Can America Stop India’s Anti-Christian Crusade In Its Tracks

(Global Christian Relief) — The world’s largest democracy should be protecting the religious rights of all of its people. On Jan. 2, a mob of about 1,000 extremists — men and women, young and old — armed with rocks, wooden sticks and iron rods viciously attacked Sacred Heart Church in central India’s Narayanpur district. While this kind of anti-Christian violence may be shocking, it’s not altogether surprising. Attacks against Christians in India have been steadily rising for years, jumping 81% from 2020 to 2021 alone.

Picture : RNS

The mob in this case was reportedly protesting “illegal” conversions and church construction, but this was no mere protest. Videos captured by one of Global Christian Relief’s partners show the crowd throwing rocks and bashing in windows of the church building and church vehicles. Police officers are seen standing by and even falling back as they allowed the frenzied mob to vandalize the church. Footage of the aftermath shows a destroyed Nativity, broken chairs and scattered debris.

Stories like these have become sadly routine since 2014, when Prime Minister Narendra Modi and his Bharatiya Janata Party rose to power. They have stoked attacks on Muslim and Christian minorities and spread their radical Hindutva ideology, claiming that being truly Indian means being Hindu. Reported incidents of violence against Christians have risen more than 220%.

The Modi regime has spent massive amounts of money to plant lobbyists in Washington to help hide the truth. As a result, you likely won’t hear this story inside the Beltway. American lawmakers are discouraged from confronting the truth because India is an important ally of the U.S. in South Asia. But Americans deserve to know it.

Publicly, the U.S. government has mysteriously remained silent about the events at Sacred Heart Church. Its lack of response to this horrific incident speaks volumes about our priorities. America currently does $102.3 billion in trade with India annually, and our economy would be negatively impacted if we fell out of India’s good graces. But will America be held hostage by economic power plays?

The Sacred Heart incident is only one sign of a larger problem. The Indian government has adopted anti-conversion laws and policies in more than 10 states, preventing people from choosing their own faith. These measures are leveraged by those in power to discriminate against religious minorities. This is not only in opposition to what we believe in America but is also in direct conflict with Article 25 of India’s own constitution: “ … all persons are equally entitled to freedom of conscience and the right freely to profess, practice and propagate religion.”

Media coverage of stories like Sacred Heart in India, which is scarce, also shows how Modi’s regime squashes stories of persecution. Only a handful of local outlets reported that five people were arrested that day. Since Modi’s rise to power, the Indian government has shut down news stations midbroadcast and has pressured advertisers as part of a wider assault on dissent. On Reporters Without Borders’ 2022 Press Freedom Index, India fell to 150th out of 180 countries—a journalistic crisis in “the world’s largest democracy.”

With Modi’s lobbyists deterring members of Congress from taking critical positions on India, using tactics such as intimidation and the spread of misinformation, the White House and State Department must hold the government of our largest trade partner accountable. We must demand that India uphold freedom of religion for all its citizens. It’s difficult to do business with people you can’t trust and don’t share common ideals with, especially if you don’t believe they provide basic human rights.

We have much common ground with India but cannot ignore its continued stunning slide into illiberal and radical religious intolerance. (David Curry is president and CEO of Global Christian Relief, America’s leading watchdog organization focused on the plight of persecuted Christians worldwide. In addition to equipping the Western church to advocate and pray for the persecuted, GCR works in the most restrictive countries to protect and encourage Christians threatened by faith-based discrimination and violence.

The above story was published in: Religion News Service.

(The views expressed in this sponsored commentary do not necessarily reflect those of www.theunn.com.)

Kumar Gallery presents 27 MASTERS

Kumar Gallery is pleased to present 27 MASTERS, a group show of master artists spanning from the Bengal school, J P Gangooly, Jamini Roy, Bireswar Sen; to Progressives M F Husain, F N Souza, S H Raza, Krishen Khanna, K H Ara, Ram Kumar, Akbar Padamsee; to tantric abstractionists G R Santosh, Biren De, Sohan Qadri; to important modernists K S Kulkarni, N S Bendre, A Ramachandran, J Swaminathan, B Prabha, Satish Gujral, Sakti Burman, George Keyt, A P Santhanaraj, Badri Narayan, Jatin Das; to eminent sculptors Amar Nath Sehgal, Prodosh Das Gupta, Sankho Chaudhuri, and Dhanraj Bhagat.

Picture : TheUNN

Works in the exhibition span themes relevant to 2023. Ramachandran’s Visions of War, with its reflections on propaganda, ideology, religion, history, and the specter of nuclear war has never since World War II been more relevant on account of the Ukraine War. The exhibition invites viewers to further reflect upon themes of the vitality of life as expressed through sexuality in art, the historical socioeconomic fabric of India, and the integration of philosophy into modern life.

Exhibition opens online on February 5th 5PM IST. Select works will be on exhibit at Kumar Gallery Hotel Hyatt Regency & Kumar Gallery Sainik Farms (By Appointment)

Mr. Virendra Kumar Jain of Kumar Gallery is the pioneer in promoting contemporary Indian art in our country as well as abroad. Most of the top ranking artists of today owe their beginnings to him. It was due to relentless efforts Kumar made in creating awareness of modern vocabulary of the mode of painting that has made it possible for most of us to find a niche in the history of world art. What our society has gained through such developments is too obvious to mention. – Satish Gujral

This essay pays tribute to a champion and great supporter of Modern Indian Art, Shri Virendra Kumar, founder of Kumar Gallery. With the dizzying ascent and soaring value of the market for Modern Indian Art in recent years, it is all too easy for connoisseurs to defer to price as a proxy for aesthetic value. Yet Modern was once Contemporary, and there was a time when the evolution of style was the result of a hard-won struggle against the prevailing commercial trends. It was precisely at those crossroads in the history of India that Virendra acted as the principal tastemaker and visionary patron for serious, avant-garde artistic expression.

Picture : TheUNN

Virendra Kumar was born on 26 January 1933 to an illustrious and philanthropic Jain family. For generations the family had provided patronage to musicians, sculptors, and painters, architects and had commissioned numerous temples. Most notable amongst direct patrilineal ancestors of the family were Raja Harsukh Rai (1740 – 1807) and his great grandfather Deep Chand Sah, who respectively built the Naya Mandir and Lal Mandir in Delhi, and the latter of whom was the treasurer for the Mughal Emperor Shah Jahan. Oral histories of the family trace the lineage back further to influential Jain traders during the Tomara dynasty (8th – 12th centuries), principally located in the area where the Qutb Minar is now located.

In many ways, known and unknown, the shape of what we now understand as Modern Indian Art was shaped by the efforts of Virendra Kumar and his brothers at Kumar Gallery. Their contributions as promoters and tastemakers came precisely at the hour of need for the first generation of contemporary artists in independent India’s.

Virendra’s comprehensive patronage and unwavering belief that Indian artists could compete with their Western contemporaries was the quintessential catalyst that manifested the latent potential of India’s nascent artistic ecosystem. In recognition of the role that Virendra Kumar played, and in appreciation of his sincerity and resolve, M.F. Husain, termed him, ‘The Kahnweiller of Indian Contemporary Art.’ For more details, please visit: https://kumargallery.com/about-us/

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