marvels into a center of cultural significance.

Covering an area of 1.17 lakh square meters and comprising 950 rooms over a basement and three stories, the museum represents a monumental effort in adaptive reuse of historical spaces. The French government, with its vast experience in similar projects such as the Louvre in Paris, is a key partner in this endeavor. France’s expertise in transforming historically significant buildings into cultural hubs made it an ideal collaborator for this initiative.

Foreign Minister Jaishankar emphasized the importance of international cooperation in this project, stating, “What is being seen today is a very important expression of international cooperation, one that is built on exchanges of best practices, on sharing of experiences.” He further remarked, “When the South Block and North Block become the kind of museum that is envisaged, I think we will veritably be seeing an inspiration for the remaking of Bharat.”

The North Block and South Block buildings, along with the Rashtrapati Bhavan, were designed by British architects Sir Edwin Lutyens and Sir Herbert Baker between 1911 and 1931. These structures, located at the heart of India’s Central Government complex, symbolize the country’s historical and political legacy.

Drawing a parallel with the Louvre, Jaishankar highlighted the similarities between the two projects. Like Raisina Hill, the Louvre was initially part of a grand palatial building in Paris that housed the French finance ministry before being transformed into one of the world’s most famous museums. France’s involvement in the Yuga Yugeen Bharat National Museum underscores its commitment to adaptive reuse and cultural preservation.

Culture Minister Gajendra Singh Shekhawat revealed that the mapping and blueprinting work for the museum has been nearly completed in the North Block and is currently underway in the South Block. While the project’s timeline for completion and inauguration has yet to be announced, the vision for the museum is already taking shape.

A government release detailed the goals of the Yuga Yugeen Bharat National Museum, describing it as a reimagined cultural space that celebrates India’s rich heritage while incorporating contemporary narratives. The museum aims to redefine the visitor experience, blending historical storytelling with modern technological innovations.

Prime Minister Narendra Modi also shared a glimpse of the proposed museum through an illustration video on his YouTube channel. The video highlighted the museum’s impressive scale and design, offering a preview of its unique features.

As this project unfolds, it promises to become a global cultural landmark, cementing India’s place on the world stage as a custodian of heritage and innovation. By repurposing Raisina Hill’s historic buildings into a museum, India will not only preserve its architectural legacy but also inspire generations to connect with their roots.

An official announcement regarding the project’s completion and grand opening is eagerly awaited, as this partnership between India and France sets the stage for a historic transformation of Raisina Hill.

Crown of Thorns Returns to Notre Dame Cathedral After Five Years

Five years after the catastrophic fire of 2019 nearly engulfed Notre Dame Cathedral, one of its most venerated relics, the Crown of Thorns, has returned to its historic home. On December 13, the cherished artifact was ceremonially placed in a newly crafted reliquary, marking a profound moment of renewal and faith for Paris. The relic, traditionally believed to have been worn by Jesus Christ during his crucifixion, was the centerpiece of a solemn liturgical service led by Laurent Ulrich, Archbishop of Paris. The event, held in the cathedral, drew a congregation that had reserved their attendance in advance. “We are here to accompany the Holy Crown to its new home,” the archbishop declared during the service.

A Historical Journey

The Crown of Thorns, a delicate wreath of woven reeds secured with golden threads, has endured centuries of history and devotion. Originally acquired in 1239 by King Louis IX (later canonized as Saint Louis) from Constantinople, the relic was first enshrined in the Sainte-Chapelle, a Gothic masterpiece constructed specifically to house it. By the 19th century, the Crown had been transferred to Notre Dame Cathedral, where it remained a focal point of veneration.

However, the devastating fire of April 2019, which consumed much of Notre Dame’s roof and spire, forced an urgent rescue operation. Amid the chaos and peril, first responders and clergy risked their lives to save the Crown of Thorns and other invaluable relics, including a nail and a fragment traditionally linked to the cross of Christ. Following the fire, the Crown was placed under the meticulous care of Mayor Anne Hidalgo in the secure vault of Paris’ City Hall, where it remained protected during the cathedral’s reconstruction.

Reliquary for the M A odern Age

The return of the Crown of Thorns has been marked by its enshrinement in an innovative reliquary that bridges ancient tradition with contemporary artistry. Designed by the esteemed architect Sylvain Dubuisson and constructed by artisans from the prestigious Coubertin Foundation, the three-meter-tall reliquary embodies sacred devotion and modern design.

The reliquary features a massive marble base that also houses the other rescued relics—a nail and the wood fragment. At its center, the Crown of Thorns is dramatically suspended within a vertical circular metal frame, encased in a structure adorned with hundreds of light-reflecting crystals. This unique design creates an ethereal glow as the crystals scatter light, symbolizing the eternal connection between suffering and salvation. The luminous display not only draws the viewer’s attention but also serves as a spiritual focal point, offering a profound sense of reverence.

Symbolic Renewal

The return of the Crown of Thorns is part of the larger reopening celebrations of Notre Dame Cathedral, which welcomed visitors again last Saturday following extensive restoration efforts. For the city of Paris and its faithful, the return of the relic signifies more than just a physical comeback; it represents hope and resilience in the face of destruction.

Though the scars of the fire remain visible in the cathedral, the relic’s presence serves as a powerful reminder of sacrifice and redemption. For centuries, the Crown of Thorns has inspired millions worldwide as a symbol of humility, unity, and spiritual renewal. Archbishop Ulrich aptly captured this sentiment during the ceremony, saying, “This relic calls us to humility and unity. Its return reminds us that even through destruction, beauty and faith can be restored.”

As the Crown once again takes its place at the heart of Notre Dame, it stands renewed not only for the faithful of today but also for generations to come. The moment reflects the enduring spirit of one of the world’s most iconic religious landmarks—a spirit that continues to shine even amidst its scars.

The Rich Tradition of Neapolitan Nativity Scenes

The Via San Gregorio Armeno in Naples, Italy, is an unassuming street, barely five feet wide, yet during Advent, it becomes a bustling destination for thousands of visitors from across the globe. This tiny street doesn’t lead to a grand landmark; it is, in itself, the attraction. Its charm lies in the countless workshops that line its narrow path, where artisans create the famous “presepe” — intricate Nativity scenes for which Naples is renowned.

While Americans might consider the presepe simple Nativity displays, these creations are far more elaborate. They extend beyond the Holy Family and the manger, depicting entire villages teeming with life. Butchers, bakers, candlestick makers, and countless others go about their daily activities, set against the backdrop of the Christ Child’s humble birth. Fires flicker, candles glow, and bread seems to bake within these miniature masterpieces. The presepe reflect not a silent night, but one brimming with laughter, love, and life.

Each presepe is a testament to painstaking craftsmanship. Generations of artisans have refined their skills to create these detailed depictions of village life. For Neapolitans, the presepe is not just art but a cherished cultural heritage dating back to the mid-16th century. In 1563, the Council of Trent encouraged Catholics to adopt the crèche as a distinctively Catholic tradition, contrasting it with Martin Luther’s Protestant embrace of the Christmas tree. Neapolitan artist St. Gaetano was among the first to heed this call, creating the prototype of the modern presepio.

Other artists soon followed, crafting elaborate Nativity scenes with richly adorned, life-sized statues for churches and convents. Over time, smaller, intricate presepe emerged for private homes, featuring numerous figurines and even moving parts. These creations began to incorporate regional characteristics, reflecting the local culture and lifestyle. For instance, in the coastal town of Sorrento, presepe often showcase fishermen mending their nets, while in Rome, aqueducts and olive groves frequently appear. Sicilian presepe might include coral and alabaster, while Neapolitan versions overflow with depictions of food — from bread and fruit to wine and roasts.

Despite these variations, the central manger scene remains consistent. The Christ Child lies in a straw bed, surrounded by Mary, Joseph, shepherds, and magi, with oxen and a donkey completing the tableau. This scene represents the unchanging heart of the presepio, symbolizing the miracle of love, humility, and grace born in Bethlehem.

However, the lively, bustling world surrounding the manger is not merely decorative. The figurines engaged in daily activities — eating, drinking, working, and even quarreling — hold a deeper significance. They remind us that the Incarnation was not an abstract event. “God didn’t just become man,” the presepe suggests, “He became man in a specific time and place.” On that holy night 2,000 years ago, the world carried on with its political and personal dramas, oblivious to the miracle unfolding in a stable.

While history records the political intrigues of Caesar and Herod, the personal struggles of ordinary people — their daily joys and sorrows — remain undocumented. The presepe bring these hidden stories to life, illustrating that God entered this vibrant, chaotic world to redeem and transform it. They highlight the ignorance of those who were near Christ’s birthplace yet unaware of His presence. As people focused on their daily worries, they missed the divine miracle taking place in their midst.

This aspect of the presepe serves as a reminder for modern times. Just as the people of Bethlehem were preoccupied with mundane concerns, we, too, can neglect the presence of God in our busy lives. The presepe challenges us to recognize Christ not only in church or religious rituals but in our everyday experiences.

Christ came into the world not to remain separate from its joys and struggles but to be fully present within them. “The Incarnation made it possible for Christ to atone for man’s sin and offer us eternal life,” the presepe reminds us, “but it also made it possible for Him to redeem the life we live now.” By depicting ordinary activities alongside the Nativity, the presepe calls us to see every moment — from work to family life — as an opportunity to encounter Christ and grow closer to Him.

The artisans who pioneered the presepe understood this truth profoundly. Their works reflect a sacramental worldview, demonstrating that holiness is not confined to religious spaces but permeates every aspect of life. “To become holy,” the presepe suggests, “we can’t meet Christ just in the church… We have to welcome Him into our lives as well — into our homes and offices, our joys and struggles.”

The call issued by the presepe is both timeless and urgent. It invites us to lead lives where every action reflects Christ’s presence and serves as a path toward Him. This is the essence of a Catholic life — a life transformed by the Incarnation, not just during Advent but throughout the year.

What a profound change it would bring if every visitor to Via San Gregorio Armeno answered that call. What a transformation it would spark if all of us embraced this way of living.

The tradition of Nativity scenes dates back almost as far as Christianity itself. The earliest known depiction, found in the catacombs of St. Priscilla, dates to the early second century. This painting features Mary, the Christ Child, St. Joseph, and three Wise Men under the light of an eight-pointed star. By the fourth century, similar scenes began appearing as carvings on Christian tombs and sarcophagi, now including the oxen and donkey.

In 1223, St. Francis of Assisi further popularized the tradition by creating a living Nativity for Christmas Mass, complete with a manger and live animals. This practice gradually spread, leading to the permanent inclusion of Nativity statues in churches.

Today, the presepe of Naples continues this rich heritage, blending timeless religious themes with vibrant local culture. These miniature masterpieces not only celebrate the birth of Christ but also invite us to reflect on His presence in our own lives, calling us to live with greater awareness, gratitude, and love.

Kerala’s Syrian Christians: A Blend of Ancient Faith and Local Traditions

In Arundhati Roy’s The God of Small Things, the tragic love story of Ammu, a Syrian Christian woman, and Velutha, a Paravan Christian convert, sheds light on casteism entrenched in Kerala’s Christian society. Velutha’s love for Ammu leads to humiliation, false accusations, and ultimately death in custody, revealing the harsh caste norms within a community that many perceive as casteless. While Christianity is globally seen as devoid of caste, Syrian Christians in Kerala, among the oldest Christian communities in India, have a distinct story.

Over centuries, Syrian Christians integrated Hindu traditions, such as the mangalsutra and sindoor, into their practices, blending them with their faith. While this community has flourished in India, Syrian Christians in Syria now face a bleak reality.

The collapse of Bashar al-Assad’s regime has left Syria’s Christians in fear and uncertainty. On December 10, the capture of Damascus by rebel forces ended 53 years of Assad family rule, which had protected religious minorities, including Christians. Church leaders have called for international aid as the nation transitions to rule by a former ISIS functionary.

“It’s not living, it’s surviving,” lamented Aleppo-based Father Bajhat Karakach, highlighting the precarious situation of Christians in Syria.

In contrast, the history of Kerala’s Syrian Christians illustrates how the community adapted and thrived amidst India’s diversity. Concentrated on the Malabar coast, they later spread across Kerala, Karnataka, and Tamil Nadu.

The Origins of Syrian Christianity in India

Christianity in India predates the arrival of European missionaries by centuries. Saint Thomas, one of Jesus Christ’s apostles, is believed to have brought Christianity to Kerala in 52 AD. According to academic Sonja Thomas, “Syrian Christians trace their conversion to the year 52 AD, when St. Thomas the Apostle arrived at the Kerala coast and reportedly converted Brahmins to Christianity.”

These early converts were predominantly Hindu Brahmins, and their exposure to Hindu traditions shaped Syrian Christianity long before Portuguese missionaries arrived in the 15th century.

Under the patronage of local Maharajas and Rajas of Kerala, Syrian Christians flourished, and the broader population embraced Christianity. Scholar PrapurnaInaganti noted that the community “escaped religious Christianity in general, which means a casteless society.”

Resistance Against Portuguese Influence

When the Portuguese arrived, the Syrian Christian community had been thriving for 1,300 years, blending local traditions with Christian practices. However, Portuguese and British missionaries sought to “purify” Syrian Christianity by removing what they saw as heretical influences.

Tensions peaked during the historic Coonan Cross Oath of 1653. Syrian Christians, resisting Latinisation by the Portuguese Church, tied a rope around a church cross and took an oath to reject Roman Catholic doctrines. Sonja Thomas explained, “In 1653, the majority of the Syrian Christians rebelled against the Latinisation efforts in the coonenkurisha, or crooked-cross oath, so named because the Syrian Christians tied a rope around the cross of a church and held on to it as they recited an oath to reject the dictates of the Portuguese Church.”

This act of defiance preserved their unique identity and solidified their place in Kerala’s cultural tapestry.

Integration of Hindu Traditions

Syrian Christians retainednumerous Hindu customs and rituals, reflecting their historical roots as Brahmin converts. Practices like the use of sindoor and the tying of the minnu (a variation of the mangalsutra) during weddings exemplify this blending. The minnu is central to the Syrian Christian marriage ceremony, as Sonja Thomas observed: “The tying of the Syrian Christian minnu is considered the most important ritual of the Syrian Christian marriage ceremony.”

Other Hindu customs adopted include the Manthrakodi ceremony, in which a bride is draped in a silk saree, mirroring the Pudavakodukkal ritual of Kerala’s Namboodiri Brahmins. Newlywed brides also follow the Hindu tradition of entering their husband’s house with a lit lamp, stepping over the threshold with the right foot.

Even wedding ceremonies feature elements like sandalwood paste, milk, rice, and areca nuts, further illustrating the fusion of traditions.

Syrian and Local Influences in Rituals

Despite the integration of Hindu customs, Syrian Christians have retained aspects of ancient Syrian traditions. Their Holy Qurbana service incorporates Syriac prayers and hymns, preserving the melodies and language of early Christianity. The community observescanonical hours, known as Shehimo, in the West Syriac Rite seven times daily.

Unique death rituals also set Syrian Christians apart. Mourning periods are followed by a feast seven days later, and households where a family member has died refrain from celebrating Pesaha, the Christian Passover meal. The Pesaha feast itself features Aramaic-derived terminology like Pasha or Pesah, linking the community to its ancient Syrian roots.

US-based scholar Corinne Dempsey highlighted these unique practices in her study, noting, “The period of mourning followed by a feast seven days later, or the ritual that prevents households where a death in the family has occurred from celebrating Pesaha, or the Christian Passover meal, is unique to Syrian Christianity.”

Thriving in India, Struggling in Syria

Today, Syrian Christians in Kerala, including Jacobite and Orthodox factions, number around a million, according to a 2016 study. Despite internal feuds, they remain an influential community.

This stands in stark contrast to Christians in Syria, where centuries-old communities now face extinction. Kerala’s Syrian Christians serve as a testament to the resilience and adaptability of faith, preserving their heritage while embracing the diversity of Indian culture.

Notre Dame Cathedral Reopens After Five-Year Restoration with Majestic Ceremony

Notre Dame Cathedral, nearly destroyed by a massive fire in 2019, came alive again as Paris Archbishop Laurent Ulrich dramatically knocked on its doors with a fire-scorched crosier, marking the iconic structure’s first worship service in five years. Despite fierce December winds forcing the ceremony indoors, the Gothic masterpiece reclaimed its spiritual and cultural legacy in a celebration of music, prayer, and awe.

The reopening marked a major milestone in the cathedral’s remarkable restoration, which was completed in just five years — a timeline championed by French President Emmanuel Macron. The event, attended by 1,500 dignitaries, including U.S. First Lady Jill Biden, Britain’s Prince William, and Ukrainian President Volodymyr Zelenskyy, underscored Notre Dame’s role as a global symbol of resilience and unity.

As the 13-ton Emmanuel bell tolled, announcing the ceremony’s start, Archbishop Ulrich addressed the gathering with, “Brothers and sisters, let us enter now into Notre Dame. It is she who accompanies us on our path to peace.” Striking the cathedral’s monumental doors with his crosier three times, he opened the way to a luminous interior where choirs and the long-silent organ welcomed attendees with soaring hymns and melodies.

Jean-Charles de Castelbajac’s specially designed liturgical garments brought a vibrant modern touch to the medieval setting, with 2,000 colorful pieces adorning the clergy. Inside the nave, restored blond Lutetian limestone gleamed, transforming what had once been a soot-blackened ruin into a spectacle of renewed vitality.

President Macron addressed the congregation with words of gratitude, saying, “I stand before you … to express the gratitude of the French nation.” He called the reopening a “jolt of hope,” describing how the cathedral’s rebirth reflected the nation’s unity and resilience. Observers noted that this moment offered Macron a rare reprieve from domestic political challenges, including the recent ousting of his prime minister.

The restoration effort showcased monumental achievements. Over 42,000 square meters of stonework and 2,000 oak beams, nicknamed “the forest,” were restored to rebuild the spire and roof. The cathedral’s great organ, dormant since the fire, awakened with its 7,952 pipes roaring to life. Archbishop Ulrich commanded, “Wake up, organ, sacred instrument,” as four organists played a triumphant symphony.

“It’s a sense of perfection,” François Le Page of the Notre Dame Foundation remarked. The Rev. Andriy Morkvas, a Ukrainian priest, expressed hope for peace inspired by the cathedral’s revival, stating, “God is very powerful; He can change things.”

The global significance of Notre Dame was evident in the ceremony’s international audience. Olivier Ribadeau Dumas, Notre Dame’s rector, called it “a magnificent symbol of unity” and a sign of hope for Catholics worldwide. Canadian visitor Noelle Alexandria marveled, “She’s been nearly ruined before, but she always comes back.”

Historical elements enriched the occasion, from the biblical carvings on the cathedral’s western façade to a short film documenting the rebuilding effort. The word “MERCI” was projected on the façade as images of artisans restoring Notre Dame captured the journey “from night to light.”

Tight security measures mirrored the precautions of the Paris Olympics, with the Île de la Cité closed to tourists and thousands of spectators watching the celebrations on large screens along the Seine. For many, Notre Dame’s revival stands as a testament to global collaboration and resilience, ready to welcome millions of visitors annually once again.

Linguistic Mysteries: Ancient Civilizations Whose Scripts Remain Undeciphered

The Rosetta Stone stands as a pivotal discovery in human history, enabling the translation of ancient Egyptian hieroglyphics into meaningful historical narratives. This artifact, inscribed in three scripts, bridged a linguistic gap and transformed historians’ understanding of ancient Egypt. However, Egypt is an exception in this field; many ancient scripts remain undeciphered, leaving significant aspects of human history shrouded in mystery.

Experts continue to struggle with decoding dozens of ancient languages, including the script of the Rapa Nui people on Easter Island, the enigmatic texts of the Olmec and Zapotec civilizations of Mesoamerica, and the languages of some of the world’s earliest societies. These linguistic puzzles remain unsolved, holding the secrets of ancient cultures that rivaled known civilizations in complexity and achievement.

One of the most intriguing mysteries lies with the Kingdom of Kush, an ancient civilization that thrived in Nubia, encompassing modern-day Sudan and southern Egypt. This kingdom, which existed from approximately 1070 BCE to 350 CE, was a powerful rival to ancient Egypt. Despite its prominence, scholars have yet to decipher the Kushite language, known as Meroitic, named after the kingdom’s capital city, Meroë.

The Minoan civilization provides another example of an ancient culture with an undeciphered script. This society flourished on the island of Crete before the rise of ancient Greece and is considered one of the precursors to Greek civilization. The Minoans left behind texts written in a script known as Linear A, but linguists have yet to fully understand these writings. Linear A holds the potential to illuminate the workings of this Mediterranean culture, which played a significant role in shaping subsequent civilizations.

Perhaps the greatest linguistic mystery of all is the language of the Indus Valley Civilization. This ancient society, which emerged along the Indus River in present-day Pakistan as early as 7000 BCE, rivaled the achievements of other great civilizations such as Mesopotamia and Egypt. Yet little is known about the Indus people, as their script remains undeciphered. Their inscriptions, found on seals, tablets, and other artifacts, suggest a sophisticated society with a complex administrative system, but their meaning remains elusive.

Linguists and historians hope that someday an artifact akin to the Rosetta Stone will be unearthed. Such a discovery could provide the key to decoding these ancient scripts and unlock the voices of civilizations that have been lost to history. For the Indus Valley Civilization, this hypothetical artifact might lie buried beneath the sands of Iraq or along the Arabian coast. “Deciphering these scripts would give us an unparalleled glimpse into some of the most influential societies of the ancient world,” scholars suggest.

The hope persists that advances in technology, coupled with future archaeological discoveries, will eventually unveil the stories hidden within these enigmatic scripts.

Pope Francis Highlights Interreligious Dialogue Inspired by Sree Narayana Guru’s Legacy

The practice of interreligious dialogue has deep roots in Asia, as demonstrated once again on November 30 when Pope Francis welcomed participants of a significant meeting promoted by the Indian foundation Sree Narayana Guru to the Vatican. This foundation carries forward the vision of the influential Hindu leader Sree Narayana Guru, who, over a century ago, initiated the gathering of diverse religious representatives at his ashram in India. The landmark conference, first organized in 1923 during a period of severe religious tension in Kerala, has since become an annual tradition. To commemorate the centenary of this initiative, the meeting was brought to the Vatican in collaboration with the Dicastery for Interreligious Dialogue.

This event served as a moment to reflect on the remarkable life of Sree Narayana Guru (1856–1928), a revered Hindu figure who devoted himself to the fight against caste discrimination. In 1925, Mahatma Gandhi visited Guru’s ashram and was deeply moved by its inclusive environment, where Dalit children studied sacred texts like the Upanishads alongside others. Inspired by this experience, Gandhi integrated caste reform into his political ideology.

During his address to the interreligious assembly, Pope Francis praised the profound relevance of Sree Narayana Guru’s principles to contemporary global challenges. “Sree Narayana Guru,” he stated, “dedicated his life to promoting social and religious redemption with his clear message that all human beings, regardless of their ethnicity or religious and cultural traditions, are members of the one human family.” The Pope underscored Guru’s insistence on eliminating all forms of discrimination, a stance he deemed especially vital in a world increasingly plagued by intolerance and hatred.

The Pope elaborated on the widespread suffering caused by ethnic, social, racial, linguistic, and religious prejudices, particularly among marginalized and vulnerable populations. He emphasized the pressing need to combat these divides, stating, “His message is very apt for our world today, where we see increasing instances of intolerance and hatred between peoples and nations. Unfortunately, manifestations of discrimination and exclusion, tensions and violence… are a daily experience for many people and communities, especially among the poor, the defenceless, and those who have no voice.”

Pope Francis drew parallels between Sree Narayana Guru’s ideals and two significant interfaith documents he has championed: the Abu Dhabi Document of 2019 and the Istiqlal Declaration, signed during his visit to Indonesia in September 2023. Both agreements emphasize the importance of fraternity in interreligious dialogue, a theme that resonates with Guru’s teachings.

“All religions,” the Pope remarked, “teach the fundamental truth that, as children of the one God, we must love and honour one another, respect diversity and differences in a spirit of fraternity and inclusion, taking care of one another and of the earth, our common home.” He cautioned against ignoring these noble teachings, suggesting that such neglect contributes to the world’s current instability.

In urging a renewed commitment to living out the values espoused by religious traditions, Pope Francis highlighted the transformative power of fostering fraternal and amicable relations. He stressed the necessity of unity in diversity and harmonious coexistence, emphasizing the role of peacemaking amid today’s challenges. “Our contemporaries,” he said, “will rediscover the value of the lofty teachings of religious traditions only if we all strive to live them and to cultivate fraternal and friendly relations with all, for the sole purpose of strengthening unity in diversity, ensuring harmonious coexistence among differences and being peacemakers, despite the difficulties and challenges we face.”

Concluding his address, the Pope called for a collective effort to counteract harmful societal trends such as individualism, exclusion, indifference, and violence. “In this way,” he stated, “we can contribute to defeating the culture of individualism, exclusion, indifference, and violence that is unfortunately spreading.”

The commemoration of Sree Narayana Guru’s work at the Vatican symbolizes the enduring significance of his vision for interreligious harmony. It also reflects Pope Francis’s commitment to fostering dialogue and fraternity among religions in pursuit of a more united and compassionate world.

Notre Dame Cathedral to Reopen Amid Unprecedented Security Measures

The grand reopening of Notre Dame Cathedral on December 7 and 8 marks a historic event for Paris but brings with it extraordinary security precautions. Following the devastating fire of 2019, the iconic Gothic cathedral will welcome visitors once more, with thousands of security personnel ensuring the safety of the celebrations.

A heightened alert has been issued in the city as officials prepare for the significant event. Laurent Nuñez, Paris Police Prefect who managed security during the 2024 Summer Olympics, emphasized the gravity of the situation during an interview with Le Parisien. “The threat level is very high, akin to what we managed during the Games,” Nuñez remarked. Although no specific threat has been identified, Islamist extremism remains the primary concern for authorities.

To secure the Île de la Cité, the historic site where Notre Dame stands, authorities plan to implement stringent measures. Nearby metro and train stations, businesses, and restaurants will close temporarily, and the Seine’s iconic boat tours will be suspended. Air traffic above the area will also cease during the event. Residents living near the cathedral must carry identification to access their homes, while tourists and other attendees will navigate heavily controlled security perimeters. These measures are part of the SILT (Internal Security Against Terrorism) protocol, which will be enforced from 7 a.m. on December 7 until 8 p.m. on December 8.

The event will see around 3,000 invited guests, including over 100 heads of state and government officials, gather inside the cathedral for the unveiling of its meticulously restored interior. This momentous occasion represents a key milestone in the years-long restoration effort following the catastrophic fire.

Beyond the cathedral walls, the festivities are expected to draw approximately 40,000 spectators, who will view the ceremony on giant screens set up in the surrounding area. The reopening has also coincided with a notable boost in tourism. The Paris Office of Tourism has projected an 18% increase in visitor numbers for the week of December 2–8 compared to the same period in 2023, signaling renewed global interest in the city.

Security efforts for the event will be extensive and multilayered. While Nuñez refrained from revealing exact figures, he confirmed the presence of “several thousand” personnel, including snipers and soldiers from Operation Sentinelle, France’s counter-terrorism task force. Advanced surveillance technology and sophisticated crowd management systems will also be employed to mitigate risks.

The reopening of Notre Dame Cathedral symbolizes resilience and recovery, not only for Parisians but for the millions worldwide who cherish this architectural masterpiece. However, the event also underscores the ongoing challenges of safeguarding public gatherings in a world of heightened security concerns.

Jains in America Redefine Thanksgiving with Compassion and Gratitude

When Ami Doshi, a new immigrant from India, attended her first Thanksgiving as a middle schooler, she was taken aback by the concept of eating a rare bird as the centerpiece of the celebration. “I actually had no idea what a turkey was,” Doshi, now in her early 40s, recalled. Her concerns, however, went beyond unfamiliarity, rooted in her moral beliefs. “When you kill a bird, they can feel it, they can see it… Why is a pet’s life more important than a bird’s life?” she asked.

Doshi, a lifelong vegetarian and follower of the Jain faith, adheres to the principle of ahimsa, or nonviolence. This fundamental tenet involves avoiding harm to all living beings in thought, word, and action. Many Jains also refrain from eating root vegetables, such as onions and garlic, out of respect for the insects and microorganisms disrupted during harvesting. To Doshi, it seemed paradoxical to express gratitude with a meal that involved the loss of a life.

For Jains in the U.S., who number around 200,000, participating in the quintessentially American Thanksgiving holiday required adaptation. Over the years, Jains have redefined the occasion, creating a unique tradition of temple prayers for lives lost, community service, and vegan feasts.

“We figured out a place for us,” said Nirva Patel, a second-generation Jain American and executive director of the Brooks McCormick Jr. Animal Law & Policy Program at Harvard Law School. For Patel, Thanksgiving is an opportunity to emphasize gratitude, family, and mindfulness, all aligned with Jain values. “We kind of pulled the good from that holiday, and we’re doing it in our own curated way,” she explained.

Patel, who produced the 2018 vegan documentary The Game Changers, hosts a plant-based potluck each year. A plastic turkey centerpiece at her table sparks meaningful discussions about traditions and values. Reflecting on her childhood in suburban Massachusetts, she shared that Thanksgiving often felt alien. “It was very, very foreign… to see kids and teachers celebrating a turkey, coloring printouts of turkeys, and then talking about carving them up and eating them,” she said. “You just kind of stayed silent in the back of the classroom.”

Her experiences at Farm Sanctuary, where she served as chair of the animal advocacy group, deepened her connection with turkeys. The sanctuary’s “Celebration for the Turkeys” featured meals prepared for rescued birds, offering an alternative perspective on these creatures. “It really makes you think about this beautiful creature that is being so exploited,” Patel noted.

For Patel, encouraging others to embrace her values is less about persuasion and more about embodying compassion. “Getting people on board is really about having convictions of your own beliefs and being unapologetic about it, but also not being harsh,” she said. “The best thing we can do is just be as compassionate as possible in our thoughts, in our actions, and realize that everything starts with what’s on your plate.”

Rahul Jain, a Washington-based consultant who moved to the U.S. 25 years ago, observed that Jains initially approached Thanksgiving cautiously. Some practiced Ayambil, a ritual fast involving simple, bland foods to foster spiritual discipline. Others attended temple services, chanting mantras to seek forgiveness for the 50 million turkeys slaughtered annually.

Over time, younger Jains have embraced the holiday, aligning it with the Jain festival of Paryushana, where gratitude for friends and family is central. “If you put the food aside, the concept of giving thanks is quite remarkable,” said Jain. He drew parallels between Thanksgiving and aparigraha, the Jain principle of nonattachment. “You’re saying, ‘I am grateful for what I have. I don’t need more.’”

Celebrations today often combine vegetarian feasts, prayer, and even backyard football. Rahul Jain emphasized the importance of coexistence. “I can’t change every single human being in the world to match with my ideas… As long as we can all live in harmony and peace is what Jainism stands for.”

Sulekh Jain, a retired aerospace engineer and Jain community leader, recalled his experiences arriving in the U.S. in the 1960s. Back then, there were few Jains, no organized community infrastructure, and no temples. He co-founded JAINA, the Federation of Jain Associations in North America, in 1980 to build a support network.

Over the years, he has seen Jain values gain broader acceptance, partly due to the growing popularity of veganism and environmental awareness. “Every day has gotten easier and easier to follow Jain values,” Sulekh Jain remarked. However, he lamented the increasing commercialization of Thanksgiving, which he believes detracts from its essence. “When we say ‘Happy Thanksgiving,’ let’s make that happy Thanksgiving a reality, and save this environment and save this planet,” he said, pointing out that meat production is a major contributor to climate change.

Manish Mehta, chair of JAINA’s diaspora committee, highlighted the community’s focus on sustainability. Jains are mindful of their “carbon footprint and karmic footprint,” organizing vegan food drives throughout the year to serve the needy. These efforts, which distribute hundreds of thousands of meals, also prioritize eco-friendly practices, such as using biodegradable cutlery and minimizing food waste.

Mehta emphasized that Jain values guide every aspect of their lives, including Thanksgiving. “Jains are trying to evolve practices and adapt to a North American lifestyle,” he said, adding that their traditions are preserved while they contribute to American society. “For us, compassion is kind of in our DNA.”

Thanksgiving has become a meaningful occasion for Jains in the U.S. By integrating their core beliefs into the holiday, they demonstrate that gratitude and compassion transcend cultural boundaries. From vegan feasts and prayer services to sustainability initiatives, their approach reflects a harmonious blend of American traditions and Jain principles, offering a unique perspective on what it means to give thanks.

Fiji Launches Tamil Teaching Program to Preserve Heritage and Strengthen Cultural Ties

Fiji has taken a significant step in promoting one of the world’s oldest classical languages with the official launch of the Tamil Teaching Program on November 27. This initiative highlights efforts to preserve the rich cultural heritage of Tamil and strengthen ties with the Tamil-speaking community in the region.

The program was inaugurated by the High Commissioner of India to Fiji, P. S. Karthigeyan, during the 93rd Then India Sanmarga Ikya Sangam (TISI Sangam) Convention held at Churchill Park in Lautoka. His participation emphasized the importance of the collaboration between the Indian and Fijian governments in promoting linguistic and cultural preservation.

Adding to the cultural significance of the event, students from the Indian Cultural Centre in Suva performed a vibrant Bharatnatyam dance, a classical art form rooted in Indian traditions. This performance underscored the deep cultural connections between India and Fiji while providing an enriching experience for attendees.

The Tamil Teaching Program is funded by the Government of India through its Ministry of External Affairs and is being implemented in partnership with Fiji’s Ministry of Education, the Fijian Government, and TISI Sangam, a prominent organization representing Fiji’s Tamil diaspora.

As part of the initiative, two Tamil language educators from India will be stationed at Sangam schools in Rakiraki and Labasa to lead the teaching efforts. These educators are expected to play a crucial role in imparting language skills and fostering a deeper understanding of Tamil culture among the students.

“This program reflects our shared commitment to preserving the Tamil heritage and fostering cross-cultural ties,” said Karthigeyan during the inauguration. His statement highlighted the program’s broader objective of reinforcing the enduring connection between India and Fiji’s Tamil diaspora.

By introducing this initiative, Fiji aims to not only preserve Tamil as a classical language but also strengthen the cultural identity of its Tamil-speaking community. The program is a testament to the ongoing collaboration between the two nations and their dedication to fostering mutual cultural enrichment.

This launch is anticipated to have a lasting impact, ensuring that Tamil continues to thrive as a linguistic and cultural treasure in Fiji, while also promoting broader engagement between the Tamil diaspora and their ancestral roots in India.

Cook County Treasurer Maria Pappas Hosts 21st Annual “Christmas Trees from Around the World” Celebration

Cook County Treasurer Maria Pappas is once again bringing together the holiday spirit and cultural diversity through the 21st annual “Christmas Trees from Around the World” exhibition. This year’s display highlights the unique holiday traditions of nearly 100 nationalities, offering a vibrant showcase of global cultures. The event features 3-foot trees, each decorated by members of different ethnic and religious communities. These handcrafted trees are adorned with ornaments and decorations that reflect the distinctive customs of their respective cultures.

The public is invited to join the celebration on Friday, Dec. 6, from 5 to 6:30 p.m., at the Treasurer’s Office located at 118 N. Clark St., Room 112, Chicago. The festive display will remain open for viewing from Dec. 2, 2024, through Jan. 2, 2025. This event provides an opportunity for residents and visitors to experience a global celebration of the season, with an emphasis on unity and diversity.

The “Christmas Trees from Around the World” exhibition goes beyond traditional Christmas trees, offering a glimpse into diverse global practices. Along with the Christmas-themed trees, the display includes other holiday symbols representing various cultural and religious observances. Among these are a Christian Nativity scene, an African American Kwanzaa Kinara, a Hindu Prayer Thali, and a Jewish Menorah, each symbolizing the rich tapestry of traditions celebrated in Cook County.

“This event reflects Chicago’s rich cultural diversity,” said Pappas. “Through my work with residents from across the globe, I’ve gained a deeper appreciation for the vibrant traditions and cultures that make our city a true melting pot.” Pappas’ words highlight the essence of the event—celebrating the multicultural community of Chicago and the greater Cook County area.

Each tree in the display is thoughtfully decorated, with ornaments and symbols that showcase various countries and cultures. Decorations range from flags and dolls to flowers and candles, representing a wide array of nations such as Albania, India, Italy, Mexico, Nigeria, Pakistan, the Philippines, Scotland, Thailand, Ukraine, and many others. These creative and diverse decorations highlight the global connections that Cook County’s residents share, offering a chance for everyone to reflect on the meaning of the holiday season through a different cultural lens.

The event underscores the importance of coming together to celebrate shared values and traditions. Visitors to the display can also view photos and videos from past exhibitions online, offering a broader perspective on how this annual event has grown and evolved over the years. The exhibition serves as a reminder of the strength found in cultural exchange and the ways in which different communities contribute to the fabric of the region.

This year’s event is a testament to the vibrancy of the community and the lasting impact of cultural diversity in shaping holiday celebrations. As Cook County Treasurer, Pappas continues to work alongside residents from around the world, fostering a sense of unity and understanding through these celebrations. This holiday display is a perfect example of how different cultures can coexist and thrive in the same community, sharing their traditions with pride and joy.

As visitors take in the holiday cheer, they are invited to reflect on the shared joy of the season while learning more about the rich cultural heritage of their neighbors. The event not only celebrates the holidays but also highlights the ongoing importance of fostering inclusivity and respect within the community.

The “Christmas Trees from Around the World” exhibit is more than just a display of holiday decorations; it is a cultural event that brings together people from all walks of life. It serves as a reminder that while our individual traditions may differ, the holiday season provides a common ground for celebration and togetherness. Whether you come for the festivities, the decorations, or the chance to learn about other cultures, this event is sure to leave visitors with a greater appreciation for the diverse world we live in.

For those unable to attend in person, the online gallery offers an opportunity to experience the creativity and joy of the exhibit. The “Christmas Trees from Around the World” celebration is a wonderful example of how a simple tradition can be transformed into a powerful tool for building community and fostering greater understanding across cultures.

This year’s exhibit, like those in the past, reminds us that the holidays are not just a time for personal reflection and celebration but also an occasion to embrace the diversity that surrounds us. Cook County residents are encouraged to participate in the event and share in the collective celebration of the season.

As Pappas continues to highlight the importance of cultural diversity through events like this, the “Christmas Trees from Around the World” celebration becomes more than a holiday tradition; it is a powerful statement of unity in diversity. By showcasing the various cultural expressions of the holiday season, Pappas and the Cook County Treasurer’s Office provide a platform for all residents to feel seen, celebrated, and connected.

This display is a reminder of the beauty found in diversity and the power of coming together to celebrate shared values. Through this annual event, Pappas has created a space where people of all backgrounds can unite in the spirit of the holiday season, fostering greater appreciation for one another’s traditions and cultures. Whether through the vibrant ornaments, the symbolic decorations, or the connections made between community members, the “Christmas Trees from Around the World” exhibit is a shining example of the strength found in diversity.

The vast majority of Americans celebrate Thanksgiving, but their traditions and activities vary widely

Just a few weeks after a divisive presidential election, millions of Americans will break bread together for Thanksgiving. A new Pew Research Center survey shows how Americans plan to spend the holiday this year – and which Turkey Day traditions and activities are more common than others.

Here are the main takeaways from the survey, conducted Nov. 12-17, 2024, among 9,609 U.S. adults:

Around nine-in-ten Americans (91%) celebrate Thanksgiving. Large majorities in all major demographic groups observe the holiday, though some people are more likely than others to do so. For example, 96% of Americans ages 65 and older celebrate Thanksgiving, compared with somewhat smaller shares of younger adults.

Immigration status also plays a role. While 93% of adults born in the United States celebrate Thanksgiving, the same is true of 88% of immigrants who have been in the country for more than 20 years, 76% of immigrants who have been in the country 11 to 20 years, and 74% of immigrants who have been in the country for a decade or less.

Most Americans (74%) plan to have Thanksgiving dinner with other people this year. Another 5% plan to have Thanksgiving dinner alone, 2% don’t plan to have Thanksgiving dinner – whether it’s because they are working or traveling or for some other reason – and 10% didn’t know their plans yet at the time of the survey. The rest don’t celebrate Thanksgiving.

For some Americans, Thanksgiving dinner includes lots of other people. Around a quarter (26%) expect to have Thanksgiving dinner with more than 10 other people this year, including 7% who expect to have it with more than 20 others.

Smaller get-togethers are more common: 26% of Americans plan to have dinner with six to 10 other people, 15% with three to five other people, and 4% with one to two other people. The remaining Americans plan to have Thanksgiving dinner alone, don’t plan to have Thanksgiving dinner, didn’t know their plans yet or don’t celebrate Thanksgiving.SR 24 11 20 thanksgiving 2

Around a third of Americans (34%) plan to have Thanksgiving dinner at their own home this year, whether hosting others or dining alone. Another 39% plan to go to someone else’s home, while 3% plan to go to a restaurant, hotel or other public place. The rest plan not to have Thanksgiving dinner, didn’t know their plans yet or don’t celebrate the holiday.

Older adults are more likely than younger people to have Thanksgiving dinner at their own home: 40% of Americans ages 50 and older plan to do so this year, compared with 29% of adults under 50.

Afternoon is the most popular time for Thanksgiving dinner, but there’s no consensus on early versus late afternoon. Some 36% of Americans prefer to have Thanksgiving dinner in the early afternoon (that is, between noon and 3 p.m.), while 38% prefer to have it in the late afternoon (between 3 and 6 p.m.). Only 11% of Americans prefer to have Thanksgiving dinner in the evening (after 6), and just 1% prefer to have it in the morning (before noon). Another 5% have no preference.

Dinnertime preferences follow a regional pattern. Americans who live in the Midwest and South are more likely to prefer Thanksgiving dinner in the early afternoon than the late afternoon. But people in the Northeast and West are more likely to prefer the late afternoon than the early afternoon.

There are also differences by age. Americans 65 and older are more likely to prefer Thanksgiving dinner earlier in the afternoon than later. Meanwhile, adults under 30 are more likely to prefer late afternoon over early afternoon.

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It’s common for Americans to say grace or express gratitude at Thanksgiving dinner. Around two-thirds of U.S. adults say someone at their dinner typically says a prayer or blessing (65%) or says things they are thankful for (69%). And a majority of Americans (56%) say someone at their Thanksgiving dinner typically does both of these things.

A bar chart showing that prayers and expressions of gratitude are common at the Thanksgiving table.

Saying grace at Thanksgiving is especially common among certain religious groups. For example, 91% of White evangelical Protestants say someone at their Thanksgiving dinner typically says a prayer or blessing. The same is true for 88% of Black Protestants, 74% of Catholics and 72% of White nonevangelical Protestants. Prayer is much less common among those who say their religion is “nothing in particular” (45%), agnostics (39%), atheists (22%) and Jewish adults (22%).

Majorities across religious groups also say someone at their Thanksgiving dinner typically expresses gratitude. Many religiously unaffiliated Americans say this, too: 59% of those whose religion is “nothing in particular,” along with 61% of agnostics and 48% of atheists, say someone at their dinner typically says things they are thankful for.

Driving and Thanksgiving go hand in hand. The vast majority of Americans who plan to have Thanksgiving dinner away from home this year (89%) say driving is the main way they’ll get there. This works out to 38% of U.S. adults overall who expect to drive to their destination.

Only 2% of Americans overall expect to fly, while even fewer expect to take some other form of transportation, such as local or regional transit.

Most Thanksgiving travel takes less than an hour. A majority of those who plan to have Thanksgiving dinner away from home this year (69%) expect their trip to take less than an hour. That may have to do with the proximity of their family members: In a 2022 Pew Research Center survey, 55% of Americans said they live within an hour’s drive of at least some of their extended family.

Looking at adults overall, 29% expect their Thanksgiving travel to take less than an hour. Another 13% expect it to take longer than that, including 6% who expect it to take three hours or more.

Related: For Thanksgiving, 6 facts about Americans and family

Apart from eating, Americans expect to do a wide range of things this Thanksgiving. Certain long-running Thanksgiving traditions, like watching football or a parade, are still fairly popular: 35% of Americans say it’s extremely or very likely that they’ll watch sports on Thanksgiving, and 19% say the same about watching a parade. Men are more likely than women to say they’ll watch sports, while women are more likely than men to say they’ll watch a parade.

A bar chart showing what Americans expect to do on Thanksgiving this year.

When it comes to conversation, 35% of Americans say it’s extremely or very likely that they’ll talk about work or school on Thanksgiving. And in the wake of a presidential election that saw more than 154 million Americans cast ballots, 26% expect the election to come up. A similar share (24%) expect to talk about pop culture like music or movies, though far fewer (4%) expect to go to a movie.

Thanksgiving is a time for charity for many Americans, and 19% say it’s extremely or very likely that they’ll donate food or goods, while 4% expect to volunteer somewhere.

Thanksgiving is also the unofficial start of the holiday shopping season. Accordingly, 15% of Americans say it’s extremely or very likely that they’ll shop for the holidays on Thanksgiving Day this year.

Getting some exercise on Thanksgiving is a less popular idea: Only 4% of adults say it’s extremely or very likely that they’ll play sports, while 3% expect to participate in a community walk or run, like a turkey trot.

Following Donald Trump’s reelection on Nov. 5, Trump voters are more likely than Kamala Harris voters to say they’ll talk about the presidential election this Thanksgiving. Some 36% of Americans who voted for Trump say it’s extremely or very likely that they’ll talk about the election on Thanksgiving. A smaller share of Americans who voted for Harris (24%) say the same.

A bar chart showing that more Trump than Harris voters expect to talk about the election on Thanksgiving.

Trump voters who identify as conservative are the most likely to talk about the election: 39% say it’s extremely or very likely that they’ll do so on Thanksgiving, compared with 28% of Trump voters who identify as moderate or liberal. Among Harris voters, 28% of self-described liberals expect to talk about the election at Thanksgiving, compared with 20% of those who identify as conservative or moderate.

In fact, conservative Trump voters are about as likely to talk about the election this Thanksgiving as they are to talk about work or school (36%) – and much more likely to talk about it than to talk about pop culture (17%). By comparison, liberal Harris voters are more likely to talk about work or school (42%) and pop culture (38%) than the election.

 

Source Credit: Pew Research Center

Bharat: Lessons for a New Era (The Spirit of Bharat: Dharma, Diversity, and Decay)

Introduction:
“What Dethroned Bharat: Lessons for a New Era” celebrates the profound legacy of Bharat, a civilization built on Dharma, inclusivity, and cultural richness. Spanning from Gandhar (modern Afghanistan) to Southeast Asia, Bharat thrived as a beacon of prosperity and innovation, excelling in agriculture, trade, and craftsmanship. Its ethos of plurality and ethical governance fostered unparalleled unity in diversity. However, the civilization’s dynamic journey was shaped by challenges that tested its resilience, such as adapting to external influences and evolving technologies. Dr. Shashank Heda reflects on Bharat’s enduring potential, emphasizing the importance of collaboration, innovation, and self-awareness in embracing a brighter future. This inspiring narrative calls for reigniting the spirit of Bharat by fostering unity and evolving with changing times, paving the way for a new era of cultural and economic leadership.
What Dethroned Bharat: Lessons for a New Era. It is one of the stories full of pathos. It churns feelings deeply and evokes a raucous sense of how best to vanquish the lost status. However, after emotions recede and wisdom dawns, reflections reveal fulminant observations. The entire Indian subcontinent extended from the eastern frontiers of the Persian and the Bactrian Empire. Today’s Afghanistan (including its ethnicities) was part of Gandhar. From Gandhar until the archipelagoes of Indonesia in Southeast Asia, from Tibet to Sri Lanka (Tamraparni, an island Nation, too, was part of the cultural, religious, and ethnic legacy and heritage), was one monolithic civilization resting on certain shared principles. I shared my perspectives in three parts –
A. The Origin and Characterization of Bharat
B. Bharat: A Civilization’s Rise, Prosperity, and Vulnerability (The Prosperity and Affluence)
C. The Deprecation and the Decadence
A. The Origin and Characterization of Bharat:
Let us delve into Dharma, which is synonymous and runs the same age as Bharat. I wish to equate Dharma with Bharat. If you revisit the principles of Dharma, it is unimaginable to realize that a civilization as robust, resilient, and diverse as Bharat could have existed in those times. It makes me realize that Western civilization is still confabulating and at odds with dating this mammoth civilization’s real timeline or origin. Still, it leans on relics that have far deprecated by the nuances of time. I will cite two examples before moving on to what is Bharat. Carbon dating, the measuring aid Western archaeologists use, is misleading because of its acute dependence on tree-ring dating. I wonder why they have not used reliable methods such as Potassium-Argon Dating, Uranium-Series Dating, Thermoluminescence (TL) Dating, Fission Track Dating, or Electron Spin Resonance (ESR). I won’t say they want to propagate a bias, but it makes sense to use benchmarks with contemporary civilizations existing during that time frame. In my view, Thermoluminescence or Electron Spin may offer better reliability as they both rest on the electrons trapped.
What is Bharat (India)?
While there are various versions, disagreement may exist on accepting one version. (Frankly speaking, India didn’t exist when the British arrived and conquered, but India emerged as a grandiose outcome of their conquest. Bharatiyatva is a meta-abstract of values, culture, and rituals firmly strewn and robustly resting on the bedrock weaved by the ethos and values of its epics and millennium-old texts. Boundaries of the various nations within the subcontinent constantly changed over decades. However, the tenets on which the edifice of these nations was built remained constant as a character.
Bharat’s Soul: The Dharma That Built a Civilization
My observations after retrospection, contemplation, and analysis of Bharat’s Heritage are as follows –
Evolution and Assimilation: It is weaved, for a time immemorable, by the principles of Sanatan Dharma, the core of which is intricately tied to evolution and assimilation.
Diversity, Inclusion, and Interchange: It is pertinent to note that exclusion or extremism is automatically relegated.
Plurality: Multiculturalism, multiethnicity, and multireligion were the norm. Despite their ideological debates and differences, Ajivika, Charvaka, Shramanism, Buddhism, Jainism, and Hinduism (equated with Vedic religion) concurrently existed. Heterogeneity, synonymous with identity and pluralism, is a default standard for Bharat. Exclusion or exterminism was a feature that was imported to the land with the immigration of Islam.
Kshatra Dharma (क्षात्रधर्म): While the kings and Emperors fought and conquered each other, they explicitly followed the tacit Dharma of war. Winners never plundered the land; the riches disrobed the betrothed, the vulnerable, and the weak. Generally, it was against the principles of plundering conquered land.
The Code of Conduct: While Hamirabi’sHamirabi’s code was primordial to several of the Abrahamic religions, Manusmriti, Manu’sManu’s code, provided the foundation for the evolving civilization while humanity was traversing through the ashrama (life stage) of life and living. However, the Asetics and the Sages kept evolving to a primordium of traits that formed the fabrics such as Rita ( that governs natural laws, seasons, and human conduct), Moksha (salvation), Satya (truth), Ahimsa (non-violence), Nishkama karma (working without expectation), Satyagraha, Kshama (Khammat Khamna aka Jainism), Dana, Brahmacharya, Shaucha (the purity of mind, body, and spirit), and where ethos and righteous was considered Dharma.
B. The Prosperity and Affluence:
Civilization flourished upon the edifice of Dharma. Agriculture and, later, manufacturing ecosystems prospered. Going by the evidence, enslavement was not a feature of the Dharma. A few pockets might have existed. However, the institutionalization of slavery was not the character of the civilization, or else the Emperors and Kings never used enslaved people to build pyramids. They did not enslave. Instead, numerous anecdotes mention how the rulers were invested in the well-being of their society.
The primordial economy, initiated by agriculture, flourished and paved the way for manufacturing and later Trade. The economy flourished, and so did affluence. Traders from the far-off Middle East (Egypt) and Southern Europe established trade routes to the land of Gold. Human resources provided opportunities to expand beyond agricultural subsistence and create another economy that supported the cultural fabric.
An example is the weaving industry and the birth of the garment industry. These are not synonymous; the garment industry rests on the foundation of the weaving industry. Economic abundance emerged with a lavish lifestyle. Ideas flowed along with Diamonds, Gems, stones, Textiles, Garments, Cotton, Silk, Spices, and Indigo, which were primarily exported and exchanged for Gold and other precious metals. The land was surplus with foreign money (in the form of Gold and metals). Traders used the Mansoon currents to navigate their ships from Southern India to reach the Nile and later to the Red Sea. Between 2000 BC and almost 800 AD, Myos Hormos, Berenice, Alexandria, and Canal of the Pharaohs linked the Nile River to the Red Sea; Persian Gulf ports (Basra, Hormuz); Khyber Pass in the North. The Golden Peacock glittered with Gold.
The Biggest Plunderers:
Several of the riches of that era are still visible in some of the world’s most prominent museums. London, UK, has the most stolen Art and Artifacts from Bharat. Some of the best artifacts will be seen adorning the British Museum (London, UK), Victoria and Albert Museum (London, UK), Royal Armouries Museum (Leeds, UK), Bodleian Library (Oxford, UK), British Library (London, UK), Tower of London (UK). The next is the US, France, Germany, Canada, and the Netherlands (To get a comprehensive list of items, please get in touch with the author).
C. The Deprecation and the Decadence
As kingdoms fragmented, there was no alignment on the core concept of the nations. Kingdoms (then called nations) conflicted for identity and existence. Whether this conflict of agreement on a nation led to the creation of multiple kingdoms or the fragmentation resulted in conflict on the core concept of nation and nationality is subject to interpretation. However, these warring kingdoms denuded human resources, resulting in the loss of labor required to create the economy and the sub-ecosystems of other ancillary businesses.
Internecine wars and conflicts were a significant reason for these conquests. Kingdoms and Empires in India fought so vehemently against each other that they could throttle each other’s necks.
More importantly, history is ripe with corruptibles, who often open the gates of forts. Now, let us not stay latched on to the fact that every defeat was because the corruptible opened the Gates, but the corruptible dominated in various ways to defeat the kingdom.
The Britishers, the Dutch, and the Spaniards exploited these warring rivalries. The Europeans swarmed India; the native kings were familiar with the traders from the West, Middle East, and Central Asia. It started with the Portuguese (Goa, Diu, and Daman, 1498), the Dutch (Pulicat (1610), Surat, Chinsurah, and Nagapattinam, 1605), the Britishers (1612, with almost 78 years to expand from Surat, Chennai, Mumbai, and Kolkatta. The French, too, attempted to establish primarily along the East Coast, near Chennai and Kolkatta. The Danes followed the last, creating their local headquarters in Eastern Shores.
If you review the history of Europe, especially Western Europe, consisting of the UK, France, Germany, Spain, etc., you will see that they, too, fought several battles, but they knew where to draw the lines. If I review history more meticulously, they always united against external enemies.
The history of the Hindu subcontinent is replete with scores of examples of leaders with valor and vision but the ultimate character of slicing each other’s throats, stifling and defeating each other rather than building coalitions and collaborations. However, the kings were not aware of the modern military technologies, such as Guns, that these traders carried. While some were lured into using these technologies against their enemies, it was a surprise to see these Western traders involved directly or indirectly in their internecine war. The Europeans exploited the differences and established their garrisons by siding with select kings, usually the weaklings in the conflict. The weaklings made good prey of themselves, initially leveraging the European’s arms and later succumbing to their conditions.
What followed was the total annihilation of the Indian peninsula, colonization, and exploitation of the population. It was not limited to economic loss; it was a deep deprivation of the inner ethos, values, and culture and a replacement of Western standards. Not everything can be blamed on the Westerners; they exploited the internal differences to the hilt. It was not limited to the Kings and Emperors; it went beyond the differences between class and castes. The lessons learned are at multiple levels – the root cause can be pinpointed as our lack of yearning for innovation, adoption of change (reflected in the stagnation of technology), internecine wars, and stifling of social mobility can be some of the causes. What are the primordial issues?
From Subjugation to Strength: Reviving Bharat’s Spirit
In conclusion, I still see these pervasive in our civilization. What dethroned India is still latently active within us and unless we make that change, we are still vulnerable. I will share and often cite examples of Japanese research collaborators with whom I worked at the UT Southwestern Medical Center. While the Indian investigators were numerous, the Japanese were a handful. Like in any workplace, the competition was stiff, and the PI made it worse. We all struggled to work on the latest hypothesis and often fought amongst ourselves. However, the Japanese had their meetings to resolve their differences. If you look at any Indian organization, in India or abroad, you will find that character pervasive. Have we got rid of that? We will continue to be vulnerable and subjugated unless we change and adopt the change as a new character.
Conclusion:
In conclusion, Bharat’s remarkable journey, rooted in Dharma, diversity, and inclusivity, offers timeless lessons for the present. Its legacy of cultural brilliance, economic affluence, and ethical governance underscores the need for unity and collaboration in overcoming challenges. While historical divisions and stagnation tested its resilience, the path forward lies in fostering innovation, embracing change, and rekindling the spirit of collective progress. By drawing on its rich heritage, Bharat can reclaim its position as a global leader and beacon of inspiration.

Yoga Techniques to Calm Pre-Interview or Exam Jitters

Feeling anxious before a job interview or an important exam is a common experience. The restlessness and nervous energy associated with such situations can be overwhelming. Fortunately, incorporating specific yoga asanas and breathing techniques into your routine can help alleviate stress and improve focus.

When facing performance anxiety, your body often enters a fight-or-flight response. This state can lead to physical symptoms like an increased heart rate, shallow breathing, and muscle tension. Yoga provides an effective remedy by promoting relaxation and mitigating the physiological effects of stress.

Below are some yoga practices to help ease your mind and body before a big day:

Nadi Shodhana Pranayama (Alternate Nostril Breathing)

This breathing technique helps balance the nervous system and enhance concentration. Follow these steps:

  1. Sit comfortably in a cross-legged position with your back straight.
  2. Relax your shoulders and close your eyes.
  3. Place your left hand on your left knee, palm facing upward.
  4. Use your right thumb to gently close your right nostril.
  5. Take a deep breath in through your left nostril, then close it with your ring finger.
  6. Exhale through your right nostril.
  7. Inhale through the right nostril, close it, and exhale through the left nostril.
  8. Repeat this cycle for five to seven rounds.
  9. Lower your hand and remain seated, observing the sensations in your body.
  10. When ready, slowly open your eyes.

Nadi Shodhana calms the mind, reduces anxiety, and improves focus, making it an excellent pre-performance practice.

Shishu Asana (Child’s Pose)

Child’s Pose is a gentle yoga posture that promotes relaxation and reduces tension in the back, shoulders, and chest. Follow these steps to perform it:

  1. Begin by sitting on your heels, allowing your hips to rest on them.
  2. Lean forward, bringing your forehead to rest on the floor.
  3. Extend your arms along your sides, palms facing downward.
  4. Slowly press your chest towards your thighs for a gentle stretch.
  5. Hold the position for a few breaths, allowing your body to relax.
  6. When ready, sit up slowly, rising one vertebra at a time, and return to a seated position.

This pose encourages a sense of safety and grounding, helping to ease an overactive mind.

Matsyasana (Fish Pose)

The Fish Pose helps open up the chest and lungs, improving oxygen intake and reducing stress. Here’s how to perform it:

  1. Lie flat on your back with your legs together and your arms by your sides.
  2. Slide your hands under your thighs, palms facing downward, with your hands close to your buttocks.
  3. Press your forearms into the floor to lift your chest, creating an arch in your upper back.
  4. Tilt your head backward until the crown of your head lightly touches the floor.
  5. Ensure the weight of your body is supported by your elbows and not your head.
  6. Breathe evenly, maintaining the arch for about one minute.
  7. To release, lift your head slightly, lower your torso back to the floor, and relax your body.

Matsyasana not only reduces anxiety but also improves posture and helps you feel more energized.

By practicing these techniques regularly, you can effectively manage pre-interview or pre-exam stress. Incorporating yoga into your routine can empower you to approach challenges with a calm and composed mindset.

The Indo-American Arts Council Celebrates 2024 Literary Festival and Renaissance Gala

The Indo-American Arts Council (IAAC) celebrated a momentous weekend with its annual Literary Festival and Renaissance Gala, held on Nov 9-10. These events brought together luminaries from the worlds of literature, culture, and the arts to present seminal conversations and honor the rich contributions of the Indian diaspora.

Literary Festival: A Celebration of Words and Ideas

The two-day IAAC Literary Festival featured thought-provoking conversations with acclaimed authors, poets, and industry leaders to ‘house-full’ audiences. Highlights included:

Keynote Sessions: Ambassador Lakshmi Puri discussed her latest work, Swallowing the Sun, with Roopa Unnikrishnan, while culinary icon Asma Khan and tea champion Brook Eddy captivated audiences with stories of their journeys as global ambassadors of Indian cuisine. Anshul Chaturvedi delved into the teachings of Swami Vivekananda in conversation with Swami Sarvapriyananda.

Marquee Authors: Authors like Sonora Jha, Amitava Kumar and Alka Joshi captivated audiences with their literary journeys and storytelling prowess.

Children’s Corner: Engaging sessions featuring authors such as Newbery Honor winner Veera Hiranandani and Siddhartha Mallya encouraged young readers to explore their cultural roots and explored the topic of mental health.

Poetry Slam: Acclaimed Poets from across the globe showcased their artistry and the audience indulged in a spirited slam event, with the winner taking home the grand prize.

The festival also provided a platform for emerging voices and featured insightful discussions on publishing trends, literary representation, and cultural identity.

The Gala: A Night to Remember

Held at The International House, the IAAC Gala was an elegant evening celebrating the achievements of the Indian arts and culture community. Attendees included prominent personalities, philanthropists, and cultural advocates who came together to support IAAC’s mission. The night featured:

Honoree: Dr. Samin Sharma was recognized for his groundbreaking contributions to medicine and philanthropy.

Performance: The evening was highlighted by a spellbinding flamenco performance by Nazaré de la Fuente, blending Spanish and Indian Kathak artistic influences.

Fundraising Success: Generous support from attendees and sponsors raised vital funds for

IAAC’s programs, ensuring the continuation of its impactful cultural initiatives

“These events are a testament to the enduring power of art to connect cultures, inspire creativity, and bring communities together. We are honored to provide a platform for such extraordinary talent and look forward to continuing this tradition,” said Anil Bansal, Gala Chair and IAAC Board Membe

“The success of these events underscores the IAAC’s role as a bridge between the Indian and global artistic communities. Preparations are already underway for the 2025 New York Indian Film Festival (June 20-22, 2025) and the Zakir Hussain concert at the Tilles Center in April.”, added Rakesh Kaul, IAAC Vice Chair.

The Indo-American Arts Council (IAAC) is dedicated to showcasing and supporting Indian arts and artists. Since its inception, IAAC has fostered cross-cultural dialogue and nurtured creativity in all its forms.
For more information about IAAC and upcoming events, visit iaac.us

Shomik Chaudhuri Receives 2024 International Impact Book Award For His Book, ‘Some Whispers From Eternity’

Some Whispers from Eternity, a book by Shomik Chaudhuri, has received the prestigious 2024 International Impact Book Award in Phoenix, Arizona.

The book is on the evolution of consciousness and upliftment of humanity through the practice of OM Kriya Yoga, an ancient yoga system of India practiced by numerous renowned saints including Lahiri Mahasaya, Paramahamsa Yogananda among numerous others. OM Kriya Yoga is a simplified modification of the original Kriya Yoga to make it conducive for common people to practice and evolve themselves. Shomik received initiation in OM Kriya Yoga by the second youngest Jagadguru RamanandacharyaRajivlochanacharya after Adi Shankaracharya. Jagadguru received his initiation into OM Kriya Yoga from Mahavatar Kriya Babaji, the mystical immortal siddha who is referenced in numerous books on spirituality including ‘An Autobiography of a Yogi’.

While accepting the award, Shomik said that the world is at acrossroads. We can go down the present path and probably face human and even life extinction and also probably destroy the planet.

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The other road is to work together to create a human family globally where people live like family, with love, compassion, and cooperation, peacefully, helping each other evolve their consciousness to a higher state of living. When the human consciousness evolves towards divinity away from the artificial vivisections of the society that we have created, then only will the Oneness of the whole creation dawn on humanity and the realization that we are all connected and One, will be realized. Everything that we do will be of higher quality and value.

Yogic processes practiced over thousands of years in the Indian Sub-continent, explore this process of arousing one’s innate energies and using them to evolve the consciousness to the divine level. That will be the creation of Life Divine.

The book elaborates step by step on the entire process of OM Kriya Yoga, as learned by Shomik.

International Impact Book Awards

International Impact Book Awards was started in 2019 by the Phoenix, Arizona-based Nim Stant, an internationally bestselling author herself, which seeks to celebrate impactful stories that resonate with excellence. 

About the Author

Shomik Chaudhuri is a renowned author for over 30 years. His work has been published in renowned daily newspapers like The Statesman, The Asian Age in Kolkata, India; United Nations Chronicle, New York, USA; weekly newspapers like News India Times, Desi Talk, The South Asian Times and numerous magazines and publications. He has over two decades of education and training including at Harvard and Cornell Universities, USA. He is also an iconic personality in the Indian American print media world being the CEO and COO of some of the largest newspaper groups in the USA. His deep interest, insight and knowledge on spirituality and our human existence made him the youngest person in United Nations history to represent the organization to the World Summit for Social Development, Copenhagen, Denmark, in March 1995. He co-founded an NGO at the United Nations which introduced spirituality as an essential part of human existence after which the UN gave adequate attention to this most important aspect of human existence. He also co-founded an international NGO based in India which is in Special Consultative Status with ECOSOC of the United Nations. It has branches in New York and Europe for now. He has been an ardent practitioner of spiritual austerities from childhood and has been practicing Kriya Yoga for over 5 decades. His deep interest and passion for spiritual wisdom led him to associate with God-realized saints and was initiated in OM Kriya Yoga by Jagadguru RamanandacharyaRajivlochanacharya in 1999. He wants to use his knowledge to help people globally uplift themselves spiritually and attain Life Divine.

Some Whispers from Eternity is a 192-page paperback with a retail price of $18.00 (eBook $13.00). The ISBN is 979-8-89027-386-4. It was published by Dorrance Publishing Co., Inc of Pittsburgh, Pennsylvania. For members of the press, to request a review copy, visit our virtual pressroom at https://dorrancepressroom.com/some-whispers-from-eternity-book-on-evolution-of-consciousness-and-upliftment-of-humanity-through-om-kriya-yoga/ or to buy the book visit our online bookstore at https://bookstore.dorrancepublishing.com/some-whispers-from-eternity-book-on-evolution-of-consciousness-and-upliftment-of-humanity-through-om-kriya-yoga/.

Diwali Celebration in Stamford Showcases Indian American Community’s Growing Influence

The Global Organization of People of Indian Origin (GOPIO) celebrated Diwali with great enthusiasm at Stamford’s Ferguson Library on November 17. Organized in partnership with Stamford Mayor Caroline B. Simmons’ Multicultural Council, the event underscored the festival’s increasing popularity and cultural significance across the United States.

Diwali, the festival of lights, has evolved into a widely recognized celebration, transcending its traditional roots. GOPIO chapters have gained support at various levels, including local, state, and city governments, as well as from public institutions like libraries. This growing acceptance reflects Diwali’s universal appeal and the positive values it embodies. These values make the festival a compelling occasion for political leaders and public entities to endorse and promote.

The Stamford Mayor Multicultural Council, which co-hosted the event, focuses on fostering unity by celebrating the diverse cultures that contribute to the city’s unique character. The council’s mission aligns seamlessly with events like Diwali, which highlight the richness of cultural traditions and their role in promoting harmony.

The November 17 celebration followed an earlier Diwali event organized by Mayor Simmons and her council, further reinforcing the festival’s significance in Stamford. This latest event was a resounding success, attracting a packed audience and showcasing the talents of 75 children who performed in 15 lively group acts. Their vibrant performances added color and joy to the occasion, demonstrating the younger generation’s enthusiasm for their cultural heritage.

The event also underscored the Indian American community’s growing contributions and influence in the U.S. Similar instances of recognition for the Indian diaspora can be observed worldwide, reflecting the community’s “soft power” and its ability to positively impact societies far from its ancestral homeland.

GOPIO, established in 1989, has played a pivotal role in advocating for the rights and interests of people of Indian origin (PIO). Initially, the organization concentrated on addressing human rights violations faced by PIOs. While significant progress has been made over the years, challenges related to human rights persist for PIOs living abroad, underlining the continued relevance of GOPIO’s mission.

The Stamford Diwali celebration not only highlighted the cultural richness of the Indian American community but also served as a testament to the inclusivity and multicultural ethos of the city. Events like these foster mutual understanding and respect among diverse communities, reinforcing the idea that cultural celebrations can serve as bridges between different traditions and perspectives.

Why ‘Pur’ Appears in the Names of Indian Cities

India, the world’s largest democracy, is a country of immense diversity and cultural richness. It comprises 28 states and 8 union territories, encompassing a total of 797 districts—752 in states and 45 in union territories. Within these districts lie numerous cities, each marked by its unique history, culture, and heritage. Many of these cities, rich in centuries-old traditions, bear names that narrate their stories.

A common feature observed in the names of many Indian cities and villages is the suffix “Pur.” Examples include Jaipur, Udaipur, Raipur, Saharanpur, Nagpur, Mubarakpur, Sultanpur, Gorakhpur, Jaunpur, Kanpur, and Rampur. But why is this word so prevalent in the names of places across India? What is the origin of “Pur,” and what does it signify? Let us delve into the fascinating story behind this suffix.

The Origin of “Pur” in Place Names

The tradition of adding “Pur” to place names dates back to ancient times. Often used at the end of a name, it was typically introduced by kings and emperors who sought to immortalize their legacy. One prominent example is the city of Jaipur, named after Raja Jai Singh, who appended “Pur” to his name to form the city’s name.

What Does “Pur” Mean?

The meaning of “Pur” can be traced to its mention in the Rigveda, one of the oldest known scriptures. Derived from Sanskrit, “Pur” translates to “city” or “fort.” Historically, the term symbolized the fortified cities or strongholds ruled by kings and emperors. In naming their cities, rulers often combined the word “Pur” with their names or the names of significant elements in their kingdoms, thus creating unique identities for these places.

For instance, a particular name or feature was placed before “Pur,” signifying ownership or association with the king. This practice effectively tied the name of the city to the ruler, reinforcing their authority and legacy. Over time, these names became deeply ingrained in history and culture, preserving the memory of their founders.

A Broader Usage of “Pur”

Interestingly, the usage of “Pur” is not limited to India. According to some linguistic experts, the term is also found in Arabic. This linguistic crossover explains the presence of “Pur” in the names of certain cities in Afghanistan and Iran. The cultural and linguistic exchanges between regions over centuries likely contributed to this shared tradition.

The legacy of “Pur” in Indian place names continues to resonate with the country’s rich heritage. Whether denoting a king’s city, a fort, or simply a place with a unique history, the suffix reflects the enduring influence of ancient traditions on modern geography.

The White Horse Temple: Symbol of India-China Cultural Unity

The White Horse Temple Complex, located in Luoyang in Henan province, China, stands as one of the most significant cultural landmarks linking the ancient Indian and Chinese civilizations. Established in 68 CE during the reign of Emperor Ming of the Han Dynasty, this temple became China’s first Buddhist house of worship and played a crucial role in the spread of Buddhism across East Asia, including Vietnam, Japan, and Korea.

A key reminder of the cultural connection between India and China is an Indian-style Buddhist temple within the White Horse Temple Complex, which was inaugurated by Indian President Pratibha Patil in 2010. Speaking at the event, Patil emphasized the significance of the site, stating, “Historically, it has the unique distinction of symbolising an inter-mingling of Indian and Chinese cultures.”

The legend surrounding the temple’s origins offers a fascinating narrative of the introduction of Buddhism to China. The story begins with a dream experienced by Emperor Mingdi of the Later Han Dynasty. In the dream, a golden figure appeared, flying over his palace with the sun and moon behind its head. Upon discussing the dream with his ministers, it was suggested that it might have been a vision of the Buddha.

At the time, knowledge of Buddhism was limited in China, with only a few learned men familiar with the religion. Buddhism had entered China through traders and travelers, while Confucianism remained the dominant belief system in the country. As American Buddhist scholar Kenneth Saunders noted in a 1923 article for the University of California, Berkeley’s Journal of Religion, “While Gotama was preaching in the Ganges Valley, Confucius and Lao-tse were grafting upon the ancient Chinese stock of Animism, or ‘Universism,’ their own distinctive teachings.” Saunders argued that Emperor Mingdi’s dream must have had some basis in earlier Buddhist teachings already circulating in China, possibly brought back by an expedition in 121 BCE.

Following his dream, Emperor Mingdi sent a delegation to India to learn more about Buddhism. The group of 18 individuals set off for India, passing through what is now Xinjiang. Over the three years of their journey, the delegation engaged with both lay Buddhists and monks, learning as much as they could about the teachings of the Buddha.

The delegation’s efforts resulted in the recruitment of two Indian monks, Kashyapa Matanga and Dharmaratna, both of whom became central figures in the early spread of Buddhism in China. Kashyapa Matanga, originally from a Brahmin family in Central India, was well-versed in Mahayana sutras, while Dharmaratna was a highly learned scholar. Saunders believed that these monks had previously attempted to spread Buddhism among the Yuezhi people, a nomadic community in what is now Afghanistan and Pakistan, before traveling to China with the imperial delegation.

The two monks made their journey with a white horse, which carried a bundle of Buddhist sutras and images of the Buddha. The journey was arduous and took a toll on the monks, but their arrival in Luoyang was met with a warm and grand reception. Saunders described the scene, saying, “Weary with their long journey, they would enjoy the wide prospect over lake and river, and not far away were mountains dear to the Buddhist heart.”

Upon their arrival in 67 CE, Kashyapa Matanga and Dharmaratna were tasked with translating Buddhist texts and spreading the teachings of Buddhism. According to Saunders, their first work was a handbook of moral teachings that presented no significant challenge to Confucian or Taoist beliefs. This text was largely based on Theravada Buddhist principles but included elements that would appeal to the Chinese, such as advice on maintaining a sublimated family life. The Sutra of Forty-Two Sayings, likely written by Kashyapa Matanga, became an important part of their mission. Saunders noted that this text was well-received and respected in China for its skillful presentation of Buddhist teachings in a way that was sensitive to Chinese cultural norms.

The story goes that, within a year of the monks’ arrival, Emperor Mingdi commissioned the construction of the White Horse Temple to honor the white horse that had carried the sacred Buddhist scriptures. However, some scholars dispute this version of events. Godfrey Liu and William Wang, in the Chinese Journal of Linguistics, suggested that the temple’s name might have been derived from the Sanskrit word for lotus (padma) and that the Chinese term for “white horse” (bai ma) was a result of folk etymology. Despite this theory, the connection between the white horse and the temple is widely accepted among pilgrims and temple authorities.

The monks did not live long after their arrival in Luoyang. Kashyapa Matanga is believed to have died in 73 CE, and Dharmaratna likely passed away soon afterward. However, their legacy was significant. As Saunders wrote, “The two pioneers did not long survive their arrival at the capital, but they left a tradition of sound scholarship and earnest work, and their Monastery of the White Horse became the model for many of its successors.”

The two monks were honored with a rare distinction in China: they were buried within the White Horse Temple complex. Centuries later, the famous scholar and traveler Xuan Zang, who made a pilgrimage to India in the 7th century, became the abbot of the White Horse Temple, further cementing the temple’s importance in the history of Buddhism in China.

After the deaths of Kashyapa Matanga and Dharmaratna, many other Indian monks began making the long journey to China, bringing Buddhism with them. According to Madhavi Thampi, a scholar of Chinese history, “Indian monks were no doubt motivated to travel to China, in spite of the difficulties of their journeys and the slim likelihood of ever returning to their homeland, because of the respect and warmth with which they were received in China.” This respect was evident not only from the Chinese emperors and princes but also from ordinary people, who warmly embraced the Buddhist missionaries.

Indian Buddhist monks continued to travel the Silk Road to China until the 11th century when Buddhism in India began to decline. As KM Pannikar, India’s first ambassador to China, noted, the interaction between India and China through Buddhist missionaries was one of the most significant events in Asian history. This millennium-long exchange laid the foundation for much of the shared cultural and religious history between the two great civilizations.

U.S. Returns Over 1,400 Stolen Artifacts to India as Part of Repatriation Efforts

The United States has returned more than 1,400 looted artifacts, valued at approximately $10 million, to India, marking a significant step in an ongoing effort to repatriate stolen cultural property from South and Southeast Asia. The Manhattan District Attorney’s office announced the repatriation on Wednesday, underscoring the success of its continued investigations into art trafficking networks.

Among the items returned were several that had previously been displayed at the prestigious Metropolitan Museum of Art in New York. One such artifact is a sandstone sculpture of a celestial dancer that was illicitly taken from central India, smuggled to London, and eventually sold to a Met patron. This patron later donated the piece to the museum, unaware of its questionable origins.

The repatriation efforts are part of an extensive investigation into art trafficking rings, including those connected to convicted traffickers like Nancy Wiener and Subhash Kapoor. Kapoor, an American antiquities dealer, was sentenced to ten years in prison for orchestrating a multimillion-dollar looting network through his gallery in New York. According to the Manhattan District Attorney’s office, these investigations have led to significant recoveries.

Kapoor’s criminal activities were exposed after he was apprehended in Germany in 2011, prompting the issuance of an arrest warrant by the U.S. in 2012. Although he remains in custody in India, he faces pending extradition to the U.S. to answer for his crimes.

“Today’s repatriation marks another victory in what has been a multiyear international investigation into antiquities trafficked by one of history’s most prolific offenders,” said William Walker, the special agent in charge of Homeland Security Investigations in New York. His statement highlighted the importance of the ongoing work in returning stolen cultural heritage.

The items were officially handed over during a ceremony held at the Indian consulate in New York on Wednesday. This event represents a notable success in the larger initiative to combat art trafficking.

The Manhattan District Attorney’s Antiquities Trafficking Unit, established over a decade ago, has played a crucial role in these efforts. Comprising a team of lawyers, investigators, and art experts, the unit has successfully recovered 5,800 antiquities, collectively valued at nearly $460 million. Additionally, the unit has convicted 16 individuals involved in trafficking offenses and pursued extradition for six others linked to stolen cultural property.

The significance of these repatriations has been further emphasized by a recent agreement between the U.S. and India. Signed in July, the deal aims to strengthen the protection of cultural property, curb illegal trade, and streamline the repatriation of stolen antiquities. This agreement demonstrates both nations’ commitment to preserving cultural heritage and combatting art trafficking.

The return of these artifacts is a part of a broader global movement to address the growing problem of illicit cultural property trafficking. Through collaboration between law enforcement agencies, museums, and cultural institutions, efforts like these are helping to reverse the effects of art theft, returning valuable pieces of history to their rightful homes.

HinduPACT’s HinduVote Project Congratulates Donald J. Trump on his Election as the 47th President of the United States of America

[Sugar Grove, IL] – HinduPACT’s HinduVote Project extends congratulations to President-elect Donald J. Trump on his election as the 47th President of the United States of America. We celebrate the democratic process, reflecting people’s will and upholding our nation’s foundational principles.

We express our sincere gratitude to Vice President Kamala Harris for graciously accepting the verdict and upholding the principles of the democratic process. The commitment to a peaceful transition of power reinforces the strength of our democracy and sets a commendable example for all Americans.

As we look forward to the future, we remind President-elect Trump of his promise to take immediate action to stop the persecution of Hindus in Bangladesh. We ask the President-elect to preserve the First Amendment rights of Hindus by sending a firm message to radical elements and to safeguard Hindus and their places of worship within the United States and abroad. The American Hindu community remains deeply concerned about the persecution, and we urge the incoming administration to address them with urgency and diligence.

The attention of the 47th President to the American Hindu Agenda 2024 is essential to the success and well-being of our community. This agenda outlines critical matters affecting American Hindus, including:

  • Protection of Religious Freedoms: Ensuring the rights of Hindus to practice their faith freely and without fear.
  • Combating Hate Crimes: Implementing policies to prevent and respond to acts of violence and discrimination against the Hindu community.
  • International Human Rights: Advocating for Hindus facing persecution in countries like Bangladesh and supporting global human rights initiatives.
  • Fair and Merit-Based Admissions and Employment Opportunities: Advocating for admissions in educational institutions and employment opportunities to be based on merit, ensuring fairness and equal opportunity for all. We support the Supreme Court’s decision in the Harvard v. Students for Fair Admissions case, emphasizing the importance of meritocracy and equal treatment under the law.  We encourage the incoming administration to uphold these principles and ensure that policies reflect a commitment to merit, fairness, and equality.

We are eager to collaborate with President-elect Trump’s administration and request a meeting with his appointed officials to discuss these critical issues. We aim to create policies that reflect the values of inclusivity, justice, and mutual respect.

About HinduPACT’s HinduVote Project:

The HinduVote Project is an initiative of HinduPACT dedicated to empowering American Hindus through civic engagement, policy advocacy, and community outreach. Our mission is to ensure that American Hindus’ voices are heard in the democratic process and that their concerns are addressed at all levels of government.

For more information about the American Hindu Agenda 2024 and our ongoing initiatives, please visit www.hinduvote.org.

About HinduPACT: 

The Hindu Policy Research and Advocacy Collective (HinduPACT) is an initiative of the World Hindu Council of America (VHPA) dedicated to the advocacy and policy research of issues concerning the American Hindu community.  HinduPACT promotes human rights, voter education, and policies affecting American Hindus, aiming for peace and understanding through informed policy initiatives and grassroots advocacy. Visit https://hindupact.org for more details.

Swami Vivekananda’s Lasting Impact Celebrated at United Nations Exhibition

An exhibition commemorating the life and work of Swami Vivekananda, highlighting his enduring global influence on spirituality and bridge-building, was recently showcased at the United Nations. This event aimed to underscore Vivekananda’s vision of interconnectedness and his profound contributions to fostering understanding between diverse cultures.

“Vivekananda stands taller and taller, inspiring people across the world, not only in India,” remarked Swami Sarvapriyananda, resident minister of the New York Vedanta Society, at the exhibition’s opening. He emphasized Vivekananda’s ever-growing influence, suggesting that his teachings resonate universally, expanding beyond geographical boundaries. Sarvapriyananda continued, “He built a bridge between the East and the West when he traveled to the World Parliament of Religions in Chicago in 1893, and the bridge is very strong, and very vibrant today.”

India’s Consul General in New York, Binaya Srikanta Pradhan, added that Vivekananda’s teachings on humanity’s unity, which draw from ancient Hindu philosophy, hold particular relevance at the UN—a space dedicated to fostering global harmony and understanding. This alignment underscores the shared values between the UN’s mission and Vivekananda’s message.

The event was organized by the Society for Enlightenment and Transformation (SEAT), a part of the UN Staff Recreation Council (UNSRC), with support from the Hindu Swayamsevak Sangh (HSS), who curated the exhibits displayed. According to UNSRC President Peter Dawkins, the exhibition serves to spotlight Vivekananda’s enduring relevance, particularly within the context of the UN’s core values. “We’re hoping to raise awareness of the life of Vivekananda, what he brought to the West, in particular, his strong connection to New York and also, if not directly, but indirectly, to the United Nations,” Dawkins explained.

This exhibition sought not only to educate but also to remind the world of Vivekananda’s ideas about service, selflessness, and unity. Ganesh Ramakrishnan, an outreach coordinator for the HSS, commented on the appeal of Vivekananda’s teachings, especially among younger generations. He noted that Vivekananda’s call for “seva, which is selfless service,” continues to resonate powerfully with the youth today, inspiring them to contribute positively to society.

Vivekananda’s role as a figure of Indian pride and national identity was also highlighted. Sarvapriyananda credited him with providing India with a renewed sense of self-worth and a forward-looking national identity, a perspective many historians share. “Somebody called him the unconscious father of modern Indian nationalism,” Sarvapriyananda said, noting that Vivekananda’s influence on India’s freedom movement stemmed from his emphasis on self-respect and cultural pride, fostering a modern Indian identity.

Education and scientific thought were also close to Vivekananda’s heart, and his influence extended into these domains, bridging spirituality and science. Panels at the exhibition depicted his interactions with renowned scientists like Nikola Tesla, showcasing Vivekananda’s belief in a harmonious relationship between science and spirituality. Sarvapriyananda recounted that Vivekananda’s vision indirectly inspired the establishment of the Indian Institute of Science in Bengaluru. Jamsetji Nusserwanji Tata, a prominent Indian industrialist, was inspired to establish the institute after meeting Vivekananda on a ship en route to the United States. Sarvapriyananda noted that the institute has become a foundation for scientific and engineering education in India, producing thousands of professionals who have made significant contributions globally, especially in the United States.

This exhibition at the UN underscored Vivekananda’s legacy as a universal symbol of wisdom and unity, his influence still palpable in education, science, and spirituality worldwide.

Trump’s Win Undermines Long-Standing Democratic Coalition as Voter Demographics Shift

Donald Trump’s recent electoral victory stemmed from his ability to erode support among groups once considered pivotal for Democrats to hold the White House. Post-Obama’s historic 2008 victory, there was optimism within the Democratic camp that a “coalition of the ascendant”—younger people, minorities, college-educated individuals, and blue-collar workers—would secure their dominance for generations. This coalition was culturally progressive and endorsed a robust government role in social welfare, potentially cementing a Democratic hold on the presidency for years. Optimists believed “demography is destiny,” counting on the decreasing population of older, conservative white voters as non-white Americans were expected to form the majority by 2044.

However, over time, signs of vulnerability in the Democratic coalition emerged. Non-college-educated voters began drifting away, particularly noticeable during the 2010 and 2014 midterms, and their defection to Trump in 2016 marked a substantial loss. Though Joe Biden reclaimed enough of these voters in 2020 to win, Trump’s 2024 comeback demonstrated that the cracks in this coalition had deepened.

A New Coalition for Trump

In his 2024 campaign, Trump expanded his base beyond blue-collar workers by capturing a significant share of young, Latino, and Black voters. According to exit polls, he managed to secure 13% of the Black vote compared to John McCain’s 4% against Obama, 46% of the Latino vote versus McCain’s 31%, 43% of voters under 30 compared to McCain’s 32%, and a commanding 56% of those without a college degree, a group Obama had previously won. Trump celebrated this achievement, attributing it to a realignment within the electorate, remarking, “I started to see realignment could happen because the Democrats are not in line with the thinking of the country.”

Trump’s appeal was bolstered by a hardline stance on immigration, a key campaign point involving strict border enforcement and mass deportation policies. Biden and his Democratic allies refrained from such hardline measures, largely to avoid alienating immigrant-rights advocates. As a result, illegal border crossings surged under the Biden administration, with over eight million encounters at the U.S.-Mexico border. Kevin Marino Cabrera, a Miami-Dade County commissioner, pointed out that Democrats had moved significantly left on immigration, noting, “It’s funny how far to the left [the Democrats] have gone.”

This shift enabled Trump to secure Miami-Dade, a heavily Latino region in Florida, becoming the first Republican to do so since 1988. He also won Starr County in south Texas, a region with a 97% Latino population, with 57% of the vote—an area where only 15% voted for McCain in 2008. Anti-Trump Republican strategist Mike Madrid noted the limitations of the Democrats’ “demography is destiny” strategy, arguing it incorrectly assumed that all non-white voters shared a common political identity. “That is not and nor has it ever been the way Latinos have viewed themselves,” Madrid explained.

For some Black voters, the Democratic Party’s approach also felt limiting. Kenard Holmes, a South Carolina student, expressed frustration during the primaries, saying, “I hate that if you’re Black, you’ve got to be a Democrat or you hate Black people and you hate your community.” He shared that he felt Democratic leaders took Black voters’ support for granted.

Electoral Gains in Counties and Cities

As states continued counting votes, early results showed Trump’s electoral reach had expanded in at least 2,367 counties, with a reduction in support in only 240. For Kamala Harris, the Democratic candidate, it was essential to generate strong support in urban centers to counter Trump’s dominance in rural areas. Yet, she fell short of expectations, winning just 63% in Wayne County, Detroit, compared to Biden’s 68% in 2020 and Obama’s 74% in 2008.

Economic issues, along with immigration, topped voter concerns. Polls indicated that Trump had an edge over Harris in these areas, and his messaging, devoid of identity politics, appealed across racial lines. Nicole Williams, a Las Vegas bartender, commented, “We’re just sick of hearing about identity politics…We’re just American, and we just want what’s best for Americans.”

Democrats Grapple with the Loss

The Democrats are now in a period of introspection as they come to terms with Trump’s sweeping victory, which handed Republicans control of the White House, Senate, and possibly the House of Representatives. Left-wing figures like Bernie Sanders criticized the Democrats for focusing too much on identity politics at the expense of working-class voters. Some centrists, however, believe the issues extend beyond the economy and immigration, pointing to Trump’s success in using cultural issues to fracture the Democratic coalition.

Among the positions that Republicans spotlighted were proposals to reduce law enforcement funding, decriminalize certain border crossings, and bolster protections for transgender Americans. These policies, initially popularized after George Floyd’s murder and the rise of the Black Lives Matter movement, had become vulnerabilities when appealing to broader voter demographics. Harris’s 2019 presidential bid, for instance, included support for policies that her opponents would later exploit, including taxpayer-funded gender transition surgeries for federal prisoners. The Trump campaign capitalized on this, releasing ads with slogans like, “Kamala is for they/them. President Trump is for you.” These ads reportedly accounted for over $21 million of the campaign’s ad spending in October.

Representative Seth Moulton, a Massachusetts Democrat, suggested a more direct approach, saying, “Democrats spend way too much time trying not to offend anyone rather than being brutally honest about the challenges many Americans face.” Moulton highlighted his concern over policies affecting youth sports, reflecting a broader critique of Democratic stances on cultural issues.

On the other side, progressive Democrats defended their commitment to minority rights, asserting this stance as a core value. Congressman John Moran retorted on social media, stating, “You should find another job if you want to use an election loss as an opportunity to pick on our most vulnerable.”

Political strategist Mike Madrid offered a blunt critique of the Democratic coalition, describing it as an “unholy alliance” of working-class minorities and wealthier, culturally progressive white voters, bound primarily by opposition to Republicans. With that opposition weakened, the coalition’s cohesion was jeopardized.

Reflection and the Path Forward

Though future elections may occur under more favorable circumstances for Democrats, Trump’s unique ability to mobilize new and infrequent voters may be unmatched. However, the 2024 election results will likely continue to fuel Democratic soul-searching.

According to Harris’s campaign, the loss resulted from an unsettled public and residual economic and social disruptions from the Covid pandemic. “You stared down unprecedented headwinds and obstacles that were largely out of our control,” campaign chair Jen O’Malley Dillon wrote to the staff. Dillon noted that Harris’s performance in battleground states, though close, reflected the broader rightward shift across the nation.

This sentiment resonates with voters like Moses Santana, a Philadelphia resident who, despite identifying with a demographic that once leaned strongly Democratic, now questions the party’s effectiveness. “Joe Biden promised a lot of progressive things, like he was going to cancel student debt, he was going to help people get their citizenship,” Santana noted. “And none of that happened. Donald Trump is bringing [people] something new.”

When Cinemas were a Different Type of Culture

Bellamkonda1For those of us who grew up in the 1960s and 70s as students, cinemas were a very different type of culture. Very different from today. First, with no television, no computers, no internet, no video games, with only the government controlled All India Radio, cinemas were like a window in our little lives to peep through now and then. But at the same time, as per the standards of those days, cinemas were also expensive. With an average price of 1.50 rupees for a chair ticket, it was equivalent to the price of a lunch in a casual restaurant or the price of an RTC bus ticket to travel to another town 40 km away or to reach a city that is 100 km away by train.

With the small amount of money students living in hostels used to get from their parents every month, they need to budget their other requirements to save enough to go to as many movies as possible every month to avoid monotonous life in hostels on weekends. This budgeting often led to some funny incidents which remain in our memories even today.

In those days, many cinema halls were breeding grounds for bedbugs. If we had suspicion, after coming home, we used to change clothes first, dip the removed clothes in a bucket of water, and look for floating bedbugs. This was our dip test.

To watch as many movies as possible with the money they get from home, a few of our colleagues in medical college used to go to bench class (75 paisa) during the second show (girl colleagues would notice that if they go to first show). We were not welcoming those bench goers to our rooms as they were known carriers of bedbugs.

There used to be a lot of commotion when power failed in the cinema hall. There were no backup power or generators in those days. Suddenly, vendors selling pakoda, bajji, and tea appeared from nowhere, and people were struggling for change in their pockets. If they dropped a few coins on the floor, they would remain in the hall after the show and search for them desperately. Lost coins were more precious in those days. And if the power was not restored within a stipulated time, it was hard to sit in the hall. So, the cinema hall management used to give “passes” to those who wanted to leave. They could come on some other day and watch the movie by just showing the pass. The passes have their own market value. They can be sold for a discounted price compared to original tickets. But many people liked the passes because they could watch the movie from the beginning, including the news reels and advertisements (15 min worth of movie time) again from the beginning. For some people, it was like sitting at the banquet table starting from the appetizer again after taking a short break.

After coming home from the cinema, the next day friends and neighbors used to ask us how the movie was? We had enough work to narrate that to everyone for a week. That was the primitive piracy recorded in history. If it was a suspense movie, there was a real loss in the market value of the movie. Those who were good narrators had a good reputation, and their status in the neighborhood was high. Of course, I was one of them. Too bad we did not receive any remuneration from the distributors for our efforts. Based on what we narrated, others used to decide whether to go or not to the movies. Most of my friends and neighbors used to go to the movies based on good reviews. But there were some odd guys who used to go to only those movies that received bad reviews. These compassionate ones helped every movie make at least some money in those days.

A few of our colleagues used to go only for movies that were 30 or more reels long. Their contention was that they had to get the bang for the buck. These were the ones that know the value of money. Movies are just entertainment for them.

Finally, this is the greatest thing about cinemas in India even today. To my knowledge, cinema is the only event where all Indians show up on time with an extreme degree of punctuality. Many of them arrive even before the doors to the hall are opened.

Thus, in the good old days, cinema was a different culture. There was nothing like the mega movie craze in those days. Cinemas were simply a part of our little lives. It was not just entertainment. One can write a book on this old cinema culture in India. Thanks.

Diwali at Times Square celebrated at the heart of New York City

Diwali at Times Square 2024 may be over but the memory of it will last a lifetime for those who witnessed the festival in the heart of New York City on Saturday, October 19th, 2024.

“Our objective from the beginning has been to take India to mainstream America” “and today, I’m excited to share that thanks to the support of the mainstream media and more Corporate Sponsors aligning to support us this year, we are achieving that goal” said the Founder of Diwali at Times Square, Neeta Bhasin.  She also emphasized the importance of instilling Indian American youth with a sense of pride for their heritage, while also fostering cross-cultural exchange.

Diwali at Times Square was honoured to welcome the Office of Faith-Based and Community Partnerships of NYC for the first time ever as a presenting partner alongside KIA who returned as a presenting sponsor of the festival and Procter & Gamble who joined the festival as a gold sponsor.

CG on Stage DATS 2024

The festival showcased the “Colors of India and America” featuring performances of different states of India and highlighted performances of other ethnic communities like Indo-Caribbean, Africa and Mexico.

One of the biggest attractions in Diwali Bazaar was ‘Kids Zone’, where children were painting Diyas (clay) and creating beautiful Rangoli art and enjoy interactive reading sessions. Additionally, there was food sampling from some of our sponsors and free henna before Karva Chauth (the fast Indian women keep for their husband’s long life) that attracted thousands of people to Diwali Bazaar

The Diya (lamp) lighting ceremony on stage was synchronized with the countdown on the One Times Square tower and it was inaugurated by the Consul General of India, Binaya Srikanta Pradhan, Senator Chuck Schumer, NYC Mayor Eric Adams, Assemblywoman Jenifer Rajkumar, NYPD Commissioner, NYC Commissioner of Immigration, NYC Commissioner of International Trade Affairs, Dilip Chauhan, Deputy Commissioner International Affairs, Justice Karen Gopee, along with our honorees and sponsors.

DATS 2024 Diya Lighting

The Consul General of India, Binaya Srikanta Pradhan emphasized on the deeper meaning of the festival saying “I have realized that Diwali at Times Square is more than just a festival – it is a celebration of our shared values, culture, togetherness, love, and diversity”

Senator Chuck Schumer appreciated the contribution of South Asian community to NYC by saying “The more South Asians we have in NYC, the better NYC is” and I want to salute the fact that Diwali is now a school holiday

NYC Mayor Eric Adams said “What better place to celebrate the festival of lights than in the crossroads of the world.  I’m proud to be with our Hindu brother and sisters today for the annual Diwali at Times Square celebration as we push away the darkness and welcome the light all cross our city”

Chandrika Tandon, Grammy Award Nominee and Founder of the Krishnamurthy Tandon Foundation the recipient of the “Woman of the Year Award” expressed her gratitude and shared this honour with everyone in the audience.

DATS 2024 Kids Zone

Raja Rajamannar, Chief Marketing & Communications Officer, Mastercard was honoured with the “Man of the Year Award” and was humbled to accept the recognition which he shared with his wife Jyothi

House of Spices ‘This year, we are proud to debut our latest Diwali campaign at the event. We are confident this campaign will resonate deeply with every Indian student, helping them feel connected to home, even from thousands of miles away.

The program ended with the ‘Light Up Times Square Concert’ where national and international performers from musical industry rocked the stage. The energy of the performers and the attendees really brightened Times Square.

Grammy Award Nominee Chandrika Tandon and the Young People’s Chorus of New York City started the program with Ganesha (Removal of Obstacle God) Prayers.

DATS 2024 Sukhbir and Crowd

Sparsh Shah, an American rapper, singer, songwriter and inspirational speaker who has a very rare disorder Osteogenesis Imperfecta also known as Brittle Bone Disorder rocked the stage with his performance.

Shannon K, a rising star from LA is a singer and songwriter mesmerized the audience with her performance.

Preeti and Pinky from India sang their famous songs of 90’s that are viral in social media. People are still dancing on those popular songs.

Sukhbir Singh, ‘Prince of Bhangra’ whose music varies from pure Punjabi to fusion, shook the entire stage with his the most energetic performance forced people to dance with him on every song specially ‘Oh Ho HoHo’

DATS 2024 Happy Diwali

The finale performer Raghav made every age group to sing with him on his famous songs including ‘Ange Eyes’ that topped the charts across the world in late 90s.

Diwali at Times Square was celebrated in association with “Samman for All”; its mission is to facilitate people from the lower-economic strata to achieve their dreams by providing them with tools for sustainable living and empowerment,

“Diwali celebration serves as a powerful symbol of unity, bridging cultural ties and fostering diversity”

Special Thanks to all our partners, Presenting Sponsors NYC Faith-Based and Community Partnership, Kia USA. Proctor and Gamble first time supporter. Northwell Health,  State Bank of India, House of Spices-Laxmi, Dabur, Bru, Jennifer Furniture, Instarem, Caravela Resort, Tribeca Rooftop-360, Benares, Crest Hollow. Special thanks to our hosts, Shanelle Kaul, CBS News Network broadcaster, Jennifer Bisram, CBS News New York broadcaster, Anushka Arora, RJ from London and Rita Kakati Shah.  Thanks to Sunita SadhnaniFounde of GLAMOROUS Event Planners & Productions and other partners. Without their support this festival will not be possible.

Diwali at Times Square will celebrate its 10th year anniversary in 2025. The plan for this milestone has already started and the festival will be full of surprises and excitement!

 

Diwali Alert: One World Trade Center to Illuminate with Diwali Colors and Animation

The South Asian Engagement Foundation (SAEF) is pleased to announce that One World Trade Center, located at 285 Fulton Street and prominently visible from the West Side Highway, will showcase a vibrant display of animated imagery celebrating Diwali on Tuesday, October 29th, from 6:00PM to 2:00AM.

Visit One World Trade Center the evening of October 29th to experience this spectacular animation at the building’s base and spire, which honors the festival of lights and symbolizes the victory of good over evil.

This year marks the fourth anniversary of the All-American Diwali celebration at the World Trade Center. Additionally, the New York Governor’s Office and the NYC Mayor’s Office have commissioned the spire atop One World Trade Center to display Diwali color palettes, further illuminating this iconic building with the spirit of positivity and brightness associated with the festival.

Technology partner, Spireworks will feature a stunning array of colors including pink, red, blue, and yellow, embodying the joyous essence of Diwali, a festival that inspires positivity and celebrates the triumph of light over darkness on not only the One World Trade center but also on top of One Bryant Park, One Five One West 42nd Street and Sven located on Northern Boulevard, in Astoria, NY.

At SAEF, our mission is to strengthen the Indian American identity and foster a deeper understanding of our community’s contributions. We are dedicated to initiatives that empower and reshape the narrative surrounding Indian Americans, aiming for meaningful change in how the community is perceived and integrated into the broader American fabric.

Kamala Harris’ Running Mate Tim Walz Joins Diwali Celebrations at Bharatiya Temple in Pennsylvania

On October 31, 2024, Minnesota Governor Tim Walz, running mate to Vice President Kamala Harris, attended Diwali celebrations at the Bharatiya Temple in Montgomery County, Pennsylvania. His visit was part of a broader initiative by the Harris-Walz campaign to connect with various communities across the nation. Governor Walz was warmly welcomed by Montgomery County Commissioner Neil Makhija, the first Asian American to serve as a county commissioner in Pennsylvania’s history, a milestone across all 67 counties in the state. He was also greeted by Atul Sangal, Secretary of the Bharatiya Temple’s Board, and the temple’s priest, Pundit Sri Seshasai Rompicharla.

Governor Walz participated in the temple’s diya lighting ceremony, a central aspect of Diwali celebrations that symbolizes the victory of light over darkness. During the event, he expressed his appreciation and wished the attendees a joyful and peaceful Diwali. “Happy Diwali to everyone. It’s a privilege for me to be with you on this special day, a privilege to stand amongst you,” said Governor Walz. He highlighted the strong sense of unity and love he felt within the temple community, adding, “You can feel the sense of community here. You can feel the sense of love. You can feel the sense that there is something bigger than all of us.” Walz shared that joining Harris on the presidential ticket was “a privilege” of a lifetime.

Governor Walz also acknowledged the contributions of the Indian and South Asian communities in Pennsylvania and Minnesota, noting their significant role in the cultural fabric of both states. “I know that in Pennsylvania, as well as Minnesota, the Indian and South Asian community is so much a fabric of our state and who we are,” he stated, recognizing the influence of these communities. He further expressed gratitude to Pennsylvania lawmakers and Governor Josh Shapiro for formally establishing Diwali as a state holiday. “It matters,” Walz said, highlighting the significance of the holiday’s official recognition.

Vice President Kamala Harris also issued a statement, extending her Diwali greetings to the Indian community and celebrating the global observance of the festival.

India’s Adam’s Bridge: Uncovering the Layers of History, Mythology, and Geology

When viewed from above, satellite images reveal a faint strip connecting India and Sri Lanka. Known as Adam’s Bridge, Ram’s Bridge, or Ram Setu, this natural chain of limestone shoals stretches across the Indian Ocean for 30 miles (48 kilometers). With a blend of geological, historical, and mythological significance, Adam’s Bridge has become a subject of intrigue for scientists, scholars, and spiritual believers alike. Here, we delve into the formation’s rich background across history, mythology, and scientific exploration.

Adam’s Bridge, bridging India’s Rameswaram and Sri Lanka’s Mannar Island, has long fascinated historians and archaeologists. For centuries, this land bridge was traversable on foot up until the 15th century, shaped by natural forces over thousands of years. According to geological research, such as that by the Geological Survey of India (GSI), the Rameswaram and Talaimannar landmasses likely became exposed as sea levels shifted between 7,000 and 18,000 years ago. This shift led to the emergence of the shoals we see today, with coral forming over sand deposits to create the visible structure.

Through thousands of years of shifting landscapes, natural forces drove India and Sri Lanka further apart, forming the Palk Strait. Deposits from the Kaveri River and strong coastal currents molded the present-day islands and sandbanks collectively known as Adam’s Bridge. “Some corals in the area date back 125,000 years,” researchers have noted, underscoring the deep history behind this geological wonder.

There are two predominant theories about how Adam’s Bridge came to exist. One theory suggests that the shoals emerged through sustained sediment deposition, leading to the formation of barrier islands. Another perspective posits that the Bridge may represent an ancient shoreline, hinting that India and Sri Lanka were once connected by land.

The idea of constructing a navigable channel between southern India and northern Sri Lanka has intrigued engineers for centuries. In 1782, English oceanographer James Rennel proposed a maritime route through these waters. This concept took form in the Sethusamudram Shipping Canal Project, initially proposed in 1955, which aimed to create a 167-kilometer channel through the Palk Strait, linking it to the Gulf of Mannar. Such a channel would save up to 36 hours of travel time for maritime routes and reduce distances by over 400 kilometers.

Despite the logistical advantages, the project has encountered significant challenges and delays. In 2005, the Indian government greenlit the initiative, which involved dredging the shallow seabed. However, environmentalists raised alarms, warning that dredging could destroy fragile coral ecosystems and disrupt the livelihoods of local fishing communities. Concerns were also raised about potential environmental hazards, including the possibility of releasing thorium deposits, an element found in India’s seabed that could increase the area’s vulnerability to natural disasters like tsunamis.

Beyond environmental concerns, the project stirred religious and cultural sensitivities. For many, Ram Setu is more than a geological formation; it is a revered cultural structure believed to have been constructed by Lord Rama’s divine intervention. This view has spurred strong resistance from various religious groups and political parties, ultimately halting the project. In 2013, the Indian Supreme Court acknowledged these sentiments, ruling in favor of protecting the Bridge on cultural grounds. As a result, the Sethusamudram project remains stalled, and its future remains uncertain amid ongoing debates.

Beyond its historical and geological facets, Adam’s Bridge is a significant symbol in both Hindu and Abrahamic mythology. In the Hindu epic Ramayana, dating back to 1000-500 BC, the Bridge plays a pivotal role in Lord Rama’s journey to rescue his wife, Sita, from the demon king Ravana of Lanka. According to legend, Lord Rama’s army, the Vanara Sena (Army of Ape Men), constructed the Bridge by writing Rama’s name on stones that floated on the water through divine grace, providing a path from India to Lanka.

The Bridge’s mythological significance extends to the Abrahamic traditions as well. Islamic and Christian folklore identify this formation as Adam’s path after he was expelled from paradise. According to certain traditions, Adam is believed to have traveled across the Bridge from Sri Lanka’s Adam’s Peak to India. This connection is echoed in ancient texts, including Ibn Khordadbeh’s 9th-century work, Kitāb al-Masālik wa-l-Mamālik, where it is referred to as Set Bandhai or “Bridge of the Sea.” Additionally, the 11th-century writings of Al-Biruni add to its mythic reputation.

Whether created by natural forces or ascribed to divine construction, Adam’s Bridge is a timeless symbol, uniting lands, faiths, and generations through wonder and intrigue.

Ayodhya Celebrates Deepotsav 2024 with Record-Breaking Festivities

On Wednesday, Ayodhya marked Deepotsav 2024 with an extraordinary celebration as thousands gathered along the Sarayu River’s banks to celebrate Diwali. This year’s Deepotsav is particularly significant as it follows the consecration of the Ram Temple in January, marking the first Deepotsav since this event.

The celebration also saw two new Guinness World Records. One record was for the largest number of people performing a synchronized ‘diya’ rotation. The second was achieved by the Uttar Pradesh Department of Tourism and the District Administration of Ayodhya, for lighting a stunning 25,12,585 oil lamps. Uttar Pradesh Chief Minister Yogi Adityanath received both awards on behalf of the state, highlighting Ayodhya’s growth as a cultural hub.

The sight of over 25 lakh oil lamps adorning the Sarayu River banks created a remarkable visual, symbolizing the victory of light over darkness. This display fostered a powerful sense of unity among attendees, capturing the spirit of Deepotsav.

Chief Minister Adityanath played a central role in the celebration, ceremonially leading a chariot carrying artists dressed as Lord Ram, Sita, and Lakshman. The tableau symbolized Lord Ram’s return to Ayodhya. Several high-profile attendees joined him, including Union Minister Gajendra Singh Shekhawat, Deputy Chief Ministers Brajesh Pathak and Keshav Prasad Maurya, among others. Helicopters showered flowers over the artists portraying Ram, Sita, and Lakshman, adding grandeur to the celebrations.

A procession featuring 18 vibrant tableaux moved from Saket Mahavidyalaya to Ram Katha Park, where each tableau depicted a story from the Ramcharitmanas, celebrating Ram’s life and legacy. Firecrackers and bursts of gulal added color and sound to the festive procession, delighting spectators and reflecting Ayodhya’s rich culture.

Addressing attendees at the eighth edition of Deepotsav, CM Adityanath remarked on Ayodhya’s transformation as a sign of the “double-engine government delivering on its promise,” referring to the combined efforts of the BJP-led state and central governments. He described this year’s celebration as historic, noting that it was the first Diwali in 500 years in which “Lord Ram is now in his abode in Ayodhya.” He emphasized that the current progress in Ayodhya is just the beginning, expressing hopes that by 2047—India’s 100th year of independence—other sacred cities like Kashi and Mathura would also be revitalized to reflect Ayodhya’s transformation.

Adityanath also paid tribute to the numerous individuals who contributed to the Ram Janmabhoomi movement. “I bow to all those saints on this occasion, and to the martyrs, around 3,50,000 in number,” he said. He honored those who sacrificed their lives with the dream of seeing a temple for Lord Ram built in Ayodhya. “Their sacrifices will always be remembered as we celebrate this historic moment,” he added.

While the Deepotsav celebrations garnered widespread appreciation, they were not without controversy. Awadhesh Prasad, a member of the Samajwadi Party and MP of Faizabad, claimed that the Ayodhya administration did not invite him to participate in the event. Prasad criticized the BJP for “politicizing festivals” and said, “I extend my greetings to all residents of Ayodhya on the occasion of Diwali. I consider it my good fortune that I was elected from here. BJP is politicising our festivals too. I hope this will be a festival of brotherhood,” he told ANI. He emphasized his wish for the festival to promote unity and brotherhood, rather than division.

Hindu Americans’ Influence in US Politics Rises Amid Concerns Over Religious Freedom

The 2024 US elections may not place a Hindu in the White House, but the campaign season has underscored the rising influence of the world’s 1.2 billion Hindus in American politics.

While Vice President Kamala Harris, a Democratic candidate, identifies as a Christian, she has Hindu heritage through her Indian mother, Shyamala Gopalan, a Brahmin from India. On the Republican side, Usha Vance, the wife of Donald Trump’s running mate JD Vance, also hails from a Brahmin Hindu background. Across the nation, five Indian Americans hold seats in Congress, and nearly 50 occupy positions in state legislatures, representing Hindu, Sikh, or Muslim backgrounds.

The emergence of Hindu Americans in US politics has gained momentum over the last decade, although Dalip Singh Saund, the first Indian American Congressman, was elected in 1957. In 2023, Shri Thanedar, a Democratic representative, launched a caucus for Hindu, Buddhist, Sikh, and Jain Americans, indicating the increasing presence of Indian Americans in politics. Though Hindu Americans represent only around 1% of the US population, their influence extends beyond numbers due to their high socioeconomic status. In 2022, the median household income for Indian Americans was $145,000, offering them the means to support political campaigns. “There was always a Hindu vote, which was not recognized publicly, but it is being recognized now,” said Democratic strategist Ramesh Kapur.

As Hindu influence grows in American politics, concerns arise back in India, where many Christians fear that the increasing political clout of Hindu Americans might embolden US policies that overlook religious freedom issues in India. Rajesh Sampath, a professor who converted to Catholicism, expressed unease over “the uncritical acceptance of the Indian American rise.” He warned that a lack of scrutiny into candidates’ views on Hindu nationalism or Hindutva could “have adverse effects on civil rights, not only for Indian Christians in India but also in terms of race and equality here in the US.”

Though Hindu politicians in the US come from both major political parties and embrace diverse domestic policies, some critics are troubled by their silence regarding religious freedom for minorities in India. For example, US arms deals with India have proceeded smoothly despite calls to designate it a “Country of Particular Concern” due to religious rights concerns. According to Neal Christie, executive director of the Federation of Indian American Christian Organizations, US policymakers hesitate to condemn India’s religious freedom violations due to “many lawmakers’ vested economic interests in India and their fear of backlash from Hindu nationalists in their constituencies.”

Allen Brooks of the Assam Christian Forum observed that while American politicians, particularly Hindu leaders, readily denounce attacks on Hindu temples in the US, they rarely speak out on abuses against minorities in India. Meanwhile, as China is increasingly seen as a geopolitical threat, US leaders of both parties have nurtured ties with Hindu nationalist groups to bolster trade and security partnerships with India. Sampath argued that these politicians “have cultivated significant ties with Hindu nationalists for geopolitical gains, prioritizing trade…over the pressing issue of religious freedom for minorities.”

Under Narendra Modi’s leadership, the influence of Hindu nationalism has extended overseas, with Hindu American groups supporting Indian organizations like Rashtriya Swayamsevak Sangh (RSS) and Vishva Hindu Parishad (VHP) in their political outreach. John Dayal, a human rights activist, believes these groups promote values that resonate with segments of the Republican platform, aligning around themes of nationalism, tradition, and cultural identity. “Their main role for the moment is exonerating Prime Minister Modi and cleansing his image,” said Dayal. He warned that the “power wielded by affluent upper-caste Indian Americans” in politics and business could amplify such ideologies, posing potential risks.

This growing influence has raised concerns over the impact of Hindu American politicians on US foreign policy. Vivek Ramaswamy, a Republican candidate, praised Modi as an “excellent” leader who has “restored Indian national pride,” yet he made no reference to Modi’s record on human rights, drawing criticism from advocacy groups. Christie questioned the compatibility of Hindu American legislators’ values with principles of tolerance and fairness if they align with exclusionary nationalism in India. Dayal echoed these concerns, adding that organizations like the Hindu American Foundation (HAF) are perceived to advocate for India’s government interests while sanitizing Hindu nationalist actions.

A 2024 report from Political Research Associates alleged that HAF presents itself as a mainstream civil rights organization in the US, while opposing caste discrimination protections and supporting the BJP, India’s ruling Hindu nationalist party. By “capitalizing on fears of radical Muslims,” said Christie, the HAF advances a narrative that perpetuates harmful stereotypes against Christians in India, often labeled as “Rice Christians” for allegedly converting for material incentives.

As Hindu Americans’ political alignment shifts, data shows evolving affiliations. Although 68% of Indian Americans identify with the Democratic Party, a growing segment—29%—now leans Republican, according to a 2023 Pew Research study. The 2024 Asian American Voter Survey revealed that only 46% of Indian Americans plan to vote for Joe Biden, down from 65% in 2020. While this survey did not ask directly about Kamala Harris, it found that 54% of Indian Americans viewed her favorably. However, some Hindu voters criticize Harris and Biden for policies perceived as indifferent to their views on religious freedom and US-India relations. Political scientist Sangay Mishra observed that “Hindu Americans are increasingly framing their political choices around support for India,” and viewing Democratic critiques of Indian policies as antagonistic.

On the Republican side, candidates like Ohio state lawmaker Niraj Antani have emphasized their Hindu identity, advocating for religious freedom and traditional values. Antani frequently references his Hindu faith, recently praising the opening of the Ram temple in Ayodhya, India, a symbol of Hindu nationalist pride.

The Indian Christian community in the US, however, remains cautious. When Modi visited Biden in 2023, protests erupted in the US against rising violence in the Indian state of Manipur, where over 200 Christians had died in communal violence. These protests continued, as Indian expats and Christians staged prayer vigils in six American cities, urging peace in India. Despite this, Christie noted that many Indian American Christians avoid speaking out, fearing repercussions that might jeopardize their safety, financial stability, or citizenship.

“Indian American Christians are a minority within the minority,” Sampath explained, “trying to survive as an Indian Christian minority within the larger Indian diaspora.” Christie emphasized that religious advocacy shouldn’t be selective, suggesting, “If we benefit Muslims, Christians will benefit… Human rights is not a zero-sum game.”

Report Reveals Hindu American Foundation’s Ties to Far-Right Extremism

A recent report published by Political Research Associates (PRA) and the Savera: United Against Supremacy coalition exposes the Hindu American Foundation’s (HAF) connections to far-right groups and its role in promoting a divisive agenda. The report highlights HAF’s strategy of using civil rights language to disguise its alliances with Hindu supremacists and other far-right entities, raising concerns about its influence on Indian American communities and broader civil society in the U.S.

On October 16, 2024, PRA and the Savera coalition jointly released the report, “HAF Way to Supremacy: How the Hindu American Foundation Rebrands Bigotry as Minority Rights.” The findings outline how HAF has aligned itself with far-right actors, spreading harmful narratives such as Islamophobia and casteism within the Indian American community. The report suggests that HAF’s ultimate goal is to undermine solidarity among communities of color, steering Hindu Americans toward an increasingly multiracial far-right in the United States.

The document emphasizes that HAF’s agenda is based on a zero-sum approach to civil rights, where the rights of Hindu Americans are portrayed as being in opposition to other minority groups. “The civil rights and religious freedoms of Hindus are framed in opposition to, and at the expense of, those of other communities,” the report states. By attacking the extension of civil rights protections to caste-oppressed groups, spreading negative stereotypes about Muslims, and shielding the Indian government under Prime Minister Narendra Modi from international scrutiny, HAF has found common ground with other far-right elements.

Far from being a recent development, HAF’s far-right affiliations date back to its origins. The organization was founded by a younger generation of Hindutva activists who had previously been involved with overtly bigoted Hindu supremacist groups. HAF was designed to provide a more acceptable face for Hindutva ideology, enabling it to gain legitimacy in mainstream American discourse. However, its deep-rooted connections with extremist organizations like the Hindu Swayamsevak Sangh (HSS) and the Vishwa Hindu Parishad of America (VHP-A) have remained largely hidden from public view.

HAF has sought to exploit the general lack of understanding about Hindu nationalism and far-right Hindu movements in the Indian diaspora, positioning itself as a representative of Hindu American civil rights. This strategy allowed the organization to gain acceptance in American civil society, where it became involved in interfaith and multicultural coalitions. These groups welcomed HAF, assuming it represented the views of Hindu Americans. However, as its far-right associations have become more apparent, HAF has distanced itself from these inclusive spaces, focusing instead on exclusionary tactics and lobbying efforts. The report underscores that HAF’s growing influence poses a serious threat to the creation of a genuinely multiracial democracy in the U.S.

HAF’s Role in Far-Right Movements

The report highlights how HAF has consistently worked to propagate far-right ideology under the guise of defending Hindu rights. It details how HAF has blocked efforts to extend civil rights protections to caste-oppressed groups, thus maintaining the status quo of caste-based discrimination within the Hindu community. Furthermore, HAF has played a significant role in spreading Islamophobic narratives, positioning Hindus as victims in a supposed civilizational clash with Muslims, a view promoted by Hindu supremacists in India.

This alignment with far-right ideology is also evident in HAF’s attempts to shield India’s Modi-led government from international criticism. Modi’s government has faced widespread allegations of promoting policies that target religious minorities, particularly Muslims. HAF’s defense of these policies aligns it with the far-right globally, not just in the U.S., creating transnational connections between Hindu supremacists and other far-right movements.

Expert Reactions

Tarso Luís Ramos, Executive Director of Political Research Associates, noted that the report unveils the role HAF plays in promoting Hindutva in the U.S. under the banner of civil rights. “The Hindu supremacist movement is a dangerous and increasingly influential force within an emergent multiracial Far Right in the United States,” he said. Ramos further highlighted how HAF has capitalized on the lack of awareness about Hindu supremacism in America to present itself as a legitimate civil rights organization. “This report sets the record straight: HAF is a stalking horse for Hindutva and must be understood as an extension of the Indian Far Right,” Ramos added.

Sunita Viswanath, Cofounder and Executive Director of Hindus for Human Rights, emphasized the importance of the report in exposing the far-reaching impact of HAF’s activities. “With this report, our third on the Hindu supremacist ecosystem in the United States, we have presented the most comprehensive treatment of how diasporic far-right networks are also a key part of the authoritarian movement in the U.S. This report is essential reading for anyone seeking to understand what the far-right is shaping up to be,” she said. Viswanath’s statement underscores the report’s broader relevance to understanding the development of far-right alliances, particularly as they relate to minority communities.

Chaitanya Diwadkar, representing the Ambedkar King Study Circle, pointed out that HAF’s efforts to deny caste discrimination in the U.S. form part of its broader supremacist agenda. “The report clearly illustrates how HAF has facilitated hate-mongering and supremacist politics,” Diwadkar stated. He warned of the danger posed by Hindu supremacist movements to democracy, both in India and the U.S., emphasizing the need for immediate action to address the issue.

Rasheed Ahmed, Executive Director of the Indian American Muslim Council, provided additional insights into HAF’s involvement in xenophobic campaigns. He criticized HAF for rejecting protections for caste-oppressed groups and supporting efforts by the Modi government to target Sikh minorities. “Savera’s new report compiles evidence of what many South Asian and Muslim civil rights groups have known for a long time: that HAF rejects protections for caste-oppressed groups, aligns with a foreign regime’s efforts to target our Sikh siblings, and joins in the xenophobic demonization of Muslims,” Ahmed said. His remarks reflect the growing concerns of civil rights groups over HAF’s role in spreading hateful ideologies within Indian American communities.

A Call to Action

The report concludes by urging U.S. civil society to recognize the danger posed by HAF’s far-right connections. As the multiracial far-right continues to grow in the U.S., it is critical to understand how organizations like HAF contribute to this movement, using minority rights language as a cover for advancing supremacist goals. The authors argue that HAF’s far-right record must be confronted if a truly inclusive and multiracial democracy is to be built.

By exposing the depth of HAF’s alliances with Hindu supremacists and its broader impact on civil rights in the U.S., the report serves as a wake-up call for policymakers, activists, and civil society groups. The challenge lies in dismantling the deceptive narratives promoted by HAF and ensuring that the fight for civil rights includes all marginalized communities, particularly those affected by casteism, Islamophobia, and other forms of bigotry.

Al-Khoei Foundation Condemns Defamatory Remarks Against Grand Ayatollah Al-Sistani

The Al-Khoei Benevolent Foundation has issued a stern condemnation following derogatory comments and assassination threats directed at Grand Ayatollah Sayyid Ali Al-Sistani, one of the most esteemed Shi’a Muslim spiritual leaders. These remarks were aired on the Israeli television show *The Patriots*, broadcast by Channel 14 earlier this week. Although the show is characterized as satirical, a particular segment suggested that Ayatollah Al-Sistani should be assassinated, sparking widespread outrage. The Foundation described the remarks as both propagandist and a dangerous threat.

Grand Ayatollah Al-Sistani commands widespread respect across different faiths due to his unwavering advocacy for peace, moderation, and tolerance. The Al-Khoei Foundation stressed the seriousness of the assassination suggestion, particularly in the context of Channel 14’s previous statements, which have often been criticized for promoting violence and even war crimes. This recent threat, made against the backdrop of an ongoing war in Gaza and Lebanon, has only amplified concerns about the incendiary nature of the broadcast.

In its statement, the Foundation highlighted the increasing violence in the region and referenced remarks made by Israeli military officials targeting Shi’a Muslim communities. According to the Foundation, these incidents reflect broader attempts to create division within the region. They underscored that any threat to Ayatollah Al-Sistani, even if veiled within satire, should be taken seriously as it has the potential to exacerbate an already tense situation.

The Al-Khoei Foundation is widely recognized for its humanitarian, educational, and civil society initiatives. It strongly condemned the inflammatory rhetoric broadcast on *The Patriots*, warning that such speech could lead to further violence. The Foundation called attention to the devastating toll of the ongoing conflict, which has led to the loss of thousands of lives and the displacement of countless individuals. They criticized the content of the broadcast for undermining peace talks and ceasefire efforts, arguing that this type of rhetoric only hampers attempts to find a peaceful resolution to the conflict.

The Foundation urged the international community to take a firm stance against such provocations. Specifically, they called upon the United Nations, religious and political leaders, and individuals of conscience around the world to denounce these harmful remarks. The Foundation emphasized the importance of holding accountable those who incite violence, arguing that failure to do so could destabilize ongoing efforts towards peace.

Reaffirming its commitment to peace and justice, the Al-Khoei Foundation reiterated that it stands by the principles of Grand Ayatollah Al-Sistani, who has always advocated for the rights of all people, particularly those facing oppression. The Foundation expressed its unwavering support for the Palestinian people’s right to self-determination. They concluded their statement with a call for unity in protecting the values of peace, security, and universal human rights amidst the continued conflict.

The inflammatory nature of the remarks made on Channel 14 has only deepened the divide between opposing sides in the conflict. The Al-Khoei Foundation highlighted the potential consequences of such rhetoric, especially during a time when diplomatic channels should be open for dialogue and peace negotiations. Their concern is that divisive speech, particularly when broadcast on a public platform, can have a ripple effect, leading to more violence and less opportunity for peace.

The Foundation’s call to action resonates not only with the Muslim community but also with people of all faiths who value peace and human dignity. By raising awareness of the dangerous consequences of such defamatory remarks, the Foundation hopes to encourage global solidarity in the face of incitement. They stressed the need for the international community to remain vigilant against any attempts to inflame tensions further, particularly in a region already suffering from severe instability.

In the same statement, the Foundation reflected on Grand Ayatollah Al-Sistani’s profound influence in fostering dialogue and reconciliation across sectarian divides. His role as a mediator in conflict situations has earned him respect from not only his followers but also from leaders around the world. The Foundation pointed out that such leadership, which is centered on compassion and understanding, should be celebrated rather than targeted with hateful rhetoric.

Moreover, the Foundation reminded the public of the broader context in which these remarks were made. With the ongoing conflict in Gaza and Lebanon causing immense suffering, they argued that now is the time for voices advocating peace and diplomacy, not for those promoting further division and violence. The Al-Khoei Foundation urged media outlets to consider the impact of their broadcasts, particularly when discussing sensitive issues related to the conflict, warning that irresponsible reporting can contribute to the cycle of violence.

In response to the threatening remarks, the Foundation called for renewed efforts to safeguard figures like Ayatollah Al-Sistani, whose message of peace is crucial during this period of heightened tensions. They emphasized the need for protection, not only for the Grand Ayatollah but also for other religious and political figures working towards peace in the region.

The Al-Khoei Foundation’s condemnation of the remarks broadcast on *The Patriots* aligns with its broader mission to promote tolerance, mutual respect, and understanding. As a charitable organization committed to serving humanity, the Foundation views this kind of rhetoric as an obstacle to the realization of these values. They believe that through solidarity, dialogue, and a shared commitment to justice, the international community can work together to overcome such challenges.

The statement concluded with a message of hope, despite the ongoing violence. The Foundation reiterated its commitment to peace and expressed its belief that, through collective efforts, a peaceful resolution to the conflict can be achieved. They called upon individuals, governments, and organizations worldwide to unite in rejecting violence and working towards a more just and peaceful future for all people, regardless of their religious or ethnic background.

As the situation in the Middle East continues to evolve, the Al-Khoei Foundation remains steadfast in its advocacy for peace, moderation, and dialogue. Their strong response to the defamatory remarks against Grand Ayatollah Al-Sistani serves as a reminder of the importance of responsible speech in times of conflict. The Foundation’s message is clear: there can be no place for threats or incitement in the pursuit of peace and justice.

In their final remarks, the Foundation expressed a deep sense of solidarity with all those affected by the ongoing violence, particularly the Palestinian people, and urged continued international efforts to bring about an end to the suffering. They reaffirmed their belief in the power of peaceful solutions and called for renewed commitments to protect human rights and dignity in the face of adversity.

The 10 Oldest Countries in the World

Human history has spanned countless generations and seen the rise and fall of civilizations, shaping the world we live in today. Ancient cultures, traditions, and beliefs have evolved over millennia, and some countries have histories that stretch back thousands of years. Here’s a look at the ten oldest countries in the world, as ranked by the World Population Review.

  1. Iran – 3200 BCE

Iran’s history dates back tens of thousands of years, with its first major city, Susa, built around 3200 BCE. The Iranian empire began during the Iron Age, and the Achaemenid Empire, founded by Cyrus the Great, became the largest empire in the world at the time. Spanning from the Balkans to Central Asia and North Africa, the Achaemenid Empire was a key player in global history. Cyrus is celebrated for his military conquests, but also for his relatively progressive policies, including respect for the customs and religions of the lands he conquered. Iran’s rich and ancient culture continues to influence its identity today.

  1. Egypt – 3100 BCE

The Egyptian civilization dates back to around 3150 BCE when Upper and Lower Egypt were unified by King Narmer, the first king of the First Dynasty. This early period marked the start of one of the longest-lasting civilizations in history, lasting nearly 3000 years. Ancient Egypt became known for its impressive monuments, like the pyramids and the Sphinx, and for its complex society, which was deeply connected to the Nile River. Though Alexander the Great conquered Egypt in 332 BCE, its legacy endures, and its influence on the Mediterranean and beyond is undeniable.

  1. Vietnam – 2879 BCE

The history of Vietnam stretches back 20,000 years, with early settlers, the Hoabinhians, occupying the area. The first legendary state of Vietnam was established around 2879 BCE, with the people in the region forming a government. The primary motivation for this was to manage the recurring floods from the Red River, protect the area from invaders, and encourage trade. Vietnam’s long history of resisting invaders, from the Chinese to the French and the Americans, has played a central role in shaping its modern identity. The Vietnamese people’s resilience is a recurring theme throughout their history.

  1. Armenia – 2492 BCE

Armenia’s historical roots go deep, with evidence of human presence in the region dating back to the Lower Paleolithic period, around a million years ago. The earliest widely accepted reference to the Armenian people comes from the Behistun Inscription, a 6th-century BCE source. Armenia is a country steeped in history, and its role as one of the earliest adopters of Christianity in the 4th century remains a defining feature of its identity. While its ancient kingdom has long since faded, Armenia’s cultural and historical significance endures.

  1. North Korea – 2333 BCE

According to legend, the first Korean kingdom, Gojoseon, was founded in 2333 BCE by the semi-divine figure Tangun. This date is commemorated as National Foundation Day, or Gaecheonjeol, in South Korea. While North Korea does not celebrate the day as a public holiday, a ceremony is held annually at the Mausoleum of Tangun. Korea’s long history of dynasties and external influence, particularly from China and Japan, has helped shape the distinct identities of the two Koreas today. The legend of Tangun continues to play a central role in North Korean mythology and identity.

  1. China – 2070 BCE

China’s civilization is among the world’s oldest, with continuous history spanning around 4000 years, though some evidence suggests signs of civilization as far back as 5800 years ago. China’s pre-imperial history includes key dynasties such as Xia, Shang, and Zhou, which shaped the foundation of Chinese culture, government, and philosophy. The Xia Dynasty, traditionally considered the first, began around 2070 BCE. Following this, various imperial dynasties rose and fell, but China remained a dominant force in the region. Today, China stands as one of the oldest continuous civilizations, its historical influence undeniable.

  1. India – 2000 BCE

India’s rich history stretches back over 5000 years, with the Indus Valley Civilization being one of the earliest advanced societies, emerging around 3000 BCE. The first humans arrived in India between 70,000 and 50,000 BCE, marking the beginning of continuous settlement. The Indus Valley Civilization, with cities like Harappa, thrived from 3300 to 1600 BCE. India also witnessed the rise of powerful empires, such as the Maurya and Gupta dynasties, which contributed significantly to mathematics, science, art, and philosophy. India’s long history of cultural diversity and exchange continues to shape its modern identity.

  1. Georgia – 1300 BCE

Georgia’s history dates back much further than 1300 BCE, though this is the date commonly cited as the formation of its earliest government. Evidence of human occupation in Georgia goes back 1.8 million years, with the discovery of the Dmanisi Hominins, a subspecies of Homo erectus. This ancient country has been at the crossroads of many empires, including the Roman, Persian, and Ottoman empires. Georgia’s location in the Caucasus has made it a key strategic and cultural region throughout history, and it remains a unique blend of East and West.

  1. Israel – 1300 BCE

The earliest recorded evidence of the Israelites dates to around 1200 BCE, as seen in the Merneptah Stele from ancient Egypt. These early Israelites were nomadic and tribal, eventually settling in Canaan. Over time, they established a more formal kingdom, with key figures like King David and King Solomon playing significant roles in uniting the tribes and building Jerusalem as a cultural and religious center. The historical importance of Israel, both as an ancient kingdom and as a modern nation, remains deeply significant, especially in religious and cultural contexts.

  1. Sudan – 1070 BCE

The region now known as Sudan has a long history of human settlement, with evidence of habitation dating back to the Mesolithic era (30,000 to 20,000 BCE). However, Sudan’s more formal history begins around 1070 BCE, when the Kingdom of Kush rose to prominence. Kushite rulers even ruled over Egypt during the 25th Dynasty, known as the “Kushite Dynasty.” Sudan’s history is closely intertwined with that of Egypt and other neighboring regions, and it has long played an important role in the history of the African continent.

These countries, with histories dating back thousands of years, continue to influence the world today. Their ancient cultures and legacies live on in modern societies, offering insight into humanity’s shared past and the development of civilizations over time.

Over 15,000 Participate at the 26th Grand Dushahra Festival in Edison, New Jersey

Indo-American Festivals, Inc. (IAF) organized its 26th Annual Grand Dushahra Festival on October 5, 2024, at the scenic Lake Papaianni Park in Edison, New Jersey. The day-long cultural celebration attracted more than 15,000 attendees, making it one of the most anticipated events in the Indo-American community. Families and friends enjoyed a vibrant array of activities, performances, and cultural performances.

The festival, known for celebrating the triumph of good over evil, kicked off with a series of dazzling performances curated by the talented Pratibha Nichakawade, featuring 22 song and dance acts, and captivating skits. The highlight of the day was an epic performance of *Ramleela* presented by Varsha Naik’s group, with an impressive cast of 85 actors, ranging in age from under 2 to over 70 years. For the second year in a row, the festival showcased a 15-foot-high Hanuman Murty, the largest of its kind at any Dushahra Festival in the USA, accompanied by a special *Maha Aarti*.

The evening culminated with the grand spectacle of *Ravan Dahan*, the ceremonial burning of a 25-foot-tall effigy of Ravan, meticulously crafted in the USA by Krishna Singhal. This symbolic act, representing the triumph of Lord Ram over Ravan, left the audience in awe as the effigy towered majestically over the festival grounds before being set ablaze.Screenshot

Throughout the day, attendees enjoyed a wide variety of delicious Indian and ethnic delicacies served by numerous food stalls. Vendors like *Vatan* offered everything from traditional Indian street food to fusion cuisine, satisfying the taste buds of all attendees and enhancing the festive atmosphere with the vibrant aromas and flavors of India.

Beyond the cultural performances and culinary treats, the event offered a wide range of family-friendly activities, including:

– A free health and medical screening camp, organized by the Agarwal Samaj of the USA.

– A bustling *Meena Bazaar* with over 150 vendors offering Indian clothing, jewelry, handicrafts, and more.

– Raffles sponsored by Suhag Jewelers and LEMFI.

– Day-long live music, dance performances, and activities for all ages.

DasehraThe event was graced by esteemed guests, including Edison Councilman Ajay Patil and Grammy Award-winning artist Falguni Shah, who made a special appearance. The festival was also supported by generous sponsors and volunteers, whose dedication made the day a resounding success.

Welcoming the guests were Chanchal Gupta (Chair of IAF), Raj Mittal (Co-Chair of IAF), Shiva Arya (President of IAF), and Dinesh Mittal (Immediate Past President of IAF). Their leadership, alongside the efforts of IAF’s hardworking volunteers, ensured a smooth and joyous celebration.

This event was made possible by a grant from the Middlesex County Board of Chosen Freeholders/Office of Culture & Heritage, and the New Jersey State Council for the Arts/Department of State.

Founded in 1999 by the late Mr. Mangal Gupta, IAF is a non-profit organization dedicated to promoting cultural heritage through the annual Dushahra Festival in New Jersey. The festival, which attracts over 12,000 spectators annually, is free to the public and is supported through sponsorships and donations.

Dushera

297 Indian Antiquities to Return from U.S. Following Diplomatic Efforts

India is set to welcome back 297 antiquities from the United States after months of investigation and negotiation. The Ministry of External Affairs (MEA) revealed that these precious items, many of which were either stolen or illegally trafficked out of India, will soon be returned. This development coincided with Prime Minister Narendra Modi’s three-day visit to the U.S. from 21 to 24 September. During this visit, the U.S. took steps to facilitate the return of these cultural treasures.

In an official statement released by the MEA on Sunday, it was announced that “in a symbolic handing over, a select few pieces were showcased to the prime minister and President Biden on the sidelines of their bilateral meeting in Wilmington, Delaware.” The symbolic gesture marked the beginning of a complex and meticulous process to bring these antiquities back to India.

Recovering antiquities is a lengthy and intricate process, requiring detailed documentation and coordination between various authorities. According to Dr. Sanjib Kumar Singh, a senior archaeologist and museologist at the National Museum in New Delhi, the process involves thorough collaboration between Indian consulates and U.S. authorities. He explained, “The embassy or consulate starts negotiations, on the advice of the Archaeological Survey of India, to share documents and photos pertaining to antiquity, to prove how the object belongs to our country. This is followed by discussions. Then, the antiquities are returned.”

The collection of antiquities being returned is a diverse array of items. Some were originally housed in the Metropolitan Museum of Art (Met) in New York, while others were confiscated by U.S. authorities and had been in the possession of the New York Attorney General’s office. Modi expressed his appreciation for this development, writing on social media platform X, “Deepening cultural connect and strengthening the fight against illicit trafficking of cultural properties.”

Antiquities Dating Back 4,000 Years

The antiquities being returned to India span a remarkable time period of nearly 4,000 years, ranging from 2000 BCE to 1900 CE. The items have origins from various regions across India, with most being terracotta artifacts from the eastern parts of the country. The collection also includes items made from stone, metal, wood, and ivory.

A significant part of the antiquities recovered in the U.S. can be traced back to Subhash Kapoor, a notorious figure in the art trafficking world. Kapoor, who operated an art gallery in the U.S., was implicated in the trafficking of over 2,500 antiquities. From 2011 to 2022, U.S. Homeland Security and the New York District Attorney’s office conducted investigations that led to the recovery of these artifacts, which were valued at over $143 million. Of the 2,500 items recovered, 307 pieces, estimated to be worth $4 million, are now slated for return to India.

Some of the most remarkable pieces in this collection include an apsara (celestial being) carved in sandstone from central India, dating back to the 10th or 11th century CE, a bronze Jain Tirthankar from central India dating to the 15th or 16th century CE, and a bronze statue of the Hindu deity Vishnu from eastern India, crafted between the 17th and 18th centuries CE.

Additionally, a number of items from this group had been part of the Met’s collection. In 2023, the museum announced that it would return 15 significant pieces to India. Among them are a terracotta sculpture of a yakshi (a female spirit associated with fertility) from 1st century BCE West Bengal, a bronze sculpture depicting the god Revanta returning from a hunt, crafted in the 10th century CE, and a 15th-century parikara (backplate). The director of the Met, Max Hollein, noted in a statement, “Last month, in light of new provenance information, we returned 16 works to India, including the celestial dancer, a sculpture that enraptured visitors for decades.”

These items, now formally handed over, are part of the total 297 antiquities being returned to India as a result of the efforts by U.S. and Indian authorities.

### The Process of Returning Antiquities

The return of stolen or trafficked cultural artifacts is governed by India’s Antiquities and Art Treasures Act of 1972. This act provides the legal framework for the identification, registration, and accession of cultural objects. Proper identification and accession—whereby each item is assigned a unique number for permanent storage and cataloging—are critical to ensuring the security and preservation of these historical treasures.

However, recovering these artifacts from overseas markets or museums is often complicated by the significant time lapse between when an item is stolen and when it reappears in foreign collections. Smugglers tend to target culturally unique or region-specific objects that hold both high monetary value and deep cultural significance. Statues of deities like yoginis, or items like ancient temple artifacts, are often the most sought after by traffickers.

According to Sanjib Kumar, spokesperson for the National Museum, New Delhi, “These smugglers often target objects which cannot be found outside of India, or are unique to the region, like yogini, or statues of various gods. These become extremely valuable, both in terms of their monetary worth and cultural significance.”

While many stolen artifacts remain at large, the return of these 297 antiquities represents a significant diplomatic and cultural achievement. “The return of antiquities is of course part of diplomacy, but, either way, it is a great moment for India’s cultural heritage,” Kumar added.

This diplomatic success highlights not only the importance of international cooperation in protecting cultural heritage but also the ongoing efforts by the Indian government to retrieve and preserve its stolen antiquities. Thanks to these initiatives, a significant portion of India’s cultural legacy will be restored, allowing future generations to experience and appreciate the artistic and historical treasures of the country.

Göbekli Tepe: The World’s Oldest Place of Worship Predating Civilization by Millennia

While ancient wonders like the pyramids of Giza and Stonehenge are widely recognized as significant monuments of early human civilization, they are outdone by Göbekli Tepe, the world’s oldest known place of worship, which dates back an astonishing 6,500 to 7,000 years earlier. Situated in the southeastern region of modern-day Turkey, this archaeological site dates to approximately 9600 BCE and offers a unique glimpse into the early days of human settlement. It is a “tell,” or an artificial mound formed by generations of human activity in the same location. Göbekli Tepe has not only shed light on Stone Age communities but also challenged long-held assumptions about the birth of human civilization.

Since excavations began in 1995, Göbekli Tepe — which means “potbelly hill” in Turkish — has revealed a complex site containing limestone megaliths arranged in circular patterns, smaller human statues, Neolithic tools, and remains of animal bones. The megaliths, carved with images of wild animals, anthropomorphic beings, and human clothing, suggest that the site was likely used for ceremonial purposes, possibly of a spiritual or religious nature. Radiocarbon dating has determined that these ruins are at least 11,000 years old, placing them in a time when humanity was transitioning from nomadic hunting and gathering to more permanent settlements. This finding has forced anthropologists to reconsider the belief that organized religion only developed after agriculture had firmly taken root in society.

Archaeological evidence from Göbekli Tepe indicates that it may have been a larger, more permanent settlement than originally believed. Moreover, there are hints that it was not the only Neolithic temple complex in the region, suggesting that other, similar places of worship may have existed during the same period. However, despite these possibilities, Göbekli Tepe remains an unparalleled resource for learning about prehistoric humans. While we can only speculate about the meaning behind the stone arrangements and strange symbols, the site continues to be a treasure trove of information about people who lived millennia before the construction of the Egyptian pyramids.

One of the most intriguing aspects of the site is the evidence suggesting that large quantities of beer may have been produced at Göbekli Tepe. The massive limestone pillars at the site weigh several tons and were hauled up a 50-foot hill, a feat that would have required considerable manpower. How, then, were people motivated to perform such labor-intensive work without the assistance of modern machinery? Some archaeologists believe that a beer-fueled feast might have been the answer. In a 2012 paper, researchers working at the site reported the discovery of six large vessels with a 160-liter capacity. These containers contained traces of oxalate, a chemical byproduct of grain fermentation, which is essential in the production of alcohol.

Though it might seem amusing to imagine that beer was a central part of life at Göbekli Tepe, the idea that alcohol played a significant role in early human communities is not far-fetched. For years, archaeologists and historians have debated whether humans first cultivated grain to produce bread or beer. The discovery of these vessels at Göbekli Tepe pushes the timeline of alcohol production further into the past and lends credence to the idea that shared drinking experiences helped to foster social bonds in ancient societies. In the case of Göbekli Tepe, it is easy to imagine how communal celebrations involving beer may have helped bring people together to complete the otherwise arduous and unthinkable tasks of life 11,000 years ago.

As a result, Göbekli Tepe has opened a window into a long-lost world, where early humans may have gathered for both spiritual ceremonies and social celebrations involving feasts and alcohol.

Loot: The legacy of British imperialism in India

Loot, a despicable word, was evidently among the first few Hindustani expressions to enter the British lexicon. It aptly illustrates the brand of British colonisation like no other word.

On a chilly evening in the first week of December in 1862, British Empire’s railway engineer E.B. Harris reached a small riverside market village called Sultanganj on the south bank of Ganges some twenty miles west of Bhagalpur. Here his 4,771 workers were excavating a vast mound of bricks on the hillside to build a railway yard. Harris, recognised among the railway engineers for the construction of the challenging Jamalpur tunnel, was alerted by the unexpected sound of field axes striking metal. The engineer rushed to the spot where at the depth of twelve feet he spotted the foot of a copper figure. Instantly a large number of people converged at the site. The workers shoved the crowds back and gently retrieved a statue entrenched in a brick-walled chamber. The copper figure was over seven feet and four inches tall and weighed five hundred kilogrammes. It was a stunning representation of Gautama Siddharth, the founder of Buddhism, who lived in India and Nepal around the 6th century BC. This was an amazing discovery.

The railway engineer with antiquarian leanings later noted, “I believe from what I can learn that nothing of the kind has ever been discovered before; certainly nothing in metal so large.” British archeologists confirmed that the copper statue was the only surviving one from the Gupta period of Indian history (4-7th century CE) and demonstrated the extraordinary skills of metal sculptors of ancient India. Some 700 years after it was made, the statue was deliberately buried in the Buddhist monastery for safekeeping from possible damage by foreign armies or rival kingdoms. The news about the chance unearthing of the statue spread swiftly and tens of thousands of Indians came out to pay their respect to the ancient sculpture known as Sultanganj Buddha. Harris, dressed in his vintage-safari hat and light-coloured suit was photographed standing next to the statue. But within two years it disappeared.

The news about the Sultanganj Buddha had reached the ears of Samuel Thornton, a railway ironmonger and the former Mayor of Birmingham. He acquired it for 200 pounds, and secretly shipped it to Britain. On its arrival at the London docks, curators of a local museum tried to pinch it but eventually it reached Birmingham safely. On 7 October 1864, Thornton, proudly presented the discovery of the British Empire to Birmingham Borough Council, writing, “…the colossal figure of Buddha, and the large marble one, to the town, to be placed in the Art Museum, now being erected, where they may be duly and properly located for the free inspection of the inhabitants of Birmingham.” Renamed ‘Birmingham Buddha’, it went on display first in the Corporation Art Gallery, then in a room in the Central Library in 1867. Eighteen years later in was placed as the most important artifact in the newly built Museum and Art Gallery inaugurated by King Edward VII when he was Prince of Wales. Since that day innumerable admirers of the British Empire romantically looking back at the Raj, have visited the Art Gallery to carefully scrutinise the Sultanganj Buddha’s arresting facial features that emphasise the rejection of the material world in favour of spiritual enlightenment. But the British Empire never set itself on the path of denying material wealth that was derived from its brutal campaign of global conquest. The Sultanganj Buddha displayed on British soil constantly reminds us of its illegitimate transfer from India. This was not a titanic achievement—it was loot.

Loot, a despicable word was evidently among the first few Hindustani expressions to enter the British lexicon. It aptly illustrates the brand of British colonisation like no other word. Late starters in the build your own global empire game, British seafarers followed the shipping fleets of Portugal, Spain, Holland, Denmark, and France towards the East. Just over a century after Vasco da Gama discovered the sea route from Europe to India, The East India Company was established in London in 1599 to reach out for India’s fabled treasures, gold, jewels, and spices. In the 17th and 18th centuries, India was prosperous while Britain was an inconsequential, feudal-ridden kingdom.

Essentially India had endured as an economically flourishing and culturally rich civilisation for millennia before Britain even existed. This multicultural spiritual centre of the planet knew that the Earth went around the Sun and many centuries before the first British ship docked on an Indian port, Indian entrepreneurs had shaped trade routes to Arabia, Africa, China, West Asia, and Southeast Asia. Then in 1602, the East India Company authorised by its charter to wage war, launched its maiden voyage to defeat the European powers in gaining control over India. Though the British outwardly came to India as a business venture and the adventure of finding new lands, the lines between exploration and exploitation blurred rapidly. The Company’s directors sitting in the boardroom of the multinational business in London employed the culture of corporate violence to make war across India. The gang of bankers, buccaneers, crusaders, gold-diggers, mandarins, pirates and planters, generated almost a quarter of Britain’s trade while systematically stripping India of its riches. And after defeating the Indians in the first war of Indian independence in 1857- 58, the British Crown directly took control of India and it became the jewel of the crown. Now the Queen of the small, rainy island in the North Atlantic ruled over the biggest empire in human history on which the sun never set. For the next ninety years, Indians were subjugated by Hukumat-i-Britannia’s repressive military rule, faced stringent race and class discrimination, and witnessed human greed at its basest.

By the time East India Railway’s Harris accidentally stumbled on the Buddha statue in Sultanganj in 1862, a ruthless campaign of appropriation of Indian art and the archaeological dismemberment of India had been underway for decades. In 1800 a strange-looking tiger automaton toy was delivered to an address on Leadenhall Street in Central London. This was the East India House, the office of the Chairman of the Court of Directors of the East India Company. Carted off from Mysore it was a part of the booty lifted from Tipu Sultan’s palace. The toy was a six-foot-long mechanised wooden piece that was painted in the shape of a tiger devouring a red-coated European soldier lying on his back. An organ cleverly concealed inside the tiger’s body produced sounds imitating a man’s dying moans as well as the roar of a tiger.
From July 1808 onwards it was put on view as a piece of imperial propaganda in the Company’s reading room. It became a popular sight and its sounds caused many members of the British public to faint from fear. Even two hundred and twenty years later the wooden tiger remains the most prominent and intriguing displays at the Victoria and Albert Museum in London. In 1849, the Koh-i-noor (the mountain of light), a beautiful 105.6-carat diamond that originated in the Golconda mines was removed to London under dubious circumstances. This mark of prestige and power in India for centuries was flaunted as an imperial possession in 1851 at the Great Exposition in London. In 1937 it was embedded in the royal crown of the Queen Mother and is now displayed at the Tower of London under the continual protection of the armed Yeoman Warders.

Inexplicably tourists are prohibited from photographing the famed diamond. Besides the over one-thousand-year-old sandstone sculpture of Harihara from Khajuraho now parked at the British Museum in London, one of the greatest robberies of all times from India was the famous Amaravati Railings originating from the Buddhist Stupa of Amaravati in the Guntur district. Here a magnificent architectural achievement of India, with a history that spanned seventeen centuries was ruthlessly dismantled piece by piece. In an indefensible act, the majority of the Stupa’s carved stones were hauled over to Britain. Today some of the Amaravati sculptures consisting of carved relief panels presenting narrative scenes from the life of Gautama Buddha as well as Buddhist emblems and symbols are displayed in Room 33 on the first level of the British Museum. Captain Henry Hardy Cole, the farsighted British Curator of Ancient Monuments in India during 1882-83, had unsuccessfully objected to the removal of the sculptures from the site and recorded, it is a “suicidal and indefensible policy to allow the country to be looted of original works of ancient art”.

WhatsApp Image 2024 09 20 at 10 19 29 AMNow it is well known that from the reign of Elizabeth I to almost the coronation of Elizabeth II there is an entire unrecorded parallel history of pillaging of Indian treasures. Far beyond the overhyped stories of the Hukumat-i-Britannia’s ceremonial durbars, maharajahs’ balls, Viceregal tiger shoots, cricket matches, Anglicized curries, parades, pageants, and shenanigans in Shimla, there exists the shameful colonial legacy of theft. Notwithstanding the British Empire’s assertion of its benevolence in introducing modern medicine, law, civil services, progressive education and railways in India all the expensive art pieces and artifacts stolen from India are now safely placed in the galleries and vaults of Britain’s museums and stately manors. They signify grave crimes that were committed in India in the name of racial superiority. The British program of plundering was essentially an indomitable endeavour to destroy India’s splendid history and obliterate our nation’s historical accomplishments as if they never existed.

Distinguished American historian Will Durant in his short pamphlet, The Case for India, remarked, “The British conquest of India was the invasion and destruction of a high civilization by a trading company utterly without scruple or principle… bribing and murdering, annexing and stealing, and beginning that career of illegal and legal plunder”. He added, that it was “the most sordid and criminal exploitation of one nation by another in all recorded history.” Recently Indian Economist Utsa Patnaik estimated that Britain decamped with a total of nearly $45 trillion from India during the period 1765 to 1938 but this excludes the environmental costs of aggressive deforestation and the institutionalized loot of Indian assets. To write a full-scale comprehensive history of the systematic ravaging of India by Hukumat-i-Britannia would be the work of many lifetimes for historians or the never-ending occupation of a government department. Consequently, there is no such record in the public domain as yet.

In the twenty-first century if British citizens look back impartially on the blotchy history of their occupation of India, they will conclude that the British Empire had a reprehensible past. On 22 September 2020, The National Trust of Britain, Europe’s largest conservation charity, with 5.6 million members; over 500 sites, and up to 14,000 employees made an astonishing disclosure. In an official report that spanned 115 pages, the National Trust admitted, that a third of the properties it manages had direct links to colonialism or slavery. The Trust that made $870 million in revenue in the past year claimed that at least 229 landed estates were purchased in Britain by those who had made their fortune either as employees of the East India Company or as independent merchants in India between 1700 and 1850.

The report highlighted the amalgamated collections of Robert Clive and his family that contained some 1,000 objects including ivories, textiles, statues of Hindu gods, ornamental silver and gold, weapons, and ceremonial armour from India that are now brandished at Powis Castle. It also confessed that the British robbed the spectacular Chinese porcelain dish originating from Shah Jahan’s treasury during the sacking of the Qaisar Bagh Palace in Lucknow in 1857. That rare Mughal heirloom is now held in the National Trust’s collection at Wallington.

In the seventy-fifth anniversary of India’s Independence, the time has come for the repatriation of the Indian works of art and artifacts from Britain. An aggressive international campaign to retrieve the stolen treasures of India needs the resources of our political, diplomatic, legal, corporate, media, and entertainment communities and the professional expertise of art historians, artists, architects, archaeologists, curators and museum directors of India. The UNESCO’s heritage department must be persuaded to join forces with Bharat Sarkar for returning these antiquities. The planned repurposing of the North and South Block on the Raisina Hill as museums in New Delhi would only be complete with the hundreds and thousands of pilfered Indian treasures lying around the world in museums and the vaults of international auction houses being secured for future generations of Indians.

In the meanwhile, at the Birmingham Museum, the Sultanganj Buddha’s hand gestures (mudras) remain symbolic and can serve as an inspiration for Britain and His Majesty’s Government to accept a historic blunder. The raising of his right hand, Abhaya means ‘no fear’ and hence shows the Buddha giving reassurance and protection, and the left hand with its palm outward and held upwards represents granting a favour. Fittingly, the fearless repatriation of the loot by Britain is the only practicable resolution that is now long overdue.

Bhuvan Lall is an author, filmmaker, scriptwriter, speaker and entrepreneur. He is also the biographer of Subhas Bose, Har Dayal and Sardar Patel. He can be reached at writerlall@gmail.com

Social media’s war on civility and compassion: Feeds on the psychological vulnerability of individuals

Many of us spend hours on social media doom scrolling, which then ceases to be just a source of recreation; it becomes an alternative world where algorithms and trends decode and shape individuals.

Popular perception says that social media is the reflection of society. However, social media not only reflects the more extensive societal discourses but also creates them. It implies that social media is not just a product of social reality; it also actively produces and reproduces the social reality. This is to say that content creation on social media also creates larger societal narratives.

However, popular social media opinion will contest that putting content creators and the consumers of their content on a trial is going too far; it is the result of ‘wokeism’- another word from social media trolls’ vocabulary. Being woke became villainized as it became uncool to be civil and compassionate, as social media dictated ‘sigma’ to represent a desirable individual. Being a sigma came to be defined as glorifying misogyny and hiding vulnerability through idealizing toxic masculinity.

Dark jokes became the new comedy genre where one can mock anything or everything; mockery of the most severe and gruesome event is allowed as these are just jokes. However, political jokes, attacking the ruling class and elites, became a dull genre of comedy as dictated by social media trends.

It is just a joke, and it means nothing. Nevertheless, these jokes, which are supposed to mean nothing, translate into something, especially when the consumer is an alienated, frustrated, ill-informed and confused individual who lives on dopamine shots provided by social media algorithms.

Echo chambers amplify negative discourse

These changed definitions and the consequent content, along with the social media algorithms that aim at decoding an individual’s consumption pattern, created a machinery of manufacturing echo chambers. It created echo chambers of all sorts, of all ideologies. Whether you are ill-informed or an expert on any subject matter, these echo chambers and the consumption cycle will re-assert your worldview and reassure you that your worldview is the best of all. Nevertheless, this machinery is not just aimed at reassurance; it can change your worldview, given that someone is promoting their content or if it is in line with the dominant narrative.

These echo chambers created discourses that gave trolls a grand stage to spread their agenda, thus waging a war against civility and compassion. Even when social media seemed united against a tragedy, the resistance aimed at satisfying the conscience of a society that does not want to change itself; it just wants to satisfy its hunger for speculative and revengeful justice. Structural change is not part of this narrative, as society is never on trial. Social media is not on trial, which helped perpetuate the hatred and violence. Instead, the machinery of social media creates an alternative narrative that denies the structural change.

#NotAllMen is one of many such vicious campaigns aimed at evading collective responsibility to bring structural changes in Indian society. This campaign, the pretext of claiming that not all men are sexual predators in the context of “fake” sexual harassment cases, completely ignored the contribution of every individual in promoting and sustaining the present structure and divided all men into the binary division of sexual predators and nice men.

Compassion and civility are victims

However, the campaign forgot to attack the media trial, in which social media actively participates, which causes mental trauma and fear to the alleged accused, mainly in the absence of evidence. The media trial is one such result of the echo chambers of social media, completely ignoring the structural reasons; people attack the alleged accused even when there is no compelling evidence to fulfil their responsibility, which gives them meaning to their meaningless doom-scrolling.

Media trial results from a tendency to satisfy the vicarious yearnings of society to settle scores without themselves getting involved. All notions of civility are sidelined, and people discuss in gory detail the exemplary punishment that should be inflicted upon the accused, all the while liking and sharing the content that sustains the pernicious rape culture.

Compassion and civility are not only sidelined; these values are mocked and seen as lesser traits that characterise a weak man. Nevertheless, these are just jokes; the content creators declare this most of the time, decrying the critical analysis of the impact of their content. However, this unstoppable gigantic machinery is being fed on their content, producing distinctly different echo chambers for all kinds of people.

Many of us spend hours on social media doom scrolling, which then ceases to be just a source of recreation; it becomes an alternative world where algorithms and trends decode and shape individuals. Individuals, who are often confused and estranged, puzzled by the meaninglessness of the impersonal modern society, find a place in social media where they are heard and their views are shaped and reaffirmed. They have a meaning as they can access and interact with the world, otherwise becoming more interconnected yet impersonal. The ill-informed and frustrated individual becomes the victim of trends and virality, which in turn crushes the individual’s sense of civility and compassion. Civility dies; compassion dies. However, the machinery sustains itself, becoming more powerful day by day and feeding on the psychological vulnerabilities of individuals.

(The author is pursuing an MA in Applied Sociology from Christ (deemed to be university), Bangalore. Views are personal. He can be contacted at saditya299@gmail.com )

Read more at: https://www.southasiamonitor.org/perspective/social-medias-war-civility-and-compassion-feeds-psychological-vulnerability-individuals

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