Category: Culture

An exhibition commemorating the life and work of Swami Vivekananda, highlighting his enduring global influence on spirituality and bridge-building, was recently showcased at the United Nations. This event aimed to underscore Vivekananda’s vision of interconnectedness and his profound contributions to fostering understanding between diverse cultures.

“Vivekananda stands taller and taller, inspiring people across the world, not only in India,” remarked Swami Sarvapriyananda, resident minister of the New York Vedanta Society, at the exhibition’s opening. He emphasized Vivekananda’s ever-growing influence, suggesting that his teachings resonate universally, expanding beyond geographical boundaries. Sarvapriyananda continued, “He built a bridge between the East and the West when he traveled to the World Parliament of Religions in Chicago in 1893, and the bridge is very strong, and very vibrant today.”

India’s Consul General in New York, Binaya Srikanta Pradhan, added that Vivekananda’s teachings on humanity’s unity, which draw from ancient Hindu philosophy, hold particular relevance at the UN—a space dedicated to fostering global harmony and understanding. This alignment underscores the shared values between the UN’s mission and Vivekananda’s message.

The event was organized by the Society for Enlightenment and Transformation (SEAT), a part of the UN Staff Recreation Council (UNSRC), with support from the Hindu Swayamsevak Sangh (HSS), who curated the exhibits displayed. According to UNSRC President Peter Dawkins, the exhibition serves to spotlight Vivekananda’s enduring relevance, particularly within the context of the UN’s core values. “We’re hoping to raise awareness of the life of Vivekananda, what he brought to the West, in particular, his strong connection to New York and also, if not directly, but indirectly, to the United Nations,” Dawkins explained.

This exhibition sought not only to educate but also to remind the world of Vivekananda’s ideas about service, selflessness, and unity. Ganesh Ramakrishnan, an outreach coordinator for the HSS, commented on the appeal of Vivekananda’s teachings, especially among younger generations. He noted that Vivekananda’s call for “seva, which is selfless service,” continues to resonate powerfully with the youth today, inspiring them to contribute positively to society.

Vivekananda’s role as a figure of Indian pride and national identity was also highlighted. Sarvapriyananda credited him with providing India with a renewed sense of self-worth and a forward-looking national identity, a perspective many historians share. “Somebody called him the unconscious father of modern Indian nationalism,” Sarvapriyananda said, noting that Vivekananda’s influence on India’s freedom movement stemmed from his emphasis on self-respect and cultural pride, fostering a modern Indian identity.

Education and scientific thought were also close to Vivekananda’s heart, and his influence extended into these domains, bridging spirituality and science. Panels at the exhibition depicted his interactions with renowned scientists like Nikola Tesla, showcasing Vivekananda’s belief in a harmonious relationship between science and spirituality. Sarvapriyananda recounted that Vivekananda’s vision indirectly inspired the establishment of the Indian Institute of Science in Bengaluru. Jamsetji Nusserwanji Tata, a prominent Indian industrialist, was inspired to establish the institute after meeting Vivekananda on a ship en route to the United States. Sarvapriyananda noted that the institute has become a foundation for scientific and engineering education in India, producing thousands of professionals who have made significant contributions globally, especially in the United States.

This exhibition at the UN underscored Vivekananda’s legacy as a universal symbol of wisdom and unity, his influence still palpable in education, science, and spirituality worldwide.

Diwali at Times Square 2024 may be over but the memory of it will last a lifetime for those who witnessed the festival in the heart of New York City on Saturday, October 19^th, 2024.

“Our objective from the beginning has been to take India to mainstream America” “and today, I’m excited to share that thanks to the support of the mainstream media and more Corporate Sponsors aligning to support us this year, we are achieving that goal” said the Founder of Diwali at Times Square, Neeta Bhasin.  She also emphasized the importance of instilling Indian American youth with a sense of pride for their heritage, while also fostering cross-cultural exchange.

Diwali at Times Square was honoured to welcome the Office of Faith-Based and Community Partnerships of NYC for the first time ever as a presenting partner alongside KIA who returned as a presenting sponsor of the festival and Procter & Gamble who joined the festival as a gold sponsor.

The festival showcased the “Colors of India and America” featuring performances of different states of India and highlighted performances of other ethnic communities like Indo-Caribbean, Africa and Mexico.

One of the biggest attractions in Diwali Bazaar was ‘Kids Zone’, where children were painting Diyas (clay) and creating beautiful Rangoli art and enjoy interactive reading sessions. Additionally, there was food sampling from some of our sponsors and free henna before Karva Chauth (the fast Indian women keep for their husband’s long life) that attracted thousands of people to Diwali Bazaar

The Diya (lamp) lighting ceremony on stage was synchronized with the countdown on the One Times Square tower and it was inaugurated by the Consul General of India, Binaya Srikanta Pradhan, Senator Chuck Schumer, NYC Mayor Eric Adams, Assemblywoman Jenifer Rajkumar, NYPD Commissioner, NYC Commissioner of Immigration, NYC Commissioner of International Trade Affairs, Dilip Chauhan, Deputy Commissioner International Affairs, Justice Karen Gopee, along with our honorees and sponsors.

The Consul General of India, Binaya Srikanta Pradhan emphasized on the deeper meaning of the festival saying “I have realized that Diwali at Times Square is more than just a festival – it is a celebration of our shared values, culture, togetherness, love, and diversity”

Senator Chuck Schumer appreciated the contribution of South Asian community to NYC by saying “The more South Asians we have in NYC, the better NYC is” and I want to salute the fact that Diwali is now a school holiday

NYC Mayor Eric Adams said “What better place to celebrate the festival of lights than in the crossroads of the world.  I’m proud to be with our Hindu brother and sisters today for the annual Diwali at Times Square celebration as we push away the darkness and welcome the light all cross our city”

Chandrika Tandon, Grammy Award Nominee and Founder of the Krishnamurthy Tandon Foundation the recipient of the “Woman of the Year Award” expressed her gratitude and shared this honour with everyone in the audience.

Raja Rajamannar, Chief Marketing & Communications Officer, Mastercard was honoured with the “Man of the Year Award” and was humbled to accept the recognition which he shared with his wife Jyothi

House of Spices ‘This year, we are proud to debut our latest Diwali campaign at the event. We are confident this campaign will resonate deeply with every Indian student, helping them feel connected to home, even from thousands of miles away.

The program ended with the ‘Light Up Times Square Concert’ where national and international performers from musical industry rocked the stage. The energy of the performers and the attendees really brightened Times Square.

Grammy Award Nominee Chandrika Tandon and the Young People’s Chorus of New York City started the program with Ganesha (Removal of Obstacle God) Prayers.

Sparsh Shah, an American rapper, singer, songwriter and inspirational speaker who has a very rare disorder Osteogenesis Imperfecta also known as Brittle Bone Disorder rocked the stage with his performance.

Shannon K, a rising star from LA is a singer and songwriter mesmerized the audience with her performance.

Preeti and Pinky from India sang their famous songs of 90’s that are viral in social media. People are still dancing on those popular songs.

Sukhbir Singh, ‘Prince of Bhangra’ whose music varies from pure Punjabi to fusion, shook the entire stage with his the most energetic performance forced people to dance with him on every song specially ‘Oh Ho HoHo’

The finale performer Raghav made every age group to sing with him on his famous songs including ‘Ange Eyes’ that topped the charts across the world in late 90s.

Diwali at Times Square was celebrated in association with “Samman for All”; its mission is to facilitate people from the lower-economic strata to achieve their dreams by providing them with tools for sustainable living and empowerment,

“Diwali celebration serves as a powerful symbol of unity, bridging cultural ties and fostering diversity”

Special Thanks to all our partners, Presenting Sponsors NYC Faith-Based and Community Partnership, Kia USA. Proctor and Gamble first time supporter. Northwell Health,  State Bank of India, House of Spices-Laxmi, Dabur, Bru, Jennifer Furniture, Instarem, Caravela Resort, Tribeca Rooftop-360, Benares, Crest Hollow. Special thanks to our hosts, Shanelle Kaul, CBS News Network broadcaster, Jennifer Bisram, CBS News New York broadcaster, Anushka Arora, RJ from London and Rita Kakati Shah.  Thanks to Sunita SadhnaniFounde of GLAMOROUS Event Planners & Productions and other partners. Without their support this festival will not be possible.

Diwali at Times Square will celebrate its 10^th year anniversary in 2025. The plan for this milestone has already started and the festival will be full of surprises and excitement!

When viewed from above, satellite images reveal a faint strip connecting India and Sri Lanka. Known as Adam’s Bridge, Ram’s Bridge, or Ram Setu, this natural chain of limestone shoals stretches across the Indian Ocean for 30 miles (48 kilometers). With a blend of geological, historical, and mythological significance, Adam’s Bridge has become a subject of intrigue for scientists, scholars, and spiritual believers alike. Here, we delve into the formation’s rich background across history, mythology, and scientific exploration.

Adam’s Bridge, bridging India’s Rameswaram and Sri Lanka’s Mannar Island, has long fascinated historians and archaeologists. For centuries, this land bridge was traversable on foot up until the 15th century, shaped by natural forces over thousands of years. According to geological research, such as that by the Geological Survey of India (GSI), the Rameswaram and Talaimannar landmasses likely became exposed as sea levels shifted between 7,000 and 18,000 years ago. This shift led to the emergence of the shoals we see today, with coral forming over sand deposits to create the visible structure.

Through thousands of years of shifting landscapes, natural forces drove India and Sri Lanka further apart, forming the Palk Strait. Deposits from the Kaveri River and strong coastal currents molded the present-day islands and sandbanks collectively known as Adam’s Bridge. “Some corals in the area date back 125,000 years,” researchers have noted, underscoring the deep history behind this geological wonder.

There are two predominant theories about how Adam’s Bridge came to exist. One theory suggests that the shoals emerged through sustained sediment deposition, leading to the formation of barrier islands. Another perspective posits that the Bridge may represent an ancient shoreline, hinting that India and Sri Lanka were once connected by land.

The idea of constructing a navigable channel between southern India and northern Sri Lanka has intrigued engineers for centuries. In 1782, English oceanographer James Rennel proposed a maritime route through these waters. This concept took form in the Sethusamudram Shipping Canal Project, initially proposed in 1955, which aimed to create a 167-kilometer channel through the Palk Strait, linking it to the Gulf of Mannar. Such a channel would save up to 36 hours of travel time for maritime routes and reduce distances by over 400 kilometers.

Despite the logistical advantages, the project has encountered significant challenges and delays. In 2005, the Indian government greenlit the initiative, which involved dredging the shallow seabed. However, environmentalists raised alarms, warning that dredging could destroy fragile coral ecosystems and disrupt the livelihoods of local fishing communities. Concerns were also raised about potential environmental hazards, including the possibility of releasing thorium deposits, an element found in India’s seabed that could increase the area’s vulnerability to natural disasters like tsunamis.

Beyond environmental concerns, the project stirred religious and cultural sensitivities. For many, Ram Setu is more than a geological formation; it is a revered cultural structure believed to have been constructed by Lord Rama’s divine intervention. This view has spurred strong resistance from various religious groups and political parties, ultimately halting the project. In 2013, the Indian Supreme Court acknowledged these sentiments, ruling in favor of protecting the Bridge on cultural grounds. As a result, the Sethusamudram project remains stalled, and its future remains uncertain amid ongoing debates.

Beyond its historical and geological facets, Adam’s Bridge is a significant symbol in both Hindu and Abrahamic mythology. In the Hindu epic Ramayana, dating back to 1000-500 BC, the Bridge plays a pivotal role in Lord Rama’s journey to rescue his wife, Sita, from the demon king Ravana of Lanka. According to legend, Lord Rama’s army, the Vanara Sena (Army of Ape Men), constructed the Bridge by writing Rama’s name on stones that floated on the water through divine grace, providing a path from India to Lanka.

The Bridge’s mythological significance extends to the Abrahamic traditions as well. Islamic and Christian folklore identify this formation as Adam’s path after he was expelled from paradise. According to certain traditions, Adam is believed to have traveled across the Bridge from Sri Lanka’s Adam’s Peak to India. This connection is echoed in ancient texts, including Ibn Khordadbeh’s 9th-century work, Kitāb al-Masālik wa-l-Mamālik, where it is referred to as Set Bandhai or “Bridge of the Sea.” Additionally, the 11th-century writings of Al-Biruni add to its mythic reputation.

Whether created by natural forces or ascribed to divine construction, Adam’s Bridge is a timeless symbol, uniting lands, faiths, and generations through wonder and intrigue.

On Wednesday, Ayodhya marked Deepotsav 2024 with an extraordinary celebration as thousands gathered along the Sarayu River’s banks to celebrate Diwali. This year’s Deepotsav is particularly significant as it follows the consecration of the Ram Temple in January, marking the first Deepotsav since this event.

The celebration also saw two new Guinness World Records. One record was for the largest number of people performing a synchronized ‘diya’ rotation. The second was achieved by the Uttar Pradesh Department of Tourism and the District Administration of Ayodhya, for lighting a stunning 25,12,585 oil lamps. Uttar Pradesh Chief Minister Yogi Adityanath received both awards on behalf of the state, highlighting Ayodhya’s growth as a cultural hub.

The sight of over 25 lakh oil lamps adorning the Sarayu River banks created a remarkable visual, symbolizing the victory of light over darkness. This display fostered a powerful sense of unity among attendees, capturing the spirit of Deepotsav.

Chief Minister Adityanath played a central role in the celebration, ceremonially leading a chariot carrying artists dressed as Lord Ram, Sita, and Lakshman. The tableau symbolized Lord Ram’s return to Ayodhya. Several high-profile attendees joined him, including Union Minister Gajendra Singh Shekhawat, Deputy Chief Ministers Brajesh Pathak and Keshav Prasad Maurya, among others. Helicopters showered flowers over the artists portraying Ram, Sita, and Lakshman, adding grandeur to the celebrations.

A procession featuring 18 vibrant tableaux moved from Saket Mahavidyalaya to Ram Katha Park, where each tableau depicted a story from the Ramcharitmanas, celebrating Ram’s life and legacy. Firecrackers and bursts of gulal added color and sound to the festive procession, delighting spectators and reflecting Ayodhya’s rich culture.

Addressing attendees at the eighth edition of Deepotsav, CM Adityanath remarked on Ayodhya’s transformation as a sign of the “double-engine government delivering on its promise,” referring to the combined efforts of the BJP-led state and central governments. He described this year’s celebration as historic, noting that it was the first Diwali in 500 years in which “Lord Ram is now in his abode in Ayodhya.” He emphasized that the current progress in Ayodhya is just the beginning, expressing hopes that by 2047—India’s 100th year of independence—other sacred cities like Kashi and Mathura would also be revitalized to reflect Ayodhya’s transformation.

Adityanath also paid tribute to the numerous individuals who contributed to the Ram Janmabhoomi movement. “I bow to all those saints on this occasion, and to the martyrs, around 3,50,000 in number,” he said. He honored those who sacrificed their lives with the dream of seeing a temple for Lord Ram built in Ayodhya. “Their sacrifices will always be remembered as we celebrate this historic moment,” he added.

While the Deepotsav celebrations garnered widespread appreciation, they were not without controversy. Awadhesh Prasad, a member of the Samajwadi Party and MP of Faizabad, claimed that the Ayodhya administration did not invite him to participate in the event. Prasad criticized the BJP for “politicizing festivals” and said, “I extend my greetings to all residents of Ayodhya on the occasion of Diwali. I consider it my good fortune that I was elected from here. BJP is politicising our festivals too. I hope this will be a festival of brotherhood,” he told ANI. He emphasized his wish for the festival to promote unity and brotherhood, rather than division.

The Al-Khoei Benevolent Foundation has issued a stern condemnation following derogatory comments and assassination threats directed at Grand Ayatollah Sayyid Ali Al-Sistani, one of the most esteemed Shi’a Muslim spiritual leaders. These remarks were aired on the Israeli television show *The Patriots*, broadcast by Channel 14 earlier this week. Although the show is characterized as satirical, a particular segment suggested that Ayatollah Al-Sistani should be assassinated, sparking widespread outrage. The Foundation described the remarks as both propagandist and a dangerous threat.

Grand Ayatollah Al-Sistani commands widespread respect across different faiths due to his unwavering advocacy for peace, moderation, and tolerance. The Al-Khoei Foundation stressed the seriousness of the assassination suggestion, particularly in the context of Channel 14’s previous statements, which have often been criticized for promoting violence and even war crimes. This recent threat, made against the backdrop of an ongoing war in Gaza and Lebanon, has only amplified concerns about the incendiary nature of the broadcast.

In its statement, the Foundation highlighted the increasing violence in the region and referenced remarks made by Israeli military officials targeting Shi’a Muslim communities. According to the Foundation, these incidents reflect broader attempts to create division within the region. They underscored that any threat to Ayatollah Al-Sistani, even if veiled within satire, should be taken seriously as it has the potential to exacerbate an already tense situation.

The Al-Khoei Foundation is widely recognized for its humanitarian, educational, and civil society initiatives. It strongly condemned the inflammatory rhetoric broadcast on *The Patriots*, warning that such speech could lead to further violence. The Foundation called attention to the devastating toll of the ongoing conflict, which has led to the loss of thousands of lives and the displacement of countless individuals. They criticized the content of the broadcast for undermining peace talks and ceasefire efforts, arguing that this type of rhetoric only hampers attempts to find a peaceful resolution to the conflict.

The Foundation urged the international community to take a firm stance against such provocations. Specifically, they called upon the United Nations, religious and political leaders, and individuals of conscience around the world to denounce these harmful remarks. The Foundation emphasized the importance of holding accountable those who incite violence, arguing that failure to do so could destabilize ongoing efforts towards peace.

Reaffirming its commitment to peace and justice, the Al-Khoei Foundation reiterated that it stands by the principles of Grand Ayatollah Al-Sistani, who has always advocated for the rights of all people, particularly those facing oppression. The Foundation expressed its unwavering support for the Palestinian people’s right to self-determination. They concluded their statement with a call for unity in protecting the values of peace, security, and universal human rights amidst the continued conflict.

The inflammatory nature of the remarks made on Channel 14 has only deepened the divide between opposing sides in the conflict. The Al-Khoei Foundation highlighted the potential consequences of such rhetoric, especially during a time when diplomatic channels should be open for dialogue and peace negotiations. Their concern is that divisive speech, particularly when broadcast on a public platform, can have a ripple effect, leading to more violence and less opportunity for peace.

The Foundation’s call to action resonates not only with the Muslim community but also with people of all faiths who value peace and human dignity. By raising awareness of the dangerous consequences of such defamatory remarks, the Foundation hopes to encourage global solidarity in the face of incitement. They stressed the need for the international community to remain vigilant against any attempts to inflame tensions further, particularly in a region already suffering from severe instability.

In the same statement, the Foundation reflected on Grand Ayatollah Al-Sistani’s profound influence in fostering dialogue and reconciliation across sectarian divides. His role as a mediator in conflict situations has earned him respect from not only his followers but also from leaders around the world. The Foundation pointed out that such leadership, which is centered on compassion and understanding, should be celebrated rather than targeted with hateful rhetoric.

Moreover, the Foundation reminded the public of the broader context in which these remarks were made. With the ongoing conflict in Gaza and Lebanon causing immense suffering, they argued that now is the time for voices advocating peace and diplomacy, not for those promoting further division and violence. The Al-Khoei Foundation urged media outlets to consider the impact of their broadcasts, particularly when discussing sensitive issues related to the conflict, warning that irresponsible reporting can contribute to the cycle of violence.

In response to the threatening remarks, the Foundation called for renewed efforts to safeguard figures like Ayatollah Al-Sistani, whose message of peace is crucial during this period of heightened tensions. They emphasized the need for protection, not only for the Grand Ayatollah but also for other religious and political figures working towards peace in the region.

The Al-Khoei Foundation’s condemnation of the remarks broadcast on *The Patriots* aligns with its broader mission to promote tolerance, mutual respect, and understanding. As a charitable organization committed to serving humanity, the Foundation views this kind of rhetoric as an obstacle to the realization of these values. They believe that through solidarity, dialogue, and a shared commitment to justice, the international community can work together to overcome such challenges.

The statement concluded with a message of hope, despite the ongoing violence. The Foundation reiterated its commitment to peace and expressed its belief that, through collective efforts, a peaceful resolution to the conflict can be achieved. They called upon individuals, governments, and organizations worldwide to unite in rejecting violence and working towards a more just and peaceful future for all people, regardless of their religious or ethnic background.

As the situation in the Middle East continues to evolve, the Al-Khoei Foundation remains steadfast in its advocacy for peace, moderation, and dialogue. Their strong response to the defamatory remarks against Grand Ayatollah Al-Sistani serves as a reminder of the importance of responsible speech in times of conflict. The Foundation’s message is clear: there can be no place for threats or incitement in the pursuit of peace and justice.

In their final remarks, the Foundation expressed a deep sense of solidarity with all those affected by the ongoing violence, particularly the Palestinian people, and urged continued international efforts to bring about an end to the suffering. They reaffirmed their belief in the power of peaceful solutions and called for renewed commitments to protect human rights and dignity in the face of adversity.

Human history has spanned countless generations and seen the rise and fall of civilizations, shaping the world we live in today. Ancient cultures, traditions, and beliefs have evolved over millennia, and some countries have histories that stretch back thousands of years. Here’s a look at the ten oldest countries in the world, as ranked by the World Population Review.

1. Iran – 3200 BCE

Iran’s history dates back tens of thousands of years, with its first major city, Susa, built around 3200 BCE. The Iranian empire began during the Iron Age, and the Achaemenid Empire, founded by Cyrus the Great, became the largest empire in the world at the time. Spanning from the Balkans to Central Asia and North Africa, the Achaemenid Empire was a key player in global history. Cyrus is celebrated for his military conquests, but also for his relatively progressive policies, including respect for the customs and religions of the lands he conquered. Iran’s rich and ancient culture continues to influence its identity today.

2. Egypt – 3100 BCE

The Egyptian civilization dates back to around 3150 BCE when Upper and Lower Egypt were unified by King Narmer, the first king of the First Dynasty. This early period marked the start of one of the longest-lasting civilizations in history, lasting nearly 3000 years. Ancient Egypt became known for its impressive monuments, like the pyramids and the Sphinx, and for its complex society, which was deeply connected to the Nile River. Though Alexander the Great conquered Egypt in 332 BCE, its legacy endures, and its influence on the Mediterranean and beyond is undeniable.

3. Vietnam – 2879 BCE

The history of Vietnam stretches back 20,000 years, with early settlers, the Hoabinhians, occupying the area. The first legendary state of Vietnam was established around 2879 BCE, with the people in the region forming a government. The primary motivation for this was to manage the recurring floods from the Red River, protect the area from invaders, and encourage trade. Vietnam’s long history of resisting invaders, from the Chinese to the French and the Americans, has played a central role in shaping its modern identity. The Vietnamese people’s resilience is a recurring theme throughout their history.

4. Armenia – 2492 BCE

Armenia’s historical roots go deep, with evidence of human presence in the region dating back to the Lower Paleolithic period, around a million years ago. The earliest widely accepted reference to the Armenian people comes from the Behistun Inscription, a 6th-century BCE source. Armenia is a country steeped in history, and its role as one of the earliest adopters of Christianity in the 4th century remains a defining feature of its identity. While its ancient kingdom has long since faded, Armenia’s cultural and historical significance endures.

5. North Korea – 2333 BCE

According to legend, the first Korean kingdom, Gojoseon, was founded in 2333 BCE by the semi-divine figure Tangun. This date is commemorated as National Foundation Day, or Gaecheonjeol, in South Korea. While North Korea does not celebrate the day as a public holiday, a ceremony is held annually at the Mausoleum of Tangun. Korea’s long history of dynasties and external influence, particularly from China and Japan, has helped shape the distinct identities of the two Koreas today. The legend of Tangun continues to play a central role in North Korean mythology and identity.

6. China – 2070 BCE

China’s civilization is among the world’s oldest, with continuous history spanning around 4000 years, though some evidence suggests signs of civilization as far back as 5800 years ago. China’s pre-imperial history includes key dynasties such as Xia, Shang, and Zhou, which shaped the foundation of Chinese culture, government, and philosophy. The Xia Dynasty, traditionally considered the first, began around 2070 BCE. Following this, various imperial dynasties rose and fell, but China remained a dominant force in the region. Today, China stands as one of the oldest continuous civilizations, its historical influence undeniable.

7. India – 2000 BCE

India’s rich history stretches back over 5000 years, with the Indus Valley Civilization being one of the earliest advanced societies, emerging around 3000 BCE. The first humans arrived in India between 70,000 and 50,000 BCE, marking the beginning of continuous settlement. The Indus Valley Civilization, with cities like Harappa, thrived from 3300 to 1600 BCE. India also witnessed the rise of powerful empires, such as the Maurya and Gupta dynasties, which contributed significantly to mathematics, science, art, and philosophy. India’s long history of cultural diversity and exchange continues to shape its modern identity.

8. Georgia – 1300 BCE

Georgia’s history dates back much further than 1300 BCE, though this is the date commonly cited as the formation of its earliest government. Evidence of human occupation in Georgia goes back 1.8 million years, with the discovery of the Dmanisi Hominins, a subspecies of Homo erectus. This ancient country has been at the crossroads of many empires, including the Roman, Persian, and Ottoman empires. Georgia’s location in the Caucasus has made it a key strategic and cultural region throughout history, and it remains a unique blend of East and West.

9. Israel – 1300 BCE

The earliest recorded evidence of the Israelites dates to around 1200 BCE, as seen in the Merneptah Stele from ancient Egypt. These early Israelites were nomadic and tribal, eventually settling in Canaan. Over time, they established a more formal kingdom, with key figures like King David and King Solomon playing significant roles in uniting the tribes and building Jerusalem as a cultural and religious center. The historical importance of Israel, both as an ancient kingdom and as a modern nation, remains deeply significant, especially in religious and cultural contexts.

10. Sudan – 1070 BCE

The region now known as Sudan has a long history of human settlement, with evidence of habitation dating back to the Mesolithic era (30,000 to 20,000 BCE). However, Sudan’s more formal history begins around 1070 BCE, when the Kingdom of Kush rose to prominence. Kushite rulers even ruled over Egypt during the 25th Dynasty, known as the “Kushite Dynasty.” Sudan’s history is closely intertwined with that of Egypt and other neighboring regions, and it has long played an important role in the history of the African continent.

These countries, with histories dating back thousands of years, continue to influence the world today. Their ancient cultures and legacies live on in modern societies, offering insight into humanity’s shared past and the development of civilizations over time.

While ancient wonders like the pyramids of Giza and Stonehenge are widely recognized as significant monuments of early human civilization, they are outdone by Göbekli Tepe, the world’s oldest known place of worship, which dates back an astonishing 6,500 to 7,000 years earlier. Situated in the southeastern region of modern-day Turkey, this archaeological site dates to approximately 9600 BCE and offers a unique glimpse into the early days of human settlement. It is a “tell,” or an artificial mound formed by generations of human activity in the same location. Göbekli Tepe has not only shed light on Stone Age communities but also challenged long-held assumptions about the birth of human civilization.

Since excavations began in 1995, Göbekli Tepe — which means “potbelly hill” in Turkish — has revealed a complex site containing limestone megaliths arranged in circular patterns, smaller human statues, Neolithic tools, and remains of animal bones. The megaliths, carved with images of wild animals, anthropomorphic beings, and human clothing, suggest that the site was likely used for ceremonial purposes, possibly of a spiritual or religious nature. Radiocarbon dating has determined that these ruins are at least 11,000 years old, placing them in a time when humanity was transitioning from nomadic hunting and gathering to more permanent settlements. This finding has forced anthropologists to reconsider the belief that organized religion only developed after agriculture had firmly taken root in society.

Archaeological evidence from Göbekli Tepe indicates that it may have been a larger, more permanent settlement than originally believed. Moreover, there are hints that it was not the only Neolithic temple complex in the region, suggesting that other, similar places of worship may have existed during the same period. However, despite these possibilities, Göbekli Tepe remains an unparalleled resource for learning about prehistoric humans. While we can only speculate about the meaning behind the stone arrangements and strange symbols, the site continues to be a treasure trove of information about people who lived millennia before the construction of the Egyptian pyramids.

One of the most intriguing aspects of the site is the evidence suggesting that large quantities of beer may have been produced at Göbekli Tepe. The massive limestone pillars at the site weigh several tons and were hauled up a 50-foot hill, a feat that would have required considerable manpower. How, then, were people motivated to perform such labor-intensive work without the assistance of modern machinery? Some archaeologists believe that a beer-fueled feast might have been the answer. In a 2012 paper, researchers working at the site reported the discovery of six large vessels with a 160-liter capacity. These containers contained traces of oxalate, a chemical byproduct of grain fermentation, which is essential in the production of alcohol.

Though it might seem amusing to imagine that beer was a central part of life at Göbekli Tepe, the idea that alcohol played a significant role in early human communities is not far-fetched. For years, archaeologists and historians have debated whether humans first cultivated grain to produce bread or beer. The discovery of these vessels at Göbekli Tepe pushes the timeline of alcohol production further into the past and lends credence to the idea that shared drinking experiences helped to foster social bonds in ancient societies. In the case of Göbekli Tepe, it is easy to imagine how communal celebrations involving beer may have helped bring people together to complete the otherwise arduous and unthinkable tasks of life 11,000 years ago.

As a result, Göbekli Tepe has opened a window into a long-lost world, where early humans may have gathered for both spiritual ceremonies and social celebrations involving feasts and alcohol.

Loot, a despicable word, was evidently among the first few Hindustani expressions to enter the British lexicon. It aptly illustrates the brand of British colonisation like no other word.

On a chilly evening in the first week of December in 1862, British Empire’s railway engineer E.B. Harris reached a small riverside market village called Sultanganj on the south bank of Ganges some twenty miles west of Bhagalpur. Here his 4,771 workers were excavating a vast mound of bricks on the hillside to build a railway yard. Harris, recognised among the railway engineers for the construction of the challenging Jamalpur tunnel, was alerted by the unexpected sound of field axes striking metal. The engineer rushed to the spot where at the depth of twelve feet he spotted the foot of a copper figure. Instantly a large number of people converged at the site. The workers shoved the crowds back and gently retrieved a statue entrenched in a brick-walled chamber. The copper figure was over seven feet and four inches tall and weighed five hundred kilogrammes. It was a stunning representation of Gautama Siddharth, the founder of Buddhism, who lived in India and Nepal around the 6th century BC. This was an amazing discovery.

The railway engineer with antiquarian leanings later noted, “I believe from what I can learn that nothing of the kind has ever been discovered before; certainly nothing in metal so large.” British archeologists confirmed that the copper statue was the only surviving one from the Gupta period of Indian history (4-7th century CE) and demonstrated the extraordinary skills of metal sculptors of ancient India. Some 700 years after it was made, the statue was deliberately buried in the Buddhist monastery for safekeeping from possible damage by foreign armies or rival kingdoms. The news about the chance unearthing of the statue spread swiftly and tens of thousands of Indians came out to pay their respect to the ancient sculpture known as Sultanganj Buddha. Harris, dressed in his vintage-safari hat and light-coloured suit was photographed standing next to the statue. But within two years it disappeared.

The news about the Sultanganj Buddha had reached the ears of Samuel Thornton, a railway ironmonger and the former Mayor of Birmingham. He acquired it for 200 pounds, and secretly shipped it to Britain. On its arrival at the London docks, curators of a local museum tried to pinch it but eventually it reached Birmingham safely. On 7 October 1864, Thornton, proudly presented the discovery of the British Empire to Birmingham Borough Council, writing, “…the colossal figure of Buddha, and the large marble one, to the town, to be placed in the Art Museum, now being erected, where they may be duly and properly located for the free inspection of the inhabitants of Birmingham.” Renamed ‘Birmingham Buddha’, it went on display first in the Corporation Art Gallery, then in a room in the Central Library in 1867. Eighteen years later in was placed as the most important artifact in the newly built Museum and Art Gallery inaugurated by King Edward VII when he was Prince of Wales. Since that day innumerable admirers of the British Empire romantically looking back at the Raj, have visited the Art Gallery to carefully scrutinise the Sultanganj Buddha’s arresting facial features that emphasise the rejection of the material world in favour of spiritual enlightenment. But the British Empire never set itself on the path of denying material wealth that was derived from its brutal campaign of global conquest. The Sultanganj Buddha displayed on British soil constantly reminds us of its illegitimate transfer from India. This was not a titanic achievement—it was loot.

Loot, a despicable word was evidently among the first few Hindustani expressions to enter the British lexicon. It aptly illustrates the brand of British colonisation like no other word. Late starters in the build your own global empire game, British seafarers followed the shipping fleets of Portugal, Spain, Holland, Denmark, and France towards the East. Just over a century after Vasco da Gama discovered the sea route from Europe to India, The East India Company was established in London in 1599 to reach out for India’s fabled treasures, gold, jewels, and spices. In the 17th and 18th centuries, India was prosperous while Britain was an inconsequential, feudal-ridden kingdom.

Essentially India had endured as an economically flourishing and culturally rich civilisation for millennia before Britain even existed. This multicultural spiritual centre of the planet knew that the Earth went around the Sun and many centuries before the first British ship docked on an Indian port, Indian entrepreneurs had shaped trade routes to Arabia, Africa, China, West Asia, and Southeast Asia. Then in 1602, the East India Company authorised by its charter to wage war, launched its maiden voyage to defeat the European powers in gaining control over India. Though the British outwardly came to India as a business venture and the adventure of finding new lands, the lines between exploration and exploitation blurred rapidly. The Company’s directors sitting in the boardroom of the multinational business in London employed the culture of corporate violence to make war across India. The gang of bankers, buccaneers, crusaders, gold-diggers, mandarins, pirates and planters, generated almost a quarter of Britain’s trade while systematically stripping India of its riches. And after defeating the Indians in the first war of Indian independence in 1857- 58, the British Crown directly took control of India and it became the jewel of the crown. Now the Queen of the small, rainy island in the North Atlantic ruled over the biggest empire in human history on which the sun never set. For the next ninety years, Indians were subjugated by Hukumat-i-Britannia’s repressive military rule, faced stringent race and class discrimination, and witnessed human greed at its basest.

By the time East India Railway’s Harris accidentally stumbled on the Buddha statue in Sultanganj in 1862, a ruthless campaign of appropriation of Indian art and the archaeological dismemberment of India had been underway for decades. In 1800 a strange-looking tiger automaton toy was delivered to an address on Leadenhall Street in Central London. This was the East India House, the office of the Chairman of the Court of Directors of the East India Company. Carted off from Mysore it was a part of the booty lifted from Tipu Sultan’s palace. The toy was a six-foot-long mechanised wooden piece that was painted in the shape of a tiger devouring a red-coated European soldier lying on his back. An organ cleverly concealed inside the tiger’s body produced sounds imitating a man’s dying moans as well as the roar of a tiger.
From July 1808 onwards it was put on view as a piece of imperial propaganda in the Company’s reading room. It became a popular sight and its sounds caused many members of the British public to faint from fear. Even two hundred and twenty years later the wooden tiger remains the most prominent and intriguing displays at the Victoria and Albert Museum in London. In 1849, the Koh-i-noor (the mountain of light), a beautiful 105.6-carat diamond that originated in the Golconda mines was removed to London under dubious circumstances. This mark of prestige and power in India for centuries was flaunted as an imperial possession in 1851 at the Great Exposition in London. In 1937 it was embedded in the royal crown of the Queen Mother and is now displayed at the Tower of London under the continual protection of the armed Yeoman Warders.

Inexplicably tourists are prohibited from photographing the famed diamond. Besides the over one-thousand-year-old sandstone sculpture of Harihara from Khajuraho now parked at the British Museum in London, one of the greatest robberies of all times from India was the famous Amaravati Railings originating from the Buddhist Stupa of Amaravati in the Guntur district. Here a magnificent architectural achievement of India, with a history that spanned seventeen centuries was ruthlessly dismantled piece by piece. In an indefensible act, the majority of the Stupa’s carved stones were hauled over to Britain. Today some of the Amaravati sculptures consisting of carved relief panels presenting narrative scenes from the life of Gautama Buddha as well as Buddhist emblems and symbols are displayed in Room 33 on the first level of the British Museum. Captain Henry Hardy Cole, the farsighted British Curator of Ancient Monuments in India during 1882-83, had unsuccessfully objected to the removal of the sculptures from the site and recorded, it is a “suicidal and indefensible policy to allow the country to be looted of original works of ancient art”.

Now it is well known that from the reign of Elizabeth I to almost the coronation of Elizabeth II there is an entire unrecorded parallel history of pillaging of Indian treasures. Far beyond the overhyped stories of the Hukumat-i-Britannia’s ceremonial durbars, maharajahs’ balls, Viceregal tiger shoots, cricket matches, Anglicized curries, parades, pageants, and shenanigans in Shimla, there exists the shameful colonial legacy of theft. Notwithstanding the British Empire’s assertion of its benevolence in introducing modern medicine, law, civil services, progressive education and railways in India all the expensive art pieces and artifacts stolen from India are now safely placed in the galleries and vaults of Britain’s museums and stately manors. They signify grave crimes that were committed in India in the name of racial superiority. The British program of plundering was essentially an indomitable endeavour to destroy India’s splendid history and obliterate our nation’s historical accomplishments as if they never existed.

Distinguished American historian Will Durant in his short pamphlet, The Case for India, remarked, “The British conquest of India was the invasion and destruction of a high civilization by a trading company utterly without scruple or principle… bribing and murdering, annexing and stealing, and beginning that career of illegal and legal plunder”. He added, that it was “the most sordid and criminal exploitation of one nation by another in all recorded history.” Recently Indian Economist Utsa Patnaik estimated that Britain decamped with a total of nearly $45 trillion from India during the period 1765 to 1938 but this excludes the environmental costs of aggressive deforestation and the institutionalized loot of Indian assets. To write a full-scale comprehensive history of the systematic ravaging of India by Hukumat-i-Britannia would be the work of many lifetimes for historians or the never-ending occupation of a government department. Consequently, there is no such record in the public domain as yet.

In the twenty-first century if British citizens look back impartially on the blotchy history of their occupation of India, they will conclude that the British Empire had a reprehensible past. On 22 September 2020, The National Trust of Britain, Europe’s largest conservation charity, with 5.6 million members; over 500 sites, and up to 14,000 employees made an astonishing disclosure. In an official report that spanned 115 pages, the National Trust admitted, that a third of the properties it manages had direct links to colonialism or slavery. The Trust that made $870 million in revenue in the past year claimed that at least 229 landed estates were purchased in Britain by those who had made their fortune either as employees of the East India Company or as independent merchants in India between 1700 and 1850.

The report highlighted the amalgamated collections of Robert Clive and his family that contained some 1,000 objects including ivories, textiles, statues of Hindu gods, ornamental silver and gold, weapons, and ceremonial armour from India that are now brandished at Powis Castle. It also confessed that the British robbed the spectacular Chinese porcelain dish originating from Shah Jahan’s treasury during the sacking of the Qaisar Bagh Palace in Lucknow in 1857. That rare Mughal heirloom is now held in the National Trust’s collection at Wallington.

In the seventy-fifth anniversary of India’s Independence, the time has come for the repatriation of the Indian works of art and artifacts from Britain. An aggressive international campaign to retrieve the stolen treasures of India needs the resources of our political, diplomatic, legal, corporate, media, and entertainment communities and the professional expertise of art historians, artists, architects, archaeologists, curators and museum directors of India. The UNESCO’s heritage department must be persuaded to join forces with Bharat Sarkar for returning these antiquities. The planned repurposing of the North and South Block on the Raisina Hill as museums in New Delhi would only be complete with the hundreds and thousands of pilfered Indian treasures lying around the world in museums and the vaults of international auction houses being secured for future generations of Indians.

In the meanwhile, at the Birmingham Museum, the Sultanganj Buddha’s hand gestures (mudras) remain symbolic and can serve as an inspiration for Britain and His Majesty’s Government to accept a historic blunder. The raising of his right hand, Abhaya means ‘no fear’ and hence shows the Buddha giving reassurance and protection, and the left hand with its palm outward and held upwards represents granting a favour. Fittingly, the fearless repatriation of the loot by Britain is the only practicable resolution that is now long overdue.

Bhuvan Lall is an author, filmmaker, scriptwriter, speaker and entrepreneur. He is also the biographer of Subhas Bose, Har Dayal and Sardar Patel. He can be reached at writerlall@gmail.com

Bhante Sujatha, a Sri Lankan Buddhist monk leading a temple in Woodstock, Illinois, hopes a new outdoor, interfaith meditation space will be a sanctuary in a world of noise.

WOODSTOCK, Ill. (RNS) — It’s just before 10 on the Saturday morning before Labor Day and the Dharma Hall at the Blue Lotus Temple is beginning to fill up.

At the front of the room, practitioners sit or kneel on maroon-colored cushions while others begin to fill in the rows of chairs behind them. Nearby, in the social hall, small groups of twos and threes gather to chat or catch up before the meditation.

The group for this morning’s meeting is a mix of folks — many in their 30s and 40s, along with some older practitioners. A few wore black shirts or hoodies adorned with the message “Choose Loving Kindness,” the motto of Bhante Sujatha, a Sri Lankan monk and head abbot of the temple, who is leading this morning’s meditation.

With the smell of incense in the air and a hush falling over the room, practitioners first bowed to the Sri Lankan Buddha at the front of the hall, then sat or kneeled with their eyes closed, breathing slowly and relaxing.

“May you be well, may you be happy, may you be peaceful,” Sujatha told the group as they began meditation.

For more than two decades, Sujatha has been leading meditation here at the former Unitarian church just off the historic square in Woodstock, a small town about an hour northwest of Chicago. For the first decade, the group met in the church basement. Then in 2012, they bought the building from the Unitarians and moved up to the former church sanctuary where stained-glass windows depicting Jesus, Mary and angels remain in place.

Those stained-glass windows now overlook a new outside meditation space, which was dedicated on Saturday (Sept. 7). The new space features a 20-foot-tall statue of Kwan Yin, a female version of the Buddha, as well as a new Medicine Buddha statue from Vietnam, which was installed earlier this week.

The new outdoor space — known as the “Healing, Unity, Garden” or “HUG” for short — is the latest outreach effort by the Blue Lotus, aimed at furthering Sujatha’s mission of bringing a little more peace and kindness into the world.

The idea of the outdoor meditation space, he said, is to make the teachings of the Buddha a little more accessible to people who are skeptical of organized religion or who may be anxious about entering a temple.

“People need a place to sit down and process and reflect,” said Sujatha, a Theravada Buddhist monk dressed in a simple burgundy robe, during an interview a week before the new Buddha’s unveiling. “People feel helpless. People don’t know who to talk to. People cannot trust other people. So, therefore, they need a place like a sanctuary.”

Sujatha, who mixes spiritual teaching with self-deprecating humor — as a young man, he said, he was “a very annoying Buddhist monk — first purchased the Buddha for the temple about 18 months ago, during a visit to Vietnam. But getting the Buddha to Woodstock, and getting it installed, proved a challenge.

Along with arranging transport by boat, tractor-trailer and eventually a moving van, members of the Temple board also had to find a contractor with the expertise needed to install the 8,000-pound marble statue in the outdoor space.

“I gave a talk the other day here, and I said, ‘You know, Rome wasn’t built in a day, but this took even longer,’” said Tyler Lewke, board president of the Blue Lotus Temple.

Setting up the outdoor meditation space also meant dealing with some deferred maintenance in the 118-year-old building that the temple calls home, including replacing a concrete set of stairs leading into the building, which had begun to fall from the side entrance, as well as shoring up a foundation wall by the garden.

“I quickly realized this might be an opportunity for us to do some other things,” Lewke said. “We want to be noble stewards of this building, and it’s a challenge.” That deferred maintenance, he said, boosted the cost of the project from $40,000 to about $150,000.

The temple’s leadership also had to get permission from the local city council as well as Woodstock’s historic commission to install the outdoor meditation space — all of which went smoothly, he said.

“Not a single objection, just totally gracious, open arms and welcoming,” he said, which contrasted with the Blue Lotus’ early years two decades ago, he said, when neighbors viewed the meditation services with some suspicion.

Lewke grew up attending services at the Unitarian church — “I’ve been in this building since I was 11,” he said with a smile — and has been part of the Blue Lotus community since about 2004. He met Sujatha when the monk was teaching meditation at a local art center.

The two became friends, and together, have helped build up the Blue Lotus Temple in Woodstock, while also helping start temples in Pennsylvania and Baton Rouge, Louisiana, using the same spiritual but not religious approach to meditation.

“Our approach is entirely attraction — all we do is just show up, do our thing, and if people gravitate to it and it grows and they want to support it, that’s wonderful,” he said.

That spiritual but not religious approach to Buddhism often is found in Buddhist communities that attract converts, rather than immigrant communities, said Ann Gleig, associate professor of religion and cultural studies at the University of Central Florida. Gleig, author of “American Dharma,” a book about Buddhist convert communities in the United States, said those communities are often found in larger urban areas such as Boston or San Francisco and are often led by converts.

That makes the Blue Lotus a bit unique, she said.

Lewke, who also helps lead Refuge Recovery, a 12-step program based on Buddhist principles, said the garden was supposed to open in 2023, but necessary maintenance delayed the project.

Still, he said, that is a good thing, in that the meditation space opened during a tumultuous time in American culture.

“We were supposed to open a year ago,” he said. “But honestly, the idea of offering up a space of unity in our current climate feels profound.”

In an interview, Sujatha said that the newly unveiled Bhaisajyaguru statue — also known as the Medicine Buddha — can be a symbol of spiritual healing. That kind of healing is needed at a time when people seem addicted to conflict and strife, he said.

“I think people love suffering more than peace,” Sujatha said. “Peace is so boring to people. When you are quiet and practicing noble silence or something, it’s so boring to people.”

The Medicine Buddha is seated and holds a jar in his hands that represents the Buddha’s teaching, which can bring spiritual healing, said Sujatha, The temple, he said, is a kind of a spiritual hospital, aimed at helping people find a better way of living.

“I can call the Blue Lotus a hospital,” he said. “People come to get some treatment from here — then you go home and live according to those treatments and make your life better and peaceful.”

During a meditation service a week before the new Buddha — which had been covered by a tarp — was unveiled, Sujatha told the gathering not to look to him or outside circumstances for happiness. Instead, he said, they should focus on finding inner contentment — something no one can take away from them.

At the end of the service, he invited temple members to join a group of volunteers who would be preparing the temple for that weekend’s unveiling event later that week.

“We will do the deep cleaning meditation,” he said, with a smile.

On Wednesday, the Ramon Magsaysay Award Foundation commemorated the 65th anniversary of the award given to the Dalai Lama by launching a seven-volume series titled *Greatness of Spirit*. This event, held at the Dalai Lama’s residence in Dharamsala, Himachal Pradesh, was marked by the presence of the Tibetan spiritual leader, along with representatives from the Foundation and Indian laureates.

The Dalai Lama, who was awarded the prestigious Ramon Magsaysay Award in August 1959, was recognized for his leadership during a critical moment in Tibetan history. His leadership of the Tibetan community, especially during their fight to preserve their religious and cultural identity in the face of Chinese oppression, was a key factor in his receiving this honor. The award citation lauded him for leading “the Tibetan community’s gallant struggle in defence of the sacred religion that is the inspiration of their life and culture.” This recognition placed the Dalai Lama among the distinguished figures in Asia who had made significant contributions to society and governance.

Susanna B. Afan, the President of the Ramon Magsaysay Award Foundation, officially launched the book series during a ceremony at the Dalai Lama’s residence. The Foundation’s Board of Trustees, along with selected partners and previous Indian laureates, were also present to witness the momentous occasion. The series *Greatness of Spirit* aims to showcase the extraordinary efforts of individuals who have received the Ramon Magsaysay Award, emphasizing the values of integrity, service, and idealism.

Earlier in April 2023, a historic moment took place when members of the Ramon Magsaysay Award Foundation personally presented the 1959 award to the Dalai Lama at his residence in Dharamsala. Although he had been conferred with the award 64 years earlier, this was the first time the Tibetan leader had received the physical award in person. This gesture was seen as a reaffirmation of the Dalai Lama’s enduring influence and his continued commitment to the principles that had first earned him the award.

Known for his infectious smile, simplicity, and sense of humor, the Dalai Lama’s influence extends far beyond his role as a spiritual leader. A Nobel Peace Prize laureate, he is also a passionate advocate for non-violence and human rights. For him, Mahatma Gandhi stands out as the most influential figure of the 20th century, with Gandhi’s philosophy of non-violence deeply resonating with the Dalai Lama’s own beliefs. Throughout his life, the Dalai Lama has engaged with world leaders and spiritual figures across various religious traditions, always seeking to foster dialogue and mutual understanding. He is also a frequent speaker on ethics and happiness, offering guidance to students, business leaders, and religious communities alike on how to cultivate well-being and compassion in the modern world.

In recognition of his global contributions to peace, the Dalai Lama was awarded the US Congressional Gold Medal in 2007, an honor that elevated his status further on the international stage. This recognition, however, was not without controversy. China, which views the Dalai Lama as a separatist, protested vehemently against the decision, criticizing the US government for what it saw as interference in its internal affairs. Despite these protests, the Dalai Lama continued to remain a revered figure globally, with his message of peace and reconciliation reaching far and wide.

Born on July 6, 1935, in the small hamlet of Taktser in Tibet, the Dalai Lama’s journey from a humble background to becoming the leader of the Tibetan people is remarkable. At the age of two, he was identified as the reincarnation of the 13th Dalai Lama, Thubten Gyatso. This recognition marked the beginning of his journey as the spiritual and temporal leader of Tibet. However, his leadership took on new challenges when Tibet faced political unrest due to Chinese occupation.

In 1959, a failed uprising against Chinese rule forced the Dalai Lama to flee Tibet, seeking refuge in India. He eventually established the Tibetan government-in-exile in Dharamsala, where he continued to advocate for the rights of the Tibetan people. Although his government-in-exile has never been officially recognized by any country, the Dalai Lama has remained a symbol of hope and resilience for the Tibetan cause. His call for autonomy within China and his emphasis on non-violence have garnered international support, even though the political resolution of Tibet’s status remains elusive.

The Ramon Magsaysay Award, often referred to as the “Nobel Prize of Asia,” is a prestigious honor that is presented annually. The award is named after Ramon Magsaysay, a former Philippine president known for his integrity and dedication to public service. Magsaysay’s presidency was marked by his efforts to combat corruption and his commitment to improving the lives of ordinary people, qualities that the award seeks to recognize in its recipients.

The prize was established in 1957 by the trustees of the Rockefeller Brothers Fund in collaboration with the Philippine government. Since its inception, the award has celebrated individuals and organizations in Asia who demonstrate integrity, courage, and commitment to societal improvement. Recipients of the award are recognized for their contributions to a range of fields, including governance, community service, and social reform. The Ramon Magsaysay Award continues to stand as a beacon of ethical leadership in Asia, promoting ideals of democratic governance and social justice.

By launching the *Greatness of Spirit* series, the Ramon Magsaysay Award Foundation hopes to inspire future generations to follow in the footsteps of the award’s distinguished laureates. These volumes not only chronicle the lives and achievements of past recipients but also serve as a testament to the enduring power of compassion, courage, and service in creating positive social change.

As the Dalai Lama continues to inspire millions around the world with his teachings and actions, the launch of this series is a fitting tribute to his lifelong dedication to the betterment of humanity. The 65th anniversary of his Ramon Magsaysay Award is not just a commemoration of a past achievement but a reminder of the timeless values that the Dalai Lama embodies and the lasting impact he continues to make on the world stage.

The Raja Ravi Varma Art Gallery, a state-of-the-art facility, has been established to exclusively showcase the significant works of one of India’s most revered artists, Raja Ravi Varma. This new gallery, spanning 12,000 square feet, is situated adjacent to the Sree Chitra Art Gallery within the Museum and Zoo campus in Thiruvananthapuram, Kerala. Raja Ravi Varma, who was born on April 29, 1848, in Kilimanoor within the aristocratic family of the Travancore kingdom, is celebrated for his immense contribution to Indian art, and this gallery is a testament to his enduring legacy.

Previously, the masterpieces of Raja Ravi Varma were housed in the Sree Chitra Art Gallery, but the creation of this new gallery underscores the importance of preserving and properly displaying his works. The Raja Ravi Varma Art Gallery serves as a distinct entity within the Napier Museum and boasts a collection of 134 works, including 46 paintings, 14 oleographs, and 16 pencil sketches. These works are considered some of the finest examples of Indian art, with each piece holding immense cultural and artistic significance.

Among the prized possessions in the gallery are the oil paintings donated by Kilimanoor Palace in 1935, which are considered masterpieces in their own right. The gallery also houses certificates awarded to Raja Ravi Varma in 1893 from Chicago and Vienna, recognizing the excellence of his works sent from Kilimanoor Palace. These artifacts further enhance the gallery’s importance as a cultural institution dedicated to preserving and celebrating the achievements of one of India’s most illustrious artists.

In addition to the works of Raja Ravi Varma, the gallery also features pieces by his brother, C. Raja Raja Varma, and his sister, Mangala Bai Thampuratti. Their inclusion not only enriches the gallery’s collection but also provides visitors with a more comprehensive view of the artistic contributions made by the Varma family to Indian art.

The Raja Ravi Varma Art Gallery is more than just a space for displaying art; it is a place that honors the legacy of a man who played a pivotal role in shaping Indian art. Raja Ravi Varma is often credited with blending European techniques with Indian subjects, creating a unique style that has influenced generations of artists. His works, which often depicted scenes from Indian mythology and history, have left an indelible mark on the cultural landscape of India.

This gallery is a significant addition to Kerala’s cultural offerings, providing art enthusiasts with a dedicated space to explore the life and works of Raja Ravi Varma. The gallery’s layout and design have been carefully planned to ensure that visitors can fully appreciate the beauty and significance of the works on display. Each section of the gallery is meticulously organized, allowing for an immersive experience that highlights the artistic genius of Raja Ravi Varma.

For those looking to take a piece of this experience home, a souvenir shop is available, offering a range of memorabilia related to Raja Ravi Varma and his works. The gallery also ensures accessibility for all visitors by providing wheelchairs for those in need. Additionally, guide services are available upon request, offering insights and detailed explanations about the artworks and their historical context.

The Raja Ravi Varma Art Gallery is open to the public from Tuesday to Sunday, with visiting hours from 10:00 A.M. to 04:45 P.M. The gallery remains closed on Mondays and select public holidays, including Republic Day, Independence Day, Thiruvonam, and Mahanavami. The entry fee is modest, with adult tickets priced at Rs. 25 and children’s tickets at Rs. 10, making it an affordable cultural experience for families and individuals alike.

For more information or inquiries, visitors can contact the Directorate of Museums and Zoos in Thiruvananthapuram. The gallery is easily accessible, with the nearest railway station being Thiruvananthapuram Central Railway Station, located about 3.6 km away, and the nearest airport being Trivandrum International Airport, approximately 5.5 km from the gallery.

The establishment of the Raja Ravi Varma Art Gallery marks a significant milestone in the preservation and promotion of Indian art. It not only celebrates the life and works of Raja Ravi Varma but also provides a platform for future generations to learn about and appreciate the rich artistic heritage of India. As a state-of-the-art facility dedicated to one of the country’s most iconic artists, this gallery stands as a proud symbol of Kerala’s commitment to preserving its cultural heritage and promoting the arts.

The Sri Ashtalakshmi Temple, located in Sugarland, Texas, is preparing to unveil a massive 90-foot statue of Lord Hanuman, which will be the tallest statue in Texas and the third-largest in the United States. This grand statue, referred to as the ‘Statue of Union,’ is intended to serve as a symbol of unity and strength, inspired by the vision of the Indian spiritual leader Chinna Jeeyaar Swami. Chinna Jeeyaar Swami, who also inspired the creation of the Statue of Equality in Hyderabad, India, will be present to inaugurate the statue during a ceremony scheduled to take place from August 15-18 at the temple.

The temple officials describe the Statue of Union as “North America’s tallest statue of Lord Hanuman, an embodiment of strength, devotion, and selfless service.” Hanuman, revered for his loyalty and unwavering service to Lord Rama, is celebrated in Hindu tradition for his role in reuniting Sri Rama with Sita, which is the inspiration behind the statue’s name. The official statement elaborates that “The Statue of Union is about creating a spiritual epicenter where hearts find solace, minds find peace, and souls find a path to transcendence.”

Support for this monumental project has been overwhelming, with well-wishers from India and around the world showing their enthusiasm. Bollywood music director Dilip Sen, known for his work on “Hanuman Tandav” along with Anup Jalota, has expressed his support. He has also contributed Bhajans, devotional songs, sung by Anuradha Paudwal for the Ram Sita Milan, and another devotional track on Lord Ram featuring Udit Narayan.

The inauguration of this significant religious monument is being meticulously organized by a dedicated team led by prominent community leader Arun Mundra, who serves as the international coordinator for Mein BHARAT Hoon and NRI Global, along with Heemanshu Maheshwari.

In a historic and culturally significant event, the youth of Baramulla district in Jammu and Kashmir set a world record by performing the largest-ever Kashmiri folk dance. The record-breaking event took place during the ‘Kashur Riwaaj’ cultural event, with a staggering 10,000 young women participating.

The remarkable achievement was widely shared and celebrated on social media, with All India Radio News posting a video of the massive dance performance on its official Instagram handle. The event was organized by the Dagger Division of the Indian Army, in collaboration with the Punit Balan Group and the Baramulla District Administrative agencies. The Defence Spokesperson expressed the significance of the event, stating, “The mega event has successfully united the youth of Kashmir, celebrated their cultural heritage, and instilled a sense of pride and unity that will resonate for years to come.” The celebration was held in Baramulla and extended to several nominated schools across the district.

This record-setting event in Baramulla is reminiscent of a similar achievement last year by Kudumbashree, an all-woman network from Kerala. Kudumbashree organized a massive Thiruvathira dance performance at Kuttanellur Government College, which also set a world record. On that occasion, 7,027 Kudumbashree members came together to perform the ancient group dance form on the college campus. Thiruvathira, a dance traditionally performed during the Onam festival in the Malayalam month of Chingam, and sometimes in the month of Dhanu, was showcased on a grand scale.

Due to the sheer number of participants, the gigantic “Thiruvathirakali” (Thiruvathira dance) made its way into the Limca Book of Records and the Talent Record Book. Organizers are also considering submitting this achievement to the Guinness Book of World Records.

Kudumbashree, recognized as the world’s largest women’s network, was praised as a model of women’s empowerment by Revenue Minister K Rajan. He also emphasized the network’s significant status and influence. The district’s Onam celebrations, which included this record-breaking dance performance, were coordinated by the municipal corporation, the tourism department, and the district government.

Both events, one in Kashmir and the other in Kerala, exemplify the power of cultural traditions in bringing communities together and achieving global recognition. The success of these large-scale performances not only highlights the rich cultural heritage of the regions but also showcases the unity and empowerment of women through the preservation and celebration of traditional art forms.

The Moidams of eastern Assam, a 700-year-old burial system from the Ahom dynasty, were added to UNESCO’s World Heritage List on Friday, marking the first cultural site from the Northeast to achieve this status.

The nomination dossier for the Moidams was submitted over a decade ago. Culture Minister Gajendra Singh Shekhawat expressed his elation by stating that the “day would be etched in golden letters.” He extended gratitude to UNESCO, saying, “We thank UNESCO, World Heritage Committee for understanding the outstanding universal value of ‘Moidams.’”

Assam Chief Minister Himanta Biswa Sharma also celebrated this recognition, noting, “The Moidams make it to the UNESCO World Heritage list under the category Cultural Property – a great win for Assam… It is the first time a site from the North East has made it to the UNESCO World Heritage List under the Cultural Category and after Kaziranga and Manas National Parks, it is Assam’s third World Heritage Site.”

What are Moidams?

Located in the foothills of the Patkai Ranges in Assam, the Moidams are the royal necropolis of the Tai-Ahom. The site comprises ninety moidams — hollow vaults constructed from brick, stone, or earth — varying in size. According to a statement on the UNESCO website, for 600 years, the Tai-Ahom created these moidams, integrating the natural topography of hills, forests, and water, forming a sacred geography.

To date, the World Heritage Committee has inscribed 1,199 sites in 168 countries. India boasts 43 sites on this prestigious list.

A moidam is a tumulus, essentially a mound of earth raised over a grave, specifically of Ahom royalty and aristocracy. While Charaideo houses the moidams of Ahom royals, other moidams belonging to aristocrats and chiefs are scattered across the eastern part of Assam, between Jorhat and Dibrugarh.

Ahom kings and queens were interred within these moidams. Unlike Hindus who practice cremation, the Ahoms, originating from the Tai people, primarily buried their dead. The height of a moidam typically reflects the power and stature of the individual buried within. However, except for those of Gadhadhar Singha and Rudra Singha, most moidams remain unidentified.

Inside the moidam chambers, the deceased king would be buried along with items necessary for the “afterlife,” including servants, horses, livestock, and sometimes even their wives. The similarity between Ahom burial rites and those of the ancient Egyptians has led to the Charaideo moidams being referred to as the “Pyramids of Assam.”

President Droupadi Murmu announced on Thursday the renaming of two significant halls in Rashtrapati Bhavan—Durbar Hall and Ashok Hall. They will now be known as Ganatantra Mandap and Ashok Mandap, respectively. Durbar Hall is renowned for hosting important ceremonies, including the presentation of National Awards, while Ashok Hall, once a ballroom, is now reserved for special events.

“There has been a consistent endeavour to make the ambiance of the Rashtrapati Bhavan reflective of the Indian cultural values and ethos,” stated the Rashtrapati Bhavan in a press release.

The term ‘Durbar’ historically referred to the courts and assemblies of rulers. However, it lost its relevance after India became a Republic, or ‘Ganatantra.’ The statement elaborated that the concept of the republic is deeply rooted in ancient Indian society, making ‘Ganatantra Mandap’ a fitting name for the venue.

The name ‘Ashok’ signifies a person “free from all sufferings” or “bereft of any sorrow.” It also refers to Emperor Ashoka, a symbol of unity and peaceful coexistence. The National Emblem of India, the lion capital, is derived from the Ashokan Pillar at Sarnath. Additionally, the Ashok tree holds significant importance in Indian religious traditions, arts, and culture. The Rashtrapati Bhavan emphasized that renaming Ashok Hall as Ashok Mandap ensures linguistic uniformity and eliminates traces of anglicization while upholding the values associated with ‘Ashok.’

“Renaming Ashok Hall as Ashok Mandap brings uniformity in language and removes the traces of anglicisation while upholding the key values associated with the word ‘Ashok’,” read the statement.

Reacting to the renaming, Congress general secretary Priyanka Gandhi Vadra commented, “There is no concept of ‘Durbar’ [for the government] but a concept of ‘Shehanshah’… Interesting.”

In January of the previous year, just a day before the historic Mughal Gardens were set to open to the public, the Rashtrapati Bhavan announced that the gardens would henceforth be known as Amrit Udyan. Announcing that the gardens would be accessible from January 31 to March 26, Navika Gupta, Deputy Press Secretary to the President, stated, “On the occasion of the celebration of 75 years of Independence as Azadi Ka Amrit Mahotsav, the President of India has given a common name to the Rashtrapati Bhavan gardens as Amrit Udyan.”

Spanning 15 acres, the layout of the Mughal Gardens was inspired by the garden styles of the Mughals in Jammu and Kashmir and the Taj Mahal. According to the Rashtrapati Bhavan website, these gardens, described as “the soul of the Presidential Palace,” were also inspired by miniature paintings from India and Persia. BJP leaders hailed the renaming as “historic,” viewing it as a step away from “slave mentality.”

In 2022, the pathway from Rashtrapati Bhavan to India Gate, formerly known as Rajpath, was renamed Kartavya Path. The Prime Minister’s Office commented at the time, “It symbolises a shift from erstwhile Rajpath being an icon of power to Kartavya Path being an example of public ownership and empowerment.” The statement continued, “These are steps… in line with the Prime Minister’s second ‘Panch Pran’ for New India in Amrit Kaal: ‘remove any trace of colonial mindset.’”

(RNS) — Every day since March, 63-year-old Ranjani Saigal has posted a 90-second Instagram reel. “I’m not a social media person,” said Saigal, who goes by “The Hindu Grandma” on Instagram. “I didn’t know what a reel was, I didn’t know what TikTok was, any of that. Like many other grandparents, I was like, ‘Social media? I should stay away from that.’”

But Saigal, who lives in Boston, was determined to reach the next generation of Hindu children, and she knew social media is where she’d find them. Through short educational videos answering questions such as “Why do Hindus wear a bindi?” or demonstrating a step-by-step everyday morning prayer ritual, Saigal has become a symbolic “dadi,” “ajji,” or “ammamma” to over 100,000 followers.

“Somehow people seem to like to learn from grandma, and hence seem to listen in more,” she said. “People love their grandmas, at the same time they’re kind of missing in their lives. And I don’t know, it touches me a lot, so it makes me keep wanting to go with it.”

To Saigal, who is a trained purohita, or family priest, and a Bharatanatyam teacher, Hinduism is a “star-studded, gem-filled” tradition that has a real power to connect with youth. For her granddaughter’s first birthday, Saigal was able to gift her a copy of her own children’s book: “My First Om,” intended for the very youngest of Hindus.

“The more Hindu a teacher you are, the more you should allow for questions,” she said. “It’s a religion of understanding and of knowledge, not of faith. And I think that kind of vibes with the modern generation.”

American Hindu parents and grandparents like Saigal are reckoning with how to keep their children connected to Hinduism against a nationwide backdrop of decreased religiosity among young people. From Instagram reels to children’s books, summer camps to Sunday school, Hindu adults hope to spark genuine excitement about the Hindu faith among second-generation youth, while offering them a community to belong to.

Roopa Pai, an award-winning author based in Bangalore, India, similarly saw a gap that needed to be filled. The author of India’s first children’s fantasy series, the “Taranauts,” Pai wrote “The Gita: For Children” in 2015; it’s an 18-chapter, kid-friendly version of one of Hindus’ most revered scriptures, the Bhagavad Gita, which takes place during the Battle of Kurukshetra.

Before taking on the project, however, Pai, who had never read the Gita before, had her concerns. “First of all, I thought, it’s not meant for children,” said Pai, who was raised as a Lingayat, a community that does not practice Vedic rituals. “You know, it’s something that old people in their rocking chairs in the winter of their lives, after having experienced all the vicissitudes of life, settle into.

“And in India, the Gita is a living, breathing text, and people are very, very sensitive to what you may say about it,” she added. “So I approached the Gita with a very open, inquiring, curious mind as a piece of literature, not as a piece of scripture.”

Although the book is set in wartime, Pai says the dynamic Gita is chock-full of relevant lessons for children of any age. It is a metaphorical story, she says, in which the battlefield is in one’s own mind. Arjuna, the main protagonist, asks Lord Krishna for advice moments before he must fulfill his dharma, or duty, as a soldier, even though some of his beloved relatives are on the other side.

The author describes Krishna as Arjuna’s “best friend,” who instructs him to not let emotion cloud his dharma. In 700 verses, Krishna offers wisdom on morals, mindful action and the power of making the right choice against voices that will tell you otherwise — like, for example, when facing peer pressure to lie to your parents.

Pai says her lessons for children from this are to recognize they are already whole, that “your best friend is with you” and always has their back, and they just need to cultivate that friendship and lean into it when they face problems. “I tell them, you know, every five minutes before you go to sleep, each night, sit and talk to your Krishna,” Pai said.

Pai, who has lived in New York and Florida with her two children in the past, says her book is widely read by children across the Hindu American diaspora. “That’s the other core thing in Hindu philosophy: that happiness is not to be pursued, that it’s a waste of time, which goes fully against the American thing of pursuit of happiness,” she said. “It says instead, put all your energies into finding bliss, contentment, peace that is long-lasting.”

She says parents and children are equally “surprised, startled and delighted” by the modern-day relevance of the centuries-old text. Through “The Gita: For Children,” she instructs children around the world on its practical implications, teaching, for example, that a student’s dharma is simply to work hard and study, not to focus on being the first in the class.

“It’s very nonpreachy,” she said. “It allows you to think for yourself, and tells you that, once you have thought about it in this way, whatever you come up with is valid, and that’s a very warming thought for children to believe that they are in control of their own destiny.”

For some parents in the United States, grounding their kids in Hindu teachings at home is critical for combating what they say are stereotypes about Hinduism taught in schools, such as an emphasis on caste or cow worship.

“The anxiety that has started is this awareness, you know, especially post 2000s, that the only time children learn about India or Hinduism in their school textbooks is just being two or three buzzwords,” said scholar and parent Vamsee Juluri.

A media professor at the University of San Francisco, Juluri was raised in India, where as a kid, he said, intergenerational Hindu practices were passed down without much room for questioning. But mythological stories on TV and in movies, along with the popular Amar Chitra Katha comics, kept kids entertained and intrigued by the gods.

In the U.S., he says, Hindus face a challenge familiar to many immigrants with children who have more American sensibilities and questions about the meanings behind traditional rituals.

“Until the ’90s, most Hindu American kids didn’t have an alternative other than these very clumsy, you know, weekend temple classes run by an uncle from India,” said Juluri, calling them “cosmetic cultural” Hindu. ”There is now more of an organic, American born and raised transnational community that has started to form in the U.S.”

He points to initiatives such as the Chinmaya Mission’s Bala Vihar program, which offers weekly Vedic classes and a yearly Gita Chanting Competition, as pioneers in the Hindu youth space. Many former students are now leaders, which adds to its relatability, he said. And with more initiatives popping up, Juluri has high hopes for the future.

“I think it’s delightful that there are people like the Hindu Grandma who are just conveying their joy about what they feel. The joy of talking squirrels or the elephant-headed God, the gentleness and the beauty of the traditions and the worship and the aesthetics,” Juluri said.

Saigal has heard from other parents and grandparents who use her explanations as trusted, authenticated resources for their own children’s questions, something she says most parents didn’t have in the past 30 years. “If you’re respectful toward the traditions,” she says, “without forcing them on your children, your children will also learn to love them.”

“In Hindu traditions, the word ‘God-fearing’ doesn’t exist,” she added. “I teach children, never do it out of fear. Never do it out of superstition, or so that something horrible doesn’t happen. I think we can get out of that thought.”

On the occasion of International Yoga Day 2024, GOPIO, and Emmy-nominated filmmaker & Happy Life Yoga speaker Tirlok Malik along with the Indian Panorama & Indian American Forum will be hosting a highly interactive and informative Yoga event featuring experts and speakers from various walks of life.

The theme for this year addresses the basic question: “There are challenges and hardships in life, but how you let them go and laugh at life?”

Ambassador Binaya Srikanta Pradhan, Consul General of India in New York will be the chief guest. Other speakers will include Dr. Thomas Abraham, Professor Indrajit Saluja, Indu Jaiswal, Anil Narang, Lal Motwani (GOPIO International President), Neeta Bhasin, Dr. Renee Mehra, Deborah Fishman, Neha Lohia, Priti Dhariwal, Dr. Tara Shajan, and Dr. Bhuvan Lall.

The event promises to be energetic, knowledgeable, inspiring, and celebratory in nature. Malik will interact with all the prominent speakers on the panel to discover their own personal mantras for happiness. While emphasizing the growing importance of Yoga in today’s times, session host Malik explains his vision behind Happy Life Yoga and its underlying philosophy as “a way of living inspired by the wisdom of Ayurveda, Yoga and Indian Philosophy.”

Malik created the Happy Life Yoga workshop (No mats needed!) inspired by Ayurveda yoga and Indian philosophy as a practical way to live a happier and healthier life in today’s time. This interactive workshop emphasizes “love yourself,” and if you love yourself, it’s your responsibility to take care of your happiness and health, using the tools shared by Malik in this workshop. It’s the gift of ancient India, tested by science & time! The event is supported by many New York media outlets. Malik and the whole team look forward to the celebration of International Yoga Day 2024 and invite everybody to join!

The Zoom session will be held on Sunday, June 22nd from 11:00am – 12:30pm (East) (US and Canada). Interested participants can join the session using the meeting ID: 709 536 8686 and passcode: gopio.

The historical monument Vijaya Stamba is situated within the Chittor Fort complex in Chittorgarh, Rajasthan, a state in India. Vijaya Stamba is also known as the Tower of Victory. The site holds significant cultural and historical value in association with its rulers, Rajputans at that time. Vijay Stamba is a UNESCO-approved world heritage site offering a historical insight into the rich cultural and architectural marvels of mediaeval India.

History and architecture

Maharana Kumbha of the Mewar dynasty built the Vijaya Stamba in 1448 AD. The construction of the structure was done to honour his victory over Mahmud Khilji’s unified forces from Malwa and Gujarat. The tower honours the military and architectural splendour of the Mewar era; it stands for the pride, valour, and glory of the Rajput warriors in their victories.

The tower is a nine-story building made of red sandstone and white marble, standing at a height of approximately 37 meters. It is characterised by traditional Rajput carvings, balconies, and a pyramidal roof.

Tales

The tower symbolises the valour and triumph of the Mewar kingdom. One of the myths followed on Vijaya Stamba is that it is guarded by spirits who look out for the safety of its inmates and protect the people from invaders.

Following another legend, Maharana Kumbha is said to have constructed the tower as a tribute to his consort or loving queen, which motivated him to start on the enormous task of building it.

Things to do

• One of Rajasthan’s main tourist destinations is the Vijaya Stamba, which is also close to the Chittor Fort. By climbing to the top of the tower, visitors can take in panoramic views of the surroundings and gain knowledge of the area’s historical significance via educational exhibits and guided tours.
• Look out for any light and sound performances. A captivating audiovisual experience is offered by these shows, which often narrate the history and stories around the fort.
• The neighboring Chittorgarh sights, like the Meera Temple, the Rana Kumbha Palace, and the Kirti Stambha (Tower of Fame), are other tourist attractions.

In the bustling heart of the city that never sleeps, the Sikh International Film Festival 2023 unfurled a spellbinding tale of Sikh heritage and cultural diversity at the prestigious Rubin Museum on December 16th. This year’s festival treated the audience to an enchanting journey through impactful stories, with standout films like

 “Baywatana: Without a Country’, directed by high school students from Boston”, explored the plight of Sikhs and Hindus in Taliban-era Afghanistan.

“American Sikh”, is a true story of Indian American Sikh who was trying to assimilate with the Americans. The Oscar qualified animated short film is a story of American Sikh Hero Vishvajit Singh and Produced by Guneet Monga Kapoor – Oscar-winning producer (The Elephant Whisperers) and Michelin-starred chef-filmmaker Vikas Khanna and directed and illustrated by American Sikh Hero Vishavjit Singh and Ryan Westra.  Vikas Khanna said, “One of the highlights of screening ‘American Sikh’ at Sikh International Film Festival was engaging the little ones and the youth who could see themselves reflected in our film. Their dreams and hopes keep me inspired.”

“Colonel Kalsi: Beyond the Call”: is another true story of a Sikh young Kamal Kalsi who fought to serve in the US Army with his turban and beard. The film explores themes of diversity, sacrifice, faith, identity and resilience. Colonel Kalsi expressed, “Serving in the Army with my unique camo turban and beard was a profound experience of celebrating my Sikh identity while embodying the spirit of American patriotism…”

As the curtains closed on these impactful narratives, the festival featured over 10 films, covering a diverse range of topics from current affairs to historical perspectives. Teji Bindra (Founder and President of Sikh Art & Film Foundation), Mandeep Sobti (Senior VP and Chair of Finance), Dr Paul Johar (Chair SAFF – Film Festival), Harmeet Bharara ( Former Chair FF and Gala), Hansdip Bindra ( Head of PR and Marketing), expressed their satisfaction with the films that captivated a packed auditorium at the Rubin Museum in Manhattan.

Teji Bindra emphasized, “Sikh Art & Film Foundation has been at the forefront in bringing better awareness of Sikhs through films and arts for the past 17 years. We are pleased with the fantastic movies showcased this year.”

Dr. Paul Johar added, “This year’s Sikh International Film Festival showcased a powerful lineup addressing contemporary Sikh Diaspora issues, delved into the challenges faced by the community. “Amardeep Singh’s documentary, “Oneness in Diversity: Elixir of Guru Nanak and the Indic Saints,” intertwined memories of Saints and Sufi mystics, emphasizing the essential theme of oneness and diversity. The festival, with its captivating stories and impactful quotes from filmmakers, not only celebrated Sikh culture but also provided a dynamic platform for filmmakers to showcase their artistry.

The Sikh International Film Festival, originating in 2004, has been a cultural beacon, fostering awareness of Sikh culture through films and arts. As the curtains closed on this year’s festival, the organizers expressed gratitude to viewers for their unwavering support, marking a significant chapter in the festival’s journey. The success of SIFF 2023 promises an even brighter future, continuing to celebrate Sikh heritage and diversity through the captivating lens of cinema.

Website: http://sikharts.com/film-festival.html

In the course of 2023, numerous significant events unfolded, capturing global attention and shaping the contemporary narrative. However, amidst the unfolding present, it is crucial to cast our gaze into the corridors of history, acknowledging pivotal moments that transpired in bygone years. As we delve into the annals of time, we encounter a tapestry woven with milestones spanning various decades, each contributing to the rich mosaic of our collective past.

Half a century ago, the vibrant beats of hip-hop echoed through the Bronx at a groundbreaking party. Simultaneously, a month later, the specter of a brutal military coup in Chile reverberated across South America, jolting many Americans into a heightened political awareness. This juxtaposition encapsulates the dichotomy of historical events, where cultural revolutions and geopolitical upheavals coexist within the same temporal frame.

Six decades have elapsed since a quarter of a million people converged in Washington, D.C., for the historic March on Washington for Jobs and Freedom. This pivotal moment, marked by the resonance of Dr. Martin Luther King Jr.’s iconic “I Have a Dream” speech, was followed by the tragic assassination of President John F. Kennedy in Dallas three months later. These events, though distinct, are threads intricately woven into the fabric of the 1960s.

Moving back 75 years, the birth of the nation of Israel stands in stark contrast to the Palestinian Nakba, commemorating 75 years of sorrow and displacement. This historical paradox underscores the enduring complexities of the Middle East conflict, where the narratives of independence and catastrophe intersect and diverge.

As we embark on a retrospective journey through the months of the year, let us traverse the historical landscape, pausing to reflect on the resonance of each significant event.

January:

In 2013, amidst a world that seemed ablaze with challenges, the iconic “this is fine” meme emerged from Question Hound’s comic strip, becoming a cultural touchstone. Meanwhile, 1943 witnessed the nationwide release of “Casablanca” in the U.S., a film depicting refugees fleeing Nazi-occupied Europe, its cast including actors who themselves had sought refuge.

February:

The year 2003 was marred by tragedy as the space shuttle Columbia disintegrated over Texas, claiming the lives of seven astronauts. The same year, Secretary of State Colin Powell delivered a speech to the United Nations Security Council, erroneously claiming Iraqi possession of weapons of mass destruction. Additionally, 1993 marked the federal raid on the Branch Davidian compound in Waco, Texas, leading to a tragic siege.

March:

In 2003, President George W. Bush’s decision to send U.S. troops to invade Iraq unfolded, ushering in a war with profound and enduring consequences. The invasion, remembered by U.S. veterans, was characterized by the military’s “shock and awe” campaign. Simultaneously, the release of Pink Floyd’s “Dark Side of the Moon” in 1973 added a musical dimension to the historical tapestry.

April:

In 2003, the English translation of Marjane Satrapi’s classic memoir, “Persepolis,” entered the public domain, offering a poignant narrative of a girl’s coming of age during the Iranian revolution. Meanwhile, 1993 witnessed the public debut of the World Wide Web, revolutionizing global communication.

May:

1963 witnessed the “Children’s Crusade” in Birmingham, Alabama, where young students peacefully marched for an end to segregation, inspiring support for the Civil Rights Act. The same year, Israel was established, leading to the displacement of Palestinians, an event etched in history as the Nakba.

June:

The year 2013 saw revelations about mass data collection by the NSA, courtesy of Edward Snowden, reshaping public understanding of government surveillance. Meanwhile, in 1983, NASA mission specialist Sally Ride made history as the first American woman in space aboard the Challenger space shuttle.

July:

1963 marked the introduction of ZIP codes, streamlining mail sorting. Concurrently, a group of Black girls faced arrest during a march for desegregation, highlighting the ongoing struggle against racial inequality.

August:

In 1993, alternative rock band The Breeders gained prominence with their breakout album, “Last Splash.” The birth of hip-hop in a Bronx community room in 1973 marked a cultural milestone. Additionally, the March on Washington for Jobs and Freedom drew over 250,000 people, with Martin Luther King Jr. delivering his iconic “I Have a Dream” speech.

September:

The year 2003 saw the passing of Johnny Cash, a musical icon whose songs resonated with generations. In 1973, Chile’s socialist president Salvador Allende was overthrown in a military coup, ushering in a dark period of dictatorship.

October:

The gruesome killing of journalist Jamal Khashoggi in 2018 by Saudi agents underscored the complex geopolitical landscape. In 1973, a surprise attack by Arab countries initiated the Yom Kippur War, shaping subsequent U.S. foreign and energy policies.

November:

In 2003, the Concorde made its final flight, marking the end of a groundbreaking era in aviation. The assassination of President John F. Kennedy in 1963 cast a shadow over the nation.

December:

2013 witnessed the passing of Nelson Mandela, a symbol of the struggle against apartheid. In 1983, the Talking Heads recorded the acclaimed concert film “Stop Making Sense,” delving into the band’s creative process. The release of “The Exorcist” in 1973 challenged societal perceptions of horror and faith.

As we traverse the historical landscape of 2023, each month unveils layers of the past, intertwining moments of triumph and tragedy, cultural evolution, and political revolutions. These anniversaries serve as poignant reminders that our present is intricately connected to the threads of history, weaving a narrative that continues to shape our collective identity.

In the heart of America, a silent battle rages on. Each year, a staggering 670,000 lives are claimed by coronary heart disease, a stealthy foe often linked to the heart’s cry for more oxygen. In this landscape, where 20% of heart failure warriors grapple with their heart’s weakened ability to soak in life-giving oxygen, a hero emerges from the shadows. It’s not a new pharmaceutical wonder drug or a high-tech medical procedure. It’s something far more ancient, yet astonishingly relevant – yoga. This age-old practice steps into the modern health arena, not just as a form of exercise, but as a crucial ally in the fight for heart health, breathing new life into our most vital organ.

This ancient practice, deeply rooted in holistic wellness, offers benefits that can match, and sometimes surpass, traditional exercises like brisk walking. In a nation where heart health is a critical concern, yoga’s role in improving cardiac function is not just a matter of physical well-being but a potential lifesaver.

Yoga transcends mere physical exercise. It’s a holistic practice that nurtures the body, mind, and spirit. Its impact on cardiovascular health is profound. By enhancing blood circulation, yoga ensures that oxygen-rich blood reaches every part of the body, including the heart. This improved circulation nourishes the heart and aids in detoxifying the body, reducing stress, and lowering blood pressure – all factors that contribute to a healthier heart.

The connection between yoga and heart health is backed by scientific research. A European Journal of Preventive Cardiology review suggests that yoga can lower heart disease risk as effectively as conventional exercises. Research in the Journal of Clinical and Diagnostic Research shows that yoga improves lung function and oxygen saturation, directly benefiting the heart. A study in the Journal of Ayurveda and Integrative Medicine indicates that yoga enhances heart rate variability, an important indicator of heart health. The British Journal of Sports Medicine reports that yoga increases lung capacity and efficiency, positively impacting heart functions.

Pranayama, the art of yogic breathing, is key in enhancing cardiac oxygenation. Research in Frontiers in Psychiatry shows that pranayama positively impacts the cardiorespiratory system, reducing heart rate and blood pressure. A trial published in Academia found that Pranava Pranayama improves baroreflex sensitivity and reduces blood pressure. A review in Fitsri Yoga states that pranayama increases lung capacity and oxygen levels, aiding in deeper breathing. The International Journal of Indian Psychology discusses how kapalabhati, a pranayama technique, enhances oxygen supply to the circulation. Brahmari Pranayama is a very specific type of ancient breathing technique credited to increase intravascular nitric oxide. This is the magic chemical that helps keep blood vessels open and thus helps in preventing heart attack and stroke.

Incorporating specific yoga poses into your routine can significantly enhance heart oxygenation. Tadasana (Mountain Pose) improves posture and lung capacity, facilitating better oxygen supply to the heart. Bhujangasana (Cobra Pose) expands the chest and lungs, enhancing breathing capacity and oxygen flow to the heart. Savasana (Corpse Pose) reduces stress and promotes relaxation, lowering blood pressure and improving heart oxygenation.

Integrating yoga into daily life can lead to significant improvements in heart health. Consistency is key. Starting with a few minutes each day and gradually increasing the duration can make yoga a sustainable practice. It’s also beneficial to combine yoga with other heart-healthy activities like walking or a balanced diet.

Despite its benefits, misconceptions about yoga can deter people from trying it. It’s important to understand that yoga is adaptable and can be practiced by people of all ages and fitness levels. For those with existing heart conditions, it’s advisable to consult with a healthcare provider and practice under the guidance of a qualified instructor.

Yoga is more than just a series of poses; it’s a pathway to a healthier heart and a more balanced life. By enhancing oxygen supply to the heart, yoga offers a holistic approach to cardiovascular health. We encourage readers to explore yoga not just as a physical exercise, but as a comprehensive wellness practice.

Indranill Basu-Ray

The author is a Cardiologist, Meditator, and Yogi based in Memphis, Tennessee, USA. He is the Founder and Chairman of the American Academy for Yoga in Medicine. He is the Editor in Chief; The Principle and Practice of Yoga in Cardiovascular Medicine.

ibr@aaymonline.org

The Consulate General of India in association with the Federation of Federation of Indian Associations NY-NJ-CT-NE held a garba celebration at New York’s iconic Times Square to commemorate the dance’s recent inclusion by UNESCO as an Intangible Cultural Heritage. Garba dancers from the Indian American community in colorful attires took to the streets to represent the cultural richness of Gujarat on a global platform. Free transportation, complimentary refreshments and participation certificates were provided for all performing artists. Indian missions across the globe organised Garba programmes to mark the occasion.

“The event was a spectacular showcase of the rich cultural heritage of Gujarat as attendees donned traditional Garba attires,” the organizers said. “The vivid colors and intricate designs of their attire were a sight to behold, and one could feel the energy and pride emanating from them as they represented their culture on a global platform.”

Acting CG of India in NY, Varun Jeph addressing the gathering. / Image – X/@IndiainNewYork

Describing the dance’s inclusion as “momentous and historic occasion”, Acting Consul General of India in New York Dr Varun Jeph hailed the Times Square celebrations as a testament to India’s rich and diverse cultural heritage.

Traditionally performed during Navratri, the nine-day festival that is celebrated to honor the devine feminine energy, Garba is among the oldest folk dances of India. The UNESCO officials appreciated the dance for its “inclusive” nature and hailed it as a symbol of bringing communities together.

Today, the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage inscribed ‘Garba of Gujarat’ on the Representative List of the Intangible Cultural Heritage of Humanity during its 18th session, taking place in Kasane, Botswana from 5 to 9 December 2023.

The inclusion of Garba now makes it India’s 15th inscription on the List.

A ritualistic and devotional dance performed throughout the State of Gujarat, and across India, Garba is celebrated for nine days during the festival of Navaratri. The festival is dedicated to the worship of the feminine energy or Shakti. The cultural, performative, and visual expressions of this feminine energy are expressed through the Garba dance. The performative and visual celebration of Garba takes place within homes and temple courtyards, public spaces in villages, urban squares, streets, and large open grounds. Garba thus becomes an all-encompassing participatory community event.

“I offer my sincere congratulations to India, its people and the teams that worked on the nomination dossier. I hope this inscription helps ensure the viability of this tradition and inspires the community, particularly young people, to continue with the knowledge, skills and oral traditions associated with Garba,” said Tim Curtis, Director of UNESCO New Delhi Regional Office for South Asia and UNESCO Representative for Bhutan, India, the Maldives, and Sri Lanka.

Over the decades Garba has been an integral, multivalent component of Gujarati culture in India and among the Indian diaspora across the globe. Garba continues to be a vibrant living tradition. In addition to being a religious ritual, Garba fosters social equality by diluting socio-economic, gender, and rigid sect structures. It continues to be inclusive and participative by diverse and marginalized communities, strengthening community bonds.

The 18th session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage, hosted by the Republic of Botswana, was assigned with the job of evaluating nominations submitted by States Parties for inscription on the Lists of the Convention, that include 45 elements for inscription on the Representative List of the Intangible Cultural Heritage of Humanity, 6 elements for inscription on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding, 4 proposals for the Register of Good Safeguarding Practices and 1 International Assistance request.

Apart from ‘Garba of Gujarat,’ some of the new inscriptions include Rickshaws and Rickshaw painting in Dhaka from Bangladesh, Songkran in Thailand, traditional Thai New Year festival from Thailand, Hiragasy, a performing art of the Central Highlands of Madagascar, Junkanoo from the Bahamas, and the Procession and celebrations of Prophet Mohammed’s birthday in Sudan, among others.

The Representative List of the Intangible Cultural Heritage of Humanity of the 2003 UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage currently has some 704 elements corresponding to 5 regions and 143 countries. It includes forms of expression that testify to the diversity of intangible heritage and raises awareness of its importance. By enhancing the viability of communities’ cultural practices and know-how, UNESCO aims to safeguard the intangible cultural heritage of communities globally.

Although labeled ‘a ritualistic and devotional dance performed throughout the State of Gujarat’, Garba is a dance of celebration at any joyous event. It is said that Garba originated among the cowherd friends of Krishna in Vrindavan who got together to take off the weariness of their day’s labor with dancing. Going around in circles while clapping their hands and singing was the basic form of that Garba.

India’s current inventory list of Intangible Cultural Heritage includes Garba of Gujarat, Durga Puja in Kolkata, Kumbh Mela, Nawrouz, Yoga, Traditional brass and copper craft of utensil making among the Thatheras of Jandiala Guru in Punjab, Sankirtana-ritual singing and drumming and dancing of Manipur, Buddhist chanting of Ladakh: recitation of sacred Buddhist texts in the trans-Himalayan Ladakh region in Jammu and Kashmir,  Chhau dance, Kalbelia folk songs and dances of Rajasthan, Mudiyettu-ritual theatre and dance drama of Kerala, Kutiyattam-Sanskrit theatre, Tradition of Vedic chanting and Ramlila-the traditional performance of the Ramayana.

The Representative List of the Intangible Cultural Heritage of Humanity of the 2003 UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage currently has some 704 elements corresponding to 5 regions and 143 countries.

The Diwali party presented by Pratibha Jairath and Ashok Potdar was held at Ashyana Banquets and was once again a full house event and a melodious celebration of joy and happiness. Beautifully decorated Ashyana ceilings and jazzy, vibrant colors of the outfits of the audience brought life to a quiet and dreary fall evening.

The lamp lighting ceremony included the Guests of Honor and sponsors including Anil and Sweety Loomba, Sunil and Rita Shah, Bhupinder & Anita Beri, Pinky & Dinesh Thakkar, Mayur Ganger and partner Ashok Potdar. Mrs. Rita Sunil Shah recited Shree Sidhivinay prayers beautifully during Lamp lighting. Mr. Sunil Shah presented Diwali Greetings to all.

Ms Jairath reminded the audience of the significance of Diwali such as victory of knowledge over ignorance, which turned into her recent initiative, a Not-for-Profit organization ‘Vidya Jyoti’s. She mentioned the accomplishment of being able to help 1015 students thus far. Mr.  Mayur Ganger, who had opened his heart as a great sponsor was presented by Mr. Anil Loomba and Dr. Bhupinder and Anita Beri.

The singing trio Pratibha Jairath, Raju Bankapur, Pradeep Sood kept the audience on their dancing feet throughout the celebration. The program started with melodious songs when Pratibha presented songs by legendary singers Lata Ji, Asha Ji, Geeta Dutt, Vani Jairam, each singer with a different special touch. It was a variety of songs, including Bole Re papihara type semi classical numbers. It was pin drop silence throughout the listening numbers and as always, her songs pulse with feelings. With her dance numbers, folks came to the dance floor as usual.  The next surge of excitement was from multi-talented singer Raju Bankapur.  Once again, well known singer, Pardeep Sood had a dramatic entrance once again and his Punjabi medley that people always love brought even more people to the dance floor.

There were few duet performances of popular songs. Mrs. Rita Shah and Hitesh Master performed a beautiful Duet which received a lot of applause too. Pinky Thakkar and Pardeep sood joined Pratibha in a fast dance number and the dance floor was all full.

The beautiful Bharatnatyam dance performances by Jenish Balsara got big applause from the audience. Raju Bankapur’s flute transported the audience to the world of pure joy and ecstasy.

Orchestra Sa Re Ga Ma with Hitesh Master Nayak, Richard Christian, Bobby and sound engineer/DJ Monachan enthralled the attendees.

Pratibha doesn’t forget to thank her friends ever who come out to help her including Anita Beri, Sarita Sood, Asha Mehta, Sushma Srivastav Sushma Gupta, her co-organizer Ashok Potdar, Neha Potdar and Vandana Bankapur who also did beautiful decoration besides front desk help.

Ms Jairath has strong ties with the community, because she maintains ‘Main aasman nahin chhuma chahti, bas logon ke dilon ko chhoo lonn bas yahi tamanna hai’.  Her attention to detail and relationships is what makes her parties successful and that is why she is ione of the most sought-after entertainers and artists of Chicago.

The Senior Friendship Group Chicago marked the joyous occasion of Diwali with a vibrant celebration on Sunday, November 12, 2023 at Golf Maine Park District, 8800 W Kathy Ln, Niles, IL . The festivities, which spanned from 9 am to 4 pm, brought together members and guests for a day filled with cultural delights.

The event commenced with a delightful breakfast featuring an array of Diwali delicacies, including Ghooghra, Cholafli Mathiya Farsi, Puri Chawanan, tea, and coffee. The beautifully adorned venue, embellished with exquisite depictions of Ganapatidada and Lakshmi Mata, was a testament to the meticulous efforts of Meghna D Vora, who orchestrated the enchanting decor.

President Harshadbhai Parekh extended heartfelt Diwali and New Year wishes to all attendees, outlining the day’s program. A collective Aarti of Ganapati Dada and Lakshmi Mata, performed by both members and guests, set a spiritual tone. Smita Parekh presented prayers of Sarva Dharma and Mayurashtakam, adding a divine touch to the celebration.

In a special segment, November birthdays were celebrated, including the festivities for Sunilbhai Shah. The entertainment quotient soared as Jeetendraji, Amitbhai, Pratibhaji, and Ritaben Shah showcased their musical talents, creating a jubilant atmosphere that had everyone dancing.

The highlight of the event was the felicitation of President Harshadbhai Parekh and other dedicated members by Pinkiben Dineshbhai Thakkar and Mukeshbhai Mehta. Bouquets and shals were presented as tokens of appreciation for their significant contributions.

“On this Diwali and New Year celebration, I want to express my love and affection for my caring family and friends. I want to tell my husband Dinesh Thakkar how fortunate I am to have him in my life as my best friend and a wonderful life partner. I want to thank him for the love and support, and I look forward to celebrating our bond together for years and years to come. Happy Diwali and New Year”! Said by Pinky Thakkar

Asian Media USA captured the magical moments of the day, diligently documenting individual and group pictures along with videos. The generosity of guests who contributed to the event was acknowledged, aligning with the spirit of giving during Diwali.

As a sweet conclusion to the celebration, the President, committee members and Guest distributed sweets to all attendees, fostering a sense of camaraderie and shared joy.

The Senior Friendship Group Chicago’s Diwali celebration was a resounding success, weaving together tradition, community, and festivity in a tapestry of unforgettable moments.