Category: Fashion

It was a monumental evening for South Asian and Indian fans on May 5 as the iconic blue carpet unfurled across the steps of the Metropolitan Museum of Art in New York City for the Met Gala. The much-anticipated event saw the possible debut of one of the most recognized and admired stars globally—Shah Rukh Khan. This marked a significant cultural moment, with Khan’s name drawing massive buzz across South Asian communities and global fan circles.

Often referred to as “King Khan” by his admirers, Shah Rukh Khan was slated to attend the Met Gala for the first time, making his entrance in collaboration with renowned Indian designer Sabyasachi Mukherjee. Dressed entirely in black, Khan’s ensemble featured an elegant “floor-length elongated coat in Tasmanian superfine wool with monogrammed, Japanese horn buttons,” paired with a crepe de chine silk shirt and finely tailored superfine wool trousers, as described by the designer himself.

Fans were visibly eager to catch a glimpse of the Bollywood legend, with crowds gathering outside the Mandarin Oriental Hotel on New York City’s Upper West Side—just a couple of miles from the venue. Many waited for hours, hoping for a selfie or even a fleeting wave from the superstar.

However, the celebratory spirit among fans took a downturn when it became apparent that some members of the American media seemed unfamiliar with Khan. This disconnect led to frustration among his supporters, who expected more recognition for someone they consider a global icon.

Just before entering the blue carpet, Shah Rukh Khan participated in a live interview with Vogue’s livestream co-hosts, Ego Nwodim and Teyana Taylor. The interaction quickly went viral—but not for reasons fans hoped.

When asked by Nwodim how it felt to make history as the first male Bollywood actor to attend the Met Gala, Khan responded modestly: “I don’t know about history, but I’m extremely nervous.”

He went on to credit his designer for encouraging his appearance at the prestigious event, saying, “Sabyasachi, who convinced me to come here. I’ve not done too many red carpets. I’m very shy. For me it’s the first time, but looking at you both, it’s wonderful to be here.”

Asked what aspect of the evening he was most excited about, Khan sweetly answered that he was doing it for his children. “My little kids who are very excited about Met,” he said with a smile.

Mukherjee, who joined the interview mid-conversation, took a moment to explain the significance of Khan’s presence on the carpet. “Shah Rukh Khan is probably one of the most famous men in the world, and his fan following is legendary,” the designer stated. “We nearly had a stampede outside the hotel when he came out.”

Emphasizing the importance of representation, Mukherjee added, “When you get a man like this on the red carpet, especially when it’s Black dandy, I think representation is the most important thing. We wanted to represent Shah Rukh Khan as Shah Rukh Khan and nobody else.”

In reaction, Nwodim responded supportively: “Well Sabya, I think you did your thing.”

But even with that acknowledgment, viewers were quick to pick up on the hosts’ unfamiliarity with Khan, and many fans voiced their displeasure online. Social media platforms lit up with comments criticizing the livestream interview for seemingly lacking context about Khan’s fame and accomplishments.

A particularly viral reaction came from content creator Jeremy Franco, whose Instagram video gathered more than five million views. “They didn’t know who Shah Rukh Khan is?!?!” he exclaimed in disbelief. In the same video, Franco emphasized just how privileged the event was to host Khan, saying, “The carpet was lucky he walked on it!”

Responding to the backlash, a Vogue representative later told The New York Times that Nwodim had, during the livestream, referenced Khan as the first male Bollywood star to attend the Met Gala, acknowledging its significance. The spokesperson also stressed that any perceived slight, including the brief cutaway from another Indian artist Diljit Dosanjh, “was certainly not intentional.” Vogue did not immediately respond to follow-up inquiries from USA TODAY.

For those unfamiliar with Shah Rukh Khan, the numbers and accolades speak for themselves. At 59 years old, he is one of Bollywood’s biggest stars, having acted in over 80 films across nearly 30 years. While he began his career with notable anti-hero portrayals, Khan became widely beloved for his performances in romantic dramas and family films like “Dilwale Dulhania Le Jayenge (DDLJ),” “Kabhi Khushi Kabhie Gham,” “Devdas,” “Kal Ho Na Ho,” and “Veer Zaara.”

In fact, a statue commemorating Khan and his DDLJ co-star Kajol was scheduled to be unveiled in Leicester Square in London on May 7 to mark the 30th anniversary of the iconic film. However, The Standard reported that the event has been postponed due to increasing tensions between India and Pakistan.

Throughout his career, Khan has collected a plethora of honors—not only for his acting talent but also for his contributions to social causes. He received the Padma Shri, one of India’s highest civilian honors, in 2005. The French government recognized him with the Ordre des Arts et des Lettres in 2007 and the prestigious Legion of Honour in 2014. In 2018, he was awarded the Crystal Award by the World Economic Forum for his advocacy of children’s and women’s rights in India.

In 2023, Time magazine named him among the world’s most influential people. According to a 2015 Forbes estimate, Khan’s earnings ranked him as possibly the most financially successful movie star in the world. More recently, Esquire Australia placed him as the fourth richest actor globally, coming in just behind Arnold Schwarzenegger, Dwayne “The Rock” Johnson, and Tom Cruise.

Outside the realm of film, Khan is an accomplished entrepreneur. He owns the successful production company Red Chillies Entertainment and co-owns the Kolkata Knight Riders, an Indian Premier League team that clinched the IPL 2024 title.

Interestingly, despite his global fame and massive influence, Khan has yet to make his Hollywood debut. This detail, for many, only underscores the extent of his popularity and success achieved purely through Bollywood and regional media.

Shah Rukh Khan’s Met Gala appearance may have been his first, but judging by the reaction from fans, designers, and even critics, it is likely to be remembered for years to come—not only as a fashion moment, but as a cultural milestone.

Shah Rukh Khan made a memorable first appearance at the Met Gala on Monday, turning heads in a sophisticated outfit crafted by renowned designer Sabyasachi. Known for his magnetic screen presence, Khan brought the same energy to the high-profile fashion event, sharing his gratitude on Instagram for the ensemble that allowed him to feel comfortable in an unfamiliar setting. The Bollywood icon stunned in a sharp black outfit complemented by sparkling embellishments, accessorized with a bold ‘K’ medallion and a regal scepter, both of which enhanced his commanding presence on the Met Gala red carpet.

To mark the occasion, Shah Rukh Khan posted two images—one in monochrome and the other in color—highlighting the fine details of his attire. The actor took the opportunity to thank Sabyasachi and his team for guiding him through what he described as an unusual setting for himself. In his caption, he wrote, “Thx @sabyasachiofficial & ur whole team for introducing me to the Met Gala. It’s not my ‘space’ but u made me feel so comfortable…becos u, like me, believe…Style & Fashion…is just being who you are. And all of u made me feel like a ‘K’!”

His fans were quick to praise both his words and his stylish look. The comment section was filled with admiration, with one user writing, “It may not be your space, but you were the center of attention as always.” Another chimed in, “You are bigger than anyone else!!” A third fan boldly stated that Khan elevated the glamour of the event itself, saying, “He made Met Gala look great.” Some followers noted his powerful presence with praise like “He knows he ate and left no crumbs,” while others reiterated his enduring star power, referring to him as the “one and only king,” a nod to the giant ‘K’ medallion he wore. While opinions on his look varied, his admirers embraced his elegant and slightly flamboyant appearance, describing it as “dandy” and stylishly bold.

Despite receiving mixed reactions from the fashion world, Shah Rukh Khan’s fanbase was unwavering in their appreciation. His dramatic look—an amalgamation of tradition, glamour, and charisma—captured the spirit of the evening while remaining authentic to his personal style. His Met Gala debut reflected both an evolution and an affirmation of his iconic identity, and for his supporters, that was more than enough.

Meanwhile, the man behind the look, designer Sabyasachi Mukherjee, took pride in presenting Shah Rukh Khan at the global fashion platform. Known for his ability to blend classic Indian elements with modern aesthetics, Sabyasachi ensured that Khan’s look resonated with his personality while still aligning with the grandeur expected at the Met Gala.

Interestingly, while fans were clamoring for Khan outside his New York hotel, American hosts Teyana Taylor and Ego Nwodim appeared unaware of his enormous global stardom during their red carpet interaction with him. As the actor shared his own thoughts about attending the gala, he admitted that the experience was nerve-wracking. He revealed that while he personally felt anxious about stepping into the world of global high fashion, his children were thrilled to see him be a part of the event.

Despite his self-professed discomfort, Khan’s charm and humility were evident. Speaking candidly on the red carpet, he said that the excitement of his kids encouraged him to be a part of the celebration. His willingness to venture into new spaces, despite the nerves, only endeared him further to his fans, who have long admired him not just for his acting, but also for his authenticity and humility.

Seeing the lack of recognition from the hosts, Sabyasachi stepped in to provide context about Shah Rukh Khan’s stature. The designer was quick to correct the oversight, explaining, “Just to give a little context, Shah Rukh Khan is probably the most famous man in the world and his fan following is legendary. We nearly had a stampede outside the hotel when he came out,” he said. His statement underscored the magnitude of Khan’s influence and global reach, especially within the Indian diaspora and among international cinema lovers.

Sabyasachi also emphasized that his approach to styling Khan was grounded in celebrating the actor’s identity rather than altering it for the sake of the event. He explained that he wanted to “represent Shah Rukh Khan as Shah Rukh Khan,” a sentiment that clearly translated through the final look—bold, iconic, and unmistakably him.

Khan’s presence at the Met Gala sparked a buzz not just on social media, but also within fashion circles. Though the reactions were split among critics, the overwhelming sentiment among fans was that he had once again proven his ability to captivate, no matter the stage. The combination of his timeless appeal, sartorial confidence, and grounded personality contributed to what many fans felt was one of the night’s standout moments.

The Met Gala, long considered one of the most prestigious nights in the fashion calendar, is known for attracting global celebrities and pushing style boundaries. Shah Rukh Khan’s debut, while grounded in elegance, was also a subtle assertion of his continuing relevance and adaptability in international cultural spaces. Though he admitted it wasn’t his natural environment, he showed that being true to oneself remains the most powerful statement of all.

In the end, Shah Rukh Khan’s appearance at the Met Gala became more than just a fashion moment. It was a testament to the actor’s enduring charm, his connection with fans, and the global embrace of Indian artistry. With Sabyasachi as his creative partner, Khan brought a sense of pride and cultural representation to the iconic event, reminding everyone why he remains such a beloved figure worldwide.

In the eyes of his fans, it was never a question of whether he belonged at the Met Gala, but rather how brightly he would shine once he arrived. And by all accounts, he did just that.

Indian weddings are renowned for their elaborate festivities, and a new restaurant now offers guests a taste of this celebratory experience. Madam Ji Ki Shaadi, which translates to “Madam Ji Is Getting Married,” opened on March 4 at 154 Bleecker Street in Greenwich Village. The restaurant is the brainchild of chef Abishek Sharma, who specializes in catering destination weddings and operates two other Indian restaurants in Manhattan—Rang and Swagat. This latest venture is designed to capture every aspect of an Indian wedding, from the food and décor to the vibrant energy of the occasion.

“The inspiration for Madam Ji Ki Shaadi stems from the vibrant and joyous celebrations of Indian weddings. These events are immersive experiences filled with music, dance, rituals, and incredible food,” Sharma explained. “I wanted to capture that energy and create a space where every night feels like a big fat Bollywood wedding. My personal experiences with wedding catering and the way food connects people during these celebrations led me to craft this unique dining concept.”

Guests are welcomed with the option of receiving a traditional bindi and can choose a $65 pre-fixe wedding menu, which includes insights into the rituals that shape an Indian wedding. The experience begins with a sparkling welcome drink and golgappe—crispy semolina spheres stuffed with spiced potatoes—served at the bar. Following the welcome drinks, diners are escorted to their seats for a feast that mirrors the lavish meals typically served at Indian weddings. The menu features dishes such as beetroot chaat, chili chicken bao, and chipotle paneer or chicken tikka kebabs. A vegetarian menu is also available for those who prefer plant-based options.

“The tasting menu will unfold like a wedding feast, with small bites, appetizers, mains, and dessert, just like at a traditional wedding reception,” Sharma said. “It’s about joy, indulgence, and creating unforgettable memories.”

A centerpiece of each dining table is a round golden thali tray, which holds an assortment of dishes traditionally enjoyed after an Indian wedding ceremony. Accompanying the meal are naan, chutneys, and rice. Some of the main offerings include vegetable truffle harvest kofta croquettes served in a spiced cashew sauce, Delhi-style Makhani chicken or paneer in a rich, buttery tomato sauce, coconut shrimp or vegetable curry, and slow-cooked gosht royale (goat).

“Weddings are about food, and every wedding thali is a carefully curated journey of flavors, textures, and emotions,” Sharma explained. “Our tasting menu features a variety of regional Indian dishes, each representing a different aspect of an Indian wedding feast.”

To end the meal on a sweet note, a seasonal dessert is served, which is currently gajar halwa kulfi—a warm spiced carrot pudding accompanied by ice cream. Additionally, each guest receives a bag of Indian sweets to take home, a gesture reminiscent of the favors given at Indian weddings. Guests can also opt for wine or cocktail pairings for an additional $35.

“From the moment guests walk in, I want them to feel like they’ve stepped into an extravagant shaadi (wedding),” Sharma shared. “The restaurant is divided into themed sections decorated to evoke different wedding moments, like the bright yellow section for the Haldi prosperity ceremony, blue and green symbolizing the pre-wedding Sangeet dance, and eye-popping red representing the color worn by the brides. DJ-curated playlists featuring a mix of classic Indian wedding beats and Bollywood-style music will play all night.”

When it comes to attire, diners are encouraged to dress in formal wedding attire or traditional Indian outfits to embrace the theme, though casual wear is also welcome. The restaurant aims to cater to everyone, including those who are preparing for an upcoming wedding or reminiscing about past celebrations. The space is also available for private events.

“We are creating a platform for wedding planners, DJs, and wedding fashion and décor companies to bring in their clients and experience what an Indian wedding truly feels like,” Sharma said. “This space is more than just a restaurant: it’s a cultural hub, a showcase of the grandeur, flavors, and vibrancy of Indian weddings. Whether it’s for event inspiration, a special night out, or simply to indulge in the joy of a shaadi feast, Madam Ji Ki Shaadi is where the magic happens.”

Many people believe that achieving beauty requires layers of makeup or frequent visits to a cosmetic surgeon. However, some women maintain their natural beauty without relying on these methods.

Their secret doesn’t lie in any magical product or treatment but in adopting habits that prioritize health and well-being. These habits not only enhance physical appearance but also contribute to overall well-being and confidence.

Here are seven daily practices followed by women who radiate beauty naturally. These simple yet effective habits can be easily incorporated into anyone’s routine to bring out their natural glow.

They prioritize their skin’s health

The foundation of natural beauty is healthy skin. Women who embrace their natural looks understand that skincare is not about concealing imperfections but about nourishing the skin so it glows from within.

They follow a consistent skincare routine, which includes cleansing, moisturizing, and protecting their skin from environmental damage. Choosing products with natural ingredients and staying hydrated are key aspects of their regimen. Drinking plenty of water and consuming a diet rich in vitamins and antioxidants also contribute to maintaining vibrant skin.

Sunscreen is an essential part of their daily routine, not just during summer but throughout the year. By prioritizing skin health, they achieve a naturally beautiful and radiant look.

They embrace regular physical activity

Natural beauty isn’t just about skincare—it’s also about how one treats their body. Women who radiate beauty often incorporate regular physical activity into their lifestyle.

Personally, I’ve noticed that staying active has significantly improved my overall well-being and appearance. Whether it’s a brisk morning walk, yoga, or a dance session, movement helps me feel energized and confident.

Exercise promotes better circulation, which gives the skin a natural glow. Additionally, the release of endorphins during physical activity uplifts mood, making one feel beautiful from the inside out.

Even on days when I skip makeup, I feel more vibrant and alive after a workout. Maintaining an active lifestyle is not just about staying in shape but about fostering a positive connection with one’s body.

They practice mindfulness and stress management

In today’s fast-paced world, stress can take a toll on one’s appearance. Women who maintain their natural beauty often incorporate mindfulness and relaxation techniques into their daily routine to manage stress effectively.

Personally, I’ve found that mindfulness not only helps me stay centered but also positively impacts my physical appearance. When I’m present and mindful, I handle stress better, which reduces signs of tension like frown lines and tired eyes.

In my book, The Art of Mindfulness: A Practical Guide to Living in the Moment, I explore how mindfulness can transform daily life. The book offers practical strategies to integrate mindfulness into even the busiest schedules, promoting inner peace and balance.

Practicing mindfulness doesn’t necessarily require hours of meditation. Simple acts like taking deep breaths or pausing to appreciate the present moment can make a difference. By managing stress effectively, women cultivate a sense of inner calm that enhances their natural beauty.

They nourish their bodies with wholesome foods

Eating well is not just about maintaining weight—it’s about providing the body with the essential nutrients needed for optimal function. Women who maintain a natural glow focus on a diet rich in whole foods, including fruits, vegetables, lean proteins, and healthy fats.

There was a time when I neglected my diet, and it reflected not just in my energy levels but also in my skin and overall appearance. I soon realized that what I ate had a direct impact on how I felt and looked.

Switching to a balanced, nutrient-rich diet wasn’t an overnight transformation, but the benefits were undeniable. My skin became clearer, my hair felt healthier, and I had more energy throughout the day.

Even small dietary changes—like replacing sugary snacks with fresh fruit or adding more leafy greens to meals—can significantly improve one’s health and appearance.

Nourishing the body with wholesome foods is not about restriction but about making choices that enhance well-being. When one feels good internally, it naturally reflects externally.

They embrace rest and recovery

In a society that glorifies constant productivity, rest often takes a backseat. However, women who maintain their natural beauty understand the importance of sleep and relaxation.

For a long time, I believed that sacrificing sleep to accomplish more would make me successful. However, it only left me feeling drained and looking exhausted. Once I started prioritizing sleep, I noticed a remarkable difference—my skin appeared more refreshed, and my mood significantly improved.

Rest isn’t limited to sleep; it also includes taking breaks throughout the day, disconnecting from distractions, and allowing the mind and body to recharge.

Prioritizing rest isn’t a luxury—it’s a necessity. By giving themselves permission to rest, women invest in their long-term health and beauty.

They cultivate positive relationships

The people one surrounds themselves with can have a profound impact on their overall well-being and appearance. Women who maintain their natural glow nurture relationships that uplift and inspire them.

Over time, I’ve learned that the company I keep greatly influences my outlook on life. Being around supportive friends and family boosts my confidence and happiness, which naturally reflects in my appearance.

Positive relationships provide a sense of belonging, reduce stress, and create an environment where one can thrive emotionally and physically. It’s not just about having people around—it’s about surrounding oneself with individuals who bring out the best in them.

By fostering strong, meaningful connections, women enhance their natural radiance. Feeling loved and supported translates into a vibrant and beautiful presence.

They embrace authenticity and self-acceptance

At the heart of natural beauty lies authenticity and self-acceptance. Women who exude genuine beauty understand that embracing their true selves is their greatest asset.

This means letting go of societal pressures and unrealistic beauty standards and celebrating unique features and qualities. When one fully accepts themselves, they exude confidence and grace—qualities that no amount of makeup or cosmetic procedures can replicate.

Authenticity is about feeling comfortable in one’s own skin and expressing oneself honestly. This confidence creates an aura of beauty that is both captivating and inspiring.

The most beautiful version of oneself is the one that fully embraces who they are, without trying to conform to external expectations.

The essence of true beauty

In the pursuit of beauty, it’s easy to get caught up in external solutions and quick fixes. However, true beauty comes from within and is cultivated through self-care and balance.

The habits discussed here go beyond physical appearance—they support an overall lifestyle of well-being. Incorporating these practices can lead to a more fulfilling and balanced life.

It’s important to remember that everyone’s journey is unique, and finding what works best for oneself is essential.

In my book, The Art of Mindfulness: A Practical Guide to Living in the Moment, I explore how mindfulness can be a powerful tool in achieving inner harmony and living more authentically.

Ultimately, beauty isn’t just about outward appearances. It’s about nurturing the mind, body, and spirit in a way that aligns with one’s true self. When inner balance is achieved, natural beauty shines effortlessly and remains timeless.

Gaurav Gupta’s Spring 2025 Couture collection, Across the Flame, unveiled at Paris Fashion Week, is not just an exhibition of high fashion but a deeply personal narrative woven into every thread. This collection transcends traditional couture, reflecting a journey of survival, resilience, and enduring love. At its heart is Navkirat Sodhi, Gupta’s life partner and muse, whose miraculous recovery from a life-threatening accident became the emotional cornerstone of this transformative collection.

Born from the Ashes

About eight months ago, an ordinary evening turned catastrophic for Gaurav and Navkirat. A candle’s flame spiraled uncontrollably, engulfing Navkirat in fire. Gaurav, without hesitation, tried to put out the flames with his bare hands, sustaining burns himself. However, Navkirat faced the gravest injuries, with burns covering 55 percent of her body.

Her battle for survival began in the ICU, where she spent two and a half harrowing months. Doctors gave her only a 50 percent chance of survival, but Navkirat’s strength and determination defied the odds.

“She is a fighter and a survivor… she is a goddess,” Gaurav shared in an emotional video on his official page, capturing the depth of his admiration and the profound impact of their shared ordeal.

As Navkirat embarked on her long and painful recovery, the experience profoundly transformed both their lives. For Gaurav, this wasn’t just a period of personal grief and hope—it sparked a creative awakening. This journey of survival, love, and healing evolved into Across the Flame, a collection that channels raw emotion into art.

Rising Like a Phoenix

For Gaurav Gupta, Across the Flame is far more than just a couture collection. It is an intimate story of “resilience, transformation, and the infinite light within all of us.” Drawing inspiration from astral projection—a mystical, out-of-body experience that both Gaurav and Navkirat explored during her recovery—the collection resonates with a sense of transcendence and spiritual rebirth.

Navkirat was not just the muse behind this collection; she became its living embodiment. In a breathtaking, defiant moment, she opened the show at Paris Fashion Week. Walking the runway in a cream-hued draped corset gown, her scars visible and her presence commanding, she redefined beauty and strength. Her powerful walk, infused with her signature poetic grace, turned the runway into a space of reclamation—a moment of defiance and triumph. This wasn’t just a fashion statement; it was a profound declaration of survival.

The Collection: A Canvas of Emotions

Each ensemble in Across the Flame is infused with layers of meaning, transforming the runway into a moving narrative of survival and rebirth. Far from being just garments, these pieces serve as emotional expressions of the journey Gaurav and Navkirat endured.

The intricate detailing speaks volumes—20,000 Preciosa crystals shimmered like embers, ghungroo embellishments added texture and rhythm, while raffia, micro pearls, and celestial-inspired makeup reflected their otherworldly journey.

This season’s palette introduced new shades—ochre, twilight purple, and space blue—symbolizing transformation and growth. These hues blended seamlessly with Gupta’s signature tones of black, ivory, and metallics, enhancing the narrative of light emerging from darkness.

Fire, the very force that tested their strength, is a recurring motif throughout the collection. Its presence is felt not just in the symbolism but also in the forms, drapery, and textures. One standout piece, the Twin Flame ensemble in ochre, captures both the destructive power of fire and the resilience it forged. It’s a visual testament to the idea that from devastation can arise immense strength.

The collection’s color story is equally evocative. Shades of black, deep purple, and dark blue mirror the physical and emotional bruises left behind by the fire, while white represents healing, purity, and transcendence. Midnight blue metal breastplates, designed to resemble armor, symbolize strength amidst vulnerability. Traditional Banarasi brocades, intricately woven with sacred chants, transform into wearable mantras of survival—a fusion of heritage and healing.

In a bold departure from tradition, Gaurav introduced denim into his couture repertoire for the first time. The Bucket Corset and Distressed Bucket Jacket, raw and rebellious, symbolize endurance and reinvention. Their rugged textures and distressed aesthetics mirror the scars that tell stories of battles fought and won.

Fashion with a Deeper Purpose

Across the Flame challenges the conventional boundaries of fashion, serving as a poignant reminder that couture can be more than just aesthetics—it can be a vessel for powerful personal narratives. The collection echoes the sentiment once expressed by the late designer Alexander McQueen: “I think there is beauty in everything. What ‘normal’ people perceive as ugly, I can usually see something of beauty in it.”

Navkirat’s walk down the runway encapsulated this philosophy. Her visible scars, far from diminishing her beauty, amplified her strength and courage. She wasn’t just showcasing couture; she was embodying a story of resilience, making an indelible statement on the global stage.

Gaurav’s collection blurs the lines between fashion, art, and therapy. It is a cathartic release—a creative expression of trauma, healing, and love. Each piece speaks to the universal human experiences of pain, perseverance, and transformation. The runway became a space where vulnerability met strength, where personal loss was alchemized into collective inspiration.

A Love Story Etched in Fabric

At its core, Across the Flame is a love story—one that transcends romance to encompass partnership, sacrifice, and the profound connection that can emerge from shared adversity. Gaurav’s devotion to Navkirat is stitched into every garment, his grief and hope translated into textures, colors, and forms.

The collection also highlights the transformative power of art. For Gaurav, creating this line was not just about showcasing his design prowess—it was a way to process trauma and find meaning amid chaos. For Navkirat, it was about reclaiming her narrative, standing tall in her truth, and turning her scars into symbols of survival.

A Moment That Redefined Couture

The unveiling of Across the Flame was more than a fashion show; it was a moment that redefined what couture can represent. In an industry often obsessed with perfection, Gaurav Gupta’s collection dared to celebrate imperfection, to honor scars, and to showcase the raw, unfiltered beauty of survival.

Navkirat’s presence on the runway was not just a testament to her resilience but also a challenge to societal norms about beauty. She reminded the world that true elegance lies not in flawlessness but in authenticity, in the courage to stand tall despite life’s hardships.

Gaurav Gupta’s Across the Flame is not just a collection—it’s a testament to the human spirit, a tribute to love’s healing power, and a reminder that even in our darkest moments, there’s a light within us that never fades.

On November 12, 2024, the opening reception of “Splendor of Silk & Beyond,” a unique initiative by the International Museum of The Sarees (IM of The Saree), was held. This event marked an important cultural milestone, showcasing the diversity and beauty of traditional attire. The reception welcomed the public along with leaders from Indian-South Asian, Caribbean, and Japanese diaspora organizations. Attendees participated in a vibrant exhibition featuring exotic and vintage apparel, including sarees, sherwanis, kurtas, dhotis, lehengas, and kimonos from various communities, including diplomatic, judicial, professional, and designer circles, according to a press release by the organizers.

The exhibit, which ran from October 15 to December 11, 2024, was hosted at the City College of New York. “Those interested in viewing this eccentric and fashionable exhibition of legendary icons’ apparel, accessories, short films, and audios in the Cohen Gallery & Archives should RSVP at imofthesaree@gmail.com and ask for private curations,” stated the organizers.

This curation boasted a wide variety of garments, including Banarasi sarees, South Indian sarees, and historically significant Indo-Caribbean and South American apparel. Among its highlights was a cancer-awareness saree, symbolizing wellness, along with a preview of the short documentary film IM of The Saree, Act 1.

The documentary featured key figures associated with the International Museum of The Saree, including its founders, legendary musicians Pandit Anup Jalota and Ustad Kamal Sabri, as well as a teaser by Bollywood star Rahul Roy. Additionally, the exhibit included audio recordings of lectures by the late Pandit Ravi Shankar, who once taught music at City College, CUNY.

The opening reception offered attendees an exclusive preview of the short film IM of The Saree and showcased live performances by prominent artists. Terry Gajraj and Artiste Anjali, both of Guyanese heritage, delivered stirring performances, followed by an ensemble led by renowned musician and composer Ustad Kamal Sabri. The event was a collaboration between the City College of New York, the Colin Powell School of Civic and Global Leadership, the City College Alumni Association, and pop-up initiatives such as IM of The Saree and the Green Fashion, Art & Design Museum.

This initiative represents an ongoing effort by the International Museum of The Saree to archive and celebrate the development of art, culture, and community. Partner organizations include GOPIO International, the South Asian Council for Social Services (SACSS), Nataraja Arts, Vivarta Arts, Sri Swaminarayan BAPS Temple, the Mithila Center, the Mala Desai School of Odissi Dance, Hearts of Change, and the Gracie Mansion Conservancy.

The project has also received support from CUNY employees and alumni, diaspora families, and leaders from diverse communities representing countries such as India, Nepal, Sri Lanka, Trinidad & Tobago, Suriname, Guyana, Bangladesh, South Africa, Zambia, Pakistan, Europe, China, and Korea. Together, these groups aim to promote cultural preservation and foster an appreciation for traditional attire and its historical significance.

The co-founder of IM of The Saree, Ashvini Persaud, has played a pivotal role in this initiative, which seeks to document and showcase the enduring legacy of sarees and other traditional garments. The exhibition emphasized the importance of preserving cultural heritage while simultaneously introducing innovative approaches to traditional art forms.

By blending fashion, art, and history, “Splendor of Silk & Beyond” has successfully created a platform for meaningful dialogue and cross-cultural exchange. The initiative is a testament to the vibrant stories embedded within fabrics and garments, resonating deeply with the communities they represent.

Gold has been a longstanding emblem of wealth, tradition, and cultural importance in India, particularly for women. The connection between Indian women and gold jewelry is deeply ingrained in societal norms, making gold an integral part of significant celebrations, especially weddings. In Indian weddings, gold is indispensable, whether as intricate bridal ornaments or as simple gold bars. These treasures are often gifted and are seen as a vital element of tradition. Over generations, this cultural practice has led Indian women to accumulate substantial amounts of gold, often passed down as family heirlooms. This has positioned India as a global leader in household gold ownership.

According to the World Gold Council, Indian women collectively own approximately 24,000 tons of gold in the form of jewelry, which accounts for an impressive 11% of the world’s total gold reserves.

To put this in perspective, the gold owned by Indian women surpasses the total reserves of the top five gold-holding countries combined.

A Global Comparison of Gold Reserves

Globally, nations like the United States, Germany, and Italy are known for their significant gold reserves. A report reveals that the United States leads with total gold reserves of 8,000 tons. Germany follows with 3,300 tons, while Italy holds 2,450 tons. France has 2,400 tons, and Russia possesses 1,900 tons. Remarkably, even when the reserves of these countries are combined, they do not match the amount of gold owned by Indian women.

Further data from the Oxford Gold Group emphasizes the dominance of Indian households in gold ownership. It states that Indian households collectively hold 11% of the world’s gold, exceeding the combined reserves of the United States, the International Monetary Fund (IMF), Switzerland, and Germany.

Officially, the United States remains the largest holder of gold reserves, with 8,133.5 tonnes accounting for 75% of the country’s foreign reserves, according to the Economy and Markets report. Germany ranks second with 3,359.1 tonnes, reflecting the growing interest in gold investments among Germans in recent years. Notably, Germany is also recognized as a global leader in gold purchases. Italy ranks third with 2,451.8 tonnes of gold.

Regional Leaders in Gold Ownership

In India, the southern states dominate in terms of gold ownership, with women from this region leading the charge. South India accounts for 40% of the country’s total gold holdings, with Tamil Nadu alone contributing a staggering 28%. This regional dominance underscores the cultural significance of gold in South Indian traditions and rituals.

According to Somasundaram, Director of the World Gold Council (WGC) India, studies conducted between 2020 and 2021 estimated Indian households’ gold holdings at 21,000–23,000 tonnes. By 2023, this figure grew to over 25 million kilograms, equivalent to 24,000–25,000 tonnes. The sheer volume of gold owned by Indian households equates to approximately 40% of India’s GDP, highlighting its immense economic and cultural importance.

Understanding the Gold Limits

While the cultural and economic value of gold remains unmatched in India, certain regulations govern its possession. According to Indian Income Tax laws, married women are permitted to hold up to 500 grams of gold, while unmarried women are allowed up to 250 grams. In comparison, men are permitted to possess only up to 100 grams of gold. These limits aim to regulate gold ownership while respecting its traditional significance.

In conclusion, gold holds a unique and unparalleled place in India, especially among its women. The immense quantity of gold owned by Indian households not only reflects the cultural and traditional significance of the metal but also underscores India’s position as a global powerhouse in gold ownership. With traditions continuing to revolve around gold and its symbolic value, Indian women remain at the forefront of preserving this golden legacy.

Recently, Juhi Chawla, renowned for her exceptional performances in Indian cinema, has been declared India’s richest actress. As per the Hurun India Rich List, Juhi has amassed an impressive net worth of Rs 4600 crore. However, decades ago, another actress commanded immense wealth, though her riches stemmed not from investments or businesses but from her extensive collection of jewelry and a lavish wardrobe. This actress, a celebrated figure in the 1960s, left an indelible mark on Indian cinema and politics.

The actress in question is Jayalalithaa, a Tamil film icon who transitioned into a powerful political figure. During her illustrious acting career spanning two decades, Jayalalithaa became a household name in Tamil and Telugu cinema, delivering numerous hit films. Her performances and screen presence cemented her position as one of the most successful heroines of her time.

Interestingly, Jayalalithaa’s substantial wealth was not solely a product of her film career but also her foray into politics. In the 1980s, she followed her mentor, M.G. Ramachandran, a celebrated actor-turned-politician, and joined his party, the All India Anna Dravida Munnetra Kazhagam (AIADMK). Her political journey began with a term as a Rajya Sabha MP, after which she shifted her focus to state politics. Over the years, she served as Tamil Nadu’s Chief Minister for five terms, leaving a significant legacy.

Jayalalithaa’s extravagant lifestyle and vast wealth came to light during a high-profile raid in 1997 at her Poes Garden residence in Chennai. At the peak of her political career, the raid uncovered a staggering inventory of personal assets. Authorities discovered 10,500 sarees, 750 pairs of footwear, 91 wristwatches, 800 kilograms of silver, and 28 kilograms of gold.

By 2016, further investigations revealed that her wealth had grown considerably. Her holdings included 1,250 kilograms of silver and 21 kilograms of gold. Additionally, she owned eight luxury cars and other legal movable assets valued at Rs 42 crore. Reports suggested her net worth at that time was Rs 900 crore—significantly exceeding the Rs 188 crore she had officially declared.

Jayalalithaa’s transformation from a celebrated actress to a revered political leader was remarkable. Her contributions to Tamil Nadu, both as a film icon and a five-time Chief Minister, earned her immense respect and admiration. Despite controversies surrounding her wealth, her popularity never waned. Tragically, she passed away in December 2016 at the age of 68 while still serving as the Chief Minister.

Her reported net worth at the time of her death stood at Rs 900 crore, a testament to the influence and resources she commanded during her lifetime. Jayalalithaa’s legacy continues to inspire discussions about the intertwining of cinema, politics, and wealth in India.

The unexpected passing of acclaimed Indian fashion designer Rohit Bal has deeply saddened the fashion and entertainment industries. Revered for his innovative spirit and artistic contributions, Bal’s sudden departure has profoundly impacted colleagues, friends, and fans alike. As news of his demise spread, heartfelt tributes poured in from celebrities and industry icons, all highlighting Bal’s remarkable talent, warmth, and personal influence.

In a tribute shared on Instagram, actor Priyanka Chopra posted a photo of Bal and penned an emotional message, “Gone too young, Rest peacefully #RohitBal.” Her sentiments captured the grief and shock that permeated the industry.

Joining the outpouring of respect, former Miss Universe Sushmita Sen posted a nostalgic image of the two from a past fashion show collaboration. She recalled Bal’s unmatched spirit and pioneering nature, saying, “An indomitable spirit and what a pioneer. Rest in peace #RohitBal.” Sen’s homage reflected the designer’s influence and the personal connection she shared with him, one that resonated with many who knew him.

Actor Anil Kapoor also mourned the loss of his friend, speaking to Bal’s artistic vision and influence in Bollywood. Kapoor, who worked with Bal on costumes for a song in the film Nayak, shared, “Heartbroken to hear about Rohit Bal’s passing. A true artist and visionary, he crafted iconic costumes for a song in Nayak and brought unmatched creativity to Indian fashion always. His legacy will live on. Rest in peace.” Kapoor’s words underscored the designer’s impact on the film industry and the indelible mark he left on Indian fashion.

Veteran actor Anupam Kher expressed his sorrow through a heartfelt Instagram post, remembering Bal as a vibrant and compassionate individual who radiated life. Kher wrote, “FASHION ICON ROHIT BAL: He was vibrant, colourful, funny, genius, compassionate, larger than life, kind, and many more things! Above all, a great human being. Bodily may not be there, but he will be eternal. I lost a friend today. alvidaa mere dost #RohitBal! #Fashion #Icon.” Kher’s tribute echoed the sentiment of many, remembering Bal not only as a talented designer but as a beloved friend and personality.

Numerous other celebrities, including Sonam Kapoor, Ananya Panday, and designer Manish Malhotra, also expressed their condolences on social media. These tributes reflected the deep-seated respect and admiration Bal commanded within the fashion world. The Fashion Design Council of India (FDCI) paid homage to Bal as well, commemorating him as a foundational member who redefined Indian fashion by blending traditional and contemporary styles. Their official statement noted, “We mourn the passing of Legendary designer Rohit Bal. A founding member of the FDCI, Bal was known for his unique blend of traditional patterns with modern sensibilities. His legacy of artistry and innovation will live on in the fashion world. Rest in peace, GUDDA.”

Bal’s recent return to the runway at the Lakme Fashion Week in October 2024, where he presented his collection “Kaaynaat: A Bloom in the Universe,” showcased his enduring dedication to fashion. The collection symbolized Bal’s signature fusion of heritage and modern aesthetics, reminding audiences of his unique creative voice. The collection’s success was especially poignant, as it came after a challenging year for Bal, who had struggled with health issues. In 2023, he was admitted to Medanta Hospital in Delhi for heart-related ailments, which took him away from the public eye for some time. Bal had openly expressed gratitude for the outpouring of love and support he received during his recovery, stating, “Your support has been a beacon of hope and strength.”

Bal’s demise at the age of 63 has left a significant void in Indian fashion, a field he helped shape with his innovative ideas and designs. The loss of such an influential figure reverberates through the fashion world, reflecting the substantial legacy he leaves behind. His body was brought to his New Delhi residence, where his last rites are set to take place today.

The collective tributes from friends, collaborators, and admirers capture the profound impact Rohit Bal had on people’s lives, both personally and professionally. His contributions to fashion are unparalleled, and his warmth and creativity will be remembered for generations to come.

India has a long and proud tradition in international beauty pageants, producing numerous titleholders across the world’s most prestigious competitions. Notable among them are three Miss Universes: Sushmita Sen, Lara Dutta, and Harnaaz Sandhu. Their wins marked milestones, with Sen being the first to claim the Miss Universe title for India in 1994, followed by Dutta in 2000, and Sandhu in 2021, each capturing international acclaim and inspiring future generations of beauty queens.

India’s success on the world stage extends to the Miss World pageant, where it holds six crowns. Reita Faria was the first to achieve this title in 1966, followed by celebrated icons such as Aishwarya Rai in 1994 and Priyanka Chopra Jonas in 2000. Diana Hayden and Yukta Mookhey earned their titles in 1997 and 1999, respectively, while Manushi Chhillar became the latest Miss World from India in 2017, highlighting the country’s consistent presence in the competition.

The Miss Asia Pacific title, another international beauty accolade, has also seen Indian winners. Zeenat Aman won in 1970, Tara Anne Fonseca in 1973, and Dia Mirza in 2000. Their wins underscored India’s versatility in the pageantry circuit, showcasing beauty and cultural diversity to a global audience.

Nicole Faria made her mark by being the only Miss Earth titleholder from India in 2010. Her achievement represented another dimension of India’s success in international pageants, where environmental advocacy and beauty combined.

In a new milestone, 20-year-old Rachel Gupta has brought further recognition to India by becoming the country’s first Miss Grand International. This competition, now eleven years old, witnessed Gupta from Jalandhar outshine over 70 contenders from around the globe, marking India’s inaugural victory in the competition.

Rachel Gupta from India made history by winning the Miss Grand International title, becoming the 12th holder of the crown and the first winner from India. Her triumph, however, is being overshadowed by an unexpected scene created by team Myanmar on and off the stage, drawing significant media attention.

On social media, videos from the event began circulating, showing a tense moment involving Myanmar’s second runner-up Thae Su Nyein. As Thae Su Nyein was announced as the second runner-up, Myanmar’s national director Htoo Ant Lwin walked onto the stage and forcefully removed her crown and sash. The visibly distressed Nyein was escorted away from the stage, reportedly crying over the ordeal. Soon afterward, Lwin was seen confronting a person recording the incident, which added further tension to the scene.

Afterward, Lwin took to social media, posting in a tone that initially seemed defiant. In a message that loosely translated to “Everything is fine. I will go live shortly,” Lwin hinted that he would clarify his position. During a live session soon after, he leveled several allegations against the Miss Grand International organization, claiming that the competition’s results were unfair to Nyein and declaring that Myanmar would not be participating in future pageants. In a later post, he adopted a calmer stance, asking, “Will you re-sign the contract?” followed by laughing emoticons, further fueling curiosity and concern from followers, who flooded the comments with messages of support and questions about his well-being.

As of now, the Miss Grand International organizers have not responded to Lwin’s accusations or commented on the Myanmar team’s exit. Despite the controversy, Gupta’s victory remained the highlight of the night for many fans and supporters in India.

“WE DID IT! We won the first Golden Crown in Indian history. HAR MAIDAN FATEH 🇮🇳,” Rachel Gupta expressed on Instagram, sharing clips of her crowning moment. “Thank you so much to everyone who believed in me! I promise, I will not let you down. I vow to be a Queen whose reign you’ll remember forever! With all my love,” she added, celebrating her achievement with gratitude toward her supporters.

The first runner-up of the pageant was CJ Opiaza from the Philippines, who, along with other contestants, witnessed the unexpected Myanmar incident unfold. The situation has sparked conversations across social media, leaving many speculating about the allegations and the future of Myanmar’s involvement in the pageant.

What are your thoughts on the controversy stirred by team Myanmar during the Miss Grand International finale?

The Femina Miss India 2024 pageant dazzled audiences with its blend of elegance and grandeur, featuring Narayan Jewellers as the official crown and jewels partner. Narayan Jewellers, known for their luxury designer pieces, brought their celebrated craftsmanship to the event, creating stunning crowns for the top three winners. The Vadodara-based jewellers have a nearly century-long legacy and are renowned internationally for their “one-in-a-million” designs, having graced prestigious platforms such as New York Fashion Week and The Oscars. Their role at this event cemented their place as one of the leaders in fine jewellery.

Narayan Jewellers designed three magnificent crowns for the event’s winners: Nikita Porwal, the Femina Miss India 2024 winner, Rekha Panday, the first runner-up, and Aayushi Dholakia, the second runner-up. Each crown, crafted with attention to both cultural heritage and modern design, was a testament to the artistry and craftsmanship for which Narayan Jewellers is celebrated.

A Legacy of Timeless Craftsmanship

Narayan Jewellers is managed by Dr. Ketan Chokshi and Jatin Chokshi, two visionaries who have carried on the family tradition of creating exquisite jewellery. Their designs masterfully blend traditional Indian artistry with contemporary aesthetics, appealing to both connoisseurs of heritage pieces and modern fashion lovers.

The crowns for Femina Miss India 2024 reflected this unique combination of old and new, offering intricate details and luxurious design. “Each crown is not just a symbol of victory,” said Dr. Ketan Chokshi, “but a representation of India’s vibrant culture and heritage.” The Chokshi brothers’ vision was brought to life in the crowns that captured the essence of elegance and artistic brilliance.

The Crown for Femina Miss India World 2024

The crown for Femina Miss India World 2024 was a standout, representing “unity in diversity” through its intricate design and craftsmanship. Dr. Ketan Chokshi’s vision for this crown was to create a symbol of grace and beauty. The design drew inspiration from various Indian art forms, such as Gujarat’s Bandhani, Rajasthan’s Kuchi embroidery, Punjab’s Phulkari, and Assam’s Dugdugi motifs. Each element reflected India’s rich cultural diversity.

Made from 18kt gold, the crown was adorned with both natural white diamonds and rare yellow diamonds, lending it an air of regal sophistication. The addition of mother-of-pearl accents elevated the design, while the hand-set stones were a testament to the jewellers’ commitment to exceptional craftsmanship. This crown stood as a powerful blend of tradition and innovation, representing the elegance and victory of the winner.

First Runner-Up Crown: A Tribute to Artistic Heritage

The crown for the first runner-up, Rekha Panday, paid homage to India’s unparalleled artistic heritage. The design incorporated elements from Odisha’s Patta Chitra paintings, Maharashtra’s Bidriware, and the resplendent Kanchipuram sarees from Tamil Nadu. This fusion of various art forms created a stunning visual tribute to India’s artistic diversity.

Crafted in 18kt gold, this crown was embellished with radiant white diamonds and Mozambique rubies, which symbolized passion and strength. The design underscored Narayan Jewellers’ dedication to preserving Indian craftsmanship while embracing modernity. “Each facet of the crown reflects our commitment to honoring Indian art while offering modern elegance,” explained Jatin Chokshi. The gemstones were set with extreme precision, resulting in a true masterpiece.

Second Runner-Up Crown: A Blend of Tradition and Modernity

The second runner-up, Aayushi Dholakia, was crowned with a piece that symbolized the harmonious blend of traditional artistry from both South and North India. Narayan Jewellers incorporated influences from Karnataka’s Mango Mala designs, Uttar Pradesh’s Kasumala, Kashmir’s Pashmina, and Bengal’s Kantha embroidery. The result was a crown that celebrated the craftsmanship of Indian artisans across the country.

This crown, also crafted in 18kt gold, featured white diamonds, Colombian and Zambian emeralds, creating a vibrant interplay of color and refinement. The emeralds represented growth and renewal, while the hand-set gemstones showcased Narayan Jewellers’ commitment to balancing tradition with contemporary design. The second runner-up’s crown was a perfect blend of vibrant colors and refined design.

Narayan Jewellers: A Brand Rooted in Heritage

Narayan Jewellers has a rich history dating back to 1940, when it was founded by Ambalal Chaturbhai Chokshi in Vadodara. Over the decades, the brand has grown into a symbol of excellence in craftsmanship. Initially named M/S Ambalal Chaturbhai Chokshi, the company expanded significantly under the leadership of Narendra A. Chokshi, the founder’s eldest son, who joined in 1969.

By the 1970s, Narayan Jewellers had expanded its offerings to include Jadau and diamond jewellery, alongside its renowned gold pieces. In 1984, the company rebranded itself as Narayan Jewellers, reflecting its evolving identity. Narendra Chokshi’s contributions to the industry were significant, including his role in shaping national jewellery standards and his work with the BIS Hallmark ACT regulations.

Leadership by Dr. Ketan and Jatin Chokshi

In 1997, Narendra’s son, Dr. Ketan Chokshi, joined the family business, bringing with him years of global experience in diamonds, jewellery manufacturing, and retail. With a PhD in Fashion and Luxury from Switzerland, and as a graduate from the Gemological Institute of America, Dr. Ketan has combined his expertise with artistic vision to create unique masterpieces. “We aim to create innovative pieces of high aesthetic value,” said Dr. Ketan, adding that the brand focuses on rare materials and exceptional craftsmanship.

Jatin Chokshi, the younger brother, joined the business in 1999, specializing in diamonds and management. Under his leadership, Narayan Jewellers has grown its international presence, with a focus on research-driven innovation and design. Jatin’s strategic vision has propelled the brand forward, ensuring its success both nationally and internationally.

Narayan Jewellers: A Symbol of Luxury

Narayan Jewellers has remained a beacon of luxury and excellence under the leadership of the Chokshi brothers. Their designs, which blend tradition with innovation, have earned the brand accolades on both national and international platforms. Their collaboration with the Femina Miss India 2024 pageant further solidified their reputation as one of India’s leading jewellery houses.

As Dr. Ketan Chokshi noted, “Our mission is to create masterpieces that reflect a rare blend of art, technology, and expertise.” With over 40 accolades to their name, Narayan Jewellers continues to stand out as a leader in the world of fine jewellery, and their role in the Miss India 2024 pageant only serves to reinforce this status.

Nikita Porwal, hailing from Madhya Pradesh, has been crowned the winner of Femina Miss India 2024, a prestigious beauty pageant that celebrates talent, grace, and poise. Following closely in second place was Rekha Pandayy, who represented the Union Territories in this fiercely competitive event.

Nikita, who has embarked on her acting journey at the age of 18, has gained a wealth of experience in the entertainment industry. Her initial foray into the spotlight began as a television anchor, where she honed her skills and developed a strong presence. At the crowning ceremony, she was awarded her title by last year’s winner, Nandini Gupta, marking a memorable transition of the crown. In a symbolic gesture, Neha Dhupia, a former Miss India and renowned actress, placed the Miss India sash on Nikita, adding to the significance of the occasion.

The finale of the Miss India pageant took place in Mumbai on a vibrant Wednesday night, showcasing an array of talent and glamour. The event featured a dazzling performance by Sangeeta Bijlani, who graced the ramp with elegance. The red carpet was a star-studded affair, attended by notable personalities including former Miss India Neha Dhupia, actor Raghav Juyal, and several others from the film and entertainment industry. Anusha Dandekar, a prominent figure in entertainment, served as one of the jury members, lending her expertise to the selection process.

This edition of the Femina Miss India pageant initiated a comprehensive nationwide search designed to discover the finest talents from across the country. The pageant’s organizers conducted extensive on-ground auditions, ensuring that participants from every corner of India had the opportunity to showcase their abilities. The rigorous scouting process, coupled with a series of audition rounds, culminated in the selection of 30 state winners. These winners underwent a demanding training regimen and grooming drills during a specialized boot camp facilitated by industry experts, preparing them for the final competition.

During the Grand Finale on Wednesday night, the 30 state winners competed fiercely for the coveted title of Femina Miss India 2024. The winner of this prestigious title, co-powered by Tops and Rajnigandha Pearls, will have the honor of representing India at the Miss World pageant. Achieving the title of Femina Miss India not only brings immense fame but also opens the door for the winner to experience life in Mumbai, famously known as the Maximum City and the heart of India’s entertainment and glamour industry.

This year’s competition continues a rich legacy, as India has produced five remarkable Miss World titleholders who have made significant contributions to the global stage: Aishwarya Rai in 1994, Diana Hayden in 1997, Yukta Mookhey in 1999, Priyanka Chopra in 2000, and Manushi Chhillar in 2017. As such, the nation eagerly awaited the crowning of a new titleholder, highlighting the enduring appeal of the Miss India brand.

In recognition of the milestone 60th anniversary of India’s most iconic beauty pageant, the Miss India Organization has launched a musical anthem to celebrate its storied history and impact. This anthem, titled “Rise of Queen,” pays tribute to the rich legacy of the pageant and is available worldwide across all major streaming platforms. The release of this anthem underscores the event’s significance, aiming to inspire future generations of young women aspiring to make their mark in the world.

The Femina Miss India pageant not only showcases beauty but also emphasizes empowerment, resilience, and the importance of representation. This year’s edition has been a celebration of talent and has served as a platform for young women to express their aspirations and dreams. The event stands as a beacon of hope, encouraging participants to strive for excellence and to break barriers in their respective fields.

With a bright future ahead, Nikita Porwal’s journey in the spotlight is just beginning. As she prepares to take on the responsibilities that come with her new title, she carries the hopes and dreams of many aspiring young women across the nation. The crown is not just a symbol of beauty but a testament to hard work, dedication, and the pursuit of one’s passions. As the new Femina Miss India 2024, Nikita is poised to make her mark, following in the footsteps of previous titleholders who have inspired countless others.

Through events like Femina Miss India, the beauty pageant community continues to evolve, reflecting the changing dynamics of society and the empowerment of women. As the legacy of the pageant continues to thrive, it remains a celebration of diversity, talent, and the unyielding spirit of young women in India.

Nikita Porwal’s victory represents not just personal achievement but also the culmination of a collective effort by all participants, judges, and organizers who contributed to this memorable event. As the nation watches her journey unfold, the excitement surrounding the Femina Miss India pageant and its impact on the lives of young women will undoubtedly continue for years to come.

The excitement surrounding the event serves as a reminder of the positive changes taking place in the world of beauty and pageantry, where the emphasis is increasingly placed on empowering women and promoting their voices. The Femina Miss India pageant stands as a testament to the power of dreams and the relentless pursuit of one’s goals, inspiring future generations to rise and shine in their endeavors.

The crowning of Nikita Porwal as Femina Miss India 2024 not only highlights her individual talent and dedication but also reinforces the pageant’s commitment to celebrating the spirit of womanhood in all its forms. The journey ahead is filled with opportunities for growth, representation, and inspiring change as she takes on her new role on the global stage.

It was a magical night filled with excitement as the crowd gathered at the Imperial, New Delhi, eagerly awaiting the grand finale of the Lakme X FDCI Fashion Week. The event was made even more special by a stunning 3D projection of roses, one of the signature motifs in Rohit Bal’s iconic collections. Known for his extravagant and theatrical presentations, Bal, often referred to as the “enfant terrible” of Indian fashion, lived up to his reputation. Despite having battled heart disease and enduring a lengthy hospitalization in November 2023, Bal’s energy was infectious as he danced his way down the runway alongside showstopper Ananya Panday, taking a triumphant bow.

The evening’s atmosphere was filled with admiration and respect for Bal, who has long been considered one of India’s most celebrated designers. As the audience rose to their feet in a standing ovation, it was clear they were welcoming back a beloved figure in the fashion world. His latest collection, Kaaynaat: A Bloom in the Universe, captured the beauty of nature, paying homage to flowers and their timeless elegance.

In a tribute to his Kashmiri heritage, Bal, affectionately known as “Gudda” by close friends and fashion insiders, created a collection that celebrated the eternal cycle of nature’s growth and transformation. Each garment on the runway was a reflection of this theme, with intricate designs and carefully chosen colors that mirrored the beauty of the natural world. The audience was transported to a world of natural wonder, where every piece symbolized life’s continuous cycle of renewal and bloom.

The collection showcased a palette of colors ranging from soft milky whites to rich burgundies, a spectrum that represented the various stages of nature’s cycle. Florals were a key element throughout, as models glided down the runway to a nostalgic 90s soundtrack featuring songs by Madonna and Kate Bush. The combination of these classic tunes and the models’ elegant stride evoked memories of old-school fashion shows, reminding the audience of a bygone era of glamour and sophistication.

Ananya Panday, the show’s grand finale, was the perfect embodiment of the collection’s celestial and timeless beauty. She closed the event in a stunning black floral lehenga, a piece that encapsulated the entire collection’s elegance and refinement. The intricate floral patterns, combined with the rich, dark hues, captured the essence of Kaaynaat, celebrating the natural world’s beauty and resilience.

After the show, Panday shared a personal connection with the designer’s work during a press conference. She revealed that her outfit bore a striking resemblance to a floral jacket that Bal had made for her father, Chunky Panday, many years ago. “I’ve actually stolen a few pieces from my dad’s closet,” she admitted with a smile, highlighting how Bal’s designs transcend generations and remain timeless in their appeal.

In a press release, Bal shared his thoughts on the inspiration behind *Kaaynaat*. “This collection was a journey through the wonders of nature,” he explained. “It celebrates the bloom of life and beauty, reflecting both the grace of nature and the enduring power of beauty. Working with Lakmé has been an incredible experience, and I’m thrilled that this collection has come together in such a meaningful way.”

Bal’s journey to this triumphant return has not been without its challenges. In 2023, he faced a serious health battle that required extended hospital stays. However, his resilience and passion for his craft never wavered, and this collection serves as a testament to his unwavering dedication to fashion. The audience’s response — the applause, the standing ovation, the palpable admiration in the room — was not just for the collection, but also for the man behind it, a designer who has weathered personal storms and emerged even stronger.

As the models walked the runway, it became clear that Bal had poured his heart and soul into every aspect of the collection. Each piece told a story of growth, of beauty in adversity, and of the eternal power of nature. The roses that appeared throughout the show — from the 3D projection at the beginning to the delicate floral motifs on the garments — symbolized the bloom of life, a theme that resonated deeply with the audience, especially considering the designer’s personal journey.

Bal’s Kaaynaat is more than just a fashion collection. It is a celebration of life, nature, and resilience. The garments, with their floral patterns and flowing silhouettes, evoke a sense of natural beauty that is both elegant and timeless. And for Bal, this collection marks a significant moment in his career — a triumphant return to the runway after overcoming a major health crisis. His passion for his craft, his dedication to his heritage, and his ability to turn adversity into beauty were all on display that night, leaving the audience in awe.

The grand finale of Lakme X FDCI Fashion Week was a night to remember, not only because of the stunning designs on the runway but also because it marked the return of a fashion icon. Bal’s Kaaynaat is a powerful reminder of the beauty that surrounds us and the resilience that lies within us all. As the designer took his final bow alongside Ananya Panday, the audience’s applause echoed the sentiment of the night: the prince of Indian couture had returned, and he had brought with him a collection that will be remembered for years to come.

Bal’s collaboration with Lakmé, as he described, was a deeply rewarding experience. His vision for Kaaynaat perfectly aligned with the brand’s ethos, and the result was a collection that felt both deeply personal and universally beautiful. As the event came to a close, there was a sense that this was more than just a fashion show — it was a celebration of life, of nature, and of the enduring power of beauty in the face of adversity.

The evening’s showcase not only highlighted Rohit Bal’s design prowess but also underscored his resilience and determination. Through *Kaaynaat*, he reminded the world of the importance of celebrating the beauty of nature, even in the midst of personal challenges. His triumphant return to the runway, complete with a stunning collection and a standing ovation from an adoring audience, marks a new chapter in his illustrious career, one that is sure to inspire future generations of fashion lovers.

Three years ago, at the opening ceremonies of the Tokyo Olympics and Paralympics, Team Canada’s athletes donned sleek white jeans. While they may have appeared fashionable, these jeans posed a significant challenge for some Paralympians, including Alison Levine. Levine, a boccia athlete, found the jeans particularly uncomfortable, as they dug into her skin while seated in her wheelchair. “There was no way I was getting those on,” Levine recalled, explaining how the jeans’ lack of an elastic waistband made them difficult to wear. Instead, she had to find alternative attire that wouldn’t make her look out of place. “You don’t want to look different because of your disability. You don’t want it to be, ‘Team Canada plus you guys,’” she explained.

Fast forward to this year’s Paralympic Games in Paris, and things have significantly improved. Levine and her teammates wore bright red jackets with adaptive features, such as magnetic closures, making the clothing easier to use for everyone, disabled or not. In addition, a special seated carpenter pant option, designed with Levine’s specific needs in mind, was available. Aptly named the “Alison pant,” this innovation represented a breakthrough in adaptive fashion, a sector in which fashion brands are slowly beginning to address the needs of disabled individuals.

Levine views the progress as not only a positive step for Olympic attire but also for the broader adaptive fashion movement. Lululemon, the apparel company that designed the outfits, began consulting with Levine and other Paralympians three years ago. “Listen, people want to look good,” Levine, 34, said. She has a degenerative neuromuscular disorder and expressed how frustrating it can be for disabled people to sacrifice style for comfort. “A lot of the time when you’re disabled, you have to sacrifice your looks for what works for you or for comfort. But the disability movement is getting bolder and stronger and saying that we’re not going to accept these things anymore.”

Levine acknowledges the privileged position she and her Canadian teammates are in, as not all athletes are fortunate enough to have a major brand like Lululemon designing their attire. Lululemon, with a four-Games partnership with Team Canada, designed outfits for Olympians and Paralympians to wear outside of competition, including at opening and closing ceremonies, for travel, and during media appearances.

Audrey Reilly, Lululemon’s creative director for Team Canada, was taken aback when she learned that Levine typically wore medical scrubs for training and competing because they were the most comfortable option available. This realization inspired Lululemon to create designs that catered to both seated and standing athletes. “All the athletes want to look the same,” Reilly said. “They want to feel the same.”

The “Alison pant,” named after Levine, includes features such as shin-level pockets, making them more accessible for athletes in wheelchairs. Levine was surprised but delighted by the recognition. “It was insane to hear that a garment was named after me,” she said, but more importantly, she was thrilled to be able to wear something that her teammates were also wearing: “You feel like you’re really part of the team.”

The focus on adaptive fashion for the Paralympics has not gone unnoticed by Olympic commentators. Alison Brown, a podcaster who has been covering the Olympics for years, remarked that this Olympic cycle marks the first time she has seen adaptive fashion make a significant impact. Both Lululemon’s unveiling of Team Canada’s kits and Nike’s kit reveal for Team USA, which featured models in wheelchairs and with prosthetics, caught her attention. “It’s so simple, yet so impactful,” Brown said. She also noted that most national teams don’t have the financial resources or structural setup, like Team USA and Team Canada, where Paralympians and Olympians share a unified organizational framework.

Mindy Scheier, a long-time advocate for adaptive fashion, is not surprised that 2024 is the year when the issue became visible on the global Olympic stage. Scheier, who has been championing the cause for over a decade, believes this is a natural progression. “The paradigm has shifted, and brands are really starting to see this as a business opportunity,” Scheier said. “The momentum has absolutely trickled down to the Olympics and Paralympics, because there has been such a breakthrough in the industry.”

Scheier’s advocacy began when her son, born with muscular dystrophy, wanted to wear jeans to school instead of sweatpants. Unable to find suitable options, she started a foundation and consulting agency to push fashion designers and retailers toward more inclusive fashion choices. A decade ago, she had no corporate partners, but today, major brands like Tommy Hilfiger, which launched its Tommy Adaptive line, and retailers such as Target and Victoria’s Secret have embraced adaptive fashion. Scheier’s foundation, Runway of Dreams, will showcase its work at this year’s New York Fashion Week with 60 models, all of whom have various disabilities. “This is a vocal population, and it wants to be considered a consumer,” Scheier emphasized.

For Jessica Long, a decorated para swimmer for Team USA, adaptive fashion holds personal significance. Long, 32, is competing in her sixth Paralympics, having started winning gold medals at just 12 years old. As a double amputee, one of the hardest things she faced growing up was finding shoes that worked with her prosthetics. “There’s not many things in my life that make me feel very disabled, but shoe shopping, and clothes shopping in general, has always been the hardest,” Long shared.

Although shopping has become easier as Long has grown more confident, finding suitable shoes remains a challenge. “What people might not think about is that shoes can completely throw off my walking … if they’re too heavy,” she explained.

Like Levine, Long appreciates the improvements made by brands like Ralph Lauren, which, in collaboration with the U.S. Olympic and Paralympic Committee, surveyed para athletes a year ago to better understand their needs. Ralph Lauren’s designs for Team USA’s opening and closing ceremony outfits reflect this input. “I’ve seen so much improvement in the mobility for us,” Long noted in an interview before the Paralympics. “It’s those little pieces that mean the most, I think, to the para athletes. I think it’s going to be really exciting when we all dress up.”

For athletes like Levine and Long, the 2024 Paralympics mark a turning point, not just for their personal experiences but also for the broader visibility of adaptive fashion on the global stage.

At the 81st Venice Film Festival, the red carpet seemed to turn back the clock to an era of old Hollywood glamour, reminiscent of the 1920s rather than 2024. Since Wednesday, attendees have been showcasing looks inspired by the golden age of Hollywood, with classic dress styles and vintage-inspired accessories taking center stage.

During the premiere of Pablo Larrian’s “Maria,” a biopic that explores the dramatic life of 20th-century soprano Maria Callas, Angelina Jolie appeared to embody her character in more ways than one. Jolie was seen in a custom-designed, nude-toned gown by Tamara Ralph, which she paired with a 1930s-style faux fur shrug, a golden rose-shaped brooch, and a bold deep red lipstick. This ensemble echoed the style of iconic Hollywood stars such as Marlene Dietrich, Joan Crawford, and Greta Garbo. The designer, Tamara Ralph, updated the look for modern sensibilities, transforming a classic accessory into a contemporary fashion statement.

Angelina Jolie wasn’t the only one at the “Maria” premiere channeling the glamour of bygone Hollywood icons. Taylor Russell graced the red carpet in a custom-made pale yellow silk crepon dress, complete with a matching scarf that flowed from the train of her dress. Designed by Loewe, this outfit featured a 1930s aesthetic, reminiscent of Marilyn Monroe’s look in the 1953 film “Gentlemen Prefer Blondes,” where Monroe’s fiery bejeweled gown was accentuated by an orange chiffon scarf. This trend of adding an extra length of fabric to a silk crepe dress was also seen in Coco Chanel’s Spring-Summer 1930 collection, further highlighting the timeless appeal of this fashion choice.

Isabelle Huppert, who serves as the jury president of this year’s festival, chose to take inspiration from a slightly later period for her appearance at the “Beetlejuice” premiere. British Vogue noted that her “pope red” opera coat drew inspiration from the 1950s theater scene. The coat was sourced from Balenciaga’s 50th couture collection, designed in 2021. Huppert’s ensemble was completed with white elbow-length gloves and stacks of Cartier bracelets on both wrists, making a bold fashion statement that nodded to mid-20th-century style.

Meanwhile, Chilean actress Mariana di Girolamo embraced a vintage silhouette for her red carpet look at the Venice Film Festival. She wore a black embellished Chanel cape dress to the screening of “El Jockey,” which paid homage to Chanel’s long history of creating dramatic evening capes. This classic yet modernized look featured a hint of sparkle, thanks to the intricately embroidered beads and sequins. Di Girolamo’s choice was both glamorous and understated, perfectly blending old-world charm with contemporary elegance.

These red carpet moments at the Venice Film Festival illustrate a valuable lesson that applies to both fashion and film: the past often holds treasures that continue to inspire and captivate. In many ways, the saying “old is gold” proves to be true, as the allure of vintage style remains timeless and influential.

Anamika Khanna, an Indian fashion designer, will debut an exclusive collection in September in collaboration with H&M. The new collaboration between Khanna and H&M paves a path for Indian designs, leading to a formative launch onto the global fashion market spotlighting India’s rich fashion craft and tapestry. Anamika Khanna shapes traditional designs with articulated modern patterns in her creations. With the collaboration on the run, we could see a more relaxed edge to the designs.

Anamika launched her career in the year 1998 and worked her way to become the top designer in India. In 2007, she became the first Indian woman to showcase her designs at Paris Fashion Week. One of her best creations is known to be dhoti pants, followed by zardosi designs, kaftans, and lehengas.

In conversations with Harper’s Bazaar, Anamika shared her insight on the collection. She said, “It’s versatile, relaxed, and loungy yet fit for dates and evenings; easy and timeless.” She added, “It’s a lot of fun—a shirt you can wear with jeans, as a dress, or with pyjamas.”

Khanna is the second Indian designer to work with H&M, after Sabyasachi Mukherjee in 2021. In 2015, H&M launched their first outlet in India, and by now there are about 62 stores in the country, laid out in Tier 2 and Tier 3 cities.

Anamika Khanna and H&M’s women’s collection features an array of kaftans with asymmetrical hemlines and voluminous skirts. Graphic prints and sporty designs comprise the men’s wear collection. The accessory collection is going to embody the intricately crafted earrings and necklaces.

A few selected stores and online markets in India, the UK, Singapore, Malaysia, South Africa, and Vietnam will display the exclusive Anamika Khanna and H&M collection from September 5.

Ved Bharambe has made history as the first Indian to win the Best National Costume Award at the Man of the World 2024 pageant held in the Philippines. Hailing from Pune, Bharambe captivated the audience with a spectacular costume inspired by India’s national bird, the peacock. His striking runway performance, which was recorded, has garnered over 19 million views on Instagram.

The costume, a visual masterpiece, featured a model of the Taj Mahal that opened to reveal Bharambe’s face. Enhancing the grandeur were oversized peacock wings adorned with images of renowned Indian beauty queens such as Aishwarya Rai, Sushmita Sen, Lara Dutta, and Priyanka Chopra. Additionally, it included a photo of Aditya Khurana, the 2022 Man of the World winner.

As reported by Business News This Week, Ved Bharambe, also known as Lavesh Mohan Bharambe, was honored with the Best National Costume award at the 6th edition of the Man of the World Pageant.

“The Wonders of India” costume was a collaborative effort between Filipino designer Patrick Isorena and India’s Mohammed Nagaman Lateef. Their mission was to highlight India’s rich cultural heritage and iconic symbols, culminating in a creation that took 408 hours to complete.

The designers aimed to encapsulate the essence of India in their creation. A central element was the Taj Mahal, one of India’s most recognizable monuments. The costume also paid homage to past pageant winners, including Aishwarya Rai and Sushmita Sen. The white peacock, symbolizing strength, power, and immortality, served as a majestic representation of India’s national bird.

The Man of the World pageant promotes itself as an annual event celebrating “Masculinity with Responsibility.” This year, Sergio Azuaga from Venezuela emerged as the winner on July 26, succeeding Wook Kim of South Korea, the 2023 titleholder.

India’s Ved Bharambe qualified for the global pageant after winning ‘Man of the World India 2024’ in April. He progressed to the top 10 before being eliminated in the final stages of the competition yesterday.

A US citizen fell victim to a deceptive scheme, purchasing imitation jewelry valued at ₹300 for an exorbitant ₹6 crore from a store owner in Rajasthan, as stated by the police.

Cherish, identified as a resident of the United States, acquired silver jewelry with gold plating from an establishment located in Johri Bazaar, Jaipur, Rajasthan.

Upon showcasing the jewelry at an exhibition in the US in April of the current year, it was revealed to be counterfeit. Subsequently, Cherish traveled to India to confront Gaurav Soni, the proprietor of the shop.

Despite Cherish’s accusations, the shop owner, Gaurav Soni, refuted the claims. Consequently, the American woman lodged a formal complaint with the Jaipur Police. Additionally, she sought assistance from the US embassy, prompting the Jaipur Police to initiate an investigation into the matter.

The complainant informed the authorities that her acquaintance with Gaurav Soni commenced via Instagram in 2022. Over the course of the last two years, she allegedly disbursed ₹6 crore for fraudulent jewelry, according to officials.

Authorities disclosed that both Gaurav Soni and his father Rajendra Soni are currently evading law enforcement. Efforts are underway to apprehend the fugitives, with special teams being deployed for this purpose, as confirmed by an official.

“Fashion fosters the clichés of beauty, but I want to tear them apart.” Muccia Prada

Fashion has always been a hot topic for people. Over the years, the fashion industry has revolutionised alongside social media. And the influence of social media or media as a whole became more evident than the rest of the years. Fashion is not just an element of attraction among the younger generation; it is also relevant to every generation. Social media has just become a convenient platform for sharing and expressing oneself and for some to keep up with the latest updates in the industry. It also made people search, discover, and buy the latest items available to their liking.

According to reports, it was estimated that there will be about 4.89 million social media users worldwide in 2023.

Advertisements, campaigns, and brand promotion influenced mass production and consumerism. Social media promoted the fashion industry to the point where trendsetters became influencers, and influencers are used for marketing. Hashtags, celebrity endorsements, fashion hacks, and diversified fashion ideas are being used as a means for brand popularity. This also paves the way for upcoming designers and brands to gain popularity.

Even with the helpful guide provided by social media, the fashion cycle could have damaging effects. One such concept would be the concept of fast fashion. Fast fashion is the strategical mass production of inexpensive clothing in accordance with the latest trends’. Fast fashion has a negative impact on environmental aspects. The fashion business is considered to be the second-largest global polluter of clean water after agriculture. Younger generations’ psychology is also impacted by these new fashion trends; hence, if they do not adopt them, it negatively impacts their minds and increases their likelihood of developing psychological problems like eating disorders, mental illness, stress, etc.

Five models showed off how to drape a One Minute Saree® (OMS) LIVE on the runway of India Beach Fashion Week on Goa’s private Divar Island last week. Founder and Fashion Entrepreneur Sasha Revankar’s direct-to-consumer online saree collection (www.oneminutesaree.com) was the ONLY Indian American brand to be selected for Asia’s largest and most prominent showcase for young designers. “We are so proud to have unveiled our one-minute-drape concept to an engaged and energetic audience live on the runway, and this is the first time models have draped sarees while ON the runway,” said Revankar. The collection of 14 sarees included the traditional Nivi saree, Gujarati saree, Kanjivaram saree, sequin saree, cotton saree, and silk saree, just to name a few. Watch video HERE.

Rooted in tradition but crafted for the modern woman, One Minute Saree® is the fashion revolution the next generation of Indophiles has been awaiting. The desire to embody celeb-like grace in stunning sarees at weddings without the fear of tripping over a long pallu or sporting uneven pleats is an all-too-real fear for any millennial. One Minute Saree® ends the saree enthusiast’s draping woes with custom-stitched, pre-draped sarees that perfectly fit each time and leave wearers feeling as immaculate as they look, all under one minute!

The founders of India Beach Fashion Week had never seen a more practical way to wear a saree, and for this reason, they decided to include the line in their destination-wedding-themed fashion show. “One Minute Saree® is exactly the kind of avant-garde game-changer that will excite fashionistas and claim its rightful space in the millennial market,” said co-founder Neha Asthana Ojha. “The brand brought a bold, new, and fun take on the traditional saree with an eclectic collection of pre-draped sarees for the next generation of saree lovers.”

Revankar also spoke about the future of Indian fashion on the global runway in a speaker series at the two-day event and highlighted her reasons for creating the brand: “The modern woman doesn’t have the time or energy to drape a saree properly, and we wanted to maintain the integrity and beauty of India’s most important garment, both in the West and the East. We hope to inspire many women, Indian and others, to don this beautiful garment the next time they attend a function that celebrates the simplicity and elegance of a woman who wants to show off her silhouette.” For more information about the brand or to order your first One Minute Saree®, please visit www.oneminutesaree.com.

American socialite and international jet-setter Paris Hilton was busy promoting her fragrance, Ruby Rush, here on Thursday evening.

For the product launch at the Phoenix Palladium mall in the Lower Parel area of Mumbai, Hilton chose the perfect attire — a red jumpsuit with a plunging neckline and sheer silver gloves, thereby bringing out the best of desi and chic moods.

She rounded off her look with emerald jewellery, red sunglasses, and open tresses.

Prior to the event, she took to her Instagram to share a video of her trying different outfits. What’s interesting is that all the outfits in the video are Indian attires, designed by Indian designer, Shubhika of Papa Don’t Preach fashion label, as Paris wanted to bring out the essence of the Indian culture.

She sought help from her followers to choose the outfit for the Thursday evening launch event.

She wrote in the caption: “Love wearing and supporting local designers when I travel. India In love with these gorgeous looks from Indian designer @PapaDontPreachByShubhika styled by @Marta.Del.Rio. Which one should I wear to my @ParisHiltonFragrances Launch today?”

Paris touched down in Mumbai on Wednesday night for her stay of two days in the city. She was welcomed by scores of paparazzi, who were waiting for her at the arrival gate at the Chhatrapati Shivaji International Airport. (IANS)

Festivals are charming and significant in their own right. We celebrate it fervently and with great joy. Delectable meals are made and homes are decorated. People attend gatherings and parties dressed in their traditional best. Get inspired

A bandhi & shades

Ranveer Singh, is well renowned for his taste in clothing, looks dashing in this ethnic ensemble. The actor wore off-white kurta, a burgundy Bandhi with matching glares.

All white ensemble

If you don’t want to go overboard, this outfit is understated yet still ideal for the festive season. RajKummar Rao looks sharp in complete white.

Prints galore

In this printed and textured kurta, Shahid Kapoor looks dapper. The matching scarf, velvet boots and white pants complete the look.

Jewel tones

Sidharth Malhotra wears a smart jewel toned blue kurta with off-white thread embroidery. The look is young and chic.

Bollywood style

Inspired by celluloid and Manish Malhotra, opt for a bling kurta with a dupatta to make heads turn, Varun Dhawan style!

The Pathan

Choosing a classic pathani kurta and shalwar, King Khan proves he’s the frontrunner when it comes to fashion too! The actor prefers to keep his clothing stylish.

The Punjabi affair

Vicky Kaushal’s striped kurta pyajama set teamed with Kohlpuri sandals and shades is perfect for a day of festivities.

Dapper dude

Bollywood’s “chocolate boy,” Ranbir Kapoor, has the physique to wear Indian clothing flawlessly, and this textured kurta teamed with silver rings shows that men can flaunt jewellery with confidence.

Style Nawabi

The Pataudi never fails to grab headlines for his minimal looks and always manages to look chic. when it comes to fashion he’s always got his right foot forward (IANS)

Heralding a massive coup for the homegrown content creator community, celebrated Indian couturier Archana Kochhar has roped in leading social media influencers of Indian origin as showstoppers for her fashion outings at New York Fashion Week and London Fashion Week. Her New York Fashion Week showcase was hosted in association with The Society at Hall Of Mirrors on September 11.

Delhi-based husband-wife duo, Gaurav Taneja and Ritu Rathee Taneja, of Flying Beast fame, were joined by Mumbai-based lifestyle influencer Aashna Hedge to walk the runway at New York Fashion Week, while Mumbai-based entertainment influencer Nagma Mirajkar will walk the runway at London Fashion Week, setting the stage for increased representation of Indian influencer presenters at global platforms.

This creative confluence marked the debut of these Indian social media stars at international fashion weeks, also marking the very first time that they are being integrated on the main runway in the history of New York Fashion Week and London Fashion Week.

Other American social media influencers show-stopping at New York Fashion Week include Tik-Tok’s favourite ‘it’ girl Mckenzi Brooke and actor-musician teen sensation Gavin Magnus, who will be walking for one of the world’s youngest self-made multi-millionaires and child reality TV star, Isabella Barrett.

Kochhar’s London Fashion Week will be conducted in association with the British Fashion Council and Vivz World Fashion Week on Sep. 17 in London.

Kochhar, who had roped in film actress Sunny Leone and acid attack survivor Reshma Qureshi for her first-ever New York Fashion Week showing, is the only fashion designer to be handpicked from India to support the Make In India campaign (which was launched by Shri Narendra Modi, the Prime Minister of India, in 2014) at both of these reputed fashion weeks this year.

Gaurav Taneja and Ritu Rathee Taneja of Flying Beast stated, “We are extremely excited to make our international inaugural fashion innings at New York Fashion Week as the first content creator couple from India. It is an honor to be handpicked from the Indian content creator community to represent India on the world stage. It is so heartwarming to see such great reception, and this association truly showcases the advent of the content creator community in recent times. We hope our participation in his runway will open up many more avenues for the influencer community of India.”

Aashna Hegde states, “New York Fashion Week is the most iconic event of the fashion world and this feels like a ‘dream come true’ moment for me! I have been an ardent fashion enthusiast and have always wanted to bring to the fore my experimental fashion persona on the global stage. It’s such an honor to represent the Indian fashion community on such a global stage and help leverage the cause of sustainability.”

Kochhar added, “I’m very excited as this is my fourth showing at New York Fashion Week and my first-ever showing at London Fashion Week. In today’s technology-driven era, social media influencers pose as powerful thought leaders in the world of entertainment and fashion. Their equation with the community at large is highly nuanced and hence, just like actors, musicians and sports stars, they too enjoy a massive fan following as role-models. Each of these content creators will promote and propel the cause of ‘vocal for local’ on a world stage for the very first time.”

Her New York Fashion Week collection, Jharokha, highlights the importance of sustainability in fashion. A marriage between traditional handloom fabrics and inimitable Western silhouettes, the showcase boasted of a burst of colors and abstract designs. The collection primarily focused on handmade locally-grown textiles with a low carbon footprint, curated by women weavers from the interiors of the state of Madhya Pradesh.

A finely-curated mix of 15 headlining, established, and emerging designers will make their runway debuts at the first-ever South Asian New York Fashion Week (SANYFW), taking place at multiple locations around Manhattan from September 8 to 14, during New York Fashion Week.

Conceptualized by fashion entrepreneurs and co-founders Shipra Sharma and Hetal Patel, the six-day fashion extravaganza will include couture, bridal, and pret runway shows, presentations with various brand partners, a marketplace showcasing eclectic jewelry, apparel, and accessories, and a wellness hub to round out the week, according to a press release from Jingo Media.

Headliners include Nomi Ansari and Mayyur Girotra; Established Designers will be Rivesse, JinaShili, Aara by Sana, and Margi; and Emerging Designers listed are What is Moire, Recover Season, Bedi NYC, RKJ Designs, Pali, Kala Mandir, AKS Mathur, Aariah by Sabbineni featuring Avigna Fine Jewels, and Tai by Studio 9696.

For the first time in New York Fashion Week history, an innovative initiative is being launched to highlight, recognize, and appreciate South Asian fashion designers through a stand-alone platform. From September 8 to 14, 2022, at venues all over Manhattan, South Asian New York Fashion Week (SANYFW) will take over the city’s fashion scene by storm with some of the most noteworthy names in international couture, including Nomi Ansari and Mayyur Girotra.

The event will feature established and upcoming designers, jewelry designers and retailers showcasing their collections. There will also be an interactive partnership with the app Aina(Nisha Saboo), which enables customers to virtually try on clothing.

In a move to spotlight, acknowledge, and appreciate South Asian fashion designers a South Asian New York Fashion Week (SANYFW), is being organised for the first time in New York Fashion Week history.

The event taking place from Sept. 8 to 14, 2022, will give renowned designers like Nomi Ansari, Falguni Shane Peacock, and Mayyur Girotra, a stand-alone platform to display their designs all around Manhat

Established designers include Rivesse (Ishan Sanghvi), Margi Official (Margi Sutaria), and jewelry by ReeMat Designs (Reena Mathur) and Avigna (Deepti Mandhava).

The emerging designers who will be showcasing their collections during SANYFW are What is Moire? (Sezan Khan), Bedi NYC (Alice Narang), RKJ Designs (Renee), Aariah by Sabbineni (Harika & Anusha Sabbineni), Ayla Noor New York, Tai by Studio 9696 (Tupili Andrapathy Sandeep), Recover Season Co. (Reshma Zaman), and Pali (Vinod Muralidhar).

Almost a decade in the making, SANYFW is the brainchild of fashion entrepreneur Shipra Sharma, who after partnering with Hetal Patel, made it her life’s mission to showcase and uplift South Asian fashion inspired by traditional and modern South Asian attire and culture. To watch a video of upcoming highlights, please click HERE.

“Lehenghas turned into co-ord sets. Sarees turned into gowns with drapes. Palazzo pants became wide legged pants. We want to reclaim that narrative and introduce the world to the origins of these silhouettes and designs. At SANYFW, we intend to highlight and share the history of our fashion and culture, while celebrating the fashion pioneers who have been trailblazers for our community universally,” said Founder and CEO Sharma during the SANYFW Summer Kick-Off event.

SANYFW’s official tech partner, Nate – www.nate.tech, is becoming the first solution to bring the hottest looks from the runway directly to the consumer, in real time. Championing initiatives in diversity and inclusion, nate felt it was natural to get involved, using its universal technology to make every show completely shoppable, via nate Lists. Any consumer or creator will be able to scan a QR code directly from the runway and shop any item with a tap, as well as share it seamlessly to social media. With the wide world of social media and viral content creators in the mix, designers’ latest collections are garnering a limitless number of impressions.

Increased visibility and innovative technology to facilitate those sales opens a whole new network of buyers — the luxury, at-home shopper. Further proving their influence, creators are giving a voice to what sells, but also paving the way forward for emerging designers to take claim of their rightful share of wallet.

During the week-long experience, hosted at quintessential NYC venues such as Chelsea Factory, 620 Loft & Garden, Ave India Design Collective, 48 Wall Street, and High Line Nine, influencers, celebrities, icons, and enthusiasts of South Asian design, fashion, and culture will have access to jaw-dropping runway shows categorized by streetwear, sustainability, menswear, traditional, bridal, and Indo-Western styles. The show runner is Ayesha Hakki of Events by Ayesha

SANYFW’s official kick-off party is in partnership with Indo Warehouse, the experiential series under Kahani’s premier label and collective Nonresident, which serves as a space for listeners to feel sound and lose themselves in a world of blended cultures.

“Never before has New York City seen South Asian culture come alive DURING New York Fashion Week the way we plan to showcase it,” said co-founder and COO Patel. “With an expectedly high projected audience and increased participation from leading pioneers of the South Asian fashion industry, SANYFW promises to be the MUST-ATTEND week for fashionistas this fall.”

Events will be ticketed, and the entire schedule of fashion shows, pop-up events, and parties will be on the official website, www.sanyfw.com

A first of its kind nonequity grant program,, Beauty&You India, created by The Estee Lauder Companies (ELC) and NYKAA, looks to discover, spotlight, and propel the next generation of Indian beauty brands.

A rare, one-of-a-kind opportunity for founders to create, build and scale in one of the most exciting beauty markets in the world. The programme aims to support India-focused companies and entrepreneurs through a competitive application process. Awards to both pre-launch and in-market premium beauty concepts will be given.

Award recipients will benefit from access to The Estee Lauder Companies and Nykaa relationships and expertise across the beauty ecosystem in order to nurture emerging ideas that amplify Indian voices and address unmet needs in the categories of skincare, makeup, hair care, and fragrance.

Winners will be announced in November 2022 based on applications submitted via no later than September 30, 2022 on https://www.beautyandyouawards.com/ (IANS)

Men take fashion cues as Haseen Dilruba star Vikrant Massey flaunts his effortlessly dapper style at Jio Mami Film Festival Panel in an elegant off-white kurta and trousers teamed with blue floral prints bandi from Anita Dongre and Christian Louboutin footwear

Men looking for a break from the regular daily outfits and in a quest of out of the box and yet sophisticated style need to search no further as Haseen Dilruba star Vikrant Massey is here to sort your fashion woes. While a regular men’s kurta with a traditional print is in vogue this season, Vikrant laid fashion goals as he flaunted his effortlessly dapper style at Jio Mami Film Festival Panel in an elegant off-white kurta and a pair of cream trousers teamed with a floral print bandi.

The pictures surfacing from the event are enough to raise the bar of ethnic style goals for men this summer. Putting the fashion police on immediate alert while fans took cues to slay at the next traditional outing, the pictures feature Vikrant donning a plain cream-coloured silk kurta which he wore with sleeves rolled up and paired with similar coloured trousers.

To frame the style around traditions with a contemporary accent, Vikrant layered the simple look with an elegant bandi that sported blue floral prints and booti detailing all over. The bandi came with a breast pocket and two at the bottom while sealing a sophisticated aesthetic. Accessorising his look with a pair of reading glasses, Vikrant completed his attire with a pair of blue footwear from Christian Louboutin. Striking a chic pose in the backdrop of an exotic seaside location lined with palm trees, Vikrant showed how to look classy and stylish while embracing the cultural side.

In the wake of all the anti-racist movements taking place across the globe, especially after US-based George Floyds tragic death, Hindustan Unilever Limited (HUL) recently announced the rebranding of its flagship brand Fair & Lovely.

The decision has found support across segments and groups in the country. While netizens welcomed the move by the company to rebrand the cream, celebrities too took to social media to laud the move.
Bollywood actress Kangana Ranaut took to Twitter to express her support for the decision. On her behalf, her team wrote, “It has been a long and sometimes a very lonely battle but results only happen when the whole nation participates in the movement”.
Shah Rukh Khans daughter Suhana hailed this decision. Shah Rukh Khan’s Daughter Suhana Supports HUL’s Decision To Axe ‘Fair’ From Fair & Lovely

The star kid took to her Instagram story and wrote, “Hindustan Unilever announced that it would rebrand its skin-lightening cream ‘Fair and Lovely’ and drop the word ‘Fair’ from the product’. It has also committed that it will remove all suggestions that success is linked to skin tone or colour in its communication.” She further added: “It has also committed that it will remove all suggestions that success is linked to skin tone or colour in its communication.”

In a statement, HUL said over the last decade, Fair & Lovely’s advertising has evolved to communicate a message of women’s empowerment. The brand’s vision is to adopt a holistic approach to beauty that cares for people, that must be inclusive and diverse – for everyone, everywhere.

In early 2019, the brand’s communication moved away from the benefits of fairness, whitening and skin lightening, towards glow, even tone, skin clarity and radiance, which are holistic measures of healthy skin.

HUL also removed from Fair & Lovely’s packaging, words such as ‘fair/fairness’, ‘white/whitening’, and ‘light/lightening’ that could indicate a fairness-led transformation. The cameo with two faces showing shade transformation, as well as the shade guides were removed from the packs. The Company will continue to evolve its advertising, to feature women of different skin tones, representative of the variety of beauty across India.

The new name is awaiting regulatory approvals and HUL expects to change the name in the next few months.

(New York, NY – June 29, 2020) Pivoting during the pandemic, House of Anita Dongre, best known for its supreme craftsmanship of Indian textiles through designs created by female village artisans with sustainable practices, is presenting its first-ever U.S. virtual trunk show to be held during July 4^th weekend. She brings her latest collection of bridal couture, menswear, women’s ready-to-wear and silver jewelry through a unique selling platform that combines online sales with virtual stylist appointments for customers all over America.

“We are in a unique position during this pandemic, as we are the only Indian couture designer with a permanent presence in the U.S. market through our storefront,” says Yash Dongre, Business Head of House of Anita Dongre Limited. “Given that designers from India are unable to travel currently and shipments of merchandise are also delayed, we encourage brides and grooms who are proceeding with their weddings (whether virtually or more intimately) to make appointments with our bridal experts in New York via Skype or Zoom to find the perfect wedding outfits for their important day.”

Dongre is the FIRST and ONLY Indian designer to have a brand flagship in the United States. The Anita Dongre store in New York City occupies three floors of a 1900s brownstone building at the prime address of 473 West Broadway in Soho.

The prominent Indian designer has dressed every major fashion icon from Beyonce to Kate Middleton to Hillary Clinton to Priyanka Chopra. Dongre is often referred to in fashion circles as the “queen of prêt” and largely draws inspiration from the embellishment styles and needlework made famous by the northern Indian state of Rajasthan.