Naatu Naatu, The Elephant Whisperers & Padukone Make India Shine At Academy Awards

India shone bright at the 95th Academy awards. As an ecstatic MM Keeravani sang out his thanks in tune with that Carpenter’s immortal sappy ditty, the auditorium exploded in hoots, whistles and loud cheers. His ‘namaste’, a delightful little tailpiece to his acceptance speech, echoed the sentiments of a billion Indians on the top of the world after ‘Naatu Naatu’ won the Best Original Song at the Academy awards.

With “Naatu Naatu”, the hit dance track from “RRR”, documentary feature “All That Breathes” and short documentary “The Elephant Whisperers” up for an Oscar, the 95th Academy Awards could well be India’s moment to shine at perhaps the most glittering of all showbiz stages today. It is the first time that India-made productions have earned so many Oscar nominations.

India’s win at Oscars 2023 brings up one of our major strengths, which is being unafraid of sentiment, of bringing something real and emotional to a world that has been taken over by pallid superheroes and their even more pallid tales.

Picture : India Glitz

It’s not just the song which had had the globe dancing to its tune from S S Rajamouli’s blockbuster ‘RRR’ that made history at this edition of the Oscars. It was also the Best Documentary Short award for the ‘The Elephant Whisperers’, a heartwarming film on the deep bond between a pair of elephants and their humans, directed by Kartiki Gonsalves, and produced by Guneet Monga. If you haven’t seen the 40 minute film on Netflix, featuring the charming Raghu and Ammu, and Bomman and Bellie, get right to it: it truly is a testament to, as Gonsalves said, the ‘sacred bond between us and the natural world and respect for indigenous

Naatu Naatu was the first Indian win in the Best original song category, and Gonsalves the first Indian to win in the short docu category. India’s cup would have brimmeth over if Shaunak Sen had won the Best Documentary Feature for ‘All That Breathes’, a haunting film about a pair of Delhi-based brothers who care for injured kites falling from the skies. That loss will be a lasting regret.

Shaunak Sen didn’t win the Best Documentary Feature for ‘All That Breathes’. But even as Sen’s film kept winning hearts on the festival circuit, from Sundance to Cannes, and we kept our fingers and toes tightly crossed, it was ‘Navalny’, about the imprisoned Russian dissident and hardcore Putin critic Alexei Navalny which had been gathering momentum in the build-up to the Oscars. This was always going to be the year that anti-war sentiment was everywhere, with ‘All Quiet On The Western Front’ the front-runner in the race, which lost out, quite rightly, to Everything Everywhere All At Once.

The German war epic, directed by Edward Berger, had to be content with the Best International Feature, original score, production design and cinematography, and it lost out, quite rightly to the totally bonkers genre-bending multiverse sci-fi-action-adventure ‘Everything Everywhere All At Once’, directed by Daniel Kwan and Daniel Scheinert.

Still, two out of three is not a bad strike. History doesn’t always have to be grand sweeps. It can be made out of these small incremental steps, because of what they mean once the hurly burly of the awards night and the zillion pre-Oscars and post-Oscars after parties are done and dusted.

An award on a stage where the world is watching opens up doors not just for the film and its makers, but also the country they represent. Those who’ve been dismissing the ‘song-and-dance’ spectacles of Indian mainstream movies, are now dancing to the infectious rhythms of ‘Naatu Naatu’, even as SS Rajamouli’s RRR will always come with a caveat of whether or not it was truthful to the lives of the revolutionaries it was based on.

Picture : NDTV

But this is a time to celebrate, not nit-pick. As first-time Oscar presenter Deepika Padukone, the lights on stage making her even more luminous, asked the audience quite rhetorically: do you know ‘Naatu Naatu’, and it played out on stage, it was a moment.

That live performance may not have matched the mad energy of the song that you see in the film, but the win, which had looked like a shoo-in from the time it was nominated, brings to the fore the joyousness of music, and the stories that can be told via song when words fail. It brings up one of the major strengths of Indian cinema, which is being unafraid of sentiment, of bringing something real and emotional to a world which has been taken over by pallid superheroes and their even more pallid tales which all look and feel similar.

Shah Rukh Khan’s Blockbuster Enters Rs 1000 Crore Club

Even after nearly a month in theatres, Shah Rukh Khan’s Pathaan is witnessing extraordinary box office success. The film has crossed the coveted Rs 1000 crore mark worldwide and is also slowly inching towards becoming the top Hindi-language film domestically. Pathaan has been unaffected by new releases this week, Kartik Aaryan’s Shehzada and Marvel’s Ant-Man and the Wasp: Quantumania.

Trade analyst Taran Adarsh reported, “Pathaan will breach ₹ 500 cr mark today [fourth Tue; Day 28]…⭐️ FIRST #Hindi film to achieve this target.
⭐️ Also, FASTEST to hit ₹ 500 cr [#Hindi, Nett BOC]. [Week 4] Fri 2.20 cr, Sat 3.25 cr, Sun 4.15 cr, Mon 1.20 cr. Total: ₹ 498.95 cr. #Hindi. #India biz.” He also said the film has earned Rs 516.92 cr across all languages. “Pathaan #Tamil + #Telugu [Week 4] Fri 5 lacs, Sat 7 lacs, Sun 10 lacs, Mon 5 lacs. Total: ₹ 17.97 cr. ⭐️ NOTE: #Pathaan #Hindi + #Tamil + #Telugu *combined* biz: ₹ 516.92 cr. #India biz. Nett BOC.”

It is still some way to go before crossing the Hindi version of Baahubali: The Conclusion, which made Rs 510.99 crore. In its fourth weekend, the film added over Rs 10 crore to its total collection in the Hindi market. On Friday, it earned Rs 2.20 crore, Rs 3.25 crore came on Saturday, which was followed by a strong Sunday of Rs 4.15 crore. On Monday, Yash Raj Films shared the worldwide collections of Pathaan till Sunday. A tweet by YRF read, “#Pathaan streak continues to soar 🔥” as it shared that the film has earned Rs 996 cr worldwide. With Monday’s collection adding up, the film has zoomed past the Rs 1000 cr mark. As per Box Office Worldwide, the film’s domestic gross collection is Rs 623 crore and overseas gross collection is Rs 377 crore, which brings its worldwide gross collection to Rs 1000 crore. Shah Rukh Khan was eagerly waiting for Pathaan to touch the Rs 1000 cr mark. On Monday, he conducted an Ask SRK session during which he told a Twitter user about his lucky number. When the user asked him if Shah Rukh has any lucky number, the actor replied, “Right now any number above 1000 ha ha ha #Pathaan.”

With the massive success of Pathaan, it remains to be seen if other Bollywood superstars can regain lost glory. Recently, Kartik Aaryan who saved Bollywood from being written off in 2022 with his film Bhool Bhulaiyaa 2, has failed miserably with his latest film Shehzada. Now, Akshay Kumar, who starred in four flops last year, is returning this Friday with his film Selfiee.

‘Pathaan’ First Hindi Film To Make $100 Million Without China Release

Continuing its powerhouse run at worldwide turnstiles, Shah Rukh Khan’s espionage actioner ‘Pathaan’ has topped the global box office century mark (that is, in million dollars), getting there in 12 days on Sunday, reports ‘Deadline’.

And now with its earnings going up to $103.6 million through Monday, it is the first Bollywood movie to reach the $100-million milestone without a China release, ‘Deadline’ adds.

The split sits at Rs 526 gross crore ($64.2 million) in India and $39.4 million from overseas markets through Monday. Already, the Siddharth Anand-directed movie is the biggest Bollywood movie ever globally in the original Hindi language.

Picture : TheUNN

This is where, according to ‘Deadline’, it gets slightly confusing in terms of the records posted. Aamir Khan-starrers ‘Dangal’ and ‘Secret Superstar’, both Bollywood titles, remain ahead of ‘Pathaan’ worldwide, but that includes more than $100 million each from China, where the movies were dubbed for local audiences.

Similarly, ‘Bajrangi Bhaijaan’, which features Salman Khan, who also appears in ‘Pathaan’, is still ahead globally, having had a dubbed China release. There is no word yet on a China window for ‘Pathaan’.

In India, notes ‘Deadline’, where box office earnings are measured in both gross and net figures, ‘Pathaan’ maker Yash Raj Films reports that the film’s Rs 438.5 crore net takings on Monday surpassed the net of the Hindi-dubbed version of the Yash-starrer ‘KGF 2’ (it was originally in the Kannada language).

Next ahead of ‘Pathaan’ on a net basis is S.S. Rajamouli’s ‘Baahubali 2’ with a Rs 510-crore ($61.7 million) lifetime collection in Hindi (the film was originally in Telugu). Whichever way you slice it, as ‘Deadline’ puts it, ‘Pathaan’ is having an incredible ride.

Pathaan Surpassing Dangal To Become The Highest Grossing Film Worldwide

Siddharth Anand, who has directed YRF Spy Universe’s latest offering Pathaan, is ecstatic that the film has become the highest grossing film worldwide, thereby surpassing Dangal. Pathaan also breached 400 crore nett in India, the first Hindi film to do so in the history of Hindi cinema.

Siddharth says, “The fact that Pathaan is the highest worldwide grossing film in the history of Hindi cinema and the first Hindi film to breach 400 crore nett in India, means people have showered enormous amount of love on the film and have gotten entertained thoroughly!”

He adds, “As a director, I’m most thrilled about this! The fact that so many single screens cinemas have reopened and have again had housefull signs across India, that people have danced, clapped, whistled, rooted at every song and so many scenes of the film, means that we have created a film that has genuinely entertained audiences globally, and this is a rare feeling and currently I’m just enjoying that.”

Siddharth is also the record holder of an incredible feat in Hindi cinema! He is the only Hindi film director to have delivered five 50+ crore nett box office days and also five 100+ crore worldwide gross box office days with War and Pathaan, with the SRK starrer delivering 4 out of 5!

He says, “The feeling has not sunk in yet because it is such a huge one. To have directed a film that has smashed all records, that has become the No. 1 hindi film of all time is very daunting. I hope that I can entertain people to this level again. I will work just as hard and focus on my craft and try and keep making the cinema that appeals to all audience segments like War and now Pathaan has done.”

With War and now Pathaan, Siddharth has become the undisputed number one director of his genre in India. While War with Hrithik Roshan, Tiger Shroff & Vaani Kapoor collected 477 crore gross worldwide, with Pathaan starring Shah Rukh Khan, Deepika Padukone & John Abraham, Siddharth has already given a film that has grossed 832.20 crore worldwide so far and delivered the highest grossing film of YRF’s Spy Franchise.

‘It Would Be Great If Aditya Chopra Wants To Bring Jim Back!’

John Abraham Hopes That A Prequel To His Character That Reveals His Backstory Is Made

YRF’s Spy Universe unleashed its most notorious villain in the form of John Abraham aka Jim in Pathaan. A patriot-turned-ruthless mercenary, John has got unanimous praise for his brilliant acting and forte in action sequences in this negative character that has won people’s hearts. John hopes Aditya Chopra, who is carefully building the YRF Spy Universe, India’s answer to Marvel Cinematic Universe, brings Jim back and tells the world his backstory.

John, who has given Indian cinema an anti-hero that people will always remember, says, “It is incredible the amount of love that I have been receiving for playing Jim in Pathaan! As an actor, I only work for the love of audiences and fans. Records and milestones are a huge bonus and I’m grateful that Pathaan is such a historic blockbuster. I didn’t expect that people would love my character so much that they want more of Jim to be given to them.”

He adds, “I’m astounded by the number of messages I’m getting daily on my social media about how there should be a prequel to Jim. When people almost always root for the hero, and that hero is Shah Rukh Khan in Pathaan, it is hugely gratifying that people are rooting for the anti-hero too! I’m fortunate that my work in Pathaan has spoken loudly and hopefully, I have managed to give people an anti-hero that they will always remember. That was my intent when I heard Pathaan.”

Speaking about what he loves about Jim, the leader of notorious Outfit X, a band of deadly gun-toting mercenaries on hire, John says, “Jim is a refreshingly suave villain, with very well etched out characterisation that dives into why he became what he became! Imagine the pain he endured, imagine the hurt that broke him and turned him into the man he became. To me, Jim was a very powerful character and yes, it would be great if Aditya Chopra wants to bring him back and tell the world how good a super-spy he was and how he became a ruthless mercenary later!”

He adds, “As Luthra says in Pathaan, Jim and Kabir are the best in business. So, there could be lots to explore if a film is made on Jim. I don’t know what Aditya Chopra has in mind. As of now, I’m relishing the love that’s coming my way and I’m thankful that I have entertained people thoroughly.”

Abhishek Bachchan Proved Naysayers Wrong, Amitabh Bachchan Says

On Abhishek Bachchan’s 47th birthday, dad Amitabh Bachchan penned a long note. He said that Abhishek proved all naysayers wrong. He also said that his son made his choices and defied the norm.

Actor Amitabh Bachchan has heaped praises on his son-actor Abhishek Bachchan with a long note on his 47th birthday. Taking to his blog on Sunday, Amitabh said that Abhishek proved ‘all naysayers wrong’. He also added that Abhishek made his own choices and defied the norm. Amitabh also called his son ‘pride of the family’. (Also Read | Navya Naveli Nanda wishes ‘the best’ Abhishek Bachchan with throwback pics on birthday)

Amitabh Bachchan wrote on his blog, “And Abhishek for the 5th Feb 2023 .. and his 47th .. and how time has flown by .. going back in time all the memories of the day and the several days that kept giving us the joy and the pride and the pleasure of Abhishek .. and now to see him achieve his worth through his hard word, quietly, and proving all the naysayers wrong .. !”

He also wrote, “It is a delight for a Father for his Son but mostly for the Son who has through the dint of his hard word and perseverance shown the mettle of his calibre and his confidence .. That is the pride that one honours .. He took his own decisions .. he made his own choices .. defied the norm and proved it …. with his success…”

“Winning the Kabaddi Championship, by the select of his team, who everyone said was poor and weak and incapable .. but he inspired the boys and came out victorious .. despite all the bias reporting and negative opinions against him and the team .. By winning the Best Actor for ‘DASVI’ .. his choice of film story and crew .. and delivering a performance that got universal praise .. a complete transformation from all that he had ever done before .. flawless and complete..,” Amitabh continued.

“Winning the Kabaddi Championship, by the select of his team, who everyone said was poor and weak and incapable .. but he inspired the boys and came out victorious .. despite all the bias reporting and negative opinions against him and the team .. By winning the Best Actor for ‘DASVI’ .. his choice of film story and crew .. and delivering a performance that got universal praise .. a complete transformation from all that he had ever done before .. flawless and complete..,” Amitabh continued.

He concluded, “And then to be the at the top of the MOFN .. the Mood Of The Nation list … that is a true reflection of his standing ..A pride of the family .. a pride for the Father .. Aaj ke din ki anek anek badhai (Many many congratulations on this day). So .. a few words to him in blessing–Family: Aaj ke din ki badhai (Wishes for today). Abhishek: Janm din ki badhai lo tum, sada raho prasanna; yeh din har din, viswa tumhara sada kare abhinandan. Sada kare abhinandan, tumko, aur raho tum swasth, pragati, khyati, tumhari kar de auro ko lathpath…auro ko lathpath ya dhwasth (Good wishes on your birthday, be happy always; may the world always greet you. may you always stay healthy, your progress, fame may make others unstable..or demolished).”

Amitabh on Sunday evening greeted his fans outside his Mumbai home. The actor was dressed in a white kurta, pyjama and white socks. He also wrapped a cream-coloured shawl as he stood on a small podium. The actor greeted his fans by waving at them. He also folded his hands and smiled at the crowd outside his home.

Amitabh was recently seen in the family entertainer film Uunchai along with Anupam Kher, Parineeti Chopra, and Boman Irani last November. Helmed by Sooraj Barjatya, the film got positive responses from the audience. He will be next seen in remake of the The Intern along with Deepika Padukone and in Project K alongside Deepika and Prabhas.

‘PATHAAN’ Is A “Superhit” As SRK Returns With A Bang

Film: ‘Pathaan’ (playing in theatres); Duration: 146 minutes; Director: Siddharth Anand; Cast: Shah Rukh Khan, Deepika Padukone, John Abraham and Dimple Kapadia.

IANS Rating: 3.5

Finally, the much-awaited Shah Rukh Khan-starrer ‘Pathaan’ hit the theatres on Wednesday. And, expectedly all the pre-release exhilaration translates into high energy rush as the film presents the story of an Indian spy, who takes on the leader of a group of mercenaries who has nefarious plans to target his homeland, captivating the audience.

That the lead actor is the ‘Badshah’ of Bollywood gives the fans all the more reason to scream, dance and sing in the cinema halls. Serpentine queues for a 6 a.m. show is a rarity in India, at least for a Hindi film. In short, the film is an espionage thriller that is most likely to lead box office collections.

Pathaan (Shah Rukh) is an exiled RAW field operative who is assigned to take down his old nemesis, Jim (John Abraham), a former RAW agent turned rogue.

Jim leads ‘Outfit X’, a private terrorist organisation, which is planning to spread a deadly virus dubbed ‘Raktbeej’ across India. The virus, if unleashed, could be much deadlier than any other virus winessed by the mankind.

Right from the opening scene, the unusually fast-paced plot moves with RAW agents, spies, terrorists and a Pakistani Army officer scheming and plotting in different parts of the world.

Rattled by the revocation of Article 370, which granted special status to the eratwhile state of Jammu and Kashmir, by the Indian government, Pakistan has all the evil intentions and the wherewithal to infiltrate and annihilate the Indian territory. For this purpose, Jim, who has a past and had been double-crossed by Indians earlier, is hired.

And here comes yet another ex-ISI agent, Rubina Khan (Deepika Padukone), leaving many guessing as to who teams with whom.

Pathaan, a diehard patriot who had retired, is called back by his boss Nandini (Dimple Kapadia). Meanwhile, their supreme boss, Colonel Sunil Luthra (Ashutosh Rana), is left worried, still trying to figure out what move to adopt to save human lives with threat of destruction looming large.

With gun-toting agents spreading destruction all around, a svelte and sexy Rubina is seen displaying her charm in a bikini that had riled up the saffron outfits until a few weeks ago when the song ‘Besharam Rang’ was released on internet.

Of course, she is aware of the past and present danger and knows precisely whom to side with as more and more evil-intentioned men appear on the scene.

Amid such chaos, if there’s one ray of hope it’s obviously the presence of the most sought-after, most-loved, and fearless Pathaan. With James Bond-like intensity, Pathaan has supreme fight sequences to match.

Crammed with high octane action that is virtually frenziedly uninterrupted and relentless, there’s not a single moment that would make the viewers take a breather.

Shah Rukh, who needs a box office blockbuster badly, is perhaps the only actor who could have looked lethal with his six -packs and delivering lines in hushed tones that melts Padukone. His charm remains intact as he tries to briefly romance, while all along diving and jumping from mountains and rooftops in a bid to oust his enemies.

And it isn’t just his young looks, his energy is so infectious that many among the cinegoers whistled every time he scored a point over his opponent. Such is his impact and following!

Padukone too proves why she was the one chosen by Hollywood to don colourful bodysuits, leggings and catsuits. John Abraham too is a perfect foil to Khan’s ripping muscles and performs well. To match Khan’s young looks, he too manages to sport a dashing fresh youthful look.

The action scenes are at par with any Hollywood production, while the cinematography by Satchith Paulose captures some exquisite landscapes in Spain, Russia, Dubai, Italy and France.

Though there is not much scope for songs in such a narrative, Vishal-Shekhar numbers are extremely catchy. All those who are still worried about Bollywood’s no show for months, can decisively breathe easy with the satisfaction that given the right production, engaging script and mega stars at the helm, Hindi cinema should be back on track! (IANS)

India Wins 3 Oscar Nominations

India received three nominations for Best Original Song (‘Naatu Naatu’ from ‘RRR’), Best Documentary Feature Film (‘All That Breathes’), and Best Documentary Short Film (‘The Elephant Whisperers’).

The Oscars are going to be held on March 13 this year and while the wait is going to be quite a long one from now, the nominations have sure lifted the spirits of not just the crew and cast of the films mentioned above, but also of everyone who hopes to see an Indian movie bagging the prestigious award.

Actor Jacqueline Fernandez penned down a heartfelt note last week as her film ‘Tell It Like A Woman’s song ‘Applause’ recently bagged an Oscar nomination in the ‘Best Original Song’ category.

The song is competing against ‘RRR’s ‘Naatu Naatu’, ‘Hold My Hand’ from the movie ‘Top Gun: Maverick,’ ‘Lift me Up’ from ‘Black Panther: Wakanda Forever,’ and ‘This Is Life,’ from ‘Everything, Everywhere All At Once’. The actor also congratulated the team ‘RRR’ for their Oscar nomination.

“Also big congratulations to Team RRR for Naatu Naatu nomination!!! My best wishes and love to the entire team and all the nominees,” the caption further reads.

Taking to Instagram, the ‘Kick’ actor shared a post which she captioned, “Beyond words right now Congratulations to @dianewarren @sofiacarson for the Oscar nomination for ‘Applause’ and making us all proud! It was an honor to be associated with this beautiful film ‘Tell it like a woman’ alongside such esteemed artists! Thank you @leenaclicks @chiaratilesi @lucasakoskin @andreaiervolinoproducer @wditogether @aseematographer @arrahman.”

The nominations for the upcoming 95th edition of Academy Awards were announced on last week by hosts Riz Ahmed and Allison Williams, with ‘The Banshees of Inisherin’ leading the pack with as many as nine nominations.

The Colin Farrell-starrer film got nominated in the following categories — Best Supporting Actor (two nominations), Best Supporting Actress, Best Actor, Best Director, Best Original Score, Best Picture, Best Editing and Best Original Screenplay.

‘The Fabelmans’ received seven nominations followed by ‘Tar’ and ‘TopGun: Maverick’ (six each), ‘Black Panther: Wakanda Forever’ (five), ‘Avatar’ (four), and ‘The Whale’ (three).

Competing for the best picture are ‘All Quiet on the Western Front’, ‘Avatar: The Way of Water’, ‘The Banshees of Inisherin’, ‘Elvis’, ‘Everything Everywhere All at Once’, ‘The Fabelmans’, ‘Tar’, ‘Top Gun: Maverick’, ‘Triangle of Sadness’ and ‘Women Talking’.

The 95th Academy Awards is set to be presented at the Dolby Theatre in Los Angeles on March 12. Jimmy Kimmel will be seen back as the host, after previously leading the awards show in 2017 and 2018. Last year, the Oscars returned to a host format with Amy Schumer, Wanda Sykes and Regina Hall, after going host-less the previous two years due to the Covid-19 pamdemic.

Here is the complete list of nominations:

* Best Supporting Actor

Brendan Gleeson (‘The Banshees of Inisherin’)

Brian Tyree Henry (‘Causeway’)

Judd Hirsch (‘”The Fabelmans’)

Barry Keoghan (‘The Banshees of Inisherin’)

Ke Huy Quan (‘Everything Everywhere All at Once’)

* Best Supporting Actress

Angela Bassett (‘Black Panther: Wakanda Forever’)

Hong Chau (‘The Whale’)

Kerry Condon (‘The Banshees of Inisherin’)

Jamie Lee Curtis (‘Everything Everywhere All at Once’)

Stephanie Hsu (‘Everything Everywhere All at Once’)

* Best Animated Feature Film

‘Guillermo del Toro’s Pinocchio’, Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley

‘Marcel the Shell With Shoes On’, Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey

‘Puss in Boots: The Last Wish’, Joel Crawford and Mark Swift

‘The Sea Beast’, Chris Williams and Jed Schlanger

‘Turning Red’, Domee Shi and Lindsey Collins

* Best Animated Short Film

‘The Boy, the Mole, the Fox and the Horse’, Charlie Mackesy and Matthew Freud

‘The Flying Sailor’, Amanda Forbis and Wendy Tilby

‘Ice Merchants’, Joao Gonzalez and Bruno Caetano

‘My Year of Dicks’, Sara Gunnarsdottir and Pamela Ribon

‘An Ostrich Told Me the World Is Fake and I Think I Believe It’, Lachlan Pendragon

* Best Costume Design

‘Babylon’, Mary Zophres

‘Black Panther: Wakanda Forever’, Ruth Carter

‘Elvis’, Catherine Martin

‘Everything Everywhere All at Once’, Shirley Kurata

‘Mrs. Harris Goes to Paris’, Jenny Beavan

* Best Live Action Short

‘An Irish Goodbye’, Tom Berkeley and Ross White

‘Ivalu’, Anders Walter and Rebecca Pruzan

‘Le Pupille’, Alice Rohrwacher and Alfonso Cuaron

‘Night Ride’, Eirik Tveiten and Gaute Lid Larssen

‘The Red Suitcase’, Cyrus Neshvad

* Best Makeup and Hairstyling

‘All Quiet on the Western Front’, Heike Merker and Linda Eisenhamerova

‘The Batman’, Naomi Donne, Mike Marino and Mike Fontaine

‘Black Panther: Wakanda Forever’, Camille Friend and Joel Harlow

‘Elvis’, Mark Coulier, Jason Baird and Aldo Signoretti

‘The Whale’, Adrien Morot, Judy Chin and Anne Marie Bradley

* Best Original Score

‘All Quiet on the Western Front’, Volker Bertelmann

‘Babylon’, Justin Hurwitz

‘The Banshees of Inisherin’, Carter Burwell

‘Everything Everywhere All at Once’, Son Lux

‘The Fabelmans’, John Williams

* Best Sound

‘All Quiet on the Western Front’, Viktor Prasil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte

‘Avatar: The Way of Water’, Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges

‘The Batman’, Stuart Wilson, William Files, Douglas Murray and Andy Nelson

‘Elvis’, David Lee, Wayne Pashley, Andy Nelson and Michael Keller

‘Top Gun: Maverick’, Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

* Best Adapted Screenplay

‘All Quiet on the Western Front’, Screenplay by Edward Berger, Lesley Paterson & Ian Stokell

‘Glass Onion: A Knives Out Mystery’, Written by Rian Johnson

‘Living’, Written by Kazuo Ishiguro

‘Top Gun: Maverick’, Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks

‘Women Talking’, Screenplay by Sarah Polley

* Best Original Screenplay

‘The Banshees of Inisherin’, Written by Martin McDonagh

‘Everything Everywhere All at Once’, Written by Daniel Kwan & Daniel Scheinert

‘The Fabelmans’, Written by Steven Spielberg & Tony Kushner

‘Tar’, Written by Todd Field

‘Triangle of Sadness’, Written by Ruben Ostlund

* Best Cinematography

‘All Quiet on the Western Front’, James Friend

‘Bardo, False Chronicle of a Handful of Truths’, Darius Khondji

‘Elvis’, Mandy Walker

‘Empire of Light’, Roger Deakins

‘Tar’, Florian Hoffmeister

* Best Documentary Feature Film

‘All That Breathes’, Shaunak Sen, Aman Mann and Teddy Leifer

‘All the Beauty and the Bloodshed’, Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov

‘Fire of Love’, Sara Dosa, Shane Boris and Ina Fichman

‘A House Made of Splinters’, Simon Lereng Wilmont and Monica Hellstrom

‘Navalny’, Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

* Best Documentary Short Film

‘The Elephant Whisperers’, Kartiki Gonsalves and Guneet Monga

‘Haulout’, Evgenia Arbugaeva and Maxim Arbugaev

‘How Do You Measure a Year?’ Jay Rosenblatt

‘The Martha Mitchell Effect’, Anne Alvergue and Beth Levison

‘Stranger at the Gate’, Joshua Seftel and Conall Jones

* Best Editing

‘The Banshees of Inisherin’, Mikkel E.G. Nielsen

‘Elvis’, Matt Villa and Jonathan Redmond

‘Everything Everywhere All at Once’, Paul Rogers

‘Tar’, Monika Willi

‘Top Gun: Maverick’, Eddie Hamilton

* Best International Feature Film

‘All Quiet on the Western Front’ (Germany)

‘Argentina, 1985’ (Argentina)

‘Close’ (Belgium)

‘EO’ (Poland)

‘The Quiet Girl’ (Ireland)

* Best Original Song

‘Applause’ from ‘Tell It Like a Woman’, Music and Lyric by Diane Warren

‘Hold My Hand’ from ‘Top Gun: Maverick’, Music and Lyric by Lady Gaga and BloodPop

‘Lift Me Up’ from ‘Black Panther: Wakanda Forever’, Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler

‘Naatu Naatu’ from ‘RRR’, Music by M.M. Keeravaani; Lyric by Chandrabose

‘This Is a Life’ from ‘Everything Everywhere All at Once’, Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne

* Best Production Design

‘All Quiet on the Western Front’, Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper

‘Avatar: The Way of Water’, Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole

‘Babylon’, Production Design: Florencia Martin; Set Decoration: Anthony Carlino

‘Elvis’, Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn

‘The Fabelmans’, Production Design: Rick Carter; Set Decoration: Karen O’Hara

* Best Visual Effects

‘All Quiet on the Western Front’, Frank Petzold, Viktor Muller, Markus Frank and Kamil Jafar

‘Avatar: The Way of Water’, Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

‘The Batman’, Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy

‘Black Panther: Wakanda Forever’, Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick

‘Top Gun: Maverick’, Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

* Best Lead Actor

Austin Butler (‘Elvis’)

Colin Farrell (‘The Banshees of Inisherin’)

Brendan Fraser (‘The Whale’)

Paul Mescal (‘Aftersun’)

Bill Nighy (‘Living’)

* Best Lead Actress

Cate Blanchett (‘Tar’)

Ana de Armas (‘Blonde’)

Andrea Riseborough (‘To Leslie’)

Michelle Williams (‘The Fabelmans’)

Michelle Yeoh (‘Everything Everywhere All at Once’)

* Best Director

Martin McDonagh (‘The Banshees of Inisherin’)

Daniel Kwan, Daniel Scheinert (‘Everything Everywhere All at Once’)

Steven Spielberg (‘The Fabelmans’)

Todd Field (‘Tar’)

Ruben Ostlund (‘Triangle of Sadness’)

* Best Picture

‘All Quiet on the Western Front’, Malte Grunert, Producer

‘Avatar: The Way of Water’, James Cameron and Jon Landau, Producers

‘The Banshees of Inisherin’, Graham Broadbent, Pete Czernin and Martin McDonagh, Producers

‘Elvis’, Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers

‘Everything Everywhere All at Once’, Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers

‘The Fabelmans’, Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers

‘Tar’, Todd Field, Alexandra Milchan and Scott Lambert, Producers

‘Top Gun: Maverick’, Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers

‘Triangle of Sadness’, Erik Hemmendorff and Philippe Bober, Producers

‘Women Talking’, Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

After “PATHAN” Siddharth Anand Wants To Create More Spectacles For Bollywood Viewers

YRF’s Pathaan has become a historic hit at the box office and director Siddharth Anand is definitely one of the biggest directors of this generation in India. The film-maker, who has been backed by Aditya Chopra, to direct two towering blockbusters WAR and now Pathaan from YRF’s Spy Universe, says he is feeling greatly overwhelmed after creating history at the box office.

Siddharth says, “Scripting history. Everyone wants it, but one cant plan it. It just happens. And when it does, it’s actually a very humbling experience. I’m feeling incredibly overwhelmed right now and inspired to get back on the film set and try and create something really special for audiences again. That’s my state of mind.“

With Pathaan, Siddharth Anand becomes the only Hindi film director to have two back to back 50 crore+ openers under his credit.

He says, “I’m hungrier than before to create more spectacles and immersive experiences like Pathaan. For me, yes numbers do matter. It is a validation of all the hard work but film-making is also a team game. So, I share this incredible moment with the entire cast and crew of Pathaan. Each one of us believed in a vision to create a never seen before theatrical experience that cuts across the length and breadth of the country and I’m glad we delivered on this promise.”

Pathaan has so far created 21 new records!

1. Highest Grossing Day In The History of Hindi Cinema, Set Consecutively On Day 1 & Day 2.

2. Only Hindi Film To Breach ₹ 55 Cr NBOC Barrier, Set on Day 1.

3. Only Hindi Film To Breach ₹ 70 Cr NBOC Barrier, Set on Day 2.

4. Fastest Hindi Film To Record ₹ 100 Cr NBOC, Set on Day 2.

5. Only Hindi Film To Breach ₹ 50 Cr NBOC Barrier On Two Consecutive Days, Set on Day 2.

6. Sets Circuit Record In Every Film Circuit of India, Set on Day 2.

7. Widest Hindi Release of All Time In India, Set on Day 1.

8. Highest Grossing Opening Day For A Hindi Film Post Covid 19 Pandemic, Set Consecutively on Day 1 & Day 2.

9. Highest Grossing First Day For A Non Holiday Release, Set on Day 1.

10. Highest Grossing Second Day In The History of Hindi Cinema, Set on Day 2.

11. YRF is The Only Film Studio In India To Breach ₹ 50 Cr NBOC Barrier With A Hindi Film, Set in Years 2018, 2019 & 2023.

12. YRF Has Recorded Collections In Excess of ₹ 50 Cr NBOC Four Times in The Last 4 Years.

13. 3rd YRF Film To Cross ₹ 50 Cr+ Net Box Office Collections On The 1st Day after “WAR” and “THUGS OF HINDOSTAN”.

14. 3rd YRF SPY UNIVERSE FILM To Set An Opening Day Record After “EK THA TIGER” & “WAR”.

15. Highest Grossing First Day & Second Day for Shah Rukh Khan.

17. Highest Grossing First Day & Second Day for Deepika Padukone.

18. Highest Grossing First Day & Second Day for John Abraham.

19. Highest Grossing First Day & Second Day for Siddharth Anand.

20. Highest grossing First Day & Second Day for Yash Raj Films.

21. Highest grossing First Day & Second Day for YRF Spy Universe Films.

Siddharth says, “With War and now Pathaan, we, the Hindi film industry have given films that have pan India appeal. I have always believed that cinema has no language. Cinema is about an emotion and if it connects with people, it can really go to dizzying heights and that’s what’s happening with Pathaan.”

Siddharth is happy that Indian cinema is flourishing and creating new benchmarks with landmark global hits. He says, “Today is a victory of Indian cinema because we are all Indians first. It is such an exciting phase for our country that films from across India are making records, breaking records and most importantly entertaining the people of our country globally!”

YRF’s Pathaan is a historic hit as it collected 113.6 crore gross on day 2, taking the total worldwide collection to an astronomical 219.6 crore gross! Pathaan has become a must watch theatrical entertainer which is being celebrated across the nation. Pathaan, is part of Aditya Chopra’s ambitious spy universe and has the biggest superstars of the country Shah Rukh Khan, Deepika Padukone and John Abraham in it.

FARAAZ Opens February 3rd

Directed by National Award winner Hansel Mehta, the new thriller FARAAZ releases in North American theaters on February 3. Based on the real-life attack that ravaged a Dhaka cafe, the gripping film is a tense hostage drama that unfolds over one claustrophobic night.

The Great War of civilization cemented its polarization in the post 9/11 world. The horror was psychological as well as empirical in the way it defined the idea of survival and humanity in the upcoming decades.

Islam became a word with multiple connotations, an idea whose very existence manifested itself in war games, geo political reassessment and elections. While the Middle East suffered from modern colonialism, the subcontinent went through its own struggles. “Justice” started being meted out by mobs, kitchens were invaded by parochial attitudes and skull caps and beards became a marker of prejudice.

In this context, in a democratic, largely Islamic country, The month of Ramadan was bloodied by the worst terrorist attack Bangladesh had ever witnessed. Around 8pm, 5 boys entered an upscale restaurant opening fire, killing all a dozen hostages in a matter of a few minutes and taking everyone else hostage.

Mortified nationals were glued to their tv sets as the Holy Artisan bakery in Gulshan, Dhaka, was taken hostage along with 50 odd people. The horror unleashed by the terrorists was beyond brutal. And the irony of it all was that the terrorists shared the same faith as the majority of the country, but their approach was medieval to say the least.

The attackers, in their early 20’s, killed people who did not agree with them or who did not align with their religious beliefs. They were sure that they were on God’s mission and fate had chosen them to accomplish this holy war. The message that they wanted to send to the world was that Bangladesh was its new frontier that needed a lesson in Islam.

What followed was almost 12 hours of a harrowing experience where the hostages were surrounded by death, violence and a skewed idea of a religion that has espoused so many contradictions in the world. Security forces stuck in a quagmire, with emotions running high, the bureaucracy behind dealing with a situation of this magnitude and the prayers of multiple Bangladeshi and empathizers from across the globe hoping that the hostages somehow miraculously come out.

Through the film we see the people behind these staunch rhetorics with their own complexes and hidden agendas. Their shortcomings which guise themselves in the name of holy war and the innocent people who become unfortunate victims of religious extremism.

However, we are the stories we choose to tell the world. This is a story of resilience, resistance and rationality. It’s a story where humanity finds itself on the edge of a cliff, a slight push can make it plunge into divisive chaos, only to find its feet in the face of a grave caveat.

FARAAZ

Release Date: February 3

Director: Hansal Mehta

Cast: Zahan Kapoor, Aditya Rawal, Juhi Babbar Soni

Producers: Bhushan Kumar, Krishnan Kumar, Anubhav Sinha, Sahil Saigal, Sakshi Bhatt, Mazahir Mandasaurwala

Film Updates: https://www.facebook.com/RelianceEnt/

Subtitled Trailer: https://youtu.be/aNvVwGAtnLg

Shah Rukh Khan, Only Indian On World’s Richest Actor List

Bollywood actor Shah Rukh Khan with his more than three decades of work in the film industry has garnered millions of fans all over the world and an estimated net worth of ₹627 million ($770 million), making him the richest actor in Asia and fourth richest actor all over the world.

Beating famous actors like Tom Cruise, Jackie Chan, and George Clooney, Shah Rukh Khan took the fourth position in the list of eight richest actors of the world released by World of Statistics.

Shah Rukh Khan who is ready to make his comeback with his action thriller Pathan in Janaury 2023 had been away from movies for a period of almost four years sans his cameos in R. Madhavan’s Rocketry: The Nambi Effect and Ayan Mukerji’s Brahmastra Part 1: Shiva. The richest actor according to this list was Jerry Seinfeld with a net worth of ₹82 billion ($1 billion). The American actor tied with Diary of a Black Woman fame Tyler Perry at $ 1 billion. They were followed by Dwayne Johnson at ₹64 billion ($800 million).

Richest actors in the world: Jerry Seinfeld: $1 Billion Tyler Perry: $1 Billion Dwayne Johnson: $800 million Shah Rukh Khan: $770 million Tom Cruise: $620 million Jackie Chan: $520 million George Clooney: $500 million Robert De Niro: $500 million

GANDHI GODSE – EK YUDH Opens January 26

What if Gandhi had survived? Director Rajkumar Santoshi (The Legend of Bhagat Singh) delivers the powerful new historical drama GANDHI GODSE – EK YUDH which releases in cinemas across North America on Thursday, January 26, for Republic Day. With new music from Oscar winner A.R. Rahman, the film revolves around the fictional world where Mahatma Gandhi survives the attack and later meets Nathuram Godse in prison, the conversation leads to a fiery debate between them.

Uprooted during partition thousands of Hindus & Sikhs, from Pakistan are refugees in Delhi. The Indian Government struggles to provide for them. Godse holds Gandhi responsible for the partition and misery of Hindus. He shoots Gandhi on 30th January 1948. But Gandhi is miraculously saved. He pardons Godse. Gandhi suggests congress leaders that congress party should be dissolved. But the suggestion gets rejected by the congress committee.

Gandhi breaks his ties with congress, he begins his Gram Swaraj Movement to inspire and organize villages towards self-reliance. Forest conservation, eradication of cast, and fair farming practices are on his agenda. Meanwhile, the system highlights Godse’s writing and manipulates public sentiment against Gandhi whose interference has created ruckus within the government. This leads to Gandhi’s arrest. Gandhi insists on serving his sentence with Godse. They have multiple debates and arguments, even confrontations on issues of Akhand Bharat & Hindutva, Muslims Appeasement & Partition, Geeta and Non-Violence. Through dialogue they both evolve and resolve their differences.

GANDHI GODSE – EK YUDH

Release Date: January 26

Director: Rajkumar Santoshi

Cast: Deepak Antani, Chinmay Mandlekar, Tanisha Santoshi

Producers: Manila Santoshi, Ram Santoshi

Music: A.R. Rahman

Official Site: https://www.facebook.com/RelianceEnt/

Trailer: https://www.youtube.com/watch?v=jFuDx-wSi7A

Distributor: Reliance Entertainment

Watch the new full trailer for GANDHI GODSE – EK YUDH:

https://www.youtube.com/watch?v=jFuDx-wSi7A

Press Download – trailer video file:

https://www.dropbox.com/s/z0yyg76xeo49rg5/GANDHI_GODSE_HI-en_INT_MP4_20230110.mp4?dl=0

‘SRK’s Break Has Created Immense Excitement For Pathaan!:’ Siddharth Anand

Pathaan has become one of the most anticipated Hindi films to release worldwide in a long, long time. Touted as one of the biggest ever action spectacles that audiences will see in theatres, the visually spectacular Yash Raj Films’ action extravaganza, Pathaan, is part of Aditya Chopra’s ambitious spy universe and has the biggest superstars of the country Shah Rukh Khan, Deepika Padukone and John Abraham in it.

Director Siddharth Anand, in a video released by Yash Raj Films, talks about why Pathaan has become the most hyped film globally and how SRK’s return to the cinemas after 4 years has added to the humongous buzz that the film is carrying!

Sid says, “Directing SRK is a responsibility and it’s even more greater now because of the break that he had taken and that has created immense expectations and excitement with his audience. I am realising now, towards the end of the film into the release of the film, what and how large that fan base is. So yeah, that is an amazing feeling and it’s somewhere exciting because we know that we have hopefully made a film that they will be happy and proud of.”

About the electrifying SRK and Deepika pairing in Pathaan, Sid says, “Just the fact that SRK and DP have done so many films before and fortunately all of them have been really successful. It became a challenge to see how different can they look and so, our team really worked you know intricately to present them in a new way.”

SRK and Deepika are one of the biggest on-screen pairings in the history of Indian cinema given their epic blockbusters Om Shanti Om, Chennai Express and Happy New Year.

Sid says, “The fact that DP is looking different from her films and SRK is looking different from his films, automatically their pairing will look fresh. So that is the approach we took and it’s amazing, I think the audience is loving it.”

Watch the full video here : https://youtu.be/kgHhCKbF3X0

YRF’s adrenaline pumping film, Pathaan, is set to release on Jan 25, 2023 in Hindi, Tamil and Telugu. All the assets of the film that YRF has released so far have turned out to be super-hits right from the teaser, the two songs – Besharam Rang & Jhoome Jo Pathaan – and the recently dropped trailer that has caused an internet meltdown!

RRR’s Naatu Naatu Wins Historic Golden Globe For Best Original Song

People of Indian origin across the globe are celebrating after Telugu movie RRR created history by winning a Golden Globe – a first for the country. Written and directed by SS Rajamouli, RRR, which stands for Rise, Roar, Revolt, is a historical fantasy that tells the rollicking story of two revolutionaries who fight against British rule in India – superstars Ram Charan and Jr NTR play the lead roles.

SS Rajamouli’s hit historical epic RRR was nominated in two categories at the 80th Golden Globes, considered an important precursor to the Oscars.  Composer MM Keeravani, along with singers Kaala Bhairava and Rahul Sipligunj, has won the Golden Globe for Best Original Song, for the track “Naatu Naatu,” which became an anthem of sorts for fans of director SS Rajamouli’s RRR. The historical epic has also been nominated in the Best Non-English Language Film category at the 80th Golden Globes.

Naatu Naatu, a four-and-a-half-minute stomper of a song, features Charan and Jr NTR, and has had thousands grooving to its beat. Their energetic moves have inspired viral trends on social media in India and globally.

The film’s catchy musical number, Naatu Naatu, was awarded best original song, beating heavyweights like Taylor Swift and Rihanna. The hit song was filmed in front of Ukraine president Volodymyr Zelensky’s official residence in 2021.  Accepting the award, composer MM Keeravani said he was thrilled by the song’s success.

Back home, several Indians including Prime Minister Narendra Modi expressed their joy at the news. India’s Prime Minister Modi congratulated the team, saying the “prestigious honour has made every Indian very proud””.

Oscar-winning music composer AR Rahman called the win a “paradigm shift”. Bollywood superstar Shah Rukh Khan wrote on Twitter that he “woke up and started dancing to Naatu Naatu” to celebrate the news.

One of India’s most expensive films, the dazzling action epic has been a huge box-office success – not just domestically but also in countries such as the US. Hollywood actress Jessica Chastain tweeted last week that watching the film felt like “such a party”.

Picture : TheUNN

A Hindi-language version of the film on Netflix was among the platform’s Top 10 most watched titles in the US for weeks when it released in May 2022. In December, BBC Culture film critics Nicholas Barber and Caryn James chose it as one of the 20 best films of the year, calling it a “crazily over-the-top action movie” with a powerful story.

The film’s music, ranging from romantic ballads to gleeful dance numbers and patriotic anthems, has also won fans.

Fans worldwide have gushed over the infectious dance steps that accompany the song’s chorus, where the actors shimmy and glide in a synchronised cowboy routine. The team behind the song spoke to BBC Telugu in January about the effort they put in.

Choreographer Prem Rakshit said that he composed nearly 95 dance steps for the song – with 30 different versions of the signature step in the chorus alone. It took about 19 months from the first discussion until the final, polished result emerged – a fun mish-mash of dance genres ranging from an old barn stomp to a bit of Gangnam Style gallop and traditional Bollywood moves.

The song was shot in front of the Mariinskyi Palace in Ukraine – a gorgeous sea-blue structure of baroque architecture – months before the war began. The film’s director Rajamouli said in an interview that “luckily, they gave us permission to shoot because the Ukrainian president [Mr Zelensky] was a television actor”.

The idea was to create a song which took “enjoyment and joy” to a new level, the song’s composer Keeravani told BBC Telugu.  “Rajamouli told me that he wanted a song in which both the actors compete with each other and dance.”

Keeravani then asked lyricist Chandrabose to pen the words. “I told him that you can write whatever you want but the song should create excitement and enthusiasm about the dance moves of the lead actors,” Keeravani said.

On Wednesday, fans could barely contain their happiness on Twitter as they celebrated the award.  “This is history in making for Indian cinema at global platform,” a user wrote. Telugu superstar Chiranjeevi Konidela, who is also Charan’s father, called it a “phenomenal, historic win” – a sentiment echoed by several others in the film industry and beyond.

RRR was also nominated in the Best Non-English Language Film category at the Golden Globes, but lost to Argentina, 1985. Considered an important precursor for the Oscars, the Globes are emerging from a major controversy that resulted in the industry largely blacklisting them for over a year. After fundamental changes were introduced behind-the-scenes, mostly in relation with diversity and transparency, the event is making a comeback to TV after an under-the-radar 2022 edition.

“Naatu Naatu,” a dance number featuring stars Jr NTR and Ram Charan, was competing against Taylor Swift’s “Carolina” from Where the Crawdads Sing, “Ciao Papa” from Guillermo del Toro’s Pinocchio, Lady Gaga’s “Hold My Hand” from Top Gun: Maverick, and “Lift Me Up” from Black Panther: Wakanda Forever, performed by Rihanna. A dance-off number in which the central characters, played by NTR Jr and Ram Charan, challenge British oppressors, “Naatu Naatu” became known for its elaborate choreography and musical storytelling.

India previously made its presence felt in the Best Original Score category over a decade ago, when AR Rahman won for Danny Boyle’s Slumdog Millionaire. Rahman was also nominated in the same category for Boyle’s follow-up, 127 Hours. V Shantaram’s Do Aankhen Barah Haath made history when it won the equivalent of the Best Non-English Language Film in 1957. Richard Attenborough’s Gandhi was won the Globe in the same category, even though it wasn’t a foreign production.

RRR became a cult phenomenon in the US after its Hindi language version debuted on Netflix earlier this year. After developing a devoted fanbase, it was re-released in theatres, culminating in a legendary sold-out screening at the iconic Chinese Theatre in Hollywood. The movie subsequently became an awards contender, picking up five nominations at the Critics Choice Awards in addition to its two nods at the Globes. It has been shortlisted in two categories at the Oscars, and in one category at the BAFTAs. Rajamouli recently won the prestigious New York Film Critics Circle award for Best Director, while RRR found spots on many American critics’ top 10 lists.

Team RRR makes a style statement with sarees, sherwanis and bandhgalas

As India bagging a Golden Globe for the number ‘Naatu Naatu’ has made headlines, the Indian attire sported by the ‘RRR’ family too grabbed eyeballs at the event.

‘RRR’ brought home the Golden Globe for Best Original Song in Motion Picture for the song ‘Naatu Naatu’, however, the film lost out the bigger share of the pie — that of the Best Motion Picture Non-English award to the Argentine film ‘Argentina, 1985’.

It was Ram Charan, his wife Upasana, M. M. Keeravaani, his wife Srivalli S. S. Rajamouli and his better half Rama Rajamouli, who unlike any other global star chose to flaunt the Indian wear at the ceremony.

Ram Charan looked every inch dapper in an all black Kurta paired with straight pants and sunglasses. His wife Upasana dolled up in a printed saree.

Rajamouli chose a black kurta, red dhoti pants and a crisp red dupatta while his wife Rama, a costume designer, opted for a green and orange Kanjeevaram saree.

Keeravaani seemed to join the gang with a black kurta and straight pants. His wife chose a bright yellow and orengish-red nine-yard wonder.

Jr. NTR looked every inch handsome as he opted for a black suit paired with a bow-tie and a white shirt.

‘RRR’ centres around two real-life Indian revolutionaries, Alluri Sitarama Raju and Komaram Bheem, their fictional friendship and their fight against the British Raj.

Set in the 1920s, the plot explores the undocumented period in their lives when both the revolutionaries chose to go into obscurity before they began the fight for their country.

Hindu Seer Threatens To Burn SRK Alive

The Pathaan row in India is seeing new heights of religious fanaticism as a seer in Ayodhya has now threatened that he would burn Bollywood’s Shah Rukh Khan alive if he ever met him. As per its definition, a seer is a person of supposed supernatural insight who sees visions of the future.

Mahant Paramhans Acharya of Tapasvi Chhavni, has said that he would even go to the extent of burning Shah Rukh Khan alive if he ever met him. Paramhans Acharya added that the saffron colour has been insulted in the ‘Besharam Rang’ song.

“People of our Sanatan Dharma are protesting continuously regarding this. Today we have burnt the poster of Shahrukh Khan. If I get to meet the film Jihadi Shah Rukh Khan, I will burn him alive,” the seer said.

Picture : TheUNN

Paramhans Acharya added that the saffron colour has been insulted in the Besharam Rang song. “People of our Sanatan Dharma are protesting continuously regarding this. Today we have burnt the poster of Shahrukh Khan. If I get to meet the film Jihadi Shah Rukh Khan, I will burn him alive,” the seer said.

Acharya did not stop at that. He went on to say that if ‘Pathaan’ film was released in theatres, he would set them on fire. He also appealed people to boycott ‘Pathaan’. Earlier, the priest of Hanuman Garhi, Mahant Raju Das, had also protested against the film. Politicians and right-wing supporters are protesting over saffron coloured outfits in the song ‘Besharam Rang’ in the film.

While the cast seems unfazed by the so-called controversy as the makers have announced a new song set for a December 22 release, fans and close peers of Khan and Deepika Padukone are rightfully worried.

Picture : Vartha Bhrathi

Adding on, the Mumbai Police has received a written complaint, seeking registration of an FIR in connection with Padukone wearing a saffron bikini in the song Besharam Rang. A complaint has been filed on Saturday against the producer, director and lead actors of the film for deliberately using saffron color to hurt the religious sentiments of people and hurt the Hindu religion, an official of Sakinaka police station said.

Previously, Khan voiced his concerns about the emerging trend of negativity and trolling on social media at the inaugural ceremony of the 28th Kolkata International Film Festival, reported Times of India.

Without directly addressing the controversies related to Pathaan and Besharam Rang, Khan said, “I’m really proud of everyone standing in solidarity with me. The support proves that no matter what the world throws at us, we will always remain positive and alive.”

He then pointed out how the negativity on social platforms only leads to more destruction in real life. “Social media is often driven by a certain narrowness of view that limits human nature to its baser self. I read somewhere that negativity increases social media consumption, and thereby increases its commercial value as well. Such pursuits enclose the collective narrative, making it divisive and destructive.”

Moving on, the Zero actor also stated that cinema is bound to be affected by the increasing pessimism online. He said, “The collective narrative of our times is shaped by social media and contrary to the belief, the spread of social media will affect the cinema negatively.”

Khan went on to defend cinema by dubbing it as a vehicle “for people of different colours, castes and religions to better understand each other.” He also urged people to pay more respect to films. “Cinema is the best place to sustain a counter-narrative that speaks to the larger nature of humankind,” he added.

Despite receiving requests for the film to be boycotted, Khan commended KIFF for ushering in a new era of optimism in the country and congratulated the people of Kolkata. “Through endeavours like KIFF, we are able build new platforms to break existing prejudices. Let’s come together and build a better world for our future generation through the medium of cinema,” he concluded.

Eros Media World, Arabia Pictures Join Hands To Remake Hit Bollywood Films

India’s leading media and entertainment company, Eros Media World PLC and Arabia Pictures Group will together produce three full-length feature films, including an Arabic remake of a 2012 Bollywood blockbuster and two untitled Hindi language projects.

They plan to jointly produce three full length feature films, including the remake of a 2012 Bollywood Box Office super hit film and two untitled Hindi language projects. All three films will be conceived and developed in Saudi. The local remake film will go on the floor for production by mid of 2023, and the other two by the end of 2023.

“Saudi Arabia and India enjoy a strong relationship reflecting their centuries-old economic and socio-cultural ties. Today, when Saudi Arabia is diversifying and inviting investments and expertise from all over the world, global media organizations like ErosMedia can participate and contribute to the Saudi government’s vision.”

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Abdulelah Alahmary, CEO of Arabia Pictures, says, “We’re very thrilled to collaborate with ErosMedia in bringing captivating, family-orientated stories to the MENA region. Our cultures share similar qualities, and we believe that our first film together, which is a remake will resonate with our audiences. We’re in the process of adapting the story with talented local Saudi writers. We will share the details on these projects soon.”

Picture : Deadline

Commenting on the announcement, Pradeep Dwivedi, CEO, Eros Media World, says, “Saudi Arabia and India enjoy a strong relationship reflecting their centuries-old economic and socio-cultural ties. Today, when Saudi Arabia is diversifying and inviting investments and expertise from all over the world, global media organizations like ErosMedia can participate and contribute to the Saudi government’s vision.” He adds, “In Arabia Pictures, we have found a perfect partner, and together we will recreate the magic of Bollywood in Saudi.”

Arabia Pictures is a content production and distribution outfit focusing on the MENA region. In August this year, ErosMedia and Arabia Pictures announced a strategic partnership to explore opportunities in film production, technology, and Web3 space.

The partnership is in line with Saudi Arabia’s Vision 2030, a strategic framework by the government to move away from Saudi Arabia’s dependence on oil to diversify its economy and develop public service sectors such as health, education, infrastructure, recreation, media, and tourism.

Eros Media World Plc, (“Eros”, the “Company”) (NYSE: EMWP) is a global media and entertainment company that acquires, co-produces and distributes films, digital content and music across multiple formats such as theatrical, television, OTT digital media streaming and emerging web 3.0 ecosystem to consumers around the world. The Company also owns the leading South Asian OTT platform Eros Now, which has rights to over 12,000 films across major Indian languages. For further information, please visit www.ErosMediaWorld.com.

Arabia Pictures group is a leading entertainment company focused on the production and global distribution of film and television content across all platforms. We are focused on building ecosystems of content creation; all of our companies complement each other and contribute towards completing projects from talent development to major film production. We envision to create a “MediaTainment economy” by acting as the root base for innovative cloud and digital services aimed at content creators. Regionally we have major platforms, TVs, theatrical and talent. We are providing the best value for creativity utilizing technology through our existing channels.

‘RRR’ Receives Two Golden Globe Nominations

The spectacle of ‘RRR’ in the West doesn’t seem to cease any time soon. Helmed by SS Rajamouli, the action-drama film nabbed two spots in the nomination list for the Golden Globe Awards 2023. The prestigious award show made the announcement via congratulatory posts to the nominees on its official Twitter handle. The nominations were covered in all major media in the U.S., and ‘RRR’ received good press in several countries, including Canada.

The movie, ‘RRR’ is a fictional story based on the lives of two Telugu freedom fighters Alluri Seetharama Raju and Komaram Bheem. Ram Charan and Jr NTR played lead roles, respectively.

The full list of nominations released in U.S. media included ‘RRR’ in two categories – ‘Best Picture – Non-English Language’ and ‘Original Song – Motion Picture’.

Best foreign language film
“All Quiet on the Western Front” (Germany)
“Argentina, 1985” (Argentina)
“Close” (Belgium)
“Decision to Leave” (South Korea)
“RRR” (India)
– – –
Best original song, motion picture
“Carolina,” Taylor Swift (“Where the Crawdads Sing”)
“Ciao Papa,” Guillermo del Toro and Roeban Katz (“Guillermo del Toro’s Pinocchio”)
“Hold My Hand,” Lady Gaga and BloodPop (“Top Gun: Maverick”)
“Lift Me Up,” Tems, Rihanna, Ryan Coogler and Ludwig Göransson (“Black Panther: Wakanda Forever”)
“Naatu Naatu,” Kala Bhairava, Rahul Sipligunj (“RRR”)

In the first category, it competes against the films ‘All Quiet on the Western Front’, ‘Argentina, 1985’, ‘Close’ and ‘Decision to Leave’.

In the second category, the song ‘Naatu Naatu’ from the Ram Charan-starrer will compete with ‘Where the Crawdads Sing’ from ‘Carolina’, ‘Lift Me Up’ from ‘Black Panther: Wakanda Forever’, ‘Hold My Hand’ from ‘Top Gun: Maverick’ and ‘Ciao Papa’ from ‘Guillermo del Toro’s Pinocchio’.

Picture : Indian Express

Bollywood actor Alia Bhatt, who had played an integral role in ‘RRR’, took to her Instagram stories to share the news with lots of heart emojis.

The Jr. NTR-starrer has already bagged a number of awards in the West, including a Saturn Award and a New York Film Critics Circle award.

Meanwhile, the filmmakers have submitted the film to The Academy For the Oscars in main categories. They have asked for consideration in categories, including Best Picture (DVV Danayya), Best Director (SS Rajamouli), Best Actor (Jr NTR and Ram Charan), Best Supporting Actor (Ajay Devgn), Best Supporting Actress (Alia Bhatt) and more.

“#RRRForOscars. We are honoured that RRR’s overwhelming success represented Indian Cinema on the global stage by creating milestones at the worldwide box office and uniting film buffs across the world by transcending linguistic & cultural barriers. We’re grateful to each & every one who loved our film and cheered us over the past few months. You made this journey possible.We applied to The Academy for Oscars consideration in general category. We wish our RRR family the best and thank them from the bottom of our hearts for making this possible. Here’s to continuing to win hearts and entertain audiences worldwide,” a note read on the official Instagram page of RRR. The film collected over Rs 1,200 crore worldwide.

‘Besharam Rang Is My First Song With Deepika So I Knew I Had To Do Something Really Special!’ : Vaibhavi Merchant

Producer Aditya Chopra and director Siddharth Anand unveiled the first song of Pathaan, Besharam Rang, on Monday which broke the internet! The song has been trending worldwide ever since it’s release and fans and audiences have gone berserk complimenting how SRK and Deepika Padukone are looking in the song and how hot the choreography is because the verdict is unanimous – Deepika has looked her hottest best in Besharam Rang!

Ace choreographer Vaibhavi Merchant, who is known to present the hottest versions of leading ladies on screen – Aishwarya Rai Bachchan in Kajra Re from Bunty Aur Babli, Katrina Kaif in Kamli from Dhoom: 3 to the scintillating Deepika Padukone in Besharam Rang, etc is over the moon with the response to the song.

She says, “In my body of work, I have probably consciously made an effort to ensure that the female leads are always presented very aesthetically. For instance, with Ash (Aishwarya Rai Bachchan) in Kajra Re, I made it a point to kind of enhance the expressions in the way she did her adaakari. In Kamli with Katrina again, I kept in my what Katrina would look great doing.”

Picture : Indian Express

She adds, “One must always study the actor you’re choreographing for because it doesn’t matter if the movement looks great on me or my assistants, but it must look fantastic on the actor, it should bespoke to the actor. So even with Katrina, it was very clear that I want to give her something that I’ve never done before and never seen before because she had her own style. In Katrina, I saw a very, very excruciatingly hard working talent and she would exhaust me with all the rehearsal time but what she did in the song, was simply incredible.”

Vaibhavi further says, “Strangely, I’ve never been able to choreograph something for Deepika until Besharam Rang. So, this is my first song with Deepika and I knew I had to do something really special for this one. It was very endearing for me to see her approach me and say finally we get to work with each other and I said Deepika I truly want to make this very special for you because this is our first and I don’t want to shoot a better song than this for you in future.”

Vaibhavi says she went all out in making Deepika look the hottest heroine that India has ever seen on screen. She says, ”I wanted to go all out to present her in a way that she has never been presented before. I must give it to Shaleena Nathani for the costumes. Deepika has a great rapport with her and I was pleasantly surprised to see her being so comfortable in her own skin. She owns the song and she is looking gorgeous in every frame.”

Vaibhavi adds, “Deepika put in a lot of hard work to look the way she is looking in Besharam Rang. She had an entire crew – dietitian, her physical trainer and the stunning costumes by Shaleena. I was mighty impressed with the way she just approached all the costumes she’s like, yeah, she’s cool to wear this, she’s cool to wear that. So, I think that really triggered a certain style in which this song should be shot. Because I was like, I can’t make her wear those costumes and make her do steps in a way that we usually shoot songs.”

The song features a sizzling Deepika with Shah Rukh Khan, who plays a gun-totting spy with a license of kill in Pathaan. Both are looking their hottest and fittest best as Deepika flaunts her hot bod in bikinis and SRK – a perfectly chiselled eight pack! Besharam Rang was shot in Spain’s most gorgeous coastal towns Mallorca, Cadiz and Jerez.

SRK and Deepika are one of the biggest on-screen pairings in the history of Indian cinema given their epic blockbusters Om Shanti Om, Chennai Express and Happy New Year.

Pathaan is India’s biggest ever action spectacle for audiences. The visually spectacular Yash Raj Films’ action extravaganza, Pathaan, is part of Aditya Chopra’s ambitious spy universe and has the biggest superstars of the country Shah Rukh Khan, Deepika Padukone and John Abraham in it. The adrenaline pumping, visually extravagant film is set to release on Jan 25, 2023 in Hindi, Tamil and Telugu.

PATHAAN Has A Global Flavor

‘Went to 8 countries to shoot PATHAAN and its lavish action sequences,’ said Siddharth Anand explaining on how the team wanted to give audiences a visual spectacle like never before with Pathaan

Aditya Chopra and ace director Siddharth Anand are trying to make Pathaan India’s biggest ever action spectacle for audiences! The visually spectacular Yash Raj Films’ action extravaganza, Pathaan, is part of Aditya Chopra’s ambitious spy universe and has the biggest superstars of the country Shah Rukh Khan, Deepika Padukone and John Abraham in it. 

The adrenaline pumping visually extravagant film has been shot across 8 countries of the world to achieve a scale that has never been witnessed on the big screen. The team has shot in Spain, UAE, Turkey, Russia and Siberia, Italy, France, India and Afghanistan to present an outlandish action thriller that is truly an event film for Indians across the world!

Siddharth says, “Locations always play a huge role in my films and they became even more important for Pathaan as we intended to deliver an action spectacle for audiences that they have never seen before. To achieve that scale and variation in visuals we went to 8 countries to shoot the film and its lavish action sequences!”

He adds, “We were clear that every scene of Pathaan needs to be breath-taking and we meticulously went about planning to achieve this. I remember the pre-production of Pathaan took close to two years because we wanted to be absolutely sure that we are going to try and raise the bar of action spectacles in India.”

Siddharth adds, “We have shot in some of the most remote and most exquisite locations in the world that have helped us create a visual experience that is immersive and outlandish. I simply hope that audiences love our effort to create a cinematic milestone when Pathaan releases in theatres on Jan 25.” Pathaan is set to release on Jan 25, 2023 in Hindi, Tamil and Telugu.

Dilip Kumar Film Festival To Commemorate His 100th Birthday Planned

Fresh off the success of the Bachchan Back To The Beginning festival, the not-for-profit organization Film Heritage Foundation has announced the unique fest titled Dilip Kumar—Hero Of Heroes to mark the centenary celebrations of film icon and Dadasaheb Phalke laureate Dilip Kumar. Real name Yusuf Khan, he is among the greatest legends of Hindi cinema.

Largely an actor, Dilip also dabbled in production (Gunga Jumna), direction (the incomplete Kalinga), screenwriting (Leader, Gunga Jumna, Bairaag), singing (Musafir, Karma) and also did Bengali cinema (Paari, Sagina Mahato).

Slated to be hosted on December 10 and 11 (his birth-date), the celebration will honor the icon through a bespoke showcase of his milestone films such as Aan (1952), Devdas (1955), Ram Aur Shyam (1967) and Shakti (1982), covering over 30 cinema halls in over 20 cities across India.

Audiences in Mumbai, Delhi, Gurgaon, Noida, Pune, Bareilly, Kanpur, Varanasi, Allahabad, Raipur, Indore, Surat, Ahmedabad, Kolkata, Bengaluru and Hyderabad will get a first-hand experience of witnessing the sheer magnetism and versatility of one of the greatest actors of Indian cinema on the big screen.

Picture : Mirchi Plus

Shivendra Singh Dungarpur, filmmaker, archivist and director, Film Heritage Foundation, states, “Dilip Kumar is turning 100! What an incredible opportunity to bring back one of the greatest actors of Indian cinema on the big screen. He truly is the “Hero of Heroes”, as even today, he is an actor that the biggest stars look up to. Film Heritage Foundation could think of no better way to celebrate this milestone than a festival of his films in theatres. Even though some of these films were released 70 years ago, the power of Dilip Kumar’s performances, his craft as a method actor and his charisma make him ageless. I was so excited thinking of how many of his films I could curate to mark the occasion. How did one choose for an actor with such an outstanding body of work? Little did I know then that I would have the opposite problem. I was shocked and heartbroken to discover that many of his great films survived only in low-resolution formats that could not be projected on the big screen.”

The archivist adds, “Should the films of a towering persona, who had dominated cinema for so many years, be confined to a small computer screen or a phone in danger of being forgotten? I cobbled together these films with great difficulty, with many people asking why some of their favorite Dilip Kumar films were not included. How can one make them understand? I hope this will be a wake-up call to filmmakers and producers. Time is running out and that they should look into preserving their films before it is too late. I would like to thank PVR Cinemas, especially Ajay Bijli, for giving us a platform to celebrate Indian classic cinema on the big screen again.”

Dilip’s wife, Saira Banu, added, “I am so happy that Film Heritage Foundation is celebrating Dilip-sahab’s 100th birthday on December 11 this year. They could not have chosen a more apt title to commemorate India’s greatest actor. He was my favorite hero from the time I was 12 years old when I first saw him in Aan in Technicolor. It will be a joy to watch him back on the big screen, larger-than-life, like he has been in my life.”

Amitabh Bachchan stated, “As Dilip Kumar turns 100, I am so glad that we at Film Heritage Foundation are celebrating his legacy in theatres. I would urge every film lover and contemporary actor who has not watched Dilip Kumar not to miss the incredible opportunity of watching this giant back on the big screen. It will be a masterclass in acting. Even today I am learning every time I watch his films. Dilip Kumar was, and is, my idol.”

He goes on, “I am still to meet an actor who could match his faultless performance, his flawless diction and the commitment he brought to his craft. His every spoken word was poetry, and when he appeared on the screen, everything else was a blur. I had the privilege of sharing the screen with him just once in Shakti—an experience I cherish. I was deeply disturbed to hear that many of his films are not in a condition to be screened in cinemas. Film Heritage Foundation is working day and night to ensure that the work of legends like Dilip Kumar survives and is preserved and restored to be shown to new generations.”

Kamal Haasan also stated: “Yusuf- sahab set an international bar for Indian actors to follow. He was erudite, eloquent and excellent in his chosen field. Cinema can make people believe that those who have departed are still alive. In that context, to me Dilip Kumar ji is one of the world’s best actors. I’m grateful to Film Heritage Foundation for keeping this heritage alive.”

Film Heritage Foundation is a non-profit organization based in Mumbai, set up by Shivendra Singh Dungarpur in 2014. A member of the International Federation of Film Archives (FIAF) since 2015, Film Heritage Foundation is the only non-governmental organization in the country working in the field of film preservation. Amitabh Bachchan is their cause ambassador.

“Our core programs include the preservation and archiving of films and film-related memorabilia, training in film preservation and restoration, children’s workshops, digitization and restoration, oral history projects and publications,” said Shivendra.

Shah Rukh Khan Has A Tom Cruise Connect In YRF’s Pathaan!

Aditya Chopra and ace director Siddharth Anand is relentlessly working to make Pathaan India’s biggest action spectacle! The visually spectacular Yash Raj Films’ action extravaganza, Pathaan, is part of Aditya Chopra’s ambitious spy universe and has the biggest superstars of the country Shah Rukh Khan, Deepika Padukone and John Abraham in it. It has now come to light that Pathaan has a huge Tom Cruise connect that is going to blow the minds of every spectacle movie going audience in India!

Picture : ABP News

Siddharth reveals, “When one sets out to make the spectacle action film of India with one of the all time biggest heroes of our country, Shah Rukh Khan, you need to have a champion team that is unified in the vision. Thankfully we got an A-team that came together to push the visual envelope with Pathaan and I was delighted to have someone like Casey O’Neill, who has extensively worked with Tom Cruise, to be by our side.”
Emmy award-nominated Casey, regarded as one of the best action directors in Hollywood, is the brain behind Tom Cruise’s death-defying stunts in films like Jack Reacher, Mission Impossible series films, Top Gun : Maverick and has also worked with Marvel Studios and Steven Spielberg to name a few!

About Casey, Siddharth further adds, “He brings in a wealth of experience and he immediately bought into the idea of creating edge of the seat action for Pathaan that could match what he’s done back home in Hollywood. What Casey has created in Pathaan, is simply mind-boggling. You will have to see the film for that because we aren’t going to disclose any details from the film till it releases in theatres on 25 Jan.”

Casey is also a 7-time Screen Actors Guild awards nominee and 3-time Taurus World Stunt Awards Winner for Once Upon a Time in Hollywood, Captain America Winter Soldier and Mission Impossible Ghost Protocol. His skills have also earned him membership to the Academy of motion picture arts and sciences and membership to the elite Brand X Action Specialists.

Pathaan is set to release on Jan 25, 2023 in Hindi, Tamil and Telugu.

Ajay Devgn, Tabu Film, Drishyam 2 Lands Home Its Lesson A Second Time

Bollywood isn’t really known for pulling off suspense thrillers, certainly not for sustaining the steam over a sequel. But, like Drishyam in 2015, Drishyam 2 lulls you with its modest settings, simple characters, human cops, and a family caught in events beyond its control, till it lands home its lesson a second time — it’s not important what’s before you; what is important is what you are seeing.

Seven years after the case related to Vijay Salgaonkar and his family was closed, a series of unexpected events bring a truth to light that threatens to change everything for the Salgaonkars. Can Vijay save his family this time?.

The Ajay Devgn-Akshaye Khanna-Tabu starrer in Drishyam 2, originally acted by Malayalam star, Mohan Lal, very deftly picks up from where the two main protagonists, both fierce parents, left off in Drishyam 1. Its execution is not as smooth as the last time though, say movie critiques.

Picture : TheUNN

So, when his case file in a murder case reopens in Goa police station, you can only expect this mystery to get more intriguing, interesting and exciting. A remake of Malayalam film by the same name that released in 2021, Drishyam 2 is a sequel to the 2015 crime thriller that left everyone guessing what really happened on October 2 and 3, a tale which all of us now remember by heart after listening to the members of Salgaonkar family some 100 times over during investigation. But the truth is yet to be uncovered.

From a 4th fail, middle-class cable operator who is obsessed with Bollywood films, Vijay Salgaonkar (Ajay Devgn) is now a theatre owner who wants to produce a film and even has the script ready. But what hasn’t changed in these seven years is his passion for films, storytelling and love for twisted plots.

Directed by Abhishek Pathak, the film is riding on the plot of its prequel that generated a lot of buzz. There are ample references that one keeps hearing throughout in the sequel, which remind them of how good the first film was. Vijay Salgaonkar lives in Goa with his wife Nandini (Shriya Saran) and daughters Anju (Ishita Dutta) and Annu (Mrunal Jadhav).

After Nandini and Anju accidently kill a young boy, Sam, who happens to be Goa IG Meera Deshmukh’s (Tabu) son, Vijay is devising new ideas every day to guard his family and ends up saying a 100 lies to hide one. Drishyam ends with the case being closed and it being established that Sam is dead.

The sequel introduces us to a new IG in town, Tarun Ahlawat (Akhaye Khanna), who reopens this file and wants to find Sam’s body along with all other lose ends that would help him put Vijay behind bars. Does Drishyam 2 solve this puzzle? Will Vijay throw himself under the bus to save his family? Will his wife and daughters follow Vijay’s ideas and fool the police officers again?

‘Shah Rukh Khan Has Pushed His Body To Breaking Point For Pathaan!’ Says Siddharth Anand

The Shah Rukh Khan, Deepika Padukone and John Abraham starrer Pathaan’s teaser has set the internet ablaze as fans and audience cheered for the return of the king, SRK, on the big screen after almost four long years (Zero), apart from small cameos (Rocketry, Laal Singh Chaddha, Brahmastra), a film as narrator (The Zoya Factor) and movies as producer (Badla, Bard of Blood, Class of ’83)!

Shah Rukh Khan released the first teaser of his highly anticipated film “Pathaan”, giving his fans a surprise on his 57th birthday. The actor, who plays the titular spy in the upcoming Yash Raj Films (YRF) Production, shared the teaser on his official Twitter account. Fans have been wowed by SRK’s all-new action avatar in Yash Raj Films’ action spectacle, directed by Siddharth Anand.

The director reveals that the megastar has shown incredible dedication to prepare his body for the physically challenging action sequences designed for the film. Siddharth says, “Shah Rukh Khan has pushed his body to breaking-point for Pathaan. So, he deserves all the love that he is getting for Pathaan’s teaser and much more. I remember when I first met him on Pathaan, we discussed how physically challenging it will be for him, and he was game from the word ‘Go’ and it shows on screen.”

Picture: Gulf News

He adds, “He wanted the adrenalin rush and he wanted the audience to feel the same on screen through him. The way he built his body, the insane training that he has done to pull off the extremely dangerous stunts, the dangerous terrains and climatic conditions in which he has thrown his body and the commitment that he has shown to give India its biggest action spectacle is incredibly commendable.”

The director adds, “The way he has endured all the pain to pull off the action that we had designed is unbelievable. There is no one like Shah Rukh Khan and you have to wait to see the film to witness his intensity with which he has approached the film.”

On bollywoodhungama.com, the star has also revealed how he took fitness tips from Salman Khan, Hrithik Roshan and Tiger Shroff when gyms had shut down during the lockdown.

Shah Rukh is introduced as the battered, bloodied spy who proclaims he is alive (“Zinda hai”) when a man wonders if Pathaan was dead. It is a nice hat-tip to his industry friend and fellow Bollywood star Salman Khan, whose last film under YRF’s “Tiger” franchise was “Tiger Zinda Hai” (2017).

Billed as a “high-octane spy thriller”, “Pathaan” is directed by Siddharth Anand of “War” and “Bang Bang” fame. The film also stars Deepika Padukone and John Abraham.

The teaser also sees Deepika involved in stylish stunts and romancing Shah Rukh. John, who previously starred in YRF’s biker action hit “Dhoom”, locks horns with the superstar on a moving trailer truck.

The film also marks the fourth collaboration between Shah Rukh and Deepika, following her Bollywood debut “Om Shanti Om”, “Chennai Express”, and “Happy New Year”. John and Deepika are working once again with each other after “Desi Boyz” and “Race 2”.

Pathaan will release on Jan 25, 2023 in Hindi, Tamil and Telugu. It is produced by Aditya Chopra and features Salman Khan in a cameo as Tiger, the YRF franchise hero.

Kamal Haasan, Mani Ratnam To Reunite After 35 Years

(ANI) Two megastars Kamal Haasan and Mani Ratnam are all set to join hands for a film, after 35 years! On the occasion of his birthday, Kamal Haasan took to social media to announce the news (Twitter @iKamalhaasan)

The movie ‘KH 234’ will be out in theaters in 2024. It is being produced by Kamal Haasan, Mani Ratnam, R Mahendran, and Siva Ananth under their respective banners Raaj Kamal Films International and Madras Talkies.

A. R. Rehman will be composing the music for the film. Interestingly, this is the first time that the power trio is collaborating on a project. A.R. Rahman has been working with Mani Ratnam, however, the music maestro has not done a project with Kamal Haasan in a very long time.

Picture : Telegraph India

Mani Ratnam and Kamal Haasan last worked 35 years ago in ‘Nayakan’. The film was released in 1987.

Talking about other projects, Kamal Haasan was last seen in the blockbuster movie ‘Vikram’ which did a worldwide business of over Rs 400 crore.

Helmed by Lokesh Kanagaraj, ‘Vikram’ featured Kamal Haasan, Vijay Sethupathi, and Fahadh Faasil in lead roles. Actors Chemban Vinod Jose, Kalidas Jayaram, Antony Varghese, Narain, and Arjun Das also star in the film in supporting roles.

He also resumed shooting his upcoming film ‘Indian 2’ in August this year.

The film’s shoot came to standstill in 2020 after a crane collapsed on the set during the shooting of the film near Chennai, leaving 3 dead and 10 injured.

‘Indian 2’, which is being bankrolled by Lyca Productions, also stars Siddharth, Kajal Aggarwal, Rakul Preet Singh, Bobby Simhaa, and Priya Bhavani Shankar in key roles. The first part was released in 1996.

Talking about Mani Ratnam, he also delivered the magnum opus ‘PS1’, which collected more than Rs 300 crore worldwide. The film starred Vikram, Trisha Krishnan Karthik Sivakumar, Jayam Ravi, and Aishwarya Rai Bachchan in the lead roles.

Talking about the second part, the makers are all set to begin the post-production work of the film which was shot simultaneously with ‘Ponniyin Selvan 1’ unlike ‘Baahubali’ and ‘KGF’.

The film is all set to hit the theatres in the summer of 2023. The final release date of the film is still awaited.

Amitabh Bachchan, “Greatest Actor Of Our Time,” Says Mohanlal

Calling Bollywood superstar Amitabh Bachchan the “greatest actor of our time”, Malayalam top star Mohanlal has said that the legendary actor’s dedication to work was an inspiration to people of all generations.

Calling Amitabh the “greatest actor of our time”, Mohanlal said that he had enriched Indian cinema and his presence continued to do so. His endearing personality coupled with compassionate behaviour, charitable actions and humble disposition are admirable qualities that stand out. His dedication to work is an inspiration for all generations. His baritone voice and the various characters that he has played have won for him the admiration and love of a whole nation,” the Malayalam star said.

Expressing his birthday wishes to Amitabh Bachchan, who celebrated his 80th birthday, Mohanlal, through a video clip which he posted on Twitter, said Amitabh Bachchan’s name “evokes a gamut of emotions in the whole country.”

Stating that he had been fortunate to work with the Shahenshah of Bollywood in two films, Mohanlal said that the honor of sharing screen space with Amitabh is one of the highlights of his career.
“A wonderful human being, he’s encouraging and patient with his co-stars,” Mohanal said and wished the legendary actor good health, happiness and many more years of continued service to Indian cinema.

It’s worth remembering, former British Prime Minister Gordon Brown had described the actor as one of the “greatest talents” of our time. Brown spoke glowingly of the Bollywood mega star as he presented him with the keys for a Mobile Diabetes Unit at a charity dinner.

“It is a pleasure to be here with Amitabh Bachchan. I talked to him just as we arrived. I was saying that I had 4 million viewers in a TV interview. I asked how many people will watch his next film and he said 500 million people. That shows the greatness of this man,” Brown said.

Amitabh Bachchan is a Bollywood actor who, in 1969, debuted in Saat Hindustani. His role in 1972’s Zanjeer made him an action movie star. In the 1980s, Bachchan held a seat in the Indian Parliament. In the 1990s, he started his own production company. He returned to acting in 1997, with Mrityudaata. In 2000, he began hosting the Indian version of Who Wants to Be a Millionaire?.

Amitabh Harivansh Bachchan, best known as Amitabh Bachchan, was born in Allahabad, India on October 11, 1942. India was still a British colony at the time, and would not achieve independence until five years later. Bachchan’s father was the renowned Hindi poet Dr. Harivansh Rai. His mother, Teji Bachchan, was a Sikh socialite. He has one younger brother, named Ajitabh.

Bachchan went to Sherwood College boarding school before enrolling in Delhi University, where he earned his Bachelor of Arts degree. Once he graduated, he became a freight broker in Calcutta. After a few years in Calcutta, Bachchan was ready for a change. He decided to move to Bombay and take a stab at Bollywood show business. By this time, India had been independent for nearly two decades, and Hindi cinema was thriving.

Bachchan married movie actress Jaya Bhaduri in 1973. The couple have two children, a daughter and a son. Their daughter, Shweta Bachchan Nanda, is married to industrialist Nikhil Nanda, whose grandfather was the film director Raj Kapoor. Bachchan and Bhaduri’s son, Abhishek Bachchan, is also an actor and is married to actress Aishwarya Rai.

Kamal Haasan’s Vikram To Be Screened At BIFF

Superstar Kamal Haasan-fronted Tamil blockbuster Vikram is set to be screened at the 27th Busan International Film Festival (BIFF), the makers announced last week. The film will be screened at the prestigious Busan International Film Festival (BIFF) slated to take place from October 5-14.

Vikram is a 2022 Indian Tamil-language action thriller film written and directed by Lokesh Kanagaraj and produced by Raaj Kamal Films International. The film stars Kamal Haasan, Vijay Sethupathi and Fahadh Faasil. Kalidas Jayaram, Narain and Chemban Vinod Jose had played supporting roles while Suriya makes a cameo appearance as Rolex.

‘Vikram’ will be screened under the Open Cinema category that recognises new and internationally acclaimed films that strike the perfect balance between popular and artistic cinema.

Produced by multi-faceted legend Kamal Haasan and R. Mahendran, ‘Vikram’ released on June 3 earlier this year and went on to become a box office phenomenon across the world and also the highest grossing Tamil film in the UK. Director Lokesh Kanagaraj masterfully created an immersive universe in the film. That coupled with a stellar star cast made ‘Vikram’ one of the most successful Indian movies of 2022.

“The response to Vikram all over the world has been extremely overwhelming. The Busan International Film Festival is another feather in the film’s cap and its selection is a win for the entire team. We are proud to have our film being screened along with some of the finest films across the globe and are grateful for all the love and adulation from the audiences,” said V. Narayanan, CEO Raaj Kamal Films International.

Ponniyin Selvan, Creates History In Tamil Cinema To Earn INR 200 Crore In 1st Weekend

Filmmaker Mani Ratnam’s magnum opus Ponniyin Selvan-I, which arrived in theatres on September 30, has earned Rs 200 crore in its worldwide gross box office collection so far.

‘Ponniyin Selvan’ is one of the highly anticipated Tamil films, and the first part of the film is available now in theatres across the globe. Directed by Mani Ratnam, the film boasts a strong cast across the industry, and the film’s story is an adaptation of Kalki Krishnamoorthy’s novel by the same name. 

Ponniyin Selvan, an adaptation of Kalki Krishnamoorthi’s novel by the same name, is set in the backdrop of the Chola dynasty. The first part of the historical drama features a stellar cast—Aishwarya Rai Bachchan, Trisha, Jayam Ravi, Vikram, Karthi, Jayaram, and Prakash Raj—among others. “Even before I thought of filmmaking as a career, this book looked like a film to me. It has all the elements that make for a wide spectacle,” Ratnam said in an interview recently.

Ratnam’s Madras Productions, one of the banners behind the movie, took to Twitter to share the latest box office figures. “Marching on and making history! We extend our heartfelt gratitude to all the audience who’ve been showering us with love. Catch #PS1 in theatres near you!” the production house wrote in the post.

The film opened to positive reviews from both critics and the audience. Fans are now eagerly awaiting the film’s release on streaming platforms. According to reports, the digital streaming rights for the film have been acquired and it is likely to hit the OTT platform after 50 days of theatrical run.

Also backed by Allirajah Subaskaran’s banner Lyca Productions, Ponniyin Selvan-I released in Tamil, Hindi, Telugu, Kannada, and Malayalam.

Bollywood Hopes “Brahmastra” Will Revive Fortunes For Film Industry

Bollywood Industry stakeholders are closely watching how the latest Ranbir Kapoor-Alia Bhatt starrer Brahmastra performs, as the film’s box office prospects can break perceptions, birth new dreams. Films have been put on hold as the industry considers its options.

When was the last time a Hindi film arrived in theatres with the burden of an entire industry–its future, films, decisions and significance–riding on it? Brahmastra, actors Ranbir Kapoor-Alia Bhatt’s latest big scale fantasy epic, will land in cinemas this Friday with an unprecedented weight on its VFX heavy shoulders.

For a film which aims to dig deep into Indian mythology, showcasing several characters possessing all kinds of astras (supernatural weapons), the biggest power Brahmastra holds for Bollywood is the one which it was oblivious to all throughout its making: The Revival Astra.

“With the kind of advance booking it has picked up, the excitement that is suddenly around, Brahmastra is like oxygen to the industry,” filmmaker Milap Zaveri tells indianexpress.com.

When it was first announced in 2014, filmmaker Ayan Mukerji’s film–then tentatively titled Dragon– was a mammoth project, but never the kind whose box office prospects would be keenly awaited by trade critics, film studios, producers, directors and strangely, Twitter trolls.

Brahmastra, in every sense of movie business, is the biggest release for the Hindi film industry. The Ayan Mukerji directorial, backed by Dharma Productions, Starlight Pictures, and Prime Focus in association with Star Studios, is set to open in around 5000 screens in India and 3000 screens internationally.

There is a lot to prove, that Bollywood can succeed with the right film despite negativity, and a lot to remind its loyal ticket-buying audience, that the magic of movies is still full of wonder.

It is releasing in a year where only three Bollywood films have worked so far– Bhool Bhulaiyaa 2, Gangubai Kathiawadi and The Kashmir Files–while most have faced intense online negativity as part of the ‘Boycott Bollywood’ campaign.All eyes and hashtags are naturally on the film.

Film trade analyst Komal Nahta tells indianexpress.com that there is “immense pressure” on Brahmastra to put up numbers at the box office.”The situation is that people feel ‘Oh Bollywood films are not working’. Brahmastra is releasing certainly not in a happy climate. Films are not working because suddenly filmmakers seem to be getting it wrong, not because of any other reason.

“Once in 10-15 years, there comes a time when the audience demands a change, they don’t want any run of the mill story. When it happens, the industry is jolted, it doesn’t know what to do, where to go, what to make. In that sense, the pressure on the film is tremendous,” Nahta says.

Until the makers teased the chartbuster Kesariya days ahead of Ranbir and Alia’s wedding in April, there existed massive skepticism around Brahmastra due to numerous delays and reshoots, making people wonder if the film would ever see the light of the day. The Kesariya teaser, followed by Brahmastra trailer release in June, however, turned people hopeful.

Then Pritam’s rest of the soundtrack brought in excitement, which reached its crescendo last week when the makers started dropping mini visual units.

But when the team launched its second, special trailer to announce the opening of advance bookings on Saturday, the result, for many, was shocking. According to trade observer Himesh Mankad, Brahmastra managed to sell more than one lakh tickets within four days, with only 3D shows open to bookings.

To put the numbers in perspective, the advance booking count of Ranveer Singh’s cricket drama 83 was at 1.17 lakh tickets, while SS Rajamouli’s epic RRR was at 1.05 lakh and Bhool Bhulaiyaa 2 was at 1.03 lakh. The film is now only behind KGF Chapter 2, which comfortably sits at top spot of ticket sales at 4.11 lakh.

“The excitement is insane. The advance booking is extraordinary, and it is competing with Sanju, Ranbir’s highest opener (Rs 34.75 cr). Post-pandemic, no film has registered these numbers except for KGF 2 which was a sequel to a successful, loved film. So what Brahmastra is witnessing, it is truly heartening,” Milap Zaveri says.

Eyes on you, Brahmastra

A table at a cafe in Mumbai’s Versova– dotted with boutique production companies, casting agents office and houses of several artistes of different hierarchies in Bollywood–is the centre of a raging debate. A group of writers and aspiring actors are predicting the opening day figures of Brahmastra and, in a tone dripping of worry, contemplating the future of films and their own career.

A source tells indianexpress.com that if Brahmastra works, it will empower artistes will get paid their worth. If it doesn’t, there will be a ripple effect, adding to the doomsday that the industry is already halfway through.

“There is a paucity of cash inflow in the industry, as a result of which budgets are getting slashed across- from writing, acting, shooting. Once this releases, it will compensate for all the negativity thrown at the industry and the narrative that none of the Hindi films are working.

“It is important for all of us to not just get work, but also to get the money we were negotiating. A film flopping means you earn less. That’s why there is a lot of anxiety and nervousness to see how this one fares” the source adds, explaining the trickle down effect.

According to multiple well-placed sources in the industry, the fate of more than a dozen films lies on how Brahmastra is received by the audience. Dreams can be brought to life or shelved this Friday.

“The situation is dire in the industry. With virtually nothing working, everything truly depends on Brahmastra. If the big films had worked, say Aamir Khan’s Laal Singh Chaddha, Akshay Kumar’s Samrat Prithviraj or even Ranbir Kapoor’s Shamshera, the pressure would have been normal.

“But not today. There are massive budget cuts across production houses, and everyone is just too scared to start anything risky. In fact, a dozen small to mid-sized films have paused their theatrical release to see how Brahmastra does. Otherwise, all will head to OTT,” an industry insider says.

There is also a slate of films whose production depend on Brahmastra. “Vicky’s big scale film The Immortal Ashwatthama was shelved due to the pandemic and the uncertainty of reviving the cost of production. But that can definitely change if Brahmastra clicks.

“And if the film does end up doing well, it will only empower other production houses to restart their high on VFX films. There are at least two-three films in the genre waiting in line to be green-lit. If big films find their way to production, it will obviously lead to smaller films for theatrical also getting that necessary push. It is a chain and Brahmastra is the start of it,” another source adds.

Filmmaker Milap Zaveri, who has mounted masala films like the Satyameva Jayate franchise and Marjaavaan, says everyone in Bollywood knows the significance of Brahmastra. Simply put, the filmmaker says, Brahmastra has “pumped life in an industry” for which the last few months and years “have been tough.”

HOLY WOUND- It Is Not That Holy!

An Adults Only Review of the movie

Holy Wound- that may sound like something related to the Holy Angel, Holy Family, or the tortured wounds of Jesus Christ. Sorry, you are misled when you hear about a recent controversial  Malayalam movie named like that. Still, it had already been screened in several film festivals, including Sahasrara International Film Festival, KASHISH Mumbai International Queer Film Festival, and Frameline San Francisco International LGBTQ Film Festival, and in an earlier interview with OTTplay.

Holy Wound is a unique movie depicting the story of two young Malayali village girls who have been in love since childhood. ‘Holy Wound’ is a 2022 Malayalam drama movie, written by Paul Wiclif., directed by Ashok R. Nath, produced by Sandeep R, and music by Ronnie Raphael, with Janaki Sudheer, Amrita Vinod, and Sabu Praudeen in the lead roles.

There are umpteen movies with the drama revolving around female homosexuality, but very low in Malayalam language. Of late  one to join this league is Holy Wound, an erotic silent movie. Obviously the story is about two gay women, one  gets married against her will and is subjected to sexual harassment, and another who is forced to become a nun.

Although love may not be the real reason for the revolving of the globe as such, ‘most adults’ lives are powerfully influenced  by their experiences in intimate relationships. It is  believed that the psychologically healthy adult must have the capacity for work to earn, and love to cherish life. The significance  of intimate relationships is no less significant for lesbians than heterosexuals. Taking granted the ‘new normal’ of accepting, the third category of the genre is still ‘not so normal’ to the common person, that too in a village where the people live in poor living conditions.

Having seen that most lesbians spend much of their adult lives in intimate love relationships, we are eager to turn to findings about the nature of lesbian relationships. Suppose the movie’s message is to encourage lesbians; sorry to say that all the frames whenever these girls meet show their sexual gratification. The heroin Kala has enough sex almost every day, in various positions Vatsyaayan had imagined; she still urges her lesbian girlfriend to stimulate her passions to an ecstatic stage. Maybe the Director thinks that her relationship with her male partner living together is always for his satisfaction only, and he needs it so often.

The movie convinces us that gender is not a barrier to intense love. Love is the indescribable passion of two minds. Holy Wound movie moves forward with the intense emotional moments when two girls who have been in pure love since childhood reunite years later. The film’s visuals are arranged so that its emotion is never lost through the green expression of such moments. Preparing moments based on the realism of lesbian romance will give the audience a whole new experience of emotional bliss and ecstasy. Good thing it is restricted for age+18 audience, and if it brings international recognitions, the Director can be proud of his efforts!

Set in the beautiful backwaters of Kerala, the story is about the life memories and desires of a 25-year-old girl Kala who finds her livelihood by fishing in the lake or collecting shells. Her cruel husband and a pervert continuously exploit her physically and mentally. She longs for real love and touches from a compassionate soul. She searches for Sherin, her teenage friend and one with whom she can share her emotions and feelings and share a very intimate physical relationship quite often.

The movie could have emphasized the concept that whether gay or lesbian, they can lead a happy life without the actual sex in its helms. Here the story fails and brings the negative message that these lesbian girls cannot live without their way of satisfying each other.

Of course, the end part of the movie, where a nun is lying naked in an open boat with her lesbian friend in the solitude of the lake, could hurt religious sentiments. The film is erotic and less touching on the lives of the original life system in a remote village. Preparing moments based on the realism of lesbian romance will give the audience a new experience of emotional scenes. It can be understood that Holy Wound drives home the message that homosexual relationship is not unnatural, and two partners belonging to the same sex can be in a relationship.

Though presenting a whole movie with all the sensors and emotional frames is weird, it may be beyond imagination that people started ignoring the efforts, emotions, and hard work that has delivered this masterpiece creation as a silent movie will attract meticulous attention. Nothing told, but everything revealed blatantly!

From Big B, Salman To Ayushmann And Varun, Coming Months Will Be A Test Of Star Power

Hindi cinema of late seems to be in trouble as Bollywood’s big-ticket releases such as ‘Samrat Prithviraj’, ‘Shamshera’, ‘Laal Singh Chaddha’ and ‘Raksha Bandhan’ have failed to impress the audience.

Nevertheless, a motley bunch of films starring names such as Amitabh Bachchan, Salman Khan, Saif Ali Khan, Hrithik Roshan, Ajay Devgn, Varun Dhawan, Ranbir Kapoor, Alia Bhatt and Kriti Sanon are lined up for release in the coming months.

However, the million-dollar question looming over the furrowed brows of distributors is: Will these movies ensure the return of ‘achche din’ for Bollywood?

The first big film, which is slated to hit the screens is Ayan Mukerji’s trilogy ‘Brahmastra: Part One – Shiva’ starring newly wed couple Ranbir Kapoor and Alia Bhatt along with Amitabh Bachchan and Nagarjuna. The film is scheduled to hit the theatres on September 9.

‘Brahmastra’ is a three-part film franchise and the beginning of India’s first original universe, the Astraverse. It is a new original cinematic universe inspired by deeply rooted concepts and tales in Indian mythology but set in the modern world.

During a conversation with IANS, Ayan had earlier said that with ‘Brahmastra’ he has put so much in the film for so long that he has a “very peaceful confidence when it comes to this film”.

Next in line is Hrithik Roshan and Saif Ali Khan-starrer ‘Vikram Vedha’, a neo-noir action thriller, which is a remake of a Tamil hit film helmed by Pushkar and Gayathri, who are also directing the Hindi remake. Set to release on September 30, the film tells the story of a tough police officer who sets out to track down a menacing gangster. It also features Radhika Apte in a prominent role.

On October 7, Amitabh Bachchan, Rashmika Mandanna and Neena Gupta’s movie ‘Goodbye’ will be hitting the theatres for release. The film is touted as a heart-warming story about family, life and relationships.

After giving three duds such as ‘Bachchhan Paandey’, ‘Samrat Prithviraj’ and ‘Raksha Bandhan’, Bollywood star Akshay Kumar will be seen coming on the big screen once again with ‘Ram Setu’, which will be locking horns with Ajay Devgn’s ‘Thank God’ at the box-office. Both movies have been booked for a Diwali release on October 24.

‘Ram Setu’ is an action-adventure drama that tells a story rooted in Indian cultural and historical heritage. ‘Thank God’, which also stars Sidharth Malhotra and Rakul Preet Singh, has a fantasy-based plotline which follows Sidharth’s untimely death.

Ajay, reportedly, is playing the role of the God of Death, ‘Yamraj’, in the movie. The comic plot of the movie is to be driven by the banter between Ajay and Sidharth.

Bollywood stars Ajay Devgn and Tabu are all set to bring the nail-biting mystery back on screen after 2015 movie ‘Drishyam’ with ‘Drishyam 2’, a remake of the Mohanlal-starrer by the same name. Actor Akshaye Khanna has also joined the team of the hit thriller.

‘Drishyam’ chronicled the story of a family man Vijay Salgaonkar, who leaves no stone unturned to protect his family after an unfortunate incident involving his elder daughter, brought them under the police’s scanner. The second instalment of the thriller is set to release on November 18.

The Varun Dhawan and Kriti Sanon-starrer ‘Bhediya’ is all set to light up the screen on November 25. The horror-comedy is directed by Amar Kaushik and written by Niren Bhatt, best known for penning the long-running TV show ‘Tarak Mehta Ka Ooltah Chashma’. ‘Bhediya’ is the third film in producer Dinesh Vijan’s horror-comedy universe after ‘Stree’ and ‘Roohi’ — both starring Rajkummar Rao in the lead.

Ayushmann’s film ‘An Action Hero’ is the first release in December. Touted as a slick actioner with a sprinkle of satirical humour, ‘An Action Hero’ follows the story of an artists journey from behind to in front of the camera.

After giving out a failure in May with ‘Jayeshbhai Jordaar’, Bollywood’s livewire actor Ranveer Singh returns to the silver screen with Rohit Shetty’s ‘Cirkus’.

Hitting the screens on Christmas, ‘Cirkus’, which is officially adapted from Shakespeare’s play ‘The Comedy of Errors’, will release on December 23. The big-budget film stars Ranveer, Pooja Hegde, Jaqueline Fernandez, Varun Sharma and many more popular faces from Bollywood.

Bringing the curtains down for 2022, will be superstar Salman Khan’s ‘Kabhi Eid Kabhi Diwali’, which is a family drama. The film, which also stars Pooja Hegde, Venkatesh, Shehnaaz Gill and Raghav Juyal among many other, will light up the screens on December 30. (IANS)

South Indian Actor Vijay Sethupathi Bags Best Actor Award At Indo French International Film Festival For ‘Maamanithan’

South star Vijay Sethupathi has achieved another milestone in his acting career as the actor was recently handed the Best Actor Award for his critically acclaimed Tamil drama, Maamanithan, at the Indo-French International Film Festival. The film, which also stars Gayathrie, K. P. A. C. Lalitha, Guru Somasundaram and Shaji Chen in pivotal roles, won a gold medal at the Tokyo Film Awards which took place over a week ago.

The critically praised Tamil movie ‘Maamanithan’, directed by Seenu Ramasamy, earned the ‘Best Actor’ and ‘Best Picture’ awards at the Indo French International Film Festival. The awards were given to Actor Vijay Sethupathi and Producer Yuvan Shankar Raja respectively for their contributions to the movie. Renowned director Shankar had referred to the movie as a “realistic classic” when it received widespread acclaim shortly after its debut. Vijay Sethupathi’s outstanding performance in the movie, in Shankar’s words, deserved a National Award.

Taking to his Twitter handle on Wednesday, August 3, the film’s director and writer, Seenu Ramasamy wrote, “Congratulations @VijaySethuOffl For best Actor & @thisisysr For best picture #Maamanithan movie Thank you #INDOFRENCHINTERNATIONALFILMFESTIVAL #Maamanithan @ahatamil @ahavideoIN @YSRfilms @SGayathrie @gurusoms @shajichen @mynnasukumar @sreekar_prasad @onlynikil @Riyaz_Ctc”.

Earlier, Maamanithan also bagged the gold in the Best Asian Film category at the Tokyo Film Awards. While Mart Bira’s ‘Nomadic Doctor’ took the bronze, Takahiro Kawabe’s ‘Love Song at 5 pm’ won the silver medal.

Seenu Ramasamy shared the information on his Twitter handle and wrote, “Category ( Best Asian Film) Golden Winner Happy to share our #Maamanithan feature film Won Tokyo Film Awards 2022 Thanks to producer @thisisysr @ilaiyaraaja @VijaySethuOffl @SGayathrie @shajichen @sreekar_prasad @mynnasukumar @studio9_suresh @CtcMediaboy @onlynikil.”

Maamanithan revolves around a humble auto driver struggling to provide proper education to his children. As he tries to sell his land to get them into a private school, he gets cheated by a real estate businessman Madhavan. The film has been produced by veteran musician Yuvan Shankar Raja under his YSR Productions banner. It witnessed a theatrical release on June 24, 2022, after being delayed for five years.

On the professional front, Vijay Sethupathi is all set to share the screen space with Bollywood actor Katrina Kaif in Sriram Raghavan’s upcoming film Merry Christmas.

‘Laal Singh Chaddha’: Just The Film Bollywood Badly Needed

Film: Laal Singh Chaddha (Released in theatres). Duration: 2 hours 39 minutes.

Director: Advait Chandan. Cast: Aamir Khan, Kareena Kapoor Khan, Mona Singh and Naga Chaitanya.

IANS Rating: ***1/2

Aamir Khan’s stardom is an interesting phenomenon. The man takes his own sweet time to make films and when he completes and releases one, it draws the attention of an entire nation. His success ratio only adds to his massive credibility as the superstar who rarely fails, barring of course in few exceptions such ‘Mela’ and ‘Thugs of Hindostan’.

So, when the news of him putting together the remake of Tom Hanks’ 1994 classic ‘Forrest Gump’ came out, it set the domino effect that reached its culmination with the release of the film. It has made a huge noise, which its makers are looking to convert into theatre footfalls, which have proved to be rather slow and sometimes elusive for recent Bollywood releases.

Much like its original, ‘Laal Singh Chaddha’ tells the story of a simple man and how he sails through life with his goodwill and values. It opens with the song ‘Kahani’ (crooned by Mohan Kannan), played against a rural landscape as a bird’s feather glides through different locations before it lands at the titular character’s feet.

The film manages to hold audience to their seats, a rarity in the present crop of Bollywood films, which are failing to hold people’s attention. The script has been penned by actor Atul Kulkarni, who has worked with Aamir in ‘Rang De Basanti’, and is his dear friend. It has been crafted really well, except for the love track of the lead characters which drags the otherwise it down in parts and doesn’t come across as naturally woven into the story.

Kulkarni compensates with the rest of the story as the film moves swiftly through landmark events in India’s recent history, perfectly weaving them into the film’s storyline, from the end of the Emergency to India’s historic 1983 World Cup victory, Operation Blue Star and Indira Gandhi’s assassination, Mandal Commission, Ram Rath Yatra, 1993 Mumbai bomb blasts, and the Kargil War. The narrative courses seamlessly through these tectonic events.

The film’s director Advait Chandan, who has been a long-time collaborator of Aamir in different capacities, has done justice to Kulkarni’s script. The combat scenes in Kargil have been neatly executed. Certain scenes, in fact, really make an impact and register well with the viewer.

The performance by the lead does disappoint a little. The signature brilliance of Aamir Khan seems to be missing in the dialogue-led scenes, but he puts his strengths to test with the scenes where there are no dialogues. He speaks with his face and eyes, and in these scenes, creates a hypnotic effect on the audience.

Mona Singh, last seen in an Aamir Khan-starrer in a bit role in ‘3 Idiots’, does a creditale job as his screen mother (a tall order, considering that the redoubtable Sally Field played the role in the Hollywood origininal). She’s outstanding as a stong single mother and farmer who drives a tractor through town, and firmly believes that her supposedly unequal son deserves every equal opportunity.

Kareena, as we have come to expect of her, is steller as the Monica Bedi-like gangster’s moll character and Aamir’s love interest, even though this track of the film is not too well-developed. She’s the perfect answer to the stripper-dopehead Jenny of ‘Forrest Gump’.

Tollywood’s Naga Chaitanya, who is known in the north of the Telugu-speaking states only for his high-profile divorce with Samantha Ruth Prabhu, effortlessly fits into Bubba’s role from ‘Forrest Gump’. Bubba becomes Bala, Aamir Kargil War partner who co-creates a ‘chaddi-banyan’ company with his comrade.

The production design doesn’t stand out as much as it should for a film that is set against contemporary history. Pritam’s music is good in parts. ‘Phir Na Aisi Raat Aayegi’ is perhaps the best song from the album. It’s a track that grows with time as Arijit Singh’s voice lends weight to it.

Lyricist Amitabh Bhattacharya seems to be a little lost in the film. Known for giving tinsel town some of the most iconic, sensible and quirky tracks, Amitabh was expected to give ‘Laal Singh Chaddha’ an athemic track, but he seems to have taken a back seat.

‘Laal Singh Chaddha’ should strike a chord with audiences, who must watch it despite what the trolls say, and if it does, it will finally end the creative dry spell that the Hindi film industry is experiencing at present.

After seeing this film, one wants to say, like the Aamir character after having his favourite gol gappas, “Pet to bhar jaata hai, man nahin bharta (The stomach is full, but one wants more).” (IANS)

‘Raksha Bandhan’: From Chandni Chowk To Nowhere

Film: Raksha Bandhan (Released in theatres). Duration: 1 hour 48 minutes.

Director: Aanand L. Rai. Cast: Akshay Kumar, Bhumi Pednekar and Seema Pahwa
IANS Rating: **

Everytime Akshay Kumar goes to Chandni Chowk on-screen, the audience repeats in their mind exactly what Paresh Rawal said in ‘Phir Hera Pheri’: “Mereko toh aisa dhak dhak horela hai (I can feel my heart beating in anxiety).”

Thirteen years after the debacle of ‘Chandni Chowk to China’, Akshay is back with yet another dud, ‘Raksha Bandhan’, whose coordinates are in the complex and congested streets of Chandni Chowk.

Akshay is reuniting with director Aanand L. Rai with this film after their last successful collaboration in ‘Atrangi Re’, where he was seen with Sara Ali Khan and Dhanush. ‘Atrangi Re’, though, was an OTT release. This time, the theatres will test the covalent bond between the actor and director as it clashes with the Aamir Khan and Kareena Kapoor-starrer ‘Laal Singh Chaddha’.

Rai moved away from his small-town settings that he is known for and has based the film in Delhi. It tells the story of a brother, who does everything in his capacity to marry off his four sisters, no matter how much the dowry amount, only to realise later that the practice has serious repercussions on the life of women.

Akshay’s character, who initially collects funds for the sisters’ marriages, understands the problem and invests the money in their education after an untoward incident and subsequent 60s-style Bollywood melodrama strikes the family. The actor, who comes up with roughly a film in each quarter, puts little to no effort although he plays the lead.

The audience has seen the same Akshay Kumar in ‘Bachchhan Paandey’, in ‘Samrat Prithviraj’, and in ‘Raksha Bandhan’. There’s no character when Akshay portrays one; there’s just Akshay Kumar. There’s a limit to what the audience can take and Akshay”s lacklustre attitude of late compels those at the receiving end to say, “Bacche ki jaan lega kya?” (Enough is enough).

Bhumi Pednekar, who plays Akshay’s love interest in the film, offers nothing new in terms of her performance, but to give credit where it is due, she does manage to salvage a few scenes with her work. The supporting cast, too, is mediocre with the notable exception of Seema Pahwa.

The script, screenplay and direction appear to be completely out of sync with what the film was meant to be in the head of the director. What works well are the production design and art direction. The earthy colour palette lends depth to the frames and adds aesthetic value to them.

Himesh Reshammiya’s music is a complete letdown; instances where he goes behind the mic only add insult to the injury. The songs and the situations around them seem to be forced and added just to attract the audience. They are of no value to the film’s narrative.

Overall, ‘Raksha Bandhan’ is a downer. It will be interesting to see if the audience likes the film. Or will they give Akshay Kumar a hat-trick of flops after ‘Bachchhan Paandey’ and ‘Samrat Prithviraj’. (IANS)

BRAHMASTRA: PART ONE – SHIVA Releasing In Cinemas On September 9th

After enthralling music lovers globally with Kesariya that topped all musical charts for three weeks in a row, Sony Music drops yet another beautiful track ‘Deva Deva’ which is the second track from the album ‘Brahmāstra: Part One – Shiva’.

Deva Deva’ pulsates with spirituality and a distinctly upbeat rhythm. Sung by Arijit Singh and Jonita Gandhi in Hindi, composed by Pritam Chakraborty, and penned by Amitabh Bhattacharya, the song encapsulates the magical moment in the film where Shiva, played by Ranbir Kapoor, finds the power within. The powerful lyrics of the song have a unique blend of love and devotion as Shiva, the protagonist discovers his majestic abilities of fire. The song is pivotal to Shiva’s character development in the film and does absolute justice to the concept of ‘Love, Light and Fire’.

Talking about his experience of the song, actor Ranbir Kapoor shared, “I thoroughly enjoyed the song, and could relate to it on so many levels personally. Pritam Da, Arijit, Amitabh, and Ayan have put in a lot of effort to create this masterpiece. The song makes one feel spiritually powerful with a rare ease, and I hope everyone feels and enjoys it as much as I did.”

Sharing his experience about the audio-visual brilliance of the song, director Ayan Mukerji shared, “I don’t think there could have been a better time to release the song than on Shravan Somvar. The auspicious occasion just syncs with the captivating melody of the song and the spiritual visuals of Ranbir’s character – Shiva, exploring his fire power. I’m so grateful for all the love we have received on Kesariya. And I just can’t wait to see how people will react to Deva Deva!”

Sharing his experience on composing the track, Pritam said, “Brahmāstra’s album has made me think aloud in terms of bringing in spiritual elements within a song. With ‘Deva Deva’, we have modernized the music, while keeping classical and devotional elements prominently. This spiritual song gives an otherworldly experience, and it was honestly enlightening to create it. I hope it’s a treat for everyone.”

Singer Arijit Singh says, “It has been an absolute pleasure to voice ‘Deva Deva’. The song emanates an impeccable, positive energy that will certainly resonate with everyone. I’m really excited about it.  I hope the audience enjoys it to the fullest.”

Produced by Star Studios, Dharma Productions, Prime Focus and Starlight Pictures the magnum opus BRAHMĀSTRA: PART ONE – SHIVA will release theatrically on September 9th, 2022, in 5 Indian languages – Hindi, Tamil, Telugu, Malayalam and Kannada with a stellar ensemble cast of Amitabh Bachchan, Ranbir Kapoor, Alia Bhatt, Mouni Roy and Nagarjuna Akkineni.

Song details for all the versions:

Hindi

Singers – Arijit Singh and Jonita Gandhi | Lyricist – Amitabh Bhattacharya

Hindi Link: https://www.youtube.com/watch?v=WjAPDofGg28

Telugu

Singers – Sreerama Chandra and Jonita Gandhi | Lyricist – Chandrabose

Telugu Link: https://www.youtube.com/watch?v=mWiZ4HYcFBs

Tamil

Singers – Sid Sriram and Jonita Gandhi | Lyricist – Madhan Karky

Tamil Link: https://www.youtube.com/watch?v=jZba76mHdg4

Kannada

Singers – Sanjith Hegde and Jonita Gandhi | Lyricist – Hridaya Shivas

Kannada Link: https://www.youtube.com/watch?v=SJzgGaRLsjs

Allu Arjun To Lead India Day Parade In New York

Popular Telugu actor Allu Arjun, who starred in the hit film Pushpa will lead the annual India Day Parade in New York next month organized by the Federation of Indian Associations, a leading Indian diaspora organization, as India marks 75th year of Independence. The Federation of Indian Associations — New York, New Jersey and Connecticut — have planned grand events in the coming weeks and months to celebrate India’s 75 years of Independence —  Azadi Ka Amrit Mahotsav.

According to reports, Super Star Allu Arjun will be the Grand Marshall of the India Day Parade in New York City on August 21. Allu Arjun, the Grand Marshal, will lead the parade along with NYC Mayor Eric Adams and a host of other celebrities and distinguished participants.

The FIA India Day parade is considered the largest parade outside India to mark the country’s independence and brings together thousands of members of the diaspora.

FIA President, Kenny Desai, during the fourth Parade Council Meeting, announced details of the FIA’s planned grand events lined up for the celebration of India’s 75 years of Independence -Azadi Ka Amrit Mahotsav.

he annual cultural events runthrough several streets of Madison Avenue in the heart of Manhattan, featuring tableaux by various Indian-American organizations, marching bands, police contingents and cultural performances by young Indian-American children.

FIA Chairman Ankur Vaidya welcomed the announcement of Arjun as FIA’s 40th Grand Marshal and complimented the mega star for his kindness and patriotism towards the motherland. “There is palpable excitement in the Indian-American community to welcome the popular superstar and FIA will ensure he feels at home in the US,” Vaidya said.

Previously, actors Arjun Rampal, Abhishek Bachchan, and Baahubali actors Rana Daggubati and Tamannaah Bhatia, as well as Sunny Deol and Raveena Tandon have attended the parade.

Southern Indian Films Sweep 68th National Film Awards Suriya, Ajay Devgn Share Best Actor Title

(IANS) Director Sudha Kongara’s ‘Soorarai Pottru’, which was partly inspired by events from the life of Captain G.R. Gopinath, founder of India’s first budget airline, swept five National Awards, including those for Best Feature Film, Best Actor and Best Actress at the 68th National Film Awards. The awards were announced in New Delhi on Friday.

Malayalam actress and playback singer Aparna Balamurali, who played the female lead in the film, was named Best Actress, and Suriya, who played the male lead, share the Best Actor honour with Ajay Devgn for Om Raut’s ‘Tanhaji: The Unsung Warrior’.

‘Tanhaji’ also took home the award for Best Popular Film Providing Wholesome Entertainment.

But it was the day of ‘Soorarai Pottru’. It fetched music director and actor G.V. Prakash the Best Background Music award. The award for Best Music Direction (Songs) went to Thaman for the Allu Arjun superhit Telugu film ‘Ala Vaikunthapurramlo’.

‘Soorarai Pottru’, which is now being remade in Hindi, also won the award for Best Screenplay for Shalini Usha Nair and Sudha Kongara.

Critically acclaimed Malayalam superhit film ‘Ayyappanum Koshiyum’ also scored handsomely at the awards, fetching the late Sachidanandan K.R. the Best Director Award.

The film also won awards for Best Action Direction and Best Female Playback Singer. Rajasekhar, Mafia Sasi and Supreme Sundar, who did the stunt direction for the film, will collect the action award. The Best Female Playback Singer award went to Nanchamma.

Biju Menon, who came up with a sterling performance in ‘Ayyappanum Koshiyum’, got the Best Supporting Actor award. The Best Supporting Actress went to Lakshmi Priya Chandramouli for her fine performance in Vasanth’s Tamil film ‘Sivaranjaniyum Innum Sila Pengallum’.

‘Sivaranjaniyum Innum Sila Pengallum’ put up a stellar show as well, winning Best Editing, which went to Sreekar Prasad. The film also won the award for the Best Feature Film in Tamil.

Sandhya Raju won the Award for Best Choreography for the Telugu film ‘Natyam’, which also took home the award for the Best Makeup Artist.

Director Sagar Puranik’s ‘Dollu’, produced by Wadeeyar Movies, got the Best Kannada Feature Film award. Jobin Jayan won the award for Best Location Sound Recordist under the Best Audiography Award for the same film.

The Indira Gandhi Award for Best Debut Film of a Director went to Madonne Ashwin for the Tamil film ‘Mandela’.

Allu Arjun To Lead India Day Parade In New York

Popular Telugu actor Allu Arjun, who starred in the hit film Pushpa will lead the annual India Day Parade in New York next month organized by the Federation of Indian Associations, a leading Indian diaspora organization, as India marks 75th year of Independence. The Federation of Indian Associations — New York, New Jersey and Connecticut — have planned grand events in the coming weeks and months to celebrate India’s 75 years of Independence —  Azadi Ka Amrit Mahotsav.

According to reports, Super Star Allu Arjun will be the Grand Marshall of the India Day Parade in New York City on August 21. Allu Arjun, the Grand Marshal, will lead the parade along with NYC Mayor Eric Adams and a host of other celebrities and distinguished participants.

The FIA India Day parade is considered the largest parade outside India to mark the country’s independence and brings together thousands of members of the diaspora.

FIA President, Kenny Desai, during the fourth Parade Council Meeting, announced details of the FIA’s planned grand events lined up for the celebration of India’s 75 years of Independence -Azadi Ka Amrit Mahotsav.

he annual cultural events runthrough several streets of Madison Avenue in the heart of Manhattan, featuring tableaux by various Indian-American organizations, marching bands, police contingents and cultural performances by young Indian-American children.

FIA Chairman Ankur Vaidya welcomed the announcement of Arjun as FIA’s 40th Grand Marshal and complimented the mega star for his kindness and patriotism towards the motherland. “There is palpable excitement in the Indian-American community to welcome the popular superstar and FIA will ensure he feels at home in the US,” Vaidya said.

Previously, actors Arjun Rampal, Abhishek Bachchan, and Baahubali actors Rana Daggubati and Tamannaah Bhatia, as well as Sunny Deol and Raveena Tandon have attended the parade.

Doordarshan Launches “Swaraj,” A 75-Episode Serial On India’s Freedom Struggle

Coinciding with Azadi Ka Amrit Mahotsav, Doordarshan is all set to come up with a 75-episode series titled Swaraj, which will narrate the untold stories of unsung heroes of India. According to reports, the Ministry of Information and Broadcasting (I&B) has launched the promo of Doordarshan’s mega historical show titled “Swaraj- Bharat Ke Swatantrata Sangram Ki Samagra Gatha” on July 15,2022.

The 75-episode docu-drama series will depict India’s freedom struggle from the 15th century when Vasco da Gama first reached India to 1947 when the country got independence. “This serial will bring to life several aspects of Indian history while featuring the lives and sacrifices of lesser known heroes,” a press release noted.

Among the new content, Swaraj, a 75-episodes mega show illustrating the glorious history of India’s freedom struggle and lesser-known tales about Indian history would be aired soon. The series will showcase India’s historical journey from 1498 when Vasco da Gama first reached India to 1947 when the country got independence. The popular film actor, Manoj Joshi, plays a stellar role as the narrator (sutradhar) of the serial. The serial has grand production quality and promises to be a visual treat.

Swaraj is to be launched on 14th August 2022 in Hindi on DD National and subsequently in several regional languages for telecast on the regional network of Doordarshan. Its audio version will be broadcast on the All India Radio network as well. Speaking during the promo launch, Anurag Singh Thakur said “The promo is not only a glimpse of what was envisioned during the freedom struggle but it is also a glimpse of what will be the New Doordarshan of New India.” 

He said that from Chitrahar to Samachar, the programs of DD used to have quality. The minister added, “We will ensure that it is further enhanced in the coming years.” He appreciated the efforts of the research and advisory team of ‘Swaraj’ for continuing their work despite the COVID-19 pandemic. He also emphasised that the telecast of Swaraj in 10 languages will amplify its accessibility for all. The minister congratulated the whole team of Doordarshan and All India Radio on the successful launch. Secretary, Ministry of I&B, Apurva Chandra, who also attended the launch event said, “On the occasion of Azadi ka Amrit Mahotsav, it is a matter of great joy that through the serial youth will come to know about the contribution of people who made sacrifices in the freedom struggle.” He also said that Prasar Bharati is fulfilling its mandate of wholesome entertainment through such high-quality serials for its viewers. Member, Swaraj Advisory Committee, Jawahar Lal Kaul in his address stressed the point that unsung and lesser-known heroes of India’s freedom struggle from all the regions must be remembered for their supreme sacrifice for Swaraj. He said that the deep research and study by the Swaraj Advisory Committee enriched the content for the production of the serial.

‘83’ To Be Celebrated At Indian Film Festival Of Melbourne

Legendary cricketer Kapil Dev will be seen gracing the Indian Film Festival of Melbourne 2022. Coming back after 2 years of virtually organizing the event, IFFM will now be physically held in the Australian city from August 12th to 20th, and the former Indian captain will be attending the event to celebrate Kabir Khan’s sports drama 83, which witnessed its theatrical release last year on December 24. The movie revolves around the journey of India’s cricket squad led by Kapil Dev.

While expressing his emotions about being part of one of the world’s leading and biggest Indian film festivals, the legendary cricket star told the news agency, ANI, “I look forward to being part of IFFM 2022. It’s a great platform for celebrating the best in Indian cinema. I truly do believe that sports and cinema are two major cultural experiences for not only Indians but various communities and countries that bind us together.”

With over 100 films in 23 different languages chosen for the festival, the lineup is more diverse than ever. The line-up this year is more diverse than ever before with over 100 films in 23 languages having been selected for the festival. 

The Movie 83, directed by Kabir Khan, will be celebrated at IFFM and the festival has invited legendary cricketer Kapil Dev to be the guest of honor. 

In 2019, IFFM was hosted by Indian celebrities such as Shahrukh Khan, Arjun Kapoor, Tabu, Vijay Sethupathi, Rima Das, Zoya Akhtar, and Karan Johar among others before the world was struck by a virus. The festival will take place in Melbourne from August 12-20.

Pointing out that cinema and sports are something that binds people together irrespective of several differences, Kapil Dev added, “It’s something for decades now that has united people. It’s a deep-rooted emotional connection and love we have for both cinema and sports, and when they come together it’s a rewarding experience for everyone.”

‘Thor: Love And Thunder’ Nets Rs 64.80 Cr In First 4 Days

By, Akshay Acharya

Even as Bollywood still struggles at the box office, Hollywood and South Indian tentpoles continue to soar to unprecedented heights.

The recently released superhero film ‘Thor: Love and Thunder’, led by a shirtless Chris Hemsworth and Christian Bale thrown in for good measure, netted Rs 64.80 crore domestically (Rs 83.61 crore minus GST) in the first four days of its theatrical run, according to trade sources.

Considering that the much-hyped Akshay Kumar-starrer ‘Samrat Prithviraj’, to quote figures from the Internet Movie Database (IMDb), was able to gross Rs 82.3 crore during its entire theatrical run, despite being made tax-free in three major states, the movie-going public in India clearly like their superheroes to be winners.

Independent film trade analyst Sumit Kadel, commenting on the figures, said ‘Thor’ has seen fifth-highest opening weekend ever for a Hollywood film in India.

“From Bollywood, only the Kartik Aaryan-starrer ‘Bhool Bhulaiyaa 2’ managed to net Rs 65 crore in its opening weekend”, he said. He credited the powerful cast of ‘Thor’ and the brand value of Marvel Studios for pulling in the crowds.

Even the sleeper hit, ‘The Kashmir Files’, had a lukewarm opening weekend, but picked up because of the positive word-of-mouth. ‘The Kashmir Files’, ‘Bhool Bhulaiyaa 2’ and ‘Gangubai Kathiawadi’ are the only Hindi films in the IMDb Top 10.

The Indian box-office numbers for ‘Thor’, incidentally, mirrored those of the United States, where the film raked in $143 million in its opening weekend, making it the third most profitable release after ‘Doctor Strange in the Multiverse of Madness’ ($187.4 million) and ‘Jurassic World Dominion’ ($145 million).

Will ‘Thor’ be able to sustain its opening surge? It is likely to see a drop in collections, but it will still cross the safe zone of Rs 100 crore. That will be significantly behind the Rs 217.52 crore made by ‘Spider-Man: No Way Home’, but closer to Rs 127.31 crore garnered by ‘Dr Strange in the Multiverse of Madness’ — both films are Marvel releases, incidentally.

So, how are Bollywood’s forthcoming big releases likely to fare in this market? According to Kadel, ‘Shamshera’ may bring some respite, given that it’s an ‘event film’ and the buzz around its music can ensure a good opening.

The stakes, though, are high for both Ranbir Kapoor, who is returning to the big screen after four years, and YRF, the Aditya Chopra-helmed production house which has seen three of its recent releases — ‘Bunty Aur Babli 2’, ‘Jayeshbhai Jordaar’, and ‘Samrat Prithviraj’ getting mauled at the box office.

Talking about Mani Ratnam’s upcoming epic, ‘Ponniyin Selvan: I’, Kadel said the film has been mounted on a grand scale with a good cast to back up the high production values. It is most likely to further strengthen South Indian cinema’s grip on the pan-India box office.

As for the clash that will unfold next month with the release of the Aamir Khan-starrer ‘Laal Singh Chaddha’ and Akshay Kumar’s ‘Raksha Bandhan’ on the Independence Day long weekend, both films will offer tough competition to each other, but will either make the box office ring with joy? (IANS)

My Kali Is Queer: Resisting The Homogenization Of Hinduism

A filmmaker is challenged for her depiction of the Hindu goddess.

(RNS) — Leena Manimekalai’s 2019 film “Maadathy,” about the brutalization of a Dalit girl who becomes a village deity, began with the words, “Behind every deity in India, there is a story of injustice.” These words have proven prescient. An injustice is brewing around Manimekalai’s new film “Kaali”: The film and its poster have brought the filmmaker threats of arrest, rape and murder. 

Manimekalai calls “Kaali” a “performance documentary” — a personal and poetic meditation on the female divine. In a six-minute excerpt shown at a multimedia exhibition in Toronto last week, Mother Kali, Hinduism’s powerful goddess of death and the end of time, wanders through a pride festival in Toronto at night. She observes groups of people out on the town, takes a subway ride, stops in a bar. People take selfies with her. In the last frame, she is on a park bench where a man gives her a cigarette. The poster for the film shows the goddess smoking a cigarette and holding a pride flag.   

The Aga Khan Museum and Toronto Metropolitan University caved in to pressure from the Indian government and issued apologies for screening the film. Twitter removed Manimekalai’s tweet showing the film’s poster. Manimekalai is wanted for arrest for “hurting religious feelings” in Assam, Uttarakhand, Haridwar, Madhya Pradesh, Uttar Pradesh, Delhi and several other states and has received numerous death and rape threats. 

In an email Manimekalai said the controversy had made it impossible for her to return to India. “My safety is a big question mark now and I feel totally derailed to be honest. But I don’t want to bow down, and so I’m fighting with full power.” 

Manimekalai comes from a South Indian community that worships the Goddess Kali as “a pagan goddess” who “eats meat cooked in goat’s blood, drinks arrack, smokes and dances wild,” the filmmaker told The Guardian.

Manimekalai, who identifies as bisexual, says, “My Kali is queer. She is a free spirit. She spits at the patriarchy. She dismantles Hindutva. She destroys capitalism. She embraces everyone with all her thousand hands.”

Someone unfamiliar with Hinduism might say Hindus are justified in their outrage. It’s important to understand, however, that the film and its poster are in line with a long tradition of diversity of Hindu practice and belief and immense personal freedom in one’s relationship with the divine. 

An Indian member of parliament, Mahua Moitra, defended the film, saying, “To me, Kali is a meat-eating, alcohol-accepting goddess. I am a Kali worshipper. I am not afraid of anything. Not your goons. Not your police. And most certainly not your trolls.” Moitra is now facing criminal charges, too.

Kali first appeared in Indian culture as an Indigenous deity before being absorbed into the Brahminical traditions and Sanskrit texts in the present-day form “as a dangerous, blood-loving battle queen.” Hindu Goddesses are at the same time fierce warriors against evil and injustice and unconditionally loving and protective, and Kali’s devotees consider her the Divine Mother of all humanity.

Neither cigarettes nor queer pride is forbidden in Hinduism. Hinduism is historically very open toward sex and sexual difference. Innumerable stories in Hindu Scriptures tell of same-sex relationships, children born of same-sex relationships and characters — some of them gods — who are gay, queer or trans.  

The South Indian Goddess Mariamman is often offered alcohol, and animals are sacrificed for her. The Guyanese “Madrassi” community comprises Hindus who worship Devi (the Mother Goddess) in all her forms, particularly Mariamman and Kateri Amma. “We firmly believe that devotion to Amma is subjective, and she comes to each of us in a unique way,” Vijah Ramjattan, president and founder of the United Madrassi Association in New York, told me. The community’s first Madrassi Day parade in 2017 featured an LGBTQ artist and dancer, Zaman, perform as the goddess Sundari.

Hindu deities smoke, drink, get high and sometimes eat meat. It is very common for alcohol, meat and even cigarettes to be offered to deities, particularly Kali. As the writer Shuddhabrata Sengupta explains, in the late 19th century, a Kali brand of cigarettes was produced in Calcutta.

One advertisement read, ‘If you care for the development of ‘svadeshi’ [homegrown Indian] products, if you feel responsible for the poor, miserable, working people of this land, if you can truly distinguish between good and evil, then, o Hindu brothers, you must use these ‘Kali’ cigarettes!” 

Walking through the narrow labyrinthine lanes of Varanasi, one of the holiest Hindu cities, it’s hard to miss the government-run “bhang” stands selling cannabis in the form of cookies and cakes, or as a drink. Most holy men in the city take bhang, local swamis told me, to deepen the experience of meditation and communion with God. Drugs have been part of Hinduism since prehistory; Lord Soma, the Vedic god of healing and plants, is named for a hallucinogenic which was offered to god and drunk by priests. 

The extreme and egregious reaction to “Kaali,” the film, and its poster denies the Hindu idea that we all have tendencies towards goodness (satva), passion (rajas) and lethargy (tamas) and that our job is to ensure that the best parts of us win. We are allowed our mistakes because even the gods err.

And gods are everywhere: I grew up with my gods and goddesses on everything around me: my lunchbox and water bottle, clothes, vehicles, toys, movies and movie posters. We were taught to think of god in very intimate ways: Our parents and teachers were god, but so were spouses and lovers. I was called Krishna in my family because my mother and her sister were both mother to me, and Krishna, too, had two mothers. A friend told me his uncle was called Krishna because he had a wife and a mistress; Krishna, too, is known for having several wives and lovers. 

I always appreciated this intimacy Hindus have with the divine that allows us to choose a deity for our devotions, to shape that deity according to our own desires. We come to the god of our choice as we are, and god welcomes us. 

The violence and misogyny Manimekalai is facing is unconscionable, but the larger issue for Hindus is that her critics are bent on creating a homogenized Hinduism robbed of its glorious diversity. If there is a story of injustice behind every deity in India, the injustice today is that the deities themselves are being constrained, reduced, strangled. This homogenization favors Brahminical and Sanskritized texts and practices and erases the ways that non-Brahmin communities worship.

But the two issues are essentially the same: This homogenization favors male brutality. The Hindu nationalist version of the god Rama is warring, angry, with no Sita, his female companion, by his side. The Hindutva Hanuman is blood-red and furious, instead of the embodiment of love and sacrifice. Meanwhile they whitewash Kaali of everything that makes her fierce

In the impassioned words of Moitra, “Neither Lord Ram nor Lord Hanuman solely belongs to the BJP,” she said, referring to India’s ruling Hindu nationalist party. “Has the party taken the lease of Hindu dharma? … [The BJP] is a party of outsiders that tried to impose its Hindutva politics but was snubbed by the electorate. BJP should not teach us how to worship Maa Kali.”

Kali, she concluded, “urges us all to resist the BJP’s attempt to “impose its agenda of Hindutva (Hindu nationalism) and thrusting its monolithic views” for the sake of the country.  This starts with giving a young filmmaker the right to express herself freely through her art. (Sunita Viswanath is a co-founder and executive director of Hindus for Human Rights. The views expressed in this commentary do not necessarily reflect those of Religion News Service.)

A filmmaker is challenged for her depiction of the Hindu goddess

(RNS) — Leena Manimekalai’s 2019 film “Maadathy,” about the brutalization of a Dalit girl who becomes a village deity, began with the words, “Behind every deity in India, there is a story of injustice.” These words have proven prescient. An injustice is brewing around Manimekalai’s new film “Kaali”: The film and its poster have brought the filmmaker threats of arrest, rape and murder.

Manimekalai calls “Kaali” a “performance documentary” — a personal and poetic meditation on the female divine. In a six-minute excerpt shown at a multimedia exhibition in Toronto last week, Mother Kali, Hinduism’s powerful goddess of death and the end of time, wanders through a pride festival in Toronto at night. She observes groups of people out on the town, takes a subway ride, stops in a bar. People take selfies with her. In the last frame, she is on a park bench where a man gives her a cigarette. The poster for the film shows the goddess smoking a cigarette and holding a pride flag.

The Aga Khan Museum and Toronto Metropolitan University caved in to pressure from the Indian government and issued apologies for screening the film. Twitter removed Manimekalai’s tweet showing the film’s poster. Manimekalai is wanted for arrest for “hurting religious feelings” in Assam, Uttarakhand, Haridwar, Madhya Pradesh, Uttar Pradesh, Delhi and several other states and has received numerous death and rape threats.

In an email Manimekalai said the controversy had made it impossible for her to return to India. “My safety is a big question mark now and I feel totally derailed to be honest. But I don’t want to bow down, and so I’m fighting with full power.”

Manimekalai comes from a South Indian community that worships the Goddess Kali as “a pagan goddess” who “eats meat cooked in goat’s blood, drinks arrack, smokes and dances wild,” the filmmaker told The Guardian.

Manimekalai, who identifies as bisexual, says, “My Kali is queer. She is a free spirit. She spits at the patriarchy. She dismantles Hindutva. She destroys capitalism. She embraces everyone with all her thousand hands.”

Someone unfamiliar with Hinduism might say Hindus are justified in their outrage. It’s important to understand, however, that the film and its poster are in line with a long tradition of diversity of Hindu practice and belief and immense personal freedom in one’s relationship with the divine.

An Indian member of parliament, Mahua Moitra, defended the film, saying, “To me, Kali is a meat-eating, alcohol-accepting goddess. I am a Kali worshipper. I am not afraid of anything. Not your goons. Not your police. And most certainly not your trolls.” Moitra is now facing criminal charges, too.

Kali first appeared in Indian culture as an Indigenous deity before being absorbed into the Brahminical traditions and Sanskrit texts in the present-day form “as a dangerous, blood-loving battle queen.” Hindu Goddesses are at the same time fierce warriors against evil and injustice and unconditionally loving and protective, and Kali’s devotees consider her the Divine Mother of all humanity.

Neither cigarettes nor queer pride is forbidden in Hinduism. Hinduism is historically very open toward sex and sexual difference. Innumerable stories in Hindu Scriptures tell of same-sex relationships, children born of same-sex relationships and characters — some of them gods — who are gay, queer or trans.

The South Indian Goddess Mariamman is often offered alcohol, and animals are sacrificed for her. The Guyanese “Madrassi” community comprises Hindus who worship Devi (the Mother Goddess) in all her forms, particularly Mariamman and Kateri Amma. “We firmly believe that devotion to Amma is subjective, and she comes to each of us in a unique way,” Vijah Ramjattan, president and founder of the United Madrassi Association in New York, told me. The community’s first Madrassi Day parade in 2017 featured an LGBTQ artist and dancer, Zaman, perform as the goddess Sundari.

Hindu deities smoke, drink, get high and sometimes eat meat. It is very common for alcohol, meat and even cigarettes to be offered to deities, particularly Kali. As the writer Shuddhabrata Sengupta explains, in the late 19th century, a Kali brand of cigarettes was produced in Calcutta.

One advertisement read, ‘If you care for the development of ‘svadeshi’ [homegrown Indian] products, if you feel responsible for the poor, miserable, working people of this land, if you can truly distinguish between good and evil, then, o Hindu brothers, you must use these ‘Kali’ cigarettes!”

Walking through the narrow labyrinthine lanes of Varanasi, one of the holiest Hindu cities, it’s hard to miss the government-run “bhang” stands selling cannabis in the form of cookies and cakes, or as a drink. Most holy men in the city take bhang, local swamis told me, to deepen the experience of meditation and communion with God. Drugs have been part of Hinduism since prehistory; Lord Soma, the Vedic god of healing and plants, is named for a hallucinogenic which was offered to god and drunk by priests.

The extreme and egregious reaction to “Kaali,” the film, and its poster denies the Hindu idea that we all have tendencies towards goodness (satva), passion (rajas) and lethargy (tamas) and that our job is to ensure that the best parts of us win. We are allowed our mistakes because even the gods err.

And gods are everywhere: I grew up with my gods and goddesses on everything around me: my lunchbox and water bottle, clothes, vehicles, toys, movies and movie posters. We were taught to think of god in very intimate ways: Our parents and teachers were god, but so were spouses and lovers. I was called Krishna in my family because my mother and her sister were both mother to me, and Krishna, too, had two mothers. A friend told me his uncle was called Krishna because he had a wife and a mistress; Krishna, too, is known for having several wives and lovers.

I always appreciated this intimacy Hindus have with the divine that allows us to choose a deity for our devotions, to shape that deity according to our own desires. We come to the god of our choice as we are, and god welcomes us.

The violence and misogyny Manimekalai is facing is unconscionable, but the larger issue for Hindus is that her critics are bent on creating a homogenized Hinduism robbed of its glorious diversity. If there is a story of injustice behind every deity in India, the injustice today is that the deities themselves are being constrained, reduced, strangled. This homogenization favors Brahminical and Sanskritized texts and practices and erases the ways that non-Brahmin communities worship.

But the two issues are essentially the same: This homogenization favors male brutality. The Hindu nationalist version of the god Rama is warring, angry, with no Sita, his female companion, by his side. The Hindutva Hanuman is blood-red and furious, instead of the embodiment of love and sacrifice. Meanwhile they whitewash Kaali of everything that makes her fierce

In the impassioned words of Moitra, “Neither Lord Ram nor Lord Hanuman solely belongs to the BJP,” she said, referring to India’s ruling Hindu nationalist party. “Has the party taken the lease of Hindu dharma? … [The BJP] is a party of outsiders that tried to impose its Hindutva politics but was snubbed by the electorate. BJP should not teach us how to worship Maa Kali.”

Kali, she concluded, “urges us all to resist the BJP’s attempt to “impose its agenda of Hindutva (Hindu nationalism) and thrusting its monolithic views” for the sake of the country.  This starts with giving a young filmmaker the right to express herself freely through her art. (Sunita Viswanath is a co-founder and executive director of Hindus for Human Rights. The views expressed in this commentary do not necessarily reflect those of Religion News Service.)

Anek: A Brilliant Movie Juxtaposing Northeastern Issues

“You are right; violence is not a solution.” The subject drops his gun. 

Immediately the message goes, “Subject is captured” – that is the climax of the story ANEK.

Anek is going to create a buzz all around the country for its unique theme, concept, and the conspicuous subject of juxtaposing the issues of the north eastern Indian states within the movie’s storyline. For so many decades, Northeast India has remained neglected and ignored by the mainland central government, which eventually caused an identity crisis for the North-easterners. 

The story portrays the plight of the people living in these seven northeastern states of India. It is a fact that we cannot deny. They are many years behind the rest of India. These seven states, or sisters, as they are called, have rich soil and natural resources but no outlets. The only major venue to sell their products may be in West Bengal. But seldom do the products reach theirs on time. They are stereotypically looked down upon by mainlanders as foreigners from neighboring countries like Tibet, Nepal, Thailand, China or even Myanmar, 

There are many subplots around the main event. Ayushman Khurana looks fabulous as an undercover cop Joshua, assigned to deal with the insurgents in this less explored hilly region. Aspiring and struggling boxer Aido, the role portrayed by gorgeous supermodel Andrea Kevichüsa is exceptionally fantastic and outstanding. Even the role performed by other cast deserves intense applauses from the heart.

The side stories revolving around the main story of intense fights and gun shots,  first the Ayushmaan’s character then his girlfriend’s journey, and her father’s ideology; also the Tiger Sangha, the Johnson group & local people, the Indian Government etc. From starting to end movie tries to focus on multiple aspects which actually resulted in undercooked fun. First of all, you lose the lead where the story wants to focus, the lead character is missing in half of the film, romance is on low profile and undeveloped, and many of the characters like J.D.Chakravarty’s had nothing to do with it. This movie is quite confusing but well-written dialogues and brings a good concept of Northeast Indian people and how and why they become rebellious where the Indian Government is responsible for not treating North Eastern Indian people equally.

Guys, this movie is realistic and intelligent writing where the script writer Anubhav Sinha is playing with audience and cast by showing negative character of everyone in the film except Aido ( Andrea Kavinchusa ) her performance was really authentic and outstanding a character of boxing girl who gets ill-treatment  by her coach and team members and she wants to play and win in boxing for India. Her father who is running a rebellious Johnson group against Indian government,  and Ayushman  Khurrana ( Joshua aka Aman ) an undercover agent of India to gather the information of NE Indian rebellion,  his performance was really brilliant and authentic. The performance by Manoj Pahwa as as boss of Indian army and defence was really intelligent and precise in the movie and performance by Kumud Mishra as defence counselor was really brilliant and outstanding and performance by every supporting cast was really authentic and distinctive, hats off to maker’s that they took NE people to make movie original.  Somehow the music and songs  are not really compelling to listen but shocking scenes are engaging and engrossing where screenplay was slow burn and cinematography was really good but not that impressive. The locations were realistic to shoot the movie.

At the end, Aido fulfills her promise and wins her boxing championship for India, confirming that India is our own for all Indians.

Thanks to filmmaker Anubhav Sinha for bringing this crucial issue to the forefront through mainstream cinema. I loved watching Ayushman Khurana’s performance; though the concept is sometimes confusing but intelligently written.

Rajamouli’s ‘RRR’ Bags The 2nd Best Film At Hollywood Critics Association Awards

Indian director, SS Rajamouli’s ‘RRR’ was declared the second-best film at the Hollywood Critics Association (HCA) Midseason Awards 2022.  This is the first time an Indian film has been nominated and awarded in the Best Picture category of a major Hollywood award list.

RRR was competing against Hollywood films like ‘Top Gun: Maverick’, ‘The Batman’, ‘Elvis’, and ‘The Unbearable Weight of Massive Talent’.

Recently, RRR was also nominated in the Best Picture category of the Hollywood Critics Association Midseason Awards. It was in contention alongside Hollywood biggies like The Batman and Top Gun: Maverick.

The Awards were announced the other day and RRR was declared as the runner-up. Everything Everywhere All At Once remained the winner of the category.

Announcing the same, HCA’s official social media handle posted, “And the winner of the HCA Midseason Award for Best Picture goes to…Everything Everywhere All At Once. Runner up: RRR.”

This is indeed an incredible achievement by RRR. With his every film, Rajamouli is taking the Telugu cinema to next level. While Baahubali gave Tollywood nationwide recognition, RRR is now giving it international recognition.

RRR features Ram Charan and Jr NTR in the lead roles. Alia Bhatt, Ajay Devgn, and Olivia Morris played the other key roles in the movie. 

For unversed, RRR became the first Indian film to get nominated at the coveted Hollywood Critics Association. Last week, the nominations list was announced and on Saturday, the winners were announced.

RRR became the second-highest-grossing movie at the Indian box office. RRR was the number 1 movie in the world during the weekend, ahead of Hollywood movies The Batman and The Lost City. The film has been garnering acclaim and praise from international celebrities and audiences ever since its streaming on OTT platform, Zee 5 and Netflix. 

The big-budget blockbuster hit cinemas on March 25, and recently completed 100 days of its theatrical release on July 2. The makers released a special poster to thank audiences and celebrate the occasion. The film’s official social media handles shared the poster and wrote, “RRRIDING HIGHHHH….. 100 Days of #RRRMovie!!”

Bleecker Street Releases Mr. Malcolm’s List In Theaters Nationwide

Bleecker Street hosted a special screening of MR. MALCOLM’S LIST, on Wednesday, June 29, 2022,  and was attended by cast members, Freida Pinto, Ṣọpẹ́ Dìrísù, Zawe Ashton, and Theo James, with director Emma Holly Jones, and writer Suzanne Allain also in attendance at the DGA New York Theater.

Additional guests included Huma Abedin, Frederick Anderson, Yigal Azrouel, Kellie Brown, Sofia Bryant, Cara Buono, Juana Burga, Yin Chang, Sidney DuPont,  Tony Goldwyn, Sabine Heller, Myha’la Herrold, Serge Ibaka, Pom Klementieff, Giza Lagarce, Padma Lakshmi, Jerome Lamaar, Sunita Mani, Isabella McCalla, Britne Oldford, Aqua Parios, Thania Peck, Titina Penzini, Tanner Reese, Alysia Reiner, Conrad Ricamore, Vlada Roslyakova, Valentina Sampio, Gay & Nan Talese, Moonlynn Tsai, Alicja Tubilewicz, and Jeffrey C. Williams.

Following the screening, Saks hosted a VIP reception with cast members and special guests at Le Chalet at L’Avenue at Saks. The space was decadently themed to the year 1818, including an outdoor terrace where guests could play a game of croquet and have their watercolor portrait done by a live illustrator. The event was part of Saks’ larger partnership with Bleecker Street to celebrate the premiere of Mr. Malcolm’s List, including digital marketing, a product array inspired by the film on saks.com and a window installation at Saks’ iconic New York flagship on display now through Wednesday, July 6. 

Directed by Emma Holly Jones; Written by Suzanne Allain; Starring Freida Pinto, Ṣọpẹ́ Dìrísù, Oliver Jackson-Cohen, Ashley Park, with Zawe Ashton, and Theo James.

When she fails to meet an item on his list of requirements for a bride, Julia Thistlewaite (Zawe Ashton) is jilted by London’s most eligible bachelor, Mr. Malcolm (Ṣọpẹ́ Dìrísù). Feeling humiliated and determined to exact revenge, she convinces her friend Selina Dalton (Freida Pinto) to play the role of his ideal match. Soon, Mr. Malcolm wonders whether he’s found the perfect woman…or the perfect hoax. Also starring Oliver Jackson-Cohen, Ashley Park, with Theo James.

Shuddh Singh Is Funny And Dangerous. Audiences Should Love Him!: Sanjay Dutt On His Character

Sanjay Dutt has delivered some of the most epic villains on-screen and he is back to give us a more evil, menacing, merciless, cold-hearted brute force of nature, Shuddh Singh in Shamshera. Sanjay plays Ranbir Kapoor’s nemesis in this action entertainer. As soon as the teaser and the trailer of Shamshera dropped, Sanjay started winning unanimous praise for his spine-chilling act!

The actor says, “I’m an actor and if I believe in a script or character, then I leave it to the director. His interpretation of Shuddh Singh, I can portray on the screen to the best of my abilities. Yes, I have my suggestions that I give which enhances the character even more. Shuddh Singh is funny and dangerous. Audience should love him!”
About visualising Shuddh Singh, director Karan Malhotra says, “I think what happens with me is, when I think of Sanjay sir to play a part in my film which I am doing, especially if it is a negative part, a good kind of madness grips me from inside. It’s just that automatically I start getting ideas of how to present him in the most menacing and the most unnerving way possible.”

Sanjay is collaborating with director Karan Malhotra again after Agneepath. Sanjay had given us a villain for the ages as Kancha Cheena in that film and he is hoping that audiences will shower him with similar love as Shuddh Singh in Shamshera.

Karan adds, “When Ekta Pathak Malhotra and I wrote the character of Shuddh Singh, the idea was for him to be a megalomaniac and how do we represent this trait of his, I thought that a name like Shuddh Singh would really hit the bulls eye with that. He is a man who is impure in character, ruthless and he’s a quirky demon which is phenomenal because he’s very entertaining. When you look at Shuddh Singh on screen, you should be unnerved. You should feel he is unpredictable!”

Sanjay and Ranbir were thrilled to know about the casting coup in Shamshera that pitted Sanjay against Ranbir because four years back (Ranbir’s last film), the young actor had played Sanju! So, Shamshera will be Sanju vs Sanju on screen which has become the biggest on-screen clash to watch out for!

About Sanjay Dutt, Ranbir says, “He is extremely spontaneous and I think he behaves like he is not working hard but he is working hard, he is constantly on set thinking about it. I believe that he does work hard though he gives the impression that he doesn’t care, but he cares a lot about work.”

The story of Shamshera is set in the fictitious city of Kaza, where a warrior tribe is imprisoned, enslaved and tortured by a ruthless authoritarian general Shuddh Singh. This is the story of a man who became a slave, a slave who became a leader and then a legend for his tribe. He relentlessly fights for his tribe’s freedom and dignity. His name is Shamshera.

The high-octane, adrenaline-pumping entertainer is set in the 1800s in the heartland of India. It has the big promise of a never seen before Ranbir Kapoor, who plays Shamshera in the film! Sanjay Dutt plays Ranbir’s arch-enemy in this huge casting coup and his showdown with Ranbir will be something to watch out for as they will ferociously go after each other with no mercy. Directed by Karan Malhotra, this action extravaganza has been produced by Aditya Chopra and is set to release in Hindi, Tamil and Telugu on July 22, 2022.

Watch the making of Sanjay Dutt transforming into Shuddh Singh here:
https://youtu.be/rO3VmiKpRDM

‘Shuddh Singh Is Funny And Dangerous. Audiences Should Love Him!’: Sanjay Dutt On His Character

Sanjay Dutt has delivered some of the most epic villains on-screen and he is back to give us a more evil, menacing, merciless, cold-hearted brute force of nature, Shuddh Singh in Shamshera. Sanjay plays Ranbir Kapoor’s nemesis in this action entertainer. As soon as the teaser and the trailer of Shamshera dropped, Sanjay started winning unanimous praise for his spine-chilling act!

The actor says, “I’m an actor and if I believe in a script or character, then I leave it to the director. His interpretation of Shuddh Singh, I can portray on the screen to the best of my abilities. Yes, I have my suggestions that I give which enhances the character even more. Shuddh Singh is funny and dangerous. Audience should love him!”
About visualising Shuddh Singh, director Karan Malhotra says, “I think what happens with me is, when I think of Sanjay sir to play a part in my film which I am doing, especially if it is a negative part, a good kind of madness grips me from inside. It’s just that automatically I start getting ideas of how to present him in the most menacing and the most unnerving way possible.”

Sanjay is collaborating with director Karan Malhotra again after Agneepath. Sanjay had given us a villain for the ages as Kancha Cheena in that film and he is hoping that audiences will shower him with similar love as Shuddh Singh in Shamshera.

Karan adds, “When Ekta Pathak Malhotra and I wrote the character of Shuddh Singh, the idea was for him to be a megalomaniac and how do we represent this trait of his, I thought that a name like Shuddh Singh would really hit the bulls eye with that. He is a man who is impure in character, ruthless and he’s a quirky demon which is phenomenal because he’s very entertaining. When you look at Shuddh Singh on screen, you should be unnerved. You should feel he is unpredictable!”

Sanjay and Ranbir were thrilled to know about the casting coup in Shamshera that pitted Sanjay against Ranbir because four years back (Ranbir’s last film), the young actor had played Sanju! So, Shamshera will be Sanju vs Sanju on screen which has become the biggest on-screen clash to watch out for!

About Sanjay Dutt, Ranbir says, “He is extremely spontaneous and I think he behaves like he is not working hard but he is working hard, he is constantly on set thinking about it. I believe that he does work hard though he gives the impression that he doesn’t care, but he cares a lot about work.”

The story of Shamshera is set in the fictitious city of Kaza, where a warrior tribe is imprisoned, enslaved and tortured by a ruthless authoritarian general Shuddh Singh. This is the story of a man who became a slave, a slave who became a leader and then a legend for his tribe. He relentlessly fights for his tribe’s freedom and dignity. His name is Shamshera.

The high-octane, adrenaline-pumping entertainer is set in the 1800s in the heartland of India. It has the big promise of a never seen before Ranbir Kapoor, who plays Shamshera in the film! Sanjay Dutt plays Ranbir’s arch-enemy in this huge casting coup and his showdown with Ranbir will be something to watch out for as they will ferociously go after each other with no mercy. Directed by Karan Malhotra, this action extravaganza has been produced by Aditya Chopra and is set to release in Hindi, Tamil and Telugu on July 22, 2022.

Watch the making of Sanjay Dutt transforming into Shuddh Singh here:
https://youtu.be/rO3VmiKpRDM

‘Indian Roots, Gods And History’ Helped Ayan Mukerji In The Making Of ‘Brahmastra’

Filmmaker Ayan Mukerji is all geared up for the release of his upcoming film ‘Brahmastra’, which he stresses is not a superhero film but a fantasy version of the director trying to write his “modern version” of something from a myth.

‘Brahmastra: Part One: Shiva’ stars Amitabh Bachchan, Ranbir Kapoor, Alia Bhatt, Mouni Roy, and Nagarjuna Akkineni.

‘Brahmastra’ is a three-part film franchise and the beginning of India’s first original universe, the Astraverse. It is a new original cinematic universe inspired by deeply rooted concepts and tales in Indian mythology but set in the modern world.

Talking about if he is a superhero nerd and how he drew inspiration to make a film on such a big scale, Ayan in a conversation with IANS said: “I am not a superhero nerd. I love some of the superhero films like ‘Avengers’ and ‘Spiderman’… I am not the biggest superhero fan.

“I would like to say that I am more of a fantasy film fan. And I honestly think ‘Brahmastra’ is not a superhero film. It is not about a guy wearing a costume and necessarily saving people.”

The 38-year-old filmmaker, who has previously helmed films such as ‘Wake Up Sid!’ and ‘Yeh Jawaani Hai Deewani’, has bent towards fantasy.

“It (‘Brahmastra’) is just a fantasy epic story which has a lot of dramatic scope and in some way it is a fantasy version of me trying to write my modern version of something from myth. Like the scope that myth has but in a modern way.”

The director says he takes inspiration from “gods and goddesses” among many other things related to Indian culture.

“I am probably more affected by things from Indian roots by our gods and goddesses, by stories of Indian history, perhaps more than superheroes. It’s a combination of influences that have affected me in this film.” (IANS)

A.R. Rahman named ambassador of Indo-UK culture platform

The ‘Season of Culture’ intends to build on the British Council’s work in India and strengthen the partnership between India and the United Kingdom in the arts, English, and education.

The British Council’s ‘India-UK Together Season of Culture,’ which aims to encourage aspiring artists to interact, has named A.R. Rahman as its ambassador.

The ‘Season of Culture,’ which commemorates India’s 75th anniversary of independence, was officially opened by the British Deputy High Commissioner to India Jan Thomson and British Council Director (India) Barbara Wickham.

Samrat Prithviraj Review: Akshay Kumar’s Period Piece Is Loud, Lurid And Colourful

Samrat Prithviraj movie cast: Akshay Kumar, Sanjay Dutt, Manav Vij, Sonu Sood, Manushi Chhillar, Sakshi Tanwar, Ashutosh Rana, Manoj Lalit Tiwari Samrat Prithviraj movie director: Chandraprakash Dwivedi Samrat Prithviraj movie rating: 2 stars

The handsome king who galloped away with his bride, her knight in shining armour, has an ancient Indian context: Prithviraj Chauhan, the early 12th-century ruler of Ajmer, claimed Rajkumari Sanyogita as his own, after she lost her heart to him. Details of this love story are recorded in ‘Prithivaj Raso’, penned by Chand Bardai, said to be Prithviraj’s court poet. Not only was the fair princess rescued from the wrath of her father, the traitor Jaichand; the might of the Mughals was kept at bay till his last breath, so valorous was Prithviraj.

This is a beloved legend most Indians will remember vividly from their childhood. But there never has been a better time to make a movie out of it: muscular nationalism is at its peak, and at every turn, we are being reminded of the cruelties of the Mughal invaders, who ‘trampled upon our temples and turned them into mosques’. ‘Samrat Prithviraj’, in which Akshay Kumar plays the titular character, loses no time to tell us that he was the ‘last Hindu king’: after him came centuries of oppression which came to an end only after India attained independence in 1947.

What Chandraprakash Dwivedi has done is to soup up the legend so that it is in synch with the dominant national mood: Prithviraj is representative of a Bharat when it was pristine, pure, unpolluted. How did a director who has also made the astonishingly subversive ‘Mohalla Assi’ achieve this switcheroo? (Dwivedi has been on record to say that this is his passion project, and he has been trying to get it off the ground for a decade and more). Or is it just a question of being expedient?

Dwivedi is also a filmmaker who knows how to dramatise situations. The two-and-a-half hours run-time of ‘Samrat Prithviraj’ is all high-pitched drama, row upon row of costumery in place, massive scale filling up the screen. Mohammad Ghori (Manav Vij) is the chief antagonist, and while he is not shown to be as much of an out-and-out monster as Ranveer Singh’s Alauddin Khilji in ‘Padmavat’, he gets to narrow his eyes and hit a man when he is down, as befits those dastardly invaders.

The question is: given the kind of film it is, does it work? A Roman-arena like space, with a grievously wounded Prithviraj fighting off four-legged and two-legged beasts is a show-stopper which tops and tails the film: in between are few other effective moments, especially the one in which the ‘dilwala’ takes his ‘dulhaniya’ away.

Bottom of Form

But at no point is the plot or any character given significant breathing space, so intent is it upon glorifying its subject: Chand Bardai (Sonu Sood) has more ardour in his gaze than Prithviraj’s lady love (Manasi Chhillar, who comes off more contemporary than period, and leaves little impact). Sanjay Dutt’s Kaka Kanha whose undying faithfulness to Prithviraj is tested more than once, does double duty of a court jester and an affectionate uncle: how do you do a mainstream film without a comic figure? And then there is Ashutosh Rana as Jaichand, whose name has long been synonymous with being a traitor, and Sakshi Tanwar as his voluble wife, who carry their scenes, but are given softer treatment than they deserve, because, hey, we know who the real bad guys here are.

Not only does Prithviraj’s bravery makes him a combination of Bhishma and Bheem (in the words of the always-adoring Bardai), he is made into an early feminist, spouting inadvertently funny lines in support of women generally, and specifically his Sanyogita, whom he encourages to share his throne and listen to the people. Did anyone else feel a dissonance when these same sword-wielding ‘veeranganas’ jump to their death, committing ‘jauhar’? That leaves Akshay doing his thing: cleaving through ‘dushman fauj’ (enemy soldiers), twirling in the song-and-dance, fighting off the inexorable advance of the treacherous outsiders.

As befits its simplistic, shorn-of-nuance tone, the film is loud and lurid, lurching between dialogue-baazi and blandness, and staying determinedly faithful to its stated intent.

Akshay Kumar On Dropping Several Easter Eggs With The Second Trailer Of Samrat Prithviraj

Akshay Kumar’s next is Yash Raj Films’ first historical film, Samrat Prithviraj, which is based on the life and valour of the fearless and mighty King Prithviraj Chauhan. He is essaying the role of the legendary warrior who fought valiantly to protect India from the merciless invader Muhammad of Ghor in this visual spectacle. Akshay dropped the second trailer of the film today and it had several easter eggs that revealed many unseen moments from the film for fans and audiences to discover!

Akshay says, “The second trailer, ‘Aakhri Hindu Samrat’ of Samrat Prithviraj is out and hopefully it will increase the audiences’ excitement to watch the film this Friday. This new trailer has new visuals from the film and reveals new moments that I absolutely love.”

He adds, “As we start the countdown to the release of this glorious retelling of Samrat Prithviraj Chauhan’s life, I’m hoping that everyone invested in watching our film will get something grand to see and discuss with this trailer. Samrat Prithviraj was one of our bravest kings who didn’t get his due and I feel this is a film that had to be made to salute his spirit and valour.”

Prithviraj has been directed by Dr. Chandraprakash Dwivedi, who is best known for directing the television epic Chanakya and the critically acclaimed film Pinjar. The ethereally gorgeous Manushi Chhillar plays the role of King Prithviraj’s beloved Sanyogita and her launch is definitely one of the most awaited debuts of 2022. The film is set to release this Friday in Hindi, Tamil and Telugu.

Catch the second trailer here : https://youtu.be/itram1MNi04

Laal Singh Chaddha Opens On August 11th

With the huge strength of cricket lovers, loud cheers, whistles & big applause, ‘Laal Singh Chaddha’s fever took over the IPL finale as the movie trailer was unveiled. The wait is finally over! All the movie and cricket enthusiasts were treated to the biggest and most highly-anticipated trailer of the year – ‘Laal Singh Chaddha’ featuring Aamir Khan, Kareena Kapoor Khan, Mona Singh and Chaitanya Akkineni.

Touted to be one of the biggest releases of the year, the trailer of ‘Laal Singh Chaddha’ was launched with huge fanfare on television amidst the finale match in the biggest T20 Cricket Tournament that gave the cricket and movie buffs across the world an adrenaline rush. This is the first time ever that a film is going grand to this scale with its trailer launch on a world television platform and the sports world.

The impressive trailer of ‘Laal Singh Chaddha’ took the audience and especially fans of Aamir Khan on an emotional and spellbinding ride giving us a glimpse into the fascinating and innocent world of Laal Singh Chaddha. Get ready to watch the world through the childlike eyes of Laal Singh Chaddha. His slow-witted approach and childlike optimism are the driving force of the movie whereas his sweet bond with his mother and his fondness for his childhood love is the USP of the film.

Apart from that, the movie which has been shot at multiple picturesque locations, exhibits the Indian heritage in its tranquil form. Not to forget, ‘Laal Singh Chaddha’ also brings together the successful pair of Aamir and Kareena Kapoor Khan post the blockbuster ‘3 Idiots’. While their cute chemistry has impressed many, the trailer of ‘Laal Singh Chaddha’ has surely lit up our hearts and fuelled our souls. Mona Singh too looks in top Meanwhile, the songs from ‘Laal Singh Chaddha’ have taken over the hearts and souls of fans. Both ‘Kahani’ and ‘Main Ki Karan?’ have become popular and most played songs in India today. The ardent fans of AK have lapped the music and lyrics of both the songs and now post the trailer launch, they can’t wait to watch ‘Laal Singh Chaddha’ in action.

After the release of ‘Secret Superstar’, Aamir Khan and Advait Chandan have reunited for ‘Laal Singh Chadda’. Produced by Aamir Khan Productions, Kiran Rao, and Viacom18 Studios, ‘Laal Singh Chaddha’ also stars Kareena Kapoor Khan, Mona Singh, and Chaitanya Akkineni. The film releases in cinemas across North America on August 11.

I-Phone-Created Bengali Short Film Goes To Oscar-Qualifying Festival In Denmark

Indian director Abhiroop Basu’s (MEAL, LAALI, GUDGUDI) latest film, GUDIYA (Plaything), is one of 123 films, out of more than 4000 submissions from 40 countries, selected to compete for “Best International Short Film” at the 46th annual, Oscar-Qualifying Odense International Film Festival (OFF) in Denmark in August, 2022.

Logline: On the eve of India’s 73rd Republic Day, a working class woman’s daily routine goes for a toss when she is called to squeeze in an extra shift at work.

In English, “Gudiya” means “Plaything” or “Doll.” In a world diametrically divided between the powerful and the powerless, GUDIYA becomes an identity for those who are on the bottom of the food chain. Meanwhile, the film aims to hold up a metaphorical mirror to a nation obsessed with a false sense of hyper-nationalism that blinds them in the face of stark reality.

An international co-production between India and the United States, the nine-minute, socio-political drama on issues of gender and sexuality was shot in eight hours on a handheld I-phone with a crew of four people. It has been produced by Tushar Tyagi (India) and executive produced by Cynthia Kane (New York) and Jitin Hingorani (Texas). Select stills from the film are below

Director’s Statement: “The impetus for making a film like GUDIYA originated from a question I asked a middle-aged man in Kolkata’s famous Red-Light District, Sonagachhi: ‘Why do you prefer girls under 14?’ To which he replied, ‘Because they are easy to dominate.

The day was 26th January, India’s 73rd Republic Day, and a famous patriotic song was playing in the background, while this customer finished his cigarette and went inside. Though I didn’t get a glimpse of who he was with, I noticed the big round ears of a tattered teddy bear peeking from the window, as it slammed shut on my face.”

*One of Basu’s other short films, MEAL starring Adil Hussain, was also selected in 2019 for OFF, which is the largest short film festival in Europe.

Shah Rukh Khan’s Son Cleared In High-Profile Drugs Case

Indian authorities have dropped a case against the son of Bollywood superstar Shah Rukh Khan who was arrested during a raid on a cruise ship last year on suspicion of having drugs on him.

India’s main drug law enforcement agency, the Narcotics Control Board (NCB), said on Friday it was dropping the case against Aryan Khan, 24, and five others due to a lack of “sufficient evidence”, while pressing charges against 14 others.

Khan’s arrest had polarised broadcast and social media in the Bollywood-obsessed country, with some saying he was being targeted for being the son of a Muslim celebrity in mainly Hindu India.

A lawyer for Khan told Reuters his client’s detention, which followed the raid on the boat off Mumbai last October, were unjustified and that he had broken no law. Khan was released on bail on Oct. 28 after 26 days in detention.

“We are happy that (an NCB team) investigated the case in an objective manner and decided not to file a complaint against Aryan Khan for lack of sufficient evidence,” his lawyer Satish Maneshinde said. “God is Great.”

NEWS 24 (BAG NETWORK) ANNOUNCES LAUNCH OF PODCAST 24- AWAAZ SABKI

A new digital platform called PODCAST 24- AWAAZ SABKI will cover news and stories from India on a variety of subjects including Politics, Bollywood, Crime, Women, Health, History, Education & Sports. It will also provide a platform to discuss and deliberate on a range of important and relevant social issues.

After the success of all its satellite channels and an impressive presence on social media, BAG Network, under the leadership of Ms. Anurradha Prasad, has now established its presence in the Podcast space to connect with its audience using this powerful digital platform.  As Ms. Anurradha Prasad puts it, “PODCAST 24- AWAAZ SABKI will bridge the gap between news and our listeners by curating content that is current and relevant to our audience”.
Millions of loyal viewers of NEWS 24 will now be able to listen to all the flagship programs of  NEWS 24 like ‘Itihaas Gawah Hai’ with Anurradha Prasad, ‘Ansune Kisse’ with Rajeev Shukla, ‘Sabse Bada Sawal’ with Sandeep Chaudhary, ‘Rashtra Ki Baat’ with Manak Gupta, ‘Mahaul Kya Hai?’ with Rajeev Ranjan,  on PODCAST 24.
Listeners can access the PODCAST 24 through all major podcast apps such as Spotify, Amazon, Google etc. The channel can also be accessed through the News 24 website.
The BAG Network invites everyone to be a part of this new and exciting journey.

Bollywood Legend Hema Malini Joins Gala To Support ISKCON Naperville

May 15th, 2022 marked an important time in history for ISKCON Naperville; a special fundraising dinner for the construction of the new temple, ISKCON Radha Shyamasundar. With any big endeavor, comes a big price. However, nothing is too big nor too intimidating for the devotees of ISKCON Naperville. 

The fundraising event was held at Ashyana Banquet Hall. The large banquet room was filled with promise and excitement, as all who attended were eager for the completion of this important project. Temple President Premananda Devi Dasi addressed the crowd of over 500 by reminding them what brought them all together: “Why build this temple? When Srila Prabhupada founded this institution, he listed seven purposes of ISKCON”. She then reiterated Srila Prabhupada’s fifth stated purpose: “To erect for the members, and for society at large, a holy place of transcendental pastimes, dedicated to the personality of Krishna.”

What made this year’s fundraising event exceedingly more memorable, was the attendance of famed Member of Indian Parliament and esteemed Bollywood actress, Hema Malini. She began her career as a bharatanatyam dancer. Hema Malini was able to land her first film role as a dancer in 1963 and starred in over 200 movies throughout her career. 

 She became a devotee of Krishna after she was introduced to the holy place of Vrindavan, where she would later serve as a Member of Parliament. She explained, “I was offered some other places, but I refused. I said I am not interested in being a politician or Member of Parliament from anywhere. If it is given to me, Matura, then I am interested because it is Krishna’s place and I am connected to Krishna. I want to serve there, not as a politician, but you have to be politically connected so you are able to do a lot of work with the help of our government.” In addition, she has also been helping clean up the Ganga and Yamuna rivers apart from supporting many more important projects in the region.

 Also in attendance was ISKCON communications director Anuttama Dasa and his wife, Rukmini Devi Dasi. Their presence was a gift and inspirational to many. Anuttama Dasa stated to the audience: “…This is the purpose of this ISKCON society; to help us. How do I get the envy out of my heart? How do I get the anger out of my heart? How do I get the greed out of my heart? So that I can become a force for change, for the better – and how can we do that as a community.

ISKCON Naperville devotees have been working tirelessly to support Prabhupada’s mission. “The world is looking for that type of leadership. By building the temple that you’re all contributing to, it actually becomes a place where we can come together and we can show our appreciation for Krishna; for all our gifts. We also can come together and say, ‘Lord, I want to be a force for good The three-story temple will include a commercial kitchen, snack bar, classrooms, a playgrou

This temple will not only be a place of worship, but a pillar for the community and people of all faiths. With the help of generous donors and hardworking devotees, temple construction is scheduled to conclude in the upcoming winter. Hema Malini expressed her great fortune to have been present at the unveiling of the temple signage by stating, “It was so wonderful to be there, it just felt like I’m still in Vrindavan because of the same atmosphere.”

A.R. Rahman Pitches For Indian Movies Not To Limit To Only Indian Stories

During the inauguration of the India pavilion at Cannes 2022 on Wednesday, Academy Award winner A.R. Rahman explained why we should tell stories about West and try to break the boundaries.

“I can’t say much because I’ve been in the industry for almost 40 years – ten years of playing outside as a musician and 30 years as a composer. I was a director for the sensory cinematic experience,” he said.

Rahman further shared that despite the fact we have our stories to tell, we must not restrict ourselves.

“Even though we have so many stories, we should tell stories about the West because we have a narrative about the West. We should be doing that.”

“The West does Gandhi, he (Shekhar Kapur) is the man who has done ‘Elizabeth: The Virgin Queen’. I am super inspired by him,” he added while hinting towards filmmaker Shekhar Kapur.

On the reason for choosing English language for his film, he elaborated: “The reason why I did this in the English language and for an international audience was to see if it is possible to break those boundaries and set a new path. Even if we fail it’s fine. I am talking about Le Musk, the sensory cinematic experience in Cannes XR. I want to thank my whole team, and please do check it out and see how we can improve and celebrate it. God bless you all. Thank you so much.”

The Indian delegation led by I&B Minister Anurag Thakur was present for the inauguration of the Indian pavilion at the ongoing Cannes Film Festival in France.

Deepika Padukone is attending the festival as a jury member, Aishwarya Rai Bachchan, Kamal Haasan, R Madhavan, Shekhar Kapur and Tamannaah Bhatia are among the Indian celebrities attending the 75th edition of the film festival. (IANS)

Manushi Chhillar Is Humbled With The Acclaim That She Has Been Getting From The Trailer Of Prithviraj

Superstar Akshay Kumar and gorgeous Bollywood debutant Manushi Chhillar starrer, Yash Raj Films’ first historical, Prithviraj, which is based on the life and valour of the fearless and mighty King Prithviraj Chauhan. Akshay is essaying the role of the legendary warrior who fought valiantly to protect India from the merciless invader Muhammad of Ghor. Manushi is playing the role of Prithviraj’s beloved Princess Sanyogita and she is thrilled that audiences are appreciating her unanimously in the trailer.

Manushi says, “It is amazing that people are appreciating my performance from what they have seen and experienced in the Prithviraj trailer. This is a dream come true of a debut for me and I’m hugely grateful that I’m getting to bring Princess Sanyogita’s life come alive on the big screen.”

She adds, “A debut like this, opposite one of the biggest superstars of the country like Akshay Kumar, is a lot of responsibility and I think I have given my everything to ensure that I play this role with utmost sincerity and dedication. So, the reaction of the audience that I’m getting today is humbling.”

Manushi further says, “My phone is buzzing with positivity from people on social media and my forever supportive fans. It’s a hugely happy moment of my career and I’m cherishing this thoroughly.”

Prithviraj has been directed by Dr. Chandraprakash Dwivedi, who is best known for directing the television epic Chanakya and the critically acclaimed film Pinjar. The ethereally gorgeous Manushi’s launch is definitely one of the most awaited debuts of 2022. The film is set to release on June 3 in Hindi, Tamil and Telugu.

Akshay Kumar Is Overwhelmed With Positive Response For PRITHVIRAJ

Superstar Akshay Kumar’s next is Yash Raj Films’ first historical, Prithviraj, which is based on the life and valour of the fearless and mighty King Prithviraj Chauhan. He is essaying the role of the legendary warrior who fought valiantly to protect India from the merciless invader Muhammad of Ghor. Akshay is thrilled with the incredibly positive response to the trailer of the film that was launched yesterday and feels humbled that people have connected to the most glorious tribute to the brave warrior who needs to be celebrated.

Akshay says, “I’m thrilled with the response to the trailer of Prithviraj. We wanted to give a glorious and the most authentic tribute to the incredibly valiant Samrat Prithviraj Chauhan and I’m so happy that the trailer has resonated with the audience. It’s amazing to see how people want to know more about the valour of the mighty king and we are humbled that we have been able to make people across the world want to know more about the Samrat.”

He adds, “I’m humbled that people are appreciating my craft and our efforts because we have given it our all to bring Samrat Prithviraj Chauhan to life on screen. It has truly been an honour to play a man who stood for his country, no matter what the consequence.”

Akshay further states, “I share this moment of joy with my director Dr. Chandraprakash Dwivedi, my producer Aditya Chopra, my co-star Manushi Chhillar, who is debuting in the film, and the brilliant Sanjay Dutt and Sonu Sood and all the actors and technicians who have believed in the mission to make Prithviraj an important film for this generation.”

Prithviraj has been directed by Dr. Chandraprakash Dwivedi, who is best known for directing the television epic Chanakya and the critically acclaimed film Pinjar. The ethereally gorgeous Manushi Chhillar plays the role of King Prithviraj’s beloved Sanyogita and her launch is definitely one of the most awaited debuts of 2022. The film is set to release on June 3 in Hindi, Tamil and Telugu.

Mira Nair’s MISSISSIPPI MASALA At Kick Off 8th Annual DFW SAFF

The 8th annual DFW South Asian Film Festival, presented by Toyota USA, will KICK OFF its festival week with a SPECIAL SCREENING of the restored 4K version of Mira Nair‘s ground-breaking film MISSISSIPPI MASALA, celebrating its 30th anniversary this year!

Synopsis: The vibrant cultures of India, Uganda, and the American South are blended and simmered into a rich and fragrant fusion feast in Mira Nair’s luminous look at the complexities of love in the modern melting pot. Years after her Indian family was forced to flee their home in Uganda by the dictatorship of Idi Amin, twenty something Mina (Sarita Choudhury) finds herself helping to run a motel in the faraway land of Mississippi. It’s there that a passionate romance with the charming Black carpet cleaner Demetrius (Denzel Washington) challenges the prejudices of their conservative families and exposes the rifts between the region’s Indian and African American communities. Tackling thorny issues of racism, colorism, culture clash, and displacement with big-hearted humor and keen insight, Nair serves up a sweet, sexy, and radical celebration of love’s power to break down the barriers between us. Watch trailer HERE.

*The screening will take place on Monday, May 16th at 7:30 p.m. at the Alamo Drafthouse Dallas / Fort Worth (6770 Abrams Road, Dallas, TX 75231).

To purchase tickets for this stand alone screening, please go HERE. Join us afterwards for a drink and a nibble at the bar, so that we can share highlights about the upcoming #dfwsaff2022. Our entire schedule and festival lineup (May 20 to 22 at Grandscape in The Colony) is available HERE.

Netflix Collaborates With India To Honor Real-Life Heroes

Streaming giant Netflix and The Ministry of Information and Broadcasting have joined hands to honour unique real-life stories of extraordinary individuals through a series of inspiring short videos titled Azadi Ki Amrit Kahaniyan. This was launched today in the presence of Shri Anurag Thakur, Minister of Information and Broadcasting, Govt. of India.

‘Azadi ki Amrit Kahaniya’ narrated by Neena Gupta, will chronicle the incredible journeys of those individuals who cracked the glass barrier in their respective industries, ranging from science to sports.

In conjunction with OTT giant Netflix, the Ministry of Information and Broadcasting (I & B) released ‘Azadi Ki Amrit Kahaniyan,’ a short video series to honor real-life stories of those individuals who cracked the glass barrier in their respective fields, ranging from science to sports. It was disclosed at the event that Neena Gupta would be narrating these stories. The freshly announced series is a part of Azadi Ka Amrit Mahotsav, which commemorates India’s 75th anniversary of independence.

Bela Bajaria, Global Head of TV, Netflix, who was also present at the event, said, “Great stories can come from anywhere and are ever so inspiring when they are about people who rise against the odds. In partnership with The Ministry of Information and Broadcasting, Azadi Ki Amrit Kahaniyan focuses on celebrating remarkable individuals and their stories that can inspire people in India and around the world.”

Narrated by acclaimed actress Neena Gupta, these short videos capture the remarkable journey of these individuals and how they broke the glass ceiling in their respective fields, ranging from science to sports. Here is what these achievers had to say about what Azadi (freedom) means to them personally.

“If something hasn’t been attempted, it doesn’t mean you cannot do it. To me, Azadi means facing a raging fire.” — Harshini Kanheker, India’s first female firefighter.

“From water comes life, and water is life. I flow free like a river and will continue to protect and serve water, that’s Azadi to me.” — Basanti Devi, Environmentalist and protector of the Kosi river ecosystem.

“If women hold the power to create life, women also hold the power to save lives. If I have to put my life at stake to save other lives, I wouldn’t think twice.”  — Poonam Nautiyal walked miles across the Bageshwar district in Uttarakhand to vaccinate thousands of people living in remote areas.

“Being a scientist, every moment is a learning curve. We need to face challenges, and we need to learn. I always say that science has no gender, and Azadi is when we take our nation to new horizons.” — Tessy Thomas, the “Missile Woman of India”, is the first-ever woman scientist to head a missile project in India.

“I am a force of nature, I can scale great heights, and my journey has just begun. Azadi means to make your way up in the world.” — Anshu Jamsenpa, the first woman in the world to summit Mount Everest twice in 5 days.

“When you dream something out of the box, it’s very important to push the norms. Azadi is to be one with the wind.” — Aarohi Pandit, the world’s youngest person and first woman pilot to cross the Atlantic Ocean and the Pacific Ocean solo in a light-sport aircraft.

“You have the right to dream, and the right to achieve your dream. Just like the waves, be patient, be consistent, and never look back. To me, Azadi is to take a bit of the ocean wherever I go.”— Tanvi Jagadish, India’s first competitive woman stand-up paddleboarder. The videos are now available on the Ministry’s social media platforms and Doordarshan.

Shah Rukh Khan Honored With Happiness Card From UAE Govt

Bollywood superstar and the celebrity face of Dubai tourism Shah Rukh Khan was honoured with a happiness card by the General Directorate of Residency and Foreign Affairs on April 13.

A picture of the ‘Pathaan’ star holding his newly-gained happiness card was posted on the authorities’ Twitter account. The card aims to give Khan a slew of discounts, privileges, and access to promotions during his stay in the UAE.

The Happiness cardholder will be benefited with various discounts and offers in Dubai.

The General Directorate of Residency and Foreigners Affairs Dubai (GDRFA) presented Bollywood superstar Shah Rukh Khan with a Happiness Card.

“GDRFA Dubai welcomes Bollywood star Shah Rukh Khan and grants him the Happiness Card with the aim of achieving happiness for them through various benefits, discounts, and offers,” the Directorate tweeted.

Khan is no stranger to Dubai and has spearheaded several tourism videos to lure his fans all over the globe to Dubai. In March, Khan along with Dubai Tourism rolled out a promotional short film showcasing the emirate as a must-visit city.

The three-minutes, four-second video opens with Khan busy filming in Dubai when he gets interrupted by a call from his doting daughter Suhana who nudges him to have some fun in the emirate. She urges him to step out of his work mode and explore the glitzy city and what it has to offer.

The next few scenes shows the iconic actor soaking in the sights across Dubai, taking selfies with his adoring fans in the city. He is also seen dancing on Sheikh Zayed Road, overlooking Dubai’s new Museum of the Future. Wide shots of Atlantis The Palm, where he filmed ‘Happy New Year’ are also seen in the short film.

“Everything Must Change But Love Remains The Same;” Ilaiyaraaja

One of India’s greatest music directors Ilaiyaraaja has said that everything in the world must change but the one thing that would remain the same was love.

He made this observation in a reply to director Aishwaryaa Rajinikanth, who had put out a series of pictures on social media about a recent meeting she had had with him.

Aishwaraya had said, “My Monday mid noon couldn’t have been more musical and magical. Always a delight to spend time with my dearest Ilaiyaraaja uncle. #mondayvibes #workmodeon.”

Responding to her tweet on Tuesday, Ilaiyaraaja said, “Am happy to meet and spend time. Many things may happen in one’s life but one thing will never change – my true love. God bless you. Be happy always. Everything must change. But one thing will remain the same, that’s love.”

The music director also went on to post a YouTube link to Quincy Jones’s number ‘Everything must change.”

Speculation has been rife in the film industry if Ilaiyaraaja is scoring the music for Aishwaryaa Rajinikanth’s next film as the filmmaker, in her tweet, had hashtagged the phrase, ‘work mode on’. (IANS)

Sooni Taraporevala Urges Re-Releasing Of “Mississippi Masala” In US

The screen-writer of Mississippi Masala talks about what makes the Mira Nair directorial relevant to the current generation of the Indian diaspora in the US even today

31 years after it first premiered in France, filmmaker Mira Nair’s Mississippi Masala is all set to re-release in a remixed and remastered format in the USA on April 15. The film starring Denzel Washington and Sarita Choudhury revolves around Indians being subjected to racism and xenophobia in Uganda.

Its screenplay writer Sooni Taraporevala believes that the film will have a strong impact on the new generation of the Indian diaspora in the USA this time around as well. “When the film first came out, I was in India and there were so many comments like, ‘We aren’t like that, we aren’t racists’ but it’s just not true. We like pointing fingers at others and call them racist, but deny it when it comes to us. It’s going to be very relevant for the next generation because sadly, not much has changed,” she says. Sharing her excitement about the re-release of the film,

Taraporevala, who bagged the Golden Osella Best Original Screenplay for it at the Venice international Film Festival in 1991, says, “In a climate where new films aren’t getting released theatrically, we find it absolutely amazing and thrilling that a film that’s 30-year-old is being re-released.”

The Salaam Bombay! (1988) and The Namesake (2006) writer feels that it’s imperative to introduce the younger NRI audience to cult classics that offer them a glimpse into their culture. She explains, “It’s always important to expose them to what came before, provided it’s relevant, especially in today’s times where attention spans are zero. Nobody reads and so, there’s no concept of history today.”

Taraporevala further reveals that Mississippi Masala holds a special place in Nair’s heart due to personal reasons. “Mira met her husband, Mahmood Mamdani, when we went to Kampala to do our research. The house in the film is now her house. Her son was born there,” she ends.

This Is The Time To Unite: AR Rahman On North-South Debate

Pointing out that it was very easy to divide people through art, Oscar-winner and one of India’s top music directors A.R. Rahman said that this was the time to unite and to celebrate differences.

Speaking at the CII-DAKSHIN South India Media and Entertainment Summit, where he was honoured with the Icon award, Rahman recalled an incident that had occurred in Malaysia seven years ago.

“I had gone to Malaysia some seven years ago. There, a nice Chinese gentleman told me, ‘You are from India?’ I like India. I like North India better. They are more fair. He said, “Their movies are much more charming.”

The music director said that the gentleman’s comments got him thinking and it made him wonder if the man had actually watched south Indian movies and why he made such a statement.

“It deeply disturbed me. Then, I discovered that what we need to do is we need to cast people with colour. Make them empowering and give them characters which will give them dignity. This is the most important thing that south Indians can do because we love our colour,” he said.

Rahman also went on to make it clear that be it south India or north India, India was India.

“For me, it doesn’t matter. Somebody does good here, north India benefits. Somebody does good there, we benefit. the borders are broken. If you look at Netflix, people watch Malayalam movies, Tamil movies everything… The borders are broken but we need to empower ourselves definitely. And through art, it is much more easier,” he said.

Rahman said, “Imagination should not be just for South Indians. Just for our culture. You need to show the world what minds we are and what culture we have in the most international way,” the music director pointed out before concluding his speech with a point on unity.

“It is very easy to divide people through art, through movies. This is the time to unite. This is the time to celebrate differences. This is the time to show the unity so that we can be more powerful and we can lead the world,” he said. (IANS)

Mannara Chopra, Bollywood Actor Leads Holi Celebrations By Aarush Entertainment

Festival of colors organized by Manoj Rathod (CEO of Aarush Entertainment) and UR Group was one of the biggest Holi and Indian cultural events which took place on Saturday, March 19, 2022 at Candela, 8526 W Golf Rd, Niles, IL 60714. This event touched the hearts as well as the dreams of Indian immigrants and natives simultaneously. The event was house full, enjoyed the vibrant colors, dazzling music, enthralling dances and award to Women Empowerment Icon

The special guest was Mannara Chopra (Actress plus model from Bollywood and Sunil Shah Chairman, Founders of FIA. Prachi Jaitly & Bharti Desai were Master of ceremony of this event. Women Empowerment Icon awardees were Prachi Jaitly, Bharti Desai, Rita Shah, Uma Avadhuta, Usha Bhaskar, Sweety Raheja, Sonya Gupta, Rebecca Bodony and Vibha Rajput.

The main highlight of the event came when participants picked up colored powder and chased each other, tossing colors into the air and covering friends and strangers alike. They joy and excitement filled the air and created a memorable experience for all.

“Today we are here to celebrate the Holi festival. The festival of colors, fun, happiness, friendship and love. May the colors spread the wings of joy, peace and laughter upon you and your family. We wish you Happy Holi” said by Manoj Rathod (CEO of Aarush Entertainment).

Mannara Chopra was born in Ambala CantonmentHaryana. Her name Mannara, is Greek for “something that shines’ ‘. Mannara’s mother is a Jewelry designer, and her father is a lawyer. Mannara was educated at Summer Fields School, New Delhi, and pursued a BBA degree and is a fashion designer after completing her education in Delhi, Mannara moved to Mumbai, where she started her career in modelling and moved into advertising. She is currently shooting with Director Teja for his forthcoming film alongside Kajal Aggarwal. She has played lead roles in Telugu cinema in Thikka, Rogue, Jakkanna.

The Aarush Entertainment company offers event planning & management services that also includes wedding designing, planning, management & consultancy, adopting a comprehensive approach & professional management information system to plan and produce a world class event experience each & every time all over the world. The highly skilled team of professionals at Aarush Entertainment strives hard to accomplish the highest standard of quality, effectiveness & novelty with due importance to the budgetary considerations.

Indie Meme Film Festival Returns To Austin With A Lineup Boasting Diversity And Inclusiveness

Austin’s Premier South Asian Film Festival hosts its first in-person festival since the start of the pandemic, with films showcased in a hybrid format.

The Indie Meme Film Festival, Austin’s leading cinema event curating South Asian independent cinema, returns to movie theaters for the first time in two years. The festival, which was presented virtually in 2020 and 2021 due to the Covid-19 pandemic, comes back in a hybrid format.

The festival will showcase nearly three dozen films from South Asian filmmakers, covering a variety of poignant topics. Each film tells a unique and diverse story of South Asian lives: a child’s struggle in remote India, an Iranian family seeking asylum in Europe, domestic abuse, alcoholism, mental health, patriarchy and colonialism.

Many of the films in this year’s festival focus on issues important to women, including sexuality, education and the family unit. Through it all, this year’s lineup is a testament to the importance of accepting people for who they are, and each story is told so that audiences of all backgrounds can relate.

In-person screenings will take place April 14-17 at Austin Film Society. Those wishing to watch the festival virtually will be able to stream films online April 22-24.

RK/RKAY is IMFF 2022’s centerpiece feature. The film tells the story of a filmmaker struggling to complete his latest creative endeavor. It stars veteran Indian actor-director Rajat Kapoor, who gained international acclaim as an abusive uncle in Mira Nair’s Monsoon Wedding. Kapoor will attend IMFF 2022 from India and participate in a Q&A after the film screening.

Other feature films at IMFF 2022 include Barah x Barah Rehana, Bangla, Hit The Road, A Night of Knowing Nothing, Midwives, Last Film Show, I Am Belmaya, Any Day Now, Moshari, Lunana, Receiver and Biriyaani.

The Bengali action thriller Rehana makes its U.S. premiere at IMFF 2022. Abdullah Mohammed Saad directs this film about a medical college professor whose life descends into chaos after she witnesses an incident involving one of her students.

Cinematographer Sunny Lahiri will headline a Q&A session after the screening of Barah x Barah, which chronicles the life of a photographer who captures images of the dead in Varanasi, one of India’s oldest cities.

The festival’s diverse Shorts Program features 16 films: Bambirak, Blind Date, Baahar, Mono No Aware, Sheer Qorma, Miniaturist of Junagadh, My Mother’s Girlfriend, Kanya, U For Usha, Testimony of Ana, Not Today, Wade, Chai, An Early Spring, A Coup, An Early Spring, Turning Point and Cycle.

Bahaar, a 14-minute short directed by Prakshi Malik, is a local project out of The University of Texas at Austin that was awarded grant from Austin Film Society. The film tells the story of a student dealing with disaster after being accepted into the boarding school of her dreams.

Making its North American premiere is A Coup, an 8-minute short from Pakistan. Areeba Naveed’s film narrates the story of a young girl who comes out, and a psychiatrist’s attempt to intervene.

Also coming to IMFF 2022 is the German-Afghan production Bambirak, winner of the Best International Fiction Award at 2021’s Sundance Film Festival. Bambirak is the story of a single dad and his daughter trying to establish their life in a new country. Tickets are $65 for Indie Meme members and $85 for non-members. The price is the same for in-person or virtual screenings. Sponsors for this year’s event include H-E-B, Waterloo Greenway, The Austin Chronicle and Austin Film Society.

Indie Meme was founded in 2013 and is Austin’s dedicated cinematic organization for South Asian films. The festival, which returns this year for its seventh annual event, was co-founded by two South Asian women, Alka Bhanot and Tripti Bhatnagar. The organization, in addition to hosting an annual film festival, puts on screenings in Austin and Dallas throughout the year. The complete lineup of films can be found at: https://www.indiememe.org/imff-2022.

The Kashmir Files – A Movie On Exodus Of Kashmir Pandits

Kashmir silk is more popularly known worldwide, than the name of Kashmiri Pandits so far. But the new sensitive movie “ The Kashmir Files”  exposes some of the historic events and the flight of Kashmir Pandits, to the present generation.

The Exodus of Kashmiri Hindus, (also known as “Kashmiri Pandits), is the migration, or the flight on a  large-scale, that caused their displacement from the Kashmir Valley in 1990, makes the story of Kashmir Files, worth seeing.

Even before its release, ‘The Kashmir Files’ was becoming a hit with tremendous pre-release hype. Directed by Vivek Agnihotri, the film tells the story of the exodus of Kashmiri Pandits from the Valley. The film, released in theaters few days ago, is getting a good response from the audience.

Many of us would have watched some of the old movies on Hindu-Muslim Riots, with themes of Babri Masjid to Bombay Bombing like, Delhi-6 (2009), Bombay (1995)! Firaaq (2008)! Gadar: Ek Prem Katha (2001)! Mr. and Mrs. Iyer (2002). Surprisingly these commercial movies are aimed at both communities, and most of them turned blockbusters, taking advantage of the rivalry in their minds.

According to the Census from 1889 to 1941, Kashmiri Pandits, or Kashmiri Hindus, constituted between 4% and 6% of the population of the Kashmir valley. The rest of the population was Kashmiri Muslim. History says that by early 1990, the vast majority of Kashmiri Hindus fled the valley. “According to an estimate, approximately 100,000 of an estimated Kashmiri Pandit population of 140,000 left in the span of a few weeks in February–March 1990 alone”. Hindu-Muslim polarization in India over the years, in turn fueling the Hindu-Muslim chasm in the Valley. The issue of the Kashmiri Pandits return are an important side of the Kashmir File story.

Many reports show that, 1724 people have been killed by militants in Kashmir in the last three decades, more than 1,600 Muslims. According to Kapoor, Kashmiri Pandits make up about 5% of those killed by militants in Kashmir. The remaining 95 percent are from the Muslim community. The Pandits began leaving the valley on January 19, 1990. According to Human Rights Watch, more than 100,000 Pandits left the valley “with the encouragement and assistance of the government.”

With the Pandits evacuating, the government pressured the Pandits to leave the area, hoping for more comprehensive retaliation against Muslims. However, after the departure, various right-wing Hindu groups used Kashmiri Pandits as ‘victims’.

Accompanied by captured campaigns, the film reached the limelight. The film ‘highlights’ the plight of Kashmiri Pandits who suffered during the riots of the 90s. Many scenes of  people chanting ‘Jai Shree Ram’ and other Hindu slogans outside cinema halls have already been widely circulated on social media. Meanwhile, the Kashmiri Pandit issue is being used by the Sangh Parivar as a tool to implement their oligarchy.

Shortly after its release, the film began making headlines. Many have described it as a true representation of the conflict in the Valley. The film depicts the plight of the Pandits in silver screen and seeks to demonize the Kashmiri Muslims. Following the release, the film has been widely used by the media and Sangh Parivar social media handles to spread anti-Muslim sentiment. While the film claims that 650 Kashmiri Pandits were killed after the riots of the 1990s.The Valley is keeping a criminal silence on the more than 1.5 million Kashmiri people who have been murdered over the decades

Director Vivek Agnihotri’s  courageous film is based on the experiences of individuals who were directly affected by the Kashmir riots. The length of the film is two hours and 50 minutes. The film is based on actual events and stars Mithun Chakraborty, Anupam Kher, Darshan Kumar, Pallavi Joshi, Chinmayi Mandlekar, Puneet Issar, Prakash Belavadi, Atul Srivastava and Mrinal Kulkarni in the lead roles.

The film begins in 1990, when the riots in Kashmir escalated. After explaining the severity of the situation, the story goes to the present. The film begins with children playing cricket and ends in a tomb. There are also reactions that the hours in between made the film tense in the audience’s minds.

No doubt, the characters in the film, including Anupam Kher, were excellent, and it will be an excellent contribution to Indian cinema. Before its release, the film received rave reviews from both audiences as it represents bitter truth that shakes the viewers inside out. Unfortunately, that is why the film is getting negative reviews. The neutrals believe that a film based on such sensitive issues will further widen the divide in the Valley and India in general, hope it does not happen as such – “that makes the viewers numb and silent even in the  corridors of the theaters while exiting”.

Bhishma Or Shakuni!

When a Malayalam movie is widely publicized as a brilliant work of stylish screenplay, if people all over the world are compelled to watch it on curiosity, it’s worth critiquing. A decent movie review should be an unbiased original opinion without thinking about what mainstream media writes in bold letters.

Bheeshmaparvam was probably the most anticipated Malayalam movie; after the superhit pictures like BigB, Priest, and One, all flourished with the name of Super Star Mammootty. Now, after 15 years, Amal Neerad and Mammootty joined together, and the fans were, no doubt, expecting a hype with this picture. Even within five days of Its release, media started announcing that Mammootti’s Bheeshmaparvam broke the record collection of Mohanlal’s Lucifer.

It seems that Bheeshmaparvam was created to fit the age of Mammootty and within the limited resources and locations due to Covid restrictions.

The storyline runs with the ancestral flashback, and the introduction of characters itself is so confusing that the average viewer will struggle to find the relation between the characters.Follows a chaotic, tender aristocratic, but notorious ‘Anjootti family’ that is on a road trip across a rugged landscape and fussing over the patriarchal leadership of Michael, who is not even the eldest son in the family tree. Only the mysterious older brother is quiet but obeys Michael for the good of the big family. Amal Neerad has shown extensive expertise to mimic the old movie GodFather by all means. Anand’s high-tech camera and Vivek’s editing styles created a widescreen set up to accommodate the Megastar to entertain Malayalees indeed.

No doubt, Mammootti’s heroic looks with his screen presence made the character of Michael unique. However, since Bheeshmaparvam is not a one-man-show, sufficient space has been provided for the other prominent personalities of Saubin Shahir, Shine Tom Chacko, Fahraan Fasil, Sreenath Bhasi, Dileesh Pothen, paarvathi Mala, Lena, Nadia Moidu, AnasuyavBhardwaj,etc.

It is heart touching to see the legends, Nedumudi Venu and KPAC Lalitha, appearing in their old looks for the last time for Malayalis, who mourn for their recent passing away.

Michael’s patriarchal role is not acceptable to the younger generation in the story. That envisaged enough room for the Director to mix up religious hatreds and some other hidden agenda. Kochi- Mattancherry lobby has been attempting to precipitate hate against the Christian community, which may be a good plot for a giant movie; that is the commercial aspect of movie lobbies.

Just because Superstars like Mammootty or Mohanlal is in the leading role, there is a notion that the movie will be successful. Still, recently we have been proving wrong with the prevailing ideas. So I would like to highlight the solid negative side of the plot of the so-called Big Movie. It is not against Mammootty or other stars, who all did well in their roles. Let it be exposed that the story of this movie has its evil hidden agenda.

As mentioned earlier, a set of new-gen story writers and directors have been adopting a hidden formula cleverly. They are mocking the Christian beliefs and traditions. For example, the movie “Trance” depicted hatred on Christian retreats and healing ministries- nobody protested. In this movie, a specific community is highlighted as good people throughout, whereas others are evil mongers and roots of all evils. Is it a good message for a highly harmonious state like Kerala?.

Another issue is with the side story of Christian girls are frantically running after Muslim relatives, or they are being trapped. A group of Christian mothers is plotting together with a few of their brothers against their church to get the girl married to a Muslim boy.A priest from this Anjootti Family is characterized as the villain, a portion of the family supports Muslim counterparts, and Christians in the family are projected as drug addicts and evil brats.

The worst part of the story happens when Michael, the patriarch, induces to kill his own Christian brothers for the benefit of the Muslim counterparts in the same family. The real killer is manifested and acknowledged by the hero himself. Is it not the hidden ideology to elevate the qualities of one religion as the only good creed of people. On the other hand, the Christian group is the nasty one creating all the atrocities. Is it true?

Bheeshma in the Mahabharata had at least some moral qualities, who acquired his prowess and invincibility with humility. In this movie, truly we are misguided with its name. We don’t find any Hindutwa nor a real Bheeshma, but only the rough games between Christian and Muslim groups. But revenge, much like every taut minute of this thriller, is far too addictive to give up until the bitter end.

We find only the crafty and devious “Shakuni” in this movie as a Megastar. It would have been apt to name it “ShakuniParvam” instead of Bheeshmaparvam!

Bappi Lahiri, India’s ‘Disco-King’ Dies At 69

Veteran singer-composer credited with popularizing disco music in India passed away in Mumbai city on Wednesday, February 16th. India’s first “Disco-King,” Alokesh alias Bappi Lahiri, 69, – nephew of the legendary trio of late Ashok Kumar, Kishore Kumar and Anoop Kumar, breathed his last at the Criticare Hospital, Juhu in Mumbai, said the hospital Director Dr. Deepak Namjoshi.

“He had been admitted to the hospital for a month and was discharged on Monday. But his health deteriorated on Tuesday and his family called for a doctor to visit their home, after which he was brought to the hospital,” said Dr Joshi. He suffered from several health complications and died due to OSA (obstructive sleep apnea) last night, the medico added.

He had several collaborations with international stars, including English model and singer Samantha Fox in the 1995 Hindi film Rock Dancer and with Snoop Dogg on Punjabi song Patiala Peg in 2015.

Lahiri – who attained fame as India’s first ‘Disco King’ – is survived by his wife, Chitrani, daughter Rema and a son Bappa, who has taken to his dad’s musical career. In a statement later, the Lahiri family said: “It’s a deeply sad moment for us. We are seeking love and blessings for his soul.”

Born in West Bengal, Lahiri’s first composition was for a Bengali film, ‘Daadu’ (1972), followed by a Bollywood film ‘Nanha Shikari’ (1973).

He arrived’ on the musical scene in a crescendo with ‘Zakhmee’ (1975) for which he composed music and also sang, pushing him to upper echelons at a very young age of barely 22.

During his career, he directed top legends like Mohammed Rafi, Lata Mangeshkar, his ‘Mama’ Kishore Kumar, Asha Bhosale, Usha Uthup and many more to create waves with soulful, racy, vibrant and rhythmic music. He composed music for dozens of movies featuring top actors, including Amitabh Bachchan, Ajay Devgn and Mithun Chakraborty.

With the rise of hip-hop and break-dance culture in the latter half of the 80s, Lahiri took up the challenge and experimented with electro sounds on I Am a Break Dancer (Pyaar Karke Dekho), Break Dance (Kahan Hai Kanoon) and I Am a Street Dancer (Ilzaam), among others. Mithun Chakraborty and Govinda, two mega-stars in Bollywood known for their dance moves, became synonymous with Bappi’s compositions and vice versa. Govinda wrote on Instagram after Lahiri’s death that he would not have become a star without his music.

Lahiri created musical tsunamis with his compositions in ‘Chalte, Chalte’ (1976), ‘Suraksha’ with the pacy ‘Gunmaster G9’ becoming as popular as 007, and “Lahu Ke Do Rang” (both 1979).

Then followed ‘Manokaamna’ (1980) with several lilting numbers, ‘Wardat’ (1981), the raging music of “Disco Dancer” that had the nation dancing to his tunes with ‘Jimmy Jimmy, Aaja Aaja’, and ‘Namak Halal’ (both, 1982), the foot-tapping ‘Himmatwala’ (1983), ‘Sharaabi’ (1984) with the unforgettable ‘Log Kehte Hain, Main Sharaabi Hoon’, “Adventures of Tarzan” (1985) in which Kimi Katkar cavorted onscreen crooning ‘Tarzan, O My Tarzan’, ‘Dance Dance’ (1987).

Other films for which he composed memorable songs include ‘Commando’ (1988), ‘Prem Pratigya’ and ‘Guru’ (both, 1989). In 1990, he took the industry by storm with superhit music for ‘Naakabandi’ like the ever-green ‘Naakabandi-Naakabandi’ sung by Usha Uthup and Bappi himself, ‘Ghayal’, ‘Aaj Ka Arjun’, ‘Thanedaar’, ‘Sailaab’.

Later came films like ‘Dushman Devta’, ‘Sau Crore’, ‘First Love Letter’ (all, 1991), ‘Shola Aur Shabnam’, ‘Zindagi Ek Jua’, ‘Police Aur Mujrim’, ‘Geet’, ‘Tauheen’ (all, 1992), ‘Dalaal’, ‘Aankhen’, ‘Amaanat’ (1994), ‘Rock Dancer’ (1995), ‘Hum Sab Chor Hai’ (1996), ‘Benaam’ (1999), ‘Justice Chowdhary’ (2000), joint compositions for ‘Chandni Chowk To China’ (2008), ‘Baaghi 3’ (2020).

Lahiri also composed extensively for regional films in Bengali, Telugu, Kannada, Gujarati, Tamil. Besides, he also composed English songs, and flirted with politics briefly with the Bharatiya Janata Party.

Condolences poured in from top politicians and Bollywood celebrities. Prime Minister Narendra Modi tweeted that Lahiri’s music was “all-encompassing, beautifully expressing diverse emotions” and that “people across generations could relate to his works. His lively nature will be missed by everyone. Saddened by his demise. Condolences to his family and admirers. Om Shanti,” Modi added.

Top leaders, including President Ram Nath Kovind, Maharashtra Governor Bhagat Singh Koshyari, Chief Minister Uddhav Thackeray, Deputy CM Ajit Pawar, BJP’s Leaders of Opposition Devendra Fadnavis and Pravin Darekar, and others condoled the passing of Lahiri.

Oscar-winning composer AR Rahman tweeted his condolences and called Lahiri the “Disco King of Hindi cinema”. Leading Bollywood actor Akshay Kumar said Lahiri’s voice “was the reason for millions to dance, including me. Thank you for all the happiness you brought through your music,” he wrote on Twitter.

From the film industry, actors Vidya Balan, Shakti Kapoor, Roopali Ganguly, Deb Mukherjee, singers Udit Narayan, Shaan, Abhijeet Bhattacharya, Mika Singh, producer Bhushan Kumar, filmmaker KC Bokadia, who had worked with the composer in his 1990 Amitabh Bachchan starrer “Aaj Ka Arjun”, attended the cremation.

Fondly called ‘Bappi Da’ by his fans and friends from the industry, the 69-year-old was credited for revolutionising the disco sound for Hindi film music landscape in the 70s and 80s and continued to churn out hits in a career spanning five decades.

Lahiri’s output was prolific and in 1986 he entered the Guinness Book of World Records for recording more than 180 songs for 33 films. It’s no surprise that, as the man whose soundtracks gave Indian cinema a youthful injection throughout the 80s and 90s, Lahiri had a sense of style as loud as his music. Over the years, Lahiri had crafted the image of a pop icon aided by his trademark gold chains that he wore for luck, his sunglasses.

Shot On Smartphone, Film ‘Pondicherry’ All Set To Hit The Big Screen

Shot on a smartphone, the film ‘Pondicherry’ is all about its beaches, natural beauty, French houses, people and culture of the city. Directed by Sachin Kundalkar, the film features Sai Tamhankar, Vaibhav Tatwawadi, Amruta Khanvilkar, Mahesh Manjrekar, Neena Kulkarni, Gaurav Ghatnekar and Tanmay Kulkarni. And the credit for making it unique with it’s photography goes to the DOP Milind Jog.

The launch of the trailer of the most awaited film ‘Pondicherry’ took place in Mumbai in Pondicherry Cafe.

Actress Amruta Khanvilkar, in the context of her role in the film, says: “The story attracted me the most and undoubtedly Sachin Kundalkar is one of the finest story tellers. I have thoroughly loved the depth of my character and the uniqueness of the film which is shot through a smartphone. In fact we shot with a limited crew which was a challenge for each one of us, but as said it’s all worth it in the end when the team has worked with all their heart.”

On the other hand actress Sai Tamhankar, expresses her happiness to be part of the movie. She talks about her character and what makes this movie different.

She adds: “I feel extremely blessed to bag such a brilliant film and this powerful character. Beauty of my character Nikita is ‘woman of few words & more of action’. Also, working with co-stars who are outstanding in portraying their roles, makes me even more inspired. It feels so good to bounce back with a fresh story line with one of my favourite filmmakers, Sachin Kundalkar.”

“I love the way he narrates his stories and the treatment Sachin gives and weaves his characters. The process of this film is something that has changed me in and out and for the better . It’s a film made on an Iphone (smartphone) with a crew of 15 people and an actor without (hair, makeup, assistant, chauffeur) any kind of assistance: truly a liberating experience!,” she shares.

Actor Vaibhav Tatwawadi shares why he took up the opportunity and what he liked most about this film. He says: “Coming up with a story based on the town of Pondicherry caught my attention at first. The stunning frames, brilliant direction and portrayal of the entire film are something new to be watched for viewers.”

Director Sachin Kundalkar gives insight into the idea behind the movie and appreciates Milind Jog for the way he shot the entire film.

He says: “This film brings different subjects altogether. The film may sound like a love triangle from the teaser, the theme of the same is way beyond that. Since this whole movie was shot on mobile, the obvious technical difference can be noticed. But, to maintain that balance and feel we shot it pretty carefully and came up with a great creation. It also showcases the brilliance of photographer Milind Jog. Many versatile actors have come together to make the film. This unique emotional story will surely appeal to the audience.”

Presented by Akshay Bardapurkar and Planet Marathi, a Vistas Media Capital Company, the film ‘Pondicherry’ is written and directed by Sachin Kundalkar and produced by Neil Patel from Moh Maya Films.

Talking about the film, Planet Marathi Head and Founder Akshay Bardapurkar says: “We love working with innovative stories and direction to entertain the audience. ‘Pondicherry’ is a result of the same brilliant experiment. A different subject and storyline people will get to see in this film. The subject of the same is entertaining as well as informative.” The film is all set to release on February 25 in theatres. (IANS)

Rocketry: The Nambi Effect, Slated For Release On July 1st

The anticipation for R Madhavan’s much-awaited directorial debut is thick in the air! The larger-than-life trailer of his biographical drama Rocketry: The Nambi Effect already has the internet waiting with bated breath to watch the film on 70MM. Today, the actor-turned-filmmaker announced a new release date for his film.

Rocketry: The Nambi Effect is now slated for a worldwide theatrical release on 1st July 2022. The movie has been shot simultaneously in multiple languages including Hindi, Tamil and English, and will also be released in Telugu, Malayalam and Kannada. While R Madhavan will be seen in the skin of the eponymous Nambi Narayanan, he has also directed, produced and written the film.

With a powerful ensemble star cast comprising of acclaimed international actors Phyllis Logan, Vincent Riotta, Ron Donaiche along with Simran, Rajit Kapur, Ravi Raghavendra, Misha Ghoshal, Gulshan Grover, Karthik Kumar and Dinesh Prabhakar, the movie will see special appearances by superstars Shah Rukh Khan and Suriya. Tracing the life of Indian scientist Nambi Narayanan, a former ISRO scientist and aerospace engineer who was caught in the throes of a spy scandal, the biographical drama will unveil the truth behind the mystery. The music has been composed by Sam CS in India.

The movie has already piqued the interest of the audience with its trailer taking the internet by storm. Touted to be Madhavan’s biggest movie yet, fans are awaiting his return to the big screen after three years, especially given his never-seen-before avatar. Staged on a mammoth scale, the film has been shot in India, France, Canada, Georgia, Serbia and Russia.

Rocketry: The Nambi Effect is being produced by TriColour films, Varghese Moolan Pictures and 27th Investments. The film is being distributed by UFO Moviez and AGS Cinemas in India and will be distributed internationally by Yash Raj Films and Phars Film Co.

Lata Mangeshkar, ‘Nightingale Of India’ Dies At 92

Legendary singer Lata Mangeshkar, who died in Mumbai at the age of 92, was an Indian cultural icon and national treasure who made her name in Bollywood – despite only actually appearing on screen in a handful of films.

Lata Mangeshkar, who died on Sunday, February 6th after weeks of hospitalization, was cremated with full state honors at Mumbai’s iconic Shivaji Park bringing an end to a splendid and decorated career spanning seven decades. Just before the last rites, the national flag in which the body was draped, was handed over to the family members. Lata Mangeshkar’s brother Hridaynath Mangeshkar lit the funeral pyre of the singing legend.

A recipient of the Bharat Ratna, Padma Vibhushan, Padma Bhushan and Dadasaheb Phalke Awards, Lata Mangeshkar was an icon of Indian cinema, having sung playback for an extensive list of Hindi films.

The classically-trained star rose to fame in India’s booming film industry as a “playback singer”, providing the singing voice to Bollywood’s lip-synching movie stars over the course of a career which spanned more than half a century.

For decades, the “nightingale of India” was the country’s most in-demand singer, with every top actress wanting her to sing their songs. Her records, meanwhile, sold in the tens of thousands, and she boasted a back catalog of thousands of songs spanning numerous genres and a total of 36 languages.

But she was also much more than her voice. Mangeshkar was a passionate cricket fan and had a love for cars and the slot machines of Vegas. She also rubbed shoulders with some of Bollywood’s brightest stars – and at least one Beatle.

Mangeshkar, or Lata Didi, as she was fondly called, came from a household that worshipped music. Her father Dinanath Mangeshkar was a towering personality in Marathi theatre. He acted, produced and sang songs in plays that would change the face of Marathi theatre. He was one of the foremost exponents of Natya Sangeet and an accomplished Hindustani classical singer. His mother Yesubai, an accomplished singer from the devadasi community, was one of Portuguese India’s (now Goa) most famous temple singers and dancers.

Born in September 1929, Lata was the first among her siblings – sisters Meena, Asha (Bhosle), and Usha, and brother Hridaynath – that ruled over Marathi and Hindi film music for decades. She was initially named Hema, but her father changed it to Lata after a character in one of his plays.

Their ancestral family name was Hardikar, but their paternal grandfather Ganesh Bhatt Hardikar was given the honor of performing the abhishek (ritual bathing of the deity) at Mangeshi temple in Goa, and they took on the family name Abhisheki. The late Hindustani classical maestro and scholar Jitendra Abhisheki is from the same family and a cousin of the Mangeshkar siblings. Later, Dinanath would adopt his last name from the temple, and call himself Mangeshkar. The name stuck.

Though Lata had started singing in movies by the age of 13 in 1942, it was her breakthrough performance in Majboor in 1948 that catapulted her into mainstream Hindi films. Her mentor was music director Ghulam Haider, who, the story goes, was so angry when producer Sashadhar Mukherjee rejected Mangeshkar’s voice for being “too thin” thundered to him that he would one day fall at Lata’s feet and beg her to sing in his movies.

Mangeshkar confirmed this incident in film historian Raju Bhartan’s biography on her. On several occasions, she credited Haider as her mentor. “He was the first music director who showed complete faith in my talent,” she said in 2013.

After Majboor’s success in 1948, she would achieve greater fame the next year when she sang the haunting “Aayega aanewala” in the runaway hit Mahal, whose music director Khemchand Prakash was later credited with mainstreaming another talent – Kishore Kumar. With Aayega aanewala, Mangeshkar had truly arrived, and was seen to have stepped out of the shadow of another film singing legend, Noor Jehan.

Prime Minister Narendra Modi visited the Shivaji Park to pay his last respects to the singer and met the Mangeshkar family members and consoled them. He left the venue before the funeral.

Earlier in the day, the Prime Minister tweeted saying he is “anguished beyond words”. “The kind and caring Lata Didi has left us. She leaves a void in our nation that cannot be filled. The coming generations will remember her as a stalwart of Indian culture, whose melodious voice had an unparalleled ability to mesmerise people,” he said in a tweet.

Congress leader Rahul Gandhi said she remained the “most beloved voice of India for many decades” and added that her immortal golden voice will continue to echo in the hearts of her fans.

Lata Mangeshkar was cremated with full state honors

Maharashtra Governor Bhagat Singh Koshyari, Chief Minister Uddhav Thackeray, Deputy Chief Minister Ajit Pawar, NCP chief Sharad Pawar, superstar Shah Rukh Khan, Aamir Khan, Ranbir Kapoor, lyricist Javed Akhtar, cricketer Sachin Tendulkar, among others, were also in attendance to pay their last respects.

One of the famous episodes of her life is when her music moved Jawaharlal Nehru to tears. On January 27, 1963 during the backdrop of the India-China war, Lata Mangeshkar sang Aye Mere Watan Ke Logon in the presence of the then Prime Minister Jawaharlal Nehru, bringing him to tears.

Subcontinent leaders, including Pakistan’s Imran Khan, sent their tributes to the legendary singer.

“With the death of Lata Mangeshkar the subcontinent has lost one of the truly great singers the world has known. Listening to her songs has given so much pleasure to so many people all over the world,” Imran Khan tweeted.

Lata Mangeshkar’s death has created a “great void in the subcontinent’s musical arena”, Bangladesh Prime Minister Sheikh Hasina said as she recalled ‘the empress of music’ with gratitude for her role in the Liberation War of 1971 against Pakistan.

Nepal’s President Bidya Devi Bhandari recalled the contribution of “genius” Lata Mangeshkar to Nepali songs as she paid her tribute to the singer.

“I am saddened by the news of the demise of famous Indian singer Lata Mangeshkar, who has also lent her melodious voice to many Nepalese songs,” Ms Bhandari tweeted in Nepali language.

Lata Mangeshkar, who belonged to a prominent musical family, also composed music as well as produced a handful of films. She was popularly known as the ‘Nightingale of India.’

In her melodious voice, Lata Mangeshkar had sung over 50,000 songs in 14 languages since her radio debut in 1941.

The central government has announced a two-day “state mourning” on the death of the legendary singer. The national flag will fly at half mast from February 6 to February 7 throughout India and there will be no official entertainment in this period.

Chalte Chalte: Lata Mangeshkar’s Melodious Journey Across Bollywood Epochs

Warbling her way into our hearts with the haunting and ethereal strains of “Aayega Aanewala” in “Mahal” (1949), Lata Mangeshkar became the definitive voice of several generations of Indian film heroines — from Madhubala to Madhuri Dixit, Kamini Kaushal to Kajol, Padmini to Preity Zinta, Sharmila Tagore to Sridevi, and countless others — in a wide range of melodic songs that will reverberate for all ages.

Filling the void left by singing superstars such as Noor Jahan and Suraiyya as a result of emigration or retirement, she overcame what Dilip Kumar once gently mocked as the “dal-chawal” flavour of her Urdu, to achieve perfect diction in that expressive language to fashion magic in the thousands of songs she rendered for scores of gifted music composers and inspired lyricists.

As the inevitable fate of humans stills the golden voice that was long an essential ingredient of a Bollywood film for seven decades, and helped many of these to be successful — Raj Kapoor, till the end of his life, was convinced that it was her absence that made his cherished “Mera Naam Joker” a flop — let us revisit Lata Mangeshkar through her songs for over the years, restricting it to one song per actress.

Even if we keep it to solos, leaving out the duets as far as possible, so as to focus on her superlative voice, which still makes it a tough task, not to mention highly subjective, given the range of her contribution.

Do we choose the pensive “Zindagi Bhar Nahi Bhoolegi Woh Barsaat ki Raat” or the daring “Pyar Kiya to Darna Kya” for Madhubala, the soothing “Ghar Aaya Mera Pardesi”, the carefree “Panchi Banu Mast Phiru Mast Gagan Mein”, or even the redemptive “Jago Mohan Pyaare” for Nargis, the playful “Toone O Rangeele”, or the sparkling “Mere Naseeb Mein Tu Hai Ki Nahi” for Hema Malini?

Which one for Nutan, for Mala Sinha, for Rekha? Let’s try.

Madhubala: It was through “Aayega Aanewala…”, picturised on this actress, that Lata Mangeshkar’s voice came to the forefront, around seven years after her debut, and the Madhubala-Lata combine went on to produce magical melodies in classics from “Chalti Ka Naam Zindagi” to “Mughal-e-Azam”.

But, given Madhubala’s effervescent screen persona, let us choose the melody that shows her in a hapless and sombre situation, and shows the inclusive nature of Bollywood, and of India, the ‘hamd’ (a song composed in the Prophet’s praise) “Bekas par karam kijiye, o sarkar-e-Madina”, written by Shakeel Badayuni and composed by the illustrious Naushad.

Nargis: Raj Kapoor’s oeuvre had certain constants — himself as the star, Nargis as the heroine, Shankar-Jaikishan for music, Hasrat Jaipuri-Shailendra for the lyrics, and Mukesh and Lata as the voices. But Lata’s contribution to Nargis outspanned the RK banner. “Dil Ke Girah Khol Do, Chup Na Baitho, Koi Geet Gao” with the heroine, paired with the young and debonair Feroz Khan, in a challenging role in a film dealing with mental issues, is one worth listening

Meena Kumari: From “Mohe Bhool Gaye Sawariya” to “Ajeeb Dastan Hai Yeh”, the combination of Meena Kumari and Lata has given several unforgettable melodies to Bollywood. But their defining contribution comes in “Pakeezah”, the swan song of the gifted actress. It is difficult to choose between “Inhi Logon Ne” to “Chalte Chalte”, but it is the challenging “Thare Rahiyo” that showcases both at their best.

Vyjanthimala: While “Hothon Pe Daba Ke Aisi Baat” from “Jewel Thief” could be a strong contender, the success of Bimal Roy’s supernatural “Madhumati” owes a lot to its music, beyond the performances of Dilip Kumar, Vyjanthimala, Pran and Jayant. The duet “Dil Tadap Tadap Ke” is an evergreen melody, or “Chad Gaya Paapi Bichua” have their points, it is “Aaja Re Pardesi” stands out.

Sadhna: The heroine who popularised a new hairstyle had Lata Mangeshkar to thank for the songs that showcased her cinematic prowess, from the classical “O Sajna Barkha Bahar Aayi” to the haunting “To Jahan Rahega, Mera Saaya Saath Hoga”, but it is the haunting “Lag Ja Gale”, with the masterful music of Madan Mohan that will also evoke the impermanence of love and keep both in our memories

Nanda: The graceful actress with her endearing eyes also owes Lata Mangeshkar for the melodies that define her on silver screen, from “Kis Liye Maine Pyaar Kiya” to the “Allah, Ishwar Tero Naam”, but it is the sensuous “Yeh Samaa Yeh Samaa Hai Pyar Ka” that defines their collaboration.

Waheeda Rehman: Again a string of stirring melodies connect the elegant actress to the superlative voice from “Kahin Deep Jale Kahin Dil” to “Rangeela Re”, but it is the exuberant and carefree “Aaj Phir Zeene ki Tamanna Hai”, with that high-powered “Kaaton se kheench ke yeh aanchal” that begins it, seems a strong contender for their best.

Sharmila Tagore: From the soulful “Kuch Dil Ne Kaha” to “Chalo Sajna Jahan Tak”, the dimpled beauty found Lata as her ideal voice, but one of their best can be the full-powered, classical-tinged “Ab Ke Sajan Sawan Mein”, and the hidden affection it showcases.

Hema Malini: Again, from “Tune O Rangeele” to “Mere Naseeb Mein To Hai Ke Nahi”, Lata created magic in the musical sorties of the “Dream Girl”, but the one which stands out due to its setting, music and lyrics is “Ae Dil-e-Nadan” from “Razia Sultan”.

Rekha: While younger sis Asha Bhosle performed the best for Rekha in “Umrao Jaan”, Lata Mangeskhar was not behind for the diva as songs from “O Pardesiya” to “Yeh Kahaan Aa Gaye Ham” to “Aaj Kal Paaon Zameen Par” attest. But it is the rather challenging “Salaam-e-Ishq”, before the point where Amitabh/Kishore join in with that ‘alaap’.

Zeenat Aman: The vivacious, Westernised Zeenat was rather well served by Asha Bhosle (remember the rebellious “Dum Maaro Dam”), but Lata Mangeshkar was never behind as “Jiska Mujhe Tha Intezar” to “Shama Jale Ya Na Jale” show. It was, however, for a deglamourised, rural-dwelling Zeenat in the eponymous title song of “Satyam Shivam Sundaram”, which is a classic.

Dimple Kapadia: For this actress, who ventured into some rather off-beat movies after her comeback but performed with aplomb throughout, it is a toss-up between “Yaara Seeli Sili” from “Lekin” to “Dil Hoom Hoom Kare” from “Rudaali”, with their evocative music a perfect complement to that vigorous voice.

Madhuri Dixit: She was almost four decades younger, but still Madhuri Dixit found Lata Mangeshkar to be her perfect voice as “Didi Tera Devar Deewana” shows. But it is that exuberant “Dil to Paagal Hai” that shows Lata, nearly a septuagenerian then, still had an evergreen voice — as besides Madhuri, she sang for the even younger Karisma too

Kajol: “Yeh Dil Tum Bin Nahi Lagta” was Lata singing for Tanuja in 1968, and over a quarter century later, she was as fresh as she sang “Mere Khwabon Mein Jo Aaye” for her daughter Kajol in the landmark “Dilwale Dulhaniya Le Jaayenge”. Take your pick from any song.

Preity Zinta: When you mix legends like A.R. Rehman and Lata, it will result in sheer enchantment. “Jiya Jale” is a song that stands out in “Dil Se”.

There are so many more — “Ghairon pe Karam Apno pe Sitam” picturised on Mala Sinha — which shows that Lataji could never be faulted on her Urdu pronounciation; “Dil to Hai Dil, Dil Ka Kya Aitbaar Kijiye” on Rakhee; “Tere Bina Zindagi Ko Shikwa Nahi” on Suchitra Sen; “Chori Chori Koi Aaye” on Poonam Dhillon; “Sheesha Ho Ya Dil Ho” on Reena Roy, and so many others that will remain testimony to her encompassing contribution to Bollywood.

An Indian University Now Trains Future Bollywood Actors

World Design University (WUD) is India’s first university dedicated to educate students in the creative domain. Seated in the heart of the educational hub of India – Rajiv Gandhi Education City, Sonipat, Haryana – WUD plays the role of a harbinger of a revolution in the education system in India.

World University of Design introduces a 6-Month Certificate Programme in Film Acting in their academic session 2022. The programme will be headed by veteran trainer for aspiring actors Mr. Farrukh Naqi Azmi and will commence from March 2022 onwards.

The programme is aimed at providing extensive training to the candidates for a career in Hindi Bollywood Film Industry and has a limited number of 25 seats which will be allotted based on application and personal interview. Divided into 2 divisions comprising of 3 months each the candidates will first undergo intensive training in the first half and then feature in a full-scale Feature Film which will further be used to launch them as actors. The film will be produced and distributed by WUD itself. This is a unique offer that sets this course over and above other courses of shorter duration.

The 6-month acting course is  designed such that  students inculcate a sense of confidence and effortlessly act in front of the camera, get a good command over spoken language with a flawless dialogue delivery; master facial expressions, develop good body language and flexibility; develop the essential skills of observation, imagination, sense and emotion memories; ability to improvise; master movement with special focus on dancing abilities to improvise; and the fundamentals of action choreography.

As World University of Design sets foot into a new genre, Dr. Sanjay Gupta (Vice Chancellor, World University of Design) says, “Extremely thrilled and hopeful to add the course on Film Acting to our diversified menu of courses! More than that I am exhilarated to have someone as seasoned and skilled as Mr. Azmi boarded with us and flagged off this essential milestone in the history of the university. In the past we have witnessed students showing interest in the domain of film acting and I am very sure the seats will be taken soon.”

Peppered to handle his new role at World University of Design Mr. Farrukh Naqi Azmi says, “I have been training acting aspirants for more than 3 decades now in India as well as abroad but every time the whole experience feels new to me. Every place has its own dialects, speech formations and a certain way of life which needs to be gauged before the grooming, diction and the whole technique shapes up. So here I am, keen and waiting to start off the acting journey for new kids!”

While advancing its footsteps in order to provide a bright future to its students, the university will ensure that every student gets plenty of auditions each in Mumbai. WUD is not only making provisions for their students to be equipped with necessary skill-sets like make-up and video editing but also providing prospects to them to produce their own short films or music videos if they please.

About World University of Design: World Design University (WUD) is India’s first university dedicated to educate students in the creative domain. Seated in the heart of the educational hub of India – Rajiv Gandhi Education City, Sonipat, Haryana – WUD plays the role of a harbinger of a revolution in the education system in India. It is the torchbearer of breaking stereotypical educational patterns and has facilitated the shift of studies pertaining to design from being solely vocation-oriented to academic-oriented; thereby offering substantiated degrees (under section 2(f) and 22(l) of the UGC Act) to its students instead of mere diplomas and certificates.

Established in 2018, World University of Design is a young university offering a myriad of programmes at undergraduate, post graduate and doctoral levels across disciplines like Architecture, Design, Fashion, Communication, Visual arts, Performing Arts & Management. Equipped with the largest portfolio of design courses in India, the university offers a number of cutting edge programs in computers & design, transportation design, animation & game design, UI/UX, film & video, built environment & habitat studies, design management, art education, curatorial practice etc

Vineeth Sreenivasan’s ‘Hridayam’ Wins Many Hearts Around The World

Director Vineeth Sreenivasan’s Malayalam film ‘Hridayam’, which opened to rave reviews, is continuing its dream run, not just in the country but abroad as well.

The film, which has been garnering a lot of praise from film buffs and critics here in India, has started its second week abroad on a strong footing.

Film analyst Taran Adarsh tweeted, “Malayalam film opens big in Australia, New Zealand. Malayalam film ‘Hridayam’ springs a pleasant surprise in Australia-New Zealand.”

The film made around Rs 54.55 lakh from shows on Thursday, Friday and Saturday on Week 1 in Australia and Rs 21.49 lakh in New Zealand for the corresponding period.

In the second week, the film made Rs 28.22 lakh in Australia and Rs 13.48 lakh in New Zealand from shows on Thursday and Friday alone.

The film is doing exceptionally well in the US and Canada as well. It opened the second week on a strong footing making a total of Rs 1.42 crore from just shows screened on Friday in the US and Canada.

Starring Pranav Mohanlal, Kalyani Priyadarshan and Darshana Rajendran in the lead roles, ‘Hridayam’ is also doing brisk business in the UK as well, where it has made Rs 65.13 lakh in the first week. (IANS)

Priyanka Chopra On The Cover of Famed Vanity Fair Magazine

Priyanka Chopra has achieved what every star anywhere in the world aspires for — to be on the cover of ‘Vanity Fair’. She’s on the cover of the February 2022 edition of the magazine celebrated internationally as much for its in-depth articles as for its cutting-edge photography.

Unveiling the cover, ‘Vanity Fair’ tweeted: “After a journey into ‘The Matrix’, the actor enters 2022 with her cup overflowing –reflecting on her storied Hindi film industry career, marriage, and creating a path for herself in Hollywood.” Looking artfully messy, a sultry Priyanka appears on the cover in an off-shoulder, off-white ruffled dress from Fendi.

The magazine, previously edited by celebrity journalists such as Tina Brown and Graydon Carter (who’s played by Jeff Bridges in the film ‘How to Lose Friends and Alienate People’), is now helmed by Radhika Jones, an Indian American.

Describing her as “a driven woman who has transcended what’s previously been possible for an Indian actor in Hollywood,” the ‘Vanity Fair’ cover story goes on to say: “She is an outsider who broke down barriers and built a place for herself within the walls of Hollywood. Now she’s on a mission to welcome others in.”

Priyanka, notes the article that traces her life’s story from her days at the Army Public School, Bareilly, will finally be playing lead film roles as she had in India” with the rom-com ‘Text for You’ and Amazon’s ambitious spy series ‘Citadel’ later this year.

And about her own story, especially her rise to stardom in Hollywood, Priyanka says: “It’s taken a lot of pavement pounding to be able to get people’s attention, and to be able to get an acceptance of the fact that someone like me can be the lead of a Hollywood feature.”

She adds (and the sentiment will go down well back home): “There’s very few of us from South Asia who get to do that. I hope that the part that I play in it will sort of push the envelope a little bit.”

Ayushmann: Cinema Can Become A Vehicle Of Inclusivity In Society

Ayushmann Khurrana, who was recently seen in ‘Chandigarh Kare Aashiqui’, feels that cinema can bring about a change in society and that he has tried to contribute towards the cause of inclusivity and equality through his work in films.

Talking about the purpose of cinema, the actor mentions, “I have always believed that cinema can serve a purpose to better society and I hope that such films have done their bit to affect change. I have played a small hand in harbouring a sentiment of equality among my countrymen because I have to credit my visionary filmmakers and script writers for doing the brunt of the work because it is their vision that has triggered the winds of change.”

In his opinion, a society gets reflected in its films and stories, the actor says, “Progressive films can only be made in a progressive society and the response that ‘Chandigarh Kare Aashiqui’ is getting is tantamount to the fact that people want to see more and more disruptive content.”

He thanks his audience for accepting his stories with open arms, “I am thankful to people for being open-minded to see films about a gay couple on screen in ‘Shubh Mangal Zyada Saavdhan’ and also about a cis-het man and a trans-woman’s love story in ‘Chandigarh Kare Aashiqui’”.

He adds, “When we set out to make ‘Chandigarh Kare Aashiqui’, our aim was to start an important conversation on inclusivity and equality in India.”

“It is amazing to see that the film has engaged the nation, is entertaining people and also delivering a powerful message. This shows they are recognising the need for gender parity and inclusivity,” he concludes.

Ayushmann will be next seen in Anubhav Sinha’s ‘Anek’ which would mark their second collaboration after ‘Article 15’, Anubhuti Kashyap’s ‘Doctor G’ and ‘Action Hero’ directed by debutant Anirudh Iyer.

India’s Harnaaz Sandhu Is Crowned Miss Universe 2021

Harnaaz Sandhu of India was crowned the 70th Miss Universe 2021 on Sunday, December 12th topping a field of some 80 contestants in a pageant that was touched by politics and the pandemic. The previously reigning Miss Universe, Andrea Meza of Mexico, crowned her successor, a Bollywood actress, in the Israeli Red Sea resort town of Eilat.

Harnaaz Sandhu, the Punjabi film actress and an alumna of Chandigarh’s Post Graduate Government College, Sector 11, won the coveted crown 21 years after Lara Dutta won the title in 2000. The 21-year old is described on the Miss Universe website as “a strong advocate for women’s empowerment, particularly their constitutional rights to education, careers, and their freedom of choice.”

In a glittery show held in Eilat overnight for a live prime time broadcast in the US, Miss India took a jaunt around the stage as directed by host Steve Harvey after he announced she had won the Miss Universe 2021 competition.

Sandhu was surrounded by 79 other pageant participants who stood in the background as gold confetti rained down and the crowd cheered while last year’s winner put a crown on her head.

Hailing from Punjab, India, Sandhu beat out Nadia Ferreira also known as Miss Paraguay who placed as runner up, and third choice winner Lalela Mswane, also known as Miss South Africa. Miss India is a model, recently having acted in two Punjabi films, studied information technology and is now working on a master’s degree.

Judges on the panel included some heavy hitters like Lori Harvey, Steve Harvey’s model-actress daughter who owns her own skincare line; Miss Universe 2016 Iris Mittenaere of France; actresses Rena Sofer, Urvashi Rautela, Marian Rivera, Adamari López; and supermodel Adriana Lima.

Contestants participated in a series of competitions including swimsuit, evening-wear and rounds of questions. The queens held their composure on stage following three weeks of 3 a.m. wake-ups, late nights and touring the country.

The final question – “What advice would you give to young women watching on how to deal with the pressures they face today?” – was asked to each of the last three women standing. While one contestant was answering, the other two wore soundproof earphones so as not to be affected by their competitors’ answers.

Sandhu replied by saying women need to believe in themselves and speak out in order to rise above the pressures of today’s world.

Israel’s international pop sensation Noa Kirel opened the night with a full dance routine equipped with a backup crew wearing sparkly dresses. The American pop star JoJo performed various numbers throughout the night as women paraded around the stage in evening gowns behind her.

Miss India told the media after the pageant ended that her favorite part of touring Israel was getting into the water and swimming with dolphins at Dolphin Reef in Eilat.

“There are a lot [of memories] and that was one of my favorites. Israel is a beautiful country and the people are so warm, and that’s what I love about Israel,” Sandhu said.

Days before she was crowned Miss Universe, Harnaaz Sandhu, 21, wrote on Instagram the words, “India, this one’s for you.” The days of waiting anxiously, working hard to perfect the deliveries to be made, the walk, the talk, learning to expect the unexpected, all part of this 70th pageant, are over.

On her Instagram site, Sandhu wrote, “It’s been 74 days since the day I was chosen to represent India at Miss Universe 2021. It’s been a ride full of love, fun and immense hard work,” Sandhu. “As I set to walk out on that stage today as ‘India’, I carry with me your prayers & love. Thank you to my family for standing by me, today & always. Thank you to all my panelists & designers who have put together so beautifully this woman who now stands in front of you. Thank you everyone. It would not have been possible without you,” she added, ending with the unforgettable words, “India, this one’s for you.”

Professionally, Sandhu is an actor with two Punjabi LMS (Local Movie Showtimes) slated for release in 2022 and hopes to essay characters in LMS that break stereotypes that the world has of women, the bio says.

Growing up under the wings of a mother who is a physician, specializing in gynecology, Sandhu, appears to have been inspired by her mother’s example, as a woman “who broke generations of patriarchy to become a successful gynecologist and led her family.”

Sandhu grew up working with her mother at health camps addressing women’s health and menstrual hygiene, “at the same time deeply conscious of the privilege her mother’s struggles have gifted her.”

She also draws inspiration from Bollywood-Hollywood actor Priyanka Chopra, who is her favorite actor. In her spare time, Sandhu enjoys the company of friends, loves yoga, dancing, cooking, horse riding, and playing chess. She loves swimming. She believes in the saying – “Great things happen to those who don’t stop believing, trying, learning, and being grateful.”

She also stated that she was looking forward to strengthening relations between Israel and India and was super excited about the challenge. She said, “I have to bring back the crown home.” The Bollywood aspirant has kept her word and made India proud. Sandhu said, “One must keep growing through life as we all learn something every day. To believe in yourself is the key to success. I represented myself as the best version of myself.”

Sandhu believes that pageants are a platform where women come forward to celebrate sisterhood and womanhood and people across the world celebrate their beauty queens and their successes with great pride. “According to me, it’s all about being true to the self and people around you will definitely look at that spark in you,” she stated.

The 21-year-old’s winning response to a question on climate change — “This is the time to take action and talk less. … Prevent and protect is better than repair and repent” — helped her clinch the coveted title.

Sandhu’s final statement at the pageant was about the pressures that young people face across societies today. She said: “The biggest pressure the youth of today is facing is to believe in themselves, to know that you are unique and that’s what makes you beautiful. Stop comparing yourselves with others and let’s talk about more important things that’s happening worldwide.
“This is what you need to understand. Come out, speak for yourselves because you are the leader of your life, you are the voice of your own. I believed in myself and that’s why I am standing here today.”

‘Thalapathy’ Vijay Is 2021’s Most Tweeted-About South Indian Actor

Tamil actor Vijay, fondly known as ‘Thalapathy‘ by his fans, has emerged as the most tweeted about actor in south Indian films for the year 2021, Twitter India announced on Sunday.

The social media giant tweeted a list that featured the top 10 actors on Sunday.

In the list, Telugu star Pawan Kalyan emerged second while Mahesh Babu was placed third. The fourth place went to Tamil star Suriya while Telugu actors Junior NTR and Allu Arjun took the fifth and sixth places, respectively.

The seventh spot went to Tamil superstar Rajinikanth, who celebrates his birthday on Sunday and the eighth, ninth and tenth spots went to actors Ram Charan, Dhanush and Ajith Kumar, respectively.

Among the actresses, Keerthy Suresh took the first place becoming the most tweeted about actress while Pooja Hegde and Samantha Ruth Prabhu came in second and third.

Kajal Aggarwal was placed fourth in the list, which had Malavika Mohanan taking the fifth spot. Rakul Preet Singh, who has now begun acting in Hindi films, was placed sixth, while Sai Pallavi came seventh. Tamannaah, Anushka Shetty and Anupama came in eighth, ninth and tenth, respectively.

Vijay is a Tamil film actor and playback singer. He began his acting career doing many minor uncredited roles as a child artist in films produced by his father S. A. Chandrasekhar. Post-Thirumalai, he began portraying a stereotypical acting manner, much like Rajinikanth and M. G. Ramachandran. Vijay has more recently become a charismatic film star and has thus developed a large fan-following for himself. He is one of the highest paid actors in Tamil film industry, and he is referred to by fans and media as Thalapathy.

Joseph Vijay Chandrasekhar was born on June 22, 1974, to film producer and director S. A. Chandrasekhar and Shoba Chandrasekhar, a playback singer. He had a sister named Vidhya Chandrasekhar who died at the age of two. The story of Vidhya Chandrasekhar was pictured in the film, Sukran. Vijay went on to do Visual Communications at Loyola College, Chennai & was classmates with fellow actor Surya Sivakumar, Yuvan Shankar Raja, Karthik Raja, and Vishnuvardhan.

He married the Sri Lankan Tamil, Sangeetha Sornalingam, on August 25, 1999. She was a die-hard fan of Vijay and sought interest in marrying him. They have two children, a son named Jason Sanjay, born on August 26, 2000 in London, and a daughter named Divya Saasha, born on September 9, 2005 in Chennai.

Career

Vijay’s first role was in the drama, he continued to perform as a child artist in films until Ithu Engal Neethi, directed by his father S. A. Chandrasekhar. Vijay debuted as a lead role actor in the 1992 film Naalaya Theerpu, produced by his father, then he co-stared with Vijayakanth in the film Sendhoorapandi. This film helped Vijay to become popular in the interior areas of Tamil Nadu. He received his breakthrough in the film Poove Unakkaga, which was directed by Vikraman.

He made a friendly appearance in the 2012 Bollywood film Rowdy Rathore starring Akshay Kumar, directed by Prabhu Deva. As a playback singer, Vijay has sung over thirty songs in his films, he completes his 25 years in singing on 2019.

Salman Khan To Host IIFA 2022 In Abu Dhabi

The 22nd edition of the International Indian Film Academy (IIFA) Weekend & Awards will be held at the Etihad Arena on Yas Island, Abu Dhabi on March 18 and March 19, 2022, to celebrate the best of Hindi cinema. The awards night will be hosted by superstar Salman Khan.

Apart from celebrating and lauding cinematic excellence, the awards held in collaboration with the Department of Culture and Tourism – Abu Dhabi (DCT Abu Dhabi), will also commemorate the 75th year of India’s independence and the UAE’s year-long Golden Jubilee celebrations, marking its 50th anniversary, and strengthen the cultural ties between India and the United Arab Emirates (UAE) as it will see global dignitaries, fans and film enthusiasts from across the world.

Talking about the highly anticipated awards, event host Salman Khan said, “I have always enjoyed being a part of the IIFA Family and travelling to some great destinations but this year I am super happy that we are headed to one of my personal favorites, Yas Island, Abu Dhabi.”

Salman continued, “IIFA is always a memorable time and this year it will be an even bigger celebration as we celebrate the 75th year of India’s independence and UAE’s 50th Anniversary-Golden Jubilee celebration.”

“Over the last 21 years, IIFA has not only given Indian cinema an international platform, but it has created a wonderful opportunity to take us to our fans and connect millions of people globally. I am proud and excited to get ready to host the 2022 IIFA Weekend & Awards Yas Island, Abu Dhabi as we unite the world through cinema & celebration”, he added.

Saood Abdulaziz Al Hosani, Undersecretary of DCT Abu Dhabi, said, “India has long been one of Abu Dhabi’s top inbound source markets for tourists building on strong historic ties. Hosting the IIFA Awards underlines the key strategic position the Indian market occupies for the emirate.”

Saood further said, “In addition, we have enjoyed a great bond with India’s movie industry, which has for many years been attracted to the UAE capital by our high-quality infrastructure, so the addition of the IIFA to Abu Dhabi’s calendar of events aligns perfectly with our 5-year strategy to develop the cultural and creative industries.” (IANS)

‘Anti-Indian’: A Bold Film On The Politics Of Religion, But Flawed Technically

Film: Anti-Indian (Playing in theatres). Duration: 123 minutes.

Director: Blue Sattai Maran. Cast: Blue Sattai Maran, Radha Ravi, Naren, Vazhakku En Muthuraman, Vijaya Mami and Jayaraj.

IANS Rating: ***

‘Anti-Indian’ stands as a testimony to Director ‘Blue Sattai’ Maran’s courage. Not many would have chosen to do what he has done — respond to a challenge thrown at him by those offended by his reviews and accept to make a film to show that it is not as difficult to make a meaningful film as it is made out to be.

Not just that. Maran’s courage is again evident from the sensitive subject he has chosen to deal with in his debut film. ‘Anti-Indian’ shows up unapologetically the manipulative games religious and political leaders play for their selfish gains.

The film starts off with a murder taking place in a constituency that is gearing up for a by-election. The murdered man is identified as Basha (Blue Sattai Maran) and we are told that while Basha’s late father is Ibrahim, his mother Saroja (Vijaya Mami) is a Hindu.

Interestingly, Saroja has now converted to Christianity and has changed her name to Lourdu Mary. The problem starts when Basha’s body is taken for burial.

His body is not permitted in the Muslim burial ground because he was not a practising Muslim. The Hindus refuse his body as it is that of a Muslim. As the body is taken from place to place, religious leaders of all hues, with their own agendas, begin to play manipulative games. Even as this continues, politicians who are looking to win the election, join in with their own deadly plans.

The film takes hard shots at everybody without holding back anything. From religious leaders of all denominations to political bosses, everybody’s agenda is exposed. The film’s biggest strength comes from its script and its dialogues, some of which really stand out.

For instance, there is this scene towards the end where a commoner says: “You had one body and you killed 13 people with it. Now, you have 13 bodies. One wonders what all you are going to do now.”

Technically, ‘Anti-Indian’ is below par. It has no entertainment value. Its visuals aren’t great. The only songs in the film are ‘gaana’ songs, which, after a point, become annoying.

Granted, the director is trying to showcase the exhaustion that even ‘gaana’ singers who are brought in to mourn experience because of the delay in burying the body. But for the viewers, it becomes a tad too much.

As a story, ‘Anti-Indian’ has a very pertinent point to make. But as an entertainer, it has almost nothing to offer.

If you are the sort who enjoys a story that is radically different from your regular kind of films and don’t mind sacrificing commercial elements for a strong message, then ‘Anti-Indian’ is likely to work for you.

But with all its flaws, one must still say that ‘Anti-Indian’ works for the simple reason that this is a brave new attempt into unchartered waters by a debut director.

“India Sweets And Spices” Available To Watch On-Demand

The award-winning comedy INDIA SWEETS AND SPICES has just been released today to on-demand platforms for audiences to watch at home. Starring Manisha Koirala and Sophia Ali, the widely acclaimed crowd-pleaser is now available on digital VOD platforms such as Amazon Prime Video, Apple, Google Play, Vudu, and others and is the perfect choice for movie night.

 Alia Kapur (Sophia Ali) returns to her family’s posh suburban New Jersey home after a year away at college and upends their well-ordered life with her brash independence. After befriending Varun (Rish Shah), the handsome son of the new owners of the local Indian grocery, she invites his family to a dinner party where family secrets are revealed. Alia’s surprise turns to rebellion when she uncovers secrets about both her parents that push her toward a daring and ultimately hilarious confrontation. INDIA SWEETS AND SPICES celebrates a young woman’s coming of age set against a lovingly framed glimpse of the life of an Indian American family.

VOD platforms can be found here: https://www.indiasweetsandspices.movie/watch-at-home/

Pan-India Epic ‘RRR’ To Release In Over 1,000 Multiplexes Across USA

Filmmaker S.S. Rajamouli, who is gearing up for the release of his pan-India epic ‘RRR‘ starring Jr NTR, Ram Charan, Ajay Devgn, Alia Bhatt and Shriya Saran, is all set to treat fans in the US with his upcoming film.

Apart from India, the makers are aiming to release the film in 1,000 plus multiplexes only in the US, bringing back the glory of Indian cinema to the overseas audience. Sarigama Cinemas and Raftar Creations are jointly distributing the movie in the US.

The anticipation among the audiences has been increasing day by day not just in India but worldwide as it is the biggest action drama to date.

The makers have shared multiple assets including posters and songs with glimpses of Ajay Devgan, Alia Bhatt, and Ram Charan, among others. The film’s trailer is also unveiled on December 9 followed by a grand event.

Post Baahubali’s success, Rajamouli became a nationwide household name, and he has now made another film on a grand scale and is set to break many records.

The movie includes a star-studded line up besides lead actors Ram Charan and Jr NTR. Ajay Devgn, Alia Bhatt, Olivia Morris will be seen in pivotal roles while Samuthirakani, and British actors Ray Stevenson and Alison Doody join in supporting roles.

Jayanti Lal Gada of PEN Studios has bagged the theatrical distribution rights across north India and has also bought worldwide electronic rights for all languages. Pen Marudhar will be distributing the film in the north territory.

The Telugu-language period action drama is produced by D.V.V. Danayya of DVV Entertainments. ‘RRR’ will hit the screens on January 7.

Modi’s Growing Crackdown On Bollywood India’s Film Industry Is Under Growing Pressure To Bend Its Knee To Hindu Nationalists.

Last month, the son of superstar Indian actor Shah Rukh Khan was arrested for consuming drugs at a party. In most parts of the world, celebrity news of this sort provides a momentary public distraction. In India, where the divide between Hindus and Muslims has deepened since Narendra Modi became prime minister, Khan’s arrest has focused attention on India’s fraying social fabric.

Supporters of Modi’s Hindu nationalist government defend the arrest as a matter of law and claim it reveals decadence in the movie industry. But India’s liberals contend it was a deliberate move intended to tarnish a Muslim idol’s image to appease the Hindu right.

Khan has been a star for more than a decade and is widely referred to as “King Khan,” the King of Bollywood. He is also known for his rise from poverty; he often regales the public with stories of the hardships he endured, including having to sleep on Mumbai’s streets while trying to make it as an actor. Tales of his struggle and success have inspired millions of Indians, including Muslims, and his exalted status delivers on India’s promise as a secular and inclusive nation where anyone—irrespective of religion, caste, or creed—can succeed.

But the Hindu right has a deep history of resenting the rise of Muslims, especially those who challenge their exclusivist politics—a group that includes Khan. In 2015, Khan spoke against the lynchings of Muslims by Hindu mobs for allegedly smuggling cows to be slaughtered and served as meat. Many Hindus consider cows to be holy. “We have made a huge thing about our meat-eating habits. How can the food habits of people be an issue?” Khan told NDTV, a local news channel. “Religious intolerance and not being secular in this country is the worst kind of crime that you can do as a patriot.”

There is a pattern of far-right resentment focused on Bollywood stars. A year ago, Bollywood actress Deepika Padukone was accused of being a part of a nefarious drug network and was summoned for questioning by India’s national Narcotics Control Bureau. In 2019, Padukone joined a student protest against a controversial anti-Muslim citizenship law passed by the Modi government.

The cases might expose a “nexus of drugs” in the film industry, as claimed by several pro-Modi news networks. But liberals suspect Khan and Padukone were punished for speaking up against Islamophobia, and the cases against them are part of a more insidious campaign to intimidate Muslims and liberals associated with Bollywood.

This would be part of a wider pattern. Since Modi came to power, minorities and liberals in all influential segments of society have insinuated they are under pressure to silently accept the Hindu right’s discriminatory ideas about what India should be.

First, journalists complained of duress as pressure to self-censor increased. Most news networks either gave in or walked a fine line while others became unabashed mouthpieces of government policies. Left-leaning universities and those dominated by minorities were targeted next. India’s film and television industry, which employs more than 1 million people and has admirers around the world, is the latest to feel the heat. Movies and movie stars are now at the heart of a cultural revolution designed to crush dissent against the Modi government and change India’s path from a diverse to a culturally homogenous society.

Bollywood has been the conscious keeper of a country navigating multiple fault lines at once. Although it has always had to tread cautiously to avoid irking the political powers that be, Bollywood has been a secular space that promoted cohesion among communities and played a constructive role in building a tolerant society. Over the last few years, however, actors have felt afraid to speak their minds regarding controversial political decisions, the industry is being discredited as a den of drug addicts, and the language of Indian cinema is slowly but surely changing.

For the longest time, songs such as, “Mazhab nahi sikhata aapas mein bair rakhna,” (or “Religion does not teach animosity”) spread the ideas of coexistence. They ingrained the value of syncretism in the minds of generations of Indians. But now, religious chauvinism is interspersed in songs and storylines without compunction. There seems to be a new obsession with making films about Hindu warrior kings who challenged Muslim rulers—the latter almost always painted as evil. A whole lot of chest-thumping and sword-wielding is done while hailing Hindu gods as if trying to invoke not just pride in Hindu heritage but something more—perhaps a sense of superiority.

Shubhra Gupta, a film critic and leading columnist with the Indian Express, told Foreign Policy that Hindi cinema set out to promote the values of “pyaar and bhaichara” (or “love and brotherhood”) in its early nation-building years post-independence. But that is changing fast. “Conservatism, patriarchy, and status quo-ism know no political boundaries. That is the kind of cinema that all mainstream [movie] industries in India are being relentlessly pushed towards,” Gupta said.

“Given its massive popularity, all governments down the decades have used the film industry to propagate its messages,” she continued. “But it is now more than ever under pressure to toe the state line of command and control, as the present regime understands the power of the image in a way none other has before it.”

Rahul Vohra, an Indian actor who has worked with Khan, said lawyers are now vetting scripts to not be on the wrong side of the central government. “And yes, all this is deliberately being done to install an invented narrative with a calculated aim of re-writing history,” Vohra said. “Many actors are scared to express their opinions, and many actually believe in the opinions of the government.” Vohra, like many others, suspect the drug charges were trumped up, especially since the evidence presented thus far has been thin. “I sincerely feel these are cooked-up stories with the specific intent of diverting attention from issues staring at us in the face,” he said, alluding to the country’s worsening economic crisis and rising inflation.

It began with the death of actor Sushant Singh Rajput in early 2020, whose parents alleged foul play even though the autopsy confirmed suicide. Rajput’s girlfriend, actress Rhea Chakraborty, was charged for procuring drugs for him. Chakraborty was the first to be arrested as part of an alleged “drug nexus” in the industry. Although she was a fresh face, her case set the stage to investigate the morals of movie stars. Rajput’s death also led to a debate on Bollywood’s widespread nepotism, and that was most certainly a good thing. Movies in the country are run like family businesses, with the children of actors and directors first in line to become next-generation stars. Yet there are many outsiders who have made it—Khan being among them. Central agencies’ focus and the media and trolls’ wrath, however, appear reserved for those who have not given public approval to New Delhi’s power center.

“The line that all of Bollywood is full of nepotism and drug addicts has been peddled with a great deal of energy,” Gupta said. “And that anything that comes out of it is tainted unless, of course, it wishes to stay on the safe side with movies about bad Muslim invaders and valiant Hindu kings who are defenders of the faith.”

India’s massive movie industry is split. There are actors who swear by the Modi government; just last week, one of them even said India attained freedom in 2014—the year Modi became the country’s premier. But others fear the space for them to be true artists and challenge rising majoritarianism in the country is shrinking. They are worried their films might be blocked or they might be slapped with cases like the ones Khan’s son and Padukone face.

Indian movies have many problems, including a highly sexist lexicon, but bigotry is not one of them. If the artists are silenced, there will be no one left to hold the mirror to society. Both Khan and Padukone have been cautious since the cases.

Superstars Mithun Chakraborty And Pallavi Joshi To Join “The Kashmir Files”

A 1st time road show of a feature film on a historic subject in fourteen cities across USA, leading universities and Impact events for leading policy makers is all set to take the country by storm. “The Kashmir Files” made by Vivek Ranjan Agnihotri is a landmark film on Kashmiri Hindu Genocide that took place in 1990 when hundreds of thousands of native Hindu Kashmiri were asked to leave Kashmir overnight or face the consequences, “death”. Kashmir has never been same since then. Pain, suffering and torture define the life of the community which was uprooted from their homeland which was always called a “Heaven on earth”.

“This story has to be shared, so the world knows the pain of uprooting. Its a story of genocide that inflicts unlimited pain on millions and on several generations”, said Vivek Ranjan Agnihotri. He is traveling with National award winning superstar Mithun Chakraborty who with co-star Pallavi Joshi, a national award winning actor will be present during screening in Long Isalnd and New Jersey on 27th and 28th November respectively. Superstar Mithun Chakraborty joins again in screening in Hollywood in end December and National award winning super actor and star, Anupam Kher will join in January 6th screening in Manhattan, NY.

The film will be privately screened in fourteen cities in cinema theatres for community leaders, policy makers and American community. The project initiated by Dr Surinder Kaul of Global Kashmiri Pandit diaspora was expanded with extensive support from Sunil Hali, a Kashmiri himself. Dr Kaul has been spearheading many Kashmir initiatives and is known to be the voice of Kashmiri community. “This project is very close to my heart which hurts when I thin of my motherland. I have worked closely with Vivek during its making and am excited to see it to fruition”, said Dr Surinder Kaul.

Sunil Hali brings the expertise in media and entertainment and marketing in USA, and with able help from Ken Naz, former CEO of EROS, have created this exclusive pre-release preview which launches on November 27 from Long Island in New York. Said Sunil Hali,”We have been working on this road show for two months. Dr Kaul took charge of building the national network of volunteers while I joined hands with Ken to build the theatrical network for screening, PR and marketing. The film is screened in Cinemas such as Regal, AMC, BIG Cinema(Edison), and Bombay Theatre(New York). Ken has done a stupendous job to get us the best with limited financial resources during the busiest period for films in USA”.

A core team that includes Mukesh Modi, a celebrated film maker and patriot from New York, an advisory team with Rakesh Kaul, Mohan Wanchoo to guide the vision, and a team of volunteers in each these cities has helped to take the project to next level. Ms Priya Samant has been key in building support from policy makers and universities. The film road shows travels from Long Island(NY), Edison(NJ), DC-MD-VA, North Carolina, Tampa(FL), Atlanta(GA), Boston (MA), Denver(CO), Chicago(IL), Austin(TX), Dallas(TX) Seattle(WA), Silicon valley and LA(CA), Houston(TX) and Manhattan(NY). The film will also be screened in leading universities such as Columbia, GWU and have Impact events in various cities for policy makers including Holocaust Museum(DC)

Vivek was in USA two years ago when he stayed with Rakesh Kaul, an authority on Kashmir and an author of two best sellers on Kashmir. He has been key to guiding the project all along. The tour has received a strong support from volunteers in each city, media across USA, supporters, sponsors, donors and encouragement from policy makers. Mohan Wanchoo, Dr Surinder Kaul, Dr Kiran Patel, Rajeev Kaul, Dr Nirmal Mattoo are leading amongst donors as of date and the support continues to grow every day.

The film is produced by Zee Studios, Tej Narayan Agarwal, Abhishek Agarwal, Pallavi Joshi and Vivek Agnihotri. The official worldwide release is on January 26, 2022.

The road show has received generous support in hospitality all across USA from Navika Group and Naveen Shah based in New York. Indian diaspora from every city has stepped forward and contributed generously to make this happen under the banner of United India Pragati Foundation, a 501c3 organization. Individual contributions as well as from businesses have helped in funding this 1st of its kind project in USA.  Fore details and information, please call Dr Surinder Kaul on (832) 494-7167; Sunil Hali on (917) 692-2326 and Mukesh Modi on (917) 215-1491

‘Jai Bhim’ Rated Among Top Rated International Classical Films

Critics have heaped praise on Tamil-language courtroom drama Jai Bhim that now outranks Shawshank Redemption as the highest-rated film on IMDb. Jai Bhim, a Tamil language film, has been rated the top film by users on IMDb, beating classics such as The Shawshank Redemption and The Godfather. It’s the latest in a line of hard-hitting Indian movies telling stories of repression against Dalits who are at the bottom of a rigid Hindu caste hierarchy, writes film journalist Aseem Chhabra.

Since its release, the film has garnered critical and commercial acclaim, and earned a 9.6 IMDb score – even higher than Frank Darrabont’s cult classic Shawshank Redemption that scored a 9.3 on the website.  Firstpost’s critic Ashameera Aiyappan wrote that Jai Bhim “beautifully shoulders the responsibility of being a decisively realistic, social, issue-based drama without being preachy” in her four-star review.

Directed by TJ Gnanavel, the film stars actors Suriya, Manikandan, Lijomol Jose, Rajisha Vijayan, Ramesh Rao, and as well as Prakash Raj whose body of work spans Hindi, Telugu, Tamil and Kannada-language movies.

Jai Bhim is part of a new movement in Tamil cinema where a number of young filmmakers are narrating stories of repression against Dalits, BBC wrote in a review.  “In the last 30 years, beginning with the observance of Ambedkar’s centenary in 1991, the Dalit movement has been growing in Tamil Nadu,” said film historian S Theodore Baskaran.

“Forgotten Dalit ideologues of the 20th Century were redeemed from history. The ideas of [social activist and politician] Periyar and Ambedkar spread through the writings of many Dalit writers. In the last decade, some of the writers moved to cinema and made films. But they used the usual ingredients like songs, fights and melodrama,” Baskaran added.

Released on November 2nd, Jai Bhim follows the trials of a pregnant woman from an oppressed tribe as she seeks justice for her husband who was arrested, brutally tortured, and murdered after being implicated in a false case.  The film is set in the southern Indian state of Tamil Nadu and based on a true incident that occurred in 1993.

At the beginning of Jai Bhim, police officers are shown separating a group of suspects based on their caste. Those who are from the dominant castes are asked to leave, while others who are Dalits (formerly untouchables) or belong to tribal communities are asked to stay back. Later, police file false charges against those in the second group.

A man named Rajakannu from the Irular tribe was falsely framed in a theft case. The horrific death of Rajakannu due to the custodial torture was a challenging and landmark legal battle for K Chandru when the victim’s wife Sengani (real name Parvathi) came to the lawyer for help.

On several occasions, Chandru admitted that the police involved in the case had tried to bribe him as well as the victim’s wife for an out of court settlement.  Choosing to take up a legal career was an accident for Chandru to be active in student politics. A leader during the Left Movement, Chandru wanted to be in community service and help people.  It was during the emergency years in the ’70s, he felt that the law should be a tool to win the rights of people. In his long stint as a judge, Chandru has disposed of 96,000 cases, a feat that he achieved only because of meticulous planning, organisation and classification of cases.

It’s a stark, disturbing scene, with frightened men standing in the corner, somewhat aware of their fate – a reminder that such activities occur routinely, and how precarious are the lives of the marginalised, especially Dalits, in small towns and rural India.

Dalits make up about 20% of India’s population, and despite laws to protect them they continue to face discrimination and violence. Jai Bhim’s title translates to “Long Live Bhim”, a slogan made popular by the followers of BR Ambedkar, a Dalit scholar and leader, who was the chief architect of India’s constitution and also the country’s first law minister.

Directed by TJ Gnanavel, and backed by Tamil star Suriya, the film tells the true story of a crusading lawyer – played by Suriya – who fought for a petition filed by a pregnant woman whose husband was placed in police custody and later declared missing.

Now, Dalit narratives have also found space in independent or indie films in other Indian languages, including Anhey Gorhey Da Daan (Punjabi), exploring the lives of Dalit Sikhs; Masaan (Hindi), a romance between a young man from a family of crematorium workers and an upper caste girl; and Fandry and Sairat (both in Marathi). The last two films were directed by Nagraj Manjule, a Dalit himself.

The directors include veteran filmmaker Vetrimaaran, who made Visaaranai, a 2015 film about the plight of Tamil migrants in neighboring Andhra Pradesh, and Asuran, a plot inspired by a massacre of Dalits. Mari Selvaraj and Pa Ranjith, both in their late thirties, are two key directors who have created narratives where the Dalit man is the central character.

“The representation of Dalit characters was painful,” Dalit filmmaker Ranjith, often referred to as the Spike Lee of the Tamil film industry, told The Wire in a 2020 interview, referring to earlier Tamil films. “Either they were written out, or just their inclusion in the story was considered ‘revolutionary. In this context, I had to reflect on what my stories could say,” he added. “I wanted to show that my culture itself is based on discrimination and violence…Today, directors are more conscious when they write Dalit characters.”

As ‘Jai Bhim’ celebrates the success of its release following unanimous positive reviews from both critics and audiences through word of mouth, the focus now shifts to how filmmaker TJ Gnanavel came up with a movie of this scale and what prompted him to make a movie rather than showcase it as a documentary of former advocate and Madras High Court Judge K Chandru who fought for the downtrodden bringing about a change at the administrative and judicial level. The film is inspired by the true incident that happened way back in 1993.

When Chandru first watched the film ‘Jai Bhim’, he said the scenes portraying actor Suriya as the advocate kept reminding what he was 30 years ago.  With a few sequences that have cinematic liberties, the former Judge says ‘Jai Bhim’ has been truthful to the story without exaggerating custodial violence and government’s apathy towards human rights violation.

Indian Panorama At IFFI 52 Held In Goa

With a promise to unfold stories collected from nook and corners of India on the big screen, the Indian Panorama Section opened on Sunday at the 52nd International Film Festival of India held in Goa.

Anurag Singh Thakur, Union Minister of Ministry of Information and Broadcasting inaugurated the opening ceremony of the 52nd IFFI. Rajendra Vishwanath Arlekar, Governor of Himachal Pradesh was also present on the occasion. The inaugural ceremony introduced the audiences to IFFI’s official selection of 24 Feature and 20 Non-Feature films under the Indian Panorama 2021 category for this year.

Rajendra Vishwanath Arlekar, Governor of Himachal Pradesh along with the Thakur felicitated the filmmakers and the cast and crew of the opening films, ‘Semkhor’ (Feature) and ‘Ved- The Visionary’ (Non-feature), and presented to them Certificates of participation.

Congratulating the filmmakers, the Union Minister, said, “You all have attempted and struggled to bring stories from the remote corners of the country. Now, content is king and if you create the right content, it will go not only National but to the International level. We have the talent among us and with all your help; we will take IFFI to new heights”. He also remembered Late Manohar Parrikar, who was instrumental in bringing IFFI to Goa’s shores.
Thakur also said that “Earlier we saw that only actors, directors, and producers were being awarded in Film festivals but now we are also honoring the technicians, the background people whose work make to a film complete.” He also urged international filmmakers to come and shoot in India.

Addressing the gathering Arlekar, said “I am not a Film Critic or an ardent follower of Films, but I have always watched the Indian Panorama, how our films reflect our society. I say this with pride that the Indian films have beautifully reflected and showed the aspirations, needs, and struggles of our society.”

The opening film in the Feature film category, ‘Semkhor’, which was screened in the Indian Panorama Section is the first-ever Dimasa language film to be screened in the Indian Panorama Section. Aimee Baruah, Director of the film, thanked IFFI for the honor and recognition of the film. She added that the film Semkhor deals with social taboos and through the film, she tried to bring forth the struggles faced by the Dimasa Community in Assam.

Rajiv Prakash, Director of the opening film in the Non-feature film category, ‘Ved- The Visionary’, remarked that, “It is the story of my father’s resilience, fortitude in the field of film-making. The movie shows his endeavors which shall remain embedded in history of cinema.”

The Jury members of the feature and non-feature films were also honored with Certificates of participation on the occasion.

The Indian panorama is a flagship component of the IFFI under which the best contemporary Indian films are selected for the promotion of film art. It was introduced in 1978 as part of the IFFI umbrella to promote Indian Films and India’s rich culture and cinematic art.

Actress and Mathura MP Hema Malini was honoured with the Indian Film Personality of the Year Award at the 52nd edition of the International Film Festival of India (IFFI) here on Saturday.

The award, which is conferred upon an outstanding Indian film personality for his or her extraordinary contribution to the world of cinema, was presented to the actress jointly by the Minister for Information and Broadcasting Anurag Thakur, Minister of State for Information and Broadcasting Loganathan Murugan, and Goa Chief Minister Pramod Sawant.

Hema Malini, who made her acting debut in 1963 with the Tamil film ‘Idhu Sathiyam’ and later made her entry into Hindi cinema as the lead actress of ‘Sapno Ka Saudagar’ in 1968, has acted in a number of films, many of which, including ‘Sholay’, went on to become superhits.

When TV host and comedian Manish Paul, who was co-hosting the event with Karan Johar, asked Hema Malini for her favourite character from among the scores she had played in her long career, the actress replied, “All of them. Everyone does a role thinking that this will be her best.”

When Paul persisted, she first said ‘Lal Pathar’, and then went on to reel out a series of names. ‘Lal Pathar’, incidentally, was one of the rare films where Hema Malini played a negative role, that of a jealous mistress of a zamindar.

The 52nd edition of the International Film Festival of India that commenced on November 20 in Goa will run till November 28. (ANI)

Akshay-Katrina’s Sooryavanshi Breaks Records With Highest Earnings

The much-awaited Sooryavanshi movie starring Akshay Kumar and Katrina Kaif was released on Friday. A lot of money was earned at the box office with Suryavanshi’s release breaking past records in India and around the world.

After earning the whopping amount of Rs 26.29 crore on its opening day, one of the much-anticipated films of the year ‘Sooryavanshi’ maintained its charm on the second day as well and minted Rs 23.85 crores on the second day of its release. On the 3rd day, it is expected that the film will do business between 25 and 28 crores on the third day.

Although there was a slight dip in the movie’s second-day collection, it managed to enter the Rs 50 crores club at the box office on the second day of its release. Film critic and movie trade analyst Taran Adarsh took to Twitter and shared a breakdown of the first two-day earnings of the film. He also said that the movie has the potential to touch Rs 80 crores on Day 3.

Sooryavanshi crosses Rs 50 cr… SUPER-STRONG HOLD on Day 2… Slight dip in night shows vis-a-vis Day 1… Expect a BIGGG SCORE on Day 3, should comfortably cross Rs 75 cr, may even touch Rs 80 cr [+/-], PHENOMENAL… Fri 26.29 cr, Sat 23.85 cr. Total: Rs 50.14 cr. #India biz,” he tweeted.

After facing several hardships, filmmaker Rohit Shetty’s ‘Sooryavanshi’ was finally released in theatres on Friday. On Thursday night, Rohit took to Instagram to share that his cop drama is ‘releasing across all multiplexes and single screens all over the country.’ The film was held back for almost two years due to restrictions imposed by the Corona epidemic. The film’s release in theatres seems to be reaping tremendous benefits for Rohit Shetty.

For the unversed, the advance bookings were not opened for the Akshay Kumar-starrer till Thursday night due to a tiff between the producers and exhibitors on revenue sharing. Reportedly, the producers of the film demanded a 60 per cent revenue share in the first week and also wanted theatre owners to provide a maximum number of shows to ‘Sooryavanshi’.

Thankfully, the stalemate between multiplex chains and the producers of ‘Sooryavanshi’, Reliance Entertainment finally ended. The cop drama was originally slated to release on March 24 last year but was delayed due to the COVID-19 pandemic, which led to the shutting down of cinema halls.

‘Sooryavanshi’ is a continuation of the cop action ‘Singham’ universe, which began with the Ajay Devgn starrer ‘Singam’ and ‘Singham Returns’, then expanded with ‘Simmba’, starring Ranveer Singh and Devgn, and now is going forward with Akshay Kumar’s character. Apart from Akshay, ‘Sooryavanshi’ also features Katrina Kaif in the lead role.

With the 1993 serial blasts in Mumbai as the starting point, Rohit Shetty’s ‘Sooryavanshi’ traces the terrorist activities of a militant group whose chief, Omar Hafeez (Jackie Shroff), remote-controls their actions from Pakistan.

How DCP Veer Sooryavanshi (Akshay Kumar), chief of the Mumbai Anti-Terrorism Squad, along with his team, prevent Hafeez’s sons and the sleeper cells based across India, who are galvanized into action to destroy India, particularly Mumbai, forms the crux of this film that extends to two hours and a half.

While the narrative is strongly reminiscent of Rohit Shetty’s earlier films in terms of flavour and feel, this one is unadulterated entertainment with action, drama, and even a bit of romance thrown in for good measure. There are trite moments when the unity of India and its secular fabric are forced down one’s throat, courtesy of DCP Sooryavanshi’s sermons.

The film, expectedly, belongs to Akshay Kumar, who with his commanding screen presence, credible action, and charisma, hooks the viewers as Sooryavanshi. He may not be offering anything new by way of histrionics, but there is comfort in his familiar style and his action scenes are a treat to watch.

The scene where he is chasing Sikander Kher and lifts him onto a flying helicopter from a speeding motorboat is superbly choreographed.

Akshay Kumar is ably supported by an ensemble cast of actors which includes Kumud Mishra as Bilal Ahmed, Vivan Bhatena as Vivan and Gulshan Grover as Kadar Usmani, all of whom perform well, enhancing the quality of the film. Abhimanyu Singh as Riaaz Hafeez, the key leader of the mission and Jackie Shroff’s son, delivers a strong performance. Katrina Kaif as Sooryanshi’s wife, Dr Ria, merely adds to the glamour quotient.

Sleek action and daring acts with cars overturning and structures being blown off characterize the film, in Rohit Shetty’s inimitable style. Of course, one must not stop to analyse or seek rationale, else disappointment sets in.

The dialogues are powerful, hard-hitting, and seem real in the given context, and at times even succeed in arousing a patriotic fervor.

Cast: Akshay Kumar, Katrina Kaif, Ajay Devgn, Ranveer Singh, Jaaved Jaaferi, Gulshan Grover, Abhimanyu Singh, Jackie Shroff, Sikandar Kher, Nikitin Dheer, Vivan Bhatena and Kumud Mishra.

Popular Kannada Actor Puneeth Rajkumar dies at 46

Kannada filsstar Puneeth Rajkumar died in Bengaluru’s Vikram Hospital on Friday, October 29th  after suffering a heart attack. Reportedly, his health had taken a turn for the worst on Thursday evening but he did not visit a doctor. After working out in the gym in the morning, he complained of chest pain, following which he was taken to a private clinic where an ECG was done.

During the checkup, his condition worsened and he was rushed to hospital. According to a statement issued by Vikram Hospital, Puneeth was non-responsive when brought in and was in cardiac asystole. His body is to be kept at Kanteerava Stadium for fans to pay homage; the last rites will be performed today with state honours.

Son of matinee idol Rajkumar, Puneeth began his career as a child artiste — he was just six-months-old when he was cast in the 1976 thriller Premada Kanike. He went on to bag his only National Film Award (for best child artist) playing the role of Ramu in Bettada Hoovu. Add to this, the four Karnataka State Film Awards and five Filmfare Awards South won during his career.

Born Lohith, he was known to fans as ‘Appu’ — after the 2002 hit film in which he played his first lead role — and ‘Power Star’. His film credits — 29 of them — as a lead actor include Mourya, Arasu, Raam, Hudugaru and Anjani Putra. He last featured in Yuvarathnaa, that released early this year.

He was also a singer and was admired for his dance skills. Puneeth made his TV debut in 2012 as presenter of Kannadada Kotyadhipathi, the Kannada version of game show Who Wants To Be A Millionaire?

“Fortunate that I have a song sung by Arijit Singh so early in my career!:” Siddhant Chaturvedi

Bollywood Actor Siddhant Chaturvedi wowed everyone with his brilliant acting as rapper MC Sher in Gully Boy. Siddhant followed up on his success by landing his first role as the quintessential masala Hindi film hero in Yash Raj Films’ rib-tickling family entertainer Bunty Aur Babli 2.

He plays the big city slick con-artist – the New Bunty in this comedy. Siddhant has also got the first-ever romantic track of his career, Luv Ju, in Bunty Aur Babli 2 and he is overwhelmed that he has got the chart-busting sensation Arijit Singh’s song so early in his film career.

Siddhant says, “I think Arijit Singh singing Luv Ju that I’m lip-syncing to in the film is a milestone moment of my career. Having grown up listening and loving Arijit’s songs right from ‘Phir Le Aya Dil’ in Barfi!, I was in disbelief when YRF told me that he was singing a song to be picturised on me in Bunty Aur Babli 2!”

He adds, “Arijit Singh is a generation-defining superstar singer. He has sung for all the top stars of my generation and delivered evergreen chartbusters! I’m fortunate that I have a song sung by him so early in my career! He is just phenomenal in Luv Ju. It’s a romantic song that will just hook you in and keep growing on you. I haven’t stopped listening to Luv Ju and I’m sure there will be many like me when this breezy romantic track drops.”

Bunty Aur Babli 2 also features Saif Ali Khan and Rani Mukerji as the original Bunty and Babli. Gorgeous debutant Sharvari plays the new Babli who is hot, intelligent, and tech-savvy. This comedy will pit two sets of con artists, from different generations, against each other as they try to prove who is the better con couple!

Yash Raj Films’ Bunty Aur Babli 2, which is set to release worldwide on November 19, 2021, has been directed by Varun V. Sharma, who has worked as an Assistant Director in YRF’s biggest blockbusters Sultan and Tiger Zinda Hai.

Rajinikanth, Dhanush, Kangana Ranaut, Manoj Bajpayee Honored At 67th National Film Awards

Superstar Rajinikanth received a standing ovation by the audience while he was conferred with Dadasaheb Phalke Award, India’s highest film honor, by Vice President of India, Shri Venkaiah Naidu in New Delhi on October 25, 2021. The veteran star was felicitated with a Swarna Kamal (Golden Lotus) medallion, a shawl, and a cash prize.

Actors Manoj Bajpayee and Dhanush were conferred with the Best Actor Award for their films ‘Bhonsle’ and ‘Asuran’ respectively at the 67th National Film Awards, which took place on Monday. Bollywood star Kangana Ranaut received her fourth National Film Award, as she was awarded the Best Actress Award for her performances in ‘Manikarnika: Queen of Jhansi’ and ‘Panga’.

While accepting the award, Rajinikanth took a stroll down memory lane to thank one of his old friends, who saw acting talent in him and encouraged him to try his luck in films. “I am extremely happy to receive this prestigious award. My heartfelt thanks to the central government for honouring me with the Dadasaheb Phalke award. I would like to dedicate this award to my guru K Balachander. Today, I remember him with great gratitude. I also want to thank my friend who saw this talent in me and suggested me to do acting while I was working as a bus conductor,” he recalled.

Rajinikanth also dedicated his win to all the producers, directors, members of the film industry and fans. “Thanks to everyone for their support… press, media, directors, distributors, producers and fans… my heartfelt thanks to everyone. Also, a special thanks to Tamil people… without them I am nobody,” he expressed his gratitude.

Rajinikanth attended the presentation ceremony along with his wife Latha, daughter Aishwarya, and son-in-law Dhanush. Born as Shivaji Rao Gaekwad on December 12, 1950, to Ramoji Rao and Jijabai, Rajinikanth worked as a bus conductor before embarking on his film journey about 45 years ago.

He recalled his days of struggle. “When I was the bus conductor, he identified the acting talent in me and encouraged me to join the cinema. All my producers, directors, co-artistes, technicians, distributors, exhibitors and the media, press and all my fans. Tamil people – without them I am no body. Jai Hind!”

For the special occasion, Kangana chose to wear a traditional silk saree. “All set to receive the highest honor for an artist in the country today …. National Award,” she captioned the post. Earlier, she had won Best Supporting Actress for her role in ‘Fashion’ and Best Actress Awards for ‘Queen’ and ‘Tanu Weds Manu Returns’. After receiving the prestigious award, Kangana took to the photo-sharing application to thank her parents for being her support system.

“We all grow up with a deep desire to be worthy of our parents love, care and sacrifices…After all the troubles I give my mummy papa such days seem to make up for all those mischiefs ..Thank you for being my mummy papa I wouldn’t want it any other way,” she wrote.

Manoj, who has previously won the National Film Award twice, Best Supporting Actor in ‘Satya’, and Special Jury Award for his feature film ‘Pinjar’, was felicitated at the in-person ceremony for his performance in the Devashish Makhija directorial ‘Bhonsle’. The movie saw the ‘Family Man’ star portraying the titular character who is a retired policeman and is living a non-interfering life in a colony dominated by locals, diagnosed with stage 4 brain tumour.

Manoj, who was dressed in a black shirt and trousers for the award ceremony, spoke about receiving the award and said, “The National Award for ‘Bhonsle’ means a lot because this was a film which we wanted to make but we were not getting money from anyone to make it, it took us four years to make this film, so definitely it means the world to all of us. It’s kind of a poetic justice that has happened to ‘Bhonsle’ and I share this award with the director and the entire team.”

Dhanush received the Best Actor Award for his role in ‘Asuran’, which also won the Best Tamil Film award. It’s a period action drama film written and directed by Vetrimaaran, based on Poomani’s novel ‘Vekkai’. The film’s plot was influenced by the real-life Kilvenmani massacre that occurred in 1968. At the ceremony, Dhanush was joined by Aishwarya R Dhanush, his wife and superstar Rajinikanth’s daughter.

One of the country’s most eminent awards in entertainment, the 67th version of the National Film Awards, which were handed out to the awardees by Vice President Venkaiah Naidu, was initially going to be held in May last year but had to be delayed due to the COVID pandemic.

“Chhicchore” director Nitesh Tiwari and producer Sajid Nadiadwala dedicated the Best Film Award to late Bollywood star Sushant Singh Rajput, who passed away in 2020. Vijay Sethupathy was awarded the Best Supporting Actor for his performance in “Super Deluxe.”

The Malayalam film, “Marakkar: Arabikadalinte Simham” (Marakkar: Lion of the Arabian Sea), received the National Film Award for Best Feature Film. The film has been written and directed by Priyadarshan, and stars Mohanlal. The actor was also present at the awards show. “The Tashkent Files” won two awards – Best Supporting Actress, which went to Pallavi Joshi and for Best Dialogue Writer.

Tamil Film ‘Koozhangal’ To Compete At Oscars 2022

Debutant director PS Vinothraj’s Tamil film Koozhangal (Pebbles) has been announced as India’s official entry to the Oscars 2022. If selected, the film will compete for the Academy Award for Best International Feature Film next year.

Actor Vicky Kaushal congratulated producers of the Tamil film “Koozhangal,” Nayanthara and Vignesh Shivan, as their movie became India’s official entry to the Oscars 2022. Taking to his Instagram handle, Kaushal wrote, “Congratulations Vignesh Sivan, Nayanthara, and Team #Koozhangal! Go for glory!!!”

Shaji N Karun, the chairperson of the 15-member selection committee, set up by the Film Federation of India, made the announcement. The 94th Academy Awards will be held on March 27, 2022, in Los Angeles. On a related note, Kaushal’s latest film “Sardar Udham” along with Vidya Balan’s “Sherni,” Yogi Babu’s Tamil movie “Mandela,” and Martin Prakkat-led Malayalam film “Nayattu” were also shortlisted for India’s official entry to the Oscars. However, only “Koozhangal” (Pebbles) could make the cut.

Presented by Nayanthara and Vignesh’s Rowdy Pictures, “Koozhangal” has been helmed by debutant director PS Vinothraj. The movie follows the journey of an alcoholic father and his son who are on their way to bringing back their wife-mother, who has left home. It stars actors Karuththadaiyaan and Chellapandi in the lead roles.

Elated about his film becoming India’s official entry for the 94th Academy Awards, Vignesh tweeted, “There’s a chance to hear this! And the Oscars goes to…. Two steps away from a dream come true moment in our lives. #Pebbles #Nayanthara @PsVinothraj @thisisysr @AmudhavanKar @Rowdy_Pictures Can’t be prouder, happier & content.”

The film, released in 2021, is also the recipient of the prestigious Tiger Award, the top honor at the 50th edition of the International Film Festival Rotterdam 2021. The other films in consideration to be India’s official Oscars 2022 entry included Amit Masurkar’s Sherni and Shoojit Sircar’s biopic Sardar Udham. India’s submissions to the Oscars in recent years include Lijo Jose Pellissery’s Jallikattu and Zoya Akhtar’s Gully Boy.

No Indian film has ever won an Oscar thus far. The last Indian film that made it to the final list of nominations in the Best International Feature category was Ashutosh Gowariker’s Lagaan in 2001. Mother India (1958) and Salaam Bombay (1989) are the other Indian films to have made it to the final nominations.

‘Dilwale Dulhania Le Jayenge’ On Broadway

Western musical theatre and Indian films are two long lost lovers separated in time’ : says biggest Indian film-maker Aditya Chopra, who is set to make his Broadway debut as a director with his record-setting worldwide blockbuster, Dilwale Dulhania Le Jayenge (DDLJ)*

Yash Raj Films is the biggest Indian studio and it’s Chairman and Managing Director, Aditya Chopra, has directed and produced some of the biggest blockbusters in the history of Indian cinema. His debut directorial, the historic romantic film Dilwale Dulhania Le Jayenge, which released in 1995, is still running in theatres. Popularly called DDLJ, it is one of the highest grossing movies in the history of Indian cinema and the biggest IP of the country’s rich and diverse movie industry.

After 26 years, Aditya Chopra is set to direct DDLJ again and it will mark his debut as a director on Broadway. He strongly feels Broadway and Indian films are ‘two long lost lovers separated in time’ because of their intrinsic similarities as both celebrate heart-warming stories and human emotions through music and dance. Aditya has been working on this passion project for the past three years and has roped in a stellar, extremely diverse team, comprising some of the best talents of Broadway and India for the same.

Come Fall in Love – The DDLJ Musical is being produced by Yash Raj Films. Based on an original story by Chopra, the musical will feature book and lyrics by Laurence Oliver Award-winner Nell Benjamin (Legally Blonde, Mean Girls), top Indian songwriters Vishal Dadlani & Shekhar Ravjiani will serve as composers. Tony and Emmy winner Rob Ashford (Frozen, Thoroughly Modern Millie, The Boys from Syracuse) will choreograph with associate choreographer Shruti Merchant. The design team will also include set design by Emmy and Tony Award winner Derek McLane (Moulin Rouge!, Hairspray Live!, 33 Variations) and music supervision by Tony, Grammy, and Emmy Award-winning Bill Sherman (In The Heights, Sesame Street, Hamilton). Adam Zotovich is the Executive Producer for the project.

Come Fall in Love – The DDLJ Musical is set to be on stage in the Broadway season of 2022-2023, with a World Premiere at the Old Globe Theatre in San Diego September 2022. A global casting search begins shortly headed by Duncan Stewart of Stewart/Whitley casting and Yash Raj Films casting head Shanoo Sharma.

ADITYA CHOPRA’s NOTE ON HIS BROADWAY DIRECTORIAL:

Summer 1985. I was 14 and on a holiday in London. My parents took my brother and me for our first musical theatre experience. The lights dimmed, the curtains lifted and what unfolded in the next 3 hours left me speechless and stunned. Now, till then, I was a kid who was an avid movie watcher and what I loved the most was big screen Indian blockbusters. But that day what I saw on stage blew my mind. I couldn’t believe that this kind of spectacle could be created live on stage. But the most significant aspect that resonated with me was how similar musical theatre was to our Indian films. It was just not the fact that both use songs to tell the story, it was much more than that, it was the feeling they evoked which was exactly the same. The burst of colours, the heightened drama, the passionate singing, the unabashed dancing, a classic story, a happy end. It filled me with the same joy and emotions that a good Indian film does. I ealized then, that worlds apart, languages apart, western musical theatre and Indian films are two long lost lovers separated in time.

Autumn 2021… I’m embarking on my most ambitious project till date. I’m reuniting two long lost lovers, Broadway Musical and Indian Films. 26 years back I started my career with a film called Dilwale Dulhania Le Jayenge (DDLJ, what it is more famously known as). The film created history and changed my life and many others forever. But what many don’t know is that I never intended to make DDLJ in Hindi. As a 23 year old young man greatly influenced by Hollywood and American pop culture, I thought I would make a couple of Indian films and then I would be off to Hollywood and make DDLJ for a worldwide English speaking audience with Tom Cruise as my leading man. That obviously didn’t happen. DDLJ released in 1995 and became the longest running film of Indian cinema. It gave me my identity and kickstarted an amazing journey for which I’ll always be grateful.

26 years later I’m going back to my original vision of the story of DDLJ, a love story of an American boy and an Indian girl, a love story of two cultures…two worlds. But this time the medium is not cinema but theatre. 26 years later I will be directing DDLJ all over again but this time as an English language Broadway Musical for a worldwide audience.

I’m terribly nervous and incredibly excited. I’m a hardcore cinema guy, I have never done theatre in my life and here I am trying to pull off the craziest ambition of my life. But what is giving me confidence is the fantastic team that I have. Each one of them are masters of their field and their brilliance and expertise is going to make this a fantastic show. The past 3 years as we have developed this passion project, I have learnt so much from them and discovered the unbelievable talent that the Broadway community has. I feel 23 again, the same age I was when I directed DDLJ. I’m once again a student, each one of my team members is more experienced than me in the world of theatre, I’m the rookie and I’m loving every moment of it. I’m all set to learn, explore, create and enjoy with these wonderful theatre artists and the magical world of Broadway Musicals.

Nell Benjamin wrote: “DDLJ was my introduction to Indian filmmaking before I even knew who the amazing Aditya Chopra was, and the movie had such joy and heart that I fell in love with it. I was so happy to be approached to do the musical and I hope my work helps everyone fall in love with Simran and Rog and their journey across multiple cultures to love. The world can always use a little more cultural understanding, and I can’t wait to sit in a theater with an audience sharing the joy and surprise of Come Fall in Love – The DDLJ Musical.”

‘It’s A War Between The Ogs And The New Bunty Babli’

Yash Raj Films Bunty Aur Babli 2, which is set to release worldwide on November 19, 2021, is a rib-tickling comedy that will pit two sets of con artists, from different generations, against each other as they try to prove who is the better con couple! The makers are setting up this rivalry through a super innovative hilarious teaser video that DOESN’T have ANY film footage! In the video these two pairs of con artists mercilessly troll each other. The video has also revealed that the trailer of Bunty Aur Babli 2 will be out on Monday, 25th October.

Saif Ali Khan, who plays the OG Bunty aka Rakesh, reveals, “Bunty Aur Babli 2 is a game of cat and mouse between the OG con couple and the New con couple trying to prove that they are better than what the originals were in their prime. This will spark the rivalry and it’s just hilarious because of how intelligently the script has been written to show this madness.”

Rani Mukerji, who reprises the role of Vimmy aka Babli in this completely rebooted franchise film, adds, “The video is a true reflection of what the film has to offer to audiences which is non-stop entertainment and non-stop comedy. Though in the unit, we play ourselves and not the characters in the film, it has been smartly written with trolling humour as Saif and I go after Siddhant and Sharvari and vice versa.”

Gully Boy heartthrob Siddhant Chaturvedi is playing the New Bunty. He says, “It’s a war between the OG’s and the new Bunty Babli and it has been brilliantly captured in the video. Both parties stake the claim to be intellectually superior. While the OGs feel that the New con artists are mere usurpers, the new con couple feels that they are way too cool and smart than the OGs! That’s the premise of the film and you will see us going after each other right from this video and all through the entire marketing campaign!”

Gorgeous debutant Sharvari plays the role of the New Babli. She says, “It was super fun to shoot this because here we were being trolled by Saif sir and Rani ma’am for being fake Bunty Babli and we had to prove it to them saying how we are way, way superior con artists because we are children of the tech boom. It was just a laugh riot shooting this unit with the team and we are confident that this will entertain you thoroughly.” Bunty Aur Babli 2 has been directed by Varun V. Sharma, who has worked as an Assistant Director in YRF’s biggest blockbusters Sultan and Tiger Zinda Hai.

Panel Discusses Film By Tirlok Malik, ‘To New India With Love’

A panel discussion on Zoom was held on the short film ‘To New India with Love,’ made by Emmy-nominated filmmaker Tirlok Malik, and presented by Padma Shri Dr Sudhir Parikh, chairman of Parikh Worldwide Media and ITV Gold, and was sponsored by The Indian Panorama and Indian American Forum according to a press release from Apple Productions. The Indian American Forum hosted the thought-provoking panel discussion.

‘To New India with Love’ is a non-commercial venture, and examines the subject of youth aspirations. The screenplay and dialogues are written by Murtaza Ali Khan and Rakesh Zharotia is the film’s editor and assistant director. While starting the proceedings for the day, Indu Jaiswal, Chairperson, Indian American Forum introduced the moderators and the panelists while welcoming the guests and underlining the agenda of the event. She congratulated Trilok Malik on the success of ‘To New India with Love’ which has been praised worldwide by audience and critics alike for his inspiring and empowering message to the youth of India.

The panel discussion was moderated by Chief Editor of The Indian Panorama Prof. Indrajit S. Saluja, and Dr. Renee Mehrra. Other panelists at the meeting included Dr. Azad Anand, Dr. Bhupi Patel, Dr. Urmilesh Arya, Shashi Malik, Animesh Goenka, Sudhir Vaishnav, Neeta Bhasin, Anju Sharma, Lal Motwani. Also present were Pam Kwatra, Jyoti Gupta, Chitranjan Sahay Belwariar, and Anurag Sharma.

While congratulating Tirlok Malik on his latest film, Prof. Saluja reflected upon the overwhelming love for India that each and every film of Malik oozes with. Dr. Mehrra praised the film’s message and its relevance. Mrs Beena Kothari also praised the message and thanked Mr Malik for such a thought provoking Film

The panelists included Padma Shri Dr. Sudhir Parikh, Tirlok Malik, Dr. Azad Anand, Dr. Bhupi Patel, Dr. Urmilesh Arya, Shashi Malik, and Animesh Goenka. Each of them praised the film’s subject and its timely message. Sudhir Vaishnav, Neeta Bhasin, Anju Sharma, Lal Motwani, and Andy Bhatia who were also present on the occasion appreciated the film while sharing their views about Malik’s remarkable contribution as a filmmaker over the last three decades. Pam Kwatra, Jyoti Gupta, Chitranjan Sahay Belwariar, and Anurag Sharma were also present.

Talking about his association with the film, Dr. Sudhir Parikh praised the film’s inspiring message. While highlighting the positive changes that have taken place in India over the last five decades, he reminded that the India of today is very different from when he first came to the US. He asserted that the Indian youth today has so many opportunities while touching upon the new initiatives of the present Indian government which have been instrumental in empowering the youth.

Sharing the vision behind the film, Tirlok Malik said that the film aims to inspire the youth of India to not give up on their dreams. Even if someone doesn’t have the means to realize his/her dreams, he/she can achieve success through their hard work and determination. My film ‘To New India with Love’ is an inspiring and motivational film that gives a message of hope to the youth to pursue their dreams.

Tirlok Malik is best known for making films about Indian immigrants in the US, starting with his pioneering work, ‘Lonely in America,’ which was shown in 74 countries and as well as on HBO and participated in 37 film festivals, winning several awards. He subsequently made films such as ‘Love Lust and Marriage,’ ‘Khushiyaan,’ and ‘On Golden Years’. He has also acted in films like ‘Dr. Babasaheb Ambedka,’ ‘Lajja,’ ‘Vettaiyaadu Vilaiyaadu,’ ‘Ta Ra Rum Pum,’ ‘Sivaji: The Boss,’ and ‘Mehbooba,’ among others.

Dr. Parikh praised the film’s inspiring message noting that Indian youth had far more opportunities today than five decades ago, and that positive changes have taken place in India. He also touched upon the new initiatives of the present Indian government under Prime Minister Narendra Modi that he said have been instrumental in empowering the youth.

Malik said the film aims to inspire the youth of India to not give up on their dreams and to power through even if they do not have all the means. “My film ‘To New India with Love’ is an inspiring and motivational film that gives a message of hope to the youth to pursue their dreams,” Malik said.

Malik’s earlier film ‘Lonely in America,’ was shown in 74 countries and as well as on HBO and participated in 37 film festivals, winning several awards, the press release said. Other films he made include ‘Love Lust and Marriage,’ ‘Khushiyaan,’ and ‘On Golden Years’. He has also acted in films including ‘Dr. Babasaheb Ambedkar,’ ‘Lajja,’ ‘Vettaiyaadu Vilaiyaadu,’ ‘Ta Ra Rum Pum,’ ‘Sivaji: The Boss,’ and ‘Mehbooba.’

Aryan Khan Commits To “Work For Poor, Shun Wrong Path”

Bollywood actor Shah Rukh Khan’s son Aryan Khan assured NCB officials during counseling that he would work for the welfare of the poor and never do anything that would besmirch his name in the future, an official said last week.

Aryan (23) is currently lodged in Arthur Road prison in Mumbai after he was arrested by the Narcotics Control Bureau following alleged drug seizure from a cruise ship off the Mumbai coast on October 2.

During counselling by officials including NCB’s zonal director Sameer Wankhede and social workers, Aryan said after his release, he will work for “social and financial uplift of the poor and downtrodden” and never do anything which could bring him publicity for the wrong reasons, said an agency official.

An NCB team busted an alleged drugs party on the Cordelia Cruise ship which was on its way to Goa at mid-sea on October 2. A total of 20 people, including two Nigerian nationals, have been arrested so far in the case related to the seizure of drugs following a raid at a party on the Cordelia cruise ship off the Mumbai coast on October 2.

After the arrest, Aryan along with seven other accused including two women arrested by the NCB underwent a counseling session. “Aryan was on the call for 10 minutes with his parents, and a jail official was present with him during the call,” said the official.

There are a total of 3,200 prisoners in the Arthur Road jail. As per the guidelines of the jail amid the pandemic, people are not allowed to visit the inmates. They can only speak to them over the phone. Inmates are allowed 10 minutes to talk to their family members.  The jail has a total of 11 phones. The family members of prisoners who have a video call facility are given 10 minutes on video call otherwise a voice call is dialled.

During a hearing in the Court, Narcotics Control Bureau (NCB) counsel ASG Anil Singh opposed Aryan’s bail and said, “Argument is, they are kids. One of the considerations for granting bail. I don’t agree with this. Sir, they are our future generation. The entire country will be depending on them. This is the land of Mahatma Gandhi, Gautam Buddha. We have to stop this drug abuse. We have been taking this matter very seriously. We are looking into the chain, into the transaction.”

The NCB, in the court, said all countries should take drug abuse very seriously as it is affecting society and the world. “Our department working day and night to find a solution to drug abuse. We are dealing with it in a very serious manner. My officers were attacked, beaten, in a different matter. They put their lives in danger and they have been working. This has been affecting the entire society, particularly to youngsters who are college students,” the NCB counsel said.

Acclaimed Indian Actor, Nedumudi Venu Passes Away At 73

Nedumudi Venu, rated as one of the most talented actors in Indian cinema, died at a private hospital in Thiruvananthapuram, Kerala on Monday. He was 73. Having recovered from Covid-19, Venu had been in a critical condition for some time due to liver-related ailments.

After initially being admitted to the hospital on October 5th with tiredness and weakness, he was transferred to intensive care on Saturday, a spokesman for the private facility where he was treated told the media. The doctor treating Venu told the media that he died of kidney-related issues and sepsis.  Liaison officer Praveen Jojo of KIMS Health in Thiruvananthapuram, said Venu had breathed his last on Monday, October 11th.

Born in 1948 in Nedumudi in Kerala’s Alappuzha district, Venu began his career as a theatre artiste with famous dramatist Kavalam Narayana Panicker’s experimental theatre group. He entered films in 1978 with G. Aravindan’s Thambu.

Nedumudi Venu won three National Film Awards, and six Kerala State Film Awards for his performances. Venu was known for his roles in “His Highness Abdullah,” “Bharatham” and “Margam,” among others. His most memorable performance that established Venu as a talent in Malayalam cinema was in Thakara in which he played the role of a village carpenter. Some of his best films included Aravam, Vidaparayum Munpe, Kallan Pavithran, Chamaram, Oru Minnaminunginte Nurunguvettam, Chithram, Thenmavin Kombath, Margam and Arimpara. Ente Mazha directed by Subrahmanyam was his last film.

In his film career spanning over four decades, Venu acted in over 500 movies in Tamil and Malayalam as hero, villain and character actor. According to film scholar N. Balagopal, Venu was one of the few actors in Indian cinema who excelled both as stylized actor and realistic actor, which in Indian theatre tradition is called Natya Dharmi and Lokadharmi, respectively.

Over the decades, Nedumudi Venu shone as an actor who could deliver powerful performances. His talent at handling serious and comedic roles with equal aplomb was admired in the industry. He turned screenwriter for films like Kattathe Kilikkoodu, Theertham, Sruthi, Ambada Njane, Oru Katha Oru Nunnakkatha, Savidham and Angane Oru Avadhikkalathu. The actor also helmed a film titled Pooram. Besides acting, Venu was also adept at playing the mridangam.

Actor-filmmaker Prithviraj Sukumaran took to Twitter to mourn the demise of Nedumudi Venu. Sharing a photo of the veteran artiste, Prithviraj wrote, “Farewell Venu uncle! Your body of work and your expertise over the craft will forever be research material for generations to come! Rest in peace legend! NedumudiVenu.”

Filmmaker Sangeeth Sivan also expressed grief at the news. His post read, “Absolutely shattered to know that NedumudiVenu is no more! One of our finest actors. Such a huge loss to Malayalam cinema. He leaves behind an impressive & varied filmography & will live in our hearts forever. OmShanti.”

Kajol and Revathy Collaborate For Film, The Last Hurrah

Famed Bollywood veteran actress Kajol is collaborating with actress-turned-director Revathy for her upcoming new film, The Last Hurrah. Taking to Instgaram on Thursday, the My Name Is Khan  actress shared the exciting news with her fans and posted an adorable click with the 2 States actress.

Calling it an inspiring story, Kajol, 47, captioned the picture as, “So happy to announce my next film with the super awesome Revathi directing me.. called ‘The Last Hurrah’. A heartwarming story that made me instantly say YES! Can I hear a “Yipppeee” please.

Described as a big moment for the Bollywood world, the two extraordinary talents collaborating to create something remarkable has created much enthusiasm among millions of their fans worldwide.  Both have created milestones with their work in the Indian film industry and this dream team is going to create an inspiring story with their upcoming film, “The Last Hurrah.”

Inspired by a true story and real characters, “The Last Hurrah” tells a tale of an exemplary mother, Sujata, who battled the most challenging situations one can face with a smile. The film is currently in pre-production and will soon go on floors.Talking about her first collaboration with Kajol and choosing this story for her, Revathy shares, “Sujata’s journey is extremely close to my heart. It’s not only relatable but also inspiring. When Suuraj, Shraddha and I were discussing this film, Kajol was the first person who came to mind. Her soft yet energetic eyes and her beautiful smile will make you believe that anything is possible and that is exactly how Sujata is. I am very excited for this collaboration and to be working with Kajol for this heartening story.”

Elated to come together with Revathy, Kajol adds, “When I heard the story of “The Last Hurrah,” I could instantly connect with Sujata and I thought her journey was incredibly inspiring. I think it’s a beautiful journey and it deserves to be shared with everyone. And to have Revathy direct me for this story gives me more strength to play Sujata and showcase her strengths.”

Bringing together the dynamic new duo, Revathy and Kajol, producers Suuraj Singh and Shraddha Agrawal say, “We think it is a coup for us to be able to get these two powerhouses. With Revathy’s nuanced direction and Kajol’s outstanding performance, we are sure that this film is going to touch many hearts.”

Produced under the banner of Blive Productions and Take 23 Studios, the film is written by Sammeer Arora.

SRK’s Son Among 10 Held As NCB Busts Rave Party On Cruise Ship Near Mumbai

The Narcotics Control Bureau (NCB) has detained around 10 people after it raided a ‘rave party’ being held on a luxury passenger cruise ship travelling from Mumbai to Goa and has brought in Aryan Khan, the son of Bollywood superstar Shah Rukh Khan, for questioning in connection with the case.

According to News 18, Shah Rukh’s son Aryan Khan was detained from the ship and is currently being questioned by the NCB at its Mumbai office. Reports say his phone has been seized and is being studied. NCB’s Sameer Wankhede told the media that Aryan Khan has not been arrested or booked under any charges, and that he has only been brought in for questioning. Visuals have emerged on social media where he can be seen at the NCB office, where the other eight people have also been taken.

An NCB team led by zonal director Sameer Wankhede went under the guise of regular passengers and the agency said 8-10 people who were consuming drugs have been held. The NCB officials claimed that a few days ago, they had received information about the rave party that was being organized on the passenger cruise ship which was to leave for Goa on Saturday evening.

The Narcotics Control Bureau on Saturday carried out a raid and busted a rave party on a cruise ship mid-sea off the Mumbai coast. At the time of going to the press, the raid was still underway and the NCB officials were in the process of registering a FIR under NDPS act. The sources in the department revealed that around 10 persons including the son of a Bollywood actor were detained for allegedly being part of the rave party.

The NCB officials claimed that a few days ago, they had received information about the rave party that was being organized in the passenger cruise ship which was to leave for Goa on Saturday evening. The NCB personnel accordingly booked tickets and boarded the cruise ship disguised as passengers. “As soon as the cruise left Mumbai coast and reached mid-sea, few passengers started consuming drugs after which the NCB officials then started their operation and caught them red handed,” said a source. Cocaine and other synthetics drugs have been found in their possession which were subsequently seized during the raid, said officials

The captain of the ship was instructed to take the cruise to the international cruise terminal at Ballard Pier in south Mumbai. Zonal director of NCB, Sameer Wankhede and his team took all the detainees along with their luggage to the NCB office in south Mumbai. While searches were still being carried out inside the passenger cruise ship. “The procedure of seizing drugs in the presence of eye witnesses is still going on,” said an official.

The detainees will be soon sent for medical examination to a nearby government hospital, said NCB officials as that will help them to ascertain whether they had consumed drugs. “The report will also act as a crucial piece of evidence,” said a source. Also heavy deployment of policemen from the Mumbai police force was witnessed in and around the terminal. It is also revealed that several people who had come to Mumbai from another state to travel in the ship were not allowed to board sighting a reason that their server was not working. Also it has come to light that the event organizers had overbooked due to which they refused entry to many people.

Navatman’s First Feature Film, The Mahabharat To Be Released In November

Navatman, the critically acclaimed NYC-based cultural hub for classical Indian dance and music, is bringing The Mahabharata to film in the first-ever retelling that is driven by young, immigrant artists hailing from across the United States. Through a stunning blend of classical Indian music and dance, and years of extensive academic research into the epic, Navatman’s Mahabharata proves why the Mahabharata matters in 2021.

Mahabharata, the largest epic in the world, by producer Navatman, Inc. Navatman, best known for its live theater productions, will be venturing into film for their first feature film – at 2 hours and 10 minutes – on the Mahabharata. Combining traditional Indian arts with film, this feature is part movie, including spoken word to help audiences understand the story, part dance and music using mudras and hand gestures in place of props and music and character storytelling methods from dance to help create emotional understanding of these stories.
This film includes many “firsts” – the first feature film told from the narrative of Indian classical dance and music traditions, first American/Indian diaspora film interpretation of the Mahabharata, a first feature film of the Mahabharata written solely by female scriptwriters, and a feature film that switches gender roles as actors and actresses. It is a story that is driven by sounds and images that are not an attempt to assimilate, but a story driven to help create cultural understanding for the next generation of Indians.

As quoted by Sahasra Sambamoorthi, the Artistic Director of Navatman’s Mahabharata – “It is our work to create space in a world that does not acknowledge the Mahabharata as a great piece of literature, a reclamation of a text by those whose heritage revolves around it.” The film will premiere at a gala event slated to be held at the SVA theater in Manhattan, NYC, on the evening of Nov 6. While this is an exclusive, invite-only event, the general public can access the film online on Navatman’s video rental app. Tickets are currently priced at $49.99 and the video can be rented for 2 days to be watched anytime, anywhere before it expires.

This two-hour feature film abides by the principles of theater in some ways, like actors playing multiple characters and music, movement & using mudras (hand gestures) to tell the story. It also includes lines for female characters, an addition to the critical edition of the Mahabharata (a compilation of hundreds of texts) where women are often seen but do not have a voice. “Our version allows us to work within gender norms differently – while very traditional to see Indian artists play male and female roles on the stage, putting this into a film version of the Mahabharata puts a twist on who gets to play what roles in this world, and allows a space for arts organizations like ours to tell stories in a novel format. Yes, the pandemic forced us to explore digital means of doing our work – we started rehearsing for a stage production and then had to change gears to be on-camera – but I am glad that it did. Our Indian dance & music based film is going to be epic!”.

In other ways, it is a feature film with its 4K video shots and surround sound, powerful film editing and meaningful sets across New York and New Jersey. “It’s an incredible feat to have captured a massive story like the Mahabharata like we have. Our artists are not film actors, not theater actors, but professionally trained dancers & musicians who are great at their craft. I can proudly say that Navatman self produced and created this opportunity using its own resources, a feat that will allow dancers and musicians around the world to embolden their cultural and artistic heritage,” says co-founder of Navatman.Sridhar Shanmugam Navatman is a performing arts organization that empowers the individual to nurture his or her personal evolution through interactions with the Indian classical arts. Founded with an eye towards creating a home for the Indian classical performing arts in NYC, Navatman is best known for their Manhattan based and online classes, critically acclaimed productions, dynamic dance company, stellar music ensemble, and Drive East – a week long collaborative festival celebrating their mission. Broadcast on: www.navatmanvideobroadcasting.uscreen.io
Tickets: $75 early release, $50 December release; Info/purchase: www.navatman.org/mahabharata; Email: [email protected]; Phone: 732.580.2093

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