This book describes end to end playing techniques of Mridangam and elaborates unique concepts in Music
“My style in Carnatic Music, especially playing Mridangam, an ancient South Indian classical percussive instrument is very unique,” says T. Shankaranarayanan Nandakumar, while describing the objective of writing of his new book, “Intricacies of Mridangam” is being released in hardcover both Barnes and Nobles and Amazon. “I want to pass on this rich knowledge and skills that I have received from my Masters to the new generation, who are often not familiar with the nuances of this ancient musical instrument.”
World renowned for his mastery of the Mridangam and with expertise in various other percussion instruments, including konnakol (vocal percussion), thavil, ghatam, kanjira, and morsing, Nandakumar is a well-known south Indian music artist, showcasing his versatility in Carnatic music and has devoted his entire life to the cause of popularizing Indian classical music around the world.
Nandakumar developed a string interest in music at a very young age. Throughout his professional career, he has accompanied many well-known names in Carnatic music and continues to perform all over the world. As a percussionist, TSN has accompanied luminaries in Carnatic music, including Semmangudi Srinivasa Iyer, M. D. Ramanathan, Bhimsen Joshi, T. N. Krishnan, M. Balamuralikrishna and others. His role as an accompanist has greatly enhanced the events with the performances of these eminent artists.
Through his musical engagements, TSN engages in cultural diplomacy, fostering an appreciation for Indian music
and drumming traditions. This indirect form of education occurs as audiences experience the artistry and cultural depth of the mridangam during performances. He has taken up his life mission to perpetuate Indian ancient art form and has dedicated himself in teaching the same to hundreds of students worldwide.
With the mission to spread the knowledge and provide education on this ancient Indian musical instrument, Nandakumar established TSN’s Percussive Arts Centre. Inc (TSNPAC), where students are trained in diverse instruments. Since its inception in 1998 in Mumbai, India, TSNPAC has evolved into a hub for students to refine their skills and collaborate within the realm of Carnatic arts. Upon migrating to New Jersey, USA, TSN seamlessly incorporated TSNPAC, offering courses in higher learning for Carnatic percussion enthusiasts in the United States. Today, TSNPAC stands as a beacon for aspiring artists seeking to master the intricacies of Carnatic percussion.
Nandakumar’s belief that “Music is like a horizon which is never ending and has no boundaries” has enabled him to take music with him wherever he goes. Since his coming to the United States, Nandakumar continues his life’s mission through stage performances at prestigious orchestras, participation in global music events, educational initiatives and contributions, collaborations, global impact, and philanthropic endeavors. He has demonstrated a commitment to social responsibility through charity work, including organizing a 24-hour non-stop Akanda Seva Bhajan in aid of India’s tsunami victims.
According to Nandakumar, playing Mridangam requires mastering of several intricacies and mathematical
calculations. This new volume is aimed at providing the skills to an enthusiastic learner of Mridangam to be able to play with any artist without practice.
TSNPAC conducts Mridangam Arangetram annually, where students, without prior rehearsal, accompany main artists like A. Kanyakumari, culminating in a graduation ceremony. Notably, TSNPAC’s influence extends globally, with dozens of professional student performances, including drumming, at the Cleveland Thyagaraja festival. TSNPAC’s significant milestones include a decennial celebration marked by a grand performance featuring over 100 students.
TSN’s participation in international festivals and workshops has contributed to the global awareness of Indian percussion, showcasing the richness of Indian drumming traditions and providing a platform for cross-cultural exchange. By actively participating in musical collaborations and performances in the United States, TSN not only showcases the beauty of the mridangam but also educates audiences about the intricacies and significance of this traditional Indian percussion instrument.
“Through music, you can reach god,” says Nandakumar who wants to spread this path to the Almighty. “I feel very good about my accomplishment in spreading my knowledge about music to everyone. I have students all over the world, students of Indian origin and from other nationalities, some of them have become full-time musicians and are accompanying renowned artists,” Nandakumar says with pride.
In recognition of his great accomplishments, TSN was honored with The Lifetime Achievement Award by the Shanti
Foundation in Chennai. He was awarded the “Best Teacher Award” from several organizations with the most prominent being awarded by Shanmukhananda Fine Arts and the Cleveland Thygaraja Aaradhana Festival and by the Shanmukhananda Fine Arts, Sangeetha Sabha, Mumbai in 2007, Bharat Ratna Dr. M. S. Subbulakshmi Sangeetha Pracharya Award), and Visionary Award by Academy of Indian Music, USA.
Dedicating his entire life to the spreading of Carnatic Music, Nandakumar has been highly sought after as a teacher in India and abroad. He has conducted several musical concerts, lectures, demonstrations, and workshops at universities in the United States abroad like Lamar University of Houston and Indiana University of Pennsylvania. TSN conducted special classes in percussive arts at the Sri Venkateswara Temple in Pittsburgh, and the Academy of Indian Music in New Jersey and Switzerland. He also conducted 24 hours nonstop Akanda Seva Bhajan (Offered a Prayer through the medium of music) with his students in Mumbai for the tsunami-affected victims of India.
Nandakumar says, “My aim of contributing to Carnatic music by spreading knowledge has been successful and I forever am indebted to my parents and my teacher. I feel even more proud that some of my students have become masters of mridangam and it’s an honor knowing that the knowledge I shared with my students is now spreading around the world, imparting to many generations.”
Nandakumar’s new volume, “Intricacies of Mridangam” gives an overview of the ancient South Indian Classical Carnatic music style for the percussive instrument, mridangam. This book describes end to end playing techniques of Mridangam and elaborates unique concepts in Music, which are
explained with examples as well as some original creations and compositions from the author.
The funds generated from the sale of the book will support (TSN’s Percussive Arts Centre. Inc) TSNPAC’s initiatives, such as organizing events that offer students the chance to participate in full-fledged concerts.
“Intricacies of Mridangam” is now available for purchase online! You can find it at the following links: Barnes & Noble: https://www.barnesandnoble.com/w/intricacies-of-mridangam-nandakumar-t-s/1145052967?ean=9798877049864 and at: Amazon on: https://a.co/d/bGpdmcv


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Supporting the EAGLE Act on the House Floor, Khanna said, “The reality is we need immigrants to help build some of the critical technology that is going to keep us ahead of China and keep our military strong and our industrial base strong. The EAGLE Act benefits all American workers by lifting the arbitrary per country Green Card cap to bring down the decades long backlog.”
Nationalism, in the case of the United States, is also a significant frame used by media organizations to project their own nation’s image to the rest of the world. While some media organisations in the US can be identified as being aggressively nationalistic (we see that in the media organizations’ coverage of reports that helped President Donald Trump win the 2016 presidential elections, for example, Fox News), others are more balanced, accurate and unbiased such as the CNN or The Wall Street Journal. This does not, however, prevent these media organizations from identifying themselves with values and principles that they uphold as the identity of their ‘great’ nation. Equality, rule of law, representative democracy, freedom of speech, individualism, and patriotism often resonate in the media reports from these revered organizations. Ironically, some of these values are put on the back burner when media organizations of international repute, reverence, and credibility in the US report on developments that contradict their country’s geopolitical goals.
The celebration commenced with a welcoming Meet & Greet, followed by a digital showcase of the FIA’s history of furthering diversity and gender equality. Payal Shah, Co-chair of International Women’s Day, emceed the event.
youth to be mentored in various departments in the Township “Representation matters,” Singh said, adding, “We are making a mark in this country.”
In the end, Chirag talked about their participation in the upcoming edition of the Paris Olympics 2024, which will be played in the same venue as the French Open 2024.
India’s Consul General in New York Binaya S. Pradhan, speaking at March 7, 2024 event at Consulate. PHOTO: X @IndiainNewYork
only 2% in terms of tourist spending, which is around $20 billion.
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Director Aamer’s work often focuses on the importance of transboundary water politics including a multitude of publications, interviews, and panels like her upcoming panel,
Box Office Guru Media will be presenting a panel at Canada House (Swan Dive, 615 Red River St, Austin) on Monday, March 11 from 3pm-4pm. Title and description below:
Founded in 1989, Sakhi has been at the forefront of advocating for gender justice, providing culturally competent programs, and fostering community engagement to address unique challenges faced by survivors in the South Asian diaspora. Over the past 35 years, Sakhi has worked tirelessly to build safer, more equitable communities for all.
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However, others feel differently. According to The Hill, Trump has reasons to be optimistic. He almost never led in any polls during the 2020 election cycle, yet he still came within a few thousand votes of pulling off a second narrow Electoral College victory. In contrast, he now leads in nearly every national poll. He also leads or ties Biden in every important swing state.



T. Shankaranarayanan Nandakumar, popularly known as “TSN” has played a pivotal role in spreading the knowledge about Indian drums, particularly the mridangam in the United States through his stage performances at prestigious orchestras, participation in global music events, educational initiatives and contributions, collaborations, global impact, and philanthropic endeavors. He has demonstrated a commitment to social responsibility through charity work, including organizing a 24-hour non-stop Akanda Seva Bhajan in aid of India’s tsunami victims.
take music with him wherever he goes. TSN’s participation in international festivals and workshops has contributed to the global awareness of Indian percussion, showcasing the richness of Indian drumming traditions and providing a platform for cross-cultural exchange. By actively participating in musical collaborations and performances in the United States, TSN not only showcases the beauty of the mridangam but also educates audiences about the intricacies and significance of this traditional Indian percussion instrument.
and drumming traditions. This indirect form of education occurs as audiences experience the artistry and cultural depth of the mridangam during performances.
students to refine their skills and collaborate within the realm of Carnatic arts. Upon migrating to New Jersey, USA, TSN seamlessly incorporated TSNPAC, offering courses in higher learning for Carnatic percussion enthusiasts in the United States. Today, TSNPAC stands as a beacon for aspiring artists seeking to master the intricacies of Carnatic percussion.
TSN has performed at the Thyagaraja Festival, a prestigious and culturally significant experience for Carnatic musicians. Thyagaraja Aaradhana Festival in Cleveland, Ohio, is the largest Indian classical music festival outside of India.
artists, without prior rehearsal, which is a unique approach that serves as a culminating experience for their graduation from the Center. TSNPAC’s significant milestones include a decennial celebration marked by a grand performance featuring over 100 students. The center conducts Mridangam Arangetram annually, where students, without prior rehearsal, accompany main artists like A. Kanyakumari, culminating in a graduation ceremony. They follow in his footsteps by training their own students in the style of TSN and continuing to promote Carnatic percussive arts.
their expertise in Carnatic Music include Paula Jeanine, Todd Isler, Johann Berby, Guillaume Barraud, Will Calhoun, Bill Buchen, Lenora Zenzlai Helm, and Bernhard Schimpelsberger. TSNPAC’s legacy embodies a commitment to excellence, providing a platform for students to explore and flourish in the rich tapestry of Carnatic music.
of mridangam, konnakol, thavil, ghatam, kanjira and the morsing played by himself. Author of several books, to educate students to the themes of Indian Percussive Arts, TSN is currently working on writing books that cover advanced topics.
Son of Shrimati Saraswati and Shri Balakrishna Panicker, a great supporter of the arts as member of the Devaswom board in Kerala and actively involved in promoting Carnatic devotional music in temples and organizing concerts, TSN was born in the village of Ambalappuzha in Kerala, India. As a child, he was fascinated with the rhythmic chants and bhajans. Nandakumar soon became a ‘Laya Vidwan’ due to his mastery of Carnatic percussive components: Laya, Raaga, Thaala and Bhava.
As a young prodigy, TSN gained a reputation as an accompanist to renowned Carnatic musicians such as Semmangudi Srinivasa Iyer, M.D. Ramanathan, S. Ramanathan, R. K. Srikantan, V. Dakshinamurthy, Bhimsen Joshi, N. Ramani, M. Balamuralikrishna, T. N. Krishnan, K. J. Yesudas, N. Rajam, T. K. Govindarao, Nedunuri Krishnanmurthy, T. V. Gopalakrishnan, Parassala . B. Ponnamal, A. Kanyakumari, M. Chandrasekaran, D. K. Jayaraman, B. V. Raman, B. V. Lakshmanan and many others.
Foundation in Chennai. He was awarded the “Best Teacher Award” from several organizations with the most prominent being awarded by Shanmukhananda Fine Arts and the Cleveland Thygaraja Aaradhana Festival and by the Shanmukhananda Fine Arts, Sangeetha Sabha, Mumbai in 2007, Bharat Ratna Dr. M. S. Subbulakshmi Sangeetha Pracharya Award), and Visionary Award by Academy of Indian Music, USA.



