22 July, 2024 et in Heraklion, Crete, Greece

Father is at the hospital and a mother is dying – not Father’s mother but a mother who is a patient – and the son is holding his mother’s hand and tears are streaming down the patient’s eyes and the son is shouting with anguish, « μητέρα μου, είσαι η μητέρα μου, δεν μπορώ να σε χάσω » and tears stream out of Father’s ducts and Father does not even notice them doing so.

Father holds his own mother’s hand every day. He holds her hand while his wife feeds her avgolemono in the breakfast hours. He holds her hand when the nurse comes to their home and checks her vitals. He holds her hand as she is going to sleep and he and his wife are singing her lullabies.

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Κοιμήσου και σαν σηκωθής κάτι θα σου χαρίσω,

την Πόλη και τη Βενετιά τη Χιό με τα καράβια,

να γίνης άντρας ‘ξακουστός σ’ Άνατολή και Δύση,

καβάλλα στην Άγιά Σοφιά να πας να προσκυνήσης.

She who is dying, she is not Father’s mother. She is just his patient. He notices suddenly the wetness on his face and dries it with his handkerchief. He’s never cried when a patient dies. Even now he doesn’t feel emotional, and yet there are the tears.

Luckily no one is even looking at him. No one else even notices it. The nurse is looking at the patient, as is the son. The son holds his mother’s hand and shouts at her not to leave, but this woman cannot control what is meant to come. All of her muscles have stopped working. Her eyes remain stuck in place, staring up towards the ceiling, towards the firmament, towards the next dimension. A sudden wide gasp escapes from the woman’s mouth and her hands go purple and her eyes cloud. Her entire body becomes solid as stone.

The woman has died. Someone comes in to note the time and date. Father comes to the bedside and tells the son that nothing can cure old age. The heart just stopped, and it was a brave decision to decide to turn off life support. Her death was not the fault of the son, nor was it the fault of anyone at the hospital. It was just the inevitable result.

The patient’s son nods his head, but his eyes are so blank that Father wonders if he has understood. Father leaves after having done all of his paperwork, but somehow his own heart feels heavy like a log drowning in the river.

Someday, soon, his own mother will die, and Father will be the person on the other side of the bed, holding her hand, watching the life drain away from her eyes. He will be exactly like this man, looking back at all he has done, and wondering if it was truly enough for the people he loved.

Retirement.

The word returns to the foreground of Father’s mind. It’s an annoying thought that keeps coming up every day and almost at every hour. It tires him to maintain small talk with patients and to keep all of their information in the back of his mind as he figures out their medical problems. The patients aren’t always polite. Sometimes they are very rude. Some take out their own financial problems on him, and it isn’t Father’s fault that the medical infrastructure in Greece is falling apart. He tries his best to fix it in his own way through his work, but there is only so much one person can do, and even he is slowing down now that he is getting properly old, and his body is less able to tolerate the heat, the working hours, the complaints, the attitude.

Retirement. It’s such an easy answer.

It isn’t time yet to retire, Father reminds himself, and he leaves it at that. He rushes to see his next patient, a fisherman from the neighbouring town of Agia Pelagia. He has a hook stuck inside his foot, and it has gotten infected. Father organises the surgery to get it removed and considers which antibiotics are best given the fisherman’s pre-existing heart issues.

Father goes to see some other patients, and within two hours the surgery is done. The patient is happy, as the removal of the hook was quick and didn’t require too much medication, at a fairly small cost. The fisherman takes Father’s hand not only to shake it, but also to force it on top of his chest, while his eyes blaze with the warmth of two little suns.

« You are a miracle worker. I feel like Naaman being cured of leprosy. You come to my home someday. And bring many bags. I will give you enough fish for your family to eat for months! »

Father says « ευχαριστώ » and assures that he will come, but there is a turbulent feeling inside of him. Normally when he sees his patients this happy, he feels a sense of relief, or the validation of his steadfast belief in providing his medical services at all costs.

Instead, the same nagging thought is bubbling in the bottom of his belly and rising upwards towards his throat like gas.

Retirement. Retirement. He’s tired of these people. He’s tired of being responsible for their emotions. He’s tired of having to visit strangers, which results in him feeling emotionally drained. He’s tired of acknowledging them, being around them. It’s time to retire. He’s given himself to enough people for decades. It is finally enough.

Father leaves the patient and heads to the lift to see another patient who is on the third floor. He looks at the people around him. Some are visibly exhausted, like they just need to nap against the elevator door. Others are clearly affected by illness, and their bodies have had enough. It is hard enough to age, let alone deal with serious mental and physical concerns.

Father is at the exact age when pensions are starting to be mailed to him. Sixty-seven is when most people retire in this country. And he has earned a lot over the years. Inflation is horrid, and the cost of living is rising, but he has prioritised the goal of saving first for almost three decades. He next to never went out to eat, never bought a nice car or expensive fragrances, never took a trip once to another country, let alone to another island of his own country. He has a lot of savings, and they are going to be needed given how rough the next few years are looking.

Even if Greece becomes incredibly expensive, he has enough for himself and his wife. He can retire.

But what about the patients? And there aren’t that many people training to be doctors. The island of Crete is facing a shortage of medical workers. Father does not want to contribute to this major problem. His patients need him. Many times when he finishes up his work, he will be greeted with compliments like « Doctor, I don’t know what I would do without you » or « Doctor, you are the only good doctor of this hospital. » He is an objectively good doctor, in a country where few people take work seriously or care about producing proper results.

Father reaches his next patient. He seems to be one of the refugees, clearly African based on his complexion, hair, and features. The nurse informs Father of his background. He came from one of the illegal boats shipping people to Crete from Libya, and nearly drowned when it capsized a few kilometres away from shore. The medical infrastructure is already horrid in Crete, but it is being overwhelmed because so many new people are coming to their hospitals who have to be taken care of. Where’s the space? Where’s the equipment? Where’s the staff?

Retirement. It is not a crime to leave one’s work when it is getting tougher and tougher and less rewarding each day. Quite the opposite. Many valiant and hard-working people retire. Father swore an oath to his patients, but it isn’t meant to be lifelong. He even had the idea of retiring in his sixties when he first started hospital work in his thirties. It’s only because he knows life will be incredibly boring once he is done with his work. He’s used to dealing with patients day in and day out, not sitting out on his porch drinking a beer while the wind blows the fragrance of the olive trees from the field towards his home.

For now, he finishes up with the patient. He does his best, but the waterlogging in the patient’s body has caused a lot of permanent damage, and there’s no easy solution. Father can’t imagine what it is like to leave one’s family, in the hope of going to a richer country and making money that can be sent back to take care of one’s grandparents or cousins, only to have the possibility of any of it ended before the story can even start.

In many ways he’s not too different from this migrant. He wanted to do the best that he could do for his mother and his family in the village.

That was the promise he made to her, wasn’t it? Back when he was in the interior of the island, many hours south of here, he told her he wanted to be a doctor, yes, because he wanted to help others, but he also wanted to take care of his family. Over time he made it about the financial aspects of helping out, like sending money home, but there is also a lot of help that comes with just being there, holding her hand, and not just for thirty minutes during a weekend trip but being able to hold her hand each and every hour every day. That was what his mother did when Father was just a boy. She held him when he was learning how to stand upright, she took him by the hands and pulled him upwards as he took his first steps against the thistly ground.

That’s all that his mother wants at this point. She doesn’t want more money sent back to Atsipades. She doesn’t want her bills paid. She wants a son who will be there to hold her hand, no matter the hour of the day, no matter how little of her memory resides in her.

Father holds this patient’s hand. He is partly checking his pulse, but he also feels like holding someone’s hand now. He feels so much sympathy for this person. He knows this person made a lot of promises and sacrificed a lot, but unlike Father he will never know of or gain any returns from his decisions. Father’s situation is not like his.

Retirement. It’s not really that bad of an idea, actually.

Retirement. It won’t be something Father does because he’s tired, or because he’s sick of other people, or because he wants the easy way out.

Retirement. Yes, it’s time to retire, and it’s because of his promise to his mother to take care of her. And while the meaning of that has changed over the years, to fulfil that core promise now, he will have to return to her side, and her side only, and be with her.

The Fifteenth Vision (20th July, 2024)

This is a story I thought I was telling for a thousand years. Or so I thought. Or maybe I have been telling a thousand stories. Or maybe I was telling the same story to a thousand men. Things have changed. You are not a king. You are a simple person. But it’s my story to tell. So, listen.

This is what Mother is telling the man.

But where do I begin, and how do I start? In our daily life, there are no man-bearing sea creatures or swashbuckling pirates, immortality-granting herbs or wish-granting djinns. And these are not even my tales to tell. They are tales that guarantee your entertainment, certainly, and thus my survival. But I think you are not here to kill me, are you? You are here to free me from the stories I tell. And so, I won’t tell a lie, I won’t make anything up. I’ll tell you exactly how it is.

Or this is what she thinks.

Where does one start…? To be honest, I’ve been telling stories inside of my head for so long that to say anything that resembles the truth is an act of work, even for me. As for my real story…it has to begin with my birth. My birth year was 1959. That was so long ago! It was just a few years before the people of our country were starting to war against the state of Iraq to establish our government, but at that time I wasn’t thinking about such things. I knew I was a Kurd, and I knew I was a girl. 

As Mother says this, she looks around. She is in the confines of her living room. The room blazes with red carpets and drapes, and the leftover smell of morning tea wafts around the closed space. She thought she had turned the television off, but on the television are the serials, dubbed in Kurdish, shipped from Turkey. She thought she was looking after her mother-in-law, just as she thought she was talking to a man on the crossroad of Zanko and Madam Mitterand, but the house is empty. She only sees a picture of herself and her husband, the one they have put on top of the television. It’s a picture from the seventies. During that time, her husband would don a simple white shirt and set of pants. His belt firmly buckled his shirt around his waist. His bushy moustache curved around his mouth, not nearly as trimmed or greying as it has become. He was so young-looking back then, as she was, too, with her face round and without wrinkles, her curly black hair not even covered with a headscarf.

She thinks she is dreaming, but everything in this dream is so realistic and visceral.

She keeps telling her story anyway.

I was also an only child. Because my father, a banker, was constantly relocated for work, I didn’t grow up in one place or another. I was born in Zalan, grew up for a large part of my life in Arbat, spent some time also in Khurmal. My childhood was beautiful and rich, but it was also difficult. My mother and father didn’t have the best relationship, and they separated at a time when separating as a couple was very poorly looked upon. I think that is why I trust so much of my time and thoughts in Allah. My prayers with Allah gave me peace and guidance in a way that discussions with my father or mother never provided. 

Mother looks away from the frame. She remembers that she was in the middle of feeding her mother-in-law, a challenging task these days as her mother-in-law finds it difficult to swallow food. Because of this, Mother has completely changed her cooking and diet. She used to spend most of her time making biryani and kuki. Now she can only make soup.

That is what Mother is supposed to be doing, rather than getting lost in the stories inside of her head.

My story doesn’t start however with my own life. A story has a beginning, middle, and end, but the fact is there are stories upon stories happening all the time, on top of each other. Even at this moment while I am telling a story, there are an infinitude of stories happening all at once. The story that we tell is not just a story. It is the point at which a conflict occurs, one that jolts the seamlessness of the larger story that has been happening all along. It is something perverse, it is something bizarre, it is something that makes one stand up and say, everything was going so well, and now suddenly it is not. 

And in my particular case, that story has nothing to do with warriors or warlocks, ghuls or djinns. It has to do with something far more pressing.

Mother feels like she ought to go back towards the kitchen, but she is not ready.

My son lives as a homosexual. All men and women have urges. But we control them, we don’t live our life just to please them, we do what is best for society and our family so that everyone can survive and live well and grow. But my son is only a man of his impulses. He wants to have sex, and he lives only for that. He wants to travel and eat fine foods and spend money, and that is all he does. He thinks only about himself and has designed his life around it. And that deeply bothers me, because I have designed my life thinking only about what is best for him. He doesn’t think about the family. He doesn’t think about how his behaviours affect us. We are the laughing stock of our community because of how he lives his lifestyle. No one in our suburb even visits our house, knowing we are the parents of a proud and open homosexual.

Mother finds herself grabbing the picture on the television.

Does he care about the shame it causes me? Does he care that I spend so much of my time humiliated?

She finds herself throwing it, and the frame thuds against the carpet.

I am glad at least that I am no longer visiting the mosque. There, the rumours were incessant. I was the constant banter of the housewives. The previous imam tried to control it. The new imam who has replaced him is too young to order others around. And so, they made their comments, said their horrible words.

She has flung it with force, but somehow the glass has not broken. It has not even chipped. When she flips it over, she notices not a single difference.

I sometimes wish I were just dirt. Then I could crumple up into the rest of the earth and perish.

How is it that the glass did not break?

I have to live in this human form. I have to be surrounded by people who only want to share their ugly words. That is my torture. That is my ruin.

How is it that this glass is stronger than she is?

And my son, despite inflicting this on me, doesn’t even want to listen. He thinks anytime I express myself, I am going after him. I am an older woman. I was raised in a strict household. My values will not change. They were what I was born with.

She picks up the frame and puts it back on the television and looks at it one more time. This is a picture of just the two of them, without their son.

The least he could do is listen to me. He doesn’t have to agree, he doesn’t have to share his opinion. He can just listen. 

She swears she is seeing something else in the photo. It’s a sudden black stretch, small as if it were just a stain on the photo, but it is growing, vastly and infinitely, to the size of something cosmic.

Instead I have to confide in you, a random stranger, who has appeared in front of me, out of nowhere, as if you only exist to let myself be heard.

Suddenly Mother is talking to someone again. It is a person she has given the shape of a man to.

The worst part of it is that you aren’t even real. 

This someone is wearing the shalvar of a king. Or is he just a man?

I’m sitting here, day in and out, repeating the same old story, talking to myself.

Who is this person? And why is this person listening so intently to Mother’s story?

(14): 12th March, 2024 set in São Tomé, São Tomé and Principe

Eu não posso acreditar que a minha mae tivesse estado comigo para dois meses, Father reflects to himself as he chews on his calulu. Actually, it has been more like a month and a half, but Father has been busy with work at the hospital. There’s only one public hospital in the entire city of São Tomé, a little far from where he lives, and he oversees more than forty patients in the course of an hour. It’s only in the hours of the evening after he comes home that he has time to savour the taste of the fish his wife makes, sit by the television beside his mother, and chat with her, making her feel young again by sharing the stories of his childhood. How the hours pass, with Father telling long stories about the things he did with his brothers in the coastal town of Vila Malanza, such as how they would cheat each other at football or how they’d spend hours hiking around the crags alongside the ocean without telling any of the adults, just to feel the fresh saltiness of the breeze, the uninterrupted humid smell of the green groves.

A piece of spinach is stuck in between Father’s teeth. He tries to suck it out from the back of his throat, and when that doesn’t work he tries to push it out with his tongue. He pricks at it with his nails, but it refuses to come out. Father finishes his meal and attends to his hygiene in the mirror of the guest bathroom. The spinach is wedged in between his front two teeth like a flag.

As he is taking care of it, Father senses something.

Does my mother have something to say to me? 

14 February, 2024

« You know, it is a lot of work to deal with your mother. »

« I know already. »

« Artur, listen to me. It’s a lot of work. »

« I have to go to the hospital. You stay all day at home. What else can we do? »

« Artur, literally look at me. Don’t look at the phone. Look at your wife. »

Father was busy reading some text messages from the electric company, but he looked away, towards his wife, who had extended both of her arms towards him. They were full of red scratches and purple bruises.

« It is a lot of work to put your mother on the toilet. I am a frail woman. I am also almost seventy. Yesterday, I almost slipped on the water from the bath and could have hit my head. »

« We will get someone to help you at the house. »

« That is not all. Your mother scratches at me and hits me. Look at how she has marked me. It is like she is a kitten. »

« That is because she doesn’t remember who you are. She thinks you are a stranger, and she is defending herself. »

« Artur, this is all easy to say. You have to listen to me. It is a lot of work to be at home alone like this, dealing every day with your mother. »

« Deolinda, don’t worry. It will get better as you get used to it. »

Mother scoffed.

« That is easy for you to say given how little you are in the house. »

Father scoffed as well, almost mocking Mother’s response.

« I am hard at work, paying the bills for this family. »

« I know. » Mother said. She breathed in and out, measuredly, and folded her arms to herself. « And I appreciate your work.  »

Mother didn’t say anything else. She looked like she was observing the atmosphere of the room, then left it, to go back to her housework. Father was relieved to see the conversation was over, and he went back to reading the messages about the power shortages.

But a part of him knew that Mother wasn’t saying something that she really had to get off of her chest, and that part of his mind couldn’t stop wondering what it was.

12 March, 2024

It’s rare for Father to intuit these things. Unlike Mother, who seems to think every offhand sound in the background involves them, Father tends to not notice anything unless it occurs in his direct line of vision, or unless it involves his work. Father is still picking at the spinach between his teeth while looking at himself in the mirror. His skin has always been a light caramel, but he has noticed that he is getting dark freckles on his cheeks. His skin is also darkening in patches. He hopes that it isn’t cancer.

But the feeling doesn’t go away. Father has a strong sense that his mother has something important to say. The thought resounds in his head, though he doesn’t know for what reason. It’s not easy for him to talk to his mother. Each time they speak, there’s a stutter and a pause—and she usually ends up not saying a single thing. She swallows her words, her eyes go blank, and she returns to staring mindlessly at the wall.

Father doesn’t understand why it would be any different today.

7 March, 2024

Alda Alves squirmed in the wheelchair. It was seven in the evening, but it felt like it was seven in the morning, or seven in the evening from the day before. The same serial was playing on the television. The colours flashed in the background. The smell of frying fish filled the house.

Suddenly her body shook. There was no control to the shaking. It would not stop no matter what. It was because she wanted to move but she didn’t move. She wanted to stand but she wasn’t standing. She wanted to adjust her body in the wheelchair but the most she could do was vibrate to herself.

She clutched her earring. Why did she have an earring on? She did not put it in her ear. Her eyes were blinking and blinking and blinking. She wanted to try to take it off, but it was a struggle to get her arm to raise up to her ear, and so she gave up.

There was a book next to her. The Bible. The pages used to feel so warm against her fingers. She wanted to grab it but how. Her finger shook. The book is so big. How would she make her hand fit around it?

She rubbed the edges of the pages with her fingers and then slapped over the book. It fell onto the floor.

Deolinda rushed into the room.

« Mamãe, what are you doing? »

Her mother-in-law’s eyes shuddered like a window blind partially closed.

Deolinda picked up the Bible and put it back in its place on the table.

« Do you want me to read some of the stories from the book? »

At the moment at which she asked she got no response, so Deolinda returned to her work in the kitchen.

But in a few hours, Alda Alves reached for the pages again, trying her hardest to pick up the book.

12 March, 2024

Father leaves the bathroom and returns to the green living room, with its eggshell-blue paintings of the ocean on the walls. Theirs is one of the nicer houses in the city. They live in a two-storey cottage right by the ocean, alongside a small wooden port used by the fishermen in the early hours of the morning. The houses are painted yellow and red and pink and blue. Their house is one of the green ones—green outside, green inside, and particularly green when the sun sets and cascades its light across the living room.

Just on the other side of the hall, the matriarch of the family, Alda Alves, is sitting in her wheelchair. She is in a pink nightgown, and she’s resting her neck on the back of the wall. Father remembers how effortlessly his mother used to lug entire fire logs on the top of her head, and yet now she can no longer support her head with the strength of her own muscles. Drool is dribbling out of her mouth, forming a thin liquid thread down to her arm. Father finds the small blue towel they use to wipe away her sweat and cleans it off.

« And how was your day, mamãe? »  Father says, in the childishly excited tone he uses with his senile patients. « Como foi? » he repeats, two or three times.

His mother doesn’t make an effort to respond, which makes Father wonder if his earlier thoughts were founded on nothing. He sighs. As he said to himself earlier, he is not the intuitive one in his family, and he has long made peace with it. He wonders if he should watch the serial that Mother has put on, one of those random ones from Brasil where not a single character looks remotely African. Honestly, these are the things Mother would watch, not Alda Alves, who used to complain to Father that the things people consume in Africa should be made by Africans.

« Oi, Deolinda, » Father calls out. « Where have you put the remote? » Mother is too far away to hear Father, so he shouts louder. « And why is the program on this? » Something about him having to say it angers him. « You should be putting on things my mother will watch. This is not the time for you to enjoy your shows. »

Perhaps it is the tone he used, but Father suddenly hears a lamenting groan. He turns back to his mother. Suddenly her neck has stiffened out, and her head is straight. The expression on her face is one of fright.

« Oi, mamãe, calm down. Everything is good. Everything is good, I promise. Do you remember me? Do you remember who is talking? Who is this? Who is talking right now? »

Father puts on his excited face, trying to look how he looked when he was a little boy, raptured by everything in the world.

« A…ahh »

« Artur. »

« Ahhh…ahh »

« Artur. »

« Artur. »

« Exatamente. Very good, mamãe, ótimo… »

Normally, the conversation would end here. Father would try to make his mother say his name over and over again, and once she got the hang of it, he would ask her to say the names of his brothers, or his father. At that point his mother would get exhausted. Her eyes would lose their glisten, all concentration would be lost, and she’d return to staring at the nothingness on the other side of the wall.

Only now his mother’s eyes don’t break concentration. They suddenly look the way they looked all those decades ago, back when Alda Alves lived in the fishing settlement of Vila Malanza, full of life and urgency and hunger for more.

31 May, 1962

There was once a day when Alda Alves looked through her open window, at the clothes on the drying line as she was drying the dishes, and said to Artur, « Do you know why we live the way we do? »

Artur was busy eating ice cream, but he shook his head, not knowing what his mother was referring to.

Alda smiled. The sun’s light imprinted the shadows of the palm trees over her face.

« There is no reason for why we live the way we do. We are born where we are. We are from where we are from. But we have all of the power to be more than that. »

Alda put her hand up towards the sky. She clenched it to make the shape of a fist, and she put it right in the place of the ever-shining sun, blocking its light. Her hair coils were slicked against her face like angry serpents. Her pinkish-purple chapped lips cracked against the breeze as she spoke.

« That is the reason why God has put us on this Earth. To surpass the challenge of the life we have been given. To prove that we are far more than what we have been put on this earth for. »

12 March, 2024

« Eu estou sozinho » Alda Alves says.

I am lonely.

The suddenness of her confession shocks Father. He utters without thinking, « What? »

« Sozinho » Alda Alves says, and then she says, quite lucidly, with the most piercing sadness in her eyes, « I am alone. » She says it over and over again.

A tear falls from Father’s eye and traverses over his face. A hotness warms his cheeks.

« My mother, you don’t have to be lonely. My mother, I am here for you now. My mother, I will always be here for you. I know I lived so far away from you for a long time, and it was hard to keep in touch, but I did it all for my family and for us. I’ve always done everything for you even when I have not been around. So, don’t be lonely, my mother. I love you. »

Father holds his mother’s hand. He tries to clasp the top of it with his other, as if that will somehow help to convey the authenticity of his words. He hopes that his mother has heard him in this sudden moment of clarity. He wants to believe more than anything that this is a sign that his mother is still inside of this body, that her dementia is starting to wane, even if just in this moment, and that a part of her consciousness will grace his presence more often.

However, instead of acknowledging her son, Alda Alves utters again and again, « Sozinho, sozinho…soz…so… »

Her voice cracks, her tone changes, her facial expression loses tension.

Her eyes are vacant once more.

She stops staring with that sadness, and faces blankly at the empty green painted on the wall.

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