Top Ten Teams Announced for 2025 South Asian Showdown in Boston

The South Asian Showdown has officially revealed the ten teams that will compete in this year’s highly anticipated Bollywood Fusion dance competition. Recognized as one of the largest and most prestigious Bollywood Fusion events in North America, the competition draws some of the finest dance teams from across the United States and Canada.

Participants will perform intricate, professionally choreographed routines in vibrant costumes as they compete for the grand prize of $5,000. The event is scheduled for Saturday, March 1, 2025, at the Strand Theatre in Boston. Tickets are currently available at www.southasianshowdown.com.

“This year we had more than 50 teams apply from across North America,” said Rohit Bhambi, founder of the South Asian Showdown. “We have selected the top ten teams that will be joining us in Boston from as far away as L.A. and Vancouver to see who is the best. The audience will get to see some of the best Bollywood/Fusion that North America has to offer as each region brings their own style to the competition.”

Bollywood Fusion, a highly energetic dance style originating from India, blends various dance forms into a cohesive theme. Attendees can expect to witness an exciting mix of Bollywood, Hip-Hop, Bhangra, Classical, Contemporary, Tollywood, and more.

The 2025 Competitors

BU Chankaar (Boston, MA)

BU Chankaar, Boston University’s premier all-female fusion dance team, showcases an array of dance styles, including Bollywood, Bhangra, Hip-Hop, and Classical. Their performances aim to represent South Asian culture within the Boston community. The group is dedicated to maintaining its legacy by channeling creativity, energy, and passion into each performance.

MIT Mirchi (Boston, MA)

Founded in 2012, MIT Mirchi is the university’s competitive Bollywood-Fusion dance team. They embody a love for dance, blending South Asian and Western influences into dynamic performances. Mirchi has proudly represented MIT and the greater Boston area at competitions across the country. Known for their fiery stage presence, they strive to captivate audiences with every performance.

Desi Dhamaka (Tampa, FL)

Desi Dhamaka is a co-ed independent Bollywood Fusion team based in Tampa, Florida. Their performances are known for vibrant choreography and compelling storytelling. The team fosters a supportive and inspiring environment, encouraging its members to grow and flourish in their dance journey.

Miami UJhoom (Miami, FL)

Since its inception in 2013, Miami UJhoom has been setting stages ablaze with its energetic performances. The name “UJhoom” derives from the Hindi phrase “Jhoom Barabar Jhoom”, meaning to dance and celebrate without restrictions or fear. The team, consisting of dancers from diverse backgrounds, integrates multiple styles such as Bollywood, Bhangra, Contemporary, Hip-Hop, and Classical, creating a unique fusion experience.

NYU Dillagi (New York, NY)

NYU Dillagi, New York University’s only co-ed Bollywood Fusion dance team, is well-known for seamlessly merging Eastern and Western dance styles. The team takes pride in showcasing diverse backgrounds and storytelling abilities. They are excited to participate in this year’s competition, presenting a performance that reflects their unity, dedication, and passion for dance.

UBC Junoon (Vancouver, BC)

UBC Junoon, traveling from Vancouver, represents Canada as the only internationally competitive Bollywood dance team at the event. Driven by a deep passion for Bollywood Fusion, they promise an electrifying performance. Their choreography, infused with vibrant energy and powerful storytelling, is designed to captivate and leave a lasting impression on the audience.

UCI Zamana (Irvine, CA)

Zamana, the University of California, Irvine’s premier Bollywood Fusion competitive team, blends multiple dance forms such as Hip-Hop, Bhangra, Kuthu, Contemporary, and Classical into its Bollywood foundation. Founded in 2009, Zamana has been a consistent presence at prestigious dance events nationwide. The team has even been invited to audition for America’s Got Talent.

UConn Surya (Storrs, CT)

Established in 2004, UConn Surya is Connecticut’s leading competitive Bollywood Fusion dance team. Over the years, it has evolved into a nationally recognized team that integrates a variety of dance styles, including Bollywood, Classical, Lyrical, Hip-Hop, and Bhangra.

USC Zeher (Los Angeles, CA)

USC Zeher, a nationally acclaimed Bollywood Fusion dance team, represents Los Angeles with its award-winning performances. Their goal is to bring the essence of Bollywood Fusion to the collegiate stage through creativity and dedication. Known for their commitment to authenticity, Zeher aims to deliver performances that are both captivating and inspiring.

WashU Chaahat (St. Louis, MO)

WashU Chaahat is a student-run competitive dance team from Washington University in St. Louis. The team participates in various on- and off-campus events, including WashU’s renowned Diwali celebration. As part of an intercollegiate dance circuit, Chaahat competes at national-level events. Their performances feature an array of styles, including Bollywood, Kuthu, Hip-Hop, Contemporary, Bharatanatyam, Raas, and Garba.

Cultural Impact and Support

The South Asian Showdown is organized by Boston Bhangra and South Asian Nation, two local nonprofit organizations dedicated to promoting cultural awareness. The event receives significant support from institutions such as the Barr Foundation, the Mass Cultural Council, the Mayor’s Office of Arts and Culture, and Chardikla TV.

The 2025 South Asian Showdown is set to take place on March 1 at the Strand Theatre, located at 543 Columbia Rd, Boston, MA. Tickets are currently available for purchase.

A.R. Rahman Calls “Aaya Re Toofan” a Tribute to Chhatrapati Sambhaji Maharaj’s Indomitable Spirit

Renowned composer and singer A.R. Rahman has unveiled the inspiration behind his powerful anthem, “Aaya Re Toofan,” from the upcoming historical film Chhaava, calling it a tribute to the unwavering spirit of Chhatrapati Sambhaji Maharaj.

The film’s makers recently released the second track from Chhaava, with Rahman composing and singing the electrifying anthem. The Oscar-winning musician explained that the song is intended to capture the essence of an era, channeling the fierce and unbreakable energy associated with the Maratha king.

The multiple National Award-winning artist highlighted how the song’s composition is meant to evoke a deep emotional and historical resonance. He described the track as an artistic representation of the Maratha roar, structured to be both primal and celebratory. According to Rahman, every element of the song—from its beats to its war cries—is meticulously crafted to ignite a sense of power and honor in listeners.

In a statement, Rahman elaborated on the song’s meaning, saying, “‘Aaya Re Toofan’ is an invocation of an era; it’s a resounding tribute to the unyielding spirit of Chhatrapati Sambhaji Maharaj. When I set out to compose this song, the idea was to bring forth the Maratha roar in its grandest, most electrifying form, one that echoes in the soul. Every beat, every note, every war cry in this composition is meant to stir something primal, powerful, and celebratory—I’m delighted that this.”

Vicky Kaushal, who portrays Chhatrapati Sambhaji Maharaj in the historical drama, also reflected on the song’s significance. He described “Aaya Re Toofan” as a force of nature, underscoring the immense dedication and passion that went into its creation. Kaushal emphasized that the song was not merely a musical piece but a tribute to the Maratha legacy, with every member of the team fully invested in honoring the historical icon’s memory.

“‘Aaya Re Toofan’ is a primal force of nature. Every single person on the set poured their heart, blood, and sweat into honoring the sacred legacy of Chhatrapati Sambhaji Maharaj. This wasn’t just a song for us; it was a responsibility, a calling,” said Kaushal.

Further elaborating on the song’s importance, the actor noted that it marked a pivotal moment in the film, symbolizing the coronation of a historic figure. He expressed his gratitude for being part of a project that brings such an iconic moment to life and credited Rahman’s unparalleled talent in making the anthem as powerful as it is.

“‘Aaya Re Toofan’ marks a huge milestone—the coronation of a historic icon, and to be able to bring it to life is a privilege beyond words. I’m honored that the legendary A.R. Rahman sir has powered this anthem with his mesmerizing composition and mighty voice, invoking an era of unmatched bravery. Launching it in Chhatrapati Sambhajinagar, a land that carries the weight of his name and his sacrifice, feels like destiny bringing everything full circle,” Kaushal added.

Directed by Laxman Utekar, Chhaava is set to release in theaters on February 14.

Trump Declares End to Biden’s ‘Plastic Straw Mandate,’ Plans Executive Order to Reinstate Plastic Use

Former U.S. President Donald Trump took to Truth Social on Saturday, February 8, to announce the end of what he described as President Joe Biden’s “plastic straw mandate.” He celebrated the return of plastic straws while ridiculing paper alternatives.

In his post, Trump wrote, “Crooked Joe’s MANDATE, ‘NO PLASTIC STRAWS, ONLY PAPER,’ IS DEAD! Enjoy your next drink without a straw that disgustingly dissolves in your mouth!!!”

He further revealed his plan to sign an executive order the following week, reversing Biden’s push for paper straws and officially reinstating plastic.

Labeling the move “ridiculous,” Trump criticized the functionality of paper straws. Expressing his frustration in a post on X, he stated, “I will be signing an Executive Order next week ending the ridiculous Biden push for Paper Straws, which don’t work. Back to plastic!”

Exit from Paris Agreement

Trump’s announcement came shortly after he signed an executive order withdrawing the United States from the Paris Climate Agreement. This decision mirrored a move he made during his first term in office. The international accord, signed by nearly 200 countries, seeks to limit global warming, though it is not legally binding.

A Triumph of Harmony: Celebrating Chandrika Tandon’s Grammy Win

The world has long known Chandrika Tandon as a visionary—an artist whose music transcends borders, a leader whose generosity uplifts communities, and a soul whose very presence radiates warmth. With her Grammy Award win for Triveni, she has once again shined a spotlight on the power of music to heal, unite, and inspire.

The Indo-American Arts Council (IAAC), which has long cherished Tandon as both an artistic force and a dear patron, celebrates this moment with immense pride. Her unwavering support of IAAC’s programming has enriched the arts in countless ways, and we had the distinct honor of hosting a book talk for her deeply personal work, Ammu’s Treasures, inspired by the songs she sings to her grandchildren.

“Chandrika Tandon’s Grammy win is a testament to her unparalleled artistry and her ability to elevate Indian classical music on the global stage,” said Rakesh Kaul, Vice Chairman of IAAC. “Her work embodies the essence of cultural harmony, and we are thrilled to see her receive this well-deserved recognition.”

“Chandrika’s music is one for the soul. Beautifully blending ancient healing chants with Western elements, she creates something divine that transcends boundaries, touching hearts across the world. This Grammy is not just a personal achievement but a celebration of the rich cultural heritage she represents,” added Suman Gollamudi, IAAC’s Executive Director.

There are artists, and then there are those rare luminaries who make the world brighter simply by being in it. Chandrika Tandon is one of them. Her Grammy win is not just a recognition of musical excellence—it is a reminder that passion, purpose, and generosity can transform lives.

 

The IAAC, along with admirers across the globe, stands in awe of her brilliance and rejoices in this well-deserved honor.

Reclaiming identity in modern relationships: How Women challenges societal expectations for women in marriage

A woman is often defined by her roles, someone’s wife, daughter-in-law, or responsibility, while her own identity fades into the background. Mrs., ZEE5 Global’s latest film starring Sanya Malhotra, brings this reality to the forefront. It’s not just a story about marriage but about what it silently takes away—dreams, ambitions, and a sense of self.

Mrs (6) Richa, the woman at the heart of this story, enters marriage with dreams that feel close enough to touch. She wants to dance. She has ambition, drive, and a sense of who she is. But in her new home, none of that matters. There are other priorities—meals to cook, chores to finish, duties to fulfil. Slowly, without her even realizing it, the things that made her feel alive are pushed aside. Not taken away, not forbidden, just made impossible. It is a story about the moment a woman realizes that she has been conditioned to shrink herself, to prioritize everyone else before even thinking about what she wants. And once that realization sets in, what comes next?

Richa’s journey is filled with these quiet moments of defiance. They don’t come in the form of grand speeches or bold declarations. They exist in pauses, in hesitation, in choices that seem small but carry enormous weight. The decision to say no. The insistence that her name and her identity matters. The film also makes one thing clear: a woman’s worth cannot, and should not, be measured by how much of herself she is willing to give up.

Mrs. is a story that feels uncomfortably familiar. It is a reflection of conversations we’ve overheard, dynamics we’veMrs PR Poster witnessed, and for many women, experiences they’ve lived through. It speaks to those who have watched their own ambitions take a backseat, who have been made to feel that asking for more is selfish, who have learned to apologize for simply wanting to be seen. And yet, at its core, the film is not about despair, it is about possibility. It is about the hope that comes from recognizing that things can be different. That choosing yourself is not a betrayal. That a woman does not cease to be an individual the moment she becomes a wife.

ZEE5 Global continues to spotlight stories that reflect the struggles and realities of men and women in today’s society, making Mrs. a deeply relatable narrative. It speaks to those women who have been told that wanting more is selfish and reminds them that choosing themselves is not a betrayal. Streaming from February 7th, Mrs. is a story of quiet strength, self-discovery, and the fight to be seen.

About ZEE5 Global

ZEE5 Global is the digital entertainment destination launched by Zee Entertainment Enterprises Limited (ZEEL), a global Media and Entertainment powerhouse. The platform launched across 190+ countries in October 2018 and has content across 18 languages: Hindi, English, Bengali, Malayalam, Tamil, Telugu, Kannada, Marathi, Oriya, Bhojpuri, Gujarati, Punjabi, including six international languages Malay, Thai, Bahasa, Urdu, Bangla and Arabic. ZEE5 Global is home to 200,000+ hours of on-demand content. The platform brings together the best of Originals, Movies and TV Shows, Music, Health and Lifestyle content in one destination. In addition, ZEE5 Global offers features like 15 navigational languages, content download options, seamless video playback and Voice Search.

Beyoncé and Kendrick Lamar Dominate Grammy Awards Night

Sunday night saw Beyoncé and Kendrick Lamar win big at the Grammy Awards, which also served as a fundraiser for wildfire relief efforts in Los Angeles. The event featured memorable performances, impassioned speeches, and striking red carpet looks (leather chaps are back, in case you were wondering).

HIGHLIGHT: Beyoncé wins album of the year—at last

On her eighth solo record, Cowboy Carter, Beyoncé addressed the Grammys’ reluctance to grant her Album of the Year. “AOTY, I ain’t win,” she sang. “Take that s— on the chin.” Now, she has won, making history in the process.

Her victory was long overdue. In 2017, Adele admitted Beyoncé’s Lemonade deserved the award over 25, and eyebrows were raised again in 2023 when Renaissance lost to Harry’s House. Ultimately, Beyoncé secured her win by tackling a genre Grammy voters could grasp—country.

But that doesn’t diminish her achievement. Cowboy Carter is a masterpiece that threads multiple genres into a thesis on America’s cultural past and the futility of racial gatekeeping in music. As part of a planned trilogy, this likely won’t be Beyoncé’s last Grammy triumph.

HIGHLIGHT: Sabrina Carpenter’s staged ‘malfunction’

Sabrina Carpenter, who has been on the brink of superstardom for years, took the Grammy stage in dazzling fashion—literally. She appeared in a razzle-dazzle showgirl outfit, missed her spotlight, dropped her cane, and fell through a trap door—only for it to all be an elaborate joke.

She bounced back into a big band version of Espresso, complete with a tap routine, before changing into a crystal-studded bodysuit for Please, Please, Please. As her set collapsed around her, she laughed it off, perfectly executing a vaudeville-style performance that left the audience entertained.

Host Trevor Noah quipped, “That was amazing and funny, which I didn’t appreciate. Really, Sabrina? You’re just gonna take my job like that?”

LOWLIGHT: The Weeknd ends his Grammys boycott

In 2020, The Weeknd was snubbed despite Blinding Lights becoming the most-streamed song ever. Calling the Grammys “corrupt,” he refused to submit his music for years.

So it was a surprise when he appeared unannounced at Sunday’s ceremony. Recording Academy CEO Harvey Mason Jr. acknowledged his past criticisms, highlighting efforts to diversify Grammy voters.

The Weeknd then performed two new songs, Cry For Me and Timeless, but the performance felt oddly joyless. Constantly shrouded in smoke, his return seemed more like sabotage than celebration.

HIGHLIGHT: Chappell Roan rides a big pink pony

BBC Sound of 2025 winner Chappell Roan delivered a theatrical performance of Pink Pony Club, a love letter to LA and queer discovery. Dressed in a sequined cowboy hat and boots, she rode a giant pink carousel pony alongside rodeo clown dancers.

Host Trevor Noah joked, “‘My Little Pony’ grew up!”

Later, Roan used her Best New Artist speech to call for record labels to provide artists with livable wages and healthcare. It was a breakout night for the 26-year-old.

LOWLIGHT: Kanye West and Bianca Censori’s nude stunt

Kanye West arrived on the red carpet in black, while his wife Bianca Censori wore a sheer body stocking that left little to the imagination.

After posing for cameras, the couple left abruptly, leading to speculation that they had been kicked out. However, sources later confirmed they departed on their own accord—likely before West lost the Best Rap Song award to Kendrick Lamar.

West, who already has 24 Grammys, may not have won, but he certainly got the headlines he wanted.

HIGHLIGHT: Charli XCX’s ‘Brat Green’ wins Best Artwork

Among Charli XCX’s three wins was Best Artwork for Brat. At first glance, the album cover—a plain green square with low-resolution Arial text—seems unremarkable.

However, designer Brent David Freaney spent five months perfecting the garish, nausea-inducing shade. Charli aimed to challenge the industry’s expectations of female artists, rejecting provocative album covers in favor of something intentionally off-putting.

She explained, “Why should anyone have ownership over female artists? I wanted to provoke people.”

Later, her Von Dutch performance transformed the ceremony into a sweaty underground rave, complete with a champagne toss, Julia Fox, and dancers showered in underwear (which was later donated to domestic violence survivors).

HIGHLIGHT: Kendrick Lamar’s clean sweep

The Grammys have had a complicated history with hip-hop. They didn’t introduce a rap category until 1989, and no rap album has won Album of the Year since OutKast’s Speakerboxxx/The Love Below in 2004.

That changed when Kendrick Lamar dominated the night, winning all five of his nominated categories—including Record and Song of the Year for Not Like Us, a scathing diss track aimed at Drake.

Dressed in denim, Lamar delivered a powerful message: “At the end of the day, nothing is more powerful than rap music. I don’t care what it is. We are the culture… respect the art form.”

HIGHLIGHT: Janelle Monáe’s moonwalk tribute to Quincy Jones

The Grammys honored the late Quincy Jones with a star-studded tribute.

Cynthia Erivo and Herbie Hancock performed Fly Me to the Moon, while Stevie Wonder led We Are the World with choirs from fire-affected schools.

But it was Janelle Monáe’s electrifying performance of Michael Jackson’s Don’t Stop ‘Til You Get Enough that stole the show. Dressed in MJ’s Billie Jean outfit, she moonwalked across the stage, danced on tables, and threw off her jacket to reveal a shirt reading “I Love QJ.”

Taylor Swift caught the shirt—and wore it for the rest of the night.

LOWLIGHT: Snubs for Billie Eilish and Taylor Swift

Even with 94 categories, some artists inevitably go home empty-handed. But few expected Billie Eilish and Taylor Swift to be among them.

Swift, despite six nominations, won nothing—Grammy voters seemingly deciding The Tortured Poets Department didn’t match the caliber of her past Album of the Year wins.

Eilish, the bookmakers’ favorite for Album of the Year with Hit Me Hard And Soft, lost all seven categories she was nominated for.

However, Swift has credited previous losses for inspiring her biggest work (1989), so this may not be a setback—it could be a setup for her next era.

Trevor Noah’s easy-going hosting

Trevor Noah continues to strike the right balance as Grammy host—relaxed, engaged, and never mean-spirited. Some of his best jokes included:

  • “Yesterday, Beyoncé announced her new tour. I will say, though—Beyoncé, there are tariffs. We can’t afford a new tour, right? Maple syrup is about to be $50.”
  • “Taylor Swift could become the first artist ever to win Album of the Year five times. That means she would break the record of four, set all the way back in 2024 by… Taylor Swift.”
  • “The Beatles are nominated tonight for Record of the Year thanks to AI. So good luck to them! If they win, this could open up a few doors for them.”
  • “And who knows, through the power of AI, we could even get another Rihanna album.”

Final Thoughts

From Beyoncé’s long-overdue win to Kendrick Lamar’s historic sweep, the 2025 Grammys delivered major moments. With standout performances from Sabrina Carpenter, Chappell Roan, and Janelle Monáe, and a few eyebrow-raising snubs, the night was a mix of celebrations, surprises, and controversy.

And if nothing else, at least we got some GIF-worthy reactions along the way.

Indian American Actor Kal Penn Expresses Interest in Remaking Amitabh Bachchan’s Don

Indian American actor Kalpen Suresh Modi, popularly known as Kal Penn, has expressed a strong interest in remaking the 1978 Bollywood classic Don, originally starring Amitabh Bachchan. Penn envisions a Hollywood adaptation of the legendary thriller, reimagining it in a contemporary Western setting.

While speaking at the Jaipur Literature Festival in India, Penn shared his admiration for Bachchan and his desire to introduce Don to an international audience. “I remain… I mean, who isn’t a huge Amitabh Bachchan fan? The original Don is what I would love to remake, but it can still be escapist; it can still be in the same way, same colour palette, just like set in Brooklyn or set in Ohio,” he remarked.

The actor, who was at the festival to promote his memoir You Can’t Be Serious, also discussed his personal connection to Indian television dramas. He revealed that he once had an “obsession” with the popular Hindi soap opera Saath Nibhana Saathiya, which revolves around the lives of an affluent Gujarati family. Watching the show, Penn said, was part of his effort to improve his Hindi language skills.

“Whenever I am working in India, I try to get a script two months in advance. One of the ways I try to learn and keep up with Hindi is by watching serials. So I got addicted to Saath Nibhana Saathiya, so like Kokila Ben is a bad***. You don’t want to cross her and Gopi is obviously a meme like Gopi washing a laptop,” he said, drawing laughter from the audience.

Penn, widely recognized for his roles in The Namesake and the Harold & Kumar film series, was recently spotted on the sets of the Hindi comedy show Tarak Mehta Ka Ooltah Chashma. Over the years, he has taken on a variety of roles in both films and television, including Bhopal: A Prayer for Rain, Designated Survivor, and The Big Bang Theory.

During his discussion at the festival, Penn also highlighted the growing presence of South Asian talent in global entertainment. He acknowledged the contributions of creators like Mindy Kaling and Priyanka Chopra, who have been instrumental in diversifying storytelling through digital streaming platforms.

The Jaipur Literature Festival, where Penn delivered his remarks, is renowned for featuring a distinguished lineup of speakers, including authors, journalists, and policymakers. The event regularly hosts Nobel laureates and Booker Prize winners, making it a significant gathering in the literary and cultural space.

Anirudh Ravichander Becomes India’s Highest-Paid Music Composer, Surpassing AR Rahman

For years, AR Rahman has been India’s most celebrated and financially successful music composer. His albums have consistently been chartbusters, enabling him to command fees in crores for each film. However, in 2023, a young composer overtook him as the country’s highest-paid musician. Achieving this milestone at just 33, he became the first Indian composer to charge a nine-figure amount for a single project.

India’s Highest-Paid Musician

Anirudh Ravichander, the celebrated composer behind Tamil films like Jailer, Petta, Master, and Vikram, has emerged as the highest-paid music composer in India. His popularity has also made him the most expensive musician in the country. In 2023, he made his Bollywood debut by composing music for Jawan, starring Shah Rukh Khan. According to News 18, he charged ₹10 crore for the film, surpassing AR Rahman’s usual fee of ₹7-8 crore per film. While he lowered his remuneration for subsequent projects, he still retained his position as the highest-paid composer. Times of India reported that Anirudh charged ₹8 crore each for Leo and Jailer, keeping him ahead of all his contemporaries.

How Anirudh Surpassed Industry Veterans

Anirudh has played a crucial role in introducing a fresh musical style to Tamil cinema. He is known for his experimental approach, particularly his use of techno beats and his ability to integrate actors’ real-life personas into background scores. This distinctive style has made him the preferred composer for some of India’s biggest stars, including Rajinikanth (Petta, Jailer), Kamal Haasan (Vikram), Vijay (Master, Leo), and Shah Rukh Khan (Jawan).

Anirudh has also become a key figure in major film ‘camps,’ frequently working with stars like Shah Rukh Khan, Rajinikanth, and Vijay. His ability to create anthems for these actors, such as Hukum from Jailer, has further solidified his reputation. The immense success of his compositions has allowed him to significantly increase his fees, ultimately leading him to charge ₹10 crore per film at just 33 years old.

Among other top Indian composers, Pritam, Vishal-Shekhar, MM Keeravani, and Yuvan Shankar Raja all charge below ₹5 crore per film. Singers earn even less, typically receiving ₹15-20 lakh per song, with very few ever earning a crore for an entire film. However, private albums offer higher earnings, with artists like Diljit Dosanjh routinely making over a crore per project.

Oscar Nominations 2025: ‘Emilia Perez’ Leads with 14 Nods Amidst Fierce Competition

The nominations for the 97th Academy Awards were revealed today, with Emilia Perez dominating the list by earning an impressive 14 nominations. This remarkable feat places the film in the same esteemed company as All About Eve, Titanic, and La La Land, all of which previously achieved the milestone of 14 nominations.

Beyond living up to expectations, Emilia Perez exceeded them by earning nominations in categories where its success was less predictable. These include Best Cinematography, Best Sound, and two nominations recognizing Selena Gomez’s contributions—Best Supporting Actress and Original Song.

While Emilia Perez takes the lead, the Oscar race remains highly competitive. Conclave, directed by Edward Berger, has emerged as a formidable contender. The critically acclaimed film secured nominations in key categories: Best Picture, Best Director, Best Actor for Ralph Fiennes, and Best Supporting Actress for Isabella Rossellini. Following its triumphs at the BAFTA Awards, Conclave has further solidified its status as a major player this awards season.

Universal Pictures’ Wicked, a box office sensation, also performed exceptionally well with several nominations. Cynthia Erivo received a Best Actress nod for her role as Elphaba, while Ariana Grande earned a Best Supporting Actress nomination for her portrayal of Glinda. The film further demonstrated its strength in technical categories, with nominations for Best Costume Design, Best Film Editing, and Best Visual Effects.

A24’s The Brutalist, a historical epic featuring Adrien Brody, garnered eight nominations, including Best Actor for Brody and Best Director for Brady Corbet. Despite its success in several technical categories, the film missed out on nominations for Best Supporting Actress (Felicity Jones) and Best Film Editing, both of which had been considered strong possibilities.

Searchlight Pictures’ A Complete Unknown, a Bob Dylan biopic, earned three acting nominations. Timothée Chalamet received his second career nod for Best Actor, Edward Norton was recognized with his fourth nomination in the Best Supporting Actor category, and breakout star Monica Barbaro received a nomination for Best Supporting Actress.

Complete List of Major Nominations:

Best Picture

  • Anora
  • The Brutalist
  • A Complete Unknown
  • Conclave
  • Dune: Part Two
  • Emilia Perez
  • A Real Pain
  • Sing Sing
  • The Substance
  • Wicked

Best Director

  • Jacques Audiard (Emilia Perez)
  • Sean Baker (Anora)
  • Edward Berger (Conclave)
  • Brady Corbet (The Brutalist)
  • Payal Kapadia (All We Imagine as Light)

Best Actress

  • Cynthia Erivo (Wicked)
  • Marianne Jean-Baptiste (Hard Truths)
  • Mikey Madison (Anora)
  • Demi Moore (The Substance)
  • Fernanda Torres (I’m Still Here)

Best Actor

  • Adrien Brody (The Brutalist)
  • Timothée Chalamet (A Complete Unknown)
  • Daniel Craig (Queer)
  • Colman Domingo (Sing Sing)
  • Ralph Fiennes (Conclave)

Best Supporting Actress

  • Monica Barbaro (A Complete Unknown)
  • Jamie Lee Curtis (The Last Showgirl)
  • Ariana Grande (Wicked)
  • Isabella Rossellini (Conclave)
  • Zoe Saldaña (Emilia Perez)

Best Supporting Actor

  • Yura Borisov (Anora)
  • Kieran Culkin (A Real Pain)
  • Jeremy Strong (Apprentice)
  • Edward Norton (A Complete Unknown)
  • Guy Pearce (The Brutalist)

Best Original Screenplay

  • The Substance
  • Anora (Sean Baker)
  • The Brutalist (Brady Corbet, Mona Fastvold)
  • A Real Pain (Jesse Eisenberg)
  • September 5

Best Adapted Screenplay

  • A Complete Unknown
  • Conclave
  • Emilia Perez
  • Sing Sing
  • Wicked

International and Animated Features

In the International Feature Film category, Emilia Perez leads alongside Flow, I’m Still Here, Kneecap, and Vermiglio. Meanwhile, the Animated Feature lineup includes Flow, Inside Out 2, Memoir of a Snail, Wallace & Gromit: Vengeance Most Fowl, and The Wild Robot.

Technical Achievements

Films like The Brutalist, Conclave, Dune: Part Two, Wicked, and Emilia Perez also dominated in technical categories. Notable mentions include:

  • Best Cinematography: Emilia Perez, The Brutalist, and Conclave
  • Best Costume Design: Wicked and Nosferatu
  • Best Film Editing: Dune: Part Two, Emilia Perez, and Wicked
  • Best Visual Effects: Wicked, Dune: Part Two, and Deadpool & Wolverine

Music and Sound

The Original Song category includes El Mal from Emilia Perez, composed by Clément Ducol, Camille, and Jacques Audiard, and Kiss the Sky from The Wild Robot. Elton John’s Never Too Late from his biographical film and Diane Warren’s The Journey from The Six Triple Eight also made the cut.

In the Best Sound category, films like A Complete Unknown, Dune: Part Two, Gladiator II, Joker: Folie à Deux, and Wicked are among the nominees.

Documentary and Short Films

In documentary categories, nominees include Daughters, No Other Land, and Sugarcane for Feature, while Death By Numbers and I Am Ready, Warden lead the Short Documentary nominations. For Live Action Shorts, highlights include The Last Ranger and Anuja.

Conclusion

The 97th Academy Awards promises to be a celebration of cinematic excellence, with Emilia Perez leading the pack and strong contenders like Conclave, Wicked, and The Brutalist keeping the race exciting. As anticipation builds, it remains to be seen which films and artists will claim the coveted Oscars on the big night.

Athiran: The Malayalam Thriller That Continues to Captivate Audiences

Psychological thrillers have always held a special place among film enthusiasts who appreciate intense, mind-twisting narratives. The Malayalam film industry, renowned for its remarkable storytelling, has consistently delivered outstanding contributions to this genre. Among these, the 2019 psychological thriller Athiran, starring Sai Pallavi and Fahadh Faasil, has recently re-emerged as a sensation on OTT platforms. Since its debut on Disney+ Hotstar, the film has maintained its position at the top of the streaming charts, cementing its legacy as a standout in its category.

A Gripping Storyline

Set against the backdrop of a secluded hospital in Kerala, Athiran unfolds as a psychiatrist delves into the enigmatic history of an autistic patient with extraordinary abilities. The story’s intricate narrative takes the audience on a journey filled with unexpected twists and revelations. The film seamlessly weaves together themes of mental health, power dynamics, and the complexities of the human psyche, creating a truly immersive experience.

What makes Athiran particularly compelling is its ability to hold viewers in suspense throughout. With each twist, the narrative becomes increasingly gripping, making it a must-watch for fans of psychological thrillers. Its layered storyline explores not only the mysteries surrounding its characters but also broader questions about human nature and morality.

Stellar Performances

At the heart of Athiran is the exceptional performance of its lead actors. Sai Pallavi’s portrayal of a troubled patient is nothing short of extraordinary. Her nuanced depiction brings authenticity and depth to her character, allowing viewers to empathize with her struggles while marveling at her capabilities. Pallavi’s performance has been widely lauded for its emotional range and precision, demonstrating her exceptional talent.

Fahadh Faasil, known for his versatility, shines as the determined psychiatrist. His portrayal strikes a perfect balance between empathy and resolve, adding layers to the character. Faasil’s ability to convey the complexities of his role with subtlety and intensity has earned him widespread acclaim.

The supporting cast, including Atul Kulkarni, Shanthi Krishna, Sudev Nair, and Renji Panicker, also deliver noteworthy performances, enriching the film’s overall impact. Their contributions ensure that every character, no matter how minor, adds to the depth and texture of the story.

A Unique Thriller with Universal Appeal

One of Athiran’s standout features is its ability to remain engaging long after its initial release. The film shares thematic similarities with the Hollywood thriller Stonehearst Asylum (2014), but its unique setting and psychological depth set it apart. The blend of a gripping storyline with the culturally rich backdrop of Kerala gives Athiran a distinctive identity.

Audiences across India, including those unfamiliar with Malayalam cinema, have praised the film for its impeccable execution. Its captivating narrative, coupled with stellar performances, has garnered widespread appreciation, transcending linguistic and regional barriers. The film’s ability to resonate with viewers from diverse backgrounds highlights its universal appeal.

The Vision of Director Vivek

Athiran marks the directorial debut of Vivek, whose vision brought this compelling story to life. The inspiration for the film stemmed from a real-life experience when Vivek visited a Kalari school in Kerala. He observed autistic students performing complex skills with remarkable precision, comparable to their peers. This profound encounter became the foundation for Athiran’s narrative, lending an element of authenticity to its exploration of the human mind.

Vivek’s direction skillfully balances the film’s psychological depth with its thriller elements. His meticulous attention to detail ensures that every scene contributes meaningfully to the overarching story. The director’s ability to translate his vision into a captivating cinematic experience is a testament to his talent and creativity.

Enduring Popularity on OTT Platforms

The sustained popularity of Athiran on OTT platforms underscores its timeless appeal. Even years after its theatrical release, the film continues to attract viewers, solidifying its status as one of the most-streamed Malayalam movies on Disney+ Hotstar. Its gripping plot, compelling performances, and thought-provoking themes make it a favorite for repeat viewings.

For many, Athiran offers a perfect blend of suspense and emotional depth. The film’s ability to keep audiences on the edge of their seats while exploring profound psychological themes ensures its enduring relevance. Whether watched for the first time or revisited, Athiran remains a rewarding experience for all thriller enthusiasts.

Conclusion

Athiran stands as a testament to the brilliance of Malayalam cinema in crafting psychological thrillers that leave a lasting impression. The film’s intricate narrative, outstanding performances, and cultural richness have earned it a place among the finest examples of its genre. As it continues to dominate OTT charts and captivate viewers across the nation, Athiran proves that a great thriller can transcend time and geography, offering an unforgettable cinematic journey for all who watch it.

Star-Studded Lineup for Donald Trump’s Second Inauguration Celebrations

President-elect Donald Trump will take the oath of office on January 20, marking the 60th Presidential Inauguration. This event promises a significant departure from his first inauguration in 2017, which reportedly struggled to secure high-profile performers. This time, the inaugural celebrations will feature several prominent artists.

“The Trump Vance Inaugural Committee is proud to announce that some of our nation’s most iconic [musicians] will be participating in the inaugural celebrations,” co-chairs Steve Witkoff and Kelly Loeffler said in a statement to NPR. They described the weekend as a tribute to Trump’s “historic victory” and an opportunity to celebrate music, unity, and patriotism, ushering in what they termed “America’s new Golden Age.”

Scheduled Performers

Carrie Underwood

Country music icon Carrie Underwood, who rose to fame as the winner of American Idolnearly two decades ago, will perform “America the Beautiful” at the swearing-in ceremony.

“I love our country and am honored to have been asked to sing at the Inauguration and to be a small part of this historic event,” Underwood shared in a statement to NPR. “I am humbled to answer the call at a time when we must all come together in the spirit of unity and looking to the future.”

Christopher Macchio

Renowned classical tenor Christopher Macchio is set to perform the national anthem during the ceremony. Macchio, in a YouTube video, revealed his connection to Trump began when Elton John dropped out of a New Year’s Eve performance at Mar-a-Lago, and he was asked to fill in.

Lee Greenwood

Best known for his patriotic anthem “God Bless the USA,” Lee Greenwood will perform at the swearing-in ceremony and the Make America Great Again Victory Rally. Greenwood, a Grammy winner for his 1984 hit “I.O.U.,” expressed his gratitude in a statement.

“I am humbled and honored to be asked to perform for our 47th President Donald J. Trump during his inaugural events,” he said. “The President has been a friend of [my wife] Kim [Payne] and I’s for many years, and this is one of the most historical moments in our lifetime.”

Kid Rock

A staunch Trump supporter, Kid Rock will take the stage at the Make America Great Again Victory Rally. Known for blending country and rock, he previously performed at the Republican National Convention and headlined the Rock the Country festival, which celebrated a fusion of MAGA politics and music.

Village People

The disco group Village People, led by original member Victor Willis, will perform at the Make America Great Again Victory Rally and the Liberty Ball. Their hit “Y.M.C.A.” was a staple at Trump campaign rallies, even inspiring viral dances.

Willis has addressed controversy surrounding the song, stating its popularity among Trump’s supporters was due to its upbeat nature rather than its associations as a gay anthem. “We know this won’t make some of you happy to hear,” a Facebook statement read, “however, we believe that music is to be performed without regard to politics.” Willis added that their participation aimed to promote unity after a divisive campaign.

Billy Ray Cyrus

Billy Ray Cyrus, who voiced support for Trump on the campaign trail, will perform at the Make America Great Again Victory Rally. Known for his 1992 hit “Achy Breaky Heart,” Cyrus most recently gained recognition for his collaboration with Lil Nas X on “Old Town Road,” which earned him two Grammy Awards.

Liberty University’s Praise Choir

LU Praise, Liberty University’s gospel choir, will perform at the Make America Great Again Victory Rally. According to the university, the choir is dedicated to glorifying God through worship and music.

Jason Aldean

Country artist Jason Aldean, a vocal Trump supporter, will perform at the Liberty Ball. Aldean introduced Trump at a campaign rally in Georgia and dedicated his hit “Try That in a Small Town” to the then-candidate following an attempted assassination on Trump. On Election Day, Aldean reaffirmed his support on Instagram, writing, “I want to see our country get back to its values and principles that made us great to begin with.”

Rascal Flatts

The Nashville-based trio Rascal Flatts will perform at the Commander in Chief Ball. After a hiatus, the band recently reunited and announced their 2025 Life is a Highway tour. They gained fame with hits like “What Hurts the Most” and “Life is a Highway.”

Parker McCollum

Country singer Parker McCollum, known for his Billboard-topping hits “Burn It Down” and “Pretty Heart,” will also perform at the Commander in Chief Ball.

Gavin DeGraw

Pop singer-songwriter Gavin DeGraw, best known for his 2003 hit “I Don’t Want to Be,” will perform at the Starlight Ball. The track, which served as the theme song for the teen drama One Tree Hill,remains one of his most recognized works.

Surprise Guest and Final Note

In addition to this lineup, a surprise musical guest will perform at the Liberty Ball, adding further anticipation to the event. With such a diverse roster of artists spanning genres and generations, the inauguration promises to be a grand celebration of patriotism and unity.

As the Trump Vance Inaugural Committee highlighted, this momentous occasion will honor “proud Americans everywhere” and usher in what they envision as a new era for the country.

Filmmaker M. Night Shyamalan Faces Trial Over Alleged Copyright Infringement in ‘Servant’

Renowned filmmaker M. Night Shyamalan is embroiled in a legal battle over claims that his Apple TV+ series Servant borrows heavily from an independent film. Italian-born director Francesca Gregorini is suing Shyamalan and Apple for $81 million, alleging that the series appropriates significant elements from her 2013 movie, The Truth About Emanuel, according to Variety.

Gregorini’s attorney, Patrick Arenz, laid out the case in federal court in Riverside, California, presenting the jury with clips from both Servant and The Truth About Emanuel. During his opening statement, Arenz contended that both stories revolve around a delusional mother who treats a doll as if it were a real baby, with a nanny enabling the delusion.

“This is a simple case,” Arenz stated before the jury. “There would be no Servant without Emanuel.”

Shyamalan was present in court, seated behind his defense team, along with producer Taylor Latham and Apple TV+ programming head Matt Cherniss. Tony Basgallop, the British writer credited with creating Servant, joined the defense at their counsel table. Meanwhile, Gregorini sat with her legal team at the plaintiffs’ table.

The defense, led by attorney Brittany Amadi, refuted the allegations. Amadi argued that Basgallop had started developing Servant years before The Truth About Emanuel was released in 2013. She emphasized that neither Shyamalan nor anyone associated with the show had drawn inspiration from Gregorini’s film.

“Ms. Gregorini is seeking a windfall here,” Amadi told the court. “She’s seeking $81 million for work she didn’t do. The truth is the creators of Servant do not owe anything to Ms. Gregorini.”

The legal dispute dates back to January 2020, when Gregorini filed her lawsuit shortly after Servant premiered on Apple TV+. Initially, a federal judge dismissed the case a few months later. However, in 2022, the 9th Circuit Court of Appeals reversed the decision, stating that there was a legitimate question about whether the two works are “substantially similar.”

In November, Judge Sunshine Sykes rejected Apple’s motion for summary judgment, ruling that the case should proceed to a jury trial. Now, the fate of the lawsuit hinges on the jury’s determination of whether Servant indeed infringes on The Truth About Emanuel or if the similarities are purely coincidental.

Travis Kelce Pursues Super Bowl Glory While Taylor Swift Breaks Records

Travis Kelce, the highest-paid tight end in the NFL, is fully focused on leading the Kansas City Chiefs to another Super Bowl victory. Meanwhile, his girlfriend, Taylor Swift, continues her streak of breaking records in the music industry. Recently, Taylor released her Lover (Live From Paris) heart-shaped vinyl, which has taken the music world by storm by selling 200,000 copies within just two days in the U.S.

Although neither Taylor nor her team has officially confirmed the sales figures, reports suggest she has set a new benchmark. According to these reports, Taylor broke the record for the “single-week vinyl sales of any other artist” in history. The overwhelming demand for the vinyl has left fans scrambling, as all copies sold out quickly after it became available on Tuesday. The frenzied rush to secure this limited-edition record underscores Taylor’s enduring popularity and record-breaking abilities.

One excited fan expressed their enthusiasm online, saying, “Oh y’all have been craving for that heart-shaped vinyl HARD😭.” Another added, “Considering there was like no promotion for this, it’s safe to say it’s a good testament to Taylor and her legacy.” Fans are eagerly awaiting their copies, which are expected to start shipping on January 20.

The Lover (Live From Paris) vinyl features eight versions of songs from Taylor’s Lover album, recorded during her 2019 Paris concert. That performance was meant to be part of a larger tour planned for 2020, but the global lockdown forced Taylor to cancel those plans.

For Taylor, breaking records has become routine. Over the past few years, the pop superstar has continuously set and shattered records, solidifying her place in music history. Although she and her team have remained silent on this recent achievement, fans have flooded social media with praise, celebrating her artistry and influence.

While Taylor continues to achieve milestones in her career, she has also taken a step back to recharge after the grueling Eras Tour. The tour, described as “exhausting,” prompted Taylor to retreat to her $50 million apartment in New York City during the final days of December. However, she soon shifted her focus to spending time with Travis Kelce.

Taylor reportedly accompanied Travis to his $6 million mansion in Kansas City to ring in the New Year with him. Speculation is rife that she plans to remain in Kansas City for the duration of the 2024 NFL season. This decision appears to reflect her desire to support Travis as he navigates the playoffs and works toward winning another Super Bowl title for the Chiefs.

Meanwhile, fans are buzzing with anticipation over Taylor’s next potential project. Rumors suggest she may soon release Reputation (Taylor’s Version), a re-recording of her 2017 album. However, Taylor has yet to confirm these plans, leaving her fanbase eagerly awaiting any updates.

As Travis Kelce keeps his sights set on NFL glory, Taylor Swift continues to redefine success, breaking barriers and captivating audiences worldwide. The duo’s combined achievements are a testament to their unparalleled dedication and talent in their respective fields.

Exploring the Depths of the Human Psyche: A Look at the Malayalam Psychological Thriller ‘Athiran’

Psychological thrillers have long captivated audiences seeking a unique and intense cinematic experience. Over time, the Malayalam film industry has contributed some remarkable films to this genre. If you’re looking for a movie that will leave you on the edge of your seat, ‘Athiran,’ currently streaming on Disney+ Hotstar, is an excellent choice for your next chilling film session.

Released in 2019, ‘Athiran’ is a Malayalam psychological thriller that stars Fahadh Faasil and Sai Pallavi in the leading roles, supported by an ensemble cast including Atul Kulkarni, Renji Panicker, Shanthi Krishna, Sudev Nair, and Prakash Raj in a special cameo. Directed by Vivek, the film is produced by Raju Mathew and is noted for its striking parallels with the 2014 Hollywood film Stonehearst Asylum.

Set in an isolated hospital in the remote hills of Kerala, the story follows a psychiatrist who uncovers the dark past of an autistic patient with extraordinary abilities. The film weaves together themes of mental illness, power dynamics, and the complexities of the human mind, keeping the audience engrossed with its unpredictable storyline and shocking revelations.

‘Athiran’ marks the directorial debut of Vivek, who drew inspiration for the film from real-life experiences. Speaking about the origins of the story, Vivek shared, “The story idea came up after I went to a Kalari school in Thrippunithura, Kerala, where autistic students were performing with the same prowess as the school’s other students.” This unique perspective on autism, combined with the thriller’s chilling atmosphere, adds depth to the narrative, making it more than just a typical psychological thriller.

Fahadh Faasil, who plays the role of the psychiatrist in the film, continues to impress with his versatility. Recently, Faasil starred in Pushpa 2: The Rule, where he portrayed the antagonist, Bhanawar Singh Shekhawat. The film became a massive success, earning over Rs 1000 crore in just two weeks, and Faasil’s performance was widely praised. The actor’s growing reputation is set to reach new heights with his upcoming Bollywood debut in a film directed by Imtiaz Ali, featuring Triptii Dimri. Production for this project is slated to begin in early 2025, and anticipation is already building for Faasil’s performance in a new language and genre.

Sai Pallavi, who stars alongside Faasil in Athiran, is another standout performer in the film. Known for her expressive and natural performances, Pallavi was last seen in the 2022 Tamil film Gargi, where she received significant attention for her portrayal of a complex character. She is now gearing up for her next project, a film directed by Chandoo Mondeti, where she will share the screen with actor Naga Chaitanya. This collaboration has already generated excitement among fans of both actors, and their chemistry in the film is keenly anticipated.

Set against the backdrop of Kerala’s serene yet eerie landscape, Athiran uses the environment to its full advantage. The secluded hospital, far from civilization, is an apt setting for a story that delves into the mind’s darkest corners. As the psychiatrist, played by Faasil, begins to probe deeper into the patient’s past, he uncovers disturbing secrets that blur the line between reality and delusion. The film explores the delicate balance of power between the doctor and the patient, questioning the role of authority figures in the mental health system and their influence on those they are meant to help.

The film’s focus on mental illness is not just a plot device but an exploration of the human psyche. Athiran challenges the audience to consider the complexities of mental health and how society perceives those who struggle with it. As the narrative unfolds, the psychiatrist’s own understanding of mental illness begins to evolve, as he realizes that the mind is capable of both immense strength and profound fragility.

One of the most compelling aspects of Athiran is its unexpected twists. The film constantly keeps viewers on their toes, never allowing them to settle into a predictable narrative. Each scene adds another layer of mystery, and just when the audience thinks they have unraveled the truth, new revelations turn everything on its head. This unpredictable nature of the plot makes Athiran a gripping watch, one that will leave viewers thinking long after the credits roll.

While Athiran has drawn comparisons to Stonehearst Asylum, it manages to carve out its own identity through its unique setting, characters, and cultural context. The film takes the familiar framework of a psychological thriller and infuses it with elements that are distinctly Malayalam, including the regional setting and the nuanced portrayal of mental illness. This cultural grounding adds authenticity to the narrative, making it resonate deeply with local audiences while also appealing to fans of the genre globally.

Vivek’s direction is another highlight of the film. As his directorial debut, Athiran shows a confident hand at crafting tension and suspense. The pacing is deliberate, allowing the tension to build gradually before exploding in moments of shocking revelation. The film’s atmosphere is suffused with an eerie stillness that heightens the sense of unease, while the performances from the cast elevate the material. Fahadh Faasil and Sai Pallavi, in particular, shine in their respective roles, bringing emotional depth and complexity to the characters.

The supporting cast, including Atul Kulkarni, Renji Panicker, and Shanthi Krishna, contribute strong performances that enrich the film’s narrative. Kulkarni’s portrayal of a key character adds layers of intrigue, while Panicker and Krishna provide emotional depth that grounds the film’s more fantastical elements. Prakash Raj’s cameo adds an extra layer of star power, though it is his subtle yet impactful performance that leaves a lasting impression.

In conclusion, Athiran is a psychological thriller that offers much more than just suspense and thrills. It is a thought-provoking exploration of the human mind, mental illness, and the power dynamics that shape our interactions with others. With standout performances, an unpredictable narrative, and a haunting atmosphere, the film stands as one of the best examples of Malayalam cinema in the psychological thriller genre. For those seeking a film that will keep them guessing until the very end, Athiran is a must-watch on Disney+ Hotstar.

As director Vivek aptly put it, “The story idea came up after I went to a Kalari school in Thrippunithura, Kerala, where autistic students were performing with the same prowess as the school’s other students.” This powerful quote encapsulates the film’s underlying theme of challenging perceptions and embracing the complexities of the human experience.

“Santosh: A Gripping Feminist Crime Thriller with a Bold Voice”

There is a certain intensity in Shahana Goswami’s piercing gaze that carries Santosh, a riveting new feature by writer-director Sandhya Suri, from start to its harrowing conclusion. Goswami’s portrayal of a female police officer navigating a complex investigation into the rape and murder of a woman in rural India keeps viewers on edge. With its nerve-wracking twists and an unsettling yet rewarding two-hour runtime, this police thriller allows you to finally breathe only at its gripping end.

The film offers a rich, suspenseful character study, where every turn keeps the audience guessing. Even the subtle actions of the protagonist, who can be unpredictable at times, add depth to the narrative. The movie immerses its audience in a documentary-like realism, spiking tension with every revelation. While its slow-burning nature might deter some viewers, patience is ultimately rewarded in this unique crime drama that moves away from the usual Western-style police procedurals to explore a refreshingly distinct backdrop.

A Feminist Lens on Law Enforcement

At the heart of the story is Santosh Saini, played masterfully by Goswami, a woman thrust into the role of a police officer after the tragic death of her husband. She inherits his position, a scenario reflective of rural India, where widows sometimes take over their spouses’ jobs to survive. Goswami captures Santosh’s stoic resilience, underscored by a hidden brilliance, as she maneuvers through a world riddled with systemic sexism.

Her journey begins in a deeply patriarchal police department, headed by the disdainful Chief Thakur, played by Nawal Shukla. Thakur embodies toxic masculinity, dismissing serious cases like a missing girl reported by her distraught father. Santosh’s frustration with his lack of empathy propels her to collaborate with Geeta Sharma, a senior female investigator. Sunita Rajwar’s commanding portrayal of Sharma is both sensational and scene-stealing, as she leads a team of female detectives in pursuit of justice for the rape and murder of a low-caste girl.

“Santosh’s ability to sniff out the inherent misogyny in her surroundings sets her apart,” observes a critic, highlighting her determination to fight back against an oppressive system.

A Mystery That Demands Patience

Unlike conventional police dramas that neatly resolve their mysteries with the apprehension of a suspect, Santosh delves deeper, exploring the ethical and professional complications that arise during the pursuit of justice. Much like Jack Nicholson’s detective in Chinatown (1974), Santosh finds herself entangled in a web of corruption and moral ambiguity as she progresses in the case.

Significant developments occur early in the film, creating the illusion of resolution. However, this is merely the beginning of a labyrinthine journey that tests Santosh’s resolve and ethical boundaries. Alongside Sharma, she employs extreme measures, including orchestrating torture scenarios, to extract confessions and information from the suspect. These actions, intended to expedite justice, unleash chaos that leaves Santosh questioning the true cost of her pursuit.

“Actions have consequences,” the film subtly reminds its audience, as Santosh grapples with the fallout of her choices, which blur the line between justice and personal vengeance.

The Reality of Corruption and Gender Inequality

Director Sandhya Suri’s background in documentary filmmaking lends Santosh an unparalleled authenticity. The film’s handheld camerawork creates a gritty, immersive experience, pulling the audience into the raw, chaotic pursuit of the rapist and murderer. The absence of an original score heightens the realism, allowing the sounds of the environment and dialogue to drive the tension.

Suri uses this gripping narrative to shine a light on systemic corruption and gender inequality within law enforcement. Despite their determination and skill, female officers like Santosh and Sharma find themselves fighting an uphill battle against entrenched male dominance.

“The lengths to which those in power go to preserve masculine control in the justice system can be soul-crushing,” says a poignant moment in the film, encapsulating its thematic essence.

Ultimately, Santosh is more than a thriller; it is a powerful critique of societal structures that undermine women, even as they strive to bring about justice. By spotlighting the resilience of women like Santosh and Sharma, the film underscores the importance of persistence in the face of systemic oppression.

A Distinctive Addition to the Genre

Clocking in at 120 minutes, Santosh challenges the audience with its unpredictable and slow-paced storytelling. For some viewers, this might be a drawback, but for those willing to stay the course, the film offers a deeply rewarding experience. The unique setting, away from the polished environments of Western crime dramas, lends the story a sense of authenticity and urgency.

Critics have lauded Goswami’s performance as a tour de force, with one reviewer noting, “Her lioness eyes and unwavering intensity are the soul of this gripping narrative.” Rajwar’s portrayal of Sharma, meanwhile, provides the perfect complement, adding layers of depth and authority to the unfolding drama.

While Santosh doesn’t shy away from the darker aspects of its story, it also poses critical societal questions, making it a memorable addition to the crime thriller genre. It is a film that challenges, provokes, and ultimately rewards its audience with a story that stays with them long after the credits roll.

With its stunning performances, immersive direction, and fearless storytelling, Santosh is a triumph of feminist cinema that demands attention. As the credits roll, one cannot help but reflect on the bravery of women like Santosh, who navigate oppressive systems to seek justice, often at great personal cost.

In Santosh, the fight for justice is more than a procedural—it’s a battle for equality in a world that refuses to yield.

Payal Kapadia’s Film All We Imagine As Light Makes History at Golden Globes Despite Loss

Indian filmmaker Payal Kapadia’s film, All We Imagine As Light, failed to win an award at the 82nd Golden Globe Awards held on January 5. Despite being a strong contender, the film lost in both of its nominated categories: Best Director (Motion Picture) and Best Motion Picture (Non-English Language).

In the Best Motion Picture – Non-English Language category, All We Imagine As Light was defeated by Emilia Pérez, a 2024 Spanish-language French musical crime comedy written and directed by Jacques Audiard. While Kapadia’s film didn’t secure a win, it achieved a significant milestone by becoming the first Indian film ever to be nominated in this category at the Golden Globes.

Kapadia’s loss in the Best Director category also marked a setback, as she was outpaced by Brady Corbet, who won for his film The Brutalist. However, Kapadia’s nomination placed her in elite company, as she became only the second Indian director to be nominated in the Best Director category at the Golden Globes, following in the footsteps of Shekhar Kapur, who earned a nomination for the English film Elizabeth.

The Golden Globe ceremony, held at the Beverly Hilton Hotel in California, attracted attention from the global film industry. Despite not claiming a win, Kapadia’s work continues to garner international acclaim, with critics and audiences praising her distinctive storytelling approach. Furthermore, Kapadia’s presence at the Golden Globes red carpet was a moment of cultural celebration. She wore a striking black silk jumpsuit designed by Payal Khandwala, known for her understated luxury and contemporary design. The outfit, from Khandwala’s Autumn-Winter 2024 collection, was made from ethically sourced handwoven matka silk from Eastern India. Featuring intricate brocade detailing on the pockets and a signature loop neck, the jumpsuit combined traditional Indian textiles with a modern, elegant silhouette.

All We Imagine As Light is an Indo-French co-production that stars Kani Kusruti, Divya Prabha, and Hridhu Haroon. The film explores deep themes of personal struggle and emotional awakening, focusing on the lives of a nurse named Prabha and her roommate, Anu, as they navigate their desires during a trip to a beach town. The film made headlines last year when it became the first Indian film in three decades to be entered into the competition section at the prestigious Cannes Film Festival, where it won the Grand Prix, one of the event’s highest honors.

In addition to the Golden Globe nominations, All We Imagine As Light continues to build momentum internationally. It has been longlisted for three categories at the upcoming 2025 British Academy of Film and Television Arts (BAFTA) Awards, further solidifying its global recognition. The film is part of the longlist for Best Director, Best Original Screenplay, and Best Film Not in the English Language. The BAFTA longlist was revealed on January 3, marking another important milestone for the film.

Although All We Imagine As Light did not win the Golden Globe, Payal Kapadia’s filmmaking continues to resonate with audiences worldwide. Her innovative storytelling and thoughtful exploration of human emotions have earned her a spot among the most respected voices in international cinema. The film’s historic Golden Globe nomination, along with its growing recognition at other prestigious awards, marks the beginning of an exciting chapter for Kapadia, promising even more success on the global stage in the years to come.

Kapadia’s All We Imagine As Light has proven itself as not only a critical success but also a cultural milestone, representing the richness of Indian cinema on the international stage.

Mumbai Drama Gains Global Acclaim with Lyrical Depiction of Modern Struggles

A feature film set in Mumbai has stunned audiences and critics alike, earning a flawless 100% score on Rotten Tomatoes. Described as “lyrical,” “quietly resonant,” and “beautiful,” the movie has emerged as a surprise contender in this year’s awards season. It weaves the stories of three working-class women navigating life in India’s bustling metropolis, tackling issues that resonate universally while shining a light on socio-political challenges in contemporary India.

The narrative follows nurse Prahba (Kani Kusruti), who grapples with her estranged husband’s new life in Germany; her roommate Anu (Divya Prabha), forced to conceal her relationship with a Muslim man; and Parvaty (Chhaya Kadam), who faces wrongful eviction from her home. These intertwined journeys form a compelling tale of resilience, solidarity, and defiance in the face of systemic challenges.

Director Payal’s vision for the film extends beyond storytelling, aiming to spark meaningful dialogue. “I wanted to propose utopian togetherness in a world where we are so divided and things are just so complicated and unnecessary,” she explained in an interview following her groundbreaking Golden Globe nomination.

One of the film’s central themes is female friendship, an intentional focus for Payal. “One thing that keeps coming up in interviews is, ‘Why did you want to make a film about female friendship?’ which is a bit weird for me,” she noted. “Men have been making films about themselves being friends forever, and now that women are making more films, it happens to be about friendship. It’s not a whole new thing—somebody just passed the mic.”

The film also bravely addresses interfaith relationships, a sensitive topic in India. Couples from different religious backgrounds, particularly Hindu-Muslim pairings, often face societal scrutiny and political interference. The “love jihad” conspiracy theory, perpetuated by right-wing groups, claims Muslim men are attempting to convert Hindu women, leading to legislative actions and public outcries. Payal handled this subject with caution, aware of the potential backlash.

“We are in 2025. Why do young people need to choose between the people they love [like family] and the person they want to be with? It’s an age-old issue in our country, and it’s not just about religion but caste too,” she said.

Despite these challenges, Payal was determined to tell an authentic story. However, she admitted feeling nervous about the film’s reception. “These days people are very touchy, so anything you put in a film makes one nervous about what people will say in India. People get upset about all kinds of things. Of course, I was nervous, but once the censor passed it, I felt a bit better. But you never know. [The movie] is starting to grow bigger as it gets more acclaim, so it might be time to think about this [issue] more.”

Through its growing international acclaim, the film is redefining perceptions of India and its culture. “What is wonderful about our country is that it has diversity of thought, language, and culture—there is no such thing as ‘this is Indian,’” Payal remarked.

The struggles faced by the film’s protagonists, though rooted in India, reflect universal themes of gender inequality and societal pressures. “We are living in 2025, and there are still very few female filmmakers who get selected at big film festivals. So [All We Imagine As Light] is about the zeitgeist in India that affects women,” Payal explained.

Despite its critical success, All We Imagine As Light was not chosen as India’s submission for the Best International Feature Film category at the Oscars, with Kiran Rao’s Laapta Ladies taking the spot. Nevertheless, Payal’s Golden Globe nomination has brought her immense pride and gratitude. “I’m really, really overwhelmed. I’m really grateful that people are seeing this film and finding something that resonates with them,” she said.

She remains grounded, attributing the film’s recognition to a broader shift in the industry. “The world is now recognising that there has been a disservice to underrepresented people. The tide is changing and taking me with it. This is only the beginning—a big change is coming for representation in all forms: gender, religion, sexuality, and more. Diversity can only lead to good things.”

With the Oscars on the horizon, Payal remains hopeful about securing a nomination for Best Director. “If it happens, I would be very grateful because it’s a huge deal. I watched [the ceremony] as a child on TV. But you just have to take everything one step at a time, that’s how we made this film,” she said.

Ultimately, Payal’s film underscores the power of storytelling to inspire empathy, foster understanding, and challenge societal norms. As its acclaim grows, it promises to leave a lasting impact on audiences worldwide, celebrating diversity and advocating for change in a world that desperately needs it.

Payal Kapadia’s Historic Nomination at Golden Globes Sparks High Hopes

Payal Kapadia’s film All We Imagine As Light is making waves as it heads into the 82nd Golden Globe Awards with nominations in two significant categories. Kapadia has become the first Indian filmmaker to secure a nomination for Best Director, marking a milestone in the history of Indian cinema. Should she win, it will be a historic achievement. However, the category is fiercely competitive in what has been an unpredictable awards season.

The film has also earned a nomination for Best Motion Picture in a Non-English Language, competing against notable films like Jacques Audiard’s Emilia Pérez, Sean Baker’s Anora, Edward Berger’s Conclave, Brady Corbet’s The Brutalist, and Coralie Fargeat’s The Substance.

The Importance of the Golden Globes

Often seen as a precursor to the Academy Awards, the Golden Globes set the tone for the awards season. A win for Kapadia in the Best Director category could firmly establish her as a contender in the Oscar race. However, the competition is fierce, and other factors could influence the outcome.

A Look at the Contenders

Kapadia faces tough competition, particularly from Jacques Audiard, whose film Emilia Pérez has made history by securing 10 nominations in musical/comedy categories. This drug cartel musical drama captured attention at Cannes earlier this year, solidifying its status as a favorite. Audiard has also been nominated for Best Screenplay and Best Original Score, further enhancing his chances. Known for his previous Golden Globe successes with The Prophet and Rust and Bone, Audiard is a formidable competitor. Should he win, his momentum toward the Oscars will be unmatched.

Brady Corbet’s The Brutalist is another strong contender. The three-hour-long epic about a Holocaust survivor has garnered seven nominations, including Best Director. Corbet’s win at the Venice Film Festival for Best Director adds to the film’s growing momentum. With Adrien Brody and Guy Pearce also in contention for acting prizes, The Brutalist could emerge as a big winner, especially in the Best Director category.

Edward Berger’s Conclave, with six nominations, also poses a challenge. Meanwhile, Coralie Fargeat’s The Substance, a body-horror epic, and Sean Baker’s Anora, share five nominations each, making them potential dark horses in the race.

Kapadia’s Chances

While Kapadia’s win in the Best Director category would be groundbreaking, it would also come as a surprise. Historically, the Golden Globes have played it safe in this category. Over the past five years, all winners in this category were from U.S. productions, with three of them eventually winning the Oscar for Best Director.

However, All We Imagine As Light seems to have a stronger chance in the Best Motion Picture in a Non-English Language category. The film has gained significant momentum, having won multiple critics’ awards in recent weeks. It was named Best Foreign Language Film by prominent organizations such as the Gotham Awards, New York Film Critics Circle, Los Angeles Film Critics Association, and Toronto Film Critics Association, among others.

Sight and Sound hailed it as the best film of the year, a notable accomplishment given the tough competition from frontrunners like The Seed of the Sacred Fig, I’m Still Here, and Anora. This critical acclaim positions All We Imagine As Light as a leading contender in the Non-English feature film category.

Historical Context

If Kapadia’s film wins in the Non-English feature category, it would join the ranks of Indian co-productions like Richard Attenborough’s Gandhi, which won in 1982. Mira Nair’s Salaam Bombay! was another Indian-directed film nominated in this category in 1988. More recently, in 2022, SS Rajamouli’s RRR also earned a nomination.

The Road Ahead

The stakes are high for Kapadia at the Golden Globes, with the potential to create history not only for herself but also for Indian cinema. As the awards ceremony unfolds on January 6th, streaming live in India on Lionsgate Play at 6:30 AM IST, all eyes will be on All We Imagine As Light. Whether or not Kapadia triumphs in the Best Director category, her film’s critical acclaim ensures its legacy as a landmark in Indian filmmaking.

The night promises to be an exciting one for global cinema, and Kapadia’s groundbreaking nomination is already a victory for representation and storytelling.

2024: A Cinematic Rollercoaster for Indian Film Industries

The Indian film industry in 2024 witnessed a whirlwind of highs and lows. Blockbusters with high expectations faltered, while unexpected gems triumphed. Several films that failed at the box office found appreciation on OTT platforms, transcending borders. As we usher in 2025, it’s a fitting time to evaluate the cinematic landscape of the past year, which offered a mix of successes and setbacks across India’s film industries.

Bollywood faced another challenging year, continuing its post-COVID slump. Despite heavy investments in star-studded films, the industry struggled to connect with modern audiences. High-budget films like Bade Miyan Chotte Miyan, Singham Again, Sarfira, Khel Khel Mein, and Yudhra underperformed critically and commercially.

Among these, Singham Again garnered particular attention. Despite a cast featuring Ajay Devgn, Kareena Kapoor, Deepika Padukone, Akshay Kumar, and Tiger Shroff, the film faltered due to a weak storyline. Its attempt to integrate elements of the Ramayana felt “forced and irritating,” according to viewers. Although it managed to break even, the overall reception was disappointing.

For Akshay Kumar, 2024 continued his rough patch. Out of five releases, three failed miserably, including the Hindi remake of Soorarai Pottru. His only relief came with a role in Singham Again and a cameo in the successful Stree 2.

Political narratives also made their way into Bollywood, with films like Accident or Conspiracy: Godhra, The Sabarmathi Report, and Swatantra Veer Savarkar. Critics accused these films of being government-appeasing ventures, and they failed to resonate with audiences, becoming box-office disasters.

On a brighter note, Stree 2 emerged as a blockbuster, rejuvenating Bollywood. Similarly, Kill, a thriller about an army man’s rampage on a train, captivated audiences nationwide. Other hits included Bhool Bhulaiyaa 3, Fighter, Shaitaan, Crew, and Chandu Champion.

Bollywood also found success in smaller, content-driven films. Titles like Laapataa Ladies, Maidaan, Amar Singh Chamkila, and Bhakshak gained traction post-OTT releases. This trend underscores the need for Bollywood to focus on relatable, human-centric storytelling that resonates with audiences.

In contrast, Tollywood showcased a seamless blend of Indian mythology and modern cinema. Nag Ashwin’s Kalki 2898 AD emerged as a standout, weaving a post-apocalyptic narrative with mythological elements like the Mahabharata war. For Prabhas, it marked a triumphant comeback, further solidified by the success of Salaar in 2023. Kalki stood out as a thoroughly satisfying cinematic experience, featuring a stellar cast and visionary direction.

Other Telugu hits included Hanuman, a story of a young man endowed with mythological superpowers, and Devara Part 1 starring Jr NTR. Saripodhaa Sanivaaram, featuring Nani and SJ Surya, also garnered attention both in theatres and on OTT platforms.

Malayalam actor Dulquer Salmaan made waves in the Telugu industry with Lucky Baskhar, a Rs 100 crore hit that eschewed typical cinematic tropes for a strong narrative. The film’s pan-Indian appeal was a testament to the power of storytelling.

Meanwhile, Pushpa 2: The Rule, starring Allu Arjun, continued its box-office dominance, particularly in North India. Despite receiving mixed reviews in Kerala, it reaffirmed Allu Arjun’s pan-Indian appeal. Mahesh Babu’s Guntur Karam also added to Tollywood’s success story.

However, not all was rosy. Ravi Teja’s Mr Bachchan, a lacklustre remake of Raid, faced harsh criticism for its outdated romance. Vijay Deverakonda’s Family Star alienated audiences with its problematic narrative twist. Sequels like Yathra 2 and films like Double iSmart failed to live up to expectations.

Kollywood, often seen as a cinematic powerhouse, had a mixed year. Major releases like Suriya’s Kanguva, Rajinikanth’s Lal Salaam, and Vijay’s The Greatest of All Time disappointed fans. Even Kamal Haasan’s much-anticipated Indian 2 turned out to be a major box-office failure, despite its legacy.

Vikram’s Thangalaan earned critical praise but couldn’t translate it into commercial success. However, films like Maharaja and Amaran provided some relief, with Vijay Sethupathi and Sivakarthikeyan delivering stellar performances. Other successful titles included Captain Miller, Raayan, Aranmanai 4, Guardian, and Vaazhai.

Kollywood’s art-house offerings like Lubber Pandhu and Meiyazhagan gained acclaim, particularly after their OTT releases. Films such as Lover, Blue Star, and Kottukkaali also spurred meaningful discussions among viewers. Late in the year, Viduthalai Part 2 received a strong audience reception, sustaining Kollywood’s reputation for impactful storytelling.

Sandalwood, the Kannada film industry, faced a challenging year, failing to replicate past successes like KGF and Kantara. The release of Martin highlighted the industry’s struggles, as it fell short of the grandeur audiences expected. With weak scripts and repetitive themes, Sandalwood risked audience fatigue, especially with sequels like Martin 2 announced despite lukewarm reception to the original.

In stark contrast, Mollywood continued its golden streak. The Malayalam film industry, known for its nuanced storytelling, delivered consistent successes in 2024. Films like Premalu, Braramayugam, and Manjummel Boys captivated audiences. The year reached its peak with Rifle Club and Marco, the latter being hailed as one of the best Indian films of the year, even outshining Bollywood hits like Animal and Kill.

Mollywood’s diverse narratives and grounded storytelling silenced critics who had previously dismissed its modest approach. As the industry carved its niche in Indian cinema, it delivered a strong reminder of the power of relatable and heartfelt storytelling.

As 2024 ends, Indian cinema stands at a crossroads. Will Mollywood maintain its dominance? Can Bollywood reinvent itself to align with audience expectations? Only time will reveal the cinematic landscape of 2025.

The Top International Films of 2024: Critics’ Picks Unveiled

As 2024 comes to a close, the film critics at Deadline have chosen their top three international movies of the year. Several of these films were recently included on the International Feature Oscar shortlist, though not all were submitted by their home countries. Reflecting on the year’s cinematic achievements, Deadline’s Awards Columnist and Chief Film Critic Pete Hammond remarked, “There was an exceptional list to choose from.”

Hammond’s top selections all premiered at the Cannes Film Festival, which he described as “another reason that iconic French fest sets the table for cinema for the rest of the year.” Other highlighted films debuted at major festivals in Berlin, Venice, and Toronto, showcasing a diverse array of global talent. Below are the top picks from Hammond and fellow critics Damon Wise and Stephanie Bunbury, presented alphabetically under their respective names.

Pete Hammond’s Picks

The Count of Monte-Cristo

This latest adaptation of Alexandre Dumas’ classic tale, The Count of Monte-Cristo (Le Comte de Monte-Cristo), captivated audiences with its premiere out of competition at Cannes, earning a massive standing ovation. Directed by Alexandre de la Patellière and Matthieu Delaporte, who previously worked on The Three Musketeers, the film delivers a sweeping three-hour epic. The story of Edmond Dantes, wrongfully imprisoned for 14 years and bent on exacting revenge, is brought to life with a riveting performance by Pierre Niney in the titular role. Hammond called it “the stuff great adventure movies are made of.”

Emilia Pérez

After its Cannes debut, Emilia Pérez became a sensation, winning prizes for its four female leads and earning director Jacques Audiard a Jury Prize. This Spanish-language musical, submitted by France for the Best International Film Oscar, is unique in every respect. It tells the story of a drug cartel boss who decides to change both his life and gender. Featuring stunning performances by Karla Sofía Gascón, Zoe Saldaña, Selena Gomez, and Adriana Paz, the film dazzles with originality. Hammond noted, “Even on its second viewing, it only gets better.”

Flow

Latvia’s submission for Best International Feature Film, Flow, stands out as a haunting animated feature in a year rich with exceptional animation. Directed by Gints Zilbalodis, the film premiered in the Un Certain Regard section at Cannes. It follows a cat who survives a catastrophic flood and bands together with four other animals to survive as their world crumbles. Hammond praised its “gorgeous animation” and emotional resonance, describing it as a story that “will live in your hearts long after seeing it.”

Damon Wise’s Picks

April

At the Venice Film Festival, Dea Kulumbegashvili’s April emerged as a standout, winning the Special Jury Prize. The film, described as a nuanced abortion drama, follows an experienced obstetrician on trial after a patient loses her unborn child. Damon Wise compared the film’s atmosphere to the work of Michael Haneke, noting its “immaculate but knowingly enigmatic compositions.”

Bring Them Down

Christopher Andrews’ Bring Them Down is a rural Irish thriller that unfolds with a unique storytelling approach, withholding key details until halfway through the film. Starring Christopher Abbott as a shepherd and Barry Keoghan as a duplicitous neighbor, the movie evolves into a gripping tale of betrayal and violence. Wise highlighted Keoghan’s performance, stating, “His shiftiness creates a mood of its own in the film’s tense, violent third act.”

Loveable

Lilja Ingolfsdottir’s Loveable, a Norwegian drama, offers a raw deconstruction of suburban relationships. The film focuses on Maria, a 40-year-old divorcee questioning her choices seven years into a new relationship. Helga Guren delivers a powerful performance, embodying Maria’s complexities with vulnerability and strength. Wise likened it to Marriage Story, saying, “This makes Baumbach’s film look like a Pixar comedy by comparison.”

Stephanie Bunbury’s Picks

Dahomey

Directed by Mati Diop, Dahomey explores the cultural history of the West African kingdom now known as Benin. The film reflects on the looting of 7,000 artworks by French invaders in 1890, some of which were only returned to Benin in 2020. Diop’s film blends historical reflection with imaginative storytelling, featuring a statue of King Behanzin coming to life. Bunbury described it as “an intellectually dense film bursting with ideas, some of them contradictory, some troubling, all of them provocative.”

My Favourite Cake

This Iranian romance centers on Mahin, a septuagenarian who defies societal norms to pursue a relationship with a kind taxi driver. Directors Maryam Moghaddam and Behtash Sanaeeha craft the story with charm and subtlety, presenting it as both a rom-com and a critique of restrictive cultural norms. Bunbury praised the film’s “simple charm” and “campaigning fervor.”

When Fall Is Coming

In When Fall Is Coming, French director François Ozon offers a poignant exploration of familial relationships through the story of Michelle, an elderly woman living in Burgundy. Hélène Vincent delivers a mesmerizing performance as Michelle, who harbors dark secrets despite her outward virtue. Bunbury described the film as “a wistful but unsentimental meditation on families: how they fail us and how, with love, they might be rebuilt.”

Conclusion

From sweeping epics to intimate dramas, 2024 has been an exceptional year for international cinema. These top picks from Deadline’s critics showcase the global richness of storytelling, with films that challenge, entertain, and leave a lasting impression. As Pete Hammond summarized, “There was an exceptional list to choose from.”

Malayalam Cinema’s Unstoppable Rise in 2024: A Year of Stellar Achievements

While Bollywood celebrated a triumphant 2023 with Shah Rukh Khan leading the charge, and other major film industries such as Telugu, Tamil, and Kannada enjoyed similar success, the Malayalam film industry struggled in the shadows. Last year was particularly challenging for Malayalam cinema, with only a handful of films making a mark.

However, 2024 proved to be a game-changer for Malayalam cinema. As critics compile their lists of the year’s best Indian movies, it is evident that Malayalam films dominate these rankings. In a year when industries like Hindi and Tamil faced setbacks with numerous underwhelming releases, Malayalam cinema not only delivered remarkable creative masterpieces but also shattered records. Here’s a look at some of the finest Malayalam films that defined 2024.

9) Bramayugam

In a daring departure from the norm, Mammootty played Chathan, a mystical goblin in human guise, in Rahul Sadasivan’s Bramayugam. Shot entirely in black and white, this period folk horror film demonstrated the experimental spirit of Malayalam cinema. Mammootty’s extraordinary performance elevated the film, making it one of the most memorable cinematic experiences of the year. Cinematographer Shehnad Jalal, editor Shafique Mohamed Ali, music composer Christo Xavier, and art director Jotish Shankar contributed significantly to the film’s distinct visual and narrative style.

8) Aavesham

Director Jithu Madhavan struck a perfect balance between comedy and action in Aavesham. Fahadh Faasil excelled as Rangannan, whose humorous portrayal captivated audiences, especially with his memorable “Eda Mone!” delivery. The film transitioned seamlessly from comedy to a gripping gangster drama, with Fahadh’s exceptional performance proving his versatility. As a full-fledged entertainer, Aavesham stood out as a favorite among audiences this year.

7) Aadujeevitham (The Goat Life)

After 14 years of anticipation, Blessy’s Aadujeevitham finally graced the big screen, and it was worth the wait. Starring Prithviraj Sukumaran in a career-defining role, the film adapted from a beloved novel explored the harrowing journey of survival with emotional depth. Exceptional technical contributions from cinematographer Sunil KS and editor A Sreekar Prasad ensured Aadujeevitham became a monumental success, both critically and commercially.

6) Kishkindha Kaandam

Mystery dramas often focus solely on suspense, but Kishkindha Kaandam balanced mystery with emotional depth. Directed by Dinjith Ayyathan, the film featured stellar performances from Asif Ali, Aparna Balamurali, and Vijayaraghavan. Writer Bahul Ramesh’s nuanced storytelling, combined with Dinjith’s direction, ensured a deeply moving narrative. The film also proved that Malayalam cinema could create exceptional works on modest budgets.

5) Ullozhukku

Christo Tomy’s Ullozhukku challenged stereotypes by focusing on the stories of two women reclaiming their autonomy. The film critiqued societal norms that pit women against each other, perpetuating isolation and division. With powerful performances by Urvashi and Parvathy Thiruvothu, Ullozhukku became a technically and visually stunning exploration of resilience and solidarity.

4) Paradise

Legendary Sri Lankan filmmaker Prasanna Vithanage directed Paradise, a politically charged film set against the backdrop of Sri Lanka’s economic crisis. Starring Roshan Mathew and Darshana Rajendran, the movie depicted the struggles of ordinary people amidst political and economic collapse. The narrative resonated globally, drawing parallels with other humanitarian crises. Cinematographer Rajeev Ravi’s exceptional work further enhanced the film’s impact.

3) Family

Don Palathara’s Family redefined horror, portraying the chilling reality of how tightly-knit conservative societies can enable child sexual abuse. Set in the picturesque Idukki district, the film highlighted the societal structures that shield predators. The minimalist visuals captured the haunting atmosphere, while the cast, including Vinay Forrt, Divya Prabha, and Mathew Thomas, delivered compelling performances.

2) All We Imagine As Light (Prabhayay Ninachathellam)

Payal Kapadia’s All We Imagine As Light emerged as a poetic masterpiece, exploring the lives of migrants in Mumbai. The film delved into themes of belonging, community, and resilience, with stellar performances by Kani Kusruti, Divya Prabha, and others. Winning the Grand Prix award at the Cannes Film Festival, the movie showcased Malayalam cinema’s global appeal.

1) Aattam

Anand Ekarshi’s Aattam took the top spot as the year’s finest Malayalam film. Featuring Zarin Shihab and Vinay Forrt, the film offered a profound exploration of human complexities through its meticulously crafted characters. With its innovative storytelling and technical brilliance, Aattam earned multiple accolades, including Best Feature Film and Best Screenplay at the National Film Awards.

As 2024 draws to a close, Malayalam cinema has emerged as a beacon of creativity and resilience, proving its mettle on both national and international stages. This remarkable year will undoubtedly be remembered as a turning point for the industry.

Mumbai’s Twilight Stories: Exploring Love, Politics, and Hope in All We Imagine As Light

“Evening is my favourite time of the day,” muses a character in Payal Kapadia’s debut feature film, All We Imagine As Light. As twilight blankets Mumbai, the city comes alive, bustling with activity. Markets glow under fluorescent lights, shops hum with energy, and trains carry women returning home from work. This enchanting portrayal of the city at night earned Kapadia’s film the Grand Prix at Cannes. The luminous imagery evokes the sentiment often attributed to Vermeer, who was said to “paint with light.” In Kapadia’s film, light becomes a narrative tool, dancing across frames to illuminate hope while secrets linger in the shadows. Twice in the story, the beam of a phone’s flashlight pierces the darkness, revealing handwritten confessions of love—an expression of feelings that otherwise remain unspoken.

The film weaves together the lives of three women—Prabha, Anu, and Parvaty—each navigating personal and societal challenges. Prabha, played by Kani Kusruti, is a pragmatic nurse being pursued romantically by a doctor. While she is drawn to him, her marital status complicates things. Although separated from her husband, Prabha feels societal pressure to uphold the ideal of a faithful wife. Her roommate, Anu, portrayed by Divya Prabha, is a free-spirited cook involved in a secret relationship with a Muslim man. Their tender romance is fraught with political undercurrents. At one point, he hesitantly asks if her father would approve of him “if I used a Hindi name.” Meanwhile, Parvaty, brought to life by Chhaya Kadam, faces eviction from her home as developers advance the city’s relentless gentrification. A banner draped across her building cynically proclaims, “Class is a privilege reserved for the privileged!”

These intertwined stories delve into how politics intricately shapes personal lives. This theme reflects Kapadia’s long-standing interests. Her earlier work, A Night of Knowing Nothing, a documentary on the 2015 student protests against Narendra Modi’s controversial appointment of a political sympathizer as a university chair, showcased her ability to merge the personal with the political. In All We Imagine As Light, Kapadia extends her empathetic lens to each character, depicting their struggles with nuance and warmth.

Prabha, in a poignant conversation with Anu, reflects on her failed marriage. As her voice carries wistful memories of what once was, the camera shifts its gaze to Mumbai’s towering high-rises, their windows speckled with light. This visual juxtaposition subtly underscores a collective sense of longing. How many other women, the scene seems to ask, are out there grappling with unfulfilled desires and the ache of their own private sorrows?

Kapadia’s film takes this idea further, exploring how political forces restrict possibilities, closing off avenues of love, connection, and belonging. Against this backdrop, All We Imagine As Light offers a counter-narrative—one of curiosity and compassion. It uncovers fleeting yet profound moments of intimacy amid societal constraints. Whether through its portrayal of friendships, romantic bonds, or shared struggles, the film finds beauty and humanity in the everyday lives of its characters.

Six Indian Films Dominate Netflix’s Global Chart for Non-English Movies

In an exciting milestone for Indian cinema, six Indian films have secured spots on Netflix’s global list of most-watched non-English movies for the week ending December 15. The list features a mix of Hindi, Tamil, and Telugu productions, reflecting the diversity and richness of Indian storytelling. Among these, Jigra and Amaran have made repeat appearances, while others like Thangalaan and Vicky Vidya Ka Woh Wala Video debuted on the chart this week.

Jigra

Directed by Vasan Bala (Monica O My Darling!) and starring Alia Bhatt, Jigra has claimed the third spot on Netflix’s global list this week. The film has remained on the list for the second consecutive week, drawing 3.8 million views and 9.7 million watch hours. Bhatt leads the cast, supported by Manoj Pahwa, Vedang Raina (Archies), and Vivek Gomber.

Released in theaters on October 11 and arriving on Netflix on December 6, Jigra initially debuted at the seventh position on the list in its first week and climbed to third by the week ending December 15. Co-written by Debashish Irengbam and Bala, the story revolves around a fiercely protective sister, Satya (Bhatt), who embarks on a perilous journey to rescue her younger brother (Raina) from a dangerous situation abroad. Bhatt’s portrayal of Satya channels the quintessential “angry young man” archetype from 1970s Hindi cinema, showcasing a relentless and rule-breaking determination to safeguard her family.

Vicky Vidya Ka Woh Wala

Raaj Shaandilyaa’s Hindi comedy-drama, Vicky Vidya Ka Woh Wala Video, made an impressive debut on the Netflix chart, securing the fourth position. Garnering 7.8 million watch hours, the film had a solid box office run following its October theatrical release before landing on the streaming platform.

Starring Rajkummar Rao, Tripti Dimri, Mallika Sherawat, and Vijay Raaz, the movie dives into the everyday struggles of lower-middle-class life in small-town India. Using humor and romance as its foundation, it also delivers a sharp social commentary on the realities of life in the Hindi heartland.

Thangalaan

Pa Ranjith’s Tamil action-drama Thangalaan premiered on Netflix this week, entering the global list at the eighth position. Despite a lukewarm box office performance following its August 15 release, the film has found a wider audience on the streaming platform, amassing 1.5 million views and 3.7 million watch hours.

Starring Vikram, Parvathy, and Malavika Mohanan, Thangalaan brings to life a gritty and intense narrative that resonated with its streaming audience, even as it struggled to capture the same momentum in theaters.

Sikandar Ka Muqqadar

Neeraj Pandey’s Netflix India original, Sikandar Ka Muqqadar, has proven its staying power by appearing on the global list for the third consecutive week. With 1.7 million views and 4.1 million watch hours, the movie secured the seventh position for the week ending December 15.

The film, starring Jimmy Shergill, Tamannaah Bhatia, Avinash Tiwary, Rajiv Mehta, and Divya Dutta, debuted on the platform on November 29. It initially ranked fourth on the list with 3.2 million views and climbed to third last week with 4.6 million views. The gripping storyline and stellar performances have contributed to its sustained popularity among global audiences.

Lucky Baskhar

The Telugu film Lucky Baskhar, directed by Venky Aturi and headlined by Dulquer Salmaan, continues to captivate viewers. After a successful theatrical run starting October 31, the film premiered on Netflix on November 28. This week, it claimed the fifth spot on the list with 3.2 million views and 7.9 million watch hours.

In its debut week on the platform, Lucky Baskhar recorded 12.5 million watch hours and 5.1 million views, showcasing its strong appeal. Featuring Meenakshi Chaudhary, Maganti Srinath, and Ramki alongside Salmaan, the film combines engaging storytelling with standout performances to deliver an entertaining cinematic experience.

Amaran

Sivakarthikeyan’s Tamil film Amaran has remained on Netflix’s global list for the second week in a row, securing the sixth spot this week. The film garnered 2.7 million views and 7.7 million watch hours for the week ending December 15.

Based on the life of Major Mukund Varadarajan, an Indian soldier, Amaran premiered digitally on December 5 after a successful theatrical release that earned widespread acclaim. The movie features an ensemble cast including Sai Pallavi, Rahul Bose, and Bhuvan Arora, bringing a heartfelt and inspiring story to audiences worldwide.

A Celebration of Indian Cinema

The inclusion of six Indian films on Netflix’s global chart highlights the growing international appreciation for Indian storytelling. Each film, with its unique narrative and cultural roots, contributes to the vibrant mosaic of global cinema. From Bhatt’s fierce portrayal in Jigra to the heartfelt drama of Amaran and the sharp social commentary of Vicky Vidya Ka Woh Wala Video, these films showcase the depth and versatility of Indian filmmakers and actors.

Netflix’s platform has enabled Indian films to transcend geographical boundaries, reaching viewers across the globe and affirming their universal appeal. The success of these six films marks yet another chapter in the evolving narrative of Indian cinema’s global impact.

Chennai-Born Teen Caitlin Sandra Neil Crowned Miss India USA 2024

Chennai-born Indian American teenager Caitlin Sandra Neil, a 19-year-old student at the University of California, Davis, has been named Miss India USA 2024. The prestigious annual pageant, organized by the India Festival Committee (IFC), took place in New Jersey and witnessed participation from 47 contestants representing 25 states.

Caitlin, who has lived in the United States for 14 years, expressed her aspirations and commitment to community betterment in a media statement. “I want to leave a positive lasting impact on my community and focus on women’s empowerment and literacy,” she said. Alongside her studies, she aims to pursue a career in web design while also exploring opportunities in modeling and acting.

The event saw other winners crowned in various categories. Sanskriti Sharma from Illinois claimed the title of Mrs. India USA, while Arshita Kathpalia from Washington emerged victorious as Miss Teen India USA. Caitlin and Sanskriti were crowned by Rijul Maini and Sneha Nambiar, who held the titles of Miss India USA 2023 and Mrs. India USA 2023, respectively.

In the Miss India USA competition, Nirali Desia of Illinois was named first runner-up, followed by Manini Patel of New Jersey as the second runner-up. For the Mrs. India USA category, Sapna Mishra of Virginia and Chinmayee Ayachit from Connecticut secured the first and second runner-up positions, respectively. The Miss Teen India USA category saw Dhriti Patel of Rhode Island and Sonali Sharma achieve first and second runner-up spots.

The annual pageant, celebrating its legacy as a platform for Indian American talent, continues to inspire young individuals to embrace their roots while excelling in their ambitions.

A.R. Rahman Appointed Honorary President of Trinity Laban Conservatoire

Renowned composer and award-winning musician A.R. Rahman has been named the Honorary President of the Trinity Laban Conservatoire of Music and Dance, a distinguished London-based institution celebrated for its innovative programs in music, musical theatre, and contemporary dance. This honorary role, which Rahman will hold for a five-year term, underscores his significant contributions to the performing arts both in India and on the global stage.

This notable appointment arrives during a vibrant phase of Rahman’s career, as he continues to excel in the international music industry and demonstrates unwavering dedication to nurturing young talent. Rahman, known for his Academy Award-winning compositions and groundbreaking ventures in musical theatre, views this honor as a step toward advancing his vision for the future of music and performing arts in India.

Reflecting on his journey, Rahman recalled a pivotal moment in 2000 when he met musical theatre legend Andrew Lloyd Webber. “When I met the king of musical theatre, Andrew Lloyd Webber, he casually asked me, ‘Are you going to take the mantle of musical theatre forward?’ At the time, I didn’t fully grasp what he meant,” Rahman said. “But as I worked on projects like Bombay Dreams on Broadway and The Lord of the Rings in England and Canada, I began to realize the depth of his vision. It was a serious, visionary thought.”

Rahman has great optimism for the future of musical theatre in India but emphasizes the necessity of fostering local talent and developing essential infrastructure. “If we invest in our talent and build the right infrastructure, we can open up a whole new genre of entertainment in India,” he stated. However, he acknowledged that collaboration is key to achieving this ambition. “But I can’t do it alone. I need government support, incentives for performers, musicians, and the infrastructure to support this growth. We are now at a technological crossroads where visuals can be easily generated, but nothing compares to the magic of live performance.”

He also noted the growing global appetite for live entertainment, citing the recent success of major Western music tours. “Western artists have made billions on recent tours. People want to experience real performances,” Rahman observed. The timing of his new role aligns with his aspirations for transformative projects in India. “The honour of being appointed Honorary President of Trinity Laban comes at a perfect time, as it also empowers me to undertake transformational projects in India, particularly through collaborations like the KM Music Conservatory and exciting future initiatives at Trinity Laban.”

Through this prestigious position, Rahman aims to influence the global music community while simultaneously bolstering the performing arts in India. His collaborations with institutions such as Trinity Laban, the KM Music Conservatory, and the Sunshine Orchestra are designed to pave the way for young talent to flourish in an increasingly dynamic global entertainment industry.

“The next five years at Trinity Laban could mark a new era of global collaboration in music and dance,” he remarked.

Looking ahead, Rahman’s upcoming projects include several ambitious endeavors. These include Chhava and Lahore 1947, an Indian period epic, the Gandhi series, and collaborations with acclaimed filmmakers Imtiaz Ali and Mani Ratnam. Alongside these, Rahman is also committed to fulfilling international assignments, further expanding his already remarkable global footprint.

As Rahman steps into this influential role, his efforts are poised to create meaningful changes in the landscape of global music and performing arts, bringing his unparalleled passion and creativity to inspire future generations.

A.R. Rahman: Bridging Cultures Through Music and Melody

In today’s increasingly globalized media landscape, much of the music we encounterremains deeply rooted in the traditions of our respective regions. One artist who has successfully blended the musical traditions of the East and the West is A.R. Rahman, the iconic Indian composer also known as ARR or Allah Rakha Rahman.

Rahman is celebrated for his groundbreaking cinematic soundtracks. He made a powerful debut in Kollywood with the Tamil film Roja in 1996, which set the tone for a stellar career that would eventually conquer Bollywood and Hollywood. His work on Slumdog Millionaire earned him two Oscars, and he received further acclaim with nominations for his compositions in 127 Hours.

Beyond his success in films, Rahman has ventured into diverse musical territories. Over the course of his career, he has contributed to over 145 films, created original compositions, worked on musicals, and collaborated with artists like Mick Jagger as part of the supergroup SuperHeavy.

When discussing his creative process, Rahman emphasizes the primacy of melody. “Melody is king,” Rahman shared in an interview with Euronews Culture. “You can do crazy orchestration and everything, but if you don’t have anything to remember, I think it’s useless.”

However, crafting melodies for global audiences comes with its challenges. Rahman notes that musical preferences differ across cultures. For instance, Western music often adheres to the structured theoretical lines of linear scales, while Indian music is built on the complexities of seven mutable swaras within the framework of raga. “India accepts everything, but it’s not the other way around,” Rahman observes. He elaborates by demonstrating melodies that Western audiences might find intricate, referring to the nuanced use of microtones.

“Tuning for Western songs is easier than for an Indian one,” he explains. “We have such complex ragas. These are certain bandishes that every Hindustani student learns.”

Bringing cultures together has been a constant theme in Rahman’s illustrious career. This mission gained further recognition with his appointment as the Honorary President of Trinity Laban, a renowned London-based conservatoire for contemporary dance, music, and musical theatre. This role brings Rahman’s journey full circle, as he once studied Western classical music at Trinity College of Music in London on a scholarship at the age of 13.

Trinity Laban has an impressive legacy, with alumni ranging from Afrobeat pioneer Fela Kuti to contemporary jazz stars like Ezra Collective and Tom Misch. Reflecting on Rahman’s appointment, artistic director Aleksander Szram described him as “the living embodiment” of the institution’s vision to push artistic boundaries. “We strive to lead the arts beyond convention, to make change and to break expectations,” Szram stated.

Rahman’s innovative spirit was evident from the very beginning of his career. “Even on Roja, my first film score, it broke with all the traditions. I was already so bored of what was traditionally expected of a movie,” he said. For Rahman, reinvention is essential. “The world needs reinvention,” he insists.

This philosophy of reinvention extends to education, an area where Rahman has made significant contributions. He founded the KM Music Conservatory in his hometown of Chennai to provide aspiring musicians with professional training and career opportunities. To make music accessible to marginalized communities, Rahman also launched the Sunshine Orchestra, which offers free training to children from disadvantaged backgrounds.

“When I started KM, I felt like if the rich kids wanted to master violin for 12 years, they could because they can always find a job, money, and everything,” Rahman reflects. However, for children from less privileged communities, societal barriers often make such dreams unattainable.

Rahman believes that music can transcend these barriers. “Once you’re in that orchestra, no one cares who you are,” he explains. “When you hear a sound, you don’t judge who’s playing it, right?” This inclusive vision fuels Rahman’s drive. Despite his monumental achievements, he remains motivated by a sense of purpose. “You might feel like I’ve done it all,” he says, referencing his numerous accolades, including Oscars, Grammys, and National Awards. “But I want the fire to burn, and the only way to burn that fire is by having a purpose in life.”

Rahman’s passion for music is deeply rooted in his spiritual beliefs. He views music as a powerful medium for uncovering truth and achieving inner purity. “Certain religions say music is forbidden,” he notes, reflecting on how people’s understanding of life’s purpose can be clouded by societal norms. “My ultimate quest is to see how many veils you can remove to find the truth within you.”

For Rahman, inspiration can come from any source—a street musician playing the flute, a grand symphony, or even the azan from a mosque. He believes that music can serve as a pathway to self-discovery. “The search to purity within yourself, to see the truth, could be through music leading you to something,” he explains.

Whenever Rahman encounters creative blocks, he turns to the works of Sufi philosopher Baba Bulleh Shah. By stripping away the lyrics from Bulleh Shah’s poetry, Rahman seeks to uncover the underlying melody. “There’s something about those lyrics, the power those lyrics have, that elevates the whole value of that tune,” he says.

At 57, Rahman shows no signs of slowing down. In addition to his role at Trinity Laban, he has an array of ambitious projects in the pipeline. These include plans to establish a new theatre in Chennai, develop the virtual metal band Secret Mountain, adapt Slumdog Millionaire for the stage, and direct his own films.

For Rahman, the journey is far from over. “The best is yet to come,” he says, embodying the boundless creativity and passion that have defined his career.

Prasar Bharati Launches WAVES OTT Platform, Blending India’s Heritage with Digital Innovation

India’s National public broadcaster, Prasar Bharati, unveiled its new WAVES OTT platform during the 55th International Film Festival of India (IFFI) in Goa on November 20, 2024. The event was inaugurated by Goa Chief Minister Dr. Pramod Sawant, with Sanjay Jaju, Secretary of India’s Ministry of Information and Broadcasting (I&B), in attendance.

Doordarshan, a celebrated part of India’s broadcasting history, has now entered the OTT space to cater to the increasing demand for digital streaming. According to a statement from the I&B Ministry, WAVES is a key initiative under the Viksit Bharat vision of Prime Minister Narendra Modi and marks a significant step in the Digital India campaign. It draws from the rich legacies of Akashvani and Doordarshan, offering iconic shows and films that merge India’s cultural essence with contemporary programming.

The platform is positioned as an aggregator OTT service and seeks to showcase Indian stories through a global lens. WAVES supports over 12 languages, including Hindi, English, Bengali, Marathi, Kannada, Tamil, Telugu, Malayalam, Gujarati, Punjabi, and Assamese. The content spans more than 10 genres of infotainment, reflecting a blend of tradition and modernity. It offers various features such as video-on-demand, free-to-play games, podcasts, audiobooks, journals, radio and live TV streaming, and integrated app-in-app services for gaming and video content.

In addition to streaming, WAVES integrates an e-commerce segment backed by the Open Network for Digital Commerce (ONDC), aiming to promote micro, small, and medium enterprises (MSMEs) and local businesses. BharatNet ensures the platform reaches rural audiences, enabling widespread accessibility.

The content library of WAVES is a treasure trove of Indian classics, featuring timeless favorites like Ramayan, Mahabharat, Shaktimaan, Hum Log, and Fauji 2.0, a refreshed version of Shah Rukh Khan’s iconic television show Fauji. It offers diverse programming that includes news, regional shows, documentaries, and cultural content. Prime Minister Narendra Modi’s monthly address, Mann ki Baat, will also stream on the platform. Additionally, WAVES plans to host a cybersecurity awareness campaign in collaboration with CDAC and MeitY, which will feature programs such as Cyber Crime ki Duniya and Cyber Alert by DD News.

WAVES is also focused on nurturing talent in India’s growing digital economy. The platform will collaborate with national creators, including awardees such as Kamiya Jani, RJ Raunac, and Shraddha Sharma. It is also open to student projects from prominent film and media institutions like FTII, Annapurna, and AAFT, providing a stage for emerging creators to showcase their work.

Central government ministries and various states are partnering with Prasar Bharati to produce a variety of engaging content for WAVES. This includes docudramas, dramatized series, and reality shows that serve as mediums for impactful storytelling. Among the highlights are a documentary commemorating the Supreme Court of India’s 75th anniversary, the Cinemas of India archive by NFDC, and rare materials from the I&B Ministry, such as historic photographs and journals. Other contributors include the Ministry of External Affairs, Ministry of Finance, IGNCA, Ministry of Culture, and India Post, ensuring a wide array of informative and entertaining content.

With a sleek interface, cross-platform compatibility, personalized user profiles, and curated playlists, WAVES delivers a modern streaming experience. The app is available on both Google’s Play Store and Apple’s App Store, making it accessible to users across devices.

Looking ahead, the Government of India is preparing to host the World Audio Visual & Entertainment Summit (WAVES) from February 5 to 9, 2025, at Bharat Mandapam in New Delhi. This event is expected to bolster India’s Media and Entertainment (M&E) industry while expanding its global footprint.

During a promotional roadshow at Jawaharlal Nehru Architecture and Fine Arts University in Hyderabad, I&B Secretary Sanjay Jaju emphasized that WAVES would be the first global summit to address the entire spectrum of the M&E industry. He stated, “The OTT WAVES initiative in India aims to foster collaboration between the M&E industry and technology, serving as a premier platform for dialogue, innovation, and trade partnerships.” Jaju highlighted that the summit would unite industry leaders, innovators, and stakeholders to tackle challenges, explore new opportunities, and shape the future of India’s dynamic M&E sector.

AFI Recognizes Top Films and TV Shows of the Year for 2024

The American Film Institute (AFI) has announced its selections for the most outstanding motion pictures and television programs of 2024, celebrating the collaborative nature of these art forms. The AFI AWARDS does not focus on competition but instead emphasizes a sense of community among creators.

In the Motion Pictures of the Year category, the selected films include:

Anora

The Brutalist

A Complete Unknown

Conclave

Dune: Part Two

Emilia Pérez

Nickel Boys

A Real Pain

Sing Sing

Wicked

For Television Programs of the Year, the honorees are:

Abbott Elementary

The Bear

Hacks

A Man on the Inside

Mr. & Mrs. Smith

Nobody Wants This

The Penguin

Shōgun

Shrinking

True Detective: Night Country

Additionally, the AFI Special Award has been given to Baby Reindeer.

Bob Gazzale, President and CEO of AFI, emphasized the ethos of the awards, stating, “AFI AWARDS is never about competition, but community. We look forward to bringing these artists together as one and celebrating their collective power to drive culture forward.”

The honorees will convene for a private luncheon on Friday, January 10, 2025, at the Four Seasons Hotel in Los Angeles, Beverly Hills. Known for its casual and inclusive atmosphere, the event is a highlight in the entertainment industry, bringing together creative teams for a shared acknowledgment of excellence.

What makes the AFI AWARDS unique is its focus on recognizing the entire creative team, both in front of and behind the camera. This approach underscores the collaborative nature of film and television, highlighting how these works inspire audiences and contribute to America’s rich cultural heritage. As the AFI points out, these selections create a “complex and rich visual record of our modern world” when viewed in historical context.

The selection process for the AFI AWARDS involves a jury comprising AFI Trustees, artists, scholars, and critics. This year’s jurors included industry figures such as Sterlin Harjo, Gale Anne Hurd, Charles Melton, Da’Vine Joy Randolph, and Jane Seymour. Scholars from institutions like Syracuse University, the University of Southern California, and the University of California, Santa Cruz, also participated. Renowned critics, including Ann Hornaday, Mary McNamara, Janet Maslin, and Peter Travers, contributed alongside representatives from outlets like The New Yorker, NPR, and TV Guide.

The jury was chaired by Jeanine Basinger, AFI Board of Trustees member and Chair Emerita of Wesleyan University’s Film Studies Department, along with Richard Frank, Vice Chair of the AFI Board of Trustees and former Chairman of Walt Disney Television.

Each year, the AFI AWARDS jury provides artistic and cultural context for the selections, which represent the year’s most exceptional achievements in film and television. The honorees join an illustrious group of previous recipients whose works continue to shape the cultural and artistic legacy of the moving image.

This year’s recipients reflect a diverse and vibrant range of storytelling, showcasing the power of visual media to engage, inform, and inspire. Whether through groundbreaking films like Dune: Part Two or acclaimed series like Abbott Elementary and True Detective: Night Country, the AFI AWARDS reaffirm the vital role of art in shaping and preserving cultural history.

As these works continue to resonate with audiences and critics alike, they exemplify the enduring impact of cinema and television as forms of artistic expression and cultural documentation.

Beyoncé Crowned Greatest Pop Star of the 21st Century by Billboard

Beyoncé has reached yet another milestone in her legendary career, being named the greatest pop star of the 21st century by Billboard. The magazine, which has been gradually unveiling its rankings over recent months, announced on Tuesday that the iconic performer, known as Queen Bey, topped its list of the 25 greatest pop stars.

“Since late August, we’ve been rolling out our picks for the artists who have most defined pop stardom for the last 25 years,” the magazine explained. Highlighting Beyoncé’s unparalleled contributions to the music industry, Billboard stated, “The reasons why Beyoncé captured the top spot on our list were beyond numerous — ranging from her 25 years of timeless albums and singles, to her incalculable industry impact and influence on other artists, to her peerless raw talents as a singer and performer.”

The publication further emphasized her unique ability to create cultural moments that resonate globally. “Perhaps the most important of all was her singular ability to create moments: indelible pieces of pop culture history that she has generated over the course of her quarter century of superstardom, which are first and foremost all quintessentially Beyoncé,” it added.

Beyoncé’s remarkable journey in music began in the late 1990s as part of Destiny’s Child, one of the most successful girl groups in history. The group’s hits set the stage for Beyoncé’s solo career, which launched in 2003 with the release of her debut album, Dangerously in Love. This album marked the beginning of her reign as a solo artist, debuting at No. 1 on Billboard’s Hot 200 albums chart. Over the years, she has continued to dominate the charts with seven more albums achieving the same feat.

Her influence extends beyond music. Beyoncé has become a cultural icon, shaping trends in fashion, art, and social activism. In the 2000s and 2010s, she was named Artist of the Decade by multiple outlets and was recognized as the Recording Industry Association of America’s top-certified artist of the 2010s.

This latest accolade is not the first time Beyoncé has been celebrated by Billboard. She was previously named the greatest pop star of the year in both 2003 and 2014. However, securing the top spot on the 25-year ranking solidifies her legacy in the music industry.

Beyoncé surpassed other global superstars on the list, including Taylor Swift at No. 2, Rihanna at No. 3, Drake at No. 4, Lady Gaga at No. 5, and Britney Spears at No. 6. Her husband, Jay-Z, also made the list, ranking at No. 16. Other notable names in the rankings include Adele, BTS, Kanye West, and Ariana Grande.

Beyoncé’s achievements are unparalleled in the industry. She holds the record as the most-decorated Grammy artist in history, with a total of 32 wins. Earlier this year, she added another accomplishment to her name, becoming the most Grammy-nominated artist of all time. With 11 nominations for her latest album, Cowboy Carter, she now boasts an astounding 99 Grammy nods, surpassing the previous record she shared with Jay-Z at 88 nominations.

Released earlier this year, Cowboy Carter has been a groundbreaking success. Announced during a surprise Super Bowl commercial in February, the album included hit singles such as “16 Carriages” and “Texas Hold ‘Em,” which immediately went viral. The album not only broke records but also highlighted the contributions of Black artists to the country music genre. Beyoncé’s exploration of country music with Cowboy Carter has been hailed as a catalyst for renewed interest in the genre’s roots and has brought greater visibility to Black country artists.

Her enduring popularity and influence are evident in every facet of her career. Beyoncé’s ability to evolve and create art that resonates with audiences across generations has cemented her as one of the best-selling musicians of all time. Her talent and creativity have not only set her apart from her peers but have also redefined what it means to be a global pop star.

The complete list of Billboard’s greatest pop stars of the 21st century reflects the diverse and evolving landscape of the music industry. Artists who made the list include Katy Perry (No. 25), Ed Sheeran (No. 24), Bad Bunny (No. 23), One Direction (No. 22), and Bruno Mars (No. 20). Other notable entries include Nicki Minaj (No. 13), Justin Bieber (No. 8), and Adele (No. 10).

As Billboard noted, Beyoncé’s impact is “incalculable,” and her influence on the music industry, as well as on her peers, is undeniable. From her powerful voice to her visionary artistry, Beyoncé continues to set the standard for excellence in music and beyond. Her ability to consistently create cultural milestones over her 25-year career is a testament to her unparalleled talent and work ethic.

With a legacy that transcends music, Beyoncé remains a global icon and a source of inspiration for artists and fans alike. Her journey from Destiny’s Child to becoming the greatest pop star of the 21st century is a story of resilience, talent, and an unwavering commitment to her craft. As Billboard aptly put it, Beyoncé’s career is “quintessentially Beyoncé,” and her reign is far from over.

Thanksgiving Weekend Box Office Hits Record with ‘Moana 2,’ ‘Wicked,’ and ‘Gladiator II’

Instead of relaxing at home after Thanksgiving, many Americans chose to visit movie theaters, spurred by the premieres of Disney’s “Moana 2” and the appeal of Universal Pictures’ “Wicked” and Paramount Pictures’ “Gladiator II.” Together, these films created a record-breaking boost for the domestic box office.

The trio of blockbuster releases helped the five-day Thanksgiving weekend box office revenue soar to an estimated $420 million, surpassing the previous record of $315.6 million set in 2018. This significant milestone underscores the resurgence of the moviegoing experience during the holiday season.

Disney’s “Moana 2” led the charge, achieving the highest-grossing five-day opening in history by earning $221 million domestically. This figure eclipsed the previous record set by “The Super Mario Bros. Movie,” which earned $204.6 million in 2023. Alan Bergman, co-chairman of Disney Entertainment, expressed his enthusiasm in a press release, stating, “‘Moana 2’ has far surpassed our high expectations this weekend and is a testament to the phenomenon that Moana has become.”

Paul Dergarabedian, senior media analyst at Comscore, highlighted the strategic advantage of releasing three major films during the same period. “Having all three of these films seems to be a strategy, whether by design or by accident, that really draws massive amounts of attention to the movie theater experience,” he said. He also noted that the unexpected $420 million box office haul reshaped perceptions of the year’s overall potential.

“Wicked” contributed significantly to the holiday success, grossing $262.4 million domestically, including $80 million earned between Friday and Sunday. Similarly, “Gladiator II” added to the momentum, with its cumulative earnings reaching $111.2 million after generating $30.7 million over the same three-day period. Both films, which debuted on November 22, have collectively been nicknamed “Glicked,” drawing comparisons to the summer 2023 trend of “Barbenheimer,” which paired the releases of “Barbie” and “Oppenheimer.”

In fourth place, Amazon MGM Studios’ Christmas action movie “Red One” earned $12.89 million during its third weekend of release. Distributed internationally by Warner Brothers Discovery, this film was followed by Lionsgate’s “The Best Christmas Pageant Ever,” which grossed $3.27 million in its second weekend.

Industry analysts predict that the box office momentum will persist in the coming weeks. The three leading films are expected to maintain their strong performance, drawing audiences well beyond the holiday weekend. Daniel Loria, editorial director at The Boxoffice Company, pointed out that “Gladiator II” faces little competition until mid-December, when Sony’s “Kraven the Hunter” is set to release. Similarly, “Moana 2” will dominate the family animation genre until December 20, when “Sonic the Hedgehog 3” and “Mufasa: The Lion King” hit theaters. “Wicked” will continue its run with a special interactive experience starting December 25, allowing audiences in approximately 1,000 North American theaters to participate in sing-along showings.

Michael O’Leary, president and CEO of the National Association of Theatre Owners, noted that some moviegoers have faced difficulties securing advance tickets. This demand could translate into extended interest and attendance in the coming weeks.

Industry experts attribute much of this success to a revitalized focus on theatrical-driven marketing. Loria emphasized how Universal, Paramount, and Disney capitalized on this strategy to ensure their films’ success. According to data from The Boxoffice Company, 75% of all showtimes during the Thanksgiving weekend were dedicated to “Moana 2,” “Wicked,” and “Gladiator II.” This approach allowed theaters to cater to a diverse audience base seeking animated adventures, musical fantasies, or epic historical action.

Dergarabedian remarked on the evolving relationship between theatrical releases and streaming platforms. “That was additive and complementary: having the big screen and the small screen for Disney working together to build up the potential revenue and viewership,” he explained, highlighting how the synergy between the two formats amplifies a film’s reach and profitability.

This record-breaking Thanksgiving weekend not only underscores the enduring appeal of the big screen but also signals a promising trajectory for the box office in the weeks ahead. With no direct competition for the leading films in the immediate future, theaters are poised to continue reaping the rewards of a strong holiday season.

COP29 Sparks Outrage Over Climate Finance Deal and Fossil Fuel Influence

This year’s UN climate summit in Baku, Azerbaijan, began with a contentious celebration of fossil fuels and concluded with a deeply divisive climate finance agreement. Azerbaijani President Ilham Aliyev hailed fossil fuels as a “gift of God,” while developing nations denounced the resulting finance deal as an “insult,” a “joke,” and a “betrayal.”

The central issue at COP29 was determining how much wealthy nations, which bear the most responsibility for climate change, should contribute to support poorer countries that suffer its worst impacts. The agreed-upon figure was $300 billion annually by 2035—a sum affluent nations defended as the best they could offer. However, developing countries condemned it as “abysmal,” far below the $1.3 trillion economists estimate is required to address a crisis these nations did not cause.

The summit’s bitter conclusion has left many questioning the effectiveness of the UN’s COP process. Critics argue that its diminishing ambition risks rendering it irrelevant. Amidst geopolitical turbulence, including the election of a U.S. president dismissive of climate change, some believe Baku could mark the decline of multilateral climate negotiations.

Harjeet Singh of the Fossil Fuel Treaty Initiative voiced his dismay, stating, “The dismal outcomes of COP29 … have raised serious concerns about the integrity of the global climate negotiation process.”

Fossil Fuel Dominance at COP29

While COP summits are notoriously challenging, they have achieved significant milestones, such as the 2015 Paris Agreement, where countries committed to limiting global warming to well below 2 degrees Celsius, aiming for 1.5 degrees. Despite these commitments, the world is now on track for its hottest year ever, with greenhouse gas emissions at unprecedented levels.

Payam Akhavan, representing the Commission of Small Island States on Climate Change and International Law, criticized the reliance on goodwill from major polluters. “The COP process has thus far failed, because it depends on the good faith of the major polluters, and instead of doing what is necessary for our common survival, they are literally adding fuel to the flames,” Akhavan said.

COP29 was fraught from the outset. Russia, wielding its UN veto power, prevented any European Union country from hosting, leaving Azerbaijan—a nation heavily dependent on fossil fuels and inexperienced in leading high-level climate talks—to mediate discussions on climate finance.

The summit quickly descended into chaos. Key leaders from wealthy nations were notably absent, Argentina withdrew its negotiators, and frustrations boiled over as some developing country representatives walked out during negotiations.

While COPs have been hosted in petro-states before, fossil fuel interests appeared particularly emboldened in Baku. This may have been influenced by the anticipated inauguration of Donald Trump in the U.S., a leader who has vowed to promote extensive oil drilling and abandon the Paris Agreement. Over 1,700 fossil fuel lobbyists and industry representatives attended the summit, outnumbering many country delegations. Saudi Arabia, a longstanding opponent of ambitious climate action, openly rejected any mention of fossil fuels in the final agreement.

The resulting deal drew fierce criticism. Climate advocacy groups likened it to a “band-aid on a bullet wound,” while developing nations expressed their outrage. The Least Developed Countries Group on Climate Change described it as “not just a failure; it is a betrayal,” stating that the dismissal of their needs “erodes the fragile trust that underpins these negotiations and mocks the spirit of global solidarity.”

The End of Multilateral Action?

Despite its shortcomings, the UN climate process remains the only platform where nearly all countries can participate in shaping global climate action. Margaretha Wewerinke-Singh, an international lawyer representing Vanuatu in climate litigation, emphasized its significance, saying, “It’s the only forum where nearly every country has a seat at the table.”

However, the COP process’s credibility is increasingly under threat. Critics argue that fossil fuel interests have hijacked the agenda, undermining the negotiations’ integrity. To regain momentum, Singh urged a systemic overhaul: “The whole system needs reorienting to serve the interests of the most vulnerable, rather than those of fossil fuel lobbyists and polluters.”

Rebuilding trust and ambition will be an uphill battle, especially as geopolitical dynamics shift in favor of leaders who champion fossil fuels and dismiss climate action. Nonetheless, some experts see hope. Akhavan expressed cautious optimism, stating, “Even if in the short-term there might be a regression because of populists and petro-states, there is ultimately no choice but to return to a ‘bigger and better’ COP 2.0.”

Friederike Otto, a climate scientist at Imperial College London, warned against abandoning the COP process altogether. “By lamenting on the broken process, we just add to the stalling and delay,” she said. “We need to save the institutions we have. If we throw them in the gutter, Trump, Putin, and Co. have won already.”

Looking Ahead to COP30

The focus now shifts to COP30, scheduled to take place in Brazil next year. Dubbed the most critical climate summit since Paris, it will provide nations with an opportunity to outline their climate strategies for the next decade. Ensuring the summit’s success will require addressing the systemic flaws highlighted in Baku.

While the road ahead is challenging, many climate advocates believe the COP framework can still drive meaningful action. For this to happen, countries must recommit to the principles of solidarity and equity that underpin global climate agreements. The stakes could not be higher, as the decisions made—or avoided—will shape the planet’s future.

Shivangi Desai: A Rising Star Representing India at Miss Charm 2024

Shivangi Desai, a 22-year-old final-year law student at the Indian Law School (ILS) Pune, has brought pride to India by winning the prestigious Miss Charm India 2024 title. This remarkable achievement will see her represent India at the global Miss Charm 2024 competition in Vietnam this December. A dynamic blend of intellect, beauty, and cultural advocacy, Shivangi’s journey exemplifies resilience and determination, inspiring young aspirants across the nation.

Shivangi’s journey in pageantry began at the age of 16 when she won the May Queen title at the RSI Army Institute in Pune in 2018. This success set the stage for numerous accolades, including the Miss Teen India North title at Miss Teen Diva, Miss NDA, and 1st Runner-Up at Miss Universe Gujarat. Her early achievements provided a strong foundation for her triumph at Miss Charm India 2024, showcasing her dedication and talent in the competitive world of pageantry.

Shivangi’s upbringing has played a pivotal role in shaping her character and aspirations. As the daughter of an Indian Navy officer, she grew up attending ten different schools across India, adapting to new environments and challenges. This upbringing instilled in her qualities like resilience, discipline, and adaptability, which have been instrumental in her success both in academics and pageantry.

Beyond her achievements in pageantry, Shivangi is deeply passionate about promoting India’s rich culture and heritage. Her commitment to this cause is evident in her authorship of the book Beyond the Usual, which explores India’s lesser-known tourism gems. Her efforts to highlight India’s cultural wealth align seamlessly with her aspirations to represent the country on the global stage.

In addition to her accomplishments in pageantry, Shivangi excels academically as a law student. She has participated in and won national and state-level moot court competitions, interned with leading law firms such as Trilegal and Khaitan & Co., and authored research papers. Her ambition to become a top lawyer specializing in fashion, sports, and entertainment law reflects her multifaceted personality and determination to succeed in every arena she pursues.

Shivangi credits her success at Miss Charm India 2024 to the guidance and mentorship she received from Pageant Coach Ritika Ramtri and the Glamanand Supermodel India team. Their support helped her hone her skills and prepare for the rigorous competition, contributing significantly to her victory.

As she prepares to represent India at Miss Charm 2024, Shivangi’s story is a testament to the power of perseverance, passion, and purpose. Her achievements in academics, pageantry, and cultural advocacy position her as a role model for young Indians. Shivangi Desai’s journey is far from over, and she is set to make a lasting impact on the global stage, showcasing India’s grace, intelligence, and charm to the world.

The First Ever Miss Bharat Connecticut Contest Held in Connecticut

Arshia Puri won the prestigious Miss Bharat Connecticut, during a glittering inaugural Miss Bharat CT pageant which made a stunning debut in Connecticut, showcasing the beauty and talent of participants across various categories. The event held on November 10, 2024 at the beautiful Villa Louisa in Bolton, CT recognized a diverse group of winners from across the Constitution state.

Hannah Newman was crowned Tween Bharat CT, while Pooja Prashanth claimed the title of Teen Bharat CT. In the married categories, Priti Goyal was honored as Mrs. Bharat CT, and Yash Malhotra was named Mr. Bharat. The couple category saw Sujal and Minar Muzumdaar awarded as Mr. and Mrs. Bharat CT, while Namita Dandekar and Sudhir Oak were celebrated as Mr. and Mrs. Elite Bharat CT. Ukti Goel earned the title of Mrs. Bharat CT, and Pallavi Jawale was recognized as Mrs. Bharat Elite CT.

The inaugural edition of the pageant that brought together the most beautiful women of Indian origin from across the state was organized under the guidance of Vice President Mohana Namle and State Director Amey Tumne, along with the unwavering support of Rashmi Bedi, the CEO and Founder of My Dream Tv, and President Surya Bedi, the dedicated team of My Moda Glam poured immense effort into crafting an unforgettable event.

The atmosphere was electric as Bollywood actress and celebrity Tulip Joshi graced the stage, adding a touch of glamour by crowning the deserving winners amidst a backdrop of elegance. The night sparkled with empowered individuals exuding beauty and confidence, highlighted by mesmerizing fashion show performances orchestrated by the talented Paromita Ghosh. It was truly awe-inspiring to witness the remarkable talent emerging from the state of Connecticut.

The judging panel was comprised of esteemed professionals from the pageant and fashion industry, including Mukta Munjal, Dr. Jaya Daptardar, Anushka, Kiruthiga, Priya, Shilpi, Mrs. Bharat New York, and Tom. Their expertise ensured that each contestant received fair and knowledgeable evaluations.

Overall, the night was a glorious celebration of artistry, confidence, and cultural pride, leaving a lasting impression on all attendees.

Miss India Winners Shine Bright at Myntra Glammy Awards 2024

The Myntra Glammy Awards 2024 turned into an evening of glitz and glamour, as the red carpet became a runway for stunning appearances by Miss India winners. Each of these extraordinary women displayed elegance, confidence, and an unparalleled sense of style, leaving audiences spellbound. Their meticulously curated ensembles, combined with their natural charm, not only commanded attention but also elevated the event’s fashion quotient. The night was a testament to their timeless allure, as they set new benchmarks in glamour.

Femina Miss India World 2023, Nandini Gupta, captivated everyone with her fairy-tale look. She appeared ethereal in an ivory satin backless cowl gown designed by Babita Malkani. The dress featured intricate crystal and pearl detailing at the waist, enhancing her regal vibe. With its flowing silhouette and delicate embellishments, her ensemble exuded elegance, making her look like a princess.

Miss India United Continents 2019, Shreya Shaker, displayed a bold and chic fashion sense in an outfit she curated herself. She paired a long-sleeve, deep-neck black top with a vibrant blue midi skirt that had a thigh-high slit. Her ensemble reflected a contemporary charm, exuding both confidence and style. The combination of dramatic colors and a modern cut ensured she stood out on the red carpet.

Femina Miss India World 2024, Nikita Porwal, redefined sophistication in an ivory trail gown by Abhishek Sharma. The gown’s turtle-neck design and intricate embellishments of geometric beads and cutdana work gave it a timeless allure. Complemented by a textured, floor-sweeping trail, the outfit was a masterpiece that solidified her status as a fashion icon. Her poised appearance underscored her ability to command attention effortlessly.

Femina Miss India 2024’s 2nd Runner-up, Aayushi Dholakia, opted for a daring yet glamorous look. She wore a black abstract dress by Mini Sondhi, which featured intricate embroidery and beadwork. Pairing the edgy outfit with thigh-high black boots, she completed the ensemble with loose, flowing hair, creating a bold and impactful fashion statement. Her look was the epitome of modern edginess with a touch of glamour.

Femina Miss India 2024’s 1st Runner-up, Rekha Pandey, made an unforgettable entrance in a striking drip string halter-neck backless dress by Abhishek Sharma. The outfit stood out with its avant-garde appeal, thanks to sequined motifs, delicate beadwork, and innovative cutwork. Rekha’s ensemble radiated sophistication and modern glamour, cementing her place as one of the evening’s standout stars.

LIVA Miss Diva 2023 Runner-up, Trisha Shetty, turned heads in a stunning Barbie-pink bodycon maxi dress. The long-sleeved ensemble exuded cocktail-ready charm, while her statement gold jewelry added a regal element to her look. Her polished updo hairstyle highlighted her facial features, ensuring her style was both elegant and captivating. She was a picture of poise and grace, perfectly suited for the glamourous occasion.

Femina Miss India Himachal Pradesh 2023, Nikeet Dhillon, showcased her creative flair by donning a self-designed nude ball gown. The strapless bodice of the gown was embellished with sparkling details, highlighting her impeccable taste and artistic sensibility. Her outfit perfectly blended elegance with creativity, making her appearance ideal for a creator-focused fest. Nikeet’s fashion-forward look drew admiration from all quarters.

Femina Miss India 2023’s 1st Runner-up, Shreya Poonja, embraced understated elegance with a rose-hued solid maxi dress. The sweetheart neckline, noodle straps, and flared hem lent her a dreamy, timeless aura. Paired with a sophisticated updo hairstyle, her ensemble reflected simplicity and grace, proving that subtlety can often have the most profound impact.

The Myntra Glammy Awards 2024 provided a stage for these beauty queens to redefine red carpet fashion. Each winner demonstrated a unique interpretation of glamour and sophistication, leaving a lasting impression on the audience. Their choice of ensembles not only highlighted their individual personalities but also set a new precedent for elegance and style in the fashion world. The event celebrated their beauty and achievements, reaffirming their status as style icons. As the evening concluded, it was evident that these Miss India winners were not just attendees but the very essence of the night’s glamour and allure.

Miss India 2024 Winners Inspire Students at Bennett University

Bennett University buzzed with excitement as the Femina Miss India 2024 winners graced its campus to motivate and engage with students. The triumphant trio—Nikita Porwal, Femina Miss India World 2024; Rekha Pandey, Femina Miss India 2024 1st Runner-up; and Ayushi Dholakia, Femina Miss India 2024 2nd Runner-up—shared inspiring stories of determination, glamour, and ambition, captivating the audience with their words of wisdom and experience.

Nikita Porwal, crowned Femina Miss India World 2024, emphasized the profound pride and responsibility of representing India on an international stage. Addressing the audience, she shared her perspective on the significance of her role. “Talking about the crowning moment and carrying this pride of India, I feel it is more of a responsibility with a privilege,” she remarked. Porwal highlighted her vision of showcasing not just modern India but also its deep cultural roots. “It’s such a significant task to showcase India on the world stage, being an ambassador for millions of girls, and being the voice of India and its deep-rooted culture. It’s not just the developed India I want to present but also our rich Sanskriti. I hope you’ll support me and Nandini Gupta, who will represent India at Miss World 2025. Let’s bring the crown home!” she added, earning enthusiastic applause from the audience.

Rekha Pandey, the 1st Runner-up and recipient of the Times Miss Beautiful Smile and Times Miss Photogenic titles, shared her transformative journey from working behind the scenes to stepping into the limelight. “I am someone who has always worked behind the camera. I’ve spent years in a PCR room, and I was once the head of the PCR department for a reality show. But my life has taken a 360-degree turn, and now I find myself in front of the camera,” Pandey said. With a background in films and mass communication from Pune, she explained how her passion helped her overcome challenges and realize her dreams. Competing with 29 talented and experienced contestants was no easy feat, but her confidence and perseverance set her apart. “I believed in myself, and the organisation saw that potential in me,” she explained. She urged the students to always have faith in their abilities, saying, “Always trust yourself, even when the situation feels new or uncomfortable. Just trust yourself, and things will fall into place.”

Ayushi Dholakia, the 2nd Runner-up, known for her dedication to social work, focused her address on empowering young women. She highlighted the evolving perception of beauty pageants and their role in personal growth. “True beauty lies in strength and grace,” Dholakia said. Reflecting on her own journey, she spoke about how pageants now push participants to constantly strive for self-improvement. “Being young and educated in today’s society, I feel beauty pageants have come a long way. While they continue to empower aspiring women, they are also about pushing oneself to be the best version possible,” she remarked. Sharing her personal mantra, she added, “Do not wait for the right opportunities to come to you. Make the right opportunities come to you. That is what I have followed my entire life.” Her words resonated deeply with the students, who applauded her message of resilience and proactive effort.

The inspiring event concluded with an interactive and fun activity, as the winners joined students in a friendly game of Pickleball, fostering a spirit of camaraderie and celebration. The presence of these accomplished women not only filled the campus with energy but also left a lasting impact on the students, motivating them to chase their dreams with confidence and determination.

Emmy-nominated filmmaker Tirlok Malik’s On Golden Years Receives Resounding Applause at Teaneck International Film Festival

Emmy-nominated filmmaker Tirlok Malik’s heartfelt film On Golden Years made a memorable impact at the Teaneck International Film Festival’s 19th annual celebration. Held on November 10, 2024, the screening drew a warm response from the audience, ending with resounding applause and a powerful message of love and resilience.

The film resonated deeply with viewers, who praised both its storytelling and its reflection of the immigrant experience. Sanjay Modi called it a “truly good story and well portrayed on the big screen,” adding he planned to see it again with his wife. Harry Shah remarked that it carried a “great message of love” and noted how it reflects “a reality which we immigrants have been living.” Pam and Lall Kawatra also expressed their appreciation, saying, “We loved the film; congratulations to Tirlok Malik!”On Golden Years Poster (1) (1)

David Nachman, Esq., Managing Attorney at Nachman, Phulwani, Zimovcak (NPZ) Law Group, P.C. shared: “Thank you for giving us the opportunity to sponsor such an excellent film with such an important message at a critical time. The NPZ Law Group is pleased to support TIFF’s missions and messages. Congratulations to Tirlok Malik for providing attendees with exposure to a truly timeless film.”

Jeremy Lentz, Executive Director of the Teaneck International Film Festival, added, “It was an honor to present On Golden Years at the 19th Teaneck International Film Festival. The message of this film reminds us to love each day you are given and live each day you’ve got — leading with love and compassion. I hope this film will uplift and inspire others to be kind to each other and take care of one another.”

The screening concluded with a lively Q&A, where Malik expressed his gratitude, made everyone laugh in his trademark style, and left everyone with a final, uplifting message to love oneself and live every moment of life to the fullest. This sentiment, capturing the spirit of the film, left a lasting impression on attendees and reinforced the power of cinema to bring people together and inspire a love for life.

Murtaza Ali Khan is an award-winning film critic who has served on the jury of the 69th and the 70th National Awards. He has been covering cinema, arts, and culture for the last decade and a half. He can be reached at [email protected].

Pope Francis Urges Global Action on Ecological and Economic Debt at U.N. Climate Summit

Pope Francis addressed the U.N. climate summit on Wednesday, delivering a powerful message that stressed the importance of addressing both ecological and foreign debt in the fight against climate change. He warned that both forms of debt are “mortgaging the future” of nations, particularly those already struggling under the weight of crippling economic burdens.

In his message to the 29th Conference of the Parties (COP29) to the U.N. Framework Convention on Climate Change, which is currently taking place in Baku, Azerbaijan, from November 11 to 22, the pope emphasized the need for global efforts to find sustainable solutions that would not further damage the development potential of countries already facing severe economic challenges. “Efforts should be made to find solutions that do not further undermine the development and adaptive capacity of many countries that are already burdened with crippling economic debt,” he stated.

One of the key focuses of COP29 is the establishment of a “New Collective Quantified Goal on Climate Finance,” which aims to mobilize resources to support climate change mitigation and adaptation efforts across nations. Climate finance, as defined by the U.N., refers to the financial resources, whether local, national, or transnational, that are allocated to help mitigate the effects of climate change and support global sustainability initiatives.

Cardinal Pietro Parolin, the Vatican’s Secretary of State, is representing the Holy See at the summit. On November 13, he read Pope Francis’ message to the assembly, reinforcing the pope’s call for increased international solidarity and cooperation on climate issues.

Pope Francis used his platform at the climate summit to underscore what he sees as a growing indifference toward environmental issues in the modern era. “We cannot wash our hands of it, with distance, with carelessness, with disinterest. This is the real challenge of our century,” he declared. He highlighted how indifference to climate change has compounded the problem, calling it “an accomplice to injustice.”

The pope’s remarks come at a critical moment in global climate discussions. The Conference of the Parties (COP) has been convening annually since 1995 to assess and address the goals of the 1992 United Nations Framework Convention on Climate Change (UNFCCC). The Holy See became a full member of the UNFCCC and the 2015 Paris Agreement in 2022, further demonstrating its commitment to global climate action.

Pope Francis also reiterated the Holy See’s support for the work of COP29, particularly in the area of integral ecology and environmental education. He emphasized that the climate crisis is not only an environmental issue but also a profound human and social issue, affecting the poorest and most vulnerable communities around the world. “It is essential to seek a new international financial architecture that is human-centered, bold, creative, and based on the principles of equity, justice, and solidarity,” he urged.

The pontiff emphasized that such a new financial framework must prioritize the needs of the most vulnerable nations, many of which are already facing the worst impacts of climate change despite contributing the least to the global crisis. He called for a financial system that enables all countries to pursue both low-carbon and equitable development pathways that ensure every nation can reach its full potential while safeguarding human dignity.

“A new international financial architecture that can truly ensure for all countries, especially the poorest and those most vulnerable to climate disasters, both low-carbon and high-sharing development pathways that enable everyone to reach their full potential and see their dignity respected,” Pope Francis stressed.

The pope’s remarks underscore the urgent need for a shift in how the world approaches climate finance, as well as the role of international cooperation in addressing the mounting pressures of both ecological and economic debts. His call for a human-centered financial system reflects his ongoing advocacy for a more equitable world, where the wealthiest nations support the sustainable development of poorer countries, rather than perpetuating a cycle of exploitation and debt.

Pope Francis’ message to the U.N. climate summit also aligns with his broader environmental teachings, which have been a cornerstone of his papacy. His 2015 encyclical, *Laudato si’*, called for urgent action to combat climate change and protect the planet, emphasizing the moral and ethical responsibility to care for the Earth and its most vulnerable inhabitants. In his address to the COP29 assembly, the pope reiterated this commitment, framing the climate crisis as a deeply interconnected issue that requires a global response rooted in justice and solidarity.

As the COP29 conference continues, world leaders, policymakers, and climate activists will continue to grapple with the complex and multifaceted challenges of addressing global climate change. Pope Francis’ message serves as a powerful reminder that climate change is not only an environmental issue but one that touches on broader themes of economic justice, human dignity, and the future of humanity itself.

In his call to action, the pope highlighted the responsibility of both wealthy and developing nations to work together in finding innovative and equitable solutions to the climate crisis. He urged world leaders to take bold steps in addressing both foreign and ecological debts, which, if left unaddressed, could hinder the development and prosperity of future generations.

Pope Francis’ message to the U.N. climate summit is a timely reminder that the fight against climate change is not just about reducing emissions and protecting ecosystems but also about addressing the systemic injustices that have contributed to the crisis. The Holy See’s continued advocacy for a just and human-centered approach to climate finance is a call for greater international cooperation, solidarity, and action to ensure that the future of our planet is one of sustainability, justice, and dignity for all.

Pope Francis’ message to COP29 underscores the interconnectedness of economic and environmental challenges facing nations today. By calling for a new financial architecture centered on equity and justice, he emphasizes the moral imperative to address both foreign and ecological debts, ensuring that all nations, especially the most vulnerable, can thrive and contribute to a sustainable future.

Indian-American Artists Shine with Grammy Nominations in 67th Awards

Indian-American artists have made a strong impact at the 67th Grammy Awards, which will take place on February 2, 2025, at Los Angeles’s Crypto.com Arena. A lineup of nominees with Indian roots spans several categories, underscoring the increasing global influence of these musicians.

The list of nominees features Chandrika Tandon, Anoushka Shankar, Varijashree Venugopal, Ricky Kej, Noshir Mody, and Radhika Vekaria. Each artist has made noteworthy contributions in their respective genres, representing a diverse spectrum of music.

Entrepreneur and musician Chandrika Tandon has received a nomination for her album Triveni in the Best New Age, Ambient, or Chant Album category. Tandon, also nominated previously for her album Soul Call in the Best Contemporary World Music category, is known both for her artistic work and her business acumen. She is the founder and chairperson of Tandon Capital Associates, a financial advisory firm established in 1992. Tandon is also notably the sister of Indra Nooyi, former CEO of PepsiCo, adding a unique blend of corporate and artistic success to her profile.

Joining her in the same category is Anoushka Shankar, who received a Grammy nomination for her album Chapter II: How Dark It Is Before Dawn. Shankar, daughter of the legendary sitar maestro Ravi Shankar, carries forward her family’s legacy in Indian classical music with a modern touch. This nomination is part of her broader recognition in the industry, where she is seen as an innovator in the genre. Shankar received a second Grammy nomination this year in the Best Global Music Performance category for her collaboration on the track A Rock Somewhere with Bengaluru-based vocalist, violinist, and composer Varijashree Venugopal.

Venugopal, who is a first-time Grammy nominee, made a significant contribution to A Rock Somewhere, bringing her skills in both voice and violin to the project. In addition, Venugopal has collaborated with Ricky Kej on his album, adding another dimension to her Grammy debut. Kej, who is based in Bangalore and has previously won three Grammy Awards, has now received his fourth nomination for his album Break of Dawn. Although Kej currently resides in India, he was born in North Carolina, giving him a background that bridges both cultures.

Adding to the representation in the Best New Age, Ambient, or Chant Album category is Radhika Vekaria, nominated for her album Warriors of Light. Vekaria was born in the UK to parents who emigrated from East Africa, with family roots tracing back to India. Now based in Los Angeles, Vekaria’s nomination highlights her cultural journey and the influences that shape her work.

Noshir Mody, a musician born in Mumbai, is also a first-time Grammy nominee. His track Kashira has been nominated in the Best Global Music Performance category. This nomination marks a milestone in Mody’s career, as he gains international recognition for his work, representing a distinct style that combines his Indian heritage with global sounds.

Additionally, the Best Global Music Performance category features Pakistani-American artist Arooj Aftab, who has been nominated for her song Raat Ki Rani, part of her album Night Reign, which is also competing in the Best Alternative Jazz Album category. Aftab, who gained significant attention in 2022, made history as the first Pakistani woman to win a Grammy with her song Mohabbat in the same category. Her latest nomination underscores her continued success and artistic influence.

These Grammy nominations reflect the vibrant diversity and artistic contributions of Indian-American and South Asian artists to the global music industry. With nominations across different genres, each artist represents a unique blend of cultural heritage and modern influence, celebrating a shared legacy on a worldwide stage.

Filmmaker Payal Kapadia Brings Mumbai to Life in “All We Imagine as Light

Have you ever watched a film that transports you so deeply that you wish to live in its world? For Indian filmmaker Payal Kapadia, Wong Kar-wai’s Chungking Express had such an impact. Captivated by its unique aura of romantic longing as a teenager, Kapadia wanted to visit Hong Kong and lose herself in its vibrant, neon-lit streets.

“I was really into that movie,” Kapadia recalls. Years later, when she finally got to Hong Kong, she made a point to visit Hong Kong Mansions, the sprawling complex featured prominently in Wong’s film. However, the reality didn’t quite match the dreamy allure the film had conjured.

“Because how could it not?” she says, laughing. “It’s all Wong Kar-wai. But it did make me think about subjectivity and all the feelings that can be infused into a movie’s setting to make it so much more delightful.”

Drawing inspiration from her teenage experience and what she learned at India’s Film & Television Institute, Kapadia poured her insights into her first feature film, All We Imagine as Light, releasing at the Laemmle Royal. The movie presents Mumbai with the same vibrancy Wong brought to Hong Kong, depicting both the chaos of the city by day and the haunting stillness of rain-soaked streets at night. The story revolves around three women: Prabha (Kani Kusruti), a serious-minded nurse; Anu (Divya Prabha), her young roommate; and Parvaty (Chhaya Kadam), an activist and widow recently displaced by property developers.

Men appear in the narrative, though their presence is complicated. Prabha’s husband, arranged through marriage, lives in Germany, and it’s unclear when or if he’ll return; meanwhile, Anu has a boyfriend, Shiaz (Hridhu Haroon), but their relationship must remain hidden due to religious differences—Anu is Hindu, and Shiaz is Muslim.

With an intimate portrayal of their lives, All We Imagine as Light blends personal and political elements. The film became the first Indian feature in nearly 30 years to compete at Cannes, where it won the Grand Prix. Praised as a beautiful, empathetic depiction of a city and its people, the film’s portrayal of Mumbai could leave viewers eager to visit.

On a warm Sunday in October, Kapadia has just arrived in Los Angeles from San Francisco and is seated at a Beverly Hills hotel restaurant, keeping out of the sun. A waiter offers them bottomless mimosas.

“That sounds like a very L.A. thing,” Kapadia says, smiling. She passes on the mimosas, saving her energy for events for her film later in the day. However, she accepts caviar on a small pancake, her first time trying it. “One doesn’t say no to caviar,” she jokes. Nibbling it, she comments, “It’s salty. But it’s really not that nice.” The pancake, however, earns her approval.

Kapadia, 38, finds herself intrigued by America. “I’m amazed at this country,” she says. “It’s baffling, but interesting. Just the whole of it and the general happiness. But I’ve been going to very liberal cities in America, so I get the sense that this is a great country where people are really expressing themselves. ‘Wow, America is so accepting.’ But it’s the same in India. You can have many different Indias, just as, I suppose, you can have many different Americas.”

Growing up, Kapadia was surrounded by creative influences—her mother, Nalini Malani, is a well-known video artist. Watching her mother edit films sparked Kapadia’s interest in film, and in high school, she joined a film club that showed works by directors like Werner Herzog, Andrei Tarkovsky, and Satyajit Ray. By college, Kapadia was a regular at documentary and world cinema festivals in Mumbai.

“My family was always supportive,” she says, “which is why, as a woman, I could be a filmmaker. There would be so many people in my country who would think, ‘Why is the daughter pursuing higher education in the first place?’ Or they would only have enough money to pay for the son to go to college. I am very privileged. To make films is very difficult.”

The Film & Television Institute of India is highly selective, admitting only 10 students per discipline each year. Kapadia got in on her second attempt, and after graduating in 2018, she began writing All We Imagine as Light. During this time, she also created A Night of Knowing Nothing, a documentary about student protests against the Hindu nationalist policies of Indian Prime Minister Narendra Modi.

Kapadia views All We Imagine as Light as a political film, though it is not overtly so. In one scene, a character says they’ve lived in Mumbai for 23 years but still feel like an outsider.

“Mumbai is a perilous city—even its geography is in a state of flux,” Kapadia says. “Historically, it was just seven islands that was bridged by the British East India Company to make it a port because they lost their port in Surat. So the whole premise of the city comes from a super-capitalistic, colonialist past. And the city remains in a state of flux. Developers are grabbing areas where people have lived for years. Women move there to feel more liberated, but there’s an impermanence as well.”

The instability Kapadia sees in Mumbai reflects in Anu’s relationship with Shiaz, whose different religious backgrounds cast a shadow over their future together. A tender love scene between the two conveys both “romance and this girl’s desires—and also freedom,” Kapadia notes.

After wrapping filming in November, Kapadia headed to Paris, where the film’s post-production took place with a French team. She was in the thick of editing when Cannes selected the movie. In the lead-up to the festival, she worked up to 18-hour days.

“It was intense,” says Ranabir Das, the cinematographer. “After a point, we lost perspective because of the long days, so we were not 100% sure if the film was finished or if the edit was right. It became difficult because we were working on instinct itself.”

Kapadia has a more straightforward take: “When we turned it in, I was like, ‘I don’t know what it is. I don’t know what I’ve done.’” She laughs at the memory.

The film’s premiere at Cannes was a nerve-wracking moment for Kapadia, who watched with one eye shut. When it ended, the audience responded with a standing ovation. Kapadia’s joy was captured on camera, her smile widening in relief. Celebrating with her cast, crew, and mother afterward, they shared in her achievement.

Her mother’s response? “She told me she needed to watch it again,” Kapadia says. “Then she went again the next day. She liked it a lot. I discussed this film, all the layers and contexts, with her over many, many years. She was happy that, regardless of all the ups and downs, that it finally came together.”

Though All We Imagine as Light was shortlisted by France for an Oscar entry, the committee ultimately selected Jacques Audiard’s Emilia Pérez, while India chose Laapataa Ladies. However, its Oscar prospects are not over. Last year, Anatomy of a Fall was nominated in multiple categories despite being passed over by France.

As we talked, Kapadia was more focused on her film’s premiere at the MAMI Mumbai Film Festival and her next project, another film set in Mumbai. A giant butterfly fluttered by as she shared her thoughts on the creative journey.

“Yeah, it’s hard to ignore it,” she says, laughing. “Even the butterflies are bigger here.”

As Kapadia wraps up, she reflects on her experience: “This is all lovely,” she says. But she’s ready to go back to work. “It’s what I live for. Those years making this movie were stressful, but it also made me want to work more. It’s what I’m happiest doing.”

Lata Mangeshkar’s Legacy Paved Way for India’s Highest-Paid Singers: AR Rahman Tops the Chart with Record Fees

In the 1960s, Lata Mangeshkar brought a seismic shift to Bollywood’s music industry by demanding that playback singers be paid on par with lyricists and composers, a notion largely unheard of at the time. Back then, even popular singers like Mohammed Rafi and Manna Dey were paid modestly at around ₹300 per song, despite their fame. Yet, Lata’s strong stance on fair pay changed the game. As Bollywood transitioned from vinyl records and cassettes to YouTube and streaming platforms, the value and visibility of singers skyrocketed. This journey has led to a new era where India’s top singers command massive fees, with one singer, AR Rahman, emerging as the industry’s highest earner.

Currently, AR Rahman holds the distinction as India’s highest-paid singer. Industry sources reveal that Rahman commands an astounding ₹3 crore per song whenever he chooses to lend his voice. This fee is 12 to 15 times more than what other top singers in the country typically charge. Sources say Rahman sets this high rate deliberately to limit requests, as he wants to prioritize his focus on music composition. He usually only sings songs he has personally composed, but if he agrees to lend his voice to another composer’s work, the producers are required to meet his premium price.

In the list of top-earning full-time singers, Shreya Ghoshal ranks highest, charging approximately ₹25 lakh per song. Following her is Sunidhi Chauhan, who demands between ₹18-20 lakh per song, positioning her as one of the highest-paid singers. Arijit Singh matches Sunidhi’s rate, earning between ₹18-20 lakh for each song, as per industry estimates. Completing the top five is Sonu Nigam, who commands a fee of ₹15-18 lakh for a single recording. Meanwhile, rapper Badshah and singer Diljit Dosanjh have recently increased their rates, potentially setting them up to break into the top ranks of India’s highest-paid music artists in the near future.

Beyoncé Leads Grammy Nominations for 67th Annual Awards

Already the most awarded artist in Grammy history, Beyoncé has set yet another record with 11 nominations for the upcoming 67th Grammy Awards. Her album COWBOY CARTER earned her a spot in three of the night’s top categories: Album of the Year, Song of the Year, and Record of the Year with “TEXAS HOLD ‘EM.” Other beloved artists, such as Taylor Swift and Billie Eilish, also dominated the same general categories, continuing their presence as Grammy favorites in recent years.

The Grammy nominations this year reflect a mix of established stars and emerging talents. Sabrina Carpenter, Chappell Roan, and Charli XCX are among those who received multiple nominations, making this a significant year for breakout artists. Notably, Carpenter and Roan are both in contention in all four of the “general field” categories, which include Album of the Year, Record of the Year, Song of the Year, and Best New Artist.

Beyoncé’s Ever-Broadening Impact

With her 11 nominations this year, Beyoncé has now accumulated a record-breaking 99 Grammy nominations over her career. In addition to the general field categories, she received nominations in a range of genre categories like pop, Americana, country, and melodic rap, showcasing her versatility. Despite stating, “This ain’t a country album. This is a ‘Beyoncé’ album,” her work on *COWBOY CARTER* found its way into the Best Country Album category, placing her alongside artists like Kacey Musgraves, Chris Stapleton, and Post Malone.

Post Malone, a prominent feature artist this year, is tied with Charli XCX, Billie Eilish, and Kendrick Lamar with seven nominations. His contributions to Taylor Swift’s track “Fortnight” earned him nominations for Song of the Year and Record of the Year. Additionally, Post’s collaboration on Beyoncé’s song “LEVII’S JEANS” got him a nod for Best Pop Duo/Group Performance, where he competes against his own track “I Had Some Help” featuring Morgan Wallen. His song, a popular break-up anthem, is also nominated for Best Country Song.

Big Hits in Country and Rap

The year’s longest-running No. 1 hit, “A Bar Song (Tipsy)” by Shaboozey, is also vying for Song of the Year. Shaboozey himself, who worked on two tracks for COWBOY CARTER, is up for Best New Artist, joined by other emerging names like Benson Boone, Doechii, Khruangbin, RAYE, and Teddy Swims.

The Rise of New Stars

This year has been pivotal for some artists with years of experience who finally reached mainstream acclaim. Sabrina Carpenter’s song “Please Please Please” is up for Song of the Year, and her hit “Espresso” has a Record of the Year nomination. Chappell Roan, a rising star known for her queer anthem “Good Luck, Babe!,” is also competing in both Song and Record of the Year categories, and her album The Rise and Fall of a Midwest Princess is up for Album of the Year.

Charli XCX, who enjoyed a massive resurgence in popularity in Summer 2024, is also up for Grammy recognition as a solo artist for the first time. Her album BRAT has been nominated for Album of the Year and Best Dance/Electronic Album, with singles like “Guess” featuring Billie Eilish up for Best Pop Duo/Group Performance. Charli’s other tracks, “Apple,” “Von Dutch,” and “360,” received nominations in Best Pop Solo Performance, Best Pop Dance Recording, and Best Music Video, respectively.

Familiar Faces in New Categories

Though Kendrick Lamar didn’t release a full album in 2024, his high-profile feud with Drake over the summer kept him in the spotlight. Kendrick’s track “Not Like Us” is nominated for Record of the Year, Song of the Year, and Best Rap Performance. This marks the first diss track nomination since 2016, when Drake’s “Back to Back” faced off with Kendrick’s own “Alright” in the Best Rap Performance category.

Alicia Keys, a 16-time Grammy winner, is nominated this year in a new field—Best Musical Theater Album—for her Broadway musical Hell’s Kitchen, an autobiographical piece. In the rap scene, rising star Doechii, whose song “Nissan Altima” is nominated for Best Rap Performance, is also competing for Best New Artist. British artist RAYE made Grammy history as the first musician nominated simultaneously for Best New Artist and Songwriter of the Year, Non-Classical.

Unexpected Surprises and Overlooked Talent

After more than three decades in music, André 3000 has received his first Album of the Year nomination as a solo artist for New Blue Sun, an experimental jazz album. Known for his work in rap, André took a different musical direction this time, earning him a nod for Best Alternative Jazz Album. Despite the shift, he remains a force in the Grammy race, competing alongside artists like Arooj Aftab and Robert Glasper.

However, as in every awards season, some acclaimed works missed out on nominations. Vampire Weekend’s Only God Was Above Us received glowing reviews but didn’t secure any nominations in the rock or alternative categories. Similarly, Dua Lipa’s Radical Optimism was absent from this year’s nominations, despite her past Grammy success.

The global music scene saw several snubs as well, with African artists Ayrra Starr, Tyla, and Rema missing from the nominee list despite notable international achievements. In hip-hop, the critically acclaimed American Dream by 21 Savage was also overlooked. Meanwhile, albums released late in the year, such as Chromakopia by Tyler, The Creator and Glorious by GloRilla, didn’t qualify due to the eligibility cutoff of August 30, 2024. Although GloRilla’s “Yeah Glo!” did make the list, securing a spot in the Best Rap Performance category.

The Grammy Awards will be held on Sunday, February 2, 2025. As the anticipation builds, the Recording Academy has set the stage for another memorable ceremony that highlights both iconic and emerging voices in music.

When Cinemas were a Different Type of Culture

Bellamkonda1For those of us who grew up in the 1960s and 70s as students, cinemas were a very different type of culture. Very different from today. First, with no television, no computers, no internet, no video games, with only the government controlled All India Radio, cinemas were like a window in our little lives to peep through now and then. But at the same time, as per the standards of those days, cinemas were also expensive. With an average price of 1.50 rupees for a chair ticket, it was equivalent to the price of a lunch in a casual restaurant or the price of an RTC bus ticket to travel to another town 40 km away or to reach a city that is 100 km away by train.

With the small amount of money students living in hostels used to get from their parents every month, they need to budget their other requirements to save enough to go to as many movies as possible every month to avoid monotonous life in hostels on weekends. This budgeting often led to some funny incidents which remain in our memories even today.

In those days, many cinema halls were breeding grounds for bedbugs. If we had suspicion, after coming home, we used to change clothes first, dip the removed clothes in a bucket of water, and look for floating bedbugs. This was our dip test.

To watch as many movies as possible with the money they get from home, a few of our colleagues in medical college used to go to bench class (75 paisa) during the second show (girl colleagues would notice that if they go to first show). We were not welcoming those bench goers to our rooms as they were known carriers of bedbugs.

There used to be a lot of commotion when power failed in the cinema hall. There were no backup power or generators in those days. Suddenly, vendors selling pakoda, bajji, and tea appeared from nowhere, and people were struggling for change in their pockets. If they dropped a few coins on the floor, they would remain in the hall after the show and search for them desperately. Lost coins were more precious in those days. And if the power was not restored within a stipulated time, it was hard to sit in the hall. So, the cinema hall management used to give “passes” to those who wanted to leave. They could come on some other day and watch the movie by just showing the pass. The passes have their own market value. They can be sold for a discounted price compared to original tickets. But many people liked the passes because they could watch the movie from the beginning, including the news reels and advertisements (15 min worth of movie time) again from the beginning. For some people, it was like sitting at the banquet table starting from the appetizer again after taking a short break.

After coming home from the cinema, the next day friends and neighbors used to ask us how the movie was? We had enough work to narrate that to everyone for a week. That was the primitive piracy recorded in history. If it was a suspense movie, there was a real loss in the market value of the movie. Those who were good narrators had a good reputation, and their status in the neighborhood was high. Of course, I was one of them. Too bad we did not receive any remuneration from the distributors for our efforts. Based on what we narrated, others used to decide whether to go or not to the movies. Most of my friends and neighbors used to go to the movies based on good reviews. But there were some odd guys who used to go to only those movies that received bad reviews. These compassionate ones helped every movie make at least some money in those days.

A few of our colleagues used to go only for movies that were 30 or more reels long. Their contention was that they had to get the bang for the buck. These were the ones that know the value of money. Movies are just entertainment for them.

Finally, this is the greatest thing about cinemas in India even today. To my knowledge, cinema is the only event where all Indians show up on time with an extreme degree of punctuality. Many of them arrive even before the doors to the hall are opened.

Thus, in the good old days, cinema was a different culture. There was nothing like the mega movie craze in those days. Cinemas were simply a part of our little lives. It was not just entertainment. One can write a book on this old cinema culture in India. Thanks.

Richard Gere Sells Connecticut Home at a Loss, Plans Move to Spain for Family

Actor Richard Gere recently announced his intention to relocate to Spain and has sold his Connecticut property for $10.75 million. Gere, who purchased the house in New Canaan for $10.8 million in 2022, has decided to leave the United States, where he has lived with his wife, Alejandra Silva, since their marriage in 2018. The sale of his Connecticut home marks a financial loss, as he sold it for $50,000 less than his purchase price.

The actor had envisioned transforming the Connecticut estate into a farm. Set on 32 acres of land, the property includes 11 bathrooms, a pool, various gardens, and a three-bedroom guest cottage. Originally, it was sold to Gere by musicians Paul Simon and Edie Brickell, who also took a loss on the property after they paid $16.5 million for it over 17 years ago. According to Sotheby’s listing, the estate boasts “period details” that capture an old-world charm, and it remains a stunning representation of architectural craftsmanship.

Gere’s decision to move comes as he considers the happiness and cultural roots of his wife, Alejandra Silva, a native of Spain. In an interview with Vanity Fair Spain, Gere shared his appreciation for Spain, where Silva’s family resides, stating, “For Alejandra, it will be wonderful to be closer to her family, her lifelong friends, and her culture.” He also expressed his gratitude for Silva’s willingness to spend the last six years in the United States, noting, “She was very generous in giving me six years living in my world, so it is only fair that I give her at least another six living in hers.”

The relocation is also anticipated to be an enriching experience for their young children, Alexandra and James, who are five and four years old, respectively. Reflecting on the move, Gere described Madrid as a “great adventure” for himself, Silva, and their children. He expressed his admiration for Spanish culture, saying, “I love Spain and the ability of the Spanish people to live transmitting joy and happiness.”

While Gere prepares for a new chapter in Spain, he still maintains ties to the U.S. through another property. He mentioned that he keeps a house “in the countryside near New York,” indicating he’ll continue to have a connection to his current homeland. Gere and Silva’s relationship, which began in Positano, Italy, in 2014, culminated in marriage four years later. At the time, sources close to the couple spoke about the depth of their happiness, noting they were “extraordinarily happy,” with one source adding, “They’re so comfortable with each other, have fun together, and are looking forward to their future together.”

The Epic Journey and Impact of Iceberg A-68: A Frozen Giant’s Journey and Legacy

The world’s largest icebergs, sometimes exceeding the size of entire countries, are born as they break off the Antarctic ice sheet. These colossal ice masses, drifting and melting in the Southern Ocean, create distinct and temporary ecosystems around them.

It all began with a significant crack. Late in 2016, scientists observed a swiftly expanding fissure in the immense Larsen C Ice Shelf, which extends into the Weddell Sea from the West Antarctic Peninsula. Within months, this crack grew to an enormous scale, ultimately leading to one of the most massive icebergs ever recorded breaking away into the ocean.

The iceberg, labeled as A-68, was an immense structure, more than double Luxembourg’s area at 2,200 square miles (5,700 sq km) and around 770 feet (235m) thick. Initially, it barely moved, trapped in the seasonal Antarctic sea ice. However, it eventually began drifting northward, carried by ocean currents and wind.

This giant iceberg set out on a notable four-year voyage from the Antarctic sea ice to a distant island in the Southern Ocean. Iceberg A-68 became widely known, particularly when its travels captured attention on social media during the Christmas of 2020. During a time when Covid-19 lockdowns isolated many, people followed A-68’s journey with great interest, rooting for it as it crossed the Southern Ocean. There was even a chance of a dramatic finish, as ecologists feared A-68 could collide with South Georgia Island, potentially devastating its ecosystems.

The iceberg eventually broke apart and melted before reaching the island, dispersing billions of tons of chilled freshwater into the ocean. Over the years, it shattered into smaller pieces and gradually vanished, disappearing into slushy seawater by April 2021. This process significantly impacted the surrounding marine habitat, creating conditions that supported a unique ecosystem. Scientists tracking A-68 from its birth to its end gathered valuable insights into the effects of massive icebergs on marine environments. A-68, for its short existence, became a mobile refuge for various species.

With years of data collection, researchers can now tell A-68’s complete story and analyze its environmental impact on the ocean.

Breaking Away from Antarctica

On Antarctica’s side closest to South America, the West Antarctic Peninsula stretches into the Southern Ocean. This peninsula, home to numerous penguin colonies and other thriving life forms, is the most habitable region of the continent. To the east, it is bordered by the Larsen ice shelves, vast plains of floating glacier ice that extend tens of thousands of square kilometers. The seas beneath these ice shelves remain mostly uncharted due to the thick ice, which blocks vessel access and sunlight from reaching these regions, isolating the marine habitat beneath for thousands of years.

The Antarctic ice shelves are not stationary. Ice flows continuously from the continent towards the ocean, creating a dynamic environment as the ice interacts with the thinner seasonal sea ice. Occasionally, a significant chunk breaks off—a process known as “calving.” According to Geraint Tarling, a polar ecologist with the British Antarctic Survey, “Calving is a natural event.”

In July 2017, the growing fissure in Larsen C led to the detachment of a massive ice block, which represented about 10% of the shelf. This newly calved iceberg was the largest in the ocean at the time, and among the top six over the last 30 years. The US National Ice Center designated it as “A-68.” Within days, a portion of it broke off, creating fragments known as A-68a, A-68b, A-68c, and so on.

Embarking on Its Journey

The formation of A-68 exposed a previously hidden seabed that had remained beneath the ice for millennia. Polar scientists were eager to investigate this newly uncovered area before changes in the ecosystems began. “There was a big move to get expeditions in there,” says Tarling, noting, “Unfortunately, when it calved, there was a huge amount of ice around… The opportunity was lost.”

Thus, A-68a remained in place for a couple of years, trapped in its icy surroundings. In July 2018, it began drifting within the Weddell Gyre—a circular ocean current. By summer 2019, it had traveled about 155 miles (250 km) north. Then, as it reached the edge of Antarctica’s year-round sea ice, it drifted into “Iceberg Alley,” a path where powerful currents steer icebergs northwards.

In these waters, A-68a encountered warmer temperatures. By April 2020, a chunk measuring 67 square miles (175 sq km) had broken off, leading scientists to anticipate a collapse. Yet, A-68a persisted. Describing this iceberg as unique, Tarling notes, “It was the sixth-largest ever detected” and “stayed together for an incredibly long period.”

During the same period, Roseanne Smith, then a student researching polar and alpine change, tracked A-68a’s progress using satellite data. “I was doing it from home,” she recalls, adding, “It was a case of waking up every morning and then checking where the iceberg had moved to.”

Smith’s work at the British Antarctic Survey revealed that vast but thin layers of freshwater spread more than 620 miles (1,000 km) from the iceberg. “Satellites are only able to tell you anything about the conditions in the top few centimeters of the surface ocean,” she explains.

Approaching South Georgia Island

By the summer of 2020, the iceberg was drifting closer to South Georgia, raising concerns among scientists. South Georgia’s marine ecosystem is enriched by glacial runoff, which fertilizes surrounding waters, promoting photosynthetic plankton growth that sustains krill and other marine life. The island also serves as a breeding ground for species like elephant seals, king penguins, and wandering albatrosses.

An impact with the island’s shallow seabed could have damaged these ecosystems. “That probably would mean that there would be low levels of survival at those colonies for that particular year,” Tarling explains. This potential danger prompted an urgent attempt to arrange an expedition to assess the iceberg’s effects on the region’s marine environment.

In February 2021, the RRS James Cook vessel was directed to study the freshwater layer around A-68a, although Tarling could not join due to pandemic restrictions. The ship conducted transects, measuring water conditions and observing marine life.

The Final Break-Up

In December 2020, satellite images showed A-68a was “fraying at the edges” and developing cracks. As the iceberg approached South Georgia, one corner became lodged in the shallow waters off the island, breaking off from the main body. “It got very, very close,” says Tarling. Fortunately, this break spared the island, though it carved an indentation in the seabed.

The final break-up was driven by strong ocean currents that exerted a shearing force on the iceberg. This unusual event caused one section to break off, with pieces dispersing into the sea. Tarling’s team had to alter their research approach in response to the iceberg’s rapid disintegration, making observations around a collapsing iceberg for the first time.

In the peak of its melt, A-68a released around 1.5 billion tons of freshwater into the ocean daily. By late January 2021, as the RRS James Cook arrived, the researchers deployed gliders to monitor the icy fragments. Meanwhile, A-68a’s main body was melting at a rate of 23 feet (7 meters) per month due to the warmer northern waters near South Georgia.

Ultimately, in mid-April 2021, A-68a had disintegrated into fragments so small they no longer qualified as giant icebergs. Over three and a half years, A-68 shed a staggering 802 billion tons of ice, marking the end of its journey.

As scientists now assess the legacy of A-68, they reflect on the iceberg’s transformative effect on the ocean. This single calving event not only provided a unique glimpse into how massive icebergs influence the Southern Ocean but also highlighted the fleeting nature of such phenomena.

Emmy-Nominated Filmmaker Tirlok Malik’s On Golden Years to be shown at Prestigious Teaneck Film Festival 2024 on November 10 at 11:30 AM

Teaneck, NJ – Emmy-nominated filmmaker Tirlok Malik’s celebrated film ‘On Golden Years,’ will be showcased at the prestigious Teaneck International Film Festival 2024 on Sunday, November 10, at 11:30 AM at Teaneck Cinemas (503 Cedar Lane, Teaneck, NJ 07666).

‘On Golden Years’ is a major highlight in Malik’s career, known for exploring the immigrant experience in America through films such as ‘Lonely in America,’ ‘Khushiyaan,’ and ‘Love Lust and Marriage.’ During his illustrious career, Tirlok Malik has worked with industry stalwarts like Rajinikanth, Kamal Haasan, Mammootty, Sunny Deol, and Kangana Ranaut, among others. Malik, along with the cast of ‘On Golden Years,’ will be present for a special Q&A session following the screening at the Teaneck Film Festival 2024.

‘On Golden Years’ is an 85-minute romantic comedy-drama that delves into the complex emotions immigrants face when they reach the retirement phase of the American Dream. The film is set in Shantiniketan, the only Indian retirement community in the United States, located in Florida. Through its relatable characters and emotional storylines, the film explores themes of aging, identity, and reconciliation between regrets and contentment. It asks the poignant question: Where do we truly belong at the end of life’s journey?

Tirlok Malik Pic

The film stars Ranjit Chowdhry, the iconic actor known for his performances in ‘Lonely in America’ and ‘The Office,’ Jyoti Singh, Reeves Lehmann, Shetal Shah, Noor Naghmi, Prof. Indrajit S Saluja, and Tirlok Malik himself. The film also features several new talents making their debut, adding to the fresh yet familiar energy of the story.

The film is co-produced by Iggy Ignatius who is also the co-director of the film. The film has been shot at the Indian retirement community Shantiniketan in Florida founded by Iggy  Other credits of the film are Director of Photography Christo Bakalov B.A.C., Music by Peter Lobo, Art Direction by Sunita Babber, Editing by Tom Knight and others.

‘On Golden Years’ also boasts the film debut of the Grammy Award-winning Indian-American singer Falu, who performs the item number song ‘Raba Raba.’ Falu had previously performed at prestigious venues like Carnegie Hall and The White House in the presence of President Barack Obama and Oprah Winfrey, alongside music legend A.R. Rahman. Falu’s ‘Abundance in Millets’ song featuring the Indian PM Narendra Modi was also recently nominated for Grammy.

The screening of ‘On Golden Years’ at the Teaneck International Film Festival is proudly sponsored by David Nachman, Esq., Managing Attorney at Nachman, Phulwani, Zimovcak (NPZ) Law Group, P.C., New Jersey, a law firm specializing in immigration services and law.

Written and directed by Tirlok Malik, ‘On Golden Years’ reflects his signature focus on the Indian-American immigrant experience. Malik, who is an Indian-American and a proud New Yorker, has made films that resonate with global audiences by addressing the challenges and rewards of living abroad. His films often highlight the conflict between holding onto one’s roots and embracing the new life and challenges that come with migration.

Malik says, “The immigrant experience is often accompanied by dreams, struggles, and sacrifices, but the journey to the American Dream doesn’t end after reaching success. Retirement brings its own set of challenges, especially for immigrants trying to find where they belong.”

The Teaneck International Film Festival, founded over 20 years ago with support from the nonprofit organization Puffin Foundation, Ltd., is renowned for its commitment to showcasing socially conscious films that inspire conversations on critical global and local issues.

Tickets for the Teaneck Film Festival screening of ‘On Golden Years’ are now on sale for $10 and can be purchased at TeaneckFilmFestival.org.

Don’t miss the chance to see this heartfelt, humorous, and thought-provoking film and engage in a discussion with Tirlok Malik and the star-studded cast after the screening.

Nikita Porwal Crowned Femina Miss India World 2024: A Star-Studded Event with Promising Futures

The 60th edition of Femina Miss India 2024, co-powered by Tops & Rajnigandha Pearls, took place in a glittering event in Mumbai, showcasing young talent from across India. The spotlight shone brightly on three extraordinary women—Nikita Porwal, Rekha Pandey, and Aayushi Dholakia—each of whom captured the judges’ attention through their unique blend of perseverance, talent, and charisma.

Nikita Porwal from Ujjain was crowned Femina Miss India World 2024, while Rekha Pandey and Aayushi Dholakia were named the 1st and 2nd runner-ups, respectively. The selection process involved a distinguished jury evaluating 30 contestants, each representing a different state, and it was clear that these three stood out among the rest. The jury believes these winners have bright futures ahead of them, particularly in Bollywood, which all three women aspire to join.

One of the esteemed jury members, filmmaker Anees Bazmee, known for his hit films such as *Welcome* and *No Entry*, spoke highly of Nikita’s potential. “The minute I entered the stage, I knew it would be difficult to decide among all the talented girls,” Bazmee explained. “But Nikita stood out for me among the lot, even when I had just seen her pictures and hadn’t met any of the girls personally. She had a brilliant smile and attitude, and I had said even then that she is a winner. I think she is very beautiful, and so are the first and second runner ups.”

Nikita’s acting experience, particularly in stage plays where she portrayed mythological characters such as Sita and Mohini, has already garnered her recognition. One of her feature films has even been showcased at international film festivals. Bazmee was impressed by her theatrical background, stating, “I was very impressed when I learnt of her theatre experience, and that she had played Sita on stage as well. I am sure with a more robust training that Times is already working on, Nikita, as well as Aayushi and Rekha, will do well. They have the talent, all they need are acting classes.”

Madhur Bhandarkar, the director behind films like *Fashion* and *Page 3*, also served on the jury and shared Bazmee’s sentiments regarding Nikita’s potential. He praised her for her intelligence and composure during the interview portion of the competition. “I was really surprised with the amazing answers that she gave us. And the questions were very difficult! I think today’s generation has really upgraded itself for this platform. Nikita Porwal, in fact, has done mythology plays and has played Sita as well. She has incredible talent, and especially at such a young age, and I am sure she has the right potential,” Bhandarkar commented. He advised her to focus more on theater, engage in social work, and deepen her understanding of the film industry before fully venturing into Bollywood. “That is my advice for her,” he added.

The transition from beauty pageantry to the silver screen has become a well-trodden path for many Miss India winners. Notable names like Priyanka Chopra, Aishwarya Rai, and Manushi Chhillar have successfully made their mark in Bollywood after winning their titles. Nikita Porwal, according to many on the jury, seems destined to follow in their footsteps.

Bazmee emphasized that all three winners have the potential to break into the film industry. “All the three girls are actor-material. They have a long journey in front of them, but they have the potential. In our industry, there is space for new faces, and we also struggle when we have to choose actors for our projects. These three winners of Femina Miss India could be the next Priyanka, Aishwarya, or Lara, and surprise us with their talent and beauty. I am sure the audience will welcome them,” he stated.

As the winner of Femina Miss India World 2024, Nikita is now set to represent India on the global stage at the Miss World competition. With her extensive theatrical experience and the guidance of industry veterans like Bazmee and Bhandarkar, she has the tools to not only succeed at the global level but also to make a significant impact in Bollywood.

Rekha Pandey, the first runner-up, and Aayushi Dholakia, the second runner-up, are equally poised for success. Both have impressed the jury and the audience with their confidence, charm, and talent. They too are looking at potential careers in the entertainment industry, and with the right training and opportunities, they could follow the path laid out by previous Miss India winners who have transitioned to successful acting careers.

In conclusion, the 60th edition of Femina Miss India 2024 was not just a celebration of beauty but also a testament to the immense talent that these women possess. With promising futures in acting and beyond, Nikita Porwal, Rekha Pandey, and Aayushi Dholakia are ready to make their mark on both the national and international stage. Their journeys, filled with hard work and dedication, have only just begun, and the industry is watching closely to see what these remarkable women will achieve next.

Taylor Swift Becomes the World’s Richest Female Musician, Surpasses Rihanna

Taylor Swift has officially claimed the title of the richest female musician in the world, overtaking Rihanna with a net worth estimated at $1.6 billion, according to Forbes. This significant milestone comes on the heels of Swift’s billionaire status, which she achieved in October 2023. The primary factors behind her growing wealth are the immense success of her Eras Tour and the soaring value of her music catalog.

Swift, now 34 years old, stands out as the first musician to reach billionaire status predominantly through her music and live performances. The bulk of her wealth comes from several key sources. An impressive $600 million stems from her tours and royalties, while her extensive music catalog adds another $600 million to her fortune. In addition to this, her real estate holdings contribute $125 million to her overall net worth.

With this latest achievement, Swift has surpassed Rihanna, who was previously recognized as the richest female musician. Rihanna’s wealth, while substantial, comes largely from her successful ventures in the beauty and fashion industries, particularly through her Fenty Beauty and Savage x Fenty brands. As of now, Rihanna’s net worth is estimated at $1.4 billion, positioning her just behind Swift on the Forbes billionaire rankings.

According to Forbes, Swift now ranks at #2,117 among the world’s billionaires, while Rihanna is placed slightly lower at #2,336. Swift’s impressive net worth also places her far ahead of other renowned female musicians such as Beyoncé, Madonna, and Celine Dion.

For the time being, Swift is enjoying a brief break before continuing her immensely successful Eras Tour. The tour is scheduled to resume on October 18, 2024, in Miami.

Payal Kapadia Makes TIME100 Next 2024 List, Celebrated for Groundbreaking Work in Indian Cinema

Payal Kapadia, the director of *All We Imagine As Light*, a film that recently won the prestigious Grand Prix award at the Cannes Film Festival, has been honored in the TIME100 Next 2024 list. This list recognizes influential personalities across various fields, celebrating individuals who have made a significant impact on society. Kapadia’s inclusion is a momentous achievement for both her and Indian cinema. Earlier in May, her film made headlines as the first Indian film in 30 years to be selected for competition at Cannes, marking a major milestone.

Actor and singer Ayushmann Khurrana contributed a tribute to Kapadia for TIME magazine, praising her artistic talent and ability to convey profound human emotions. In his note, Khurrana described Kapadia as an innovator in the world of cinema. “Payal Kapadia is nothing short of a trailblazer. Her 2024 film, *All We Imagine as Light*, made history this year as the first from India to win Cannes’ Grand Prix,” Khurrana wrote. He emphasized the emotional depth of her work, calling the film a “masterclass of emotions—deeply reflective, philosophical, and meditative in its approach.”

Khurrana’s admiration for Kapadia extended beyond her technical skill as a filmmaker. He praised her ability to portray the human experience with authenticity, capturing the essence of complex emotions and relationships in a way that few filmmakers can. Khurrana remarked that Kapadia’s unique perspective gives her work a sense of rarity and importance in today’s cinematic landscape. He also underscored the significance of Kapadia’s success at Cannes, not only for her but for Indian cinema as a whole. “I’m proud to be living in an era where I could witness a talent like Payal showing the world that Indian stories resonate universally, transcending geographies and languages,” he said.

Khurrana’s admiration for Kapadia’s achievements is evident in his belief that her success will inspire a new generation of filmmakers and artists to think ambitiously and boldly. He expressed his hope that her work will encourage others to tell their stories and push the boundaries of creativity. “India is a young country of more than 1.4 billion people. We have 1.4 billion stories to tell, and Payal has boldly, loudly, and brilliantly encouraged everyone to pursue their dreams. It would be an honor to work with her and engage with her mind,” Khurrana added.

Kapadia’s recognition in the TIME100 Next list follows a year of groundbreaking success. All We Imagine As Light, the film that brought her international acclaim, tells the poignant story of two nurses from Kerala, Prabha (played by Kani Kusruti) and Anu (played by Divya Prabha), who live together in Mumbai. The film explores themes of companionship, isolation, and the challenges of urban life, all while capturing the complexity of their personal and professional struggles. The narrative is both intimate and universal, allowing audiences to connect with the characters on a deeply emotional level.

All We Imagine As Light is not just a film about two individuals; it is a broader commentary on the human condition, addressing issues of identity, displacement, and the search for meaning in a chaotic world. The film’s emotional and philosophical depth, combined with Kapadia’s meditative directorial style, has been widely praised by critics and audiences alike. It has been hailed as a film that transcends cultural and geographical boundaries, resonating with viewers around the world.

The film is also significant as an official Indo-French co-production, bringing together talent and resources from both countries. It was created by Chalk and Cheese Films, an Indian production company, and Petit Chaos, a French production house. This collaboration highlights the increasing globalization of cinema and the importance of cross-cultural storytelling. Kapadia’s work has been lauded for its ability to bridge cultural divides and showcase the universal nature of human experiences.

Kapadia’s success at Cannes has been seen as a major breakthrough for Indian cinema, which has often struggled to gain recognition on the international stage. While Indian films have a long and rich history, they have rarely been represented in major international film competitions like Cannes. Kapadia’s win is a testament to her talent as a filmmaker and the growing recognition of Indian cinema on the world stage. Her achievement is also significant in that it opens the door for other Indian filmmakers to aspire to similar heights.

Ayushmann Khurrana, who wrote the TIME tribute for Kapadia, is no stranger to international recognition himself. In 2023, he was the only Indian to be honored with the TIME100 Impact Award, a recognition of his contributions to cinema and his influence as an artist. Khurrana has long been an advocate for socially conscious cinema, using his platform to address important issues through his films. His tribute to Kapadia reflects his deep respect for her work and his belief in the power of cinema to effect change.

Khurrana’s note for TIME also highlighted the broader significance of Kapadia’s success for Indian artists and filmmakers. He believes that her achievements will inspire a new generation of storytellers to pursue their dreams and challenge conventional narratives. Kapadia’s work, he noted, is a reminder that Indian stories have the power to resonate with audiences globally, regardless of language or cultural barriers.

The recognition of Payal Kapadia in the TIME100 Next 2024 list marks an important moment not only for her as an individual filmmaker but also for Indian cinema as a whole. Her work has proven that Indian stories can reach a global audience and that there is a demand for diverse, authentic narratives that explore the complexities of the human experience. With her trailblazing success, Kapadia has set a new standard for Indian filmmakers and opened the door for future generations to follow in her footsteps.

As Khurrana aptly put it, “We have 1.4 billion stories to tell,” and Kapadia has shown that these stories can transcend borders, connecting with audiences around the world. Her inclusion in the TIME100 Next list is a well-deserved recognition of her talent, creativity, and impact on the world of cinema. Through her work, she has not only made history but also inspired countless others to dream big and pursue their passions.

Ambika Mod Reflects on the Journey of ‘One Day’: A Role that Redefined Her

For years, I have avoided watching the 2011 film adaptation of One Day, starring Anne Hathaway. The David Nicholls novel holds a special place in my heart, helping reignite my love for reading after college dulled my enthusiasm. The idea of witnessing Dexter and Emma’s story altered for the screen felt like a disservice to their love story.

When Netflix announced a new mini-series adaptation of One Day, my initial instinct was to ignore it. However, as the positive reviews began pouring in and emotionally charged reactions from new viewers circulated online, I eventually gave in. I’m thankful that I did, as the series is nothing short of stunning.

The show traces Dexter (played by Leo Woodall) and Emma (portrayed by Ambika Mod) over the span of 20 years, capturing key moments in their relationship. A one-night encounter in college evolves into a long-lasting friendship that teeters on the edge of romance. The 14-episode structure offers enough breathing room for the story to unfold naturally, allowing each year’s snapshot to resonate deeply. Nicole Taylor’s script amplifies the essence of the original material.

At its core, the beauty of One Day lies in its deeply flawed yet realistic characters. Woodall shines, bringing more to his performance than what we’ve seen of him in The White Lotus. His chemistry with Mod is electrifying, a balance between sweet affection and undeniable intensity. Mod, in particular, delivers a star-making performance, breathing life into Emma in a way that feels both intimate and authentic. Yet, Mod almost passed up on the role.

Much like myself, Mod was initially hesitant about participating in an adaptation of such a beloved story. Despite her admiration for One Day, she doubted whether she could embody Emma. But in her heart, she knew the answer was yes. Hearing her speak about the role as “life-changing” reveals the depth of thought she put into her portrayal. Mod brings a wisdom to Emma that transcends her years, and it’s hard not to admire her for it.

In an interview with Awards Daily, Mod shared her thoughts on the story: “I read the book at a pivotal moment in my life. This is going to sound strange, but I found it really hopeful: the idea that your life can take multiple paths, and maybe life doesn’t look the way you thought it would, but you’ll end up where you need to be. There was something beautiful about that.”

When asked what One Day means to her, Mod reflected on how her connection to the story has evolved over time. She first read the book as a teenager and immediately fell in love with it. When she was offered the audition for the series, however, she initially turned it down. Mod explained, “I loved the book so much, and I loved Emma so much, that I just didn’t see myself in that part. It took a lot of convincing from other people and myself that it was a good fit.”

The journey of filming the series was a transformative one for Mod. “The shoot lasted eight months,” she recalled, “Leo and I were basically in every frame. It was the hardest thing I’ve ever done in my life.” The demanding schedule left little room for preparation between projects, and Mod admits she was somewhat naive about the task ahead. “I hadn’t been acting professionally for very long,” she said. “This project changed my approach in so many ways.”

Despite the challenges, Mod is proud of the outcome. She believes that the time and effort spent on the series were essential to achieving the depth required to tell Dexter and Emma’s story. “When I watch the show, it traverses 20 years and is this epic love story. There’s no other way it could have been done,” she said. The emotional and physical toll of the project was significant, but Mod credits the trust she placed in the material and her co-stars for helping her push through.

One of the most interesting aspects of the series is the way it spans two decades. When asked how she approached portraying Emma over such a long period, Mod explained, “I don’t ever think about the future of a story when I’m filming a scene; just like in life, our future does not inform our present, except in our heads.” Each year’s episode in One Day is isolated from the others, which allowed Mod to focus on the specific moment without worrying about what was coming next.

For Mod, the key to understanding Emma was tracking her personal growth. “The main throughline was always charting how her confidence grows,” she said. “In the beginning, she lacks so much self-esteem, but she works hard, achieves things, and finds a sense of stability. That, for me, was the main throughline I followed in terms of her character.”

Looking back on her experience, certain moments on set stand out to Mod. “Filming the Arthur’s Seat scene was a highlight,” she shared, referencing the iconic location from the novel. “It’s a place that’s always meant a lot to me as a comedian who’s performed in Edinburgh.” Another key moment was filming the intense argument between Emma and Dexter in episode seven. “I was really scared about it,” she admitted. “I hadn’t done anything of that emotional height before, and I didn’t know how to approach it.” Yet, despite her initial fears, the scene evolved naturally, drawing on Mod’s deep understanding of the book’s key chapters.

Despite her initial reservations about the series, Mod is thrilled by the response it has received. As the show garners more attention and awards buzz, Mod remains humble. “I’m just happy people are responding to the show and enjoying the work,” she said. “We poured everything, every last drop of our hearts into it.”

Reflecting on how much she saw of herself in Emma, Mod marvels at the fact that audiences now see themselves in her portrayal of the character. “To think that my portrayal is now a version of Emma for a younger generation is mind-blowing,” she said. For Mod, who grew up with the book, the idea that her performance is now part of the One Day legacy is something her younger self could never have imagined.

Ultimately, One Day has been a defining moment in Mod’s career. It is a project that has challenged her, shaped her, and brought her immense pride. The series stands as a testament to the timeless appeal of Nicholls’ story and the power of love, growth, and self-discovery that resonates with viewers of all generations.

A.R. Rahman Joins Hansal Mehta’s ‘Gandhi’ Series as Composer, Promising to Elevate the Story of India’s Independence

Oscar and Grammy-winning music composer A.R. Rahman has officially joined the creative team of the upcoming series Gandhi, directed by renowned filmmaker Hansal Mehta. The announcement came on Wednesday, October 2nd, coinciding with Gandhi Jayanti, the national holiday celebrating the birth of Mahatma Gandhi. Rahman, recognized globally as one of the most influential and talented musical forces, is set to bring his artistic mastery to this series, which explores the life of India’s most iconic leader and his role in the nation’s struggle for independence.

The project will see Rahman scoring the music for the series, a task he sees as both a challenge and an honor. Reflecting on the significance of the project, Rahman expressed his deep respect for Mahatma Gandhi and the opportunity to explore the leader’s early life. “Watching Gandhiji’s younger life is a revelation, his experiments with truth, life, and so many other things show the evolution of his character. I am deeply honoured to be scoring the music for this story, in collaboration with Applause Entertainment and under the articulate direction of Hansal Mehta,” Rahman said in a statement.

The Gandhi series, which stars Pratik Gandhi in the titular role, is an ambitious and large-scale production, based on the works of esteemed Indian historian Ramachandra Guha. Guha’s extensive writings on Mahatma Gandhi serve as the foundation of the series, which promises to present Gandhi’s life story with an unprecedented level of detail and emotional depth. The show is expected to offer a unique perspective on the events that shaped Gandhi into the global symbol of peace and non-violence that he is remembered as today.

Hansal Mehta, known for directing critically acclaimed films and series such as Scam 1992 and Aligarh, expressed his excitement about Rahman’s involvement in the project. In a statement, Mehta described how vital Rahman’s music would be to telling the story of Gandhi’s life. “‘Gandhi’ is a deeply human retelling of M.K. Gandhi’s life story, a story that continues to inspire generations. Having A.R. Rahman joining us on this journey is truly a dream come true. His music has the unique ability to elevate storytelling, and for a project of this scale and significance, we couldn’t think of anyone better to bring the emotional and spiritual nuances of Gandhi’s life to the forefront.”

This collaboration marks another milestone in the career of both Rahman and Mehta. Rahman’s body of work is widely celebrated for its ability to convey deep emotion and elevate the visual experience of films and shows. With Gandhi, he is tasked with creating a soundtrack that not only complements the historical narrative but also deepens the audience’s connection to the story’s emotional and spiritual core.

In addition to Mehta and Rahman’s enthusiasm for the project, Sameer Nair, Managing Director of Applause Entertainment, the production company behind the series, also shared his thoughts on the significance of Rahman’s contribution. Nair highlighted the global importance of the story being told and how Rahman’s music would play a critical role in reaching audiences far and wide. “‘Gandhi’ is not just a series, it’s a global narrative on the triumph of the human spirit. A.R. Rahman’s music will infuse a soul-stirring dimension to this iconic story to resonate with audiences around the world. With Rahman’s score, I believe we are crafting something truly special – a series that both entertains and inspires,” Nair stated.

Applause Entertainment, known for its work on several notable Indian series and films, is pulling out all the stops to ensure Gandhi is not just another historical drama but an experience that will captivate viewers both in India and internationally. With Rahman’s musical genius, the series is expected to reach new heights in terms of its emotional impact, providing a fresh perspective on one of the most revered figures in modern history.

A.R. Rahman’s musical style, which blends Indian classical music with modern electronic sounds and Western influences, has made him a household name both in India and across the world. Over his career, Rahman has won numerous prestigious awards, including two Academy Awards, two Grammy Awards, a BAFTA Award, and a Golden Globe Award. His compositions have been featured in internationally acclaimed films such as Slumdog Millionaire, 127 Hours, and Dil Se. His involvement in Gandhi signals a high level of artistic commitment to ensuring the story of India’s independence is not only historically accurate but emotionally resonant.

Meanwhile, Hansal Mehta’s work on Gandhi is anticipated to be another major milestone in the filmmaker’s already impressive career. Known for tackling complex narratives and giving voice to marginalized characters, Mehta has built a reputation for delivering thought-provoking and critically acclaimed content. His previous work includes the breakout hit series Scam 1992: The Harshad Mehta Story, which explored the life and controversies surrounding stockbroker Harshad Mehta. With *Gandhi, Mehta is taking on an even more ambitious project, one that encompasses not just the personal evolution of a man but also the history of an entire nation.

Pratik Gandhi, who shot to national fame with his performance in Scam 1992, takes on the lead role of Mahatma Gandhi in this series. Known for his versatility and dedication to his craft, Pratik’s portrayal of Gandhi is expected to add a new dimension to the character, allowing audiences to see beyond the public figure to the man behind the movement. The series will likely explore lesser-known aspects of Gandhi’s life, including his personal struggles, philosophical explorations, and the development of his non-violent resistance strategy, Satyagraha.

In essence, the collaboration of Rahman, Mehta, and Pratik Gandhi, backed by the prestigious Applause Entertainment, creates high expectations for the upcoming series. With Rahman’s music serving as the emotional backbone, Mehta’s direction, and Pratik Gandhi’s performance, *Gandhi* promises to be a deeply moving portrayal of one of the most significant figures in modern history. The series, though centered on an Indian leader, carries universal themes of peace, justice, and human dignity that are likely to resonate with viewers around the world.

As the release date for Gandhi draws closer, the anticipation for this series continues to build. Audiences can look forward to a captivating and inspiring narrative, enhanced by Rahman’s soul-stirring score, Mehta’s visionary direction, and a talented ensemble cast. Together, they are poised to bring Mahatma Gandhi’s story to life in a way that honors his legacy while offering new insights into his journey and the independence movement he championed.

IIFA Utsavam Technical Awards 2024: A Grand Celebration of Indian Cinema’s Technical Mastery

The IIFA Utsavam Technical Awards 2024 proved to be an unforgettable night, showcasing the creative and technical geniuses behind Indian cinema. Set against the vibrant backdrop of Yas Island, Abu Dhabi, the prestigious Sobha IIFA Rocks event delivered a spectacular celebration of music, art, and the magic of cinema. Hosted by the charismatic duo of Siddhant Chaturvedi and Abhishek Banerjee, the event brought together some of the biggest names in the entertainment industry to honor the best in Indian cinema.

The spotlight of the evening belonged to “Ponniyin Selvan Part – 2,” which clinched three significant awards at the IIFA Utsavam Technical Awards. The film took home accolades for Best Cinematography, Best Production Design, and Best Background Score. A. R. Rahman, the renowned music maestro, was recognized for his outstanding contribution, winning Best Background Score for “Ponniyin Selvan Part – 2” (Tamil). This added to Rahman’s long list of achievements, further cementing his status as a legend in the Indian music and film industry.

The grand finale of the IIFA Festival was a night to remember. Legendary music trio Shankar–Ehsaan–Loy captivated the audience with their soulful and high-energy compositions. Celebrating 30 years of musical brilliance in Bollywood, their performance created a powerful connection with the audience, setting a perfect tone for the rest of the night. Shilpa Rao added her magic with powerful vocal performances, bringing an additional layer of emotion to the event. Following her, Honey Singh took the energy to new heights with his blend of rap and Bollywood beats, ensuring the audience remained on their feet. Lulia Vantur also brought her own charm to the stage with an elegant and captivating performance, rounding off an extraordinary night of music and artistry.

In addition to celebrating musical talent, IIFA Rocks 2024 honored the technical professionals whose expertise plays a crucial role in bringing Indian cinema to life. The night paid tribute to the technical masterminds in various categories, including Cinematography, Screenplay, Dialogues, Editing, Choreography, Sound Design, Sound Mixing, Background Score, and Special Effects. These behind-the-scenes wizards are often the unsung heroes of filmmaking, and the IIFA Technical Awards gave them the recognition they deserve.

Among the night’s major winners, G. K. Vishnu took home the award for Best Cinematography for his work in “Jawan.” In the Screenplay category, Vidhu Vinod Chopra, Jaskunwar Kohli, Anurag Pathak, Aayush Saxena, and Vikas Divyakirti won for their collaborative efforts in “12th Fail.” Ishita Moitra was recognized for her exceptional work in crafting the dialogues for “Rocky Aur Rani Kii Prem Kahaani.” The Editing award went to Sandeep Reddy Vanga for his sharp and innovative editing in the movie “Animal.”

In the Choreography category, the popular duo Bosco – Caesar won for their stunning work in “Pathaan.” Sound Design was awarded to Sachin Sudhakaran and Hariharan M for “Animal,” while the Sound Mixing award went to Sampath Alwar, Chris Jacobson, Rob Marshall, and Marti Humphrey for their exceptional efforts in “Jawan.” Harshavardhan Rameshwar won the award for Best Background Score for “Animal,” showcasing his musical prowess in enhancing the emotional depth of the film. Finally, in the Special Effects category, the award went to Redchillies.VFX for their remarkable work in “Jawan,” elevating the film’s visual experience.

In the South Indian cinema segment of the IIFA Utsavam Technical Awards, the winners also delivered an impressive display of creativity and technical mastery. Ravi Varman won the award for Best Cinematography (Tamil) for his visually captivating work in “Ponniyin Selvan Part – 2.” The Screenplay award (Tamil) went to Alfred Prakash and Vignesh Raja for “Por Thozhil,” demonstrating their skill in crafting compelling narratives. Mahesh Babu P received recognition for his work in Dialogues (Telugu) for “Miss Shetty Mr. Polishetty,” while Ujwal Kulkarni took home the Editing award (Telugu) for his work in “Salaar: Part 1 – Cease Fire.”

In the Choreography category (Telugu), Prem Rakshit won for the popular song “Chamkeela Angeelesi” from “Dasara.” Thota Tharani was awarded for his stunning Production Design (Tamil) in “Ponniyin Selvan Part – 2,” while A. R. Rahman once again received the Best Background Score (Tamil) award for the same film, adding to his multiple wins for the evening. Mindstein Studios earned the Special Effects award (Visual – Malayalam) for their stellar work in “2018: Everyone Is A Hero,” showcasing the continued innovation in South Indian cinema’s technical field.

The night, co-powered by Maisour and Siggnature Finest Cardamom Seeds, was a true celebration of the remarkable talent and creativity that goes into making Indian cinema one of the most influential and beloved film industries in the world. With its vibrant blend of performances and recognition of the technical expertise that drives the industry forward, the IIFA Utsavam Technical Awards 2024 delivered an unforgettable night of celebration, honoring the unsung heroes who work tirelessly behind the scenes.

As the awards season continues to unfold, IIFA remains a crucial platform for recognizing the contributions of both stars and technical experts in Indian cinema. From music maestros to visual effects pioneers, the event highlighted the dynamic range of talent that brings films to life, ensuring that Indian cinema continues to shine on the global stage. The IIFA Utsavam Technical Awards 2024 was a powerful reminder that while stars may shine in front of the camera, it is the technical brilliance behind the scenes that often transforms a good film into a great one.

Dhruvi Patel Crowned Miss India Worldwide 2024, A Celebration of Indian Heritage

Dhruvi Patel, a computer information systems student from the United States, has won the prestigious Miss India Worldwide 2024 title. This pageant, recognized as the longest-running Indian competition outside of India, continues to celebrate the global Indian diaspora by bringing together participants from around the world. The 31st edition of the event was hosted by the New York-based India Festival Committee, under the leadership of Neelam and Dharmatma Saran.

Upon receiving the coveted crown, Dhruvi expressed her joy, saying, “Winning Miss India Worldwide is such an incredible honor. It’s more than a crown – it represents my heritage, my values, and the opportunity to inspire others on a global scale.”

Dhruvi Patel Crowned Miss India Worldwide 2024 A Celebration of Indian Heritage (Youtube)
Picture: Youtube

Dhruvi’s aspirations extend beyond the title, as she aims to make her mark in the world of Bollywood and hopes to serve as a UNICEF Ambassador in the future. As she steps into her new role as Miss India Worldwide, Dhruvi is now positioned as a global ambassador for Indian culture, joining the ranks of women who have used this platform to represent their Indian heritage and make a positive impact internationally.

The 2024 competition saw contestants from several countries participate, demonstrating the global appeal of the event. Lisa Abdoelhak, a participant from Suriname, was named the first runner-up, while Malvika Sharma from the Netherlands took home the title of second runner-up. These young women, like Dhruvi, have demonstrated their ability to embody the cultural values and traditions of India while embracing their diverse global backgrounds.

In addition to the main competition, the Miss India Worldwide event also featured categories for married women and teenagers. The Mrs. category, which honors married women of Indian origin, saw SuAnn Mouttet from Trinidad and Tobago winning the title. The first runner-up in this category was Sneha Nambiar, while Pawandip Kaur from the United Kingdom was named second runner-up. This category celebrates the achievements and contributions of Indian women who balance their family lives with personal aspirations, showcasing their strength and resilience.

The Teen category highlighted the next generation of young Indian women making their mark on the global stage. Sierra Suret from Guadeloupe was crowned Miss Teen India Worldwide 2024, a title that symbolizes the aspirations and potential of young Indian women worldwide. Shreya Singh from the Netherlands took the position of first runner-up, while Shradha Tedjoe from Suriname was awarded second runner-up. This category not only recognizes beauty and talent but also encourages these young women to take pride in their Indian roots as they prepare to contribute to society in meaningful ways.

The Miss India Worldwide pageant has earned a reputation for not only showcasing beauty but also the talents, heritage, and cultural values of young Indian women living abroad. For Dhruvi Patel, the victory is a significant personal achievement. The pageant’s success and global reach are attributed to the hard work and dedication of its organizers. Dharmatma Saran, the chairman and founder of the India Festival Committee, has been a driving force behind the Miss India Worldwide pageant since its inception. Expressing his gratitude, Saran said, “We thank the Indian diaspora around the world for their cooperation and support over the years, making this pageant a truly global celebration of Indian culture.” His words reflect the deep connection between the Indian community living abroad and their shared heritage, which continues to be celebrated through this event.

Miss India Worldwide is recognized as one of the leading ethnic beauty pageants in the world. The pageant provides a unique platform for young women of Indian origin to showcase not only their physical beauty but also their talent, intelligence, and deep connection to Indian culture. Participants from various countries come together, creating a cross-cultural celebration that highlights the diversity within the global Indian community. The event has grown in popularity over the years, with participants coming from countries with significant Indian populations, including the United States, the United Kingdom, the Netherlands, Suriname, and Trinidad and Tobago.

The pageant also emphasizes the importance of education, empowerment, and cultural awareness. Through various rounds of competition, including talent shows and interviews, contestants are encouraged to present their knowledge of Indian culture and their vision for how they can contribute to their communities. For many participants, the pageant is not just a beauty contest but a platform to advocate for causes they believe in and to inspire others with their achievements and goals.

Dhruvi Patel’s win at Miss India Worldwide 2024 is a testament to the enduring appeal of the pageant and its ability to provide young Indian women with an opportunity to shine on the global stage. Her ambition to become a Bollywood actor and UNICEF Ambassador is reflective of the pageant’s mission to empower young women to dream big and make a difference in the world. Dhruvi’s victory is not just a personal triumph but also a celebration of Indian heritage, culture, and values, which she will carry with her as she embarks on the next chapter of her journey.

The pageant has also fostered a sense of community among the Indian diaspora. By bringing together participants from diverse backgrounds, Miss India Worldwide serves as a reminder of the shared cultural identity that unites Indians around the world. Contestants not only compete for the crown but also form bonds with one another, creating a global network of women who support and uplift each other.

As Dhruvi Patel begins her reign as Miss India Worldwide 2024, she is expected to participate in various cultural and charitable events, both in India and abroad. Her role as a cultural ambassador will involve promoting Indian traditions, values, and achievements on a global platform. In doing so, Dhruvi will contribute to the ongoing efforts to strengthen ties between the Indian diaspora and their homeland, while also inspiring the next generation of young women to embrace their heritage with pride.

Miss India Worldwide continues to be a powerful platform for young Indian women to not only display their talents and beauty but also to take on leadership roles within their communities. With the support of the Indian diaspora and the dedication of its organizers, the pageant remains a symbol of cultural pride and empowerment for Indians worldwide.

The 2024 edition of Miss India Worldwide has once again demonstrated the global reach of Indian culture and the ability of young women like Dhruvi Patel to inspire others while staying true to their roots. As the newly crowned queen, Dhruvi is poised to make a lasting impact, both in her personal ambitions and in her role as a representative of Indian culture on the world stage.

Israeli-American Ballet Teacher Finds New Life in India: A Journey of Passion, Dedication, and Art

Yehuda Maor, a ballet teacher who had spent two decades teaching in San Francisco, found himself at a crossroads when he lost his long-held job. Ballet, the very essence of his life, had suddenly disappeared. Looking for ways to stay connected to the dance world, Maor’s journey took a surprising turn. It was not in the bustling streets of the United States or Europe that he found solace, but in India.

“At the end of the day, it was only India that would give a 75-year-old dance teacher a position,” stated a documentary, *Call Me A Dancer*, which follows Maor’s story alongside that of his student, Manish Chauhan. The documentary captures the deep bond between Maor and Chauhan, a street dancer from Mumbai, and highlights the passion and determination that each of them brings to their love for ballet.

The film is scheduled to be showcased at the Silicon Valley Jewish Film Festival on November 10, 2024, and is currently being screened across India. It has already garnered several accolades, including the 2024 Miami Jewish Film Festival Next Wave Prize for Best Film and the 2023 San Francisco Dance Film Festival Audience Award for Best Film.

From San Francisco to Mumbai: Maor’s New Chapter

When Maor first arrived in Mumbai, it was far from love at first sight. He disliked the heat and felt unsafe in the unfamiliar environment. Crossing the street in the chaotic city was particularly unnerving for him. “I would follow any woman with three children crossing the street to get to the other side,” Maor humorously recalled. Despite the challenges, Maor soon found himself at the Danceworx school, where he began teaching ballet.

It was here that he met Manish Chauhan, a street dancer who had never encountered ballet before. Maor was immediately reminded of his own experience as a child when he first saw Swan Lake. The magic of that performance had changed his life, and now, he saw the same spark in Chauhan’s eyes.

“Manish’s eyes opened when he joined my class. The more I trained him, the more he wanted,” Maor said, reflecting on the young dancer’s growth. Chauhan quickly progressed, but it was not without immense effort. Another student, Amiruddin Shah, had joined the class at a younger age and had a more natural talent. Maor recognized the potential in both boys and used their friendly competition to push each of them to excel.

“Yehuda got a second lease of life with these two boys. He found something to sink his teeth into,” the film highlights. Maor motivated the boys with small rewards, such as a Starbucks Frappuccino for hard work. Their dedication paid off, and in just three years, they achieved what most dancers would accomplish in nine.

Reflecting on his own journey, Chauhan stated, “People saw me as an acrobat, but Yehuda saw me as a dancer. I don’t want to be an acrobat. Call me a dancer.”

Manish Chauhan: The Protagonist of His Own Story

For Chauhan, pursuing ballet was not an easy path. His father, a taxi driver, had taken out a loan for his college education, unaware that Chauhan was using the money to pay for dance school instead.

The documentary gives a glimpse into Chauhan’s life, contrasting the modern dance studios of Mumbai with his ancestral village, two hours away. In the village, the aspirations of young men typically revolve around joining the army or pursuing an MBA, not dancing ballet. Yet, Chauhan’s determination was unwavering, even as he had to repair worn-out ballet slippers just to continue attending classes.

As the film follows Chauhan’s journey, it takes the audience through various locations, including a kibbutz in Israel, where Chauhan had to learn Hebrew, and dance studios in New York, where limited resources meant practicing in parks. Finally, it all culminates at the Kennedy Center in Washington, D.C., one of the most prestigious performance venues.

The film also explores the emotional rollercoaster of Chauhan’s family. His grandmother dances with him in one touching scene, while his father, portrayed in the movie by actor Alok Nath, struggles to understand his son’s choices. Chauhan’s mother tearfully receives the first paycheck from her son’s dance career, while his sister talks about her own aspirations, including marriage.

“Do what your heart tells you to do,” Chauhan’s grandmother advises, standing as his biggest supporter. On the other hand, a practical Mumbai audience member suggests, “Get a business manager.” Chauhan, however, remains focused on his craft. “I am a role model for other aspiring dancers. How could I sell out to Bollywood?” the film’s director, Lesley Shampaine, explains on his behalf.

Shampaine and co-director Pip Gilmour spent five years following Chauhan’s life, capturing his highs and lows. Shampaine shared that she had first seen Maor perform in Israel when she was seven years old and later studied under him in New York. “I too am a dancer and have performed for over 13 years. I understand the world of dance,” she said. Shampaine is currently in India on a Fulbright scholarship, researching arts education.

Supporting the Arts: A Patron’s Role

One of the key figures in Chauhan’s rise was Mariam Ram, an arts patron who first learned about the young dancer through a newspaper snippet. Recognizing his lack of a financial safety net and the pressure to support his family, Ram offered her help.

“Patrons of art are a rare breed. I wish I had one,” commented an audience member in Mumbai, reflecting on the importance of such support.

Chauhan’s story became the inspiration for the Netflix film Yeh Ballet, written and directed by Sooni Taraporevala. “From the slums to the world of beauty, it makes for a great story for a movie,” Taraporevala said. The film’s success provided a financial boost for Chauhan and his family. Yet, despite more lucrative offers coming his way, Chauhan remained committed to pursuing ballet as an art form. Ram’s support enabled him to travel to New York, eventually leading to his solo performance at the Kennedy Center.

“I choreographed a solo act and didn’t care if anyone called me an acrobat,” Chauhan stated, reflecting on his journey. His determination had finally earned him the respect he had long sought.

However, Maor expressed mixed emotions about his star pupil’s success. “I’ll get no credit for their success. Royal Ballet will take the credit for Aamir, and now Manish too has found wings,” he lamented, even as he sat in the audience at the Kennedy Center, watching his student’s solo performance.

In the final scene, Chauhan steps onto the stage wearing a maroon-colored dhoti, as Raj Kapoor’s iconic song Mera Jhoota Hai Japani fills the room, marking a moment of triumph for both student and teacher.

Vijay’s Penultimate Film Delivers a Full Masala Entertainer Amid Hints of Political Transition

Vijay, the celebrated actor, is reportedly preparing to leave the film industry for a career in politics. His second-to-last film, Thalapathy—which translates to “Commander”—positions him as the G.O.A.T. (Greatest of All Time) in this Tamil masala spectacle. Catering fully to his dedicated fan base, Vijay delivers an over-the-top performance in a film that’s almost immune to criticism. While I watched the Hindi dubbed version, the movie’s core remains untouched—a critic-proof crowd-pleaser.

The story revolves around two roles that Vijay takes on, one of which is a character that could be deemed “wicked.” The film follows a standard formula of a father-son conflict, ending with a science-based twist that suggests a sequel might be on the horizon. Whether this will mark Vijay’s final film remains uncertain.

The plot kicks off in 2008, with Vijay’s character Gandhi and his teammates from the Special Anti-Terrorism Squad (SATS), a unit tied to India’s intelligence agency, RAW. They attack a train in Kenya, where Rajiv Menon, a traitorous officer, is attempting to smuggle uranium. In the ensuing chaos, the uranium is recovered, the train explodes (with no mention of civilian passengers), and Menon along with his associates are eliminated.

Gandhi and his three comrades, Kalyan (Prabhudheva), Prashanth (Sunil), and Ajay (Ajmal Ameer), lead secretive lives, telling their families that they work for the Indian Tourism Development Corporation. Gandhi’s wife, Anu (Sneha Prasanna), is pregnant but grows suspicious of his behavior, suspecting an affair due to his secretive lifestyle. Finally, Gandhi is forced to reveal his true identity to Anu, who is left shocked and in disbelief.

In an attempt to smooth things over, Gandhi allows Anu and their young son Jeevan (S.J. Akhilan) to accompany him to Bangkok, where the SATS team is heading for their next mission. However, tragedy strikes when Gandhi’s family is attacked. During the ensuing chaos, Anu begins experiencing labor pains and must be rushed to the hospital. In a brief moment when Gandhi leaves Jeevan alone to complete admission procedures, his son is kidnapped. Shortly thereafter, a burnt body is found, and the presence of a toy Spiderman that Gandhi had given his son leads everyone to believe that it is Jeevan’s remains.

Devastated, Gandhi informs Anu, who has just given birth to their daughter, about the tragic loss. Distraught, she leaves Gandhi and takes their newborn daughter with her. Heartbroken, Gandhi resigns from his job and takes up work as an immigration officer. Fast forward to 2024, when Gandhi is called upon by his former boss, Nazeer (Jayaram), to train officers at the newly-established Indian Embassy in Moscow. Oddly enough, the embassy soon comes under attack, and during the skirmish, Gandhi spots a young man among the attackers who bears a striking resemblance to him.

It turns out that the man is, in fact, Jeevan, who is alive. Gandhi brings him home, reuniting the family, including their now-grown daughter, Jeevitha (Abhyukta Manikandan). However, this joy is short-lived as Nazeer is murdered in front of Gandhi by a masked assailant, and more killings follow. Meanwhile, Jeevan finds himself drawn to his childhood friend, Srinidhi (Meenakshi Chaudhary), who is Sunil’s daughter.

As the plot progresses, several twists unfold, and Gandhi comes to realize that his son Jeevan has now taken on the role of the new villain. The script is peppered with coincidences, but the filmmakers seem unconcerned with logic—the goal here is pure entertainment.

Director Venkat Prabhu, along with his team of writers, delivers a film designed purely for spectacle, a relentless rollercoaster of songs, dances, and action sequences. The cinematography by Siddharth Nuni is breathtaking, and the production values are grand. While the Hindi lyrics penned by Riya Mukherjee fail to make a lasting impression, Yuvan Shankar Raja’s background score is serviceable, albeit stereotypical.

Vijay shines in his dual role, giving his fans exactly what they expect. Whether he’s portraying the seasoned Gandhi or the younger Jeevan, his performance hits all the right notes for his audience. His emotional scenes, particularly when he discovers what he believes to be his son’s remains and later breaks the tragic news to his wife, stand out as moments of genuine intensity.

The supporting cast, however, doesn’t have much room to shine. Sneha Prasanna’s Anu, Prasanth as Sunil, and Jayaram as Nazeer are competent but underutilized. Prabhudheva’s portrayal of Kalyan, though brief, leaves a lasting impression. Yogi Babu as Diamond Babu brings a touch of comic relief but doesn’t contribute significantly to the story.

The film’s runtime is an issue, stretching beyond 183 minutes. A more concise version would have packed a greater punch, allowing the film to resonate even more with its audience. Despite its excessive length, *Thalapathy* offers plenty of entertainment for Vijay’s devoted fan base and is expected to perform well at the box office. That said, with a tighter script, the film could have earned a higher rating.

In the end, the movie invites the audience to suspend disbelief and simply enjoy the ride, without questioning the improbable plot elements. As one of Vijay’s final films, it serves as a grand tribute to his cinematic journey, while also hinting at a future in politics.

“Vijay delivers exactly what his fans want in Thalapathy,” said one critic, praising his ability to embody both the intense action hero and the heartbroken father with equal ease.

While the movie is unlikely to win over those outside of Vijay’s fan circle, it successfully serves its purpose of being a full-blown masala entertainer, with plenty of action, emotional drama, and larger-than-life sequences that cater to its target audience.

Taylor Swift Backs Kamala Harris for President, Criticizes Misinformation Spread by AI

On Tuesday, Taylor Swift publicly announced her support for Vice President Kamala Harris in the 2024 presidential race. This ends weeks of speculation about whether the globally renowned singer would share her political views ahead of the upcoming election. Swift, who has largely stayed quiet on political matters until recent years, used her Instagram platform to share her perspective following the debate between Harris and former President Donald Trump on ABC News.

“Like many of you, I watched the debate tonight,” Swift wrote. “If you haven’t already, now is a great time to do your research on the issues at hand and the stances these candidates take on the topics that matter to you the most. As a voter, I make sure to watch and read everything I can about their proposed policies and plans for this country.” Her post came shortly after the conclusion of the debate, where Harris faced off against Trump, her main Republican rival.

Swift took the opportunity not only to declare her support for Harris but also to address concerns about misinformation, particularly regarding the misuse of artificial intelligence (AI). “Recently I was made aware that AI of ‘me’ falsely endorsing Donald Trump’s presidential run was posted to his site. It really conjured up my fears around AI, and the dangers of spreading misinformation,” she wrote. “It brought me to the conclusion that I need to be very transparent about my actual plans for this election as a voter. The simplest way to combat misinformation is with the truth. I will be casting my vote for Kamala Harris and Tim Walz in the 2024 Presidential Election.”

Harris became the Democratic Party’s nominee earlier in August after President Joe Biden withdrew from the race. Shortly after, she named Minnesota Governor Tim Walz as her running mate. Swift acknowledged this in her endorsement, highlighting the qualities that attracted her to Harris and Walz.

“I’m voting for @kamalaharris because she fights for the rights and causes I believe need a warrior to champion them. I think she is a steady-handed, gifted leader and I believe we can accomplish so much more in this country if we are led by calm and not chaos,” Swift stated in her post. She went on to praise Harris’ choice of Walz as a running mate, pointing out his long-standing advocacy for LGBTQ+ rights, reproductive freedom, and in vitro fertilization (IVF). “I was so heartened and impressed by her selection of running mate @timwalz, who has been standing up for LGBTQ+ rights, IVF, and a woman’s right to her own body for decades.”

As a frequent advocate for her fanbase to engage in civic responsibility, Swift urged her followers to do their own research before making any decisions about voting. She also emphasized the importance of registering to vote. “I’ve done my research, and I’ve made my choice. Your research is all yours to do, and the choice is yours to make,” she wrote, specifically addressing first-time voters. “Remember that in order to vote, you have to be registered! I also find it’s much easier to vote early. I’ll link where to register and find early voting dates and info in my story.”

In a playful yet pointed conclusion to her post, Swift referred to herself as a “childless cat lady,” humorously alluding to a derogatory comment previously made by JD Vance, Trump’s running mate, who had used the phrase to criticize Democrats.

Swift’s endorsement quickly garnered attention from both political sides. The next morning on Fox News, Trump was asked about Swift’s support for Harris. He responded by labeling the pop star as “a very liberal person,” and predicted that her political stance might affect her popularity. “She will probably pay a price for it in the marketplace,” Trump added.

The Trump campaign also responded with a statement through spokesperson Karoline Leavitt. “More evidence that the Democrat party has become the party of the wealthy elite. President Trump will fight for the American worker, the struggling family who can’t afford groceries and gas, and the angel families who have lost loved ones due to Kamala’s open border policy,” Leavitt remarked. “Taylor Swift may not understand those problems but President Trump does.”

This is not the first time Swift has expressed her political opinions. In the 2020 presidential election, she voiced her support for Biden and Harris, an announcement that marked a shift in her previously apolitical public image. For much of her nearly 20-year career, Swift steered clear of political discussions. That changed during the 2018 midterms when she publicly backed two Democratic candidates from her home state of Tennessee. Since then, Swift has been a vocal supporter of Democratic policies, often encouraging her fans to vote while advocating for causes such as women’s rights, reproductive health, and LGBTQ+ issues.

Swift’s 2020 documentary, “Miss Americana,” shed light on her evolving political stance. In one scene, Swift spoke candidly to her father, Scott Swift, expressing regret for not having been more outspoken on political matters earlier in her career. She stressed the importance of being on “the right side of history,” indicating her growing awareness of the influence she wields as a public figure. The film also showed her criticizing Trump, further signaling her shift toward more active political engagement.

The singer’s influence has extended beyond her personal endorsements. A group of Swift’s fans, known as Swifties, have mobilized around the 2024 election, forming an online community called “Swifties for Kamala” shortly after Biden’s exit from the race. While Swift herself is not directly affiliated with the group, they have garnered thousands of followers on social media platform X and raised over $122,000 during a two-hour kickoff event in August. The virtual event featured prominent speakers such as Massachusetts Senator Elizabeth Warren and singer-songwriter Carole King.

“We believe Harris-Walz will fight for our rights and the rights of our loved ones, and help make this country safer for everyone,” said Irene Kim, the communications director of Swifties for Kamala, in a statement to CNN.

Swift’s recent political engagement and endorsement of Kamala Harris for the presidency solidify her position as an influential voice in the political sphere, despite criticisms from some conservatives. As the 2024 election draws nearer, Swift’s role in encouraging voter participation—particularly among her younger fanbase—may have significant implications for the outcome.

Selena Gomez Joins the Billionaire Club at 32, Thanks to Rare Beauty’s Success

Selena Gomez, who gained early fame as a child star on *Barney & Friends* and the Disney Channel, has now reached billionaire status. At 32 years old, the actress and singer has accumulated a fortune of $1.3 billion, according to a report from Bloomberg. The publication added Gomez to its billionaire index last Friday, attributing most of her wealth to the success of her cosmetics company, Rare Beauty.

Founded five years ago, Rare Beauty has grown into a powerhouse in the beauty industry, with the company valued at over $1 billion. Gomez’s stake in the brand has significantly contributed to her fortune, Bloomberg reports. The company is well-known for products such as liquid blushes and lip tints, which have gained widespread popularity on social media platforms. According to the report, Rare Beauty generated approximately $400 million in net sales in the year leading up to February.

The success of Rare Beauty has placed Gomez among the ranks of some of the world’s youngest female self-made billionaires. She now joins other prominent figures like Taylor Swift and Rihanna on the list. These women, who have also diversified their incomes through various business ventures, represent a growing trend of female celebrities achieving wealth through entrepreneurship.

Beyond her cosmetics line, Gomez has secured additional income streams through endorsement deals. Major brands such as Louis Vuitton, Coach, and Puma have tapped Gomez to represent their products, with these partnerships contributing tens of millions of dollars to her overall earnings. Bloomberg further noted that Gomez earns at least $6 million per season for her role in the popular Hulu series *Only Murders in the Building*. The show, which has received Emmy nominations, has recently been renewed for its fifth season, continuing to enhance her profile as a multifaceted entertainer.

Despite her various achievements in acting and music, Gomez’s wealth primarily stems from her business ventures rather than her entertainment career. Bloomberg emphasized that while she has received multiple nominations for both Emmy and Grammy Awards, her earnings from the entertainment industry make up only a minor portion of her overall fortune.

Gomez, originally from Texas, has been in the spotlight for nearly 30 years. She first captured public attention as a child and has continued to grow her career over the decades. However, this level of fame has also brought intense scrutiny, particularly regarding her personal life. Gomez has openly discussed her struggles with health issues, including a diagnosis of bipolar disorder and the autoimmune disease lupus. She has used her platform to raise awareness about mental health and has been candid about her experiences with these conditions.

In addition to her success in the entertainment and beauty industries, Gomez has shared personal stories about her family’s journey to the United States from Mexico. She has spoken about how her aunt made the crossing “hidden in the back of a truck,” and Gomez has also recorded music in Spanish to honor her heritage.

Social media has played a pivotal role in Gomez’s journey to stardom. Last year, she became the most-followed woman on Instagram, surpassing other notable figures such as Taylor Swift and Kylie Jenner. With over 424 million followers, Gomez holds the top spot on the platform. However, despite this massive online presence, she has openly criticized the impact of social media on mental health. She has, on several occasions, deleted her account due to the pressures of maintaining such a large following. Gomez has been vocal about the negative effects platforms like Instagram can have on self-esteem and mental well-being, especially for young users.

While news of her billionaire status broke, Gomez’s Instagram account remained unusually quiet. The star did not post any celebratory remarks or updates to her millions of followers. Her silence may be in line with her cautious approach to social media, where she has at times distanced herself from the constant spotlight it provides.

Gomez’s career has been remarkably long for someone of her age, spanning almost two decades. During an interview with BBC1 nearly a decade ago, Gomez reflected on her time in the industry, expressing surprise at the duration of her career. “It’s weird, it’s almost two decades… am I too old?” she joked at the time. But she also made it clear that she has much more she wants to accomplish. “You know what’s crazy, is that a lot of times I don’t even feel I’ve started,” she added, suggesting that her best work may still be ahead of her.

Her growing fortune and continued success suggest that Gomez is more than just an entertainer—she is a savvy businesswoman who has carefully diversified her career. With Rare Beauty booming and her acting career thriving, Gomez is proving that she can succeed in multiple arenas, cementing her status as one of the most influential and successful figures in both the entertainment and business worlds.

Great Britain Experiences Greenest Summer as Wind and Solar Power Reach New Highs

Great Britain’s electricity system has achieved a new milestone, recording its greenest summer ever as an increasing number of wind and solar farms significantly reduced the need for gas power plants. This marks a major step toward the nation’s goal of a low-carbon future.

According to energy generation data, which was commissioned by the *Guardian*, Britain’s reliance on gas power fell to a historic low in August, representing less than one-fifth of the total electricity generated for the month. The country only used 4 terawatt hours (TWh) of gas-generated electricity in August, marking its lowest level for a one-month period.

As a result, the carbon intensity of the power grid dropped to 144 grams of CO2 per kilowatt-hour in August, which is the lowest level ever recorded for a single month. This represents a 40% reduction in carbon intensity compared to the same month in 2022. The data analysis, conducted by the energy thinktank Ember, revealed that these record lows were not just a one-off event. When averaged across the entire summer from June to August, the grid’s carbon emissions remained low, marking this summer as the greenest in Britain’s history.

The current Labour government is working toward an ambitious goal of running the UK’s power grid almost entirely on zero-carbon electricity by 2030. This shift is being driven by the rapid development of wind and solar farms across the country. As part of this effort, the government held a flagship auction this week to allocate renewable energy subsidies, which resulted in contracts being awarded for 131 new projects. These new projects are expected to generate enough clean electricity to power 11 million homes in the UK. However, the auction secured only half the offshore wind capacity needed annually for the rest of the decade if the government aims to meet its net zero emissions target.

Frankie Mayo, an analyst at Ember, commented on the record-low reliance on fossil fuels, saying, “Having the lowest monthly fossil fuel share on record shows that homegrown wind and solar can reduce reliance on imports. This is a great starting point on the path to clean power by 2030 for the new government.”

While celebrating the progress, Mayo also highlighted the continued presence of gas in the energy mix, which poses a threat to energy bills. “Clean power is delivering cheap, low-cost power – ramping up deployment at scale can’t come soon enough,” Mayo added.

The analysis also confirmed earlier forecasts that Britain was on track for a record-breaking summer in solar power generation. Solar power generation reached an average of 1.86 TWh over the summer months, marking a 20% increase from the same period last year. Wind farms also reached record highs, generating 7.04 TWh of electricity in August alone, which is a 46% increase from August 2022. On average, between June and August, wind power output reached 5.6 TWh per month, an increase of 40% compared to the previous summer.

In addition to the surge in wind and solar power, Britain’s fleet of nuclear reactors also contributed significantly to the green summer. In August, the country’s nuclear power plants generated 3.89 TWh of electricity, the highest output from nuclear sources in nearly two years.

Emma Pinchbeck, the chief executive of Energy UK, an industry body, remarked on the shift toward greener energy sources, recalling a time when coal was responsible for 40% of the country’s electricity generation. She stated, “It wasn’t that long ago that coal was providing 40% of our electricity and the prospect of running the grid on predominantly low-carbon power would have been dismissed by many as impossible.”

Pinchbeck emphasized the rapid pace of change in the energy sector, noting that new records like these are being set regularly. “The regularity with which new records like this are set shows the pace at which cleaner homegrown sources are providing an ever-increasing share of our power,” she said.

Luke Clark, a director at Renewable UK, a trade association for green power, echoed this sentiment but cautioned that the UK must continue to accelerate its efforts if it hopes to meet the government’s 2030 decarbonization target. Clark explained, “These record-breaking figures show that we’re making great progress, but to achieve the new government’s target of decarbonising our electricity system by 2030, we’ll need to increase the rate at which we build new wind and solar farms by securing even higher volumes of new capacity in each annual auction for contracts.”

The UK’s Energy Secretary, Ed Miliband, also praised the progress but acknowledged that there is still much work to be done. “While these figures are to be welcomed, we have a mission to make Britain a clean energy superpower, with solar and wind power at the heart of our plans,” Miliband said.

Miliband pointed to the latest auction as a crucial step toward this goal. “Just this week we achieved a record-setting round of renewables projects, with enough power for 11 million homes – essential to give energy security to families across the country,” he said. He also highlighted the establishment of Great British Energy, a government-backed initiative aimed at unlocking billions of pounds in private investment. According to Miliband, this initiative will not only help deliver new energy projects but will also create tens of thousands of high-quality jobs and offer long-term protection for consumers against rising energy bills.

Overall, this summer’s record-breaking reductions in carbon emissions and increases in renewable energy generation mark a significant achievement for Britain. However, the government, industry leaders, and energy experts agree that continued investment in wind, solar, and other low-carbon energy sources is essential to ensure the country meets its ambitious climate targets by 2030.

The UK’s journey toward a fully decarbonized electricity grid is well underway, but there is still much work to be done in the coming years to ensure the transition to a cleaner, greener energy system remains on track.

Vijay’s GOAT Offers Moments of Brilliance but Falters with Its Overreliance on Nostalgia and Gimmicks

In a pivotal scene from GOAT (The Greatest of All Time), set in Thailand, Gandhi (played by Vijay) experiences a profound loss. The scene is simple—there are no flashy camera angles, emotional music, or excessive dramatics. Venkat Prabhu, the director, allows the scene to unfold naturally, giving Vijay the space to shine. In this moment, Vijay sheds his superstar persona and fully embodies a father in despair. His breakdown is raw, ending in tears and cries of anguish. Later, in front of his wife, Anu (Sneha), he endures another emotional breakdown, but this time it is subtler, internal, and more genuine. The way Vijay portrays vulnerability in these scenes is a testament to his ability as an actor, particularly when cornered or shaken. Throughout *GOAT*, Venkat Prabhu often taps into this non-starry side of Vijay, and the film finds its strength in these moments. However, the movie struggles to maintain this momentum due to its reliance on an outdated formula, centered around the gimmick of a de-aged Vijay acting alongside his present-day self. This idea, while interesting, only takes the film so far.

GOAT opens with a nod to the Mission: Impossible series, a clear inspiration for the filmmakers. The plot then shifts focus to a four-member Anti-Terrorism Squad led by Naseer (Jayaram). The team includes Sunil (Prashanth), Ajay (Ajmal), Kalyan (Prabhu Deva), and Gandhi. Their work of saving the world seems effortless, but it’s their personal lives that present the real challenges. Drawing inspiration from The Family Man, the film depicts the marital struggles between Anu and Gandhi, leading to comedic moments that feel natural, thanks to the seasoned actors. As viewers, we’ve seen countless espionage films and naturally expect betrayal, but Venkat Prabhu cleverly subverts these expectations. His smart writing manages to provide twists and turns that keep the audience engaged.

This film represents Venkat Prabhu’s boldest project since Mankatha, not only in terms of content but also in technical execution. The use of de-aging technology eliminates the need for the audience to suspend disbelief, relying instead on the effectiveness of visual effects. However, this is where the film falters. While the younger version of Vijay, Jeevan, is convincingly portrayed, other visual choices, particularly those showing Vijay in his teens, detract from the experience. The hurried action sequences, which feature zooming cars, skidding bikes, and ricocheting bullets, fail to generate the intended sense of urgency. Instead, the chaotic visuals overwhelm the viewer, detracting from the overall impact of the film.

Despite its shortcomings, GOAT finds its footing with the performances of its cast. Veterans like Prashanth, Sneha, Prabhu Deva, and Vijay himself, deliver standout performances. Even Meenakshi Chaudhary, a relatively new face, makes a mark, despite her character being somewhat underdeveloped. Each supporting character, though primarily there to serve the protagonist’s story, is given moments that add emotional depth to the narrative. However, these small details also crowd the plot, leading to a sense of fatigue as the story drags in the first half before picking up the pace later on.

Vijay appears to thoroughly enjoy playing the role of Jeevan. This younger version of his character allows him to shed his superstar image and embrace a more uninhibited performance. It’s a refreshing departure from the familiar roles he’s taken on for years. As Gandhi, he plays to his strengths, but as Jeevan, he shows what he’s truly capable of when freed from the constraints of his established persona. It’s a bold character choice, especially for someone nearing the end of his acting career. One can’t help but wonder what more he could have achieved had he explored this path earlier.

The film doesn’t shy away from referencing Vijay’s potential political ambitions, but these moments are inconsistent in their impact. Venkat Prabhu also taps into nostalgia, a strategy that often works to elicit cheers and applause from the audience. In today’s era of instant gratification, it’s understandable why a filmmaker would opt for this route, but it feels overused at times. There are plenty of nods to Vijay’s contemporaries, and some cameos serve more as metaphors than integral plot points. Yogi Babu’s obligatory appearance provides comic relief, but his role overstays its welcome. The climax, set against the backdrop of a Chennai Super Kings versus Mumbai Indians cricket match, is designed to thrill audiences. It’s in this final act that Venkat Prabhu truly comes into his own, combining intrigue, humor, sentiment, and mass appeal. Up until this point, the film feels understated, lacking the boldness that Prabhu is known for.

The meandering pace in the first half can be attributed to the simplicity of *GOAT’s* plot, which relies heavily on technology rather than a compelling story. While the de-aging effects provide novelty, they can’t carry the film on their own. This approach leaves Venkat Prabhu somewhat boxed in. The story itself lacks the complexity or engagement needed to match the innovative visuals. For instance, the character arc of Mohan, set up as a formidable rival to Gandhi, borrows heavily from the Mission: Impossible playbook. But his nefariousness is diluted by a hurried script that prioritizes flashy moments over character development. The writing often falls short of its potential, and the rushed conclusion leaves much to be desired.

The placement of songs in GOAT also feels off. While tracks like “Chinna Chinna” and “Whistle Podu” may please fans, they don’t serve the film’s narrative. This fan service, though effective, feels excessive in a film already saturated with such moments.

Ultimately, GOAT is a celebration of Vijay’s many talents—his dancing, action sequences, comic timing, vulnerability, and charm are all on full display. But there’s a bittersweet undertone, as this marks one of the final chapters in his illustrious career. Venkat Prabhu, weighed down by this burden of legacy, takes a cautious approach in *GOAT*, often holding back when he might have otherwise pushed boundaries. While the film falls short of being the “greatest of all time,” it still serves as a fitting tribute to one of Tamil cinema’s most beloved stars, who is nearing the end of his journey. As audiences prepare for Vijay’s final film, *GOAT* is a reminder of the incredible career that’s been and the anticipation for one last hurrah.

GOAT Movie Cast:Vijay, Prashanth, Sneha, Mohan, Prabhu Deva

GOAT Movie Director:Venkat Prabhu

GOAT Movie Rating: 2.5/5

Controversial Trump Film “The Apprentice” Set for U.S. Release Before Election Day

A new film titled “The Apprentice,” centered on former President Donald Trump, is slated for release in the United States just before the upcoming Election Day. The film is scheduled to debut on October 11th in both the U.S. and Canada, distributed by Briarcliff Entertainment.

Director Ali Abbasi shared his excitement about the film’s release on social media, posting on platform X on Friday, “Soooo excited to show the movie to its home audience!!! America here we come.”

However, the Trump campaign has strongly criticized the film. Steven Cheung, communications director for Trump’s campaign, dismissed the movie as “pure fiction which sensationalizes lies that have been long debunked.” In a statement to The Hill on Friday, he further condemned the film, saying, “This ‘film’ is pure malicious defamation, should never see the light of day, and doesn’t even deserve a place in the straight-to-DVD section of a bargain bin at a soon-to-be-closed discount movie store, it belongs in a dumpster fire.”

The controversy surrounding “The Apprentice” isn’t new. In May, Trump’s legal team took action against the filmmakers. A cease-and-desist letter was sent to the creators of “The Apprentice,” which features Sebastian Stan, known for his role in “Captain America: The Winter Soldier,” portraying a young Trump. Jeremy Strong from “Succession” plays Roy Cohn, Trump’s infamous lawyer. Trump’s legal team sought to halt the film’s release and warned of potential legal action.

The letter from Trump’s attorney, David Warrington, to Ali Abbasi and screenwriter Gabriel Sherman, accused the filmmakers of misrepresenting the film as a factual account of Trump’s life. “The Movie presents itself as a factual biography of Mr. Trump, yet nothing could be further from the truth,” the letter stated. Warrington further claimed that the film is “a concoction of lies that repeatedly defames President Trump and constitutes direct foreign interference in America’s elections.” The letter warned, “If you do not immediately cease and desist all distribution and marketing of this libelous farce, we will be forced to pursue all appropriate legal remedies.”

Despite the pushback from Trump’s team, the film’s producers have defended their work. In a statement previously provided to Variety, the producers described “The Apprentice” as “a fair and balanced portrait of the former president.” They emphasized their desire for the public to watch the film and form their own opinions, saying, “We want everyone to see it and then decide.”

The Hill has reached out to Briarcliff Entertainment for further comment on the release and the ongoing controversy surrounding the film. As of now, the movie is set to hit theaters as planned, adding yet another layer of drama to the already heated political climate leading up to Election Day.

While “The Apprentice” aims to provide a cinematic depiction of Trump’s rise, it has undoubtedly sparked significant debate and backlash, particularly from those who believe it portrays the former president unfairly. The film’s release is expected to fuel further discussion and division, particularly in the politically polarized atmosphere of the current U.S. election season.

Critics and supporters alike are awaiting the film’s release to see how it handles the complex and often contentious subject of Trump’s early career and legal battles, as depicted by notable actors in a high-profile Hollywood production.

The debate over “The Apprentice” reflects broader tensions in the U.S. over media representations of political figures and the potential impact of such portrayals on public opinion and election outcomes.

As the release date approaches, all eyes will be on both the film and the public’s reaction, with many questioning whether “The Apprentice” will influence voters or merely add to the cacophony of voices in an already charged political environment. The film’s impact remains to be seen, but it has already achieved one thing: it has captured the attention of the nation, stirring emotions on both sides of the political spectrum.

Briarcliff Entertainment’s decision to release “The Apprentice” so close to Election Day is seen by some as a strategic move, while others view it as an attempt to sway opinions at a critical time. Regardless of its intention, the film has undoubtedly become a focal point in the ongoing debate about media influence, political bias, and the role of entertainment in shaping public discourse.

“The Apprentice” is more than just a film; it has become a symbol of the broader cultural and political battles being fought in America today. With its impending release, it promises to be a talking point across the country, as people from all walks of life prepare to watch, critique, and discuss this contentious portrayal of one of the most polarizing figures in recent American history.

Mindy Kaling’s Humor and Insight Shine at the National Democratic Convention

Mindy Kaling, the renowned comedian, author, actor, and filmmaker, made a notable appearance at the National Democratic Convention held at the United Center in Chicago from August 19-22, 2024. Kaling, whose full name is Vera Mindy Chokalingam, was among several young influencers invited by the Democratic Party to engage with the younger demographic.

On August 21, Kaling was given a significant role, tasked with introducing two prominent Democratic figures. She first introduced Congressman Hakeem Jeffries, the current Speaker of the House of Representatives, and later returned to the stage to introduce former Speaker of the House, Nancy Pelosi, a trailblazing woman in American politics.

Kaling opened her speech with a characteristic display of self-deprecating humor, pretending not to take her own fame too seriously. “For those of you who don’t know me, I am an incredibly famous Gen Z actress,” she quipped, prompting laughter from the energized audience. She went on to remind the crowd of her well-known television roles, including her appearances in “The Office” and “The Mindy Project,” before humorously referring to herself as “the woman who famously outed Kamala Harris as Indian in an Instagram cooking video. You’re welcome!”

Expressing her support for Kamala Harris, whom she described as “my friend,” Kaling again resorted to humor. “But the reason I’m here is that – true – deep down, I truly believe that as a woman of color and a single mother of three, it is incredibly important that I be appointed Ambassador to Italy,” she joked, sparking laughter throughout the hall. “That’s how it works, right? It’s why I’m here. I’ve never been. I’m dying to go, and, guys, I just really need a break,” she added, further amusing the audience.

Reflecting on her presence at the convention, Kaling expressed wonder at the opportunity to speak about the Vice President. “… just think about it. I’m actually here because I have known the Vice President for a long time, and I want to tell you a story about the first time I ever met her,” she began.

“She was not Madame Vice President then. She was my Senator. And we were filming a video where she came to my home. And we cooked a South Indian dish… dosa. It’s not every day a Senator comes over, and I was pretty nervous,” Kaling recalled.

The encounter was evidently a memorable one, as Kaling described how well they connected. “We talked about the love we have for our moms who had both passed away from cancer. Both of our mothers were immigrants from India who came to America and committed their lives to serving others,” she said.

Kaling went on to provide more details about their conversation, noting that her mother had been an OB/GYN, while Harris’s mother was a scientist dedicated to finding a cure for cancer. “After speaking to Kamala, it was clear to me that her mother had passed down the same optimism and fearlessness to her daughter,” Kaling remarked.

Kaling then shared a personal anecdote, saying, “But the thing I remember most about the Vice President is that Kamala Harris can cook. Guys, she was so much better than me. But she also knew that my family was watching, so she gently corrected my sloppiness, she complimented me every step of the way. She has no desire to be seen as better than anyone else. She just wanted mom to look good in front of her kid.”

She continued with another humorous observation: “When we sat down to eat, she took a bite, and said, ‘mmm, good,’ and never took another bite. That generosity of spirit is what I know she will bring to the presidency.”

Kaling concluded her initial speech by introducing Hakeem Jeffries, who then addressed the convention. After Jeffries finished his speech, Kaling returned to the stage to introduce Nancy Pelosi, the first woman Speaker in U.S. history.

Introducing Pelosi, Kaling praised her pioneering role in politics. “This woman was doing ‘brat’ before ‘brat’ was ‘brat’,” she said, referencing Pelosi’s reputation for being tough and uncompromising. The term “brat” had gained popularity among young voters after pop star Charli XCX described Harris as a “Brat,” a label that quickly became a meme and contributed to Harris’s rising popularity among younger audiences.

Kaling’s speech was a mix of humor, personal anecdotes, and insightful commentary, effectively engaging the diverse audience and demonstrating her support for the Democratic Party and its prominent leaders. Her lighthearted yet meaningful address helped to underscore the party’s efforts to connect with younger voters as the November 5 election approaches.

Oprah Winfrey Calls for ‘Common Sense Over Nonsense’ at DNC, Endorses Kamala Harris and Tim Walz

Television icon Oprah Winfrey made an unexpected appearance at the Democratic National Convention (DNC) in Chicago, her hometown, urging both Democrats and independent voters to choose “common sense over nonsense.” The 70-year-old Winfrey, who has largely stayed away from the political limelight in recent years, took to the stage to support Vice-President Kamala Harris and her running mate, Minnesota Governor Tim Walz, during the third night of the four-day convention.

Addressing a cheering crowd on Wednesday, Winfrey stated, “Let us choose truth, let us choose honour, let us choose joy,” adding, “Because that is the best of America.” Her words resonated with the audience, underscoring her call for unity and integrity in the upcoming elections. Winfrey’s appearance, timed just before Walz’s primetime speech to formally accept the party’s nomination for vice-president, added a significant boost of star power to the event. Her endorsement helped energize the convention, which had already featured other well-known figures, such as rapper Lil Jon.

The DNC’s tradition of featuring celebrities at party conventions was mirrored by the Republicans, who last month filled their own gathering with notable figures, including musician Kid Rock and wrestler Hulk Hogan. Winfrey’s speech, however, went beyond mere star appearances. She subtly criticized the Republican challengers, former President Donald Trump and Ohio Senator JD Vance, without naming them directly.

“Despite what some would have you think, we are not so different from our neighbours,” Winfrey remarked, offering a message of unity. “When a house is on fire, we don’t ask about the homeowner’s race or religion, we don’t wonder who their partner is or how they voted. No. We just try to do the best we can to save them.” This analogy highlighted the shared humanity that should transcend political differences.

In a pointed jab at Vance, Winfrey added, “And if the place happens to belong to a childless cat lady, well, we try to get that cat out, too.” This comment was a clear reference to a controversial 2021 interview in which Vance had labeled Democratic politicians as “a bunch of childless cat ladies who are miserable at their own lives and the choices that they’ve made and so they want to make the rest of the country miserable, too.” Vance’s remarks had gone viral after Trump announced him as his running mate, drawing widespread criticism. Notably, Oprah Winfrey does not have any children, making her comment particularly pointed.

Winfrey’s involvement in the convention marked her return to the political stage after a significant hiatus. In 2007, she had endorsed then-Illinois Senator Barack Obama in his bid for the presidency, a move that was seen as pivotal in his campaign. At that time, Winfrey, who shared a close connection with Obama through their Chicago roots, hosted fundraisers and actively campaigned for him in Iowa. However, in recent years, Winfrey had distanced herself from political endorsements, focusing on her media empire and personal projects.

On Wednesday night, however, Winfrey embraced her political voice once again, casting herself as an Independent. She urged other like-minded voters to rally behind the Democratic ticket in the upcoming November elections. “You’re looking at a registered Independent who’s proud to vote again and again and again because I’m an American, and that’s what Americans do,” she declared, emphasizing the importance of participating in the democratic process.

The impact of Winfrey’s speech was immediate. Tracy Prince and Kathy Sykes, who were in attendance at the convention, leaped out of their seats when they saw Winfrey take the stage. Both Prince and Sykes hail from Mississippi, Oprah’s birthplace, and they felt a deep connection to her. “We love Oprah so much,” Mrs. Sykes told BBC News, expressing the pride Mississippians feel in claiming Oprah as one of their own. She added that Oprah’s speech was a “powerful message” specifically directed at independent voters, encouraging them to support Kamala Harris. “She gave very good reasons why – to choose common sense over nonsense,” Mrs. Sykes said, reflecting on the resonating message from the convention hall.

Wednesday night’s program was not only about Oprah Winfrey’s star-studded return to the political scene; it also included appearances by other celebrities like Stevie Wonder, Mindy Kaling, and Kenan Thompson. The Democratic Party has been strategically leveraging the influence of its famous supporters to draw attention to the convention, hoping that their involvement will encourage more voters to engage with the electoral process and cast their votes for Kamala Harris in November.

The effectiveness of celebrity endorsements in political campaigns has been a topic of debate. Research suggests that while big-name endorsements can generate significant publicity for a party, their impact on actual voting behavior is less certain. Some studies indicate that personal relationships, such as those with friends and family, may have a more substantial influence on an individual’s voting choices. In certain instances, celebrity endorsements might even deter some voters, depending on the celebrity’s public persona and the context of their support.

Nonetheless, Oprah Winfrey’s appearance at the DNC served as a powerful reminder of her enduring influence and the weight her words carry in the public sphere. As the Democratic Party gears up for the final stretch of the campaign season, they are undoubtedly hoping that Winfrey’s call for “truth, honour, and joy” will resonate with voters across the nation, motivating them to choose common sense over nonsense when they head to the polls in November. The convention’s emphasis on unity and integrity, highlighted by Winfrey’s speech, sets the tone for what promises to be a fiercely contested election, with both parties vying for the hearts and minds of the American electorate.

Hanumankind: The Rise of a Kerala-Born Rapper and His Global Impact with “Big Dawgs

Kerala-born rapper Hanumankind, originally named Sooraj Cherukat, has made a remarkable entrance into the global music arena with his latest music video, “Big Dawgs.” Released just four weeks ago, the video has already amassed over 45 million views on YouTube, marking him as a rising sensation in the Indian hip-hop scene.

Hanumankind’s journey to fame is as distinctive as his stage name. Growing up in Malappuram, Kerala, in a family deeply rooted in spirituality, his choice of the name “Hanumankind” reflects a nod to the Hindu deity Hanuman. However, he emphasizes that there is no direct religious connection to the name.

His upbringing took him across various parts of the world, including Houston, Texas, where he attended Houston Community College, as well as time spent in Nigeria, Saudi Arabia, and Italy. This diverse global exposure is evident in his eclectic musical style. Returning to India in 2012, Hanumankind pursued a business course in Coimbatore before fully immersing himself in the world of music, channeling his varied experiences into his work.

His debut EP, *Kalari,* was his initial foray into the Indian hip-hop landscape, but it was his collaboration with producer Kalmi on the project *Surface Level* that truly captured significant attention. Today, at 32 years old, Hanumankind stands as a prominent figure in Indian hip-hop, with an estimated net worth of $3 million (₹25 crores).

The music video for “Big Dawgs” has particularly stood out, not just for its powerful beats and assertive lyrics but also for its audacious visuals. The video was shot in Ponnani, a coastal district in Kerala often referred to as the “Mecca of Kerala.” Directed by Bijoy Shetty and produced by Brown Crew Productions’ Kalmi, the video showcases Hanumankind performing inside the “Wall of Death,” a stunt that has captivated audiences globally.

In an interview with Rolling Stone, the rapper shared that the video was about more than just artistic expression; it was also about embracing risk. “If you want something, take that risk, man, or else it won’t happen. Even if you fail, it’s still the act of doing,” Hanumankind explained. The video’s gritty, compelling visuals, captured by cinematographer Abhinay Pandit, perfectly complement the song’s explosive blend of desi swagger and punk-infused energy.

The overwhelming success of “Big Dawgs” highlights Hanumankind’s ability to transcend boundaries and elevate Indian hip-hop to an international platform. The track’s rapid rise has seen it surpass international hits, reaching the number one spot on Spotify’s global chart. What makes this achievement even more remarkable is that the song was written in just 20 minutes, with the recording process taking only slightly longer.

Hanumankind is quickly becoming one of the prominent voices in Indian hip-hop, alongside other trailblazers like Sidhu Moosewala, Honey Singh, and Badshah. His work on “Big Dawgs” has not only sparked conversation but has also set a new benchmark for what Indian hip-hop can achieve on the global stage.

Mammootty and Prithviraj Shine at 54th Kerala State Film Awards

In a competitive atmosphere at the 54th Kerala State Film Awards, both veteran actor Mammootty and rising star Prithviraj emerged victorious in different categories. The announcement was made on Friday by Saji Cherian, Minister for Culture and Films, in Thiruvananthapuram.

Prithviraj secured the Best Actor award for his remarkable performance in the film Goat Life, directed by the acclaimed Blessy. Goat Life dominated the awards, bagging nine honors, including Best Director for Blessy and Best Screenplay Adaptation. The film’s technical brilliance was also recognized, with K.S. Sunil winning Best Cameraman, and Oscar winner Resul Pookutty and Sharath Mohan taking home the award for Best Sound Mixing. Renjith Ampadi was honored as the Best Makeup Artist, and the film was named the Most Popular Film of the year. Additionally, actor Gokul received a special mention from the jury for his contribution to the film.

On the other hand, Mammootty, despite not winning the Best Actor award, celebrated a significant achievement by receiving the Best Film award for *Kathal*. He not only produced the film but also starred in it, showcasing his versatility in the industry.

The Best Actress award was jointly won by seasoned actresses Urvasi for her role in Ullaozhuku and Beena R. Chandran for Thadavu. This year’s awards also featured some unexpected wins, such as popular music director Vidhyadaran Master claiming the Best Male Singer award, while Ann Amy was recognized as the Best Female Singer.

The jury for the 54th Kerala State Film Awards was led by veteran Indian director Sudhir Mishra. Minister Cherian highlighted that this year marked the highest number of entries in the history of the awards, with 160 films contending, including 38 from debut directors. He explained, “The two sub-committees were led by Priyanandan and N. Alagappan, each reviewing 80 films, and 38 films were subsequently evaluated by the main jury.”

Reflecting on his win, Prithviraj expressed both excitement and humility. “This is my third state award, and it stands out as the toughest one. I feel excited and happy as this film came out like this because of a huge team effort. I am most happy as Blessy, the director, got the Best Director award. The award is for the entire team, as this, in 2009, looked only like a dream, and finally, it became a reality. Blessy’s single-minded focus and a very detailed screenplay were the crucial factors. As an actor, I had enough and more material. I feel blessed, and he gave me a lot of freedom. As an actor, it was really challenging as physical transformation—losing weight—is just one aspect, but the biggest challenge was to get into the character. And more so because the film shooting took four years, and maintaining the character for that long is tough, and hence this will be the toughest. I wish I get more such roles,” said Prithviraj.

Blessy, celebrating his third Best Director award out of the eight films he has directed, was overjoyed by the film’s success. “Of course, I am happy, and getting around nine awards is huge. I am most happy for Gokul for the special jury mention, and it’s a great beginning for him. An award is not the biggest challenge, but to reach the audience and how they accept it. The biggest struggle was to visualize the book into a film,” said Blessy.

The event highlighted the diverse talents in the Malayalam film industry, with both veterans and newcomers being recognized for their contributions. The awards ceremony, marked by the presence of notable figures from the industry, celebrated the artistic achievements and hard work of everyone involved in the filmmaking process. The success of Goat Life at the awards reflects its impact not just on critics but also on audiences, while Mammootty’s recognition for Kathal underscores his enduring influence in Malayalam cinema.

The Kerala State Film Awards continue to be a prestigious platform, showcasing the best of Malayalam cinema and honoring those who contribute to its rich legacy. This year’s awards, with their wide-ranging categories and competitive entries, have once again highlighted the vibrant and dynamic nature of the industry.

Winners Announced for 70th National Film Awards; Aattam and Rishab Shetty Among Top Honorees

The winners of the 70th National Film Awards were disclosed at the National Media Center in New Delhi on Friday. The awards ceremony, scheduled for a future date, will celebrate the finest Indian films produced in various languages throughout 2022. The honorees will be recognized by the President of India. To be eligible for these awards, feature and non-feature films needed to be certified by the Central Board of Film Certification (CBFC) between January 1, 2022, and December 31, 2022. This year’s jury was led by Rahul Rawail, Chairperson of the Feature Film Jury, with Nila Madhab Panda heading the Non-Feature Film Jury, and Gangadhar Mudalair overseeing the Best Writing on Cinema Jury.

The Malayalam-language film Aattamemerged as the Best Feature Film, while Rishab Shetty was awarded Best Actor, and the Best Actress title was shared between Nithya Menen and Manasi Parekh. The film Ponniyin Selvan: 1 stood out, clinching four awards.

Full List of Winners at the 70th National Film Awards:

Feature Film Categories

Best Feature Film: Aattam

Best Actor: Rishab Shetty for Kantara

Best Actress: Nithya Menen for Tiruchitrabalam, Manasi Parekh for Kutch Express

Best Director: Sooraj Barjatya for Uunchai

Best Supporting Actress: Neena Gupta for Uunchai

Best Supporting Actor: Pawan Malhotra for Fouja

Best Feature Film Providing Wholesome Entertainment: Kantara

Best Debut: Pramod Kumar for Fouja

The regional film awards were also part of the announcement, recognizing outstanding works in various Indian languages:

Best Telugu Film: Karthikeya 2

Best Tamil Film: Ponniyin Selvan – Part 1

Best Punjabi Film: Baaghi Di Dhee

Best Odia Film: Daman

Best Malayalam Film: Saudi Velakka CC.225/2009

Best Marathi Film: Vaalvi

Best Kannada Film: KGF: Chapter 2

Best Hindi Film: Gulmohar

Best Tiwa Film: Sikaisal

Best Bengali Film: Kaberi Antardhan

Best Assamese Film: Emuthi Puthi

The jury also provided special mentions, recognizing Manoj Bajpayee for his performance in Gulmohar and Sanjoy Salil Chowdhury for his work in Kadhikan.

Additional Feature Film Awards:

Best Action Direction: KGF: Chapter 2

Best Choreography: Tiruchitrabalam

Best Lyrics: Fouja

Best Music Director: Pritam (Songs), AR Rahman (Background Score)

Best Makeup: Aparajito

Best Costumes: Kutch Express

Best Production Design: Aparajito

Best Editing: Aattam

Best Sound Design: Ponniyin Selvan – Part 1

Best Screenplay: Aattam

Best Dialogues: Gulmohar

Best Cinematography: Ponniyin Selvan – Part 1

Best Female Playback Singer: Bombay Jayashri for Saudi Velakka CC.225/2009

Best Male Playback Singer: Arijit Singh for Brahmastra

Best Child Artist: Sreepath in Mallikappuram

Best Film in Animation, VFX, Gaming, and Comic (AVGC): Brahmastra

Best Non-Feature Film Promoting Social and Environmental Values: Kutch Express

Film Writing and Criticism Awards:

Best Critic: Deepak Dua

Best Book on Cinema: Kishore Kumar: The Ultimate Biography

Non-Feature Film Categories:

Best Non-Feature Film: Ayena

Best Debut Film: Madhyantara

Best Biographical/Historical/Compilation Film: Aanakhi Ek Mohenjo Daro

Best Arts/Culture Film: Ranga Vibhoga/Varsa

Best Script: Mono No Aware

Best Narrator: Murmurs of the Jungle

Best Music Direction: Fursat

Best Editing: Madhyantara

Best Sound Design: Yaan

Best Cinematography: Mono No Aware

Best Direction: From the Shadow

Best Short Film: Xunyota

Best Animated Film: The Coconut Tree

Best Non-Feature Film Promoting Social and Environmental Values: On the Brink Season 2 – Gharial

Best Documentary: Murmurs of the Jungle

The National Film Awards ceremony was delayed by two years due to the COVID-19 pandemic. The 69th National Film Awards took place in 2023, recognizing films certified in 2021. Rocketry won Best Feature Film, while Allu Arjun was named Best Actor, and Alia Bhatt and Kriti Sanon shared the Best Actress title. The 68th National Film Awards honored Soorarai Pottru as Best Feature Film, while the late filmmaker Sachy won Best Director for Ayyappanum Koshiyum. Ajay Devgn and Suriya shared the Best Actor award, and Aparna Balamurali received Best Actress.

The National Film Awards, established in 1954, are administered by the Directorate of Film Festivals. The first-ever Best Feature Film award was given to the Marathi film Shyamchi Aai. The most honored film in the awards’ history is Ashutosh Gowariker’s Lagaan, which secured eight awards in 2002. Alongside recognizing the nation’s best films, the awards also celebrate regional cinema and industry legends with the Dadasaheb Phalke Award for lifetime achievement, with last year’s award going to Waheeda Rehman.

Vyjayanthimala: A Trailblazer in Indian Cinema and Politics

Vyjayanthimala, whose name evokes images of a precious pearl necklace adorning Lord Vishnu, remains a mesmerizing figure even at 91, captivating audiences with her timeless dancing skills. Her legacy in Indian cinema is profound, though her personal life often drew mixed reactions. Despite achieving unparalleled fame for her acting and dancing, her relationships sparked controversy. She was labeled a “home-breaker” for her romance with a married man and was linked with the legendary actor Dilip Kumar. Rumors suggested that Kumar was so enchanted by her that he personally selected the sarees she wore in every scene of the classic film *Gunga Jumna* (1961). Another prominent rumor connected her with Raj Kapoor, which Vyjayanthimala dismissed as mere publicity, leading to a public spat with Kapoor’s son, Rishi Kapoor.

Vyjayanthimala’s journey into the film industry began at the age of 16, shortly after her arangetram, the debut performance of a Bharatnatyam dancer. She quickly defied societal norms, not only with her acting but also by transitioning into politics, challenging conventional expectations at every turn.

Her cinematic debut came with the Tamil film *Vaazhkai* in 1949, followed by a successful career in Tamil, Telugu, and Hindi cinema. Her role as Chandramukhi in Bimal Roy’s *Devdas* (1955) was a turning point, although she was far from the first choice for the role. The part was initially offered to actresses Nargis, Suraiya, and Bina Rai, all of whom turned it down. Vyjayanthimala was cast with little confidence from the filmmakers, and the scriptwriter Nabendu Ghosh expressed doubts, believing she was too young for the role. However, her stellar performance proved the skeptics wrong, earning her the Filmfare Award for Best Supporting Actress. Demonstrating her maturity, she declined the award, insisting she was as much a leading lady as Suchitra Sen, who played Paro.

Vyjayanthimala also broke cultural barriers by becoming the first South Indian actress to wear a swimsuit on screen, a daring move considering her orthodox Tamil Brahmin Iyengar background. This was during a time when actresses were expected to embody traditional values, and such bold choices were often met with disapproval. She made this bold statement in Raj Kapoor’s *Sangam*, cementing her status as arguably India’s first female superstar, dominating three film industries and becoming one of the earliest pan-India stars.

At the height of her career, Vyjayanthimala made the surprising decision to retire from acting after marrying Dr. Chamanlal Bali, the love of her life. In her memoir *Bonding*, she recalls how she fell ill while shooting in Kashmir, prompting Chamanlal to travel from Bombay to treat her. Though he was already married with three children, their love flourished, leading Chamanlal to divorce his first wife and marry Vyjayanthimala. The couple later had a son, Suchindra Bali.

Beyond her success in cinema, Vyjayanthimala also made significant strides in politics. She joined the Indian National Congress (INC) in 1984 and won the Tamil Nadu General Election that year with a substantial margin, overcoming skepticism. Reflecting on her entry into politics, she wrote in her memoir *Bonding*, “Being a member of Parliament also meant facing people’s preconceived notions about her. ‘How would she fare?’ they asked derisively. A pretty fairy from the arena of fine arts, what was she doing in the hard-as-nails battleground of politics? Would she make it? She won like she had always done, by silently proving the detractors wrong.”

Her political career continued to flourish as she secured another victory in 1989 and was later nominated to the Rajya Sabha for a six-year term in 1993. However, by 1999, she became disillusioned with the direction of the INC and resigned. In her resignation letter to Sonia Gandhi, she expressed her concerns, stating, “Painfully watching the party drifting from its avowed principles after the death of Rajiv Gandhi, the party has lost touch with its grassroots and one can see day in and day out that sincere party workers are being steadily ignored.” Subsequently, she joined the Bharatiya Janata Party (BJP) in 1999.

In recognition of her contributions to Indian cinema and society, Vyjayanthimala was awarded the Padma Shri by the Government of India in 1968. More recently, she was honored with the Padma Vibhushan, India’s second-highest civilian award. Despite her age, she remains deeply connected to dance, continuing to practice and perform. Her 90th birthday celebrations were marked by a graceful dance performance that took the internet by storm, proving that her passion and talent remain undiminished.

Vyjayanthimala’s life is a testament to her indomitable spirit, her ability to break boundaries, and her unwavering dedication to her craft and beliefs. From her groundbreaking roles in Indian cinema to her successful political career, she has left an indelible mark on both fields, continuing to inspire generations with her achievements and grace.

“Trap” Review: Shyamalan’s Latest Thriller is a Twisted, Fun Ride

In the middle of M. Night Shyamalan’s new thriller, Trap, a young girl gets the chance of a lifetime to dance onstage with her idol, a singer known as Lady Raven, portrayed by Shyamalan’s daughter Saleka. The girl is naturally nervous, but a stage manager reassures her, saying, “It’s not about being good; it’s about having fun!” This line also serves as advice for the audience, who may have certain expectations from a Shyamalan film—be it a chilling twist (The Sixth Sense), confusing plot elements (Lady in the Water), or something so absurd it becomes laughable (The Village). However, Trap invites viewers to enjoy the ride and laugh along with it rather than be frightened or confused.

Shyamalan himself described the film’s concept as “if The Silence of the Lambs happened at a Taylor Swift concert,” a terrifying scenario that also sounds like a dark joke, more likely to appear in a Batman comic than in real life. Consequently, Trap is more humorous than horrifying, with the plot shape-shifting between sinister and absurd—an approach that seems intentional. The movie doesn’t aim to be “good” in a traditional sense but rather aims to provide viewers with a wild and entertaining experience.

The film’s success largely hinges on Josh Hartnett’s performance. The actor, enjoying a resurgence in his career following his role in Oppenheimer last year, stars as Cooper, a father who takes his daughter Riley (played by Ariel Donoghue) to a Lady Raven concert. However, Cooper has a dark secret—he’s a serial killer known as “The Butcher,” a fact that’s only a surprise if you haven’t seen any of the film’s trailers. The concert is actually an elaborate trap set by authorities to capture Cooper, who must find a way to escape without arousing suspicion, especially from Riley. Hartnett shines as he navigates Cooper’s dual personas, moving seamlessly from an awkwardly affectionate father to a calm and calculated fugitive. As Cooper realizes the increasing difficulty of leaving the concert with his daughter, Hartnett infuses the character with subtle anxiety—his smiles become strained, his lies more convoluted, and his posture stiffens, enough for Riley to sense that something is wrong.

Hartnett’s portrayal is key to unlocking the film’s unique appeal. Trap may have its share of plot holes, but it’s far from mindless. Shyamalan skillfully balances tension and humor by keeping the story anchored in Cooper’s perspective. The film suggests that to a serial killer like Cooper, what most people see as normal is actually strange and perhaps even amusing. Cooper seems to relish the challenge of weaving through the arena, creating distractions that simultaneously delight him and disturb others, all while trying to navigate a crowd of concertgoers and law enforcement. His interactions with others are awkward and stilted, with strange pauses, as if he’s always one step ahead in a world that moves too slowly for him. The result is a film that’s oddly funny, right down to a mid-credits scene designed for laughs. Cooper’s ridiculous maneuvers in and out of restricted areas while returning to Riley are reminiscent of a heightened version of the restaurant scene in Mrs. Doubtfire, and the plot twists and turns in unexpected ways, each time revealing Shyamalan’s gleeful manipulation of the narrative.

Like Shyamalan’s recent work, Trap draws on everyday fears about parenting, embedding them in an otherwise outlandish story. Cooper’s psychopathy stems from a troubled relationship with his mother, yet he has managed to be a good father to Riley. At the concert, he’s frustrated that his identity as The Butcher threatens to spoil Riley’s fun, especially when she needed a break after being alienated by her friends. Trap explores the idea that while parents may know their children better than anyone else, they cannot always control what happens to them, protect them from harm, or avoid hurting them inadvertently. Despite the film’s efforts, this poignant message feels somewhat underdeveloped as the plot progresses. The tension surrounding whether Cooper will be caught overshadows the emotional weight of Riley’s strained relationship with her father.

Shyamalan once described his film Lady in the Water, which was a box office flop and widely panned by critics, as a kind of “jazz”—a chaotic mix of elements that doesn’t necessarily follow traditional narrative rules. This description also fits Trap, a film that embraces its disorderly nature, with offbeat, seemingly out-of-tune moments that might alienate viewers looking for a conventional horror movie. Yet, the film’s oddities come together to form a cohesive whole, and its peculiarities are strangely satisfying, especially at this stage in Shyamalan’s career. At its core, Trap is quintessentially Shyamalan—a film about a serial killer that ends up being endearingly ridiculous. Now, that’sa twist.

From Real to Reel: ZEE5 Global’s Top Titles Show How Real-Life Stories Are Fuelling Viewer Engagement

Real-Life Titles Account for Nearly 20% of Total Views, Led by Sam Bahadur in 2024 and Sirf Ek Bandaa Kaafi Hai in 2023

Global, 24 July 2024: ZEE5 Global, the world’s largest streaming platform for South Asian content, unveils data insights showcasing the success of reel-to-real titles on the platform in the last two years. These content titles now account for nearly one-fifth of the total viewership on the platform.

Content inspired by real-life incidents or influential personalities has consistently topped the charts lately, reflecting a growing appetite for reality-based stories. Leading the charts is Sam Bahadur, the top-watched content across all categories in 2024 so far, breaking several records in viewership and engagement. This year, other popular titles from this segment include Swatantrya Veer Savarkar and Main Atal Hoon. Original titles like Sirf Ek Bandaa Kaafi Hai and Tarla paved the way for true-to-life narratives in 2023 as well. While Sirf Ek Bandaa Kaafi Hai was the most-watched original movie on the platform, Tarla secured the third spot in the category in the same year.

This strategic focus on bringing true stories to the forefront has driven a notable increase in viewership across both movies and web series on ZEE5 Global. Among these titles, drama and thriller remain the most-watched genres, boasting some of the highest completion rates on the platform.

This trend can also be noticed in Indian language titles such as Maurh and Koose Munisamy Veerappan. Maurh, a Punjabi movie, occupied the top slot as the highest-watched Punjabi title in Asia-Pacific, the Middle East, and Africa markets in 2023. Koose Munisamy Veerappan that delves into the life of the infamous Indian poacher and domestic terrorist Veerappan, features unseen real-life footage along with bits of narration by the bandit himself and has been appreciated by the audiences across markets as well.

Archana Anand, Chief Business Officer, ZEE5 Global, commented, “The rise in viewership for real-life inspired content on ZEE5 Global highlights a significant trend in audience preferences. Titles like ‘Sam Bahadur’ and ‘Sirf Ek Bandaa Kaafi Hai’ demonstrate the larger and more profound impact of authentic storytelling on viewer engagement. By continuously expanding our portfolio with such impactful content, we look to further strengthen our connection with our global audience and set new benchmarks in the streaming industry”.

Users can download the ZEE5 Global app from the Google Play Store / iOS App Store. It is available on Roku devices, Apple TVs, Android TVs, Amazon Fire TV, and Samsung Smart TVs. Users can also access ZEE5 Global on www.ZEE5.com.

About ZEE5 Global:

ZEE5 Global is the digital entertainment destination launched by Zee Entertainment Enterprises Limited (ZEEL), a global Media and Entertainment powerhouse. The platform launched across 190+ countries in October 2018 and has content across 18 languages: Hindi, English, Bengali, Malayalam, Tamil, Telugu, Kannada, Marathi, Oriya, Bhojpuri, Gujarati, Punjabi, including six international languages Malay, Thai, Bahasa, Urdu, Bangla and Arabic. ZEE5 Global is home to 200,000+ hours of on-demand content. The platform brings together the best of Originals, Movies and TV Shows, Music, Health and Lifestyle content in one destination. In addition, ZEE5 Global offers features like 15 navigational languages, content download options, seamless video playback and Voice Search. The platform also recently launched ZEE5 Global Add-ons in the US where one can access and subscribe to multiple South Asian streaming platforms like Chaupal, Oho Gujarati, NammaFlix, Simply South and iStream all in one single destination, ZEE5.
ZEE5 Global Twitter: https://twitter.com/ZEE5GlobalCorp
ZEE5 Global LinkedIn: https://www.linkedin.com/company/ZEE5 Global/
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Anant Ambani and Radhika Merchant Tie the Knot in Extravagant Mumbai Wedding, Drawing Global Celebrities and Showcasing Cultural Splendor

After months of elaborate pre-wedding festivities, Anant Ambani, son of India’s wealthiest individual, concluded his highly anticipated marriage to pharmaceutical heiress Radhika Merchant in a grand ceremony in Mumbai. The event drew a star-studded guest list that included global celebrities like Kim and Khloé Kardashian, Nick Jonas, Priyanka Chopra, and former UK prime ministers Tony Blair and Boris Johnson, alongside prominent figures from Indian entertainment, sports, business, and politics.

The Ambani family, known for their leadership of Reliance Industries, spared no expense for the occasion. The wedding took place at the Ambani-owned Jio World Convention Center, where roads were closed for a red-carpet arrival amidst Mumbai’s rain. Guests arrived dressed in elaborate traditional attire, setting potential trends in Indian wedding fashion. International attendees also adhered to the dress code, showcasing designs by renowned Indian fashion houses.

Inside the venue, transformed to resemble Varanasi, celebrities such as Priyanka Chopra and John Cena were seen enjoying themselves, with videos circulating widely on social media showing the Ambani family joining Indian singer Daler Mehndi on stage. Anant arrived in a golden sherwani, later changing for the ceremony, while Radhika stunned in a meticulously crafted ensemble by Abu Jani Sandeep Khosla, adhering to Gujarati traditions with her attire changes throughout the event.

Nita Ambani, Anant’s mother, spoke of her inspiration drawn from Varanasi for the wedding’s theme, emphasizing its cultural and artisanal richness. Her own attire, a peach silk ghagra designed by Abu Jani Sandeep Khosla, symbolized the extensive craftsmanship involved in the wedding’s preparations.

The event, managed by renowned fashion designer Manish Malhotra, remained secretive about details leading up to the wedding, generating widespread speculation and interest across social and traditional media platforms. Pre-wedding rituals included a star-studded sangeet featuring performances by Justin Bieber and a private haldi ceremony, both imbued with traditional significance.

Anant Ambani, a Brown University graduate and director at a Reliance-operated energy business, married Radhika Merchant, daughter of pharmaceutical entrepreneurs Viren and Shaila Merchant. The wedding dates were chosen auspiciously according to Hindu tradition, reflecting meticulous planning and cultural adherence.

Criticism amidst awe surrounded the event’s opulence, with estimates placing costs in the hundreds of millions of dollars. Local residents expressed mixed feelings, highlighting economic benefits alongside concerns about ostentatious display of wealth in Mumbai, where local businesses reportedly thrived during the celebrations.

The festivities extended to the Ambani family’s residence, Antilia, culminating in a divine blessings ceremony and a reception themed “Indian chic,” marking the culmination of seven months of festivities. The wedding journey began with an engagement party followed by a communal dinner for villagers, a pre-wedding bash attended by global figures, and a Mediterranean cruise featuring performances by international artists.

Anant’s sister Isha’s wedding in 2018 similarly captivated global attention with its extravagant celebrations, reinforcing the Ambani family’s penchant for lavish events that blend tradition with international allure.

Seven Months of Extravagance: Anant Ambani and Radhika Merchant’s Unprecedented Wedding Celebration

In various cultures around the world, multi-day wedding events have become increasingly popular. What used to be a half-day affair can now stretch over three or four days, featuring cocktail receptions on Friday nights and Sunday brunches with lingering hangovers.

However, a wedding spanning seven months is highly unusual, even among the grandest Indian weddings. Anant Ambani, the youngest son of Mukesh Ambani—India’s wealthiest man with an estimated net worth exceeding $122 billion according to Forbes—and pharmaceutical heiress Radhika Merchant are finally tying the knot after a lengthy celebration period. Since January, the couple has been marking their engagement with events approximately every six weeks.

Their celebrations have been nothing short of extravagant, including a star-studded engagement party and performances by global music icons such as Rihanna and Justin Bieber. If you’re curious about the timeline and details of what is being hailed as the wedding of the year, here’s a comprehensive rundown.

December: The Engagement

On December 29, Anant Ambani proposed to Radhika Merchant in a relatively modest ceremony at a temple in Rajasthan, surrounded by family and close friends.

January: The Engagement Party

Radhika Merchant participated in a traditional “mehndi” ceremony on January 18, during which her hands and feet were adorned with intricate henna designs. The following day, the couple hosted their “Gol Dhana” engagement party, attracting major Bollywood stars such as Aishwarya Rai Bachchan, Deepika Padukone, and Ranveer Singh.

March: Pre-Wedding Party

Despite its name, this pre-wedding party occurred more than four months before the actual wedding. Held in Jamnagar, Gujarat, the event had a guest list of 1,200 and featured choreographed Bollywood dances, fireworks, and a feast prepared by around 100 chefs offering 500 dishes. Rihanna made a rare performance, her second in six years.

The guest list included tech moguls like Mark Zuckerberg and Bill Gates, who sported traditional Kashmiri coats, and Ivanka Trump with her husband Jared Kushner and their daughter. Additionally, the Ambani family hosted a communal dinner for over 50,000 villagers from Jamnagar.

May: The European Cruise Party

The Ambanis embarked on a four-day European cruise, starting in Palermo, Sicily, and ending in Rome. Despite a strict no-phones policy, leaked videos on social media revealed performances by the Backstreet Boys, Pitbull, and David Guetta.

The cruise included several stops: a masquerade ball at the Chateau de la Croix des Gardes in Cannes, featuring a performance by Katy Perry, and an event in Portofino where Italian tenor Andrea Bocelli serenaded the guests.

July 2-5: Mass Wedding and Musical Night

On July 2, the couple hosted a “Samuh Vivah” or mass wedding in Palghar, about 70 miles from Mumbai. This event benefited more than 50 underprivileged couples, who received gifts ranging from gold ornaments to a year’s supply of groceries.

A few days later, at the Nita Mukesh Ambani Cultural Center in Mumbai, the Ambanis held a “sangeet” night featuring traditional music and dance, with a live performance by Justin Bieber.

July 8: The Haldi

On July 8, the couple participated in the “haldi” ceremony, a pre-wedding ritual where family and friends apply a turmeric paste to the couple’s heads, faces, or bodies as a blessing. Though the ceremony was private, photos shared online showed the couple in coordinated gold and yellow outfits: Radhika in a custom ensemble by designer Anamika Khanna and Anant in a kurta and jacket by Sandeep Khosla.

Friday: The Main Ceremony

The main wedding ceremony is set to take place at the Jio World Convention Center, which can accommodate 16,000 people. A red carpet will be rolled out to welcome A-list guests, all expected to wear classical Indian attire. Speculations about the performer lineup include big names like Adele, Drake, and Lana Del Rey, ensuring the event spares no expense.

Saturday: Divine Blessings Ceremony

The day after the wedding, the couple will partake in the “Shubh Ashirwad” ceremony, a significant part of Hindu weddings where the couple seeks blessings from the elders in their community. During this ceremony, they are typically showered with rose petals or rice as they walk down the aisle again.

Sunday: The Reception

The week-long festivities will conclude on Sunday with the “Mangal Utsav” or reception. Guests have been asked to dress in “Indian chic” for this final celebration. Saturday and Sunday’s events are expected to be held at the Ambani family’s 27-story residence, Antilia.

FIA Plans ‘Star Awards Night’ Celebrating Excellence And India’s Independence

Jaya Prada, Bollywood actor will attend the event

The Federation of Indian Associations (FIA) has announced plans to host a ‘Star Awards Night,’ to celebrate excellence within the community. The event set to take place on Aug,16 at the Matrix Club in Naperville will also celebrate India’s Independence.

According to a release, ‘FIA Star Awards Night’ will recognize excellence across more than 19 categories, including Best Community Service Organization, Entrepreneur of the Decade, Community Leader of the Year, Best Medical Professional, Fashion Icon, and others.

In conjunction with the awards ceremony, this year’s event will also mark FIA’s grand celebration of India’s Independence Day. To commemorate the special occasion, Sparsh Shah, a talented singer, rapper, and Guinness World Record holder born with Osteogenesis Imperfecta, will perform patriotic songs to open the event.
The organizers also announced that Jaya Prada, a renowned Bollywood star and multiple Filmfare Award winner will grace the event with her presence. Considered by many as the most beautiful face to grace Indian cinema, Jaya Prada left the film industry at the peak of her career, as she joined the Telugu Desam Party (TDP) in 1994 and entered politics.

Sunil Shah, chairman and founder of FIA, expressed his enthusiasm for the event, “In our continued tradition of honoring the community leaders who selflessly serve us, we have added more categories to the awards list. For the first time, we will have two award-winning international celebrities flying specifically for this FIA event to Chicago, Sparsh Shah and Bollywood Celebrity Jaya Prada.”

Pratibha Jairath, president of FIA, said, “This will be a mega-event. The presence of our community members in Chicago at this prestigious event would be incredibly meaningful as we come together to honor those who have excelled in their respective fields and made a positive impact on our community.”

“With over four months of meticulous planning dedicated to selecting the award winners, this promises to be one of the most significant events Chicago lands has ever witnessed,” she added.

The Federation of Indian Associations (FIA) is one of the oldest and largest non-profit grass-root umbrella organization. committed to promoting the cultural, social, and economic welfare of the Indian community in the United States. Through various events and initiatives, the organization strives to foster unity and celebrate the rich heritage of India.

Bollywood & Beyond: An Enigmatic Musical Experience Awaits You!

Indo-American Arts Council & The Town Hall Present
a fusion of Bollywood glamour with classical Indian music on Saturday, July 20, 2024  at The Town Hall, NYC

The Bollywood & Beyond concept has been curated considering the two different types of music blending together and bringing the flavours of Indian music to the audiences. Kavita Krishnamurti Subramaniam will start the concert with her famous Bollywood numbers followed by Dr. Subramaniam performing his original fusion compositions which are based on Indian ragas and performed with Indian & western instruments. Towards the end, both Dr. Subramaniam and Kavita ji will collaborate for some fusion compositions with voice with some really interesting alaaps and trade offs.

Global violin icon Dr. L. Subramaniam and multi-platinum singer Kavita Krishnamurthi, towering figures in Indian and world fusion music, will headline Bollywood & Beyond at The Town Hall in New York City on Saturday, July 20, at 8:00pm.

This concert is a presentation of Town Hall and the Indo-American Arts Council (IAAC). A soulful, expressive singer with a powerful voice, Kavita has long been a star playback singer in the Indian film industry, interpreting offscreen the songs that the on-screen actors later lip sync.

It is a demanding art, as the vocalist must account for the actions and emotions that drive the film’s entire musical storyline. She followed her first major Bollywood hit, “TumseMilkar Na Jaane Kyon,” from the Hindi film Pyaar Jhukta Nahin (1985), with two enormously popular songs from the movie Mr. India (1986).

After giving voice to heroines and leading ladies in countless hit films, by the 1990s, Kavita had become a major star. But success in playback singing did not limit her. Kavita has also performed with orchestras, sung ghazals, devotionals, and Hindi pop, collaborated with jazz, pop, and classical Western artists, and

explored global music fusion, most notably with her husband, Dr. L. Subramaniam.

Born in a musical family (both his parents were accomplished musicians), Dr. L. Subramaniam was a child prodigy who followed in the footsteps of his father, a distinguished Carnatic violinist. He studied with his father and performed his first concert when he was six. “My mother would play the veena (a stringed instrument) but was also a singer,” he recalled in an interview, “and it was my father’s dream to bring the violin to the fore and make it a solo instrument.

Till then, the violin, in Carnatic South Indian music, was primarily used as an accompaniment. I wanted to play like him and be like him because he was my guru, teacher, and father.” Before fully dedicating to music, he completed his studies as a medical doctor. (For good measure, he later got a Masters degree in Western Classical music at CalArts and a PhD. for his thesis on Raga Harmony from Jain University, Bangalore.)

Fulfilling his father’s dream, “which was to bring the violin to the world stages,” Dr. Subramaniam seemed to cross musical borders from the beginning of his music career. He brought the Carnatic tradition of South India to Western Classical music, most notably as a soloist and composer for orchestras around the world, including the New York Philharmonic Orchestra (with a piece commissioned by Maestro Zubin Mehta), the Houston Symphony, and the Berlin State Opera.

“The idea here is not to make an orchestra play Indian music,” Dr. Subramaniam once explained. “But to create something where both Western and Indian musicians feel like they’re playing their own music while creating something unique. With this context, we combine elements of Carnatic music with parts of Western classical music, like harmony and counterpoint, to build something entirely original.”

He has written music for films, including Salaam Bombay!, Mississippi Masala, and Little Buddha, and ballet, including the Kirov Ballet and the Alvin Ailey Company. He also collaborated with Western jazz and pop musicians (including the late Beatle George Harrison, jazz pianist Herbie Hancock, and singer-songwriter Stevie Wonder), performed jugalbandis (classical music duets) with North Indian musicians, and explored global music fusion.

Backed by a seven-piece band comprising Indian and Western instruments, anchored by tabla player Tanmoy Bose, in Bollywood & Beyond Kavita Krishnamurti and Dr. Subramaniam will offer a program that will blend different types and genres of music, including Kavita’s Bollywood hits, Dr. Subramaniam’s original compositions based on Indian ragas and performed with Indian and Western instruments, and fusion-based duets. Bollywood & Beyond is a rare

opportunity to explore Indian music, from classical tradition to film music to global fusion, with two of its greatest stars.

Justin Bieber Joins Star-Studded Celebrations for Ambani Wedding

Justin Bieber is the latest international star to perform for Anant Ambani, the son of India’s richest man, and his fiancée, Radhika Merchant, as part of their grand pre-wedding festivities in Mumbai. Bieber’s performance over the weekend follows a series of extravagant celebrations that have captivated global attention.

The couple’s first pre-wedding event featured Rihanna, while the second, a Mediterranean cruise, showcased performances by The Backstreet Boys, Katy Perry, and Italian tenor Andrea Bocelli. These events have set high expectations for the actual wedding, which is slated to take place this weekend. Speculation about the wedding performer is rife, with Adele rumored to be the next big name, although the family has not confirmed this.

The Ambani family’s celebrations have been nothing short of lavish, putting them in a different league from even the most extravagant Indian weddings. This weekend’s sangeet ceremony was a night of music and dance, adhering to the Ambani tradition of going above and beyond. Mukesh Ambani, head of Reliance Industries and with a net worth of $115 billion according to Forbes, participated in a choreographed dance to Bollywood star Shah Rukh Khan’s hit song, “Deewangi Deewangi,” alongside his family.

The events have not only been musical extravaganzas but also fashion showcases. Guests, including some of India’s most glamorous stars, have worn dresses by the country’s top designers, turning the pre-wedding events into catwalks. Professional shots of these outfits have been widely shared on social media.

The costs associated with these parties are not disclosed, but rumors suggest Rihanna was paid $7 million for her performance, while Bieber’s fee is said to be $10 million. As for the upcoming three-day wedding event, the specifics remain under wraps. For many in India, there will be a sense of relief once the wedding and its associated extravagance conclude, although Mumbai residents are concerned about the potential impact on the city’s notoriously bad traffic.

Radhika Merchant recently told Vogue US that the wedding planning was “going great” and expressed her excitement about the upcoming marriage.

Dr. L. Subramaniam and Kavita Krishnamurthi to Present Bollywood & Beyond New York

A Rare Opportunity to Explore Indian Music with Two of its Greatest Stars, Global Violin Icon Dr. L. Subramaniam And Multi-Platinum Singer Kavita Krishnamurthi Accompanied By Tanmoy Bose (Tabla) And Full Ensemble

Global violin icon Dr. L. Subramaniam and multi-platinum singer Kavita Krishnamurthi, towering figures in Indian and world fusion music, will headline Bollywood & Beyond at The Town Hall in New York City on Saturday, July 20, at 8:00pm.

This concert is a presentation of Town Hall and the Indo-American Arts Council (IAAC). A soulful, expressive singer with a powerful voice, Kavita has long been a star playback singer in the Indian film industry, interpreting offscreen the songs that the on-screen actors later lip sync.

It is a demanding art, as the vocalist must account for the actions and emotions that drive the film’s entire musical storyline. She followed her first major Bollywood hit, “TumseMilkar Na Jaane Kyon,” from the Hindi film Pyaar Jhukta Nahin (1985), with two enormously popular songs from the movie Mr. India (1986).

After giving voice to heroines and leading ladies in countless hit films, by the 1990s, Kavita had become a major star. But success in playback singing did not limit her. Kavita has also performed with orchestras, sung ghazals, devotionals, and Hindi pop, collaborated with jazz, pop, and classical Western artists, and explored global music fusion, most notably with her husband, Dr. L. Subramaniam.

Born in a musical family (both his parents were accomplished musicians), Dr. L. Subramaniam was a child prodigy who followed in the footsteps of his father, a distinguished Carnatic violinist. He studied with his father and performed his first concert when he was six. “My mother would play the veena (a stringed instrument) but was also a singer,” he recalled in an interview, “and it was my father’s dream to bring the violin to the fore and make it a solo instrument.

Till then, the violin, in Carnatic South Indian music, was primarily used as an accompaniment. I wanted to play like him and be like him because he was my guru, teacher, and father.” Before fully dedicating to music, he completed his studies as a medical doctor. (For good measure, he later got a Masters degree in Western Classical music at CalArts and a PhD. for his thesis on Raga Harmony from Jain University, Bangalore.)

Fulfilling his father’s dream, “which was to bring the violin to the world stages,” Dr. Subramaniam seemed to cross musical borders from the beginning of his music career. He brought the Carnatic tradition of South India to Western Classical music, most notably as a soloist and composer for orchestras around the world, including the New York Philharmonic Orchestra (with a piece commissioned by Maestro Zubin Mehta), the Houston Symphony, and the Berlin State Opera.

“The idea here is not to make an orchestra play Indian music,” Dr. Subramaniam once explained. “But to create something where both Western and Indian musicians feel like they’re playing their own music while creating something unique. With this context, we combine elements of Carnatic music with parts of Western classical music, like harmony and counterpoint, to build something entirely original.”

He has written music for films, including Salaam Bombay!, Mississippi Masala, and Little Buddha, and ballet, including the Kirov Ballet and the Alvin Ailey Company. He also collaborated with Western jazz and pop musicians (including the late Beatle George Harrison, jazz pianist Herbie Hancock, and singer-songwriter Stevie Wonder), performed jugalbandis (classical music duets) with North Indian musicians, and explored global music fusion.

Backed by a seven-piece band comprising Indian and Western instruments, anchored by tabla player Tanmoy Bose, in Bollywood & Beyond Kavita Krishnamurti and Dr. Subramaniam will offer a program that will blend different types and genres of music, including Kavita’s Bollywood hits, Dr. Subramaniam’s original compositions based on Indian ragas and performed with Indian and Western instruments, and fusion-based duets. Bollywood & Beyond is a rare opportunity to explore Indian music, from classical tradition to film music to global fusion, with two of its greatest stars.

About Indo-American Arts Council (IAAC): The IAAC supports all the artistic disciplines in classical, fusion, folk and innovative forms influenced by the arts of India. We work cooperatively with colleagues around the U.S. to broaden our collective audiences and to create a network for shared information, resources and funding. Our focus is to help artists and art organizations in North America as well as to facilitate artists from India to exhibit, perform and produce their work here. The IAAC is a 501(c)(3) tax-exempt organization. All donations are taxdeductible to the fullest extent allowable by law. For information, please visit www.iaac.us. The Town Hall Presents: BOLLYWOOD & BEYOND: DR. L. SUBRAMANIAM AND KAVITA KRISHNAMURTHI

ZEE5 Global Releases The Trailer Of Digital Film, Rautu Ka Raaz

ZEE5 Global, the world’s largest home-grown video streaming platform and a multilingual storyteller, is thrilled to announce its next direct-to-digital, Rautu Ka Raaz. Produced by Zee Studios and Phat Phish Records and directed by Anand Surapur, Rautu Ka Raaz features Nawazuddin Siddiqui in the lead role as Inspector Deepak Negi. The mystery thriller also stars Rajesh Kumar, Atul Tiwari and Narayani Shastri in supporting roles and is set in the picturesque village of Rautu Ki Beli in Uttarakhand. The film had its Gala Premiere at the 54th International Film Festival of India (IFFI) last year where it received a warm welcome and is now set for its digital premiere on 28th June.

The film revolves around the mysterious death of a warden at a blind school in Rautu Ki Beli, a sleepy town which hasn’t witnessed a murder in over a decade and a half. This is where SHO Deepak Negiaka Nawazuddin Siddiqui and his team step in as they are tasked with solving this rare and high-profile murder investigation. The film showcases a unique and jovial camaraderie between SHO Deepak Negi (played by Nawazuddin) and sub inspector Dimri (played by Rajesh Kumar) who are forced out of their lazy state of being owing to this murder investigation. So, get ready to witness a mystery thriller unraveling the laziest murder investigation ever.

Archana Anand, Chief Business Officer, ZEE5 Global, said, “At ZEE5 Global, we pride ourselves on delivering engaging stories to our viewers, and ‘Rautu Ka Raaz’ exemplifies this commitment. This finely crafted murder mystery offers a thrilling combination of suspense and drama. After the stellar success of ‘Haddi,’ ZEE5 Global is delighted to collaborate again with ZEE Studios and the immensely talented Nawazuddin Siddiqui to present this unique and compelling plot. We believe ‘Rautu Ka Raaz’ will resonate with audiences worldwide, further cementing our status as the world’s largest destination for South Asian content.”

Umesh Kr Bansal, Chief Business Officer, Zee Studios added, “Rautu Ka Raaz is not just a film; it is an exploration of human emotions set against the backdrop of a thrilling mystery. With Nawazuddin Siddiqui at the helm, viewers can expect a performance that is both powerful and nuanced. We are proud to present this gripping tale in partnership with ZEE5 Global, and we believe it will captivate audiences from start to finish.”

Director and Producer Anand Surapur said, “Rautu Ka Raaz is a small-town film that transports viewers to the breathtaking landscapes of Uttarakhand and its surrounding areas. The film’s stunning visuals, coupled with a gripping narrative, will draw audiences in from start to finish. We are incredibly fortunate to have the remarkable Nawazuddin Siddiqui leading our talented cast. His unparalleled acting prowess breathes life into this powerful story, delivering a performance that will be etched in the audiences’ minds for years to come. Without giving away too much, I can say that Rautu Ka Raaz is full of suspense and drama, but it stays true to the smalltown pace of life and hence, even the characters operate at their own rhythm. In fact, this is what sets the film apart from other mystery thrillers”.

Nawazuddin Siddiqui added, “The trailer of Rautu Ka Raaz is a tantalizing glimpse into the gripping world that awaits the viewers. I am someone who enjoys watching crime dramas, and hence, I can confidently say that this film will be an entertaining watch with a unique twist. What really sets Rautu Ka Raaz apart are the quirky characters and the lazy but breathtaking backdrop of Uttarakhand. The trailer encapsulates the film’s suspenseful plot and highlights the film’s USP i.e a smart cop unravelling a lazy murder investigation. We had a Gala Premiere at IFFI last year where we received a warm response and now with the film’s release on ZEE5 Global, I am looking forward to the film reaching ZEE5 Global’s viewers across 190+ countries.”

Indian Designers Sabyasachi and Manish Malhotra Jewellery Combo Rocked by Rihanna at Fenty Hair Launch

Rihanna, people’s all-time favourite pop icon, was seen at her fenty hair launch in Los Angeles wearing a necklace designed by Indian designers Sabyasachi Mukherjee and Manish Malhotra. Fenty Hair is the new launch of her Fenty cosmetic brand.

Sabyasachi and Manish Malhotra diamond design

Indian Designers Sabyasachi and Manish Malhotra Jewellery Combo Rocked by Rihanna at Fenty Hair Launch

In the history of Indian fashion, it is highly unlikely that any celebrity wore the combo of Manish Malhotra and Sabyasachi Mukherjee together. The industry’s two titans were united by Rihanna’s fashion ensemble at her Fenty Hair Launch. She wore an off-the-shoulder bomber jacket and a strappy bodycon dress, both in the same shade of dark cherry red, while rocking Manish Malhotra’s collection included an 18-carat gold choker necklace with custom-cut rubies covered in diamonds and Sabyasachi High Jewellery’s three-drop necklace with brilliant-cut diamonds, tourmaline, and rubellites.

Rivalry for the spotlight

Fans and users accused Manish of being “pettish” after he cropped the Sabyasachi jewellery in the images he shared on Instagram. It is to be noticed that Manish posted three pictures on Instagram. Although two of the photos were close-up shots, another one featured a full image of Rihanna wearing both necklaces.

Users also noticed that, despite Sabyasachi not cropping the photo, Manish Malhotra was not tagged in any of the posts.

In a post he published, the Bengali designer included four images of the artist wearing his creation: “Rihanna wears a three-drop rubellite, tourmaline, and brilliant-cut diamond necklace from Sabyasachi High Jewellery for her launch of Fenty Hair Beauty Brand in Los Angeles.”

Indian Designers Sabyasachi and Manish Malhotra Jewellery Combo Rocked by Rihanna at Fenty Hair Launch

This event, in spite of the setbacks, showcases Rihanna’s trendy and cutting-edge style alongside the possibility of a change in the relationship between these two top Indian fashion business entities.

Fenty Hair, Rihanna’s next mission

Indian Designers Sabyasachi and Manish Malhotra Jewellery Combo Rocked by Rihanna at Fenty Hair Launch

In September 2017, Rihanna introduced her cosmetic line, Fenty Beauty. It was created as part of a bigger vision and a promise to create inclusion for all women. At the moment, the brand provides cosmetic and beauty products. The latest addition to the Fenty franchise by Rihanna is Fenty Hair. Fenty Hair keeps up the promise and offers a wide range of hair supplies for all types of hair.

Rihanna shared to the press at her launch party how creating Fenty Hair as a part of Beauty for All was something she was really excited about since hair has always been very personal to her and her hairstyles have been part of her fashion evolution and growth over the years in the industry.

She also mentioned her take on womanhood and artistic journey and how hair complements everything, “Evolving as a woman and even as an artist, hair has been such a huge part of that and a reflection of whatever I’m feeling. So, it changes a lot, and my hair goes through a lot.” “In making this brand, I had to consider all of those things. I want to look fly, but I also want my hair to be healthy. How do I do that? All of my products need to be strengthened and repaired while I’m out just being fabulous.”

Indian Designers Sabyasachi and Manish Malhotra Jewellery Combo Rocked by Rihanna at Fenty Hair Launch

The pop star, who spent a lot of time planning and creating fenty hairstyles for all curly hair types, also talked about how difficult it was compared to her expectations and how her new fenty product helps women of all hair types be confident and stylish.

Fenty Hair Combo

One shampoo, one treatment, two conditioners, four stylers, and one tool make up the Fenty hair collection. It is claimed that every product has been carefully designed and tested to suit all hair types, taking into account a wide range of textures.

Cannes Triumphs Ignite Hope for Indian Indie Films Despite Funding Challenges

India had an extraordinary year at the Cannes Film Festival, securing three significant awards and a notable honor, which industry experts believe will positively influence the country’s independent cinema.

Payal Kapadia’s “All We Imagine as Light” won the competition grand prix, Anasuya Sengupta received the best actress award in the festival’s Un Certain Regard section for “The Shameless,” and Chidananda S. Naik’s “Sunflowers Were the First Ones to Know” was named the best film in the La Cinef section. Additionally, Indian cinematographer Santosh Sivan was honored with the annual Pierre Angénieux ExcelLens in Cinematography award.

“All We Imagine as Light” marked the first Indian film in competition in three decades since Shaji N. Karun’s “Swaham” in 1994. Other Indian films at Cannes included “Sister Midnight” in the Directors’ Fortnight, “Santosh” in Un Certain Regard, and “Girls Will Be Girls,” which had previously won two prizes at Sundance, in the Cannes Écrans Juniors sidebar. Overall, nine Indian films featured across various Cannes sections.

Despite this success, financing independent films in India remains a daunting challenge. Most of the funding for films like “All We Imagine as Light,” “The Shameless,” “Sister Midnight,” and “Santosh” came from European sources. Nandita Das, an actor and filmmaker who has served on Cannes juries and whose film “Manto” was part of Un Certain Regard in 2018, hopes these wins will lead to increased Indian funding for independent films.

Das remarks, “Now we are all feeling very proud and happy with this win [for ‘All We Imagine as Light’], but which producer in India would have actually produced this film? A lot of the money is really coming from Europe.” She emphasizes that a producer’s role extends beyond financing to supporting the director in realizing her vision. “I’m very obviously happy that Payal could do this film, but I feel like she could do it because she had that support and those producers from Europe. Now, whether this will percolate into people having more faith in indie films in India, and therefore support it? I don’t know.”

Das reflects on India’s arthouse Parallel Cinema movement that thrived from the 1950s to the 1980s but waned in the 1990s. “It’s now that time where I hope there will be a revival of that independent voice and space for more independent films,” she says.

Mohaan Nadaar, from The Production Headquarters, which funds debut and women empowerment Indian-themed films, financially backed “The Shameless.” Nadaar believes that the Cannes wins validate independent cinema, suggesting that funding for indie films in India will “eventually” become easier. “When people realize that these films will also eventually get sold in the international market worldwide and raise monies,” he explains, citing “All We Imagine as Light,” which has been sold to North America and other territories.

Regarding local distribution of Indian indies, Nadaar expresses cautious optimism. He plans to release the queer love story “The Shameless” in India, Nepal, and Bangladesh, stating, “There’s an audience for it.” He notes, “There’s a lot of LGBT and queer movie demand also here. It will do well if it releases sensibly across limited screens.”

Producer and box office analyst Girish Johar shares Nadaar’s views, acknowledging that while Cannes-winning films will gain attention, their theatrical market in India is limited to around 100 screens in metropolitan areas. Johar adds that the Cannes success has instilled a “sense of pride,” and now, out of 20 indie films pitched to Indian producers, “there is an iota of hope that one or two can be greenlit by them.”

Looking beyond Cannes to the Oscars, where India recently won for the “Naatu Naatu” song in “RRR” and the live-action documentary short “The Elephant Whisperers,” there is anticipation that “All We Imagine as Light” will be India’s official entry in the international feature category. Filmmakers must apply to the Film Federation of India, which appoints a committee to select the entry. Past decisions have been inconsistent, from overlooking “The Lunchbox” in 2013 to shortlisting Pan Nalin’s “Last Film Show” in 2022. India has only three nominations—“Mother India,” “Salaam Bombay,” and “Lagaan”—and no wins in this category.

Das points out, “The kind of films that have gone to the Oscars has been very arbitrary and erratic, depending on who is in that committee and what their wisdom is telling them. So I don’t think it’s such an obvious choice, when we’d be happy for it to go.”

“Last Film Show” producer Dheer Momaya believes “All We Imagine as Light” should “definitely” be India’s entry, citing its strong response at Cannes and recognition among voting members. He criticizes the timing of the Indian selection process, which announces its candidate in late September or early October. “By then you’ve already lost that opportunity, that first mover’s advantage to cement yourself in the voters’ heads,” he says, noting that favored contenders start their Oscar campaigns as early as July.

With the Oscar voting membership becoming more diverse, Momaya is hopeful that international voters will relate to “All We Imagine as Light.”

Das concludes, “The more local a film is, the more global it is, especially for something like the Oscars. You want the film to truly depict the context of that country, tell a story that is truly quintessential of that country, not something that’s more generic. So in that sense, this [‘All We Imagine as Light’] film seems to fit that space of being authentically Indian.”

Pushpa 2: The Rule Breaks Records with Sensational Single Releases

The anticipation surrounding Pushpa 2: The Rule continues to soar as it sets new benchmarks for success. Following the teaser’s explosive debut, the release of its first single, ‘Pushpa Pushpa,’ has sparked widespread excitement, captivating audiences with Allu Arjun’s compelling portrayal as PushpaRaj. This initial track has not only captured hearts but also achieved a remarkable milestone, amassing over 100 million views and 2.26 million likes across six languages on YouTube.

Celebrating this monumental achievement, the makers took to social media to unveil a striking poster, commemorating the overwhelming response from fans.

As anticipation mounts, the stage is set for the unveiling of the second single, ‘The Couple Song,’ from Pushpa 2: The Rule. Scheduled for release tomorrow at 11:07 AM, this upcoming track promises to be a double delight for fans. Renowned melody queen Shreya Ghoshal lends her vocals to the song, which will be presented in six different languages.

Pushpa 2: The Rule, helmed by director Sukumar and produced by Mythri Movie Makers, is poised for a global theatrical release on August 15th, 2024. Starring Allu Arjun, Rashmika Mandanna, and Fahadh Faasil in pivotal roles, the film’s latest teaser has ignited unprecedented anticipation among audiences, setting the stage for what promises to be an enthralling cinematic experience.

Anasuya Sengupta Makes History as First Indian Actress to Win Best Actress at Cannes Film Festival, Signaling India’s Rising Influence on Global Cinema Stage

In a groundbreaking and historic occurrence, Anasuya Sengupta has made history by becoming the inaugural Indian actress to clinch the esteemed Best Actress accolade at the Cannes Film Festival.

The extraordinary feat was attributed to her exceptional portrayal in ‘The Shameless,’ a compelling cinematic piece vying for recognition in the Un Certain Regard segment of the 77th iteration of the festival.

Upon accepting the award, Anasuya fervently dedicated her triumph to various marginalized communities worldwide, especially the queer community, expressing, “This is for the queer community everywhere, and all other marginalized communities all over the world, for bravely fighting a fight they shouldn’t have to fight.” She further emphasized the significance of embracing the female perspective in cinema, stating, “More female gaze is the way forward, and the browner the better.”

The 77th Cannes Film Festival stood as a momentous occasion for India, with Anasuya’s historic win setting the stage. Additionally, the festival commemorated nearly 48 years since the release of Shyam Benegal’s iconic ‘Manthan’ through a special screening.

Moreover, Indian luminaries and influencers captivated audiences on the prestigious red carpet, underscoring India’s escalating impact on the global cinematic landscape. This year, Indian cinema seized numerous nominations across diverse categories, highlighting its burgeoning prominence.

Hailing from Kolkata, Anasuya Sengupta delivered a stellar portrayal as Renuka in ‘The Shameless,’ helmed by Bulgarian director Konstantin Bojanov. The film delves into Renuka’s daunting yet empowering odyssey as she escapes a brothel in Delhi following the demise of a police officer. It also delves into her intricate romance with her love interest, depicted by Omara Shetty.

Further elevating India’s triumph at Cannes 2024, two Indian films clinched top accolades in the La Cinef Selection. ‘Sunflowers Were the First Ones to Know,’ a Kannada short film directed by Chidananda Naik, a student from the Film and Television Institute of India, secured the first position. Meanwhile, ‘Bunnyhood,’ directed by Mansi Maheshwari from Meerut, Uttar Pradesh, and currently pursuing studies in the UK, secured the third position.

As the curtains closed on the 77th Cannes Film Festival on May 25, it etched a significant milestone for Indian cinema on the global arena, showcasing its prowess and potential to captivate audiences worldwide.

A.R. Rahman Unveils Teaser for “Headhunting to Beatboxing” Documentary at Cannes, Celebrating the Evolution of Music Across Cultures

At the 77th edition of the Cannes Film Festival, Oscar and Grammy-winning composer A.R. Rahman unveiled the teaser for his upcoming documentary, “Headhunting to Beatboxing,” at the Bharat Pavilion. This highly anticipated documentary, directed by Rohit Gupta, delves into the rich and diverse journey of rhythm and sound, tracing the evolution of music across various cultures, tribes, and generations.

The event also saw the presence of notable figures such as Executive Producer Abu Metha, who is also an advisor to the Nagaland Chief Minister, and Executive Producer Theja Meru, Chairman of TaFMA under the Nagaland government. Together, they emphasized the collaborative nature of this project and its significance in celebrating the universal language of music.

A.R. Rahman, who produced the documentary, emphasized the profound impact of music on society. He stated, “Music has this transformative power to change society and to connect and bring relevance to existence.” Rahman highlighted that “Headhunting to Beatboxing” is a tribute to this universal rhythm that binds humanity through its diverse forms of expression. The Cannes Film Festival, renowned for its celebration of cinema, provided an ideal platform for the film’s first announcement.

Abu Metha shared insights into the film’s inception, revealing that the idea sparked when Rahman visited Nagaland for the Hornbill Festival. “The germ of the idea came up when A.R. Rahman visited Nagaland to be part of the legendary Hornbill Festival. We knew we had to be part of it,” he said. Metha praised the collaborative effort of many creative minds, particularly TaFMA, and lauded director Rohit Gupta’s skillful capture of the film’s essence. He also acknowledged the musicians of Nagaland, whose timeless stories and music reflect the aspirations of the region’s youth.

“Headhunting to Beatboxing” showcases the collaborative efforts of numerous talents. Alongside A.R. Rahman and Rohit Gupta, the documentary boasts a team of executive producers including Abu Metha, Adam J. Greig, Theja Meru, Sheila Houlahan, and Rohhit Daas. Each of these individuals brought their unique expertise to the project, enriching its narrative and production quality.

Rahman’s visit to Nagaland and his experience at the Hornbill Festival were pivotal in shaping the documentary’s direction. The Hornbill Festival, known for its vibrant celebration of Naga culture, provided a rich tapestry of musical traditions and stories that inspired the documentary’s theme. This cultural immersion allowed Rahman to witness firsthand the power of music in uniting people and preserving heritage.

The documentary not only highlights the traditional music of Nagaland but also explores contemporary forms such as beatboxing. By juxtaposing these diverse musical expressions, “Headhunting to Beatboxing” illustrates the dynamic evolution of music and its ability to transcend cultural and temporal boundaries. This exploration is central to the documentary’s narrative, offering viewers a unique perspective on the interconnectedness of global musical traditions.

In addition to its musical focus, the documentary sheds light on the personal stories of the musicians involved. These narratives provide a deeper understanding of the cultural and historical contexts that shape their music. By weaving together these individual stories, “Headhunting to Beatboxing” creates a rich tapestry that celebrates both the diversity and the universality of human musical expression.

The involvement of TaFMA (Task Force for Music and Arts) was crucial in the documentary’s production. TaFMA’s mission to promote and preserve the rich cultural heritage of Nagaland aligns seamlessly with the documentary’s objectives. Through this partnership, the film was able to authentically capture the spirit of Naga music and present it to a global audience.

Executive Producer Theja Meru, Chairman of TaFMA, emphasized the importance of this collaboration. He highlighted how the documentary serves as a platform to showcase the talent and creativity of Naga musicians, bringing their music to a wider audience. This exposure not only celebrates their art but also provides opportunities for these musicians to connect with global audiences and further their careers.

Director Rohit Gupta’s role in bringing “Headhunting to Beatboxing” to life cannot be overstated. His vision and expertise in capturing the essence of Naga music and culture were instrumental in the documentary’s success. Gupta’s approach to storytelling, which blends visual artistry with deep cultural insights, ensures that the documentary resonates with audiences worldwide.

The executive production team, comprising Abu Metha, Adam J. Greig, Theja Meru, Sheila Houlahan, and Rohhit Daas, played a vital role in supporting the documentary’s creation. Their combined efforts in managing production logistics, securing funding, and overseeing the project’s overall direction were key to its completion. Each executive producer brought a unique perspective and set of skills to the project, contributing to its richness and depth.

“Headhunting to Beatboxing” is not just a documentary; it is a celebration of music as a universal language. It underscores the power of music to connect people across different cultures and generations, highlighting its role in preserving heritage and fostering unity. The film’s premiere at the Cannes Film Festival marks the beginning of its journey through various film festivals, where it will continue to inspire and engage audiences around the world.

A.R. Rahman’s “Headhunting to Beatboxing” is a testament to the transformative power of music. By exploring the rich musical traditions of Nagaland and juxtaposing them with contemporary forms like beatboxing, the documentary offers a unique perspective on the evolution of music. The collaborative efforts of Rahman, Rohit Gupta, and the executive producers, along with the invaluable contributions of Naga musicians, have resulted in a film that celebrates the universal rhythm that unites humanity. As the documentary embarks on its festival journey, it promises to leave a lasting impact on audiences, highlighting the timeless and boundless nature of music.

Payal Kapadia Makes History as First Indian to Win Grand Prix at Cannes for ‘All We Imagine As Light

Filmmaker Payal Kapadia achieved a historic milestone on Saturday by becoming the first Indian to win the Grand Prix at the 77th Cannes Film Festival. This award is the second highest honor after the Palme d’Or.

Kapadia’s film, “All We Imagine As Light,” is a drama about two Malayali nurses who move to a beautifully depicted Mumbai, exploring themes of life, love, and sisterhood. Remarkably, it is the first Indian film in three decades to compete in the main competition at Cannes.

“It was already a dream to be selected in competition and this was beyond my imagination,” Kapadia said in her acceptance speech, addressing the Cannes jury, which included director Greta Gerwig and actor Lily Gladstone. She added, “Please don’t wait another 30 years to have an Indian film,” eliciting applause from the audience.

The victory has caused a wave of celebration across India, with numerous people, including top politicians, acknowledging its significance on social media. Prime Minister Narendra Modi expressed his pride on X, saying, “Her remarkable talent continues to shine on the global stage, giving a glimpse of the rich creativity in India. This prestigious accolade not only honors her exceptional skills but also inspires a new generation of Indian filmmakers.”

Rahul Gandhi, a prominent leader of the Indian National Congress, along with Anasuya Sengupta, the first Indian actor to win Best Actress for her role in “The Shameless” in the festival’s Un Certain Regard section, also congratulated Kapadia. Gandhi noted, “Indian stars shining bright… These women have scripted history, and inspired the entire Indian film fraternity.”

Sooni Taraporevala, a screenwriter known for “Salaam Bombay!” which won the Camera d’Or at Cannes in 1988, commented to CNN on the significance of Kapadia’s “unprecedented” win. She emphasized that it “has personally touched women and those in the indie film space,” adding that it has “allowed us to dream and hope and celebrate her with unabashed pride and joy,” especially in an industry often dominated by mainstream productions.

“All We Imagine As Light” received an eight-minute standing ovation at its festival premiere, a testament to its powerful storytelling and emotional impact. The film’s portrayal of the romance between the protagonist Prabha (played by Kani Kusruti) and her Muslim boyfriend (Hridhu Haroon) is particularly bold, reflecting the country’s increasing polarization along religious lines.

Despite being the largest film-producing country in the world, India has often struggled to achieve the same level of international recognition and accolades as Hollywood. However, there have been notable successes. Last year, the Telegu-language historical fantasy “RRR” became the first Indian feature film to win an Oscar for best original song with its catchy and vibrant “Naatu Naatu.” Additionally, “The Elephant Whisperers,” directed by Kartiki Gonsalves, won the Oscar for best documentary short.

India’s cinematic achievements at Cannes have a storied history. In 1947, filmmaker Chetan Anand won Cannes’ top prize for his film “Neecha Nagar,” making him the only Indian to win that accolade until now.

Kapadia’s earlier work has also been celebrated at Cannes. In 2021, she won the festival’s L’Oeil d’Or award for her documentary “A Night of Knowing Nothing,” which follows a film student in India as she tries to maintain a relationship with her ex despite the challenges posed by their different castes.

This latest win by Kapadia at Cannes marks a significant moment not only for her career but also for Indian cinema as a whole. It highlights the rich narrative and artistic capabilities of Indian filmmakers and sets a new precedent for future generations. The global recognition of her film underscores the importance of diverse storytelling and the universal appeal of well-crafted cinema.

Nicki Minaj Apologizes for Postponed Manchester Concert After Dutch Drug Detention

Early Sunday morning, rapper Nicki Minaj apologized to fans gathered outside her Manchester hotel for postponing her UK show after being detained by Dutch authorities on suspicion of drug possession.

“I love you and I’m so sorry this happened tonight,” Minaj expressed in a social media video.

Minaj had previously announced her Manchester hotel location in a post on X, encouraging fans to visit. “I’m going on the balcony so if you’re outside I’ll be able to see you & I may come downstairs. I’ll be out there for about an hour. Rlly (really) wanted to at least get to see you,” she said.

Despite being released from police custody on Saturday evening, Minaj’s scheduled concert in Manchester for that night was canceled.

In a joint statement from Live Nation and the concert venue Co-op Live, organizers conveyed their disappointment over the situation. “Despite Nicki’s best efforts to explore every possible avenue to make tonight’s show happen, the events of today have made it impossible,” the statement read.

A video on Minaj’s Instagram Live, which was later shared across various social media platforms, shows her interacting with police at Amsterdam’s Schiphol Airport while filming with her phone.

In the video, Minaj refers to “pre-rolls they found,” and is seen being escorted out of her vehicle and directed to enter a police van. When she inquires why she must get in the van, an officer states she is “under arrest,” later clarifying it was for “carrying drugs.” Minaj asserts, “I’m not carrying drugs.”

Throughout the clip, Minaj repeatedly asks for the police station’s address and legal representation while the officers request she stop filming.

When contacted by CNN using Minaj’s legal name, Onika Tanya Maraj-Petty, the Royal Netherlands Marechaussee (the Netherlands military police) confirmed they had detained a 41-year-old American woman at Schiphol Airport for possessing “soft drugs.”

Later that Saturday, the Royal Netherlands Marechaussee announced that the detained woman had been released “on suspicion of exporting soft

drugs.” Their statement elaborated, “Following consultation with the Public Prosecutor’s Office, the suspect received a monetary fine and is now permitted to continue her journey.”

CNN has reached out to Minaj’s representatives for further comments.

Nicki Minaj is currently on her Pink Friday 2 World Tour, promoting her latest album, which was released late last year. She performed in Amsterdam on Thursday night and is scheduled to perform in Birmingham, UK, on Sunday night. Another concert is planned at Co-op Live in Manchester on Thursday, May 30.

This incident has caused significant disruption to her tour schedule. Minaj’s fans, who were eagerly anticipating the Manchester performance, were left disappointed by the last-minute cancellation. The artist’s efforts to engage with her fans despite the circumstances highlight her dedication and connection to her audience.

The incident at Schiphol Airport started when Minaj was stopped by authorities who claimed to have found pre-rolled joints in her possession. The video, which captured part of her interaction with the police, shows Minaj expressing confusion and repeatedly asserting her innocence. The arrest and subsequent release, accompanied by a fine, have sparked discussions among fans and the media about the challenges and scrutiny celebrities often face, particularly when traveling internationally.

Minaj’s ability to address her fans directly through social media provided some solace to those who had been looking forward to her performance. Her public apology and explanation about the unforeseen circumstances demonstrate her commitment to maintaining transparency and honesty with her supporters.

The organizers, Live Nation and Co-op Live, expressed their frustration over the unavoidable cancellation, acknowledging the extensive efforts made by Minaj to proceed with the show despite the legal hurdles. Their statement underscores the complexity and unpredictability of organizing international tours, where unforeseen events can disrupt even the best-laid plans.

Minaj’s Pink Friday 2 World Tour continues to attract significant attention, with fans eagerly following her journey across various cities. The upcoming performances in Birmingham and the rescheduled Manchester show are highly anticipated, and many hope that the remaining tour dates will proceed without further complications.

As the situation unfolds, it serves as a reminder of the various challenges artists face while on tour, from logistical issues to legal entanglements. Nicki Minaj’s experience highlights the importance of resilience and adaptability in the face of unexpected obstacles, reinforcing her status not only as a talented performer but also as a dedicated and resilient figure in the music industry.

FIA Chicago and Desi Junction Celebrate Mother’s Day with Star Awards Announcement at Ashyana Banquets

On May 19, 2024, the Federation of Indian Associations (FIA) Chicago, in collaboration with Desi Junction, celebrated Mother’s Day at Ashyana Banquets, and also announced the upcoming Star Awards. The event was conceptualized and managed by Jassi Parmar and the Desi Junction Team.

The evening began with a Social Hour, featuring a performance by Payel Ganguly & Group, who focused on Bollywood songs about motherhood and families.

FIA Chairman and Founder Sunil Shah, Vice-Chairman Neil Khot, President Pratibha Jairath, and past President Vinita Gulabani took the stage to officially start the program. Shah recounted FIA’s past achievements, Jairath highlighted the importance of celebrating Mother’s Day, Khot built anticipation by hinting at surprises, and Gulabani elaborated on FIA’s contributions to the community.

Chief guests Consul General of India Somnath Ghosh and Congressman Raja Krishnamoorthi spoke about the significant role mothers play in shaping families and society, emphasizing how they help us become better citizens.

The prestigious “Star Awards” trophy, symbolizing excellence and achievement within the community, was unveiled by the chief guests. FIA announced various award categories, including Entrepreneur of the Decade, Best Medical Professional, Best Community Organization, and Community Leader of the Year.

FIA Ambassadors for the evening, Falguni Sukhadia, Priyanka Parekh, and Hemendra Shah, efficiently managed the awards presentations and backstage operations.

Several accomplished mothers were honored for their sacrifices and dedication. The awardees included Anandita Ghosh, Riya Krishnamoorthi, Santosh Kumar, Smita N. Shah, Sweety Loomba, Dr. Kruti Vyas, Punima Brahmbhatt, Kanan Dhingra, Aishwarya Sharma, Jaspreet Kaur, Promila Kumar, Mini Multani, Dr. Sunita Narang, Milli Jain, Asha Raj Khanna, Smita Shah, Sukhi Singh, and Kelly Suga.

Rita Shah, Sunil Shah’s wife, wished everyone a very Happy Mother’s Day and surprised the awardees with a heartfelt rendition of ‘Kitni Achchhi Hai, Tu Kitni Bholi Hai Pyaari Pyaari Hai O Maa’, celebrating the invaluable role of mothers.

The evening also featured a classical dance performance by Rasika Bandekar and a medley of dance numbers by Dancing Divas (Trusha). An open dance floor followed, allowing attendees to enjoy the vibrant beats.

Towards the end of the event, attendees were treated to another surprise, sponsored by Ramesh Punater and Naresh Shah, who provided special prizes in categories such as Best Dancer and Most Enthusiastic Person.

Kamlesh Kapoor led the Tech team, while Dinesh Kapoor and Atul Wahi managed ticket control and guest seating for over 300 attendees.

Looking ahead, the “Star Awards” will also celebrate India’s 78th Independence Day with a red-carpet event on August 16, 2024, at Matrix Club, as announced by FIA.

Chelsea Manalo Becomes First Black Woman Crowned Miss Universe Philippines, Breaking Traditional Beauty Standards

Filipino American Chelsea Manalo made history on Wednesday by becoming the first Black woman to be crowned Miss Universe Philippines.

The 24-year-old, born to a Filipino mother and African American father, received widespread praise on social media for challenging traditional beauty ideals in the Philippines.

“Chelsea’s win challenges our ingrained preference for Eurocentric beauty (features) and lighter complexions in our nation,” wrote one user in response to an Instagram post of the win on Miss Universe Philippines’ official account. “Filipino beauty standard shattered into pieces,” read another.

Representing Bulacan, a province north of Manila, Manalo emerged victorious over 52 other contestants from across the archipelago and abroad. The competition took place at the SM Mall of Asia Arena in Pasay.

During the final stage, when the competition was down to the top five contestants, Manalo was asked how she would leverage her beauty and confidence to empower others.

“As a woman of color, I have always faced challenges in my life. I was told that beauty has standards, actually,” she explained, adding that she was taught to “believe in my mother, to always believe in yourself, uphold the vows that you have.”

“Because of these, I am already influencing a lot of women who are facing me right now,” she said, gazing out to the packed arena.

Manalo’s victory sparks a broader discussion about diversifying beauty standards in the Philippines, a country where Western ideals have long been influential, partly due to its colonial history.

Lighter-skinned actors and models often dominate TV shows, movies, and fashion campaigns. Additionally, skin lightening treatments and products are widely used, as is common in other Asian countries.

Manalo, who started modeling at 14, spoke about her own insecurities growing up in a YouTube video on Empire Philippines, which livestreamed the event.

“I grew up having insecurities as I was always bullied because of my skin and my hair type,” she said, crediting her friends and family for helping her “realize that I am beautiful in my own extraordinary way.”

Manalo will represent the Philippines at the Miss Universe pageant in Mexico this September.

She aims to secure the fifth title for the Philippines, following the wins of Gloria Diaz in 1969, Margie Moran in 1973, and Pia Wurtzbach in 2015 (after host Steve Harvey initially announced the wrong winner). Catriona Gray was the last Filipino to win the title in 2018.

More than 100 countries will participate in Miss Universe 2024. This year, the competition will eliminate the upper age limit previously set for contestants, who had to be between 18 and 28 years old.

The Miss Universe organization has faced scrutiny recently, as the parent company of the Miss USA organization. Both Miss USA and Miss Teen USA resigned earlier this May amid allegations of mismanagement, a toxic work environment, and conditions that affected their mental health.

Indian Singers Mesmerize with Unforgettable Performances and Impeccable Style

In the realm of music, fashion often speaks as loudly as the melodies themselves. Indian singers, celebrated for their captivating voices, are also garnering attention with their impeccable sense of style.

From the vivid colors of traditional wear to the edgy elegance of modern fashion, each performance becomes a visual feast, mirroring the artist’s unique persona. As they take the stage, their glamorous harmonies, paired with striking attire, create an unforgettable experience, leaving audiences in awe of both their musical talent and sartorial elegance.

Here are some of these captivating personalities who enchant listeners while also serving as visual delights:

Kanika Kapoor – Known affectionately as the ‘baby doll,’ Kanika Kapoor is always at her best when performing live. She strikes a perfect balance between high fashion and comfort, a combination that works wonders for her. Her ability to blend chic style with ease makes her performances even more mesmerizing.

Neha Bhasin– When it comes to merging style, class, and elegance, Neha Bhasin stands out. Her bold confidence in her fashion choices allows her to pull off a wide range of outfits effortlessly. Her pink hair and stylish piercings in her ears and navel add an extra element of oomph and swagger, making her a constant visual delight. “No wonder, she’s a treat to the eyes all the time.”

Darshan Raval – This man is a true style icon and a poser when it comes to live stage outfits. Darshan Raval is often seen enhancing his look with stylish and classy jackets, which only add to his on-stage charisma. “We love every bit of it.”

Shilpa Rao– Known for her love of shimmers and intricate mirror-work outfits, Shilpa Rao’s style adds to the ‘shock value’ of her sultry and stunning attire. Whether on stage or off, she always looks beautiful and alluring. “No wonder, she looks extremely beautiful and alluring in anything that she wears and we love that sight for real.”

Armaan Malik– Finally, we cannot overlook Armaan Malik when discussing unique style and standout live performances. He frequently experiments with blazers and co-ord sets in various hues, and his attention to his footwear game sets him apart from other male artists. “He puts equal emphasis on his footwear game and that certainly makes him unique and different from all other male performing artistes in the country.”

These artists not only captivate us with their music but also with their distinct fashion statements, making each performance a feast for the senses.

ZEE5 Global to Stream ‘Swatantrya Veer Savarkar’ on His 141st Birth Anniversary

Global, 21st May 2024: May 28th marks the 141st birth anniversary of one of India’s most influential revolutionaries, Vinayak Damodar Savarkar who played a crucial role in India’s struggle for independence against British rule. And on this day, ZEE5 Global, the world’s largest streaming platform for South Asian content, is setting the stage for the world digital premiere of Swatantrya Veer Savarkar.

The biographical period drama promises an honest portrayal of Savarkar’s extraordinary life, shedding light on his relentless struggle against British colonial rule. Directed, co-written, and co-produced by the talented Randeep Hooda himself, the movie boasts an impressive cast led by Randeep Hooda in the titular role and Ankita Lokhande as his wife, Yamuna bai Savarkar. Audiences can stream Swatantrya Veer Savarkar starting May 28 exclusively on ZEE5 Global.

Swatantrya Veer Savarkar is an authentic biographical drama, chronicling the life journey of Vinayak Damodar Savarkar, the most dreaded Indian revolutionary ever. He is one of India’s most influential yet controversial figures in the struggle for independence and yet very little is known or written about him in popular culture. He is infact the originator of ‘Hindutva’ and ‘Akhand Bharat’ and the inspiration behind great leaders and freedom fighters like Netaji, Bhagat Singh and Khudi Ram Bose. The film narrates Savarkar’s story solely from his perspective, fearlessly embracing his ideals and beliefs that were initially contentious but eventually found their way into the fabric of modern India.

Archana Anand, Chief Business Officer at ZEE5 Global said, “With the world digital premiere of ‘Swatantrya Veer Savarkar,’ we at ZEE5 Global aim to highlight the life of one of India’s most influential yet controversial revolutionaries. This film is part of our ongoing effort to cater to distinct viewer preferences worldwide, providing content that resonates, educates, and inspires. We believe in the power of storytelling to celebrate unsung heroes and bring their remarkable legacies to a global audience.”

Randeep Hooda said, “I am really looking forward to the world digital premiere of Swantantrya Veer Savarkar on ZEE5 Global and what better day to pay a tribute to the most influential revolutionary of the Indian Armed Revolution than his 141st birth anniversary, 28th May. I must admit that I learnt a lot more about this inspiring hero after I started working on this project and I want to share this film with as many people as possible to counter the false narrative spread in popular culture to bury his legacy. It was an honour playing the life of this influential yet maligned revolutionary who has left such rich and inspiring legacy behind. I would urge every Indian to watch this film to know the hidden chapters of Indian History and decide for themselves if he was deservedly Veer or not.”

Ankita Lokhande said, “Portraying Yamuna bai, the wife of the legendary Veer Savarkar, was a truly fulfilling experience as an actor as this is a character unlike anything I have essayed before, and I feel truly honored to have brought her story to life. During filming, I had the opportunity to learn about Yamuna Bai, and I was blown away with the kind of strength and support she showed towards her husband. I learned so much being her. This role has definitely helped me to grow as an actress, and I hope to get more of such opportunities to portray such women on screen in my upcoming films as well. As an actor, it is a privilege to be a part of a project that entertains, educates and celebrates the unsung heroes of our history. It has been a humbling and an enriching journey, and I hope viewers will feel the same way after watching the film on ZEE5 Global”.

Stream Swatantrya Veer Savarkar exclusively on ZEE5 Global starting May 28!

Users can download the ZEE5 Global app from Google Play Store / iOS App Store. It is available on Roku devices, Apple TVs, Android TVs, Amazon Fire TV and Samsung Smart TVs. Users can also access ZEE5 Global on www.ZEE5.com

ZEE5 Global is the digital entertainment destination launched by Zee Entertainment Enterprises Limited (ZEEL), a global Media and Entertainment powerhouse. The platform launched across 190+ countries in October 2018 and has content across 18 languages: Hindi, English, Bengali, Malayalam, Tamil, Telugu, Kannada, Marathi, Oriya, Bhojpuri, Gujarati, Punjabi, including six international languages Malay, Thai, Bahasa, Urdu, Bangla and Arabic. ZEE5 Global is home to 200,000+ hours of on-demand content.

Mammootty Sends Birthday Wishes to Mohanlal as Icon Turns 64

Renowned actor Mohanlal, a beloved figure in Kerala, commemorates his 64th birthday today.

Mohanlal’s journey to stardom wasn’t paved with privilege but rather with relentless effort, unwavering dedication, and a profound commitment to his craft. Beginning his career in 1978, it wasn’t until two years later that he embarked on his full-fledged cinematic journey. Despite being initially cast as a villain in the 1980 hit “Manjil Virinja Pookal,” his career soared swiftly, solidifying his status as a superstar. Currently, at the age of 64, he is engaged in his 360th Malayalam film, yet to be named, where he reunites with Shobana for the 56th time.

On this auspicious occasion, Mohanlal’s longtime colleague, Mammootty, extended his heartfelt wishes, accompanied by a delightful picture capturing a tender moment between the two. Well-wishes have begun flooding in from various quarters as the actor celebrates his 64th milestone, coinciding with the anticipation surrounding his directorial debut, “Barroz.”

Throughout his illustrious career, Mohanlal has amassed numerous accolades, including five National Awards, encompassing two Best Actor awards, a Special Jury mention, and a Special Jury award for his acting prowess and production excellence. Complementing his national recognition are nine State Film Awards, a testament to his enduring impact on the Malayalam film industry. Notably, he holds the distinction of being the first actor bestowed with the honorary rank of Lieutenant Colonel in the Territorial Army.

Aashna Patel, Indian-American Producer and Performer, Nominated for 51st Daytime Emmy Award

Indian-American television producer and versatile artist, Aashna Patel, has earned a nomination for the 51st Daytime Emmy Award, 2024, in the Legal/Courtroom Program category. The ceremony will be broadcast on June 7 on CBS.

Patel has been recognized for her contributions to the syndicated shows “Justice For the People with Judge Milian” and “We The People with Judge Lauren Lake.” Her illustrious career spans television, film, theater, and voiceover work.

In under two years, Patel has produced 405 episodes across nine court shows, collaborating with renowned networks and platforms such as NBC, CNN, Disney, Warner Brothers, E! Entertainment, and the Travel Channel.

As a host, Patel has explored diverse topics including entertainment, food, lifestyle, wellness, fitness, and travel, with her work featured on airline channels such as American Airlines, United Airlines, Virgin America, and Air Canada.

Patel has also interviewed numerous celebrities on the red carpet, including Tom Hanks, Jennifer Aniston, and Dwayne Johnson, and has emceed various charity events.

Beyond television and film, Patel’s musical talents include releasing a pop album with Universal Music, Canada, and performing national anthems at NBA and MLB games.

Additionally, she is a performance coach for executives at major companies like Google and Facebook, and serves as a spokesperson for brands in health, wellness, beauty, and technology.

Her voice-over work includes projects for Warner Bros and Disney. Currently, Patel is writing her first children’s book.

Malayalam Cinema Soars to New Heights in 2024, Surpassing Rs 1,000 Crore Worldwide While Bollywood, Tollywood, and Kollywood Struggle

As India’s major film industries such as Bollywood, Telugu, and Tamil struggle with a trend of films failing at the box office despite star-studded casts and high budgets, the Malayalam film industry is flourishing, generating substantial revenue with a series of successful films. While other industries strive to recover, the Malayalam film sector has already seen multiple blockbusters and superhits, surpassing the Rs 1,000 crore mark at the global box office.

A significant portion of this success comes from just three films. “Manjummel Boys,” “Aadujeevitham (The Goat Life),” and “Aavesham” collectively contributed approximately 55 percent of the total revenue, earning Rs 240.94 crore, Rs 157.44 crore, and Rs 153.52 crore, respectively, as reported by industry tracker Sacnilk. Before the release of Vipin Das’ “Guruvayoorambala Nadayil,” featuring Prithviraj Sukumaran, Basil Joseph, Nikhila Vimal, and Anaswara Rajan, Mathrubhumi noted that Malayalam cinema’s total earnings from January to April 2024 had reached Rs 985 crore. Adding Sacnilk’s report that “Guruvayoorambala Nadayil” has grossed over Rs 30 crore globally, the industry’s worldwide gross surpasses Rs 1,000 crore, marking 2024 as a milestone year in its history.

Last year, according to Mathrubhumi, the Malayalam film industry had a global gross of about Rs 500 crore, bolstered by the successes of films like “2018,” “Kannur Squad,” “RDX,” “Neru,” and “Romancham.” So far in 2024, Malayalam cinema has accounted for 20 percent of India’s total box office collection, while Bollywood has contributed 38 percent. Remarkably, five of the top ten highest-grossing films in Malayalam cinema’s history— “Manjummel Boys,” “Aadujeevitham,” “Aavesham,” “Premalu,” and “Bramayugam”— were released in 2024.

Domestically, the Malayalam film industry’s net earnings have exceeded Rs 500 crore, with “Manjummel Boys” contributing Rs 141.99 crore, “Aadujeevitham” Rs 85.08 crore, “Aavesham” Rs 84.73 crore, “Premalu” Rs 75.64 crore, and “Bramayugam” Rs 27.03 crore.

In contrast, Bollywood, which had two Rs 1,000 crore grossers last year due to Shah Rukh Khan’s major comeback and several Rs 500 crore grossers, is struggling in 2024. The industry has failed to maintain last year’s success streak following a prolonged downturn. As of now, director Siddharth Anand’s “Fighter,” starring Hrithik Roshan and Deepika Padukone, is Bollywood’s highest-grossing film of 2024, earning Rs 358.89 crore. Other films that have crossed the Rs 100 crore mark this year include “Shaitaan” (Rs 213.64 crore), “Crew” (Rs 151.35 crore), “Teri Baaton Mein Aisa Uljha Jiya” (Rs 146.26 crore), and “Article 370” (Rs 105.15 crore).

Tollywood, once a dominant force in Indian cinema, has seen only two successful films this year: “Hanu-Man” and “Tillu Square.” Most of its highly anticipated releases, including Mahesh Babu’s “Guntur Kaaram,” Nagarjuna’s “Naa Saami Ranga,” Ravi Teja’s “Eagle,” Venkatesh’s “Saindhav,” and Vijay Deverakonda’s “The Family Star,” have performed poorly at the box office.

Kollywood is facing an even more challenging year, with just one film, “Captain Miller,” crossing the Rs 100 crore mark. Other notable releases like “Ayalaan” and “Aranmanai 4” have not made a significant impact.

While other major Indian film industries grapple with box office challenges, the Malayalam film industry stands out with its series of successful releases, significantly contributing to the overall revenue. The industry’s ability to produce consecutive hits and superhits has propelled it to new heights in 2024, achieving a remarkable milestone by surpassing the Rs 1,000 crore mark at the worldwide box office.

Third Annual Gold House Gold Gala Celebrates Asian Pacific Icons with Star-Studded Event in Los Angeles

The third annual Gold House Gold Gala took place at The Music Center in Los Angeles on May 11, earning its reputation as the “Asian Met Gala.” This notable event honors icons and trailblazers from the Asian and Pacific Islander communities across various industries.

The evening was a memorable celebration of the most impactful Asian Pacific leaders featured on Gold House’s ‘A100’ list, recognizing their achievements over the past year. The gala was hosted by Bing Chen, co-founder and CEO of Gold House.

Among the prestigious honorees were Lucy Liu, Bang Si-hyuk (noted for launching BTS among others), Padma Lakshmi, and Karan Johar, who received the Gold Legend Awards. Other notable figures, such as Saweetie, Cynthia Erivo, and Hoa Xuande, were also acknowledged for their contributions.

Rohini Iyer, head of Hindi film PR at Raindrop Media, made a notable appearance on the gold carpet. She was one of the few Indian entrepreneurs invited to the exclusive event, fresh from her high-profile appearances at prestigious New York events. The gala also saw attendance from major icons and emerging talents from Hollywood and Asia, including Michelle Yeoh, Ok Taecyeon, Miky Lee (vice-chair of CJ Group and producer of the Oscar-winning film Parasite), Lilly Singh, Jay Shetty, Maithreyi Ramakrishnan, Darren Barnet, Halsey, Avantika, Poorna Jagannathan, Rupi Kaur, and Bela Bajaria.

Forbes highlighted the expansive reach of Gold House, stating, “Gold House has always been cross-industry, cross-generational, and cross-continental. However, our roots are in Hollywood and Silicon Valley. Our flagship events like the Gold Gala increasingly reflect our expansion to be even more inclusive of various industries and communities. We know it takes several industries to rebalance true socioeconomic opportunities, and we are here to welcome, partner with, and invest in those who have been doing remarkable work in their own fields,” shared Bing Chen.

Chen further elaborated, “The amount of heart layered in every detail is endless; nothing went untouched. Our priority is not just to continue delivering the seminal Asian Pacific gathering but to create a seminal cultural gathering that moves and ignites with every step. Every element of the Gold Gala is inspired by an experience or identity of our community: from my personal favorites of honoring Hello Kitty (and having her on the carpet) to the Michelin South Indian cuisine from Semma’s Vijay Kumar and Padma Lakshmi, to the first time the 2022 Gold Olympians will be recognized for their reclamation, to having Saweetie perform just days before she releases her first single in years, to opening the Billboard Founders Party dance floor with RuPaul’s Drag Race’s recent winner Nymphia Wind and Steve Aoki, to the karaoke room and late night Panda bites. It is heart over hand to every corner of this Golden New World.”

This year’s Gold Gala continued to build on its legacy of honoring significant contributions and achievements from the Asian Pacific community. Lucy Liu, a celebrated actress and advocate, received accolades alongside Bang Si-hyuk, the mastermind behind BTS, who has revolutionized the music industry. Padma Lakshmi, known for her culinary prowess and advocacy, and Karan Johar, a film industry titan, were also honored, receiving widespread applause.

The presence of prominent figures such as Saweetie and Cynthia Erivo added to the evening’s prestige. Hoa Xuande, recognized for his work in entertainment, further highlighted the diverse talent celebrated at the gala.

Rohini Iyer’s presence underscored the global reach of the event, as she represented a significant figure from the Indian entertainment industry. Her inclusion among the attendees emphasized the gala’s inclusivity and recognition of diverse entrepreneurial contributions.

The Gold Gala’s guest list featured a mix of established stars and emerging talent. Michelle Yeoh, an acclaimed actress known for her work in both Hollywood and Asian cinema, graced the event. Ok Taecyeon, a South Korean actor and singer, represented the growing influence of K-pop and Korean entertainment on the global stage. Miky Lee, a notable figure in the entertainment industry, highlighted the evening’s star power.

Other influential attendees included Lilly Singh, a renowned comedian and content creator, Jay Shetty, a motivational speaker and author, and Maithreyi Ramakrishnan, a rising star in Hollywood. Darren Barnet, known for his roles in popular series, Halsey, a chart-topping musician, Avantika, a young actress, Poorna Jagannathan, an accomplished actress, Rupi Kaur, a celebrated poet, and Bela Bajaria, a significant figure in the entertainment industry, also attended the gala.

Gold House CEO Bing Chen emphasized the event’s commitment to inclusivity and cross-industry representation. “Gold House has always been cross-industry, cross-generational, and cross-continental. However, our roots are in Hollywood and Silicon Valley,” he stated. Chen’s remarks highlighted the gala’s evolution into a broader celebration of diverse communities and industries.

Chen’s detailed overview of the gala’s elements showcased the event’s dedication to honoring Asian Pacific culture. The inclusion of Hello Kitty on the carpet and the Michelin-starred South Indian cuisine from Vijay Kumar and Padma Lakshmi exemplified the cultural richness celebrated at the gala. The recognition of the 2022 Gold Olympians for their achievements added a significant milestone to the event.

Saweetie’s performance, just days before the release of her new single, brought an exciting musical element to the evening. The opening of the Billboard Founders Party dance floor by RuPaul’s Drag Race winner Nymphia Wind and DJ Steve Aoki added a vibrant and energetic atmosphere to the gala. The karaoke room and late-night Panda bites further enhanced the celebratory mood, making it a night to remember.

The Gold House Gold Gala not only celebrated the achievements of the Asian Pacific community but also highlighted the cultural contributions that resonate across various industries. With its inclusive approach and dedication to recognizing diverse talents, the gala continues to be a significant cultural gathering that honors and inspires.

Sky Islands by Susie Ibarra Held in New York

Sky Islands features the Extended Talking Gong Ensemble, with percussionist Ibarra, Claire Chase on flute, Alex Peh on piano, and Levy Lorenzo on percussion alongside the Bergamot String Quartet comprising violinists Ledah Finck and Sarah Thomas, violist Amy Huimei Tan and cellist Irène Han.

This preview performance is followed by a panel discussion with the performers and climate scientist Daniel Ibarra on the real-life ecosystems or “sky islands” that inspired Ibarra’s composition and exploring how art and science can amplify the urgency in the fight against climate change. The event will be held on Tue, May 28 at 6:30 p.m. at Asia Society New York.

A musical call to action, Sky Islands draws awareness to dwindling biodiversity, changing climate, and global community practices.

“Sky islands” are distinct ecosystems at high altitude ranges, known for becoming hotspots for biodiversity and unusual forms of life. Geographically isolated with few or no outside predators, sky islands are home to many species of small mammals that don’t exist anywhere else in the world, making them wondrous areas where we can see evolution “sped up”.

Ibarra was intrigued by the “sky islands” on the mountain tops of rainforests in her home region of Luzon, Philippines, home to the world’s largest number of unique mammal species. In this latest musical work commissioned by Asia Society, Ibarra captures, through sound and sculpture, the beautiful and somewhat magical existence of sky islands.

Sky Islands takes inspiration from the musical traditions of Luzon’s sky islands and features Philippine Northern style interlocking rhythms and melodies found in bamboo and gong and flute music of the Kalinga and Cordilleras Region in Luzon. Highlighting Luzon’s rainforests—an endangered region with 31 endemic species, including the Philippine Eagle, and a region that has both volcanic and non-volcanic mountains amidst diverse fauna—Sky Islands aims to connect audiences to these fragile and beautiful ecosystems.

Sky Islands is commissioned by Asia Society, with support from Fromm Music Foundation at Harvard University, NYSCA, and NYFA Anonymous Was A Woman Environmental Artists Grants. This program is part of the COAL + ICE exhibition and series of programs at Asia Society, Feb. 13-Aug. 11, 2024, designed to provoke thought and action on climate change.

Tickets for the May 28 performance and panel discussion are $8 Asia Society Members, $15 Nonmembers. Students/Seniors may use coupon SENSTU at check out. Tickets may be purchased at here or by calling the Asia Society Box office at 212-517-ASIA (2742).

The world premiere of Sky Islands will be presented at Asia Society New York on Thu, Jul 18 and Sat, Jul 20 at 7:15 to 9:00 p.m. Tickets for the July performances are $20 Asia Society Members, $30 Nonmembers. Students and seniors: use coupon code SENSTU at checkout. Tickets may be purchased at AsiaSociety.org/NY or by calling the Asia Society Box office at 212-517-ASIA (2742).

Members of the media interested in complimentary tickets to the May 28 work in progress performance and discussion or the July performances should email [email protected]

Heeremandi: The Diamond Bazaar – A Grand Saga of Passion, Betrayal, and Redemption Unfolds in Sanjay Leela Bhansali’s Web Debut

Heeremandi: The Diamond Bazaar, Sanjay Leela Bhansali’s foray into the world of web series, offers a rich tapestry of intrigues, conspiracies, and complex emotions, all wrapped in the grandiose style typical of the filmmaker. Drawing inspiration from a story by Moin Beg, Bhansali weaves together a narrative that mirrors his signature blend of opulence, intense human drama, and historical backdrop, reminiscent of his acclaimed films like Bajirao Mastani, Padmaavat, and Gangubai Kathiawadi. Set against the backdrop of Heeramandi, a fictionalized version of Lahore’s famed Heera Mandi, the series transports viewers to a bygone era of cultural richness and social intricacies.

Originally known as Heera Mandi, the real-life locale was a vibrant center of art and culture during Maharaja Ranjit Singh’s reign, attracting courtesans renowned for their mastery of classical arts. These women, known as tawaifs, were not merely entertainers but also intellectuals, influencers, and even revolutionaries, leaving an indelible mark on the socio-cultural landscape of their time. However, the decline of Heera Mandi, attributed partly to British colonization and Victorian morality, saw the fading of its once-thriving arts scene.

Bhansali’s narrative ingeniously intertwines fictional characters with real historical figures, offering a dramatic reinterpretation of their lives and motivations. Mallikajaan, portrayed by Manisha Koirala, emerges as the central figure—a formidable courtesan whose past sins and familial ties catalyze a series of tragic events. Sonakshi Sinha delivers a compelling performance in a dual role, embodying the cunning and vengeful Fareedajaan and the tragic figure of Rehana. Adhyayan Suman’s portrayal of Zoravar, Mallikajaan’s estranged son, adds depth to the narrative, while Sharmin Segal’s Alamzeb grapples with her desire for love and freedom amidst familial discord.

At the heart of the story lies the forbidden romance between Alamzeb and Nawab Tajdar, played by Taaha Shah Badussha, whose union becomes a symbol of defiance against societal norms and political upheaval. As the characters navigate a landscape fraught with betrayal and intrigue, their destinies become intertwined in the backdrop of India’s struggle for independence.

Bhansali’s meticulous attention to detail is evident in every aspect of production, from the lavish sets and costumes to the evocative cinematography. While the music may not reach the heights of Bhansali’s previous works, the stellar performances and riveting script captivate the audience throughout the near-eight-hour runtime. Notable performances include Sanjeeda Sheikh’s portrayal of the conflicted Waheeda and Richa Chadha’s poignant turn as Laddo.

While the series boasts a stellar cast, including veterans like Manisha Koirala and Sonakshi Sinha, as well as promising newcomers, some performances fall short of expectations. Aditi Roy Hydari shines in her role as Bibbojan, while Sharmin Segal’s portrayal of Alamzeb leaves room for improvement.

Despite its flaws, Heeremandi: The Diamond Bazaar is a testament to Bhansali’s vision and ambition, offering viewers a sumptuous feast of storytelling and spectacle. As the series unfolds against the backdrop of Heeramandi’s fading glory, it invites audiences to immerse themselves in a world of passion, betrayal, and redemption—a quintessential Bhansali experience not to be missed.

ZEE5 Global Gears Up For The Digital Premiere Of The Gripping Movie Bastar: The Naxal Story

ZEE5 Global, the world’s largest streaming platform for South Asian content, announces the digital premiere of the hard-hitting crime drama produced by Sunshine Pictures Pvt Ltd – ‘Bastar: The Naxal Story’. Post the success of The Kerala Story, the core team of director Sudipto Sen, producer Vipul Amrutlal Shah, Sunshine Productions and lead actor Adah Sharma have created yet another intense and thought-provoking narrative. The film, inspired by true events, centers on the Naxal insurgency in the Indian state Chhattisgarh and the extraordinary efforts of a single police officer to quell the threat. Along with Adah Sharma, the movie also features Indira Tiwari, Vijay Krishna, Shilpa Shukla, Yashpal Sharma, Subrat Dutta, and Raima Sen in prominent roles. Viewers can stream ‘Bastar’ from May 17 onwards, exclusively on ZEE5 Global!

‘Bastar’ is a gripping tale that sheds light on the Naxal menace that has claimed thousands of lives and caused immense destruction in the region. Drawing inspiration from actual events, the film follows the journey of a dedicated police officer who goes above and beyond to combat the Naxal insurgency in Chhattisgarh. With intense moments that will shake you to the core, ‘Bastar’ offers an unflinching look at the complexities of this issue.

Watch Bastar on ZEE5 Global to witness the unsung heroes fight terrorism and delve deeper into the personal challenges of officers and their courageous battle against the Naxal community. The film will be available in Hindi and Telugu languages starting May 17, 2024.

Archana Anand, Chief Business Officer at ZEE5 Global said, “At ZEE5 Global, we believe in curating a diverse library of content that sparks conversation and widens perspectives. Bastar is a powerful film that tackles the complexities of the Naxal insurgency, offering a raw and thought-provoking exploration of a sensitive topic. Its addition to our platform adds a powerful global narrative to our ever-expanding entertainment landscape.”

Producer Vipul Amrutlal Shah said, “This is our second collaboration after “The Kerala Story” and I am proud to be the Producer of Bastar: The Naxal Story. With ‘Bastar,’ we wanted to shed light on the Naxal insurgency in Chhattisgarh, an issue that has impacted countless lives. This film talks about the bravery of those who have fought against this threat, and we hope it serves as a reminder of the importance of addressing such critical societal issues. Exploring this subject was a risky terrain, but I hope viewers appreciate our efforts in bringing this powerful story to the forefront. Sudipto, Adah, and the entire team have worked tirelessly to create a thought-provoking and we are delighted that ZEE5 Global is platforming this authentic portrayal of the Naxal conflict.”

Director Sudipto Sen recollects, “Directing ‘Bastar’ was a challenging yet rewarding experience. We aimed to present a very realistic side of the Naxal conflict, drawing inspiration from real-life events and characters. Adah Sharma has done a fabulous job once again, and the great performances from the entire cast make the film even more interesting and convincing. Making ‘Bastar’ was very important for me; it is something I have felt, lived, and understood since my childhood. While the subject matter is intense, we hope this film encourages dialogue and understanding about this terrifying issue. I am looking forward to the film’s digital premiere on ZEE5 Global and taking this lesser-known story to the masses.”

Actor Adah Sharma mentioned, “Bastar is a powerful film that tackles a sensitive and important issue. I’m overwhelmed by the love and appreciation that fans have showered upon my character during its theatrical release. With the digital premiere on ZEE5 Global, I feel the film will reach an even wider audience and hope that they continue to shower their love and support. I’m grateful for the opportunity and it was an intense and challenging experience.

ZEE5 Global is the digital entertainment destination launched by Zee Entertainment Enterprises Limited (ZEEL), a global Media and Entertainment powerhouse. The platform launched across 190+ countries in October 2018 and has content across 18 languages: Hindi, English, Bengali, Malayalam, Tamil, Telugu, Kannada, Marathi, Oriya, Bhojpuri, Gujarati, Punjabi, including six international languages Malay, Thai, Bahasa, Urdu, Bangla and Arabic. ZEE5 Global is home to 200,000+ hours of on-demand content. The platform brings together the best of Originals, Movies and TV Shows, Music, Health and Lifestyle content in one destination. In addition, ZEE5 Global offers features like 15 navigational languages, content download options, seamless video playback and Voice Search. The platform also recently launched ZEE5 Global Add-ons in the US where one can access and subscribe to multiple South Asian streaming platforms like Chaupal, Oho Gujarati, NammaFlix, Simply South and iStream all in one single destination, ZEE5.

Indian Cinema’s Heritage Shines Bright: Shyam Benegal’s ‘Manthan’ Set for Cannes Revival

During the filming of ‘Manthan’ in the remote Gujarat village Sanganva, director Shyam Benegal instructed his actors, including Naseeruddin Shah, Smita Patil, Girish Karnad, and Amrish Puri, to wear the same clothes for the entire 40-45 day shoot, reflecting the locals’ reality of enduring days without bathing due to water scarcity. Benegal humorously remarked, “if they stank, they would stink jointly!”

The 77th Cannes Film Festival, set to take place from May 14-25, presents an Indian showcase with ‘Manthan’ among the eagerly-awaited films. Payal Kapadia’s ‘All We Imagine As Light’ joins the Competition section, marking 30 years since Shaji N Karun’s ‘Swaham,’ bringing a full Indian summer to the Croisette.

Several other Indian entries grace the festival: Sandhya Suri’s ‘Santosh’ in Un Certain Regard, Karan Kandhari’s ‘Sister Midnight’ in the Director’s Fortnight, Maisam Ali’s ‘In Retreat’ in the ACID program, Chidananda Naik’s ‘Sunflowers Were The First To Know’ in La Cinef competition, and ‘The Shameless’ by Bulgarian director Konstantin Bojanov. Additionally, ‘Sauna Day’ directed by Anna Hints and Tushar Prakash features in Critics’ Week.

Beyond screenings, renowned cinematographer Santosh Sivan receives the Pierre Angenieux award and conducts a masterclass, highlighting the diverse talent representing independent Indian cinema.

‘Manthan,’ Benegal’s third feature, portrays a fictionalized account of India’s successful co-operative movement in milk production, commissioned by Dr. Verghese Kurien, the visionary behind Amul. The film garnered National Awards and served as India’s Oscar submission in 1977, embodying the essence of India’s ‘White Revolution.’

Now, ‘Manthan’ receives a grand revival, presented in the Classics Section of the festival in a restored version, much to Benegal’s delight. Despite health reasons preventing his attendance, Benegal’s wife and key cast members, including Naseeruddin Shah and Prateik Babbar, will be present, alongside Nirmala Kurien, daughter of Dr. Verghese Kurien.

The film’s restoration by Shivendra Dungarpur brings it back to its original brilliance, ensuring its legacy endures. Plans are underway for a wide release across India post-Cannes.

Dungarpur, known for his preservation efforts, continues his Cannes streak with ‘Manthan,’ India’s first crowd-funded film, reflecting the communal effort of 500,000 farmers from Kheda district.

Reflecting on the shoot, Benegal fondly recalls the cast’s immersion in village life, despite the challenges, emphasizing their commitment and camaraderie. The experience, though rugged, remains a cherished memory for Benegal, epitomizing their collective achievement.

‘Manthan’ stands as a testament to India’s cinematic heritage, its restoration and Cannes screening symbolizing its enduring impact and relevance.

Controversy Unveiled: Miss USA Organization Under Fire After Back-to-Back Resignations of Titleholders Spark Allegations of Mismanagement and Silence

Amid the glitz and glamor of pageantry, reigning queens are typically seen as symbols of grace and advocacy, their crowns signifying a year-long commitment to representing their titles with poise and purpose. However, the recent back-to-back resignations of Miss USA 2023 Noelia Voigt and Miss Teen USA 2023 UmaSofia Srivastava have thrown the Miss USA organization into a maelstrom of controversy, shedding light on a purportedly dysfunctional environment and a culture of silence.

Voigt, 24, representing Utah, and Srivastava, 16, representing New Jersey, departed from their roles citing personal reasons, yet behind their statements lies a narrative of discontent and disarray within the organization. Voigt’s resignation, ostensibly due to mental health concerns, hinted at deeper issues with her post spelling out “I am silenced” in its initial letters, suggesting a hidden message.

The Miss USA organization responded to Voigt’s departure with a statement emphasizing her well-being and the importance of self-prioritization. However, the organization’s silence on further inquiries raises questions about the extent of their awareness and accountability.

Voigt’s resignation letter, obtained by CNN, detailed a litany of grievances, ranging from managerial incompetence to allegations of bullying and harassment by the organization’s CEO, Laylah Rose. Voigt described a toxic work environment and a lack of support, including instances of neglect regarding travel arrangements and prize package entitlements.

Denise White, a PR representative for both Voigt and Srivastava, revealed that the contestants were bound by stringent non-disclosure agreements, preventing them from publicly elaborating on their reasons for resignation. Efforts to seek redress from the Miss Universe organization, which oversees Miss USA, proved fruitless, leaving the former titleholders unsupported in their struggles.

Thom Brodeur, Voigt’s pageant coach, lamented the unprecedented loss of both Miss USA and Miss Teen USA within a short span, signaling a crisis within the organization. Claudia Engelhardt, the former social media director for Miss USA, echoed these sentiments, citing a pervasive atmosphere of disrespect and mismanagement.

Engelhardt’s account shed light on the turmoil within the organization, revealing a dwindling team size and a lack of infrastructure to support its operations effectively. She described an absence of contracts, onboarding processes, and guidance, painting a picture of chaos and neglect.

Voigt’s ordeal, as described by Engelhardt, paints a stark contrast to the glamorous image associated with pageantry. Despite her title, Voigt allegedly had minimal public engagements, her potential squandered due to organizational mismanagement.

In a bid to restore stability, the Miss USA pageant announced Savannah Gankiewicz, the first runner-up to Voigt, as the new Miss USA 2023. Gankiewicz expressed her commitment to mental health awareness and unity within the pageant community, aiming to steer the organization towards a brighter future.

While public figures, including former pageant directors, have rallied behind the resigned titleholders, Engelhardt and White advocate for greater transparency and accountability within the organization. They urge others to speak out against what they perceive as a stifling culture, hoping to initiate positive change and uphold the integrity of pageantry.

Glitz, Glamour, and Giving: Inside the Enigmatic World of the Met Gala

The Metropolitan Museum of Art in New York City sparkled with star-studded glamour as it hosted the annual Met Gala on Monday evening, drawing celebrities and fashion icons to what’s often dubbed “fashion’s biggest night.” The gala, renowned for its eclectic array of outfits ranging from the exquisite to the eccentric, poses questions about its essence, purpose, and significance.

At its core, the Met Gala, formally known as the Metropolitan Museum of Art Costume Institute benefit, serves as a vital fundraising affair for the museum’s Costume Institute. Held typically on the first Monday of May, the event stands out as the sole occasion where the Costume Institute generates funds, doing so with grandeur and panache.

This invitation-only extravaganza boasts a guest list comprising luminaries from various domains, each year tasked with interpreting a predetermined theme through their attire, echoing the theme of the concurrent Costume Institute exhibition. The gala’s thematic focus injects creativity into the sartorial landscape, driving attendees to push the boundaries of fashion and innovation, thereby igniting both admiration and amusement across the internet.

The Costume Institute itself houses a rich repository of over thirty-three thousand artifacts spanning seven centuries of fashion history, catering to men, women, and children alike. Originating as the Museum of Costume Art in 1937 before merging with The Metropolitan Museum of Art in 1946, it has evolved into a distinguished curatorial department, chronicling the evolution of style through the ages.

Financially, the Met Gala thrives on sponsorship from various entities, with prominent names such as TikTok, Loewe, and Condé Nast lending support. Revenue streams primarily stem from ticket sales and table reservations, the latter commanding exorbitant prices, with tables starting at $350,000, attracting major brands and fashion conglomerates.

The Met Gala’s ascent to global prominence wasn’t immediate, tracing its roots back to a modest fundraising dinner in 1948 orchestrated by fashion publicist Eleanor Lambert. It was under the stewardship of fashion doyenne Diana Vreeland, who assumed consultancy in 1972, that the gala transcended its local confines, embracing an ethos of thematic storytelling and inviting a constellation of luminaries to grace its halls.

While the gala’s evolution owes much to luminaries like Vreeland, many attribute its modern-day eminence to Anna Wintour, the influential editor-in-chief of Vogue and Condé Nast’s Global Chief Content Officer. Wintour’s tenure as the event’s chief orchestrator since 1999 has elevated it to a coveted societal milestone, with her discerning curation of the guest list endowing the gala with an aura of exclusivity. Notably, Wintour’s decisive stance in 2017 to eschew inviting former President Donald Trump, a once-regular attendee, underscored her influence in shaping the gala’s guest roster.

This year, notable Indian presence at the gala included actress Alia Bhatt, adding a touch of global diversity to the event’s milieu. With each edition, the gala appoints official hosts, with this year’s cohort featuring luminaries such as Bad Bunny, Jennifer Lopez, Zendaya, and Chris Hemsworth, alongside Wintour.

Beyond the spectacle of the red carpet and the gracious welcome by the hosts lies a shroud of mystery enveloping the guests’ activities. Prohibited from carrying phones, attendees embark on an evening veiled in secrecy, partaking in exclusive exhibitions curated by the Costume Institute before indulging in a sumptuous dinner. High-profile performances punctuate the evening, further enhancing its allure and mystique.

Celebrating 20 Years of Director Sukumar’s Journey in the Film Industry

It’s been two decades since director Sukumar marked his entry into the film fraternity, making his debut on May 7, 2004, with the film “Arya.” Over the years, Sukumar has crafted a path of success with notable films like “100% Love” and “Pushpa: The Rise.” Reflecting on the journey and success of his debut film, “Arya,” Allu Arjun, who starred in the lead role, took to X (formerly Twitter) to share nostalgic moments.

In a heartfelt post, Allu unveiled a new poster commemorating the 20th anniversary of “Arya,” emphasizing that the film was more than just a cinematic creation; it was a transformative moment that altered the course of his life. Expressing perpetual gratitude, he shared throwback pictures featuring co-stars Anuradha Mehta, Siva Balaji, and a youthful Sukumar. Accompanying the images was the caption “Sweet Memories” accompanied by a heart emoji. Among the captured moments was a snapshot of the actor-director duo engaged in discussion with crew members, reminiscing about the making of the film. The bond between them endured over the years, leading to their collaboration once again in the 2022 blockbuster “Pushpa: The Rise.”

“Arya,” featuring Allu, Anuradha, and Siva in pivotal roles, narrates the tale of unrequited love, portraying the plight of a lovelorn protagonist enamored with a girl who reciprocates affection for another. The film’s narrative resonated with audiences, prompting a Tamil remake titled “Kutty” in 2010, starring Dhanush, Sriya Saran, and Dhyan. Additionally, “Arya 2” emerged as a spiritual successor to its predecessor, with Allu portraying a fresh character alongside Kajal Aggarwal and Navdeep.

Looking ahead, Sukumar’s directorial venture “Pushpa 2: The Rule” is highly anticipated, with Allu, Rashmika, and Fahadh reprising their roles as Pushpa Raj, Srivalli, and Bhanwar Singh Shekawat, respectively. Joining them in the cast are Jagapathi Babu, Brahmaji, Anasuya Bharadwaj, and others. Serving as a sequel to the 2021 hit “Pushpa: The Rise,” the film is slated for release on August 15th of this year.

US House Advances TikTok Ban Legislation Amidst Aid Package Approval

The United States is inching closer to potentially banning TikTok as House lawmakers greenlighted a contentious bill in a sweeping aid package aimed at supporting Israel and Ukraine. With a bipartisan vote of 360-58, this move represents yet another setback for TikTok in Washington. The social media giant, currently under the ownership of ByteDance, its Chinese parent company, is grappling with the threat of being ousted from the US market, where it boasts a user base of 170 million.

The legislation adopted by the House over the weekend mirrors an earlier version from March, proposing to remove TikTok from American app stores unless it undergoes a change in ownership promptly. By bundling the TikTok measure with funding for Ukrainian military gear and Israeli missile defense, House Republicans are exerting pressure on Senate counterparts to address the entire package in a single decisive vote.

Experts anticipate swift action from the Senate on the aid package, raising expectations for its approval. President Joe Biden has signaled his willingness to endorse the TikTok legislation if it crosses his desk. This accelerated push underscores how external policy imperatives have converged to pose a significant and potentially dire threat to an app cherished by many American youths but viewed by US authorities as a national security hazard.

The latest version of the bill, if enacted, grants TikTok a 270-day window to secure a new proprietor, an extension from the approximately six months initially proposed. Moreover, it affords the White House the discretion to prolong this deadline by an additional 90 days if progress toward a sale is evident.

TikTok has vehemently opposed the legislation, launching an extensive lobbying campaign in an effort to thwart its passage. The company argues that the bill encroaches upon the First Amendment rights of its users and jeopardizes small enterprises. In a statement posted on X, TikTok lamented the House’s decision, lambasting it as a move that would stifle free speech, disrupt millions of businesses, and dismantle a platform contributing $24 billion annually to the US economy.

Hinting at potential legal action to challenge the divestiture legislation, TikTok has vowed to continue its fight, invoking its legal prerogatives. A legal showdown over the law could set the stage for a high-stakes clash over Americans’ access to digital content.

While Senate lawmakers had been divided on the House’s proposal for a forced TikTok sale, sentiment shifted somewhat with the unveiling of the latest draft featuring an extended deadline. In the run-up to the House vote, Senate Majority Leader Chuck Schumer stressed the urgency of approving foreign aid. Schumer disclosed a tentative agreement for the Senate to consider the foreign aid package on Tuesday, suggesting a growing momentum behind the legislation.

Paul Gallant, a policy analyst at Cowen Inc., assesses the likelihood of the TikTok bill’s passage as reasonably high, estimating an 80% chance of Senate approval. Gallant anticipates that TikTok is unlikely to be stripped from the broader aid package, predicting Senate deliberation within one to two weeks, though indications suggest it could happen even sooner.

Mohanlal And Shobana To Star In Renjith Directed Movie

The most successful duo of Mohanlal and Shobana is making a comeback as shooting for Malayalam superstar Mohanlal’s 360th film commences on Monday in the state.

Shobana herself announced this, expressing her happiness, and noted that this would mark their 56th film together.This marks the 14th film produced by Renjith for his own Rejaputra films.

Actor Shobana and Mohanlal who are celebrated as Mollywood’s evergreen couple onscreen is all set to reunite in this epic film.

“The director is Tharun Moorthy. Can you guess who is the hero? Yes, it is none other than Mohanlal. It is Lalji’s 360th film. Would like to wish him all the best. This is our 56th film together. So, I am super excited. Just hope everyone loves the film,” the charismatic actor said.

Mohanlal and Shobana were last seen in Mampazhakalam. The two of them have starred in several movies including ‘Thenmavin Kombathu’, ‘Pavithram’, and Manichithrathazhu.

Netizens went gaga over the announcement. “After a long time, the legendary pair is rejoining,” commented one user. “Omggg this is such big news I’ve wanted this to happen since a freakin long time! I literally can’t wait to see you two back on screen,” another user commented. Yet another user wrote, “What a legend to have completed 40 years, and then gifting us another film. Bro we’d been waiting to see you. Thank you and God bless you.”.

While Shobana took a bit of a hiatus from acting and has been busy with stage performances, Mohanlal has gone on to act in several movies. He was last seen in Malaikottai Vaaliban. He will soon be seen in Barroz, which also stars Guru Somansundaram and Komal Sharma.

The film depicts Mohanlal portraying the role of a taxi driver, reminiscent of roles that propelled him to superstar status. Directed by Tarun Murthy, with the story penned by K.S. Sunil and cinematography by Shaji, the film features popular comedian turned character actor Jagdish in a significant role. The film is expected to hit the theatres during Puja holidays in October.

ZEE5 Global Presents Newsroom Drama Series, ‘The Broken News S2’ Starring Sonali Bendre, Jaideep Ahlawat And Shriya Pilgaonkar

ZEE5 Global, the world’s largest streaming platform for South Asian content, unveiled the trailer of the second season of its much acclaimed series, ‘The Broken News’ today. The show which is based on the BBC Studios format ‘Press’ is directed by Vinay Waikul and written by Sambit Mishra.

The new season will see Sonali Bendre, Jaideep Ahlawat, and Shriya Pilgaonkar reprise their roles as Ameena Qureshi, Dipankar Sanyal and Radha Bhargava respectively. Returning after a gap of two years, the new season will see the fight for ideologies between the two broadcast news channels, ‘Josh 24×7’ and ‘Awaz Bharti’ scale new heights and will premiere on 3rd May, exclusively on ZEE5 Global.

In this thrilling new season, the ‘sach’ versus ‘sansani’ battle escalates beyond the newsroom, evolving into a personal struggle for survival.

The upcoming season produced by BBC Studios Productions India will continue to capture the fictional lives, lies, loves, and struggles of journalists and their battle between truth and sensationalism. The upcoming chapter marks the homecoming of many actors such as Faisal Rashid, Indraneil Sengupta, Sanjeeta Bhattacharya, Taaruk Raina, among others. Additionally, the new season will see the entry of actors – Akshay Oberoi, Suchitra Pillai and Geetika Vidya Ohlyan in pivotal roles.

The trailer for the second season features Radha Bhargava, previously incarcerated due to Sanyal, now released on bail. She is poised for a comeback, determined to cleanse the broadcasting system by dismantling Dipankar and his manipulative tactics. Recognizing that unbiased news reporting alone cannot combat Josh 24×7’s propaganda, she is prepared to engage in unorthodox methods to purge the corrupt system.

In Radha’s absence, Ameena shoulders the responsibility of fighting the ‘Sach’ battle alone, venturing into the streets to uncover truth amidst personal risk. Dipankar’s brand of ‘sansani’ news dominates TRPs but he is compelled to utilize his ‘sansani’ ideology to sway public opinion and further his personal and corporate agendas. However, the pertinent question remains the same: Breaking news ki race mein ab break hoga har rule! Jab sach bhi bane sansani, kya Dekhaga India?

Actor Sonali Bendresaid, “The Broken News will always be special to me as it marked my OTT debut. We truly were ecstatic with the response to the first season and I am glad that we are returning with another season. In the first season, Ameena and Radha were a team however, in this new season, Ameena will be fighting the battle for ‘Sach’ on her own. Working with the wonderful team at ZEE5 Global, BBC and our director Vinay Waikul has also been a true pleasure. He’s a visionary director who has poured his heart and soul into ensuring that viewers remain engaged and hooked throughout. I’m thrilled for the show to release on ZEE5 Global and can’t wait for audiences to see and react to what we’ve created. I am confident that everyone will enjoy watching season 2 as much as we enjoyed making it.”

Actor Jaideep Ahlawat said, “I am thrilled to dive back into the world of ‘The Broken News’ for its second season on ZEE5 Global. This time around, viewers can expect more newsroom drama, action and lines getting blurred as things get personal. Playing Dipankar has been a true delight and it was great getting back together with the gang of The Broken News. I’m eagerly looking forward to seeing how the audiences’ receive Season 2 on ZEE5 Global.”

Actor Shriya Pilagoankarsaid, “I couldn’t be more thrilled for the return of ‘The Broken News’ on ZEE5 Global. This show holds a special place in my heart, and I’ve been eagerly anticipating its comeback for quite some time now. The dynamic between Radha and Dipankar is going to be intensely personal this season, as they both strive to outmaneuver each other at every turn. It’s going to be a rollercoaster ride for the viewers, with twists and turns keeping them guessing until the very end. Working alongside Jaideep sir and Sonali ma’am has been an incredible experience for me. They are both powerhouses of talent, and I’ve learned so much from sharing the screen with them. I can’t wait for audiences to see the magic that we’ve all created together.”

Director Vinay Waikul said, “I am thrilled to direct another season of The Broken News, bringing the high pressure and dynamic environment of newsrooms and the battle between truth and sensationalism to audiences again. The first season was immensely appreciated by all and this season promises to keep audiences engaged as we take this newsroom drama to the next level. I am thankful to the producers, writer, talented actors and crew members for making this show a memorable experience”.

ZEE5 Global is the digital entertainment destination launched by Zee Entertainment Enterprises Limited (ZEEL), a global Media and Entertainment powerhouse. The platform launched across 190+ countries in October 2018 and has content across 18 languages. The platform brings together the best of Originals, Movies and TV Shows, Music, Health and Lifestyle content in one destination. In addition, ZEE5 Global offers features like 15 navigational languages, content download options, seamless video playback and Voice Search. The platform also recently launched ZEE5 Global Add-ons in the US where one can access and subscribe to multiple South Asian streaming platforms like Chaupal, Oho Gujarati, NammaFlix, Simply South and iStream all in one single destination, ZEE5.

ZEE5 Global Twitter: https://twitter.com/ZEE5GlobalCorp

ZEE5 Global LinkedIn: https://www.linkedin.com/company/ZEE5 Global/

Prithviraj Sukumaran’s Riveting Performance in ‘Aadujeevitham’ Sparks Heartfelt Exchange with Real-life Inspiration

Director Blessy’s survival epic Aadujeevitham (The Goat Life), starring Prithviraj Sukumaran in the lead, continues its triumphant streak at the box office, buoyed by a wave of positive reception. Based on Benyamin’s 2008 novel of the same title, Aadujeevitham draws inspiration from the harrowing real-life ordeal of Najeeb Muhammad, also known as Shukoor, who, in the 1990s, journeyed to the Persian Gulf states to support his family but found himself trapped in a life of servitude as a goat herder in the desert for over three years.

Prithviraj’s portrayal of Najeeb stands as a cornerstone of the film’s acclaim, widely hailed as one of his most compelling performances to date. The revelation that Prithviraj hadn’t met the real-life inspiration until after filming wrapped sparked intrigue, prompting reflections on how he managed to encapsulate the character’s essence without direct interaction.

Following the film’s success, Prithviraj engaged in a poignant exchange with Najeeb, bridging the chasm between reel and real experiences. Reflecting on the journey, Prithviraj shared, “In 2008, when Blessy first approached me for this role, I grappled with how to approach it. Should I seek insight from you directly, or should I interpret the Najeeb envisioned by Benyamin and Blessy? Ultimately, we decided that I would portray the Najeeb conceived in our minds, based on the novel and Blessy’s vision. That’s the Najeeb you’ll witness in the film. There’s a stark contrast.”

During their conversation, Prithviraj inquired if Najeeb, amidst his days herding goats, could discern the passage of time. Najeeb somberly responded in the negative, stating, “The sun rose and set… that’s all I knew,” leaving Prithviraj momentarily speechless.

Najeeb delved into the depths of his anguish, revealing, “I often thought escape was impossible. There were no gods left to pray to. I contemplated death as preferable to continued existence. Many times, I lay on the sand, hoping some creature would end my suffering. Yet, upon waking, thoughts of my family consumed me. My wife was eight months pregnant when I arrived there. Her well-being was my sole preoccupation.”

The exchange also includes reflections from Najeeb’s wife and son, offering poignant insights into their shared ordeal.

Prithviraj, moved by Najeeb’s resilience, remarked, “At times, I’ve felt you’re chosen by a higher power to share your story with the world. You are divine providence’s emissary.” Najeeb, though bearing the scars of his past, managed a pained smile in response. When asked if he would ever return to that place, Najeeb’s immediate response was a resolute “No.” “It’s still a nightmare,” he added.

Najeeb further revealed, “Even my wife and family learned of my trials only after the novel’s publication, through Benyamin’s work.”

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