Category: Cinema

Upcoming Events at Asia Society – Dive into the world of cinema this August and September!

🎬 Parallel Days/Bollywood Nights – Weekend Three

Mughal-e-Azam & Mati Manas

📍 Dates & Times

August 8 | 6:30–9:45 PM (ET) – Mughal-e-Azam

August 9 | 2:15–4:15 PM (ET) – Mati Manas

Celebrate two contrasting masterpieces of Indian cinema: K. Asif’s Mughal-e-Azam — A grand Bollywood epic of forbidden love and royal rebellion. Experience the visual splendor on a fully restored, colorized 35mm print.

🎤 Introduced by film scholar Siddhant Adlakha

🥂 Enjoy complimentary wine & bar bites before the screening and during intermission.

Mani Kaul’s Mati Manas — A poetic meditation on India’s ancient ceramic traditions. Blending fable, craft, and philosophy, this film is a lyrical journey into the soul of creation.

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🎞️ Parallel Days/Bollywood Nights – Featured Screenings

🎬 Mughal-e-Azam

📅 August 8 | 🕡 6:30–9:45 PM (ET)

Bollywood at its most majestic — a tragic royal romance brought to life on a rare 35mm print.

🍷 Pre-screening wine & snacks included.

🎤 Introduction by Siddhant Adlakha.

🎟️ Get Tickets

🎬 Mati Manas

📅 August 9 | 🕑 2:15–4:15 PM (ET)

A spiritual and artistic journey through India’s clay traditions, myths, and makers.

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🎬 Paheli

📅 August 22 | 🕡 6:30–9:00 PM (ET)

A charming folk tale starring Shah Rukh Khan & Rani Mukerji — a ghost story like no other.

🎧 Reception follows with DJ Rekha.

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🎬 Kathapurushan

📅 August 23 | 🕑 2:15–4:00 PM (ET)

Adoor Gopalakrishnan’s coming-of-age tale wraps up the summer film series on 35mm.

🎟️ Get Tickets

Mohanlal, one of the most beloved actors in Malayalam cinema, experienced a rather underwhelming 2024. His two major releases that year, Malaikottai Vaaliban and Barroz 3D, failed to make the intended impact at the box office. These setbacks, while disheartening, were not unfamiliar territory for the actor whose career began with the 1980 classic Manjil Virinja Pookkal. Over the span of 45 years, Mohanlal has witnessed a series of highs and lows. However, some fans and critics began to speculate whether the iconic ‘Lalettan’ was losing his touch. His response to such doubts has been nothing short of emphatic: a record-breaking performance in 2025, collecting a combined ₹500 crore in global box office revenue—largely single-handedly—for the Malayalam film industry.

The year 2024 was not particularly kind to Mohanlal. According to box office tracker Sacnilk, Malaikottai Vaaliban earned ₹29.75 crore globally, while Barroz 3D managed only ₹15.1 crore. Though these figures would be considered acceptable for smaller Malayalam films, they were disappointing given the scale and expectations surrounding both projects. Barroz 3D, in particular, was hyped as a potential game-changer in Malayalam cinema but failed to impress audiences due to its poor visual effects. On the other hand, Malaikottai Vaaliban did manage to find a segment of its audience but ultimately lacked the widespread appeal that was anticipated.

The tide turned dramatically in 2025. March saw the release of L2 Empuraan, which not only shattered box office records in Kerala but across India as well. The film grossed ₹265.5 crore worldwide, making it the highest-grossing Malayalam film in history and the second-highest-grossing Indian film of 2025. This level of success was unprecedented for the Malayalam industry, which has long been celebrated for its thoughtful storytelling but rarely for box office dominance.

Hot on the heels of L2 Empuraan, Mohanlal released another blockbuster in April—Thudarum. This film too performed spectacularly, raking in ₹234.5 crore worldwide. It currently holds the position of the fourth-highest-grossing Indian film of the year. When the earnings of L2 Empuraan and Thudarum are combined, they cross the ₹500 crore milestone. This figure doesn’t even include the additional ₹1.05 crore collected within just two days from the re-release of his 2007 film Chotta Mumbai, which further adds to his recent box office resurgence.

To put these numbers into perspective:

• L2 Empuraan earned ₹265.5 crore globally
• Thudarum followed closely with ₹234.5 crore
• Chotta Mumbai brought in ₹1.05 crore in just two days after its re-release

This brings the total worldwide gross from these three films to a staggering ₹501.05 crore.

These earnings have not only silenced Mohanlal’s critics but have also reinforced his status as a cornerstone of Malayalam cinema. For an industry that has long been known for its emotionally rich and intelligent narratives rather than massive commercial success, Mohanlal’s 2025 performance has rewritten what is possible for Mollywood.

Looking ahead, the legendary actor shows no signs of slowing down. His upcoming film Vrusshabha, an epic action-drama, is set to release on 16 October. Before that, audiences can look forward to Hridayapoorvam, a family drama slated for release on 28 August. Both films are eagerly awaited and expected to continue his strong box office momentum.

Additionally, one of the most talked-about future projects in the Malayalam film industry is an ambitious multi-starrer featuring Mohanlal, Mammootty, and Fahadh Faasil. This high-profile collaboration is already being described as a potential industry-defining film and could serve as Mollywood’s next major milestone.

Mohanlal’s journey from a challenging 2024 to a record-breaking 2025 serves as a powerful reminder of the unpredictability and magic of cinema. Even after more than four decades in the industry, he continues to push boundaries and surprise audiences. His remarkable comeback has not only reinforced his legendary status but has also opened new commercial horizons for Malayalam cinema.

“Failures are nothing new to the star who began his career with the 1980 film *Manjil Virinja Pookkal and saw many ups and downs in these 45 years,” noted a film industry observer. Indeed, his enduring popularity and ability to rebound reflect both his talent and the deep connection he shares with his audience.

With over ₹500 crore in global earnings from just three films and more high-profile releases on the horizon, Mohanlal is not just having a moment—he is defining one. As Mollywood evolves into a more commercially robust segment of Indian cinema, it is fitting that one of its greatest icons is leading the charge. His 2025 box office run is a testament to resilience, reinvention, and the enduring power of stardom.

The inaugural concert of the Quarantine From Reality (QFR) High 5 Tour drew an enthusiastic crowd of over 800 members from the Tamil community on May 24, 2025, in Vienna, Virginia. The event attracted attendees not only from the Washington DC metropolitan area but also from neighboring states such as Pennsylvania and Delaware. Over the course of a three-hour program, the audience was taken on a nostalgic journey through classic Tamil songs composed by musical legends including M.S. Viswanathan–Ramamoorthy, Ilayaraja, and A.R. Rahman.

This event served a dual purpose as a fundraiser for the World Tamil Music Development Center (WTMDC), which was established in April 2022. The center aims to create a global platform dedicated to Tamil music resources, providing educational materials, literary compositions, and curated musical content for enthusiasts worldwide.

QFR was launched during the COVID-19 pandemic and rapidly gained popularity due to its distinctive ability to evoke memories from the golden age of Tamil cinema music. Although global lockdowns have since ended, QFR’s appeal has not diminished; the show has amassed a worldwide following and has produced over 700 episodes in the past five years. Known for its meticulously curated performances, QFR not only delivers music but also shares behind-the-scenes stories about iconic songs, their composers, musicians, and traditional instruments, enriching the audience’s experience.

During the concert in the DMV region, the QFR ensemble presented an impressive setlist featuring timeless hits like Madhavi Pon Mayilal, Thee TheeThithikkum Thee, Aayiram Thamarai Mottukale, GermaniyinSenthenMalare, Rasathi Unna KanathaNenju, Madura MarikolunthuVaasam, PoonkadhaveyThaalThiravai, Poove Ilaiya Poove, Kannan VandhuPaaduginraan, AattamaTherottama, and En Kanmani Un Kadhali, among others. The evening was further enhanced by several medleys that added layers of musical richness to the performance.

A notable innovation during the concert was the QFR Live segment, in which Subhasree Thanikachalam’s team re-recorded the background score for an old movie clip with precise synchronization, blending the visual and auditory experience seamlessly. Another highlight showcased a cross-geographical live collaboration between musicians: a singer performing from Chennai and a guitarist playing from Mumbai joined forces with onstage musicians in Virginia to create a harmonious musical experience.

Following the event, Subhasree Thanikachalam, founder of QFR, described the concert as “fantastic.” She expressed her joy, stating, “I am very happy that the show was houseful on a Saturday evening that too on the Memorial Day weekend. And I’m so honored to be performing for such a prestigious organization. The audience really enjoyed throughout the concert and cheered us all along. It was so heartwarming. I will never forget this concert for a long time,” she told South Asian Herald.

Babu Vinayagam, founder of WTMDC and a key partner in promoting the concert in the DMV area, spoke to South Asian Herald about the synergy between the two organizations. He said, “WTMDC was pleased to organize the QFR event as their mission to give opportunity to the musicians worldwide aligns with ours.” Vinayagam praised QFR’s live music quality as “unparalleled” and was particularly excited to see the traditional Tamil instrument, Veena, featured during the performance. He added that the funds raised from the event will support ongoing efforts to build a comprehensive Tamil music content library for WTMDC members.

Kishore Singh, a core member of the organizing team, described the concert as a “success,” applauding Thanikachalam and her ensemble for their exceptional renditions of songs and medleys by the revered composers. Arthi Srinivasan, another important organizer, joined Vinayagam in presenting WTMDC’s mission and future plans to the audience.

Among the evening’s standout performers was Sai Vignesh, a Filmfare Award-winning vocalist known for his work on “Varaha Roopam” from the film Kantara. His contribution added significant depth to the concert’s musical showcase.

The QFR High 5 Tour’s debut concert not only celebrated the rich heritage of Tamil music but also reinforced the commitment to preserving and promoting this cultural treasure globally. Through innovative performances, cross-regional collaborations, and a strong community turnout, the event marked a memorable milestone for Tamil music enthusiasts and set a promising precedent for future shows under the QFR banner and WTMDC’s ongoing development initiatives.

After a full month of theatrical release across global markets, director Ryan Coogler’s Sinners is inching toward what appears to be its final significant box office benchmark. Since its debut, the film has not only opened to record-setting numbers but has also maintained exceptional performance, particularly within domestic markets. Over the past few weeks, it has ascended to become one of the top 10 highest-grossing horror films in history. Current projections estimate that Sinners will wrap up its global theatrical run with over $350 million in earnings.

The film recently reached another milestone by surpassing a cinematic classic. It has now overtaken Steven Spielberg’s critically acclaimed 1993 drama, Schindler’s List, in terms of unadjusted global box office earnings. Sinners has so far accumulated over $245 million in North America and nearly $80 million internationally, pushing its worldwide total to $322.6 million. This figure just edges out the $322.1 million global earnings of Schindler’s List, a film that has long been regarded as one of the most important and successful historical dramas ever made.

However, it’s important to note that these numbers do not account for inflation. If adjusted, Schindler’s List would boast much higher numbers, particularly in the domestic market. At the time of its release, the World War II-era biopic earned $96 million domestically, which would translate to over $265 million when adjusted to today’s value. Nonetheless, traditional box office records do not typically adjust for inflation, making Sinners’ recent triumph an official and notable milestone in cinematic earnings.

The achievement is particularly striking given the limited overseas appeal of Sinners, with its cultural resonance proving strongest in American theaters. Despite its relatively modest international presence, the film’s domestic performance has been powerful enough to push it into historic territory. The narrative, budget, and direction have all contributed to its widespread acclaim and box office success.

Schindler’s List was a turning point in the career of Steven Spielberg, who was already one of Hollywood’s most celebrated directors by the early 1990s. The film, a powerful biographical portrayal of German businessman Oskar Schindler who saved the lives of over a thousand Jews during the Holocaust, represented a significant shift for Spielberg. Known primarily for blockbuster hits like E.T. and Indiana Jones, Spielberg used Schindler’s List to demonstrate his capability in delivering profound, serious cinema.

Indeed, Schindler’s List arrived in the same year as Jurassic Park, a film that showcased Spielberg’s continued dominance in the realm of big-budget action-adventures. Yet it was Schindler’s List that earned him his first Academy Award for Best Director, firmly establishing him as a filmmaker capable of spanning genres and emotional depths. The film remains one of the most critically revered pieces in cinematic history, with an almost flawless 98% score on Rotten Tomatoes.

More than thirty years later, Spielberg is preparing for yet another ambitious undertaking: a mysterious new science-fiction film slated for release in 2026. While details remain scarce, the announcement has generated considerable anticipation given the director’s track record.

In a similar vein, Coogler appears to be carving out a comparable niche in the landscape of serious studio filmmaking. Much like Spielberg’s evolution from entertainment-driven blockbusters to emotionally resonant dramas, Coogler has shown that he is equally comfortable creating thought-provoking and commercially viable works. Sinners represents his first original concept since his 2013 debut with Fruitvale Station, a film that also garnered widespread critical attention.

Coogler’s latest film was met with near-universal praise upon its release and continues to hold strong ratings across both critic and audience platforms. Sinners currently enjoys a “certified fresh” 97% rating on Rotten Tomatoes. On the same site, it boasts an equally impressive 96% audience score, labeled as “verified hot.” These scores closely mirror those of Schindler’s List, underscoring the level of critical and popular acclaim that Coogler’s film has achieved.

Produced on a reported budget of $90 million, Sinners tells the chilling story of twin siblings who return to their Mississippi hometown, only to encounter a deadly coven of vampires. The plot fuses traditional horror elements with deeper social commentary, a blend that has resonated strongly with viewers and critics alike. This creative and thematic balance likely contributed to its solid domestic turnout and enduring interest over the past month.

The movie’s success is not just in terms of box office figures, but also in what it represents for Coogler’s artistic evolution. Known for his work on Fruitvale Station, Creed, and Black Panther, Coogler has long been associated with character-driven stories that reflect personal and societal challenges. With Sinners, he returns to his roots in original storytelling, moving away from sequels and franchise projects to deliver a fresh narrative infused with his signature style.

The film’s influence seems set to extend beyond the financial realm. Much like Schindler’s List challenged and redefined expectations of Spielberg, Sinners could be the project that fully cements Coogler’s place among the most versatile and visionary directors working today. His ability to craft stories that are both commercially successful and critically respected puts him in a rare category — one populated by directors like Spielberg who have managed to navigate both the box office and awards circuits with equal ease.

Although Sinners may be reaching the final stage of its theatrical journey, its cultural and cinematic footprint appears firmly established. As the global total edges closer to the $350 million mark, it has already ensured its place in box office history. Surpassing Schindler’s List — even in unadjusted terms — is no small feat, and speaks volumes about Coogler’s storytelling prowess and the film’s resonance with audiences.

There is a sense of poetic symmetry in the fact that Coogler, who emerged just over a decade ago as a fresh voice in American cinema, now finds his work being compared with and measured against some of the most enduring classics in the medium. With Sinners, he has not only entertained but also provoked thought, delivering a horror film that lingers long after the credits roll.

As Sinners continues its slow climb toward its final box office milestone, it does so having already joined an elite club of genre-defining films. The movie’s triumph underscores not only its immediate success, but also the enduring appeal of well-crafted, intelligent storytelling in cinema today.

The filming of the much-awaited Mohanlal-Sathyan Anthikad project, Hridayapoorvam, has officially concluded. The superstar himself shared the update through his Instagram handle, confirming the completion of the shoot and offering fans a glimpse into the final moments on set. Alongside the announcement, Mohanlal posted two significant photographs marking the end of production. One picture showed the entire team of cast and crew gathered with the words “Pack Up” visibly displayed in the background, while the other was a close-up of the film’s clapboard with the title Hridayapoorvam and the same concluding message.

In his Instagram post, Mohanlal wrote, “That’s a wrap! See you on the big screen. Hridayapoorvam,” stirring excitement among his fans. Directed by veteran filmmaker Sathyan Anthikad, Hridayapoorvam is touted to be a family-centric drama. The film draws its narrative from a story penned by Anthikad’s son, Akhil Sathyan, adding a generational collaboration to the creative mix.

The ensemble cast for Hridayapoorvam boasts an impressive lineup including Mohanlal himself, alongside Malavika Mohanan, Sangita Madhavan Nair, Sangeeth Prathap, Siddique, Sabitha Anand, Baburaj, Nishan, Lalu Alex, Janardhanan, and S. P. Charan. This film marks the latest reunion of Mohanlal and Sathyan Anthikad, their previous collaboration being the 2015 film Ennum Eppozhum, which was widely appreciated for its heartfelt storytelling and strong performances.

Principal photography for Hridayapoorvam began in February 2025, with the filming carried out across picturesque locations in Kochi and Pune. The team worked steadily through the schedule, wrapping up the shoot without significant delays. The film is now slated for a theatrical release on 28 August 2025, promising to deliver another compelling narrative that resonates with family audiences.

Meanwhile, Mohanlal continues to bask in the phenomenal success of his most recent release, Thudarum, which has taken the Kerala box office by storm. The film has emerged as a historic blockbuster, grossing an astonishing Rs 100 crore within Kerala alone—an unprecedented milestone in the regional film industry. The achievement was proudly announced by the actor on social media, accompanied by a celebratory poster that read: “A new chapter in Kerala box office history. A 100 crore Kerala gross.”

Expressing his heartfelt gratitude, Mohanlal captioned the post with, “Thudarum storms into the record books with its first 100 crore mark exclusively at the Kerala box office! A milestone that we created together! Thank you, Kerala.” The statement underlined the collective effort behind the success and highlighted the actor’s deep appreciation for his audience.

Following the record-breaking feat, Mohanlal took to his X (formerly Twitter) timeline to share a more personal message about what the film’s reception has meant to him. “I’m deeply moved and truly humbled by the love and heartfelt response for #Thudarum. Each message and every word of appreciation has touched me in ways I can’t fully express,” he wrote, offering fans a glimpse into his emotional state as the film’s popularity continues to soar.

Mohanlal elaborated further, saying, “Thank you for opening your hearts to this story, for seeing its soul, and for embracing it with such grace. This gratitude is not mine alone. It belongs to every single person who walked this journey with me, giving their love, effort, and spirit to every frame.” The actor was clear in emphasizing that the triumph of Thudarum was a shared experience, belonging as much to the team behind the scenes as to the fans who embraced it.

In particular, Mohanlal made it a point to acknowledge several key contributors to the film’s success. “To Renjith M, Tharun Moorthy, KR Sunil, Shobhana, Binu Pappu, Prakash Varma, Shaji Kumar, Jakes Bejoy, and our extraordinary team — your artistry and passion made Thudarum what it is,” he noted, naming the individuals who played integral roles in shaping the film’s artistic and technical excellence.

He concluded his message on a poignant note, stating, “To see it resonate so deeply is more than a reward. It is a true blessing. With all my heart, thank you. With love and gratitude always.” The words struck a chord with audiences, highlighting the humility and emotional connection Mohanlal shares with his work and those who support it.

The twin developments—Hridayapoorvam wrapping its shoot and Thudarum hitting the 100-crore mark—underscore the prolific phase Mohanlal is currently experiencing in his career. While fans await the theatrical release of Hridayapoorvam with anticipation, the ongoing success of Thudarum continues to affirm Mohanlal’s enduring appeal and stature in the Malayalam film industry.

With a career spanning over four decades and a portfolio of diverse roles, Mohanlal remains one of India’s most beloved and bankable stars. The emotional weight he brings to his performances, combined with his unwavering dedication to storytelling, keeps drawing viewers to theatres. As Hridayapoorvam nears its release date, expectations are naturally high for another emotionally resonant film, especially given the legacy of Mohanlal-Anthikad collaborations.

For Sathyan Anthikad, Hridayapoorvam marks yet another chapter in his long-standing relationship with Mohanlal, one that has given Malayalam cinema several memorable films. The director’s ability to craft narratives that reflect everyday life and emotions has always resonated with family audiences, and with Akhil Sathyan contributing the story, this film may offer a refreshing blend of traditional sensibilities with contemporary storytelling.

As the curtain comes down on the production of Hridayapoorvam, and the curtains rise higher on Thudarum’s theatrical triumph, Mohanlal seems firmly poised at the intersection of artistic achievement and mass appeal. Whether it is through heartfelt family dramas or powerful box office juggernauts, he continues to leave an indelible mark on Indian cinema.

In a remarkable instance of an actor surpassing his own past success, Mohanlal’s recent release Thudarum has officially outperformed his 2016 blockbuster Pulimurugan at the box office, earning the distinction of being the sixth highest-grossing Malayalam film in history. According to data from Sacnilk, the emotionally driven family drama has collected Rs 79.85 crore so far, overtaking the Rs 76.67 crore earned by Pulimurugan during its lifetime run.

Directed by Tharun Moorthy, Thudarum offers audiences a soul-stirring narrative anchored by a powerful performance from Mohanlal. The film’s deep emotional resonance has found strong favor with viewers across Kerala as well as in international markets. What sets this achievement apart is the fact that both Thudarum and Pulimurugan feature Mohanlal in the lead role, a clear reflection of his lasting dominance at the box office and his adaptability across genres.

While Pulimurugan was a high-energy action thriller that set new standards for commercial Malayalam cinema, Thudarum stands in contrast as a heartfelt, character-centered drama. Rather than relying on spectacle, it drew in audiences through its compelling storytelling and emotionally impactful performances. This striking shift in tone between the two films highlights Mohanlal’s ability to command attention in both mass-market and intimate cinema formats.

With this new box office milestone, Thudarum has entered the elite circle of Malayalam cinema’s top earners. The current top five highest-grossing Malayalam films at the Kerala box office are Manjummel Boys, L2: Empuraan, 2018, The Goat Life (Aadujeevitham), and Aavesham. Once a record-setter, Pulimurugan has now slipped to seventh place, its position overtaken ironically by another film starring the same actor.

Industry experts attribute the success of Thudarum not only to Mohanlal’s powerful screen presence but also to the film’s steady performance driven largely by positive word-of-mouth. Analysts project that the film could cross Rs 85 crore before it completes its second week, potentially setting it on a path toward entering the Rs 90 crore club in the near future.

“It’s yet another reminder that when it comes to Malayalam cinema, few can match Mohanlal — not even Mohanlal himself,” noted one analyst, capturing the paradox of the actor eclipsing his own benchmarks.

The movie’s strong domestic performance has also been mirrored abroad. Thudarum has been making notable waves in the North American market — a region traditionally led by Hindi and Telugu films. But the landscape is shifting. The release of L2: Empuraan helped generate renewed global interest in Malayalam cinema, and this rising curiosity has opened doors for films like Thudarum to thrive overseas.

Backed by Mohanlal’s immense popularity beyond India, Thudarum has now become his second movie to cross the prestigious $1 million mark in North America, the first being Empuraan. This milestone signifies more than just monetary success — it indicates growing recognition and appreciation for Malayalam cinema in international territories, especially in a marketplace that has often been dominated by larger film industries.

Within just 11 days of its release, Thudarum has already earned over ₹11.50 crore in the North American circuit, a notable feat for any regional Indian film navigating a highly competitive global box office environment.

The film’s accomplishment is particularly noteworthy given the nature of its content. Unlike conventional blockbusters that lean heavily on action sequences, visual effects, or franchise appeal, Thudarum succeeds by offering an emotionally resonant experience. It proves that a strong narrative and moving performances can also pull audiences into theatres, even across linguistic and cultural boundaries.

Mohanlal’s enduring appeal is central to this success. With a career spanning decades and marked by a wide range of roles, he continues to defy expectations — not just by competing with younger stars but by surpassing his own past records. The dual success of Pulimurugan and Thudarum, vastly different in genre and tone, only reinforces his unparalleled versatility.

Furthermore, the director Tharun Moorthy deserves credit for crafting a film that not only speaks to local sensibilities but also resonates universally. By tapping into universal themes of family, loss, and resilience, Moorthy has delivered a story that moves beyond geographical boundaries.

The Malayalam film industry itself is reaping the benefits of this success. The international achievements of Thudarum and other recent releases are gradually reshaping the perception of Malayalam cinema on the global stage. From being regarded as a niche segment within Indian cinema, it is now emerging as a potent creative force capable of delivering both critical acclaim and box office triumphs.

As Thudarum continues its theatrical run, all eyes are on whether it can climb even higher in the box office rankings. With sustained interest from viewers and growing traction in international markets, it seems likely that the film will set further records in the coming weeks.

In conclusion, Thudarum stands not just as a commercial victory but also as a cultural moment — one that reaffirms Mohanlal’s enduring star power, highlights the strength of Malayalam storytelling, and signals a broader shift in global cinema consumption. Its box office numbers are impressive, but its real achievement lies in the way it has connected with audiences, both at home and abroad.

Sir David Attenborough is releasing what he considers one of the most significant films of his entire career as he prepares to mark his 99th birthday this week. Titled Ocean, the new feature-length documentary could, according to Attenborough, serve as a turning point in the fight to preserve biodiversity and combat climate change.

The legendary broadcaster and environmentalist, who turns 99 on Thursday, emphasized the central message of the film: “After almost 100 years on the planet, I now understand the most important place on Earth is not on land, but at sea.” He believes the ocean is not just a part of Earth’s environment but a vital lifeline for humanity and a powerful shield against climate disaster.

The film Ocean asserts that the oceans are currently at a crucial junction, with their health playing a pivotal role in the future of life on Earth. Through stunning visuals and sobering revelations, the documentary highlights both the profound beauty and the alarming degradation of marine ecosystems. According to the film, the ocean acts as the planet’s life-support system, and the choices we make now could determine the survival of countless species and even the stability of Earth’s climate.

A grand premiere for Ocean is set to take place tonight at the Royal Festival Hall, with a blue carpet replacing the usual red to symbolize the film’s marine focus. The event is expected to draw a number of high-profile guests, including Coldplay’s Chris Martin, actor Benedict Cumberbatch, astronaut Tim Peake, singer Geri Halliwell-Horner, and Duran Duran’s Simon LeBon.

Toby Nowlan, the producer of Ocean, noted that the film departs from the usual format of Attenborough’s natural history programs. “This is not about seeing brand new natural history behaviours. It is the greatest message he’s ever told,” Nowlan said. Rather than simply showcasing wildlife, the film is a powerful call to action.

Ocean also serves as a personal reflection for Sir David, tracing the changes in the seas he has witnessed over his lifetime. He recalls his first experience scuba diving on the Great Barrier Reef in 1957, saying, “I was so taken aback by the spectacle before me I forgot – momentarily – to breathe.” That awe-inspiring moment left a lasting impact on him. However, what has followed in the decades since has been a drastic decline in marine biodiversity. “We are almost out of time,” he warns in the film, underscoring the urgency of the situation.

One of the film’s most powerful segments focuses on the destructive impact of bottom trawling, a fishing method that involves dragging heavy nets across the seabed. The documentary presents stark footage of how this technique devastates underwater habitats, portraying it as one of the most harmful forms of industrial fishing. Sir David explains that trawlers often target just a single species, discarding more than 75 percent of what they catch. “It’s hard to imagine a more wasteful way to catch fish,” he says.

In addition to its ecological toll, bottom trawling releases large amounts of carbon dioxide stored in ocean sediments, thereby accelerating global warming. Alarmingly, this harmful practice is not only legal but actively supported by various governments. Sir David expresses concern that the dire state of the oceans has at times made him fear for the planet’s future.

Yet amid the gloom, Ocean also offers hope. What has sustained Sir David’s optimism is what he calls “the most remarkable discovery of all” – that the ocean possesses a surprising capacity for recovery. With proper protection and time, marine ecosystems can regenerate faster than previously believed.

A poignant example in the film is the story of the whales. An estimated 2.9 million whales were slaughtered during the 20th century by the global whaling industry, a mass killing considered the largest of any animal species in terms of total biomass. Sir David reflects on the near-total collapse of whale populations, recalling, “Just one per cent of Blue Whales were left. I remember thinking that was it. There was no coming back, we had lost the great whales.”

However, a global ban on commercial whaling introduced in 1986 following public pressure led to a stunning turnaround. Whale numbers have since rebounded, offering a clear example of how targeted conservation measures can produce dramatic results.

The film’s co-director, Keith Scholey, who has collaborated with Sir David for 44 years, offered insight into the enduring energy and curiosity of the famed presenter. “When I first met David, I was in shorts,” he joked, referring to their first meeting in 1981, just two years after Attenborough stepped down from a senior position at the BBC. “He’d done one career, and he was off on his next.”

Even as he nears 99, Sir David remains deeply engaged and intellectually sharp, according to Scholey. “Every time you work with David, you learn something new,” he says. “It’s really good fun. But also, David keeps you on your mettle, because he is so on his mettle and so, you know, it’s always a very creative process.”

The overarching message of Ocean is one of cautious optimism. Sir David emphasizes that it is not too late to act. He points out that many nations have pledged to protect one-third of the world’s oceans. With a United Nations conference on the horizon next month, he hopes this new film will push global leaders to turn those promises into real, enforceable policies.

He believes that if these commitments are honored, it could result in transformative changes. “The ocean can bounce back to life,” he declares. “If left alone it may not just recover but thrive beyond anything anyone alive has ever seen.” A restored and vibrant marine ecosystem would also capture greater quantities of carbon dioxide, thereby reinforcing the fight against climate change.

Sir David summarizes the stakes involved with his characteristic clarity and urgency: “In front of us is a chance to protect our climate, our food, our home.” His lifelong dedication to illuminating the wonders of the natural world is clearly far from over.

As he celebrates his 99th birthday, Attenborough continues his mission with the same passion and vigor that has made him a trusted voice for the planet for decades. Ocean will begin screening in cinemas across the UK starting Thursday, offering audiences a compelling look at both the peril and potential of Earth’s vast and mysterious seas.

In Raid 2, Ajay Devgn returns as Amey, a no-nonsense and upright officer now stationed in Bhoj, Rajasthan. This time, his battle is against a man who is worshipped like a demi-god—Dada Bhai, whose real name is Manohar Sarang, portrayed compellingly by Riteish Deshmukh. Dada Bhai has built a mass following, thanks to his modest beginnings as a cobbler and his tireless work for the welfare of the underprivileged. Riding on this goodwill, he wins an election and starts a Foundation that not only aids the common man but also gives them job opportunities and dignity through work.

What elevates Dada Bhai’s appeal even more is his reverence for his mother, Amma, played by Supriya Pathak Kapur. His devotion to her is profound—“worshipping whose feet are more important than any deity for him.” This bond cements his image as a man of virtue in the public eye, making it difficult for anyone to even consider questioning his intentions or actions.

Amey’s support team includes Geeta, portrayed by Shruti Pandey, who has long admired him. His team is fully loyal, committed to his cause and leadership. However, Amey soon begins to notice troubling signs suggesting that Dada Bhai is far from the saintly figure he appears to be. Determined to expose the truth, Amey embarks on a mission to bring him down. But this is no easy feat. The odds are stacked against him—not only does Dada Bhai have the unwavering support of the public, but Amma herself refuses to accept the possibility of her son doing any wrong.

Amey’s task becomes even more difficult when a raid he leads fails to uncover any incriminating evidence. As a result, he is suspended, and his replacement, Lallan, played by Amit Sial, is clearly more accommodating to Dada Bhai’s financial “negotiations.” Yet, Amey does not back down. Despite the suspension, his perseverance leads to significant breakthroughs. His wife, portrayed by Vaani Kapoor, becomes a vital player in these developments, providing support and stepping in when it matters most. Her involvement proves crucial in the unraveling of Dada Bhai’s carefully curated image.

The climax of the film is both powerful and believable, offering a fitting resolution to the story. It confirms that Amey’s unwavering commitment to justice ultimately pays off and that integrity can triumph, even when the system seems rigged.

Director and co-writer Raj Kumar Gupta shows considerable growth since the original Raid. He embraces a more grounded approach to commercial cinema, blending realism with mass appeal. One item number, Nasha, featuring Tamannaah Bhatia, is smartly woven into the narrative and doesn’t feel out of place. Meanwhile, the energetic Money Money is creatively used during the end credits. The script, written by Gupta along with Ritesh Shah (who also worked on the first film), Jaideep Yadav, Karan Vyas, and Akshat Tiwari, is sharp, suspenseful, and filled with unexpected turns. Throughout its 139-minute runtime, there is not a single dull moment.

Though the family scenes in the movie are limited and somewhat predictable, they add a natural layer to the story. The characters are well-developed and resonate with authenticity. One particularly engaging subplot involves Tauji, played by Saurabh Shukla, Amey’s earlier adversary from Raid (2018). Still imprisoned after Amey’s earlier crackdown on him, Tauji watches Amey’s latest mission with reluctant respect and a sense of amusement. His character adds depth to the narrative and ties the sequel back to the original film in a meaningful way.

Performances across the board are robust and elevate the film. Ajay Devgn is superb as Amey. His expressions convey volumes, and his powerful delivery anchors the film. However, there are a few moments where his diction slips into a gruff tone that can be hard to hear clearly. Vaani Kapoor fits seamlessly into the role of Malini. She embodies the character’s blend of ardency and compassion, and her portrayal arguably surpasses the actress who played the role in the original film. “She looks more like the character she is supposed to be: ardent and yet caring.”

Riteish Deshmukh is exceptional as Dada Bhai. His performance is commanding, adding credibility to a character who walks a fine line between public hero and manipulative fraud. His previous portrayals of grey and negative characters have been impressive, and this role continues that trend. Supriya Pathak Kapur as Amma brings gravitas and warmth to her role, while Amit Sial’s portrayal of the easily corruptible Lallan is both convincing and infuriating. Saurabh Shukla is once again brilliant as Tauji, maintaining his unique balance of menace and humor.

Shruti Pandey brings energy and depth to the role of Geeta, and the chubby member of Amey’s team adds an extra touch of charm and credibility to the group dynamics. Among the experienced cast, Rajat Kapoor plays Amey’s boss with quiet authority, Govind Namdeo is effective as the man approached for a bribe, and Brijendra Kala and Mukesh Tiwari shine in their smaller but impactful roles.

Technically, the film is top-tier. Sudhir K. Chaudhary’s cinematography captures the mood and tension beautifully, adding texture and polish to the storytelling. The background score by Amit Trivedi enhances the overall tone and elevates key moments with precision.

In a rare case for sequels, Raid 2 not only lives up to its predecessor but surpasses it in many respects. The narrative is more layered, the stakes higher, and the execution more mature. The direction, writing, performances, and technical craftsmanship come together to deliver a gripping and satisfying cinematic experience.

Raid 2 is a film that grips from start to finish, combining suspense, drama, and a hard-hitting message about corruption and justice. For those who enjoyed the first installment, this one is even better. And for new viewers, it stands strong on its own as a high-stakes thriller that never loses its emotional core.

“This one’s not to be missed.”

**Rating: **1/2

T-Series Films’ and Panorama Studios’ Raid 2

Produced by: Bhushan Kumar, Krishan Kumar, Kumar Mangat Pathak & Abhishek Pathak

Directed by: Raj Kumar Gupta

Written by: Ritesh Shah, Raj Kumar Gupta, Jaideep Yadav, Karan Vyas & Akshat Tiwari

Music: Amit Trivedi, White Noise Collective (Sachin-Jigar), Yo Yo Honey Singh, Rochak Kohli (with Nusrat Fateh Ali Khan) & Sachet-Parampara, with original songs by Laxmikant-Pyarelal and Bappi Lahiri

Starring: Ajay Devgn, Riteish Deshmukh, Vaani Kapoor, Amit Sial, Saurabh Shukla, Supriya Pathak Kapur, Rajat Kapur, Brijendra Kala, Shruti Pandey, Mukesh Tiwari, Govind Namdeo

Special Appearances: Yo Yo Honey Singh, Jacqueline Fernandez, Tamannaah Bhatia

Deepika Padukone recently opened up about her debut in the Hindi film industry and revealed that she never experienced the feeling of being an outsider, largely due to the support she received from director Farah Khan. She made these comments at the WAVES 2025 event held in Mumbai, where she joined superstar Shah Rukh Khan in a session titled The Journey, moderated by filmmaker Karan Johar.

During the session, Karan Johar brought up the ongoing debate about insiders versus outsiders in Bollywood, a topic that continues to spark discussions within the industry and among fans. When asked for her thoughts on the matter, Deepika reflected on her own experience entering Bollywood back in 2007 with the film Om Shanti Om, which was directed by Farah Khan and starred Shah Rukh Khan.

“These are terms that we seem to be discussing now, insider-outsider,” Deepika said. “When I began, it was just a new world. I was a 16-17 year old girl, came from Bangalore, and Farah Khan showed interest in casting me in a movie.”

At the time, Deepika was transitioning between Bangalore and Mumbai and was relatively new to the film world, having built a name for herself as a successful model. She recalled her early interactions with Farah Khan, including a key audition and a memorable meeting.

“She did an audition. I remember doing a meeting with her once. She said, I wanted to meet Shah Rukh once. He was shooting for Chakde in Australia at the time. She said once he’s back, we’ll do a meeting. That was it,” Deepika shared.

According to Deepika, her career in Bollywood began quite naturally. She didn’t overthink her entry into films or view it through the lens of being an outsider breaking into a closed industry. Instead, she focused on the work and let her passion and determination guide her path.

“For me, it just happened because I was a model before that. They’d seen some of my work. But I never felt like I was an outsider trying to make my place in a new industry. I had the dedication, I had the passion, I had the determination, the hard work. Those were the things in my control. And those were the things that I applied to what I was passionate about,” she said.

Her debut in Om Shanti Om turned out to be a massive success, instantly making her a household name across India. The film was not only a box-office hit but also marked the beginning of one of the most successful acting careers in modern Hindi cinema. Deepika’s performance received critical acclaim, and she has since gone on to become one of the most respected and versatile actors in the industry.

Shah Rukh Khan, who co-starred with Deepika in the film and played a pivotal role in her introduction to Bollywood audiences, also participated in the session and shared his own perspective on entering the film industry. Like Deepika, Shah Rukh did not come from a film family and had to carve his own path in the entertainment world.

He spoke candidly about his early days in Mumbai and how he viewed the film industry not as something to infiltrate, but as a place where he naturally belonged.

“Jab main yahan (Mumbai) aaya tha, I never thought ki main outsider hoon iss liye main iss duniya ka hissa nahi ban sakta… I believed this is my world… Mujhe laga yeh duniya meri hai… yeh jagah meri hai,” Shah Rukh said.

This mindset, Shah Rukh implied, played a key role in helping him overcome any potential barriers or insecurities about not having connections within the film industry. His words echoed Deepika’s sentiments about focusing on what is in one’s control — hard work, belief, and determination.

Their joint appearance at the event provided a unique opportunity for fans and industry professionals to hear firsthand how two of the biggest stars in Bollywood navigated the beginning of their careers without industry backing. Both emphasized how their outlook and dedication shaped their journeys, rather than focusing on whether they were insiders or outsiders.

While the insider-outsider debate remains a topic of frequent discussion in Bollywood, especially following controversies in recent years, Deepika and Shah Rukh’s comments offered a refreshing perspective. Rather than blaming or critiquing the system, they highlighted the importance of personal drive and the support of mentors who believed in their potential.

Farah Khan, who played a pivotal role in launching Deepika’s film career, was praised indirectly through Deepika’s words. By showing confidence in a young model with no film experience, Farah not only broke conventional casting norms but also gave Bollywood one of its most beloved leading ladies.

Deepika’s experience stands out in the current climate where many newcomers voice concerns about being sidelined due to lack of connections. Her story reflects that sometimes, the right opportunities combined with hard work and belief in oneself can lead to extraordinary outcomes.

It’s also worth noting that her collaboration with Shah Rukh Khan didn’t end with Om Shanti Om. The two have worked together in several hit films since then, creating a successful on-screen partnership that audiences continue to admire. Their mutual respect and shared beginnings as outsiders-turned-insiders have become a defining part of their journeys in Bollywood.

Their appearance at WAVES 2025 wasn’t just a nostalgic look back at their debut days. It also served as an inspiring moment for aspiring actors and artists who might be uncertain about entering the film industry without backing. By sharing their stories, both Deepika and Shah Rukh reinforced the idea that Bollywood, while competitive and at times insular, can still be a place of opportunity for those who are persistent, passionate, and prepared.

Deepika’s candid reflection and Shah Rukh’s optimistic philosophy both pointed toward a central message: one’s background doesn’t have to dictate one’s future in Bollywood. What truly matters is what you bring to the table — your work ethic, your passion, and your belief that you belong.

Their conversation with Karan Johar at WAVES 2025 added a meaningful chapter to the insider-outsider debate, not by taking sides, but by offering real-life experiences that show how success can emerge from authenticity, effort, and the right guidance.

Set in the serene hill town of Ranni in Pathanamthitta, Thudarum tells the deeply personal and moving story of Shanmugham, endearingly known as “Benz.” He is a humble taxi driver whose most treasured possession is his vintage Mark-I Ambassador car. His quiet and simple life takes a sharp turn when corrupt police officers unjustly seize his beloved car under fabricated drug charges. What follows is an emotional and determined battle by Shanmugham to reclaim his dignity and seek justice in a world that seems increasingly indifferent.

Director Tharun Moorthy brings this poignant story to life in Thudarum, skillfully weaving together elements of personal hardship with a broader social message. The film centers on the strength and resilience of an ordinary man who refuses to back down when wronged. Through Shanmugham’s struggle, Moorthy reflects on the larger flaws within the system while staying grounded in the emotional truth of one individual’s journey. His storytelling touches on themes that are both deeply personal and widely relatable.

The film begins on a gentle, even playful note, marked by a series of nostalgic references to Mohanlal’s earlier films and subtle nods to his iconic public image. These moments are never overwhelming and are handled with a light touch, ensuring that the integrity of Shanmugham’s character remains intact. This initial lightheartedness gives the audience space to connect with the protagonist, making his later challenges feel all the more real. The pacing is measured and, at times, slow — which allows the characters to breathe and the story to develop organically, though it occasionally tests the viewer’s patience.

For the attentive audience, early scenes plant clues that slowly unravel the larger mystery. However, due to the film’s understated approach, certain elements of the plot may appear less fleshed out than others. The story takes a sharper turn with the arrival of SI Benny, played by Binu Pappu, and CI George Mathan, portrayed by Prakash Varma. With their entry, the narrative shifts into thriller territory, as the tension starts to build steadily with each passing scene.

Mohanlal delivers a remarkable and heartfelt performance as Shanmugham. He embodies the character with genuine emotion and quiet strength, transforming him from a victim into a symbol of resistance. His talent is most visible in the subtleties — a quiet sigh, a hesitant glance, or a thoughtful pause speaks volumes. While some may be tempted to compare this role to his past performances in Bhramaram or Drishyam, Shanmugham stands apart. As a character, he brings something fresh and uniquely understated to Mohanlal’s filmography. The actor still delivers a few crowd-pleasing moments that feel entirely earned and never forced. As the review rightly notes, “Mohanlal’s mastery lies in his ability to convey entire emotional arcs through the simplest of gestures — a sigh, a glance, a pause.”

The return of Shobana to the big screen after over a decade is another high point. She plays Lalitha, Shanmugham’s wife, and her performance is both grounded and compelling. The chemistry between Mohanlal and Shobana brings warmth and authenticity to their relationship, making it easy for the audience to invest emotionally in their shared journey. Their scenes together have a lived-in feel, adding depth to the film’s emotional core.

The supporting cast also delivers consistently strong performances. Prakash Varma, in his debut as CI George Mathan, creates a striking antagonist — a mix of intimidation and manipulation. His portrayal anchors the film’s conflict with a sense of real danger. “Prakash Varma plays CI George Mathan with a compelling mix of menace and calculation,” notes the original review. Binu Pappu as SI Benny adds another layer of intensity, contributing significantly to the film’s suspenseful edge.

Younger actors such as Farhaan Faasil, Thomas Mathew, and Aarsha Baiju help round out the ensemble, each playing their part in the unfolding drama. Additionally, the film features a handful of clever cameos — some that advance the plot and at least one that acts as a playful misdirect for viewers.

Visually, Thudarum is a treat. Cinematographer Shaji Kumar captures the lush, natural beauty of Kerala with finesse, creating a visual contrast between the vast, open landscapes and the psychological confinement Shanmugham experiences. The imagery not only supports the story but deepens it. Water, and specifically rain, becomes a recurring visual theme. It serves a dual purpose, symbolizing both the washing away of injustice and the emotional release that follows hardship. As the review notes, “Water, especially rain, plays a poetic central motif at different stages of the film’s narrative where it stands for both retribution and relief.”

Jakes Bejoy’s music complements the film’s tone perfectly. His score is emotive without being overbearing, elevating key moments while respecting the quiet strength of the narrative. The music subtly underscores the film’s emotional peaks, enhancing its power without distracting from it.  Jakes Bejoy’s music score is both stirring and restrained, heightening the emotional pulse of the film without ever overpowering the narrative.

Despite its many strengths, Thudarum is not without its challenges. Its pacing and dedication to subtlety may not appeal to every viewer. The film takes its time unfolding, and those expecting more traditional dramatic climaxes might feel unsatisfied. Emotional payoffs are few, and the film’s deliberate pace may cause some to lose engagement. A slightly more urgent edit, particularly in the second half, could have made the narrative more gripping overall. As the review states, “A tighter edit and slightly more urgency in the second half could have strengthened the overall impact.”

Nevertheless, Thudarum is a powerful and rewarding cinematic experience for those who appreciate slow-burning dramas with emotional depth and thematic richness. It offers a thoughtful portrait of one man’s resilience against institutional injustice, driven by love, pride, and a longing for dignity. The film stands out not only for its performances but for the authenticity of its storytelling and the grace with which it handles its subject matter.

In the end, Thudarum leaves a lasting impression. It invites the audience to sit with the quiet moments, to feel the weight of injustice, and to witness the strength of a man who simply refuses to be broken. Ultimately, Thudarum is a well-made drama that rewards viewers who appreciate slow-burn storytelling.

BOTTOM LINE No Drishyam, But Fine

RATING 2.5/5

CENSOR U/A, 2h 43m

What is the Film About?

Thudarum revolves around Shanmugam, also known as Benz, played by Mohanlal, and his family. Once a stuntman, Benz now earns a living driving an old Ambassador car. His simple life takes a turn when he travels to Chennai for the funeral of his master. While there, the local police seize his car, leading Benz to plead with the officers to release it. Whether or not Benz succeeds, and the unexpected twists that unfold during his conflict with the authorities, form the core of the story. The movie captures the tussle between an ordinary man and the system with some surprising developments along the way.

Performances

After portraying a larger-than-life role in the action-packed Empuraan, Mohanlal steps back into a grounded, lower middle-class setting. Here, he effortlessly embodies a common man with a cheerful family life. The charm, as with any Mohanlal performance, lies in the film’s world and the subtle quirks he brings to his character. His performance shines especially during fight sequences, where his past as a stuntman is reflected in the way he moves. His approach to drama and emotional scenes carries his trademark intensity. Initially, Benz is depicted as a talkative character, but as the narrative progresses, he becomes increasingly serious and quiet, with a growing sense of frustration and anger. Mohanlal portrays these transitions seamlessly, showcasing his incredible acting skills. As noted, “Mohanlal is a brilliant actor that needs no special mention,” but Thudarum offers a refreshing reminder of his depth as an actor even within a commercial setup.

Shobhana, meanwhile, brings her usual elegance to her role, despite having limited screen time. She delivers her few scenes effortlessly, proving once again that she can command attention with minimal effort, as described: “Shobhana has a few moments and she goes through them without breaking any sweat.”

Analysis

Directed by Tharun Moorty, Thudarum leans heavily into drama, incorporating action primarily towards the climax. For seasoned viewers of Malayalam cinema, the slow start and deliberate pacing of Thudarum will not be surprising. However, for those less accustomed to this style, the film’s first half may feel tedious and slow. The narrative invests a significant amount of time in world-building and introducing characters before diving into the main plot, which only gains momentum around the pre-interval and interval points. The real shift occurs with the arrival of George, whose interactions with Benz re-energize the story. Although the interval block is not particularly striking, it signals that the movie is finally picking up pace.

Post-intermission, the emotional drama blends well with the intrigue, though the suspense itself does not stay gripping for long. Still, the emotional weight, carried largely by Mohanlal’s performance, sustains the film’s momentum. As noted, “The drama, thanks to brilliant Mohanlal, works out,” even if the story itself follows familiar and predictable patterns.

George’s character introduces a refreshing element to the film, providing a strong adversary for Benz. The intense emotional confrontation between George and Benz, combined with the portrayal of cruelty in George’s character, keeps the final half-hour engaging. The action sequences sprinkled throughout the climax are well-executed, and although the ending is predictable, it delivers a satisfying conclusion.

Ultimately, as the review succinctly puts it, “Overall, Thudarum is no Drishyam. What it is is a revenge drama and it goes about it satisfactorily.” The film’s blend of emotion and action in its final hour makes it a decent, if not groundbreaking, one-time watch.

Performances by Other Actors

As is common in Malayalam cinema, Thudarum features a large ensemble cast that helps create a vivid and lived-in world. Among them, Prakash Varma stands out with a performance that nearly steals the spotlight from Mohanlal. Playing CI George, Varma impresses with his debut performance. The review states, “Prakash Varma is excellent. Leave aside the continuous grin, the evilness he brings to the role with going overboard is superb.” His dynamic with Mohanlal elevates several key scenes, adding intensity and tension that keep viewers engaged.

Music and Other Departments

Jakes Bejoy, a familiar name in Malayalam film music, composed the soundtrack and background score for Thudarum. While the songs themselves are forgettable, and even more so due to the “terrible dubbing” in Telugu, the background music does a competent job of enhancing the mood. However, there are moments when the background score overwhelms the dialogues, disrupting the viewing experience.

The cinematography captures the hilly landscapes and rainy ambiance beautifully, providing a natural and picturesque backdrop that complements the realistic tone of the film. Editing, on the other hand, could have been tighter, especially to improve pacing for non-Malayalam speaking audiences who may find the lengthy build-up taxing. The action sequences are choreographed well, adding to the movie’s emotional punch. Unfortunately, the Telugu dubbing quality detracts from the overall experience, as highlighted: “Coming to the dubbing, it’s bad in Telugu.”

Highlights

The main highlights of Thudarum include Mohanlal’s powerful performance, Prakash Varma’s excellent portrayal of CI George, the intriguing pre-interval and interval sequences, and the emotional action-packed final hour.

Drawbacks

The film’s primary drawbacks are its sluggish first half, moments of excessive lag, and a story that ultimately sticks to a “regular routine revenge drama” formula without offering major surprises.

Did I Enjoy It?

Yes

Will You Recommend It?

Yes, but only “with keeping the right expectations.”

Thudarum stands out as one of the most highly awaited Malayalam films of the year, promising audiences a Mohanlal portrayal of a common man, a refreshing shift after many larger-than-life characters he has embodied recently. Although it might sound routine, for those familiar with Mohanlal’s illustrious career, the significance of this film is immense. Rarely do viewers get to witness Mohanlal stepping into the shoes of vulnerable, ordinary characters, as he typically dominates the screen in roles of powerful crime bosses or near-invincible figures.

The collaboration between Mohanlal and director Tharun Murthy, who previously helmed successful films like Operation Java (2021) and Saudi Vellakka (2022), further heightened expectations for a cinematic offering that would be more stylistically rigorous than the superstar’s latest ventures. In this respect, Thudarum not only fulfills its promises but also presents an engaging family drama layered with suspense and emotional depth.

While the film doesn’t chart any entirely new territory, it cleverly reworks familiar family story tropes into a hybrid genre piece. In Thudarum, Mohanlal portrays Benz Shanmugham, a former stuntman who now leads a peaceful life with his family in the rural backdrop of Pathanamthitta. As a filmmaker, Tharun Murthy thrives on capturing the minutiae of everyday life. He meticulously constructs the daily rhythms of his seemingly unremarkable protagonist, with moments of transcendence subtly conveyed through Shanmugham’s small yet intimate family interactions.

Positioning Mohanlal at the heart of an ensemble narrative, Thudarum unfolds across different tonal and narrative terrains. The storyline takes a turn when a police officer complicates Shanmugham’s life by confiscating his beloved Ambassador car, an object far more valuable to him than its monetary worth. This loss sets off a series of bizarre events that disrupt his previously mundane existence, compelling him to embark on a redemptive journey.

Given the intricately woven nature of the screenplay, revealing too much would risk spoiling the film’s most delightful surprises. The narrative relies heavily on the audience’s understanding of Shanmugham’s softer, more human side, which makes the sudden transformation in his character all the more gripping in the film’s second half.

Mohanlal shares the screen with Shobana, reuniting with her after what feels like a considerable hiatus. Their onscreen chemistry captures the essence of a long-term relationship, communicated through “glances, eye rolls and little secrets that come up a lifetime of marriage.”

Cinematographer Shaji Kumar, who is typically associated with grand commercial ventures, brings a refreshing approach to the visual language of Thudarum. His work creates a palpable sense of intimacy and interconnectedness among the characters without resorting to overly sentimental or theatrical techniques. Tharun Murthy’s observational filmmaking style finds a perfect match in Shaji Kumar’s naturalistic, “flatly-lit frames that pick up the little details without being stagey.”

Writers Tharun Murthy and K R Sunil resist the urge to overload the narrative with exposition or intricate plotting in an attempt to seem intellectually superior. Instead, they focus on slowly unveiling the immediate environment surrounding Shanmugham, thereby painting a rich emotional backdrop and revealing the fundamental conflict at the story’s core.

The music by Jakes Bejoy complements the film’s constantly shifting tone, seamlessly blending into the narrative and maintaining suspense throughout. “The score and songs fit in nicely with the everyday textures of this self-contained story world,” allowing the soundtrack to enrich the atmosphere without ever overwhelming the story.

Although supporting actors like Maniyanpilla Raju, Irshad, Farhaan Faasil, and Binu Pappu have limited screen time, their characters play crucial roles in shaping Shanmugham’s journey. The supporting performances “fall smoothly within the umbrella of Tharun’s sporadic vision of a small town tale with their character quirks and personalities,” ensuring that every minor figure contributes meaningfully to the overall narrative fabric.

Visual motifs are used judiciously to isolate Shanmugham, highlighting his growing sense of entrapment and helplessness as the film progresses. This visual storytelling approach provides Mohanlal with a platform to delve into the more intense emotional territories, spaces that his recent roles have rarely allowed him to explore.

Mohanlal’s performance demonstrates an extraordinary synergy with the material, as he skillfully balances restraint and emotional explosiveness. Rather than dominating the narrative through sheer star power, he embodies a man consumed by revelations and “ever-changing moral conflicts.” His portrayal feels deeply lived-in, allowing the audience to experience the character’s internal struggles firsthand.

Director Tharun Moorthy succeeds in delivering a low-key family drama that simultaneously serves as a character study of a man at odds with his own identity and principles. It’s a significant change of pace for Mohanlal, providing audiences the rare pleasure of seeing him fully inhabit the role of an everyday man, complete with all the emotional complexities that entails. The performance is grounded and consistent, breathing life into a character that might have easily been overshadowed by lesser writing or direction.

The writing, while rooted in a fairly conventional setting, is clever enough to sustain both engagement and emotional investment throughout the runtime. By maintaining a sharp focus on character development and interpersonal dynamics, Thudarum transforms what could have been a simple story into a richly textured cinematic experience.

Ultimately, Thudarum stands as “a masterpiece for adults, a serious yet self-aware piece of cinema that has something for everybody.” It is a film that respects its audience’s intelligence, offering an emotionally resonant, thought-provoking drama without the crutch of unnecessary spectacle or melodrama.

Through carefully crafted storytelling, strong performances, and an underlying emotional sincerity, Thudarum not only meets the high expectations surrounding it but also carves a unique place for itself among the best films of the year. For Mohanlal fans and general moviegoers alike, it is a rare treat that reminds everyone why he remains one of Indian cinema’s most beloved and enduring stars.

Malayalam cinema has long been known for its rich and diverse storytelling, but it also carries a dynamic tradition of “fanboy films”—mass entertainers centered around beloved stars like Mohanlal and Mammootty. These movies are engineered to thrill their fanbases, offering bombastic action sequences, striking visuals, punchy dialogues, and characters that tower over the screen. Their core aim is to evoke whistles, applause, and cheers from die-hard followers. However, this genre treads a very thin line between success and failure, as the emphasis on spectacle often overshadows substance.

The fanboy genre often sacrifices deep, intricate storytelling in favor of visual dazzle and larger-than-life depictions of its lead actors. While this formula can electrify theaters when executed well, it doesn’t always hit the mark. Films like ‘L2: Empuraan’ (2025) showcase how to successfully blend style and scope, achieving a polished and ambitious cinematic result. On the flip side, others like ‘Aaraattu’ (2022) serve as cautionary tales—projects that falter due to poorly executed narratives or misaligned viewer expectations.

The high stakes involved in such films lie in their dependence on star power. When a movie leans too heavily on its lead actor’s persona and neglects the broader cinematic experience, it risks alienating the general audience. While devoted fans may be thrilled, a wider demographic might find the film lacking in emotional depth or storytelling coherence. The director and scriptwriter are thus tasked with a difficult balancing act: incorporating fan service while still delivering compelling content that resonates with all viewers.

Adding too many elements to pander exclusively to fans or overloading the film with celebratory moments can actually backfire. When fan service overwhelms the narrative structure, it disrupts the balance necessary for the film to succeed on a larger scale. “Fanboy films,” therefore, represent a cinematic gamble, often falling somewhere between soaring success and major disappointment.

A perfect example of this tightrope walk is the multi-starrer film ‘Twenty-Twenty.’ Though it primarily catered to fans by assembling some of the biggest names in the industry, it managed to strike a balance with its moderately engaging story. While the content may not have been extraordinary, it had enough merit to keep general audiences entertained. The film exemplifies how even a fan-centric project can do well if it pays some attention to story and structure.

On the other hand, some movies aim for both fan delight and narrative quality but still manage to stand apart. Films like ‘Harikrishnans’ achieved this dual goal by providing both the pleasure of seeing two leading men—Mohanlal and Mammootty—together and delivering a story that appealed to wider sensibilities. When done right, such fan-driven films can truly captivate a broad spectrum of viewers.

Among underwhelming efforts in this category, ‘Aaraattu’ remains one of the most frequently cited examples. Starring Mohanlal, the film generated significant buzz before release but ended up disappointing many. Director B. Unnikrishnan has been open about the film’s failure and does not shy away from taking responsibility. Speaking to Vishal Menon, Unnikrishnan said, “I take full responsibility for the movie’s failure.”

In a separate interview, Unnikrishnan elaborated that the film was actually intended as a spoof, a satirical nod to Mohanlal’s past roles and legendary dialogues. Unfortunately, audiences didn’t perceive it in that light, and the intended humor failed to translate. He admitted, “Mistakes are part of the journey—we grow through them. I’m not affected by criticism or social media chatter. However, I do believe that criticism should be expressed with a sense of democracy and basic courtesy. Just because I respond to criticism doesn’t make me some kind of hero.”

This kind of honest reflection is rare, especially in an industry where public image often overshadows introspection. Unnikrishnan’s remarks also highlight another essential aspect of the fanboy genre: how vital it is for the creators to understand the pulse of the audience. Misjudging audience sentiment or tone can have serious consequences, as seen in ‘Aaraattu.’

Despite occasional missteps, there are stellar examples that prove a fanboy film can be both a commercial and critical success. One such example is Prithviraj Sukumaran’s directorial debut, ‘Lucifer.’ Unlike most fan-centric films, ‘Lucifer’ chose not to oversaturate the screen with its leading man, Mohanlal. Instead, it offered a well-crafted story written by Murali Gopy, filled with suspense, layered characters, and sharp dialogue. Mohanlal’s limited screen time became an asset, allowing for a slow build-up of his character’s mythos rather than relying on constant presence.

Prithviraj’s approach in ‘Lucifer’ was widely appreciated because it didn’t treat fan service as a crutch but rather as a tool to elevate the narrative. By blending style with substance, the film created a blueprint for how to approach fanboy cinema in a more mature and sophisticated manner. The movie wasn’t just a visual treat; it was a complete package that resonated across audiences. As Prithviraj himself has stated, “Nobody becomes a star. You can only aspire to be a good actor.”

His remark underscores the idea that true stardom isn’t simply about playing to fanfare, but about embracing quality, craftsmanship, and storytelling. It’s a lesson worth remembering for filmmakers aiming to make fan-oriented cinema. Striking a chord with fans doesn’t require abandoning artistic sensibilities; rather, it calls for integrating them meaningfully into the narrative framework.

Malayalam cinema’s flirtation with fanboy films is likely to continue, especially given the passionate following that stars like Mohanlal and Mammootty enjoy. These movies offer a unique blend of nostalgia, heroism, and excitement that few other genres can match. But as audiences evolve and become more discerning, the demand for thoughtful storytelling alongside star-driven moments is only going to grow.

In the end, the most successful fanboy films are those that not only respect the aura of the star but also honor the intelligence of the audience. When done right, they become memorable celebrations of cinema. When done wrong, they serve as reminders that even the brightest stars can’t carry a film without a solid foundation.

As the Vatican readies itself for the election of a new pope, people worldwide are turning their attention to a cinematic portrayal of the process—by streaming the film Conclave. The movie, directed by Edward Berger and winner of this year’s Oscar for Best Adapted Screenplay, offers an intimate look into the Vatican’s secretive papal election rituals. Following the death of Pope Francis on Monday, the film witnessed a significant spike in viewership, according to entertainment data analytics firm Luminate.

Set against the backdrop of the Vatican, Conclave dives into the intricacies of the pope selection process, a ritual steeped in centuries-old tradition. Berger’s film takes creative liberties while staying largely faithful to the actual procedures, and features a power struggle among cardinals portrayed by renowned actors Ralph Fiennes, Stanley Tucci, and John Lithgow. The movie is distributed by Focus Features, which is owned by NBC News’ parent company, Comcast.

Since its initial release in October, the movie has amassed a devoted fan following online. Social media platforms have been flooded with viral memes and creative fan edits comparing the film to mainstream pop culture icons like The Real Housewives and Mean Girls. As tributes to Pope Francis continued to pour in from around the world, a growing number of both longtime fans and new viewers turned to Conclave to gain insights into what happens behind Vatican walls during such pivotal moments.

From Sunday to Monday, Luminate reported that viewership of Conclave surged by a staggering 283 percent. On Sunday, the film logged an average of 1.8 million minutes viewed. That figure leaped to 6.9 million minutes by Monday. Luminate compiles data from major streaming platforms including Netflix, Peacock, Paramount+, Disney+, and Max.

Despite the film’s dramatic rise in popularity, Focus Features did not respond to a request for comment on the recent streaming numbers.

On social media, many pointed out the uncanny parallels between the film’s storyline and the actual events surrounding the papal succession. The timing of Pope Francis’ death and the content of Conclave seemed to resonate with global audiences, sparking renewed discussion about the themes explored in the movie.

Among the voices chiming in was the administrator behind “Pope Crave,” a fan account on X dedicated entirely to Conclave. The person behind the account spoke with NBC News via email and requested anonymity, asking to be referred to only by their username due to the need for “separation” between their professional career and their “fandom extracurriculars.” Pope Crave, who commands a following of 16,000 on X, offered insight into the film’s relevance during a time of collective mourning and transition.

“I think there’s a lot of grief and pain attached to current events, and being able to use Conclave memes as a common/shared language of community offers some brevity and humor to a clandestine process and historical event that will significantly alter the trajectory of many peoples’ lives,” Pope Crave said.

When asked about the religious demographics of the film’s fan base, Pope Crave noted, “I cannot speak for the religious breakdown of Conclave fans, but it doesn’t shock me that Catholic fans of the film would be engaged in the actual papal conclave outcomes. And for the non-Catholic Conclave fans, I would hypothesize there’s something to be said about the abrupt relevance and sudden application of their film knowledge and fandom enthusiasm to a seismically important current global event that holds importance to over 1.25 billion practitioners (and even more non-believers).”

Michael Moreland, a professor specializing in law and religion at Villanova University, said the movie’s popularity highlights the enduring fascination with the Catholic Church’s ancient customs, even in a largely secular world. The papal conclave process involves cardinals from around the world, all under the age of 80, who are sworn to secrecy. They gather in the Sistine Chapel and cast paper ballots until one among them secures a two-thirds majority to become the next pope.

“All the charisma and the mystery around Catholicism and the ways in which these men in the College of Cardinals go about assembling and deliberating and voting in the secret process that no one except one of them has seen,” Moreland explained. “All of that is very fascinating.”

Moreland also noted that Conclave provides a fairly accurate portrayal of how potential papal candidates gain and lose traction during the voting rounds. However, he was critical of the film’s emphasis on political ideology, stating that the movie sometimes reduces the election process to a simplistic binary of left versus right.

“The significance of the theological and spiritual aspects of Catholicism and this process of electing a pope was kind of reduced into partisan politics,” Moreland remarked.

Coincidentally, Amazon Prime made Conclave available to stream on Tuesday, though Amazon clarified that the release was pre-scheduled and not timed with the pope’s passing. The availability of the film on Amazon added to its soaring popularity. By the end of the day Tuesday, the film had shattered its previous viewership records, with a reported 18.3 million views across all streaming services. This marked a massive 3,200 percent increase in week-over-week viewership, according to Luminate’s updated data.

Although many cast members from Conclave have yet to issue public statements regarding the death of Pope Francis, they previously spoke about the film’s topical relevance. At the Screen Actors Guild Awards in February, during a period when Pope Francis was critically ill, the cast commented on how current events had increased the film’s impact.

“The film has ended up extremely timely … and it’s about the social organism electing a leader,” said John Lithgow, who plays Cardinal Tremblay, one of the leading contenders for the papacy in the film.

“You cannot help seeing Conclave and not thinking what happens when different tribes quarrel with each other trying to decide on who is their leader,” he added. “That’s one big reason why people are paying attention to Conclave, beyond the fact that it’s simply a beautiful film that you just don’t see storytelling on film like that much anymore.”

The Vatican announced that Pope Francis’ funeral will be held at 10 a.m. local time (4 a.m. Eastern Time) on Saturday in St. Peter’s Square, in front of the iconic St. Peter’s Basilica. The conclave to elect his successor will follow the funeral service.

Cannes, the iconic French Riviera destination, is where cinematic dreams come alive in a breathtaking display of films, glamour, celebration, and opportunity. The Cannes Film Festival, since its inception in 1946, has evolved into a dazzling spectacle of international cinema and culture. Over the decades, it has also become a vibrant reflection of India’s growing soft power and cultural influence on the global stage. With his extensive experience at the festival, Bhuvan Lall captures this essence in his new book Namaste Cannes, offering readers an intimate journey through the history and grandeur of the event while highlighting India’s significant role in this global cinematic celebration.

Through Namaste Cannes, Lall offers a front-row seat to the most celebrated film festival in the world. He transports readers to the heart of Cannes, where the Indian film industry has not only participated but thrived—bringing its rich storytelling traditions, vibrant performances, and technical excellence to a global audience. This book is more than just a chronicle; it is a tribute to the filmmakers, artists, and visionaries who have carried India’s cinematic legacy to new heights at Cannes.

With first-hand insights and stories gathered over many years, Lall shares an insider’s perspective on India’s evolving presence at the festival. He reflects on the early milestones and pivotal moments when Indian cinema received worldwide recognition, recounting instances when Indian films earned standing ovations and prestigious awards on the international stage. These moments not only brought glory to the Indian film industry but also redefined the global perception of Indian storytelling and creativity.

One of the key themes of Namaste Cannes is the homage it pays to legendary filmmaker Satyajit Ray. The book honors Ray’s enduring legacy and the foundation he laid for Indian cinema’s global success. His pioneering work continues to influence filmmakers around the world, and Namaste Cannes pays respect to this legacy while also spotlighting the contemporary visionaries who have followed in his footsteps. These trailblazers have pushed creative boundaries and opened new doors for Indian cinema in international markets.

The book also focuses on the behind-the-scenes figures—producers and distributors—who have been instrumental in expanding the reach of Indian films across the globe. At Cannes’ bustling Marché du Film, these professionals have forged important connections, negotiated global deals, and positioned Indian cinema in the global entertainment ecosystem. Their contributions, though often away from the limelight, are crucial in shaping India’s success at Cannes.

In a particularly captivating part of the book, Lall recounts exclusive anecdotes involving Indian film stars who have left a lasting impression at the festival. These stories bring a human element to the narrative, offering readers a glimpse into the real-life experiences of celebrities and their impact on the global audience. From red carpet appearances to emotional reactions from international viewers, these moments reflect the pride and admiration that Indian cinema continues to evoke worldwide.

Through these recollections, Lall taps into a deep sense of patriotism and cultural pride. As Indian films find appreciation on the global stage, the book reminds readers of the powerful role that cinema plays in shaping national identity and projecting it to the world. Indian storytellers are no longer confined by geographical boundaries; their voices are now resonating in theaters, festivals, and living rooms across continents.

As India steps confidently into its next chapter in the global entertainment landscape, Namaste Cannes serves as a source of inspiration. It uplifts aspiring filmmakers, writers, producers, and cinema lovers, encouraging them to dream bigger and believe in the power of their stories. The book not only looks back at the triumphs of the past but also ignites hope for a future where Indian cinema continues to influence and inspire audiences around the world.

“Namaste Cannes inspires optimism and energizes dreamers, storytellers, and achievers,” writes Lall, underscoring the book’s central message of hope and ambition. His passion for cinema and dedication to India’s cultural narrative shine through in every page, offering readers a powerful mix of nostalgia, pride, and aspiration.

The excitement surrounding the book is set to culminate at the 79th edition of the Cannes Film Festival, where a star-studded global launch of Namaste Cannes will take place in the South of France next month. This grand event promises to be a fitting tribute to the themes of the book and the spirit of Indian cinema’s ongoing journey.

“An invitation for the star-studded Global Launch of Namaste Cannes at the 79th Cannes Film Festival in the South of France next month will follow,” announces Lall, hinting at what will surely be one of the major highlights of this year’s festival.

In addition to the upcoming launch, the book will also soon be available for pre-order on Amazon worldwide. Cinema lovers and readers interested in the history of Indian cinema’s international rise will be able to secure their copy and delve into the fascinating narrative crafted by Lall.

“Namaste Cannes will soon be available for pre-order on Amazon worldwide,” he confirms, signaling the book’s broad accessibility to a global audience.

In a warm and personal note, Lall concludes his message by expressing his anticipation of meeting fellow cinema enthusiasts in Cannes, reinforcing the festival’s role as a global gathering of storytellers and dreamers.

“Looking forward to seeing you in Cannes!” he writes, inviting readers to be part of the celebration.

And with a heartfelt salute, he ends on a patriotic note that echoes the spirit of the book and the journey it represents:

“Jai Hind ”

Bhuvan Lall

Through Namaste Cannes, Bhuvan Lall delivers more than just a book—it is a cinematic tribute, a cultural chronicle, and a celebration of India’s artistic triumphs on one of the world’s most prestigious platforms. It reminds us that storytelling knows no borders and that the spirit of cinema can unite hearts across the globe.

Kunchacko Boban is relishing the success of his latest film Officer on Duty, which turned profitable within just three days of its release. This swift success, he believes, marks a pivotal moment in his long and diverse career. Although the actor, known affectionately as Chackochan, has acted in over 100 Malayalam films, he openly admits that he often looks back on his performances thinking he could have done better. However, his portrayal of CI Harishankar in Officer on Duty might be one of the rare instances where he feels a sense of true accomplishment, especially considering the widespread praise he has received for the role.

Reflecting on his approach to acting, Kunchacko Boban shared in an interview with Hindustan Times that continuous growth is a key part of his journey. “I’m constantly learning and honing my craft. You try to take up different movies or different characters which might not be in your league or zone, in which you have to put in extra effort and take risks, both emotionally and physically. I’m still trying to learn the trade, the basics and try out different combinations, different characters and novel ideas which come my way. I’m charged up to work in such exciting movies and willing to support new creators,” he explained.

The actor’s commitment to evolving his artistry has led him to embrace roles outside his comfort zone. He is particularly enthusiastic about venturing into characters that challenge him, not only as a performer but also as a person. According to him, roles like Harishankar are rare but rewarding, and they fuel his desire to explore further in the world of cinema.

Interestingly, despite his popularity in Malayalam cinema, Kunchacko Boban has not ventured into Tamil or Telugu films like many of his peers. When asked why, he offered a compelling explanation. “I think content-wise, the Malayalam film industry is in its golden phase right now. Other industries are actually envying us because of the kind of unique films we have been churning out – be it the quality, theme or story. Our films, even though locally rooted, are going pan-Indian and global because of their content and with OTT coming in, the language barrier is blurred too,” he said.

He added that the Malayalam industry is currently offering him some of the most exciting characters and stories, which leaves him content. However, he is not ruling out opportunities in other languages. “But I am open to other languages, especially Tamil because I want to dub for myself. If an exciting character or movie comes my way in other languages, I will give it a try. I’m waiting for that,” he added with optimism.

Throughout his 27-year journey in the film industry, Kunchacko Boban has showcased his range in a variety of roles. Films like How Old Are You?, Take Off, Traffic, Bougainvillea, Nizhal, Virus, 2018, Nna Thaan Case Kodu, Anjaam Pathiraa, Nayattu, and Ariyippu have each demonstrated different facets of his acting abilities. These performances helped him move away from his earlier ‘chocolate boy’ image and establish himself as a serious, versatile actor. Yet, the journey has not been without its setbacks.

Despite experiencing both success and failure, Chackochan maintains a pragmatic outlook on his career. He believes that mistakes are valuable lessons and that growth comes from perseverance. “Basically, no regrets,” he said when asked about any past disappointments. “I don’t analyse the negative side of my life too much, and I don’t brood over it. I always tried to find positivity in my career – when I was stuck doing formulaic films and characters, I just took a break from cinema and returned to do different kinds of roles.”

He acknowledged that many people question why he didn’t make that shift sooner, but he believes everything happened at the right time. “People ask me now why it took me so long to make that change when I could have done it long ago. But I believe this was the right time to make that attempt – if you fall, just pick yourself up and keep moving. You should always move a step forward, even if you crawl,” he said.

Kunchacko Boban also attributes his journey to a higher power and to the vision of filmmakers who have shaped his path. “I always believe in God’s plan. I’m just a tool in God’s hands and a tool in the hands of great creators in the film world,” he added, underscoring his faith in divine timing and creative collaboration.

The actor’s openness to working with fresh talent has also been a notable part of his evolution. He frequently reiterates his willingness to collaborate with new filmmakers, especially if the script and role are fresh and stimulating. “I’m open to any character, role or movie that can portray me in an unthinkable way and is beyond my imagination. I’m welcoming every director and scriptwriter – experienced or newcomer – to create enticing and exciting roles. I’m waiting for them as an actor,” Kunchacko Boban concluded.

With Officer on Duty reinforcing his credibility and reaffirming his place in the industry, Kunchacko Boban stands at a promising juncture in his career. As he continues to embrace roles that defy typecasting and encourage artistic risks, the actor is more energized than ever to contribute to the evolving narrative of Malayalam cinema. Whether exploring challenging characters, supporting new talent, or venturing into other language films, his journey forward promises to be one of creative exploration and continual reinvention.

Actor Prithviraj Sukumaran has officially started filming his next venture titled ‘Nobody’, which stars Parvathy Thiruvothu and Hakim Shajahan in key roles. The production kicked off with a traditional pooja and switch-on ceremony held at Wellington Island in Ernakulam, marking the formal beginning of the much-anticipated film’s shoot.

The film is directed by Nissam Basheer, a well-regarded name in Malayalam cinema, and is written by Sameer Abdul. Together, they are working to craft what is expected to be a gripping and emotionally rich film. ‘Nobody’ is being jointly bankrolled by Supriya Menon, Mukesh Mehta, and C.V. Sarathi. The movie is being produced under the notable banners of Prithviraj Productions and E4 Experiments, both known for supporting high-quality and innovative Malayalam cinema.

The musical score for ‘Nobody’ is being composed by Harshavardhan Rameshwar, whose previous work includes the widely recognized and intense music in the film ‘Animal’. His involvement is expected to contribute significantly to the emotional depth and dramatic weight of the film, enhancing the overall cinematic experience. With such a strong team in place—both in terms of actors and the technical crew—’Nobody’ is quickly shaping up to be an engaging and distinctive film that could leave a lasting impression on audiences.

While excitement builds around ‘Nobody’, Prithviraj Sukumaran has also been in the news recently due to his other major project, ‘L2: Empuraan’. This film, which he is directing, has sparked some controversy in recent weeks over its portrayal of certain real-life incidents. Even amid the controversy, ‘L2: Empuraan’ remains one of the most eagerly awaited films of the year. The buzz surrounding it only seems to be growing, driven by both curiosity and the high expectations audiences have from Prithviraj’s directorial vision.

In an interview back in March, Prithviraj spoke candidly about the experience of directing while also acting in the same movie—a demanding process that few in the industry undertake. Reflecting on his dual responsibilities for ‘L2: Empuraan’, he shared, “I’ve never really found it to be very challenging. The toughest part is having to stay in costume and makeup while directing, which I don’t usually enjoy. But beyond that, it’s all part of one giant process.” His remarks offer a glimpse into the complexities of multitasking on a film set, but also show his level of comfort and confidence with handling both roles simultaneously.

Despite the inherent difficulties that come with managing both acting and directing, Prithviraj has demonstrated a rare ease in toggling between the two demanding roles. His ability to lead from behind the camera while performing in front of it has only increased the public’s admiration for his talents. This seamless balancing act is one of the key reasons for the growing anticipation surrounding ‘L2: Empuraan’. As someone who has consistently challenged conventional filmmaking boundaries, Prithviraj is increasingly seen as a driving force behind the evolving landscape of Malayalam cinema.

‘Nobody’, meanwhile, presents another opportunity for Prithviraj to showcase his strengths as an actor. Paired with the powerful presence of Parvathy Thiruvothu and the rising popularity of Hakim Shajahan, the cast sets the stage for some powerful performances. The script by Sameer Abdul is expected to delve deep into human emotions, while Nissam Basheer’s direction is likely to bring a nuanced and sensitive touch to the storytelling. The synergy between the script, the direction, and the music could create a potent mix that elevates the film beyond conventional storytelling.

The presence of Supriya Menon as one of the producers under the banner of Prithviraj Productions ensures that the film stays rooted in quality, as the banner has been associated with several critically acclaimed projects in recent years. Collaborating with Mukesh Mehta and C.V. Sarathi of E4 Experiments also brings in an experienced team known for their innovative film choices and production values. Together, the producers are aiming to craft a film that is not only artistically fulfilling but also commercially viable.

Music composer Harshavardhan Rameshwar’s involvement also signals the importance of sound in the film’s overall design. Known for crafting emotionally resonant music, his score for ‘Nobody’ is expected to underline key moments in the narrative and add another layer of engagement for viewers. His previous work in ‘Animal’ was widely praised for its intensity and emotional gravity, and fans will be eager to see how he approaches the tone of ‘Nobody’.

The choice of Wellington Island in Ernakulam as the launch location also hints at the aesthetic the filmmakers are aiming for. The island, known for its scenic beauty and historical significance, could serve as a powerful visual backdrop that adds atmosphere to the unfolding story. The formal pooja and switch-on ceremony held there not only mark the beginning of the shoot but also reflect the respect for tradition that continues to inform many aspects of Indian cinema.

Although the narrative of ‘Nobody’ has been kept under wraps for now, the involvement of a strong creative team and a solid cast suggests that the film will explore themes that are both compelling and relevant. The collaboration between Prithviraj, Parvathy, and Hakim Shajahan hints at a layered and performance-driven film, one that aims to leave a deep impact on the audience.

Meanwhile, Prithviraj’s directorial venture ‘L2: Empuraan’ continues to remain in focus for reasons beyond just the storyline. The recent controversy may have stirred debate, but it has also added to the intrigue. As viewers wait to see how Prithviraj balances his roles in both ‘Nobody’ and ‘L2: Empuraan’, it’s clear that he is positioning himself as one of Malayalam cinema’s most versatile and ambitious talents.

By effortlessly moving between acting, directing, and producing, Prithviraj is not just delivering quality films—he is also helping redefine the boundaries of Malayalam cinema. Whether it is through a deeply emotional performance in ‘Nobody’ or a complex directorial undertaking like ‘L2: Empuraan’, he is consistently pushing the envelope. His dedication to storytelling and commitment to cinematic excellence ensure that his projects remain among the most talked-about and eagerly awaited releases of the year.

With both ‘Nobody’ and ‘L2: Empuraan’ in the pipeline, Prithviraj Sukumaran continues to prove that he is a powerhouse of talent whose work is worth watching. Audiences can expect nothing short of brilliance as he takes on new challenges and raises the bar for Malayalam films across genres and styles.

Malayalam cinema has long been known for its ability to convey deep emotions through simple yet powerful storytelling. Some films go beyond mere entertainment, leaving viewers with a lingering sense of warmth, joy, and nostalgia. These movies are rich with themes of love, friendship, hope, and perseverance. With visually captivating scenes, gentle music, and heartfelt narratives, they create a soothing escape, offering comfort and optimism. Here’s a look at some Malayalam films that promise to lift your spirits and touch your soul.

Madhuram

Set within the confines of a government hospital, Madhuram tells the story of a group of strangers brought together by their shared experiences while caring for their ailing loved ones. Despite their personal struggles, these characters form deep connections as they navigate through moments of sorrow, uncertainty, and hope. The hospital becomes a space not just for healing the sick but also for nurturing friendships and emotional recovery. Through its heartfelt storytelling, Madhuram delves into themes of love, loss, and the profound human need for connection. The film emphasizes that even in the darkest times, kindness and companionship can create lasting warmth.

Jacobinte Swargarajyam

Inspired by a real-life story, Jacobinte Swargarajyam centers around a family suddenly thrown into financial turmoil. Faced with immense adversity, the family’s strong sense of unity and determination drives the narrative forward. Their unwavering bond becomes the foundation of their strength, showcasing how familial love and support can triumph over even the most trying challenges. The story’s optimistic tone is consistently uplifting, and the characters’ resilience resonates with viewers. As the family battles their crisis, the film becomes an inspiring reminder that “with faith, strength, and togetherness, anything is possible.”

Aanandam

Aanaandam is a refreshing tale that follows a group of college students on their first road trip, capturing the vibrant energy of youth and the evolving nature of friendships. The journey becomes a transformative experience, filled with laughter, self-discovery, and emotional growth. Each character faces personal fears and insecurities, but it is through their bond with one another that they find confidence and joy. The film encapsulates the carefree yet meaningful days of college life. With its light-hearted tone and memorable moments, Aanandam leaves viewers with a “nostalgic smile and a heart full of fond memories.”

Charlie

A unique and visually enchanting film, Charlie follows the life of a young woman who embarks on an adventurous search for a mysterious man named Charlie. His eccentric and free-spirited lifestyle leaves behind clues that slowly unravel his story. As she pieces together his past, the film takes the audience through a series of colorful characters and heartfelt encounters. The narrative moves beyond romance, reflecting on the importance of living life on your own terms. With vibrant cinematography and soulful music, Charlie offers “a magical ride full of surprises, warmth, and wonder,” making it an unforgettable experience.

Philips and the Monkey Pen

This charming film revolves around Ryan, a mischievous yet intelligent fifth-grade student who struggles with mathematics. His life takes a turn when he finds a magical monkey-shaped pen that helps him tackle his academic problems. However, the story delves deeper than just a fantasy adventure. It highlights the emotional struggles children face and the importance of understanding and encouragement from parents and teachers. Through Ryan’s journey, the film explores how empathy, support, and love can help a child thrive. As one scene subtly conveys, “Every child needs not just lessons, but also belief and care.”

Bangalore Days

A beloved classic in modern Malayalam cinema, Bangalore Days tells the story of three cousins who move to Bangalore and begin new chapters in their lives. The city becomes the backdrop for their individual and collective journeys as they navigate through love, careers, and personal challenges. The film beautifully weaves the emotions of nostalgia, youthful energy, and deep-rooted family ties. It captures the bittersweet nature of growing up and the comfort of having loved ones nearby. “No matter where life takes us,” the film suggests, “our roots and relationships shape who we become.”

Ustad Hotel

This soul-stirring film follows Faizi, a young man who dreams of becoming a professional chef. His plans take an unexpected turn when he returns to Kozhikode and reconnects with his grandfather, the owner of a modest seaside hotel. Initially reluctant, Faizi gradually comes to understand the significance of the simple meals served at Ustad Hotel and the values behind them. His grandfather, with quiet wisdom, teaches him not just about food but about life itself. The bond between the two forms the emotional core of the film. As the story unfolds, it becomes clear that “cooking is not just about taste—it’s about love, care, and compassion.”

In conclusion, these Malayalam films go beyond the screen to touch something deep within us. They are not merely tales of love, loss, and laughter, but reflections of our own journeys, relationships, and dreams. Each film, in its own way, celebrates the human spirit—its ability to love, to endure, to connect, and to hope. From the youthful joy of Aanandam to the soulful reflections in Ustad Hotel, these stories stay with you long after the credits roll. They remind us that life, despite its challenges, is filled with beauty, kindness, and magic.

The highly anticipated Malayalam action-thriller L2: Empuraan, starring Mohanlal, hit theatres on Thursday (March 27), serving as a sequel to the 2019 hit Lucifer. The film had a phenomenal opening, raking in ₹22 crore at the box office on its first day, according to industry tracker Sacnilk.

Strong Occupancy Across Shows

The film witnessed an impressive overall occupancy rate of 61.02% in the Malayalam market on its release day. Show-wise occupancy figures stood as follows:

• Morning shows: 63.32%
• Afternoon shows: 54.32%
• Evening shows: 60.43%
• Night shows: 66.00% (highest turnout)

Critical Acclaim and Industry Reactions

Film critic and trade analyst Taran Adarsh took to X (formerly Twitter) to praise L2: Empuraan, calling its debut a “historic start across Kerala.” He noted that theatres in major cities, including Thiruvananthapuram, Kochi, Kozhikode, Kottayam, Thrissur, and Palakkad, were experiencing packed shows, signaling an “earth-shattering opening.”

He further stated, “Empuraan is on track to rewrite opening-day records. If this momentum continues, it could very well be a game-changer for the Malayalam film industry!”

Star-Studded Cast and Production

Directed by Prithviraj Sukumaran, L2: Empuraan is backed by Aashirvad Cinemas, Sree Gokulam Movies, and Lyca Productions and produced by Antony Perumbavoor, Gokulam Gopalan, and Subaskaran.

Apart from Mohanlal in the lead, the film boasts a star-studded cast, including Prithviraj Sukumaran, Tovino Thomas, Manju Warrier, Sachin Khedekar, Abhimanyu Singh, Jerome Flynn, Eriq Ebouaney, Suraj Venjaramoodu, and Indrajith Sukumaran in pivotal roles.

Director’s Vision

Speaking about the film’s narrative, Prithviraj Sukumaran emphasized the importance of maintaining a coherent visual communication. He stated, “With so many events unfolding back to back, it’s easy for the audience to lose focus. L2: Empuraan is a fast-paced film that shifts rapidly between timelines, locations, and different parts of the world, often depicting simultaneous events across multiple timelines. Because of this, I had to be constantly aware of where the narrative was headed and ensure that the pacing remained consistent throughout.”

With a powerful opening and strong word-of-mouth, L2: Empuraan is poised for a record-breaking run at the box office.

On March 22, 2025, the Indian Consulate in New York, in collaboration with the Indian Heritage & Cultural Association (IHCA), organized an engaging seminar titled “The Evolving Landscape of Indian Cinema: The Impact, Challenges, and Future of Indian Cinema on the International Stage.” The event took place at the Lake Chateau Banquet Hall in Woodbridge, New Jersey.

The keynote address was delivered by Padma Shri awardee Dr. Mohan Agashe, a highly respected and versatile actor who is also trained as a psychiatrist. Throughout his career, Dr. Agashe has earned numerous accolades, including the Sangeet Natak Akademi Award in 1996 for theater, the Filmfare Award Marathi for Best Actor for his role in Astu, and the Punya Bhushan award in 2023. During his speech, he explored the intersection of psychology and acting, shedding light on how both disciplines are deeply intertwined.

The event commenced with remarks from opening speaker Archana Joglekar, an accomplished actress and classical dancer known for her contributions to Marathi, Odia, and Hindi cinema and television. A skilled Kathak dancer and choreographer, Joglekar also runs a dance academy for young students.

Consul General Binaya Srikanta Pradhan, introduced by IHCA co-host Dr. Ashok Chaudhary, highlighted the Consulate’s focus on celebrating Indian cinema throughout the year with various events across the Northeastern United States, including two upcoming programs in New York dedicated to fashion and Odia cinema.

Speaking on the relevance of the seminar, Pradhan remarked, “Today’s event is more contextual in the sense that we are not watching a movie. To a great extent, there is no point in watching a movie because we get to see movies in cinema halls here, we get to see movies on OTT platforms.So today’s event is rather more relevant when we talk about the evolving landscape of Indian cinema.”He lauded Dr. Agashe for his vast experience and deep understanding of both theater and film, as well as his expertise in psychology.

Joglekar reflected on her early days in the entertainment industry, describing her transition from theater to film in the 1980s. “When I started my career way back in 1984, close to 40-plus years back, it was a transition from Marathi professional theater,” she shared. She noted how different the industry was at the time, explaining that she did not go through formal auditions or casting calls. Instead, filmmakers often scouted actors from theater productions, and her performances in Marathi drama quickly caught their attention. “I was fortunate to be pampered and appreciated by everybody,” she recalled, adding that this recognition led to roles in both Marathi and Hindi films. She described the film set as a “very warm affair” where actors, co-actors, and senior artists interacted like family.

Dr. Agashe offered insights into the connection between psychology and communication. He emphasized the complexity of human interaction, stating, “When we are talking to each other in person, we are talking in three languages.” These include verbal language, body language, and sound language. “So the language of words goes through your brain for deciphering, body language from the subconscious, and the sound goes through the unconscious.”

To explain his point further, he drew an analogy to computer systems, comparing the unconscious mind to a hard drive and the conscious mind to RAM (random access memory). “That is why, unless you use proper commands, the unconscious doesn’t come to the conscious.” As a psychiatrist, he noted that he pays closer attention to how people communicate rather than what they say. “I go with what they communicate,” he explained.

Speaking to ITV Gold after the event, Dr. Agashe emphasized the significance of the discussion, calling it both “very important and very timely.” He underscored the necessity of understanding cinema’s evolution, stating, “We should know where we were, where we are, and where we are going. Because if we need some correction, that can be done at this stage. That enables the culture to retain its identity even as it becomes part of the world.”

Padma Shri recipient Dr. Sudhir Parikh, chairman of Parikh Worldwide Media and ITV Gold, also shared his appreciation for the seminar. He praised the organizers for their efforts in hosting numerous cultural events throughout the year and described the current seminar as a “signature event” that offered valuable insights into Bollywood’s evolution over the past century.

Following a remarkable theatrical run, the Kunchacko Boban-starrer Officer on Duty is now preparing for its digital premiere.

For those who missed the opportunity to watch this gripping thriller in cinemas, Officer on Duty will be available for streaming on Netflix starting March 20. The film will be accessible in multiple languages, including Malayalam, Hindi, Telugu, Tamil, and Kannada.

Netflix officially announced the release through a social media post, which read, “Puthiya officer etheetund, stand in line and salute. Watch Officer on Duty on Netflix, out 20 March in Malayalam, Hindi, Telugu, Tamil, Kannada #OfficerOnDutyOnNetflix.”

Directed by Jithu Ashraf, with a screenplay penned by Shahi Kabir, the movie features an ensemble cast, including Vishak Nair, Priyamani, Jagadish, and Aadukalam Naren in significant roles.

Kunchacko Boban recently took to social media to express his gratitude toward his wife and the entire team behind the film. Sharing a heartfelt note alongside a picture with his wife, the actor wrote, “Officer On Duty. With His Beauty. I know how much you yearned for this acceptance, my love!! You have been my constant support, critic, friend, tension-breaker, and the biggest fan!!! And this success is more deserving for you!! Love and salute from your officer …or rather, HUSBAND ON DUTY. And a big big thaaank you to each and everyone who made OFFICER ON DUTY the biggie in my life.”

According to recent reports, Officer on Duty has emerged as the highest-grossing Malayalam film of 2025, surpassing Asif Ali’s Rekhachithram.

The film has received a mixed critical reception. ETimes awarded Officer on Duty a rating of 3 out of 5 stars. The review noted, “While Officer on Duty is a gripping, well-crafted thriller that keeps viewers on edge, it also serves as a stark reminder of how crime films continue to exploit the suffering of women for shock value. The film may entertain, but it also demands reflection—how much longer will we keep witnessing the same cycle of violence on screen?”

Looking ahead, Kunchacko Boban will next be seen in Mahesh Narayanan’s upcoming multi-starrer film, which will also feature Mammootty, Mohanlal, Nayanthara, and Fahadh Faasil in prominent roles.

Robert De Niro’s latest Netflix series, Zero Day, continues to maintain a strong presence in the streaming platform’s top 10 most-watched list, even weeks after its debut.

This successful collaboration appears to be just the beginning, as Netflix has now revealed initial details about an upcoming crime thriller film featuring the legendary actor in a significant role.

Titled The Whisper Man, the movie is an adaptation of Alex North’s bestselling novel of the same name. If the name rings a bell, it’s because the book gained widespread popularity upon its release.

Netflix’s Tudum website has shared an official description of the film, which suggests an intense and suspenseful narrative. According to the logline:

“When his 8-year-old son is abducted, a widowed crime writer looks to his estranged father, a retired former police detective, for help, only to discover a connection with the decades-old case of a convicted serial killer known as ‘The Whisper Man.’”

A Star-Studded Cast Joins the Project

While De Niro’s role has not been explicitly stated, it is widely speculated that he will portray the retired detective. Alongside him, Netflix has confirmed two other key actors: Adam Scott, known for his role in Severance, and Michelle Monaghan, who has been gaining attention for her performance in the third season of HBO’s acclaimed anthology series The White Lotus.

This trio makes for an exciting lineup. Scott’s involvement is particularly noteworthy, as he continues to expand his range with serious roles, while Monaghan brings prior experience in the crime thriller genre, having starred in the 2007 film Gone Baby Gone.

Behind the scenes, James Ashcroft has been brought on as the film’s director. His latest psychological thriller, The Rule of Jenny Pen, was just released in theaters last Friday, March 7. The screenplay adaptation of The Whisper Man will be penned by writers Ben Jacoby and Chase Palmer.

Netflix’s Sixth Collaboration With the Russo Brothers’ AGBO

This project also marks Netflix’s sixth partnership with AGBO, the production company run by the Russo brothers. Their fifth joint venture, The Electric State, a sci-fi blockbuster starring Millie Bobby Brown and Chris Pratt, is set to premiere on the streaming platform this Friday, March 14. However, early reviews have been overwhelmingly negative, with the film currently holding a disappointing 21% rating on Rotten Tomatoes.

While Netflix has confirmed that The Whisper Man will enter production this spring, the streaming giant has not provided a specific release timeline. Given that filming has yet to begin, the movie is likely to be released in 2026.

A Promising Thriller on the Horizon

Regardless of the wait, The Whisper Man is shaping up to be a must-watch thriller. The combination of a strong cast and well-received source material suggests a promising film. The key question remains: will the final product meet expectations?

For now, if you’re looking for gripping content to watch, Netflix has recently added a new psychological thriller full of unexpected twists. Additionally, there’s a complete rundown of everything new arriving on the platform in March 2025, offering plenty of options to keep viewers engaged.