Category: Culture

The United Kingdom’s Royal Navy has broadened its mess dress code policy to incorporate the sari as part of its efforts to embrace diverse cultural identities for formal and ceremonial occasions.

This decision aligns with a broader initiative to represent the cultural heritage of Royal Navy personnel. Lance Corporal Jack Kanani, who serves as the chair of the Royal Navy’s Race Diversity Network (RNRDN), recently confirmed the update, which falls under the force’s “Cultural Equivalent” initiative.

“As Chair of the Royal Navy Race Diversity Network (RNRDN), it gives me great pleasure to announce that the existing Royal Navy (RN) cultural mess dress policy has just been updated to include wider forms of British cultural identity,” Kanani stated.

The Royal Navy already permits traditional attire representing Scottish, Irish, Welsh, Cornish, and Manx heritage, such as kilts and tartan dresses, for formal naval mess functions. The latest update expands on this by allowing personnel to honor their cultural roots while adhering to mess dress requirements.

Kanani highlighted that the Cultural Equivalent initiative began more than two years ago. The Race Diversity Network sought input from ethnic minority personnel within the Royal Navy to gauge how an expanded dress policy might enable them to celebrate both their military and cultural identities.

“The RNRDN’s initiative, coined the Cultural Equivalent, initially began over two years ago. The Network canvassed opinions from ethnic minority service personnel to understand how widening existing policy on cultural mess dress would make them feel able to celebrate both their RN and cultural heritage,” he explained.

He further elaborated that the newly revised guidelines now acknowledge other cultural groups that serve within the Royal Navy.

“The update in policy now widens that to be inclusive of other British cultures that serve within the RN,” he added.

A post shared on social media illustrated this change through an honorary female captain dressed in a white sari, paired with a white shirt, bow tie, and mess jacket.

Naval mess dress regulations mandate strict uniform standards above the waist, requiring officers to wear their uniform jackets with trousers, a tartan kilt, or a skirt. With the updated policy, the Royal Navy hopes its officers will be able to display their heritage by incorporating elements such as a sari or African attire, while still complying with mess dress guidelines by pairing these outfits with the required jacket, shirt, and bow tie.

Despite the intended inclusivity of the move, some critics have voiced concerns. One former high-ranking naval officer argued that the change undermines the purpose of military uniformity.

“The reason for uniform in a disciplined fighting service is to achieve a common identity, not to accentuate the differences… Rather than running a fashion parade, what this team should have been doing is to help recruit sailors from diverse cultural backgrounds,” remarked Retired Rear Admiral Philip Mathias, responding to Kanani’s social media announcement.

However, the Royal Navy’s Race Diversity Network defended the policy revision, asserting that it accurately represents the diversity within its ranks.

Additionally, the Network clarified that the image shared on social media, depicting the honorary captain in a sari, was from an earlier research phase of the Cultural Equivalent initiative. It emphasized that the image does not necessarily reflect how different cultural garments will be worn under the updated mess dress regulations.

The Indus Valley Civilization, one of the oldest known civilizations, flourished several millennia ago in regions corresponding to modern-day Pakistan and western India. At its peak, it was home to over five million people and was renowned for its sophisticated urban infrastructure. However, the script used by this civilization remains an unsolved mystery, leaving the language and identity of its people unknown.

The reason behind the civilization’s disappearance around 1900 BCE is still debated. In an effort to decipher the enigmatic script, the Tamil Nadu government in southern India has announced a reward of $1 million for anyone who can successfully decode it. “Whoever solves the Indian enigma will become a millionaire,” the official statement declared.

Indus Valley inscriptions consist of symbols and signs that were primarily etched onto pottery and stones. The inscriptions are brief and follow distinct patterns, leading scholars to question whether they constitute a complete language. Researchers have identified around 400 unique symbols, and with the lucrative prize at stake, interest in solving the mystery has surged.

Rare Roman-Era Coins Discovered

While the challenge to decipher the Indus script gains momentum, a remarkable archaeological discovery has emerged from a small town in the Netherlands. More than 400 gold and silver coins from the Roman era, dating back to the first century CE, have been unearthed.

The treasure includes coins bearing images of prominent rulers from Rome, Britain, and Africa, such as Claudius and Julius Caesar. Among the hoard, 116 coins are made of gold and are believed to have been buried around 47 CE. Experts suggest they may have been hidden by a Roman soldier returning from Britain, possibly with war loot.

This finding is particularly significant as it represents the largest Roman-era treasure ever discovered in the Utrecht province. Additionally, it is the first recorded instance in Europe of a collection containing both Roman and British coins.

Following meticulous cleaning and restoration, the coins have been incorporated into the national archaeological collection. Researchers will continue studying them to gain further insights into the historical connections between the regions they originated from.

Veteran actor Naseeruddin Shah shared candid thoughts about the state of Bollywood during his appearance at the Kerala Literature Festival 2025. His reflections painted a rather critical picture of the industry’s role in representing contemporary Indian society. Expressing concern about the lasting impact of Bollywood films, Shah remarked, “It would be a big tragedy if 100 years later, people look at Bollywood films to understand India of 2025.”

Shah’s critique centered on the idea that cinema should serve as a meaningful record of its time. He argued that while films can raise questions, they often fall short of creating genuine shifts in societal thinking. “I don’t think anybody’s thinking is changed after seeing a film, no matter how wonderful it may be. Yes, it may help you raise a few questions, but the most important function of cinema is to act as a record of its times,” he said.

Delving deeper into the content produced by the film industry, Shah criticized how certain films reinforce outdated and harmful gender stereotypes. According to him, many movies cater to male fantasies, often reflecting and perpetuating regressive attitudes toward women. He did not mince words, stating, “These films feed into the secret fantasies of men who, in their hearts, look down on women.” He added that this dynamic is troubling and sheds light on the persistent issues of gender-based violence and discrimination in society. “It is very terrifying and does explain the horrendous things that happen to women in our society,” Shah observed.

Reflecting on the concept of originality in filmmaking, Shah shared an interesting anecdote from a conversation he had with renowned screenwriter Javed Akhtar. The discussion revolved around Akhtar’s 1975 classic Sholay, a film widely regarded as one of the most iconic and influential works in Indian cinema history. Shah recounted challenging Akhtar’s view of originality, pointing out the visible influences from Western cinema in Sholay. “I remember Javed Akhtar had once said to me, ‘Something can be called original when you can’t find its source.’ I was talking to him about Sholay, and I said, ‘You have copied every scene, you didn’t leave any of Charlie Chaplin’s films, besides Clint Eastwood is felt in every frame,’” Shah recalled.

Despite his blunt critique, Shah acknowledged that defining originality in art and cinema is complex. Akhtar’s response highlighted that originality doesn’t solely depend on whether an idea is entirely new but rather on how it is executed and transformed. “But he said, ‘The question is not about where you have lifted a reference from, it’s about how far you have taken it,’” Shah noted. This perspective underscores the idea that creative works often draw from existing influences, but their uniqueness lies in the way these inspirations are reimagined.

Shah further elaborated on this point by drawing parallels with literary greats like William Shakespeare. Widely celebrated as one of the most original playwrights in history, Shakespeare himself adapted stories from older works. “William Shakespeare, who is considered a great playwright, apparently was also copying stuff from old plays. But originality was there in the way they presented,” Shah said, emphasizing that the essence of originality lies in the presentation rather than the source material.

His remarks at the festival were a mix of sharp critique and thoughtful reflection, challenging the audience to reconsider the role of cinema in shaping and reflecting society. Shah’s comments are particularly relevant in an era where Bollywood continues to grapple with balancing commercial success and meaningful storytelling. His concerns highlight the need for introspection within the industry about the messages films convey and the values they promote.

While Bollywood has produced films that challenge societal norms and provoke thought, Shah’s critique suggests that these are exceptions rather than the rule. He seemed to imply that mainstream cinema often prioritizes entertainment and profit over artistic integrity and social responsibility. His observation that films “feed into the secret fantasies of men who, in their hearts, look down on women” points to a broader issue of gender representation in Indian cinema. Many mainstream films continue to depict women in stereotypical roles, reinforcing traditional power dynamics rather than challenging them.

Shah’s reflections also resonate with ongoing conversations about the influence of popular culture on societal attitudes. While he acknowledged that films might not drastically change people’s thinking, he implied that they still play a significant role in normalizing certain behaviors and beliefs. The connection he drew between cinematic content and real-world violence against women suggests that the portrayal of gender roles in films can have far-reaching consequences beyond the screen.

In discussing Sholay and its influences, Shah raised important questions about the nature of creativity and the fine line between inspiration and imitation. His anecdote with Javed Akhtar offers insight into how even celebrated works of art are often part of a larger cultural dialogue, drawing from existing stories and ideas to create something new. The debate over what constitutes originality is not new, but Shah’s reflections add a nuanced perspective, especially in the context of Indian cinema’s evolution.

His comparison to Shakespeare further reinforces the idea that originality is often a matter of perspective. While Shakespeare borrowed heavily from earlier works, his genius lay in his ability to transform those stories into timeless masterpieces. Similarly, Shah seemed to suggest that Indian filmmakers should focus less on avoiding influences and more on how they can reinterpret and reframe those influences in meaningful ways.

Shah’s comments at the Kerala Literature Festival were both a critique of Bollywood’s current trajectory and a call to action for filmmakers to be more conscious of their work’s cultural impact. His belief that cinema should serve as a historical record challenges filmmakers to think beyond box office numbers and consider the legacy they are creating. His assertion that it would be tragic if future generations looked to Bollywood films to understand India in 2025 reflects his concern that the industry is not fully capturing the complexities of contemporary Indian life.

Ultimately, Shah’s candid remarks highlight the power of cinema—not just as entertainment but as a mirror to society. His critique of Bollywood’s portrayal of women, the influence of Western cinema on Indian films, and the elusive nature of originality offer valuable insights for both filmmakers and audiences. As Indian cinema continues to evolve, voices like Shah’s serve as important reminders of the responsibilities that come with storytelling.

The Kerala Literature Festival (KLF), hailed as Asia’s largest literary gathering, is gearing up for its 8th edition with a stellar lineup of luminaries from literature, music, film, and art. Scheduled to take place in Kozhikode, a UNESCO-designated City of Literature, the event will run from January 23 to 26, drawing a diverse global audience for an extraordinary celebration of creativity.

This year’s festival boasts an impressive roster of renowned figures. Flute virtuoso Hariprasad Chaurasia, acclaimed filmmaker Mani Ratnam, and legendary violinist L. Subramaniam, fondly called the “God of Indian Violin,” are among the standout names. Bollywood stalwarts Naseeruddin Shah and Ratna Pathak Shah, versatile actor Prakash Raj, and YouTube sensation Prajakta Kohli will also be present, ensuring a dynamic blend of culture, artistry, and intellectual exchange. “Their presence creates a one-of-a-kind cultural experience, making KLF a must-attend for enthusiasts of art and literature,” stated the organizers.

Adding to the festival’s grandeur, KLF will feature a remarkable array of talents, including Nobel laureates, Booker Prize winners, and award-winning authors and artists. Some of the notable personalities include Malayalam cinema icon Parvathy Thiruvoth, vocalist Mir Mukhtyar Ali, musician Vidya Shah, dancer Methil Devika, French poet Fred Nevché, Bharatnatyam artist Rajashree Warrier, singer Harish Sivaramakrishnan, pianist Stephen Devassy, and Spanish performer Mónica de la Fuente. These distinguished figures will engage in stimulating discussions and artistic performances, enriching the festival’s appeal and cultural impact.

Beyond the luminaries, the festival will shine a spotlight on Kerala’s vibrant cultural heritage, showcasing traditional art forms, dance, and performances deeply embedded in the region’s history. These local expressions will complement a series of global cultural acts, creating a harmonious fusion of the local and the international. “This blend of traditional Kerala culture and global artistry will foster a universal dialogue, celebrating the interconnectedness of art and literature,” remarked Ravi Deecee, the festival’s Chief Facilitator.

France takes center stage this year as the Guest Nation, bringing its artistic flair to the KLF. French cultural performances will share the spotlight with Kerala’s traditional art forms, symbolizing a rich cultural exchange. Among the distinguished French participants are Fred Nevché and Alfred Lionel Papagalli, whose contributions promise to enhance the collaborative spirit of the event. Their presence reflects the festival’s commitment to cross-cultural engagement, breaking barriers and uniting creative minds across borders.

Expressing his enthusiasm for the festival, Ravi Deecee said, “We are thrilled to bring together such a distinguished lineup of artists, writers, and intellectuals for this year’s festival. The fusion of global cultures, including French and Kerala traditions, will offer a unique platform for cross-cultural engagement. It is a celebration of the diverse ways in which art and literature bring people together, breaking boundaries and fostering a universal dialogue.”

With an estimated footfall of six lakh attendees, KLF 2025 is poised to be a grand spectacle of artistic expression and intellectual discourse. Attendees from all corners of the globe are expected to convene in Kozhikode, where the four-day event promises an immersive experience. The festival’s diverse programming will seamlessly intertwine literature, music, art, and culture, creating a space where ideas and creativity flourish.

In its 8th edition, the Kerala Literature Festival aims to reaffirm its reputation as a premier cultural event, uniting audiences and artists in a shared celebration of creativity, dialogue, and the power of the written word.

Congressman Raja Krishnamoorthi, a Democrat representing Illinois, introduced a bipartisan resolution on January 14 to designate January as Tamil Language and Heritage Month. The initiative received widespread support from lawmakers across party lines, including Representatives Nicole Malliotakis (R-NY), Shri Thanedar (D-MI), Ro Khanna (D-CA), Suhas Subramanyam (D-VA), Pramila Jayapal (D-WA), Ami Bera (D-CA), Ilhan Omar (D-MN), Yvette Clarke (D-NY), Sara Jacobs (D-CA), Deborah Ross (D-NC), Danny Davis (D-IL), Dina Titus (D-NV), Don Davis (D-NC), and Summer Lee (D-PA).

In a statement, Rep. Krishnamoorthi emphasized the significance of the Tamil language, which is spoken by more than 80 million people globally, including 360,000 individuals in the United States. He highlighted that Tamil is one of the oldest languages in the world and plays an integral role in preserving cultural heritage.

The resolution aligns with Pongal, a prominent Tamil festival celebrated in mid-January. Pongal symbolizes gratitude, prosperity, and unity as families, friends, and communities come together to honor their traditions.

“As a Tamil American, I am proud to introduce this bipartisan resolution honoring the Tamil language, heritage, and culture here at home in the United States and around the world,” said Congressman Krishnamoorthi. He described the United States as “a mosaic of different languages, cultures, ideas, and traditions,” expressing hope that the resolution would illuminate the rich history and achievements of Tamil Americans. “I encourage my colleagues in Congress to swiftly take up this resolution to recognize the impact Tamil Americans have in our communities,” he added.

Organizations supporting the resolution lauded its introduction, underscoring the importance of recognizing Tamil heritage and contributions to society. Tamil Americans United PAC expressed gratitude to Congressman Krishnamoorthi and other members of Congress for their efforts. “This significant legislation highlights the rich history of the ancient Tamil people and their invaluable contributions to the modern world,” the organization stated. They encouraged Tamil Americans to actively support the resolution’s passage through Congress.

The Federation of Tamil Sangams of North America (FeTNA) echoed these sentiments, declaring strong support for the resolution. “As proud Tamil Americans, we strongly support Rep. Krishnamoorthi’s resolution to create a Tamil Language and Heritage Month,” the organization said. They added that sharing Tamil history, language, and culture with fellow citizens would allow Tamil Americans to make meaningful contributions to their adopted homeland.

The U.S. Tamil Action Group (USTAG) also applauded the initiative. “We thank Rep. Krishnamoorthi for spearheading the effort to designate January as Tamil Language and Heritage Month and urge the U.S. Congress to pass this resolution with all due speed,” the group stated. They highlighted the pride Tamil Americans take in their ancient language, traditions, and culture, noting how these enrich America’s diverse cultural landscape.

PEARL (People for Equality and Relief in Lanka) praised Congressman Krishnamoorthi’s leadership in advancing the resolution. “The resolution celebrates the invaluable contributions of the Tamil community to the United States across generations,” the organization stated. It also emphasized how the resolution reinforces the importance of diversity in American society, while celebrating the extensive history and cultural richness of Tamil people.

The resolution serves as a testament to the enduring significance of Tamil heritage in the United States and globally. By recognizing January as Tamil Language and Heritage Month, the proposed legislation not only honors the contributions of Tamil Americans but also celebrates the broader cultural diversity that strengthens the fabric of American society.

Laurene Powell Jobs, widow of late Apple co-founder Steve Jobs, has been given the Hindu name ‘Kamala’ ahead of her participation in the Maha Kumbh 2025, set to begin in Prayagraj on January 13. The billionaire philanthropist, known for her interest in spirituality and humanitarian work, is currently in Varanasi and will join the grand Hindu festival to immerse herself in traditional rituals under the guidance of her guru, Swami Kailashananda.

Swami Kailashananda, the ‘Mahamandaleshwar’ of the Niranjani Akhara, confirmed her new name and her spiritual journey. Speaking to Hindustan Times, he said, “Laurene has a deep interest in Sanatan Dharma and treats me like a father. I also give her the same love as a daughter.” He added that she had been given a new name after receiving her guru’s Gotra, symbolizing her spiritual inclusion. “She is coming to visit her guru here. We have named her Kamala, and she is like a daughter to us. This is the second time she is coming to India… Everyone is welcome in Kumbh,” he told ANI.

Laurene’s visit to India is not her first encounter with the country’s spiritual practices. She previously visited India and has been deeply connected to Sanatan Dharma, as emphasized by her guru. Her upcoming participation in the Maha Kumbh will include her taking part in the Akhara’s Peshwai ritual and adopting the saffron robes of a sanyasin. She is expected to perform the royal dip, or Shahi Snan, on two key dates – January 14 (Makar Sankranti) and January 29 (Mauni Amavasya).

The Maha Kumbh, held every 12 years, is a significant event in Hindu culture and is considered the largest human gathering in the world. This year’s event, running from January 13 to February 26, is projected to attract around 400 million pilgrims to Prayagraj in Uttar Pradesh. It is a time for spiritual cleansing, meditation, and devotion, where saints, seers, devotees, and VIPs gather to perform rituals along the sacred rivers.

Laurene’s engagement in the festival will also include observing the ancient tradition of Kalpvas. This practice involves a month-long period of devotion and ascetic living, observed by devotees known as Kalpvasis. It begins on Paush Purnima and concludes on Maghi Purnima, with participants dedicating themselves to prayers, meditation, and rituals by the riverbanks.

Before arriving in Prayagraj, Laurene visited the Kashi Vishwanath Temple in Varanasi on Saturday. Accompanied by her guru, she offered prayers at the revered shrine. However, adhering to temple traditions, she was only allowed to view the sacred Shivling from outside, as touching the holy symbol of Lord Shiva is restricted to certain devotees.

Preparations for the Maha Kumbh are nearing completion, with the Uttar Pradesh government sparing no effort to ensure a successful event. State Chief Secretary Manoj Kumar Singh revealed that the budget allocated for the 45-day festival is approximately Rs 7,000 crore. This year’s Kumbh Mela will be the first to incorporate advanced technology, including artificial intelligence and chatbots, to enhance the experience and ensure seamless management of the massive crowds.

Security has been a top priority, with the UP Police implementing a multi-layered system to safeguard the millions of pilgrims expected to converge on Prayagraj. The main bathing rituals, or Shahi Snan, will take place on three auspicious dates: January 14 (Makar Sankranti), January 29 (Mauni Amavasya), and February 3 (Basant Panchami). These royal baths are the highlight of the festival, drawing devotees seeking spiritual merit.

Laurene Powell Jobs’ participation in the Maha Kumbh underscores her deep respect for Indian spirituality and traditions. Her spiritual journey reflects the growing global fascination with Hindu practices and the cultural significance of events like the Kumbh Mela. As she takes the name Kamala and dons the saffron attire of a sanyasin, her presence adds an international dimension to the festival, further highlighting its universal appeal.

Swami Kailashananda expressed his joy at welcoming her to the Maha Kumbh, emphasizing the inclusive nature of the festival. “Everyone is welcome in Kumbh,” he reiterated, underscoring the event’s spiritual openness and significance. The seer also mentioned her intent to meditate and participate fully in the rituals during her stay, aligning with the essence of the Maha Kumbh – a convergence of faith, devotion, and humanity.

The Maha Kumbh 2025 promises to be a historic and spiritually enriching event, with millions gathering to seek blessings and participate in the age-old traditions that define Hinduism’s rich cultural heritage.

The Indus River, one of the world’s longest and oldest rivers, is making headlines for an extraordinary reason—reports suggest it is now “spewing gold.” Revered as the cradle of the Indus Valley Civilization, the river’s historical importance is unparalleled. Between 3300 and 1300 BCE, the Harappan civilization thrived along its banks, marking a golden era of prosperity. Today, however, the focus has shifted from history to its astonishing gold reserves, leaving many astonished.

Media reports from Pakistan claim that the river, which was entirely within Indian territory before the 1947 partition, now deposits treasures worth a staggering 600 billion Pakistani rupees daily in Pakistan. The river’s abundant water resources, essential for millions, have now taken on a new role—as a source of immense wealth. Gold and other precious minerals are reportedly being extracted from the Indus in Pakistan’s Punjab province, particularly in the Attock district.

A River of Gold

The Indus River flows through India and Pakistan, originating from the Himalayas and stretching over 3,200 kilometers, making it one of the world’s longest rivers. Historically, it has been revered for sustaining civilizations and enriching the cultures that settled along its banks. Mentioned in the Rigveda, the river holds immense cultural and spiritual significance.

In recent developments, fast-moving waters from Pakistan’s northern mountainous regions are believed to carry gold particles downstream. These particles settle in the riverbed, contributing to what experts call placer deposits. Such deposits result from the natural flow of water, which separates heavier gold particles from lighter sediment, allowing them to accumulate along the riverbanks.

The significance of this phenomenon isn’t new. For centuries, the river has transported gold from the Himalayan region, depositing it along its course. Scientists attribute this to the Himalayas’ geological history. It is believed that around 6 to 10 million years ago, the collision of tectonic plates formed the mountain range and the river system. This geological process continues to influence the natural distribution of minerals.

Illegal Mining Sparks Concerns

Despite the immense potential of these gold deposits, the Pakistani government faces a challenge—illegal mining. Reports suggest that during winter, when water levels drop, locals resort to extracting gold particles from the riverbed. What began as manual panning has escalated to the use of heavy machinery, intensifying the environmental and regulatory concerns surrounding these activities.

In response, authorities in Pakistan’s Punjab province have implemented Section 144, banning illegal gold extraction in the region. The province’s Home Department emphasized the need to safeguard these resources, stating that minerals like placer gold could provide substantial benefits to the country’s treasury.

Mining Minister Ibrahim Hassan Murad revealed that gold deposits, transported by the river from the Himalayas, are estimated to amount to 32.6 metric tons. He noted, “The deposits, valued at approximately 600 billion Pakistani rupees, span a 32-kilometer area in Attock.” This discovery has the potential to significantly bolster Pakistan’s economy if properly managed and regulated.

Geology Meets History

The Indus River’s gold deposits are not only an economic boon but also a geological marvel. A survey conducted by the Khyber Pakhtunkhwa provincial government highlighted that significant amounts of gold particles accumulate near Peshawar, carried down by the river from the Himalayan region. These findings align with historical records, which suggest that the river has long been a carrier of natural wealth.

The historical relevance of the Indus River cannot be overstated. It was the lifeline of the Indus Valley Civilization, fostering a culture of innovation and trade. This ancient civilization thrived by utilizing the river’s resources, including its fertile plains and abundant water supply. The discovery of gold along the river’s course adds another layer to its rich legacy, tying together history, culture, and natural wealth.

Future Prospects

While the potential economic impact of these gold reserves is immense, challenges remain. Illegal mining threatens both the environment and the equitable distribution of resources. The Pakistani government has acknowledged the importance of regulating mining activities to ensure the river’s wealth benefits the nation as a whole.

Moreover, experts caution that overexploitation of these resources could have dire consequences. The river, already a vital water source for millions, could face ecological degradation if mining activities are not carefully monitored. Striking a balance between economic gains and environmental conservation will be crucial in the coming years.

A Turning Point for Pakistan?

For a nation grappling with economic challenges, the discovery of gold in the Indus River represents a potential turning point. If managed effectively, the wealth generated from these deposits could provide much-needed relief to Pakistan’s struggling economy. However, this will require stringent regulations, sustainable mining practices, and a commitment to transparency.

The discovery also raises questions about regional cooperation. As the river flows through both India and Pakistan, its management and the equitable sharing of its resources could become a topic of international dialogue. Collaborative efforts could not only preserve the river’s ecological balance but also maximize its potential benefits for all stakeholders.

Conclusion

The Indus River, a symbol of ancient prosperity, is now being hailed as a modern-day treasure trove. From its historical role in shaping one of the world’s earliest civilizations to its newfound identity as a source of immense wealth, the river continues to captivate and inspire. As Pakistan navigates the challenges of harnessing its gold reserves, the story of the Indus River serves as a reminder of the delicate interplay between nature, history, and human ambition.

As Ibrahim Hassan Murad aptly put it, “The Indus River has been a gift to this region for centuries. Its gold deposits are a blessing, and we must approach their management with wisdom and care.”

Five years after the catastrophic fire of 2019 nearly engulfed Notre Dame Cathedral, one of its most venerated relics, the Crown of Thorns, has returned to its historic home. On December 13, the cherished artifact was ceremonially placed in a newly crafted reliquary, marking a profound moment of renewal and faith for Paris. The relic, traditionally believed to have been worn by Jesus Christ during his crucifixion, was the centerpiece of a solemn liturgical service led by Laurent Ulrich, Archbishop of Paris. The event, held in the cathedral, drew a congregation that had reserved their attendance in advance. “We are here to accompany the Holy Crown to its new home,” the archbishop declared during the service.

A Historical Journey

The Crown of Thorns, a delicate wreath of woven reeds secured with golden threads, has endured centuries of history and devotion. Originally acquired in 1239 by King Louis IX (later canonized as Saint Louis) from Constantinople, the relic was first enshrined in the Sainte-Chapelle, a Gothic masterpiece constructed specifically to house it. By the 19th century, the Crown had been transferred to Notre Dame Cathedral, where it remained a focal point of veneration.

However, the devastating fire of April 2019, which consumed much of Notre Dame’s roof and spire, forced an urgent rescue operation. Amid the chaos and peril, first responders and clergy risked their lives to save the Crown of Thorns and other invaluable relics, including a nail and a fragment traditionally linked to the cross of Christ. Following the fire, the Crown was placed under the meticulous care of Mayor Anne Hidalgo in the secure vault of Paris’ City Hall, where it remained protected during the cathedral’s reconstruction.

Reliquary for the M A odern Age

The return of the Crown of Thorns has been marked by its enshrinement in an innovative reliquary that bridges ancient tradition with contemporary artistry. Designed by the esteemed architect Sylvain Dubuisson and constructed by artisans from the prestigious Coubertin Foundation, the three-meter-tall reliquary embodies sacred devotion and modern design.

The reliquary features a massive marble base that also houses the other rescued relics—a nail and the wood fragment. At its center, the Crown of Thorns is dramatically suspended within a vertical circular metal frame, encased in a structure adorned with hundreds of light-reflecting crystals. This unique design creates an ethereal glow as the crystals scatter light, symbolizing the eternal connection between suffering and salvation. The luminous display not only draws the viewer’s attention but also serves as a spiritual focal point, offering a profound sense of reverence.

Symbolic Renewal

The return of the Crown of Thorns is part of the larger reopening celebrations of Notre Dame Cathedral, which welcomed visitors again last Saturday following extensive restoration efforts. For the city of Paris and its faithful, the return of the relic signifies more than just a physical comeback; it represents hope and resilience in the face of destruction.

Though the scars of the fire remain visible in the cathedral, the relic’s presence serves as a powerful reminder of sacrifice and redemption. For centuries, the Crown of Thorns has inspired millions worldwide as a symbol of humility, unity, and spiritual renewal. Archbishop Ulrich aptly captured this sentiment during the ceremony, saying, “This relic calls us to humility and unity. Its return reminds us that even through destruction, beauty and faith can be restored.”

As the Crown once again takes its place at the heart of Notre Dame, it stands renewed not only for the faithful of today but also for generations to come. The moment reflects the enduring spirit of one of the world’s most iconic religious landmarks—a spirit that continues to shine even amidst its scars.

In Arundhati Roy’s The God of Small Things, the tragic love story of Ammu, a Syrian Christian woman, and Velutha, a Paravan Christian convert, sheds light on casteism entrenched in Kerala’s Christian society. Velutha’s love for Ammu leads to humiliation, false accusations, and ultimately death in custody, revealing the harsh caste norms within a community that many perceive as casteless. While Christianity is globally seen as devoid of caste, Syrian Christians in Kerala, among the oldest Christian communities in India, have a distinct story.

Over centuries, Syrian Christians integrated Hindu traditions, such as the mangalsutra and sindoor, into their practices, blending them with their faith. While this community has flourished in India, Syrian Christians in Syria now face a bleak reality.

The collapse of Bashar al-Assad’s regime has left Syria’s Christians in fear and uncertainty. On December 10, the capture of Damascus by rebel forces ended 53 years of Assad family rule, which had protected religious minorities, including Christians. Church leaders have called for international aid as the nation transitions to rule by a former ISIS functionary.

“It’s not living, it’s surviving,” lamented Aleppo-based Father Bajhat Karakach, highlighting the precarious situation of Christians in Syria.

In contrast, the history of Kerala’s Syrian Christians illustrates how the community adapted and thrived amidst India’s diversity. Concentrated on the Malabar coast, they later spread across Kerala, Karnataka, and Tamil Nadu.

The Origins of Syrian Christianity in India

Christianity in India predates the arrival of European missionaries by centuries. Saint Thomas, one of Jesus Christ’s apostles, is believed to have brought Christianity to Kerala in 52 AD. According to academic Sonja Thomas, “Syrian Christians trace their conversion to the year 52 AD, when St. Thomas the Apostle arrived at the Kerala coast and reportedly converted Brahmins to Christianity.”

These early converts were predominantly Hindu Brahmins, and their exposure to Hindu traditions shaped Syrian Christianity long before Portuguese missionaries arrived in the 15th century.

Under the patronage of local Maharajas and Rajas of Kerala, Syrian Christians flourished, and the broader population embraced Christianity. Scholar PrapurnaInaganti noted that the community “escaped religious Christianity in general, which means a casteless society.”

Resistance Against Portuguese Influence

When the Portuguese arrived, the Syrian Christian community had been thriving for 1,300 years, blending local traditions with Christian practices. However, Portuguese and British missionaries sought to “purify” Syrian Christianity by removing what they saw as heretical influences.

Tensions peaked during the historic Coonan Cross Oath of 1653. Syrian Christians, resisting Latinisation by the Portuguese Church, tied a rope around a church cross and took an oath to reject Roman Catholic doctrines. Sonja Thomas explained, “In 1653, the majority of the Syrian Christians rebelled against the Latinisation efforts in the coonenkurisha, or crooked-cross oath, so named because the Syrian Christians tied a rope around the cross of a church and held on to it as they recited an oath to reject the dictates of the Portuguese Church.”

This act of defiance preserved their unique identity and solidified their place in Kerala’s cultural tapestry.

Integration of Hindu Traditions

Syrian Christians retainednumerous Hindu customs and rituals, reflecting their historical roots as Brahmin converts. Practices like the use of sindoor and the tying of the minnu (a variation of the mangalsutra) during weddings exemplify this blending. The minnu is central to the Syrian Christian marriage ceremony, as Sonja Thomas observed: “The tying of the Syrian Christian minnu is considered the most important ritual of the Syrian Christian marriage ceremony.”

Other Hindu customs adopted include the Manthrakodi ceremony, in which a bride is draped in a silk saree, mirroring the Pudavakodukkal ritual of Kerala’s Namboodiri Brahmins. Newlywed brides also follow the Hindu tradition of entering their husband’s house with a lit lamp, stepping over the threshold with the right foot.

Even wedding ceremonies feature elements like sandalwood paste, milk, rice, and areca nuts, further illustrating the fusion of traditions.

Syrian and Local Influences in Rituals

Despite the integration of Hindu customs, Syrian Christians have retained aspects of ancient Syrian traditions. Their Holy Qurbana service incorporates Syriac prayers and hymns, preserving the melodies and language of early Christianity. The community observescanonical hours, known as Shehimo, in the West Syriac Rite seven times daily.

Unique death rituals also set Syrian Christians apart. Mourning periods are followed by a feast seven days later, and households where a family member has died refrain from celebrating Pesaha, the Christian Passover meal. The Pesaha feast itself features Aramaic-derived terminology like Pasha or Pesah, linking the community to its ancient Syrian roots.

US-based scholar Corinne Dempsey highlighted these unique practices in her study, noting, “The period of mourning followed by a feast seven days later, or the ritual that prevents households where a death in the family has occurred from celebrating Pesaha, or the Christian Passover meal, is unique to Syrian Christianity.”

Thriving in India, Struggling in Syria

Today, Syrian Christians in Kerala, including Jacobite and Orthodox factions, number around a million, according to a 2016 study. Despite internal feuds, they remain an influential community.

This stands in stark contrast to Christians in Syria, where centuries-old communities now face extinction. Kerala’s Syrian Christians serve as a testament to the resilience and adaptability of faith, preserving their heritage while embracing the diversity of Indian culture.

The Rosetta Stone stands as a pivotal discovery in human history, enabling the translation of ancient Egyptian hieroglyphics into meaningful historical narratives. This artifact, inscribed in three scripts, bridged a linguistic gap and transformed historians’ understanding of ancient Egypt. However, Egypt is an exception in this field; many ancient scripts remain undeciphered, leaving significant aspects of human history shrouded in mystery.

Experts continue to struggle with decoding dozens of ancient languages, including the script of the Rapa Nui people on Easter Island, the enigmatic texts of the Olmec and Zapotec civilizations of Mesoamerica, and the languages of some of the world’s earliest societies. These linguistic puzzles remain unsolved, holding the secrets of ancient cultures that rivaled known civilizations in complexity and achievement.

One of the most intriguing mysteries lies with the Kingdom of Kush, an ancient civilization that thrived in Nubia, encompassing modern-day Sudan and southern Egypt. This kingdom, which existed from approximately 1070 BCE to 350 CE, was a powerful rival to ancient Egypt. Despite its prominence, scholars have yet to decipher the Kushite language, known as Meroitic, named after the kingdom’s capital city, Meroë.

The Minoan civilization provides another example of an ancient culture with an undeciphered script. This society flourished on the island of Crete before the rise of ancient Greece and is considered one of the precursors to Greek civilization. The Minoans left behind texts written in a script known as Linear A, but linguists have yet to fully understand these writings. Linear A holds the potential to illuminate the workings of this Mediterranean culture, which played a significant role in shaping subsequent civilizations.

Perhaps the greatest linguistic mystery of all is the language of the Indus Valley Civilization. This ancient society, which emerged along the Indus River in present-day Pakistan as early as 7000 BCE, rivaled the achievements of other great civilizations such as Mesopotamia and Egypt. Yet little is known about the Indus people, as their script remains undeciphered. Their inscriptions, found on seals, tablets, and other artifacts, suggest a sophisticated society with a complex administrative system, but their meaning remains elusive.

Linguists and historians hope that someday an artifact akin to the Rosetta Stone will be unearthed. Such a discovery could provide the key to decoding these ancient scripts and unlock the voices of civilizations that have been lost to history. For the Indus Valley Civilization, this hypothetical artifact might lie buried beneath the sands of Iraq or along the Arabian coast. “Deciphering these scripts would give us an unparalleled glimpse into some of the most influential societies of the ancient world,” scholars suggest.

The hope persists that advances in technology, coupled with future archaeological discoveries, will eventually unveil the stories hidden within these enigmatic scripts.

The grand reopening of Notre Dame Cathedral on December 7 and 8 marks a historic event for Paris but brings with it extraordinary security precautions. Following the devastating fire of 2019, the iconic Gothic cathedral will welcome visitors once more, with thousands of security personnel ensuring the safety of the celebrations.

A heightened alert has been issued in the city as officials prepare for the significant event. Laurent Nuñez, Paris Police Prefect who managed security during the 2024 Summer Olympics, emphasized the gravity of the situation during an interview with Le Parisien. “The threat level is very high, akin to what we managed during the Games,” Nuñez remarked. Although no specific threat has been identified, Islamist extremism remains the primary concern for authorities.

To secure the Île de la Cité, the historic site where Notre Dame stands, authorities plan to implement stringent measures. Nearby metro and train stations, businesses, and restaurants will close temporarily, and the Seine’s iconic boat tours will be suspended. Air traffic above the area will also cease during the event. Residents living near the cathedral must carry identification to access their homes, while tourists and other attendees will navigate heavily controlled security perimeters. These measures are part of the SILT (Internal Security Against Terrorism) protocol, which will be enforced from 7 a.m. on December 7 until 8 p.m. on December 8.

The event will see around 3,000 invited guests, including over 100 heads of state and government officials, gather inside the cathedral for the unveiling of its meticulously restored interior. This momentous occasion represents a key milestone in the years-long restoration effort following the catastrophic fire.

Beyond the cathedral walls, the festivities are expected to draw approximately 40,000 spectators, who will view the ceremony on giant screens set up in the surrounding area. The reopening has also coincided with a notable boost in tourism. The Paris Office of Tourism has projected an 18% increase in visitor numbers for the week of December 2–8 compared to the same period in 2023, signaling renewed global interest in the city.

Security efforts for the event will be extensive and multilayered. While Nuñez refrained from revealing exact figures, he confirmed the presence of “several thousand” personnel, including snipers and soldiers from Operation Sentinelle, France’s counter-terrorism task force. Advanced surveillance technology and sophisticated crowd management systems will also be employed to mitigate risks.

The reopening of Notre Dame Cathedral symbolizes resilience and recovery, not only for Parisians but for the millions worldwide who cherish this architectural masterpiece. However, the event also underscores the ongoing challenges of safeguarding public gatherings in a world of heightened security concerns.

When Ami Doshi, a new immigrant from India, attended her first Thanksgiving as a middle schooler, she was taken aback by the concept of eating a rare bird as the centerpiece of the celebration. “I actually had no idea what a turkey was,” Doshi, now in her early 40s, recalled. Her concerns, however, went beyond unfamiliarity, rooted in her moral beliefs. “When you kill a bird, they can feel it, they can see it… Why is a pet’s life more important than a bird’s life?” she asked.

Doshi, a lifelong vegetarian and follower of the Jain faith, adheres to the principle of ahimsa, or nonviolence. This fundamental tenet involves avoiding harm to all living beings in thought, word, and action. Many Jains also refrain from eating root vegetables, such as onions and garlic, out of respect for the insects and microorganisms disrupted during harvesting. To Doshi, it seemed paradoxical to express gratitude with a meal that involved the loss of a life.

For Jains in the U.S., who number around 200,000, participating in the quintessentially American Thanksgiving holiday required adaptation. Over the years, Jains have redefined the occasion, creating a unique tradition of temple prayers for lives lost, community service, and vegan feasts.

“We figured out a place for us,” said Nirva Patel, a second-generation Jain American and executive director of the Brooks McCormick Jr. Animal Law & Policy Program at Harvard Law School. For Patel, Thanksgiving is an opportunity to emphasize gratitude, family, and mindfulness, all aligned with Jain values. “We kind of pulled the good from that holiday, and we’re doing it in our own curated way,” she explained.

Patel, who produced the 2018 vegan documentary The Game Changers, hosts a plant-based potluck each year. A plastic turkey centerpiece at her table sparks meaningful discussions about traditions and values. Reflecting on her childhood in suburban Massachusetts, she shared that Thanksgiving often felt alien. “It was very, very foreign… to see kids and teachers celebrating a turkey, coloring printouts of turkeys, and then talking about carving them up and eating them,” she said. “You just kind of stayed silent in the back of the classroom.”

Her experiences at Farm Sanctuary, where she served as chair of the animal advocacy group, deepened her connection with turkeys. The sanctuary’s “Celebration for the Turkeys” featured meals prepared for rescued birds, offering an alternative perspective on these creatures. “It really makes you think about this beautiful creature that is being so exploited,” Patel noted.

For Patel, encouraging others to embrace her values is less about persuasion and more about embodying compassion. “Getting people on board is really about having convictions of your own beliefs and being unapologetic about it, but also not being harsh,” she said. “The best thing we can do is just be as compassionate as possible in our thoughts, in our actions, and realize that everything starts with what’s on your plate.”

Rahul Jain, a Washington-based consultant who moved to the U.S. 25 years ago, observed that Jains initially approached Thanksgiving cautiously. Some practiced Ayambil, a ritual fast involving simple, bland foods to foster spiritual discipline. Others attended temple services, chanting mantras to seek forgiveness for the 50 million turkeys slaughtered annually.

Over time, younger Jains have embraced the holiday, aligning it with the Jain festival of Paryushana, where gratitude for friends and family is central. “If you put the food aside, the concept of giving thanks is quite remarkable,” said Jain. He drew parallels between Thanksgiving and aparigraha, the Jain principle of nonattachment. “You’re saying, ‘I am grateful for what I have. I don’t need more.’”

Celebrations today often combine vegetarian feasts, prayer, and even backyard football. Rahul Jain emphasized the importance of coexistence. “I can’t change every single human being in the world to match with my ideas… As long as we can all live in harmony and peace is what Jainism stands for.”

Sulekh Jain, a retired aerospace engineer and Jain community leader, recalled his experiences arriving in the U.S. in the 1960s. Back then, there were few Jains, no organized community infrastructure, and no temples. He co-founded JAINA, the Federation of Jain Associations in North America, in 1980 to build a support network.

Over the years, he has seen Jain values gain broader acceptance, partly due to the growing popularity of veganism and environmental awareness. “Every day has gotten easier and easier to follow Jain values,” Sulekh Jain remarked. However, he lamented the increasing commercialization of Thanksgiving, which he believes detracts from its essence. “When we say ‘Happy Thanksgiving,’ let’s make that happy Thanksgiving a reality, and save this environment and save this planet,” he said, pointing out that meat production is a major contributor to climate change.

Manish Mehta, chair of JAINA’s diaspora committee, highlighted the community’s focus on sustainability. Jains are mindful of their “carbon footprint and karmic footprint,” organizing vegan food drives throughout the year to serve the needy. These efforts, which distribute hundreds of thousands of meals, also prioritize eco-friendly practices, such as using biodegradable cutlery and minimizing food waste.

Mehta emphasized that Jain values guide every aspect of their lives, including Thanksgiving. “Jains are trying to evolve practices and adapt to a North American lifestyle,” he said, adding that their traditions are preserved while they contribute to American society. “For us, compassion is kind of in our DNA.”

Thanksgiving has become a meaningful occasion for Jains in the U.S. By integrating their core beliefs into the holiday, they demonstrate that gratitude and compassion transcend cultural boundaries. From vegan feasts and prayer services to sustainability initiatives, their approach reflects a harmonious blend of American traditions and Jain principles, offering a unique perspective on what it means to give thanks.

Fiji has taken a significant step in promoting one of the world’s oldest classical languages with the official launch of the Tamil Teaching Program on November 27. This initiative highlights efforts to preserve the rich cultural heritage of Tamil and strengthen ties with the Tamil-speaking community in the region.

The program was inaugurated by the High Commissioner of India to Fiji, P. S. Karthigeyan, during the 93rd Then India Sanmarga Ikya Sangam (TISI Sangam) Convention held at Churchill Park in Lautoka. His participation emphasized the importance of the collaboration between the Indian and Fijian governments in promoting linguistic and cultural preservation.

Adding to the cultural significance of the event, students from the Indian Cultural Centre in Suva performed a vibrant Bharatnatyam dance, a classical art form rooted in Indian traditions. This performance underscored the deep cultural connections between India and Fiji while providing an enriching experience for attendees.

The Tamil Teaching Program is funded by the Government of India through its Ministry of External Affairs and is being implemented in partnership with Fiji’s Ministry of Education, the Fijian Government, and TISI Sangam, a prominent organization representing Fiji’s Tamil diaspora.

As part of the initiative, two Tamil language educators from India will be stationed at Sangam schools in Rakiraki and Labasa to lead the teaching efforts. These educators are expected to play a crucial role in imparting language skills and fostering a deeper understanding of Tamil culture among the students.

“This program reflects our shared commitment to preserving the Tamil heritage and fostering cross-cultural ties,” said Karthigeyan during the inauguration. His statement highlighted the program’s broader objective of reinforcing the enduring connection between India and Fiji’s Tamil diaspora.

By introducing this initiative, Fiji aims to not only preserve Tamil as a classical language but also strengthen the cultural identity of its Tamil-speaking community. The program is a testament to the ongoing collaboration between the two nations and their dedication to fostering mutual cultural enrichment.

This launch is anticipated to have a lasting impact, ensuring that Tamil continues to thrive as a linguistic and cultural treasure in Fiji, while also promoting broader engagement between the Tamil diaspora and their ancestral roots in India.

Cook County Treasurer Maria Pappas is once again bringing together the holiday spirit and cultural diversity through the 21st annual “Christmas Trees from Around the World” exhibition. This year’s display highlights the unique holiday traditions of nearly 100 nationalities, offering a vibrant showcase of global cultures. The event features 3-foot trees, each decorated by members of different ethnic and religious communities. These handcrafted trees are adorned with ornaments and decorations that reflect the distinctive customs of their respective cultures.

The public is invited to join the celebration on Friday, Dec. 6, from 5 to 6:30 p.m., at the Treasurer’s Office located at 118 N. Clark St., Room 112, Chicago. The festive display will remain open for viewing from Dec. 2, 2024, through Jan. 2, 2025. This event provides an opportunity for residents and visitors to experience a global celebration of the season, with an emphasis on unity and diversity.

The “Christmas Trees from Around the World” exhibition goes beyond traditional Christmas trees, offering a glimpse into diverse global practices. Along with the Christmas-themed trees, the display includes other holiday symbols representing various cultural and religious observances. Among these are a Christian Nativity scene, an African American Kwanzaa Kinara, a Hindu Prayer Thali, and a Jewish Menorah, each symbolizing the rich tapestry of traditions celebrated in Cook County.

“This event reflects Chicago’s rich cultural diversity,” said Pappas. “Through my work with residents from across the globe, I’ve gained a deeper appreciation for the vibrant traditions and cultures that make our city a true melting pot.” Pappas’ words highlight the essence of the event—celebrating the multicultural community of Chicago and the greater Cook County area.

Each tree in the display is thoughtfully decorated, with ornaments and symbols that showcase various countries and cultures. Decorations range from flags and dolls to flowers and candles, representing a wide array of nations such as Albania, India, Italy, Mexico, Nigeria, Pakistan, the Philippines, Scotland, Thailand, Ukraine, and many others. These creative and diverse decorations highlight the global connections that Cook County’s residents share, offering a chance for everyone to reflect on the meaning of the holiday season through a different cultural lens.

The event underscores the importance of coming together to celebrate shared values and traditions. Visitors to the display can also view photos and videos from past exhibitions online, offering a broader perspective on how this annual event has grown and evolved over the years. The exhibition serves as a reminder of the strength found in cultural exchange and the ways in which different communities contribute to the fabric of the region.

This year’s event is a testament to the vibrancy of the community and the lasting impact of cultural diversity in shaping holiday celebrations. As Cook County Treasurer, Pappas continues to work alongside residents from around the world, fostering a sense of unity and understanding through these celebrations. This holiday display is a perfect example of how different cultures can coexist and thrive in the same community, sharing their traditions with pride and joy.

As visitors take in the holiday cheer, they are invited to reflect on the shared joy of the season while learning more about the rich cultural heritage of their neighbors. The event not only celebrates the holidays but also highlights the ongoing importance of fostering inclusivity and respect within the community.

The “Christmas Trees from Around the World” exhibit is more than just a display of holiday decorations; it is a cultural event that brings together people from all walks of life. It serves as a reminder that while our individual traditions may differ, the holiday season provides a common ground for celebration and togetherness. Whether you come for the festivities, the decorations, or the chance to learn about other cultures, this event is sure to leave visitors with a greater appreciation for the diverse world we live in.

For those unable to attend in person, the online gallery offers an opportunity to experience the creativity and joy of the exhibit. The “Christmas Trees from Around the World” celebration is a wonderful example of how a simple tradition can be transformed into a powerful tool for building community and fostering greater understanding across cultures.

This year’s exhibit, like those in the past, reminds us that the holidays are not just a time for personal reflection and celebration but also an occasion to embrace the diversity that surrounds us. Cook County residents are encouraged to participate in the event and share in the collective celebration of the season.

As Pappas continues to highlight the importance of cultural diversity through events like this, the “Christmas Trees from Around the World” celebration becomes more than a holiday tradition; it is a powerful statement of unity in diversity. By showcasing the various cultural expressions of the holiday season, Pappas and the Cook County Treasurer’s Office provide a platform for all residents to feel seen, celebrated, and connected.

This display is a reminder of the beauty found in diversity and the power of coming together to celebrate shared values. Through this annual event, Pappas has created a space where people of all backgrounds can unite in the spirit of the holiday season, fostering greater appreciation for one another’s traditions and cultures. Whether through the vibrant ornaments, the symbolic decorations, or the connections made between community members, the “Christmas Trees from Around the World” exhibit is a shining example of the strength found in diversity.

Feeling anxious before a job interview or an important exam is a common experience. The restlessness and nervous energy associated with such situations can be overwhelming. Fortunately, incorporating specific yoga asanas and breathing techniques into your routine can help alleviate stress and improve focus.

When facing performance anxiety, your body often enters a fight-or-flight response. This state can lead to physical symptoms like an increased heart rate, shallow breathing, and muscle tension. Yoga provides an effective remedy by promoting relaxation and mitigating the physiological effects of stress.

Below are some yoga practices to help ease your mind and body before a big day:

Nadi Shodhana Pranayama (Alternate Nostril Breathing)

This breathing technique helps balance the nervous system and enhance concentration. Follow these steps:

1. Sit comfortably in a cross-legged position with your back straight.
2. Relax your shoulders and close your eyes.
3. Place your left hand on your left knee, palm facing upward.
4. Use your right thumb to gently close your right nostril.
5. Take a deep breath in through your left nostril, then close it with your ring finger.
6. Exhale through your right nostril.
7. Inhale through the right nostril, close it, and exhale through the left nostril.
8. Repeat this cycle for five to seven rounds.
9. Lower your hand and remain seated, observing the sensations in your body.
10. When ready, slowly open your eyes.

Nadi Shodhana calms the mind, reduces anxiety, and improves focus, making it an excellent pre-performance practice.

Shishu Asana (Child’s Pose)

Child’s Pose is a gentle yoga posture that promotes relaxation and reduces tension in the back, shoulders, and chest. Follow these steps to perform it:

1. Begin by sitting on your heels, allowing your hips to rest on them.
2. Lean forward, bringing your forehead to rest on the floor.
3. Extend your arms along your sides, palms facing downward.
4. Slowly press your chest towards your thighs for a gentle stretch.
5. Hold the position for a few breaths, allowing your body to relax.
6. When ready, sit up slowly, rising one vertebra at a time, and return to a seated position.

This pose encourages a sense of safety and grounding, helping to ease an overactive mind.

Matsyasana (Fish Pose)

The Fish Pose helps open up the chest and lungs, improving oxygen intake and reducing stress. Here’s how to perform it:

1. Lie flat on your back with your legs together and your arms by your sides.
2. Slide your hands under your thighs, palms facing downward, with your hands close to your buttocks.
3. Press your forearms into the floor to lift your chest, creating an arch in your upper back.
4. Tilt your head backward until the crown of your head lightly touches the floor.
5. Ensure the weight of your body is supported by your elbows and not your head.
6. Breathe evenly, maintaining the arch for about one minute.
7. To release, lift your head slightly, lower your torso back to the floor, and relax your body.

Matsyasana not only reduces anxiety but also improves posture and helps you feel more energized.

By practicing these techniques regularly, you can effectively manage pre-interview or pre-exam stress. Incorporating yoga into your routine can empower you to approach challenges with a calm and composed mindset.

The United States has returned more than 1,400 looted artifacts, valued at approximately $10 million, to India, marking a significant step in an ongoing effort to repatriate stolen cultural property from South and Southeast Asia. The Manhattan District Attorney’s office announced the repatriation on Wednesday, underscoring the success of its continued investigations into art trafficking networks.

Among the items returned were several that had previously been displayed at the prestigious Metropolitan Museum of Art in New York. One such artifact is a sandstone sculpture of a celestial dancer that was illicitly taken from central India, smuggled to London, and eventually sold to a Met patron. This patron later donated the piece to the museum, unaware of its questionable origins.

The repatriation efforts are part of an extensive investigation into art trafficking rings, including those connected to convicted traffickers like Nancy Wiener and Subhash Kapoor. Kapoor, an American antiquities dealer, was sentenced to ten years in prison for orchestrating a multimillion-dollar looting network through his gallery in New York. According to the Manhattan District Attorney’s office, these investigations have led to significant recoveries.

Kapoor’s criminal activities were exposed after he was apprehended in Germany in 2011, prompting the issuance of an arrest warrant by the U.S. in 2012. Although he remains in custody in India, he faces pending extradition to the U.S. to answer for his crimes.

“Today’s repatriation marks another victory in what has been a multiyear international investigation into antiquities trafficked by one of history’s most prolific offenders,” said William Walker, the special agent in charge of Homeland Security Investigations in New York. His statement highlighted the importance of the ongoing work in returning stolen cultural heritage.

The items were officially handed over during a ceremony held at the Indian consulate in New York on Wednesday. This event represents a notable success in the larger initiative to combat art trafficking.

The Manhattan District Attorney’s Antiquities Trafficking Unit, established over a decade ago, has played a crucial role in these efforts. Comprising a team of lawyers, investigators, and art experts, the unit has successfully recovered 5,800 antiquities, collectively valued at nearly $460 million. Additionally, the unit has convicted 16 individuals involved in trafficking offenses and pursued extradition for six others linked to stolen cultural property.

The significance of these repatriations has been further emphasized by a recent agreement between the U.S. and India. Signed in July, the deal aims to strengthen the protection of cultural property, curb illegal trade, and streamline the repatriation of stolen antiquities. This agreement demonstrates both nations’ commitment to preserving cultural heritage and combatting art trafficking.

The return of these artifacts is a part of a broader global movement to address the growing problem of illicit cultural property trafficking. Through collaboration between law enforcement agencies, museums, and cultural institutions, efforts like these are helping to reverse the effects of art theft, returning valuable pieces of history to their rightful homes.

An exhibition commemorating the life and work of Swami Vivekananda, highlighting his enduring global influence on spirituality and bridge-building, was recently showcased at the United Nations. This event aimed to underscore Vivekananda’s vision of interconnectedness and his profound contributions to fostering understanding between diverse cultures.

“Vivekananda stands taller and taller, inspiring people across the world, not only in India,” remarked Swami Sarvapriyananda, resident minister of the New York Vedanta Society, at the exhibition’s opening. He emphasized Vivekananda’s ever-growing influence, suggesting that his teachings resonate universally, expanding beyond geographical boundaries. Sarvapriyananda continued, “He built a bridge between the East and the West when he traveled to the World Parliament of Religions in Chicago in 1893, and the bridge is very strong, and very vibrant today.”

India’s Consul General in New York, Binaya Srikanta Pradhan, added that Vivekananda’s teachings on humanity’s unity, which draw from ancient Hindu philosophy, hold particular relevance at the UN—a space dedicated to fostering global harmony and understanding. This alignment underscores the shared values between the UN’s mission and Vivekananda’s message.

The event was organized by the Society for Enlightenment and Transformation (SEAT), a part of the UN Staff Recreation Council (UNSRC), with support from the Hindu Swayamsevak Sangh (HSS), who curated the exhibits displayed. According to UNSRC President Peter Dawkins, the exhibition serves to spotlight Vivekananda’s enduring relevance, particularly within the context of the UN’s core values. “We’re hoping to raise awareness of the life of Vivekananda, what he brought to the West, in particular, his strong connection to New York and also, if not directly, but indirectly, to the United Nations,” Dawkins explained.

This exhibition sought not only to educate but also to remind the world of Vivekananda’s ideas about service, selflessness, and unity. Ganesh Ramakrishnan, an outreach coordinator for the HSS, commented on the appeal of Vivekananda’s teachings, especially among younger generations. He noted that Vivekananda’s call for “seva, which is selfless service,” continues to resonate powerfully with the youth today, inspiring them to contribute positively to society.

Vivekananda’s role as a figure of Indian pride and national identity was also highlighted. Sarvapriyananda credited him with providing India with a renewed sense of self-worth and a forward-looking national identity, a perspective many historians share. “Somebody called him the unconscious father of modern Indian nationalism,” Sarvapriyananda said, noting that Vivekananda’s influence on India’s freedom movement stemmed from his emphasis on self-respect and cultural pride, fostering a modern Indian identity.

Education and scientific thought were also close to Vivekananda’s heart, and his influence extended into these domains, bridging spirituality and science. Panels at the exhibition depicted his interactions with renowned scientists like Nikola Tesla, showcasing Vivekananda’s belief in a harmonious relationship between science and spirituality. Sarvapriyananda recounted that Vivekananda’s vision indirectly inspired the establishment of the Indian Institute of Science in Bengaluru. Jamsetji Nusserwanji Tata, a prominent Indian industrialist, was inspired to establish the institute after meeting Vivekananda on a ship en route to the United States. Sarvapriyananda noted that the institute has become a foundation for scientific and engineering education in India, producing thousands of professionals who have made significant contributions globally, especially in the United States.

This exhibition at the UN underscored Vivekananda’s legacy as a universal symbol of wisdom and unity, his influence still palpable in education, science, and spirituality worldwide.

Diwali at Times Square 2024 may be over but the memory of it will last a lifetime for those who witnessed the festival in the heart of New York City on Saturday, October 19^th, 2024.

“Our objective from the beginning has been to take India to mainstream America” “and today, I’m excited to share that thanks to the support of the mainstream media and more Corporate Sponsors aligning to support us this year, we are achieving that goal” said the Founder of Diwali at Times Square, Neeta Bhasin.  She also emphasized the importance of instilling Indian American youth with a sense of pride for their heritage, while also fostering cross-cultural exchange.

Diwali at Times Square was honoured to welcome the Office of Faith-Based and Community Partnerships of NYC for the first time ever as a presenting partner alongside KIA who returned as a presenting sponsor of the festival and Procter & Gamble who joined the festival as a gold sponsor.

The festival showcased the “Colors of India and America” featuring performances of different states of India and highlighted performances of other ethnic communities like Indo-Caribbean, Africa and Mexico.

One of the biggest attractions in Diwali Bazaar was ‘Kids Zone’, where children were painting Diyas (clay) and creating beautiful Rangoli art and enjoy interactive reading sessions. Additionally, there was food sampling from some of our sponsors and free henna before Karva Chauth (the fast Indian women keep for their husband’s long life) that attracted thousands of people to Diwali Bazaar

The Diya (lamp) lighting ceremony on stage was synchronized with the countdown on the One Times Square tower and it was inaugurated by the Consul General of India, Binaya Srikanta Pradhan, Senator Chuck Schumer, NYC Mayor Eric Adams, Assemblywoman Jenifer Rajkumar, NYPD Commissioner, NYC Commissioner of Immigration, NYC Commissioner of International Trade Affairs, Dilip Chauhan, Deputy Commissioner International Affairs, Justice Karen Gopee, along with our honorees and sponsors.

The Consul General of India, Binaya Srikanta Pradhan emphasized on the deeper meaning of the festival saying “I have realized that Diwali at Times Square is more than just a festival – it is a celebration of our shared values, culture, togetherness, love, and diversity”

Senator Chuck Schumer appreciated the contribution of South Asian community to NYC by saying “The more South Asians we have in NYC, the better NYC is” and I want to salute the fact that Diwali is now a school holiday

NYC Mayor Eric Adams said “What better place to celebrate the festival of lights than in the crossroads of the world.  I’m proud to be with our Hindu brother and sisters today for the annual Diwali at Times Square celebration as we push away the darkness and welcome the light all cross our city”

Chandrika Tandon, Grammy Award Nominee and Founder of the Krishnamurthy Tandon Foundation the recipient of the “Woman of the Year Award” expressed her gratitude and shared this honour with everyone in the audience.

Raja Rajamannar, Chief Marketing & Communications Officer, Mastercard was honoured with the “Man of the Year Award” and was humbled to accept the recognition which he shared with his wife Jyothi

House of Spices ‘This year, we are proud to debut our latest Diwali campaign at the event. We are confident this campaign will resonate deeply with every Indian student, helping them feel connected to home, even from thousands of miles away.

The program ended with the ‘Light Up Times Square Concert’ where national and international performers from musical industry rocked the stage. The energy of the performers and the attendees really brightened Times Square.

Grammy Award Nominee Chandrika Tandon and the Young People’s Chorus of New York City started the program with Ganesha (Removal of Obstacle God) Prayers.

Sparsh Shah, an American rapper, singer, songwriter and inspirational speaker who has a very rare disorder Osteogenesis Imperfecta also known as Brittle Bone Disorder rocked the stage with his performance.

Shannon K, a rising star from LA is a singer and songwriter mesmerized the audience with her performance.

Preeti and Pinky from India sang their famous songs of 90’s that are viral in social media. People are still dancing on those popular songs.

Sukhbir Singh, ‘Prince of Bhangra’ whose music varies from pure Punjabi to fusion, shook the entire stage with his the most energetic performance forced people to dance with him on every song specially ‘Oh Ho HoHo’

The finale performer Raghav made every age group to sing with him on his famous songs including ‘Ange Eyes’ that topped the charts across the world in late 90s.

Diwali at Times Square was celebrated in association with “Samman for All”; its mission is to facilitate people from the lower-economic strata to achieve their dreams by providing them with tools for sustainable living and empowerment,

“Diwali celebration serves as a powerful symbol of unity, bridging cultural ties and fostering diversity”

Special Thanks to all our partners, Presenting Sponsors NYC Faith-Based and Community Partnership, Kia USA. Proctor and Gamble first time supporter. Northwell Health,  State Bank of India, House of Spices-Laxmi, Dabur, Bru, Jennifer Furniture, Instarem, Caravela Resort, Tribeca Rooftop-360, Benares, Crest Hollow. Special thanks to our hosts, Shanelle Kaul, CBS News Network broadcaster, Jennifer Bisram, CBS News New York broadcaster, Anushka Arora, RJ from London and Rita Kakati Shah.  Thanks to Sunita SadhnaniFounde of GLAMOROUS Event Planners & Productions and other partners. Without their support this festival will not be possible.

Diwali at Times Square will celebrate its 10^th year anniversary in 2025. The plan for this milestone has already started and the festival will be full of surprises and excitement!

When viewed from above, satellite images reveal a faint strip connecting India and Sri Lanka. Known as Adam’s Bridge, Ram’s Bridge, or Ram Setu, this natural chain of limestone shoals stretches across the Indian Ocean for 30 miles (48 kilometers). With a blend of geological, historical, and mythological significance, Adam’s Bridge has become a subject of intrigue for scientists, scholars, and spiritual believers alike. Here, we delve into the formation’s rich background across history, mythology, and scientific exploration.

Adam’s Bridge, bridging India’s Rameswaram and Sri Lanka’s Mannar Island, has long fascinated historians and archaeologists. For centuries, this land bridge was traversable on foot up until the 15th century, shaped by natural forces over thousands of years. According to geological research, such as that by the Geological Survey of India (GSI), the Rameswaram and Talaimannar landmasses likely became exposed as sea levels shifted between 7,000 and 18,000 years ago. This shift led to the emergence of the shoals we see today, with coral forming over sand deposits to create the visible structure.

Through thousands of years of shifting landscapes, natural forces drove India and Sri Lanka further apart, forming the Palk Strait. Deposits from the Kaveri River and strong coastal currents molded the present-day islands and sandbanks collectively known as Adam’s Bridge. “Some corals in the area date back 125,000 years,” researchers have noted, underscoring the deep history behind this geological wonder.

There are two predominant theories about how Adam’s Bridge came to exist. One theory suggests that the shoals emerged through sustained sediment deposition, leading to the formation of barrier islands. Another perspective posits that the Bridge may represent an ancient shoreline, hinting that India and Sri Lanka were once connected by land.

The idea of constructing a navigable channel between southern India and northern Sri Lanka has intrigued engineers for centuries. In 1782, English oceanographer James Rennel proposed a maritime route through these waters. This concept took form in the Sethusamudram Shipping Canal Project, initially proposed in 1955, which aimed to create a 167-kilometer channel through the Palk Strait, linking it to the Gulf of Mannar. Such a channel would save up to 36 hours of travel time for maritime routes and reduce distances by over 400 kilometers.

Despite the logistical advantages, the project has encountered significant challenges and delays. In 2005, the Indian government greenlit the initiative, which involved dredging the shallow seabed. However, environmentalists raised alarms, warning that dredging could destroy fragile coral ecosystems and disrupt the livelihoods of local fishing communities. Concerns were also raised about potential environmental hazards, including the possibility of releasing thorium deposits, an element found in India’s seabed that could increase the area’s vulnerability to natural disasters like tsunamis.

Beyond environmental concerns, the project stirred religious and cultural sensitivities. For many, Ram Setu is more than a geological formation; it is a revered cultural structure believed to have been constructed by Lord Rama’s divine intervention. This view has spurred strong resistance from various religious groups and political parties, ultimately halting the project. In 2013, the Indian Supreme Court acknowledged these sentiments, ruling in favor of protecting the Bridge on cultural grounds. As a result, the Sethusamudram project remains stalled, and its future remains uncertain amid ongoing debates.

Beyond its historical and geological facets, Adam’s Bridge is a significant symbol in both Hindu and Abrahamic mythology. In the Hindu epic Ramayana, dating back to 1000-500 BC, the Bridge plays a pivotal role in Lord Rama’s journey to rescue his wife, Sita, from the demon king Ravana of Lanka. According to legend, Lord Rama’s army, the Vanara Sena (Army of Ape Men), constructed the Bridge by writing Rama’s name on stones that floated on the water through divine grace, providing a path from India to Lanka.

The Bridge’s mythological significance extends to the Abrahamic traditions as well. Islamic and Christian folklore identify this formation as Adam’s path after he was expelled from paradise. According to certain traditions, Adam is believed to have traveled across the Bridge from Sri Lanka’s Adam’s Peak to India. This connection is echoed in ancient texts, including Ibn Khordadbeh’s 9th-century work, Kitāb al-Masālik wa-l-Mamālik, where it is referred to as Set Bandhai or “Bridge of the Sea.” Additionally, the 11th-century writings of Al-Biruni add to its mythic reputation.

Whether created by natural forces or ascribed to divine construction, Adam’s Bridge is a timeless symbol, uniting lands, faiths, and generations through wonder and intrigue.

On Wednesday, Ayodhya marked Deepotsav 2024 with an extraordinary celebration as thousands gathered along the Sarayu River’s banks to celebrate Diwali. This year’s Deepotsav is particularly significant as it follows the consecration of the Ram Temple in January, marking the first Deepotsav since this event.

The celebration also saw two new Guinness World Records. One record was for the largest number of people performing a synchronized ‘diya’ rotation. The second was achieved by the Uttar Pradesh Department of Tourism and the District Administration of Ayodhya, for lighting a stunning 25,12,585 oil lamps. Uttar Pradesh Chief Minister Yogi Adityanath received both awards on behalf of the state, highlighting Ayodhya’s growth as a cultural hub.

The sight of over 25 lakh oil lamps adorning the Sarayu River banks created a remarkable visual, symbolizing the victory of light over darkness. This display fostered a powerful sense of unity among attendees, capturing the spirit of Deepotsav.

Chief Minister Adityanath played a central role in the celebration, ceremonially leading a chariot carrying artists dressed as Lord Ram, Sita, and Lakshman. The tableau symbolized Lord Ram’s return to Ayodhya. Several high-profile attendees joined him, including Union Minister Gajendra Singh Shekhawat, Deputy Chief Ministers Brajesh Pathak and Keshav Prasad Maurya, among others. Helicopters showered flowers over the artists portraying Ram, Sita, and Lakshman, adding grandeur to the celebrations.

A procession featuring 18 vibrant tableaux moved from Saket Mahavidyalaya to Ram Katha Park, where each tableau depicted a story from the Ramcharitmanas, celebrating Ram’s life and legacy. Firecrackers and bursts of gulal added color and sound to the festive procession, delighting spectators and reflecting Ayodhya’s rich culture.

Addressing attendees at the eighth edition of Deepotsav, CM Adityanath remarked on Ayodhya’s transformation as a sign of the “double-engine government delivering on its promise,” referring to the combined efforts of the BJP-led state and central governments. He described this year’s celebration as historic, noting that it was the first Diwali in 500 years in which “Lord Ram is now in his abode in Ayodhya.” He emphasized that the current progress in Ayodhya is just the beginning, expressing hopes that by 2047—India’s 100th year of independence—other sacred cities like Kashi and Mathura would also be revitalized to reflect Ayodhya’s transformation.

Adityanath also paid tribute to the numerous individuals who contributed to the Ram Janmabhoomi movement. “I bow to all those saints on this occasion, and to the martyrs, around 3,50,000 in number,” he said. He honored those who sacrificed their lives with the dream of seeing a temple for Lord Ram built in Ayodhya. “Their sacrifices will always be remembered as we celebrate this historic moment,” he added.

While the Deepotsav celebrations garnered widespread appreciation, they were not without controversy. Awadhesh Prasad, a member of the Samajwadi Party and MP of Faizabad, claimed that the Ayodhya administration did not invite him to participate in the event. Prasad criticized the BJP for “politicizing festivals” and said, “I extend my greetings to all residents of Ayodhya on the occasion of Diwali. I consider it my good fortune that I was elected from here. BJP is politicising our festivals too. I hope this will be a festival of brotherhood,” he told ANI. He emphasized his wish for the festival to promote unity and brotherhood, rather than division.

The Al-Khoei Benevolent Foundation has issued a stern condemnation following derogatory comments and assassination threats directed at Grand Ayatollah Sayyid Ali Al-Sistani, one of the most esteemed Shi’a Muslim spiritual leaders. These remarks were aired on the Israeli television show *The Patriots*, broadcast by Channel 14 earlier this week. Although the show is characterized as satirical, a particular segment suggested that Ayatollah Al-Sistani should be assassinated, sparking widespread outrage. The Foundation described the remarks as both propagandist and a dangerous threat.

Grand Ayatollah Al-Sistani commands widespread respect across different faiths due to his unwavering advocacy for peace, moderation, and tolerance. The Al-Khoei Foundation stressed the seriousness of the assassination suggestion, particularly in the context of Channel 14’s previous statements, which have often been criticized for promoting violence and even war crimes. This recent threat, made against the backdrop of an ongoing war in Gaza and Lebanon, has only amplified concerns about the incendiary nature of the broadcast.

In its statement, the Foundation highlighted the increasing violence in the region and referenced remarks made by Israeli military officials targeting Shi’a Muslim communities. According to the Foundation, these incidents reflect broader attempts to create division within the region. They underscored that any threat to Ayatollah Al-Sistani, even if veiled within satire, should be taken seriously as it has the potential to exacerbate an already tense situation.

The Al-Khoei Foundation is widely recognized for its humanitarian, educational, and civil society initiatives. It strongly condemned the inflammatory rhetoric broadcast on *The Patriots*, warning that such speech could lead to further violence. The Foundation called attention to the devastating toll of the ongoing conflict, which has led to the loss of thousands of lives and the displacement of countless individuals. They criticized the content of the broadcast for undermining peace talks and ceasefire efforts, arguing that this type of rhetoric only hampers attempts to find a peaceful resolution to the conflict.

The Foundation urged the international community to take a firm stance against such provocations. Specifically, they called upon the United Nations, religious and political leaders, and individuals of conscience around the world to denounce these harmful remarks. The Foundation emphasized the importance of holding accountable those who incite violence, arguing that failure to do so could destabilize ongoing efforts towards peace.

Reaffirming its commitment to peace and justice, the Al-Khoei Foundation reiterated that it stands by the principles of Grand Ayatollah Al-Sistani, who has always advocated for the rights of all people, particularly those facing oppression. The Foundation expressed its unwavering support for the Palestinian people’s right to self-determination. They concluded their statement with a call for unity in protecting the values of peace, security, and universal human rights amidst the continued conflict.

The inflammatory nature of the remarks made on Channel 14 has only deepened the divide between opposing sides in the conflict. The Al-Khoei Foundation highlighted the potential consequences of such rhetoric, especially during a time when diplomatic channels should be open for dialogue and peace negotiations. Their concern is that divisive speech, particularly when broadcast on a public platform, can have a ripple effect, leading to more violence and less opportunity for peace.

The Foundation’s call to action resonates not only with the Muslim community but also with people of all faiths who value peace and human dignity. By raising awareness of the dangerous consequences of such defamatory remarks, the Foundation hopes to encourage global solidarity in the face of incitement. They stressed the need for the international community to remain vigilant against any attempts to inflame tensions further, particularly in a region already suffering from severe instability.

In the same statement, the Foundation reflected on Grand Ayatollah Al-Sistani’s profound influence in fostering dialogue and reconciliation across sectarian divides. His role as a mediator in conflict situations has earned him respect from not only his followers but also from leaders around the world. The Foundation pointed out that such leadership, which is centered on compassion and understanding, should be celebrated rather than targeted with hateful rhetoric.

Moreover, the Foundation reminded the public of the broader context in which these remarks were made. With the ongoing conflict in Gaza and Lebanon causing immense suffering, they argued that now is the time for voices advocating peace and diplomacy, not for those promoting further division and violence. The Al-Khoei Foundation urged media outlets to consider the impact of their broadcasts, particularly when discussing sensitive issues related to the conflict, warning that irresponsible reporting can contribute to the cycle of violence.

In response to the threatening remarks, the Foundation called for renewed efforts to safeguard figures like Ayatollah Al-Sistani, whose message of peace is crucial during this period of heightened tensions. They emphasized the need for protection, not only for the Grand Ayatollah but also for other religious and political figures working towards peace in the region.

The Al-Khoei Foundation’s condemnation of the remarks broadcast on *The Patriots* aligns with its broader mission to promote tolerance, mutual respect, and understanding. As a charitable organization committed to serving humanity, the Foundation views this kind of rhetoric as an obstacle to the realization of these values. They believe that through solidarity, dialogue, and a shared commitment to justice, the international community can work together to overcome such challenges.

The statement concluded with a message of hope, despite the ongoing violence. The Foundation reiterated its commitment to peace and expressed its belief that, through collective efforts, a peaceful resolution to the conflict can be achieved. They called upon individuals, governments, and organizations worldwide to unite in rejecting violence and working towards a more just and peaceful future for all people, regardless of their religious or ethnic background.

As the situation in the Middle East continues to evolve, the Al-Khoei Foundation remains steadfast in its advocacy for peace, moderation, and dialogue. Their strong response to the defamatory remarks against Grand Ayatollah Al-Sistani serves as a reminder of the importance of responsible speech in times of conflict. The Foundation’s message is clear: there can be no place for threats or incitement in the pursuit of peace and justice.

In their final remarks, the Foundation expressed a deep sense of solidarity with all those affected by the ongoing violence, particularly the Palestinian people, and urged continued international efforts to bring about an end to the suffering. They reaffirmed their belief in the power of peaceful solutions and called for renewed commitments to protect human rights and dignity in the face of adversity.

Human history has spanned countless generations and seen the rise and fall of civilizations, shaping the world we live in today. Ancient cultures, traditions, and beliefs have evolved over millennia, and some countries have histories that stretch back thousands of years. Here’s a look at the ten oldest countries in the world, as ranked by the World Population Review.

1. Iran – 3200 BCE

Iran’s history dates back tens of thousands of years, with its first major city, Susa, built around 3200 BCE. The Iranian empire began during the Iron Age, and the Achaemenid Empire, founded by Cyrus the Great, became the largest empire in the world at the time. Spanning from the Balkans to Central Asia and North Africa, the Achaemenid Empire was a key player in global history. Cyrus is celebrated for his military conquests, but also for his relatively progressive policies, including respect for the customs and religions of the lands he conquered. Iran’s rich and ancient culture continues to influence its identity today.

2. Egypt – 3100 BCE

The Egyptian civilization dates back to around 3150 BCE when Upper and Lower Egypt were unified by King Narmer, the first king of the First Dynasty. This early period marked the start of one of the longest-lasting civilizations in history, lasting nearly 3000 years. Ancient Egypt became known for its impressive monuments, like the pyramids and the Sphinx, and for its complex society, which was deeply connected to the Nile River. Though Alexander the Great conquered Egypt in 332 BCE, its legacy endures, and its influence on the Mediterranean and beyond is undeniable.

3. Vietnam – 2879 BCE

The history of Vietnam stretches back 20,000 years, with early settlers, the Hoabinhians, occupying the area. The first legendary state of Vietnam was established around 2879 BCE, with the people in the region forming a government. The primary motivation for this was to manage the recurring floods from the Red River, protect the area from invaders, and encourage trade. Vietnam’s long history of resisting invaders, from the Chinese to the French and the Americans, has played a central role in shaping its modern identity. The Vietnamese people’s resilience is a recurring theme throughout their history.

4. Armenia – 2492 BCE

Armenia’s historical roots go deep, with evidence of human presence in the region dating back to the Lower Paleolithic period, around a million years ago. The earliest widely accepted reference to the Armenian people comes from the Behistun Inscription, a 6th-century BCE source. Armenia is a country steeped in history, and its role as one of the earliest adopters of Christianity in the 4th century remains a defining feature of its identity. While its ancient kingdom has long since faded, Armenia’s cultural and historical significance endures.

5. North Korea – 2333 BCE

According to legend, the first Korean kingdom, Gojoseon, was founded in 2333 BCE by the semi-divine figure Tangun. This date is commemorated as National Foundation Day, or Gaecheonjeol, in South Korea. While North Korea does not celebrate the day as a public holiday, a ceremony is held annually at the Mausoleum of Tangun. Korea’s long history of dynasties and external influence, particularly from China and Japan, has helped shape the distinct identities of the two Koreas today. The legend of Tangun continues to play a central role in North Korean mythology and identity.

6. China – 2070 BCE

China’s civilization is among the world’s oldest, with continuous history spanning around 4000 years, though some evidence suggests signs of civilization as far back as 5800 years ago. China’s pre-imperial history includes key dynasties such as Xia, Shang, and Zhou, which shaped the foundation of Chinese culture, government, and philosophy. The Xia Dynasty, traditionally considered the first, began around 2070 BCE. Following this, various imperial dynasties rose and fell, but China remained a dominant force in the region. Today, China stands as one of the oldest continuous civilizations, its historical influence undeniable.

7. India – 2000 BCE

India’s rich history stretches back over 5000 years, with the Indus Valley Civilization being one of the earliest advanced societies, emerging around 3000 BCE. The first humans arrived in India between 70,000 and 50,000 BCE, marking the beginning of continuous settlement. The Indus Valley Civilization, with cities like Harappa, thrived from 3300 to 1600 BCE. India also witnessed the rise of powerful empires, such as the Maurya and Gupta dynasties, which contributed significantly to mathematics, science, art, and philosophy. India’s long history of cultural diversity and exchange continues to shape its modern identity.

8. Georgia – 1300 BCE

Georgia’s history dates back much further than 1300 BCE, though this is the date commonly cited as the formation of its earliest government. Evidence of human occupation in Georgia goes back 1.8 million years, with the discovery of the Dmanisi Hominins, a subspecies of Homo erectus. This ancient country has been at the crossroads of many empires, including the Roman, Persian, and Ottoman empires. Georgia’s location in the Caucasus has made it a key strategic and cultural region throughout history, and it remains a unique blend of East and West.

9. Israel – 1300 BCE

The earliest recorded evidence of the Israelites dates to around 1200 BCE, as seen in the Merneptah Stele from ancient Egypt. These early Israelites were nomadic and tribal, eventually settling in Canaan. Over time, they established a more formal kingdom, with key figures like King David and King Solomon playing significant roles in uniting the tribes and building Jerusalem as a cultural and religious center. The historical importance of Israel, both as an ancient kingdom and as a modern nation, remains deeply significant, especially in religious and cultural contexts.

10. Sudan – 1070 BCE

The region now known as Sudan has a long history of human settlement, with evidence of habitation dating back to the Mesolithic era (30,000 to 20,000 BCE). However, Sudan’s more formal history begins around 1070 BCE, when the Kingdom of Kush rose to prominence. Kushite rulers even ruled over Egypt during the 25th Dynasty, known as the “Kushite Dynasty.” Sudan’s history is closely intertwined with that of Egypt and other neighboring regions, and it has long played an important role in the history of the African continent.

These countries, with histories dating back thousands of years, continue to influence the world today. Their ancient cultures and legacies live on in modern societies, offering insight into humanity’s shared past and the development of civilizations over time.

While ancient wonders like the pyramids of Giza and Stonehenge are widely recognized as significant monuments of early human civilization, they are outdone by Göbekli Tepe, the world’s oldest known place of worship, which dates back an astonishing 6,500 to 7,000 years earlier. Situated in the southeastern region of modern-day Turkey, this archaeological site dates to approximately 9600 BCE and offers a unique glimpse into the early days of human settlement. It is a “tell,” or an artificial mound formed by generations of human activity in the same location. Göbekli Tepe has not only shed light on Stone Age communities but also challenged long-held assumptions about the birth of human civilization.

Since excavations began in 1995, Göbekli Tepe — which means “potbelly hill” in Turkish — has revealed a complex site containing limestone megaliths arranged in circular patterns, smaller human statues, Neolithic tools, and remains of animal bones. The megaliths, carved with images of wild animals, anthropomorphic beings, and human clothing, suggest that the site was likely used for ceremonial purposes, possibly of a spiritual or religious nature. Radiocarbon dating has determined that these ruins are at least 11,000 years old, placing them in a time when humanity was transitioning from nomadic hunting and gathering to more permanent settlements. This finding has forced anthropologists to reconsider the belief that organized religion only developed after agriculture had firmly taken root in society.

Archaeological evidence from Göbekli Tepe indicates that it may have been a larger, more permanent settlement than originally believed. Moreover, there are hints that it was not the only Neolithic temple complex in the region, suggesting that other, similar places of worship may have existed during the same period. However, despite these possibilities, Göbekli Tepe remains an unparalleled resource for learning about prehistoric humans. While we can only speculate about the meaning behind the stone arrangements and strange symbols, the site continues to be a treasure trove of information about people who lived millennia before the construction of the Egyptian pyramids.

One of the most intriguing aspects of the site is the evidence suggesting that large quantities of beer may have been produced at Göbekli Tepe. The massive limestone pillars at the site weigh several tons and were hauled up a 50-foot hill, a feat that would have required considerable manpower. How, then, were people motivated to perform such labor-intensive work without the assistance of modern machinery? Some archaeologists believe that a beer-fueled feast might have been the answer. In a 2012 paper, researchers working at the site reported the discovery of six large vessels with a 160-liter capacity. These containers contained traces of oxalate, a chemical byproduct of grain fermentation, which is essential in the production of alcohol.

Though it might seem amusing to imagine that beer was a central part of life at Göbekli Tepe, the idea that alcohol played a significant role in early human communities is not far-fetched. For years, archaeologists and historians have debated whether humans first cultivated grain to produce bread or beer. The discovery of these vessels at Göbekli Tepe pushes the timeline of alcohol production further into the past and lends credence to the idea that shared drinking experiences helped to foster social bonds in ancient societies. In the case of Göbekli Tepe, it is easy to imagine how communal celebrations involving beer may have helped bring people together to complete the otherwise arduous and unthinkable tasks of life 11,000 years ago.

As a result, Göbekli Tepe has opened a window into a long-lost world, where early humans may have gathered for both spiritual ceremonies and social celebrations involving feasts and alcohol.

Loot, a despicable word, was evidently among the first few Hindustani expressions to enter the British lexicon. It aptly illustrates the brand of British colonisation like no other word.

On a chilly evening in the first week of December in 1862, British Empire’s railway engineer E.B. Harris reached a small riverside market village called Sultanganj on the south bank of Ganges some twenty miles west of Bhagalpur. Here his 4,771 workers were excavating a vast mound of bricks on the hillside to build a railway yard. Harris, recognised among the railway engineers for the construction of the challenging Jamalpur tunnel, was alerted by the unexpected sound of field axes striking metal. The engineer rushed to the spot where at the depth of twelve feet he spotted the foot of a copper figure. Instantly a large number of people converged at the site. The workers shoved the crowds back and gently retrieved a statue entrenched in a brick-walled chamber. The copper figure was over seven feet and four inches tall and weighed five hundred kilogrammes. It was a stunning representation of Gautama Siddharth, the founder of Buddhism, who lived in India and Nepal around the 6th century BC. This was an amazing discovery.

The railway engineer with antiquarian leanings later noted, “I believe from what I can learn that nothing of the kind has ever been discovered before; certainly nothing in metal so large.” British archeologists confirmed that the copper statue was the only surviving one from the Gupta period of Indian history (4-7th century CE) and demonstrated the extraordinary skills of metal sculptors of ancient India. Some 700 years after it was made, the statue was deliberately buried in the Buddhist monastery for safekeeping from possible damage by foreign armies or rival kingdoms. The news about the chance unearthing of the statue spread swiftly and tens of thousands of Indians came out to pay their respect to the ancient sculpture known as Sultanganj Buddha. Harris, dressed in his vintage-safari hat and light-coloured suit was photographed standing next to the statue. But within two years it disappeared.

The news about the Sultanganj Buddha had reached the ears of Samuel Thornton, a railway ironmonger and the former Mayor of Birmingham. He acquired it for 200 pounds, and secretly shipped it to Britain. On its arrival at the London docks, curators of a local museum tried to pinch it but eventually it reached Birmingham safely. On 7 October 1864, Thornton, proudly presented the discovery of the British Empire to Birmingham Borough Council, writing, “…the colossal figure of Buddha, and the large marble one, to the town, to be placed in the Art Museum, now being erected, where they may be duly and properly located for the free inspection of the inhabitants of Birmingham.” Renamed ‘Birmingham Buddha’, it went on display first in the Corporation Art Gallery, then in a room in the Central Library in 1867. Eighteen years later in was placed as the most important artifact in the newly built Museum and Art Gallery inaugurated by King Edward VII when he was Prince of Wales. Since that day innumerable admirers of the British Empire romantically looking back at the Raj, have visited the Art Gallery to carefully scrutinise the Sultanganj Buddha’s arresting facial features that emphasise the rejection of the material world in favour of spiritual enlightenment. But the British Empire never set itself on the path of denying material wealth that was derived from its brutal campaign of global conquest. The Sultanganj Buddha displayed on British soil constantly reminds us of its illegitimate transfer from India. This was not a titanic achievement—it was loot.

Loot, a despicable word was evidently among the first few Hindustani expressions to enter the British lexicon. It aptly illustrates the brand of British colonisation like no other word. Late starters in the build your own global empire game, British seafarers followed the shipping fleets of Portugal, Spain, Holland, Denmark, and France towards the East. Just over a century after Vasco da Gama discovered the sea route from Europe to India, The East India Company was established in London in 1599 to reach out for India’s fabled treasures, gold, jewels, and spices. In the 17th and 18th centuries, India was prosperous while Britain was an inconsequential, feudal-ridden kingdom.

Essentially India had endured as an economically flourishing and culturally rich civilisation for millennia before Britain even existed. This multicultural spiritual centre of the planet knew that the Earth went around the Sun and many centuries before the first British ship docked on an Indian port, Indian entrepreneurs had shaped trade routes to Arabia, Africa, China, West Asia, and Southeast Asia. Then in 1602, the East India Company authorised by its charter to wage war, launched its maiden voyage to defeat the European powers in gaining control over India. Though the British outwardly came to India as a business venture and the adventure of finding new lands, the lines between exploration and exploitation blurred rapidly. The Company’s directors sitting in the boardroom of the multinational business in London employed the culture of corporate violence to make war across India. The gang of bankers, buccaneers, crusaders, gold-diggers, mandarins, pirates and planters, generated almost a quarter of Britain’s trade while systematically stripping India of its riches. And after defeating the Indians in the first war of Indian independence in 1857- 58, the British Crown directly took control of India and it became the jewel of the crown. Now the Queen of the small, rainy island in the North Atlantic ruled over the biggest empire in human history on which the sun never set. For the next ninety years, Indians were subjugated by Hukumat-i-Britannia’s repressive military rule, faced stringent race and class discrimination, and witnessed human greed at its basest.

By the time East India Railway’s Harris accidentally stumbled on the Buddha statue in Sultanganj in 1862, a ruthless campaign of appropriation of Indian art and the archaeological dismemberment of India had been underway for decades. In 1800 a strange-looking tiger automaton toy was delivered to an address on Leadenhall Street in Central London. This was the East India House, the office of the Chairman of the Court of Directors of the East India Company. Carted off from Mysore it was a part of the booty lifted from Tipu Sultan’s palace. The toy was a six-foot-long mechanised wooden piece that was painted in the shape of a tiger devouring a red-coated European soldier lying on his back. An organ cleverly concealed inside the tiger’s body produced sounds imitating a man’s dying moans as well as the roar of a tiger.
From July 1808 onwards it was put on view as a piece of imperial propaganda in the Company’s reading room. It became a popular sight and its sounds caused many members of the British public to faint from fear. Even two hundred and twenty years later the wooden tiger remains the most prominent and intriguing displays at the Victoria and Albert Museum in London. In 1849, the Koh-i-noor (the mountain of light), a beautiful 105.6-carat diamond that originated in the Golconda mines was removed to London under dubious circumstances. This mark of prestige and power in India for centuries was flaunted as an imperial possession in 1851 at the Great Exposition in London. In 1937 it was embedded in the royal crown of the Queen Mother and is now displayed at the Tower of London under the continual protection of the armed Yeoman Warders.

Inexplicably tourists are prohibited from photographing the famed diamond. Besides the over one-thousand-year-old sandstone sculpture of Harihara from Khajuraho now parked at the British Museum in London, one of the greatest robberies of all times from India was the famous Amaravati Railings originating from the Buddhist Stupa of Amaravati in the Guntur district. Here a magnificent architectural achievement of India, with a history that spanned seventeen centuries was ruthlessly dismantled piece by piece. In an indefensible act, the majority of the Stupa’s carved stones were hauled over to Britain. Today some of the Amaravati sculptures consisting of carved relief panels presenting narrative scenes from the life of Gautama Buddha as well as Buddhist emblems and symbols are displayed in Room 33 on the first level of the British Museum. Captain Henry Hardy Cole, the farsighted British Curator of Ancient Monuments in India during 1882-83, had unsuccessfully objected to the removal of the sculptures from the site and recorded, it is a “suicidal and indefensible policy to allow the country to be looted of original works of ancient art”.

Now it is well known that from the reign of Elizabeth I to almost the coronation of Elizabeth II there is an entire unrecorded parallel history of pillaging of Indian treasures. Far beyond the overhyped stories of the Hukumat-i-Britannia’s ceremonial durbars, maharajahs’ balls, Viceregal tiger shoots, cricket matches, Anglicized curries, parades, pageants, and shenanigans in Shimla, there exists the shameful colonial legacy of theft. Notwithstanding the British Empire’s assertion of its benevolence in introducing modern medicine, law, civil services, progressive education and railways in India all the expensive art pieces and artifacts stolen from India are now safely placed in the galleries and vaults of Britain’s museums and stately manors. They signify grave crimes that were committed in India in the name of racial superiority. The British program of plundering was essentially an indomitable endeavour to destroy India’s splendid history and obliterate our nation’s historical accomplishments as if they never existed.

Distinguished American historian Will Durant in his short pamphlet, The Case for India, remarked, “The British conquest of India was the invasion and destruction of a high civilization by a trading company utterly without scruple or principle… bribing and murdering, annexing and stealing, and beginning that career of illegal and legal plunder”. He added, that it was “the most sordid and criminal exploitation of one nation by another in all recorded history.” Recently Indian Economist Utsa Patnaik estimated that Britain decamped with a total of nearly $45 trillion from India during the period 1765 to 1938 but this excludes the environmental costs of aggressive deforestation and the institutionalized loot of Indian assets. To write a full-scale comprehensive history of the systematic ravaging of India by Hukumat-i-Britannia would be the work of many lifetimes for historians or the never-ending occupation of a government department. Consequently, there is no such record in the public domain as yet.

In the twenty-first century if British citizens look back impartially on the blotchy history of their occupation of India, they will conclude that the British Empire had a reprehensible past. On 22 September 2020, The National Trust of Britain, Europe’s largest conservation charity, with 5.6 million members; over 500 sites, and up to 14,000 employees made an astonishing disclosure. In an official report that spanned 115 pages, the National Trust admitted, that a third of the properties it manages had direct links to colonialism or slavery. The Trust that made $870 million in revenue in the past year claimed that at least 229 landed estates were purchased in Britain by those who had made their fortune either as employees of the East India Company or as independent merchants in India between 1700 and 1850.

The report highlighted the amalgamated collections of Robert Clive and his family that contained some 1,000 objects including ivories, textiles, statues of Hindu gods, ornamental silver and gold, weapons, and ceremonial armour from India that are now brandished at Powis Castle. It also confessed that the British robbed the spectacular Chinese porcelain dish originating from Shah Jahan’s treasury during the sacking of the Qaisar Bagh Palace in Lucknow in 1857. That rare Mughal heirloom is now held in the National Trust’s collection at Wallington.

In the seventy-fifth anniversary of India’s Independence, the time has come for the repatriation of the Indian works of art and artifacts from Britain. An aggressive international campaign to retrieve the stolen treasures of India needs the resources of our political, diplomatic, legal, corporate, media, and entertainment communities and the professional expertise of art historians, artists, architects, archaeologists, curators and museum directors of India. The UNESCO’s heritage department must be persuaded to join forces with Bharat Sarkar for returning these antiquities. The planned repurposing of the North and South Block on the Raisina Hill as museums in New Delhi would only be complete with the hundreds and thousands of pilfered Indian treasures lying around the world in museums and the vaults of international auction houses being secured for future generations of Indians.

In the meanwhile, at the Birmingham Museum, the Sultanganj Buddha’s hand gestures (mudras) remain symbolic and can serve as an inspiration for Britain and His Majesty’s Government to accept a historic blunder. The raising of his right hand, Abhaya means ‘no fear’ and hence shows the Buddha giving reassurance and protection, and the left hand with its palm outward and held upwards represents granting a favour. Fittingly, the fearless repatriation of the loot by Britain is the only practicable resolution that is now long overdue.

Bhuvan Lall is an author, filmmaker, scriptwriter, speaker and entrepreneur. He is also the biographer of Subhas Bose, Har Dayal and Sardar Patel. He can be reached at writerlall@gmail.com

Bhante Sujatha, a Sri Lankan Buddhist monk leading a temple in Woodstock, Illinois, hopes a new outdoor, interfaith meditation space will be a sanctuary in a world of noise.

WOODSTOCK, Ill. (RNS) — It’s just before 10 on the Saturday morning before Labor Day and the Dharma Hall at the Blue Lotus Temple is beginning to fill up.

At the front of the room, practitioners sit or kneel on maroon-colored cushions while others begin to fill in the rows of chairs behind them. Nearby, in the social hall, small groups of twos and threes gather to chat or catch up before the meditation.

The group for this morning’s meeting is a mix of folks — many in their 30s and 40s, along with some older practitioners. A few wore black shirts or hoodies adorned with the message “Choose Loving Kindness,” the motto of Bhante Sujatha, a Sri Lankan monk and head abbot of the temple, who is leading this morning’s meditation.

With the smell of incense in the air and a hush falling over the room, practitioners first bowed to the Sri Lankan Buddha at the front of the hall, then sat or kneeled with their eyes closed, breathing slowly and relaxing.

“May you be well, may you be happy, may you be peaceful,” Sujatha told the group as they began meditation.

For more than two decades, Sujatha has been leading meditation here at the former Unitarian church just off the historic square in Woodstock, a small town about an hour northwest of Chicago. For the first decade, the group met in the church basement. Then in 2012, they bought the building from the Unitarians and moved up to the former church sanctuary where stained-glass windows depicting Jesus, Mary and angels remain in place.

Those stained-glass windows now overlook a new outside meditation space, which was dedicated on Saturday (Sept. 7). The new space features a 20-foot-tall statue of Kwan Yin, a female version of the Buddha, as well as a new Medicine Buddha statue from Vietnam, which was installed earlier this week.

The new outdoor space — known as the “Healing, Unity, Garden” or “HUG” for short — is the latest outreach effort by the Blue Lotus, aimed at furthering Sujatha’s mission of bringing a little more peace and kindness into the world.

The idea of the outdoor meditation space, he said, is to make the teachings of the Buddha a little more accessible to people who are skeptical of organized religion or who may be anxious about entering a temple.

“People need a place to sit down and process and reflect,” said Sujatha, a Theravada Buddhist monk dressed in a simple burgundy robe, during an interview a week before the new Buddha’s unveiling. “People feel helpless. People don’t know who to talk to. People cannot trust other people. So, therefore, they need a place like a sanctuary.”

Sujatha, who mixes spiritual teaching with self-deprecating humor — as a young man, he said, he was “a very annoying Buddhist monk — first purchased the Buddha for the temple about 18 months ago, during a visit to Vietnam. But getting the Buddha to Woodstock, and getting it installed, proved a challenge.

Along with arranging transport by boat, tractor-trailer and eventually a moving van, members of the Temple board also had to find a contractor with the expertise needed to install the 8,000-pound marble statue in the outdoor space.

“I gave a talk the other day here, and I said, ‘You know, Rome wasn’t built in a day, but this took even longer,’” said Tyler Lewke, board president of the Blue Lotus Temple.

Setting up the outdoor meditation space also meant dealing with some deferred maintenance in the 118-year-old building that the temple calls home, including replacing a concrete set of stairs leading into the building, which had begun to fall from the side entrance, as well as shoring up a foundation wall by the garden.

“I quickly realized this might be an opportunity for us to do some other things,” Lewke said. “We want to be noble stewards of this building, and it’s a challenge.” That deferred maintenance, he said, boosted the cost of the project from $40,000 to about $150,000.

The temple’s leadership also had to get permission from the local city council as well as Woodstock’s historic commission to install the outdoor meditation space — all of which went smoothly, he said.

“Not a single objection, just totally gracious, open arms and welcoming,” he said, which contrasted with the Blue Lotus’ early years two decades ago, he said, when neighbors viewed the meditation services with some suspicion.

Lewke grew up attending services at the Unitarian church — “I’ve been in this building since I was 11,” he said with a smile — and has been part of the Blue Lotus community since about 2004. He met Sujatha when the monk was teaching meditation at a local art center.

The two became friends, and together, have helped build up the Blue Lotus Temple in Woodstock, while also helping start temples in Pennsylvania and Baton Rouge, Louisiana, using the same spiritual but not religious approach to meditation.

“Our approach is entirely attraction — all we do is just show up, do our thing, and if people gravitate to it and it grows and they want to support it, that’s wonderful,” he said.

That spiritual but not religious approach to Buddhism often is found in Buddhist communities that attract converts, rather than immigrant communities, said Ann Gleig, associate professor of religion and cultural studies at the University of Central Florida. Gleig, author of “American Dharma,” a book about Buddhist convert communities in the United States, said those communities are often found in larger urban areas such as Boston or San Francisco and are often led by converts.

That makes the Blue Lotus a bit unique, she said.

Lewke, who also helps lead Refuge Recovery, a 12-step program based on Buddhist principles, said the garden was supposed to open in 2023, but necessary maintenance delayed the project.

Still, he said, that is a good thing, in that the meditation space opened during a tumultuous time in American culture.

“We were supposed to open a year ago,” he said. “But honestly, the idea of offering up a space of unity in our current climate feels profound.”

In an interview, Sujatha said that the newly unveiled Bhaisajyaguru statue — also known as the Medicine Buddha — can be a symbol of spiritual healing. That kind of healing is needed at a time when people seem addicted to conflict and strife, he said.

“I think people love suffering more than peace,” Sujatha said. “Peace is so boring to people. When you are quiet and practicing noble silence or something, it’s so boring to people.”

The Medicine Buddha is seated and holds a jar in his hands that represents the Buddha’s teaching, which can bring spiritual healing, said Sujatha, The temple, he said, is a kind of a spiritual hospital, aimed at helping people find a better way of living.

“I can call the Blue Lotus a hospital,” he said. “People come to get some treatment from here — then you go home and live according to those treatments and make your life better and peaceful.”

During a meditation service a week before the new Buddha — which had been covered by a tarp — was unveiled, Sujatha told the gathering not to look to him or outside circumstances for happiness. Instead, he said, they should focus on finding inner contentment — something no one can take away from them.

At the end of the service, he invited temple members to join a group of volunteers who would be preparing the temple for that weekend’s unveiling event later that week.

“We will do the deep cleaning meditation,” he said, with a smile.

On Wednesday, the Ramon Magsaysay Award Foundation commemorated the 65th anniversary of the award given to the Dalai Lama by launching a seven-volume series titled *Greatness of Spirit*. This event, held at the Dalai Lama’s residence in Dharamsala, Himachal Pradesh, was marked by the presence of the Tibetan spiritual leader, along with representatives from the Foundation and Indian laureates.

The Dalai Lama, who was awarded the prestigious Ramon Magsaysay Award in August 1959, was recognized for his leadership during a critical moment in Tibetan history. His leadership of the Tibetan community, especially during their fight to preserve their religious and cultural identity in the face of Chinese oppression, was a key factor in his receiving this honor. The award citation lauded him for leading “the Tibetan community’s gallant struggle in defence of the sacred religion that is the inspiration of their life and culture.” This recognition placed the Dalai Lama among the distinguished figures in Asia who had made significant contributions to society and governance.

Susanna B. Afan, the President of the Ramon Magsaysay Award Foundation, officially launched the book series during a ceremony at the Dalai Lama’s residence. The Foundation’s Board of Trustees, along with selected partners and previous Indian laureates, were also present to witness the momentous occasion. The series *Greatness of Spirit* aims to showcase the extraordinary efforts of individuals who have received the Ramon Magsaysay Award, emphasizing the values of integrity, service, and idealism.

Earlier in April 2023, a historic moment took place when members of the Ramon Magsaysay Award Foundation personally presented the 1959 award to the Dalai Lama at his residence in Dharamsala. Although he had been conferred with the award 64 years earlier, this was the first time the Tibetan leader had received the physical award in person. This gesture was seen as a reaffirmation of the Dalai Lama’s enduring influence and his continued commitment to the principles that had first earned him the award.

Known for his infectious smile, simplicity, and sense of humor, the Dalai Lama’s influence extends far beyond his role as a spiritual leader. A Nobel Peace Prize laureate, he is also a passionate advocate for non-violence and human rights. For him, Mahatma Gandhi stands out as the most influential figure of the 20th century, with Gandhi’s philosophy of non-violence deeply resonating with the Dalai Lama’s own beliefs. Throughout his life, the Dalai Lama has engaged with world leaders and spiritual figures across various religious traditions, always seeking to foster dialogue and mutual understanding. He is also a frequent speaker on ethics and happiness, offering guidance to students, business leaders, and religious communities alike on how to cultivate well-being and compassion in the modern world.

In recognition of his global contributions to peace, the Dalai Lama was awarded the US Congressional Gold Medal in 2007, an honor that elevated his status further on the international stage. This recognition, however, was not without controversy. China, which views the Dalai Lama as a separatist, protested vehemently against the decision, criticizing the US government for what it saw as interference in its internal affairs. Despite these protests, the Dalai Lama continued to remain a revered figure globally, with his message of peace and reconciliation reaching far and wide.

Born on July 6, 1935, in the small hamlet of Taktser in Tibet, the Dalai Lama’s journey from a humble background to becoming the leader of the Tibetan people is remarkable. At the age of two, he was identified as the reincarnation of the 13th Dalai Lama, Thubten Gyatso. This recognition marked the beginning of his journey as the spiritual and temporal leader of Tibet. However, his leadership took on new challenges when Tibet faced political unrest due to Chinese occupation.

In 1959, a failed uprising against Chinese rule forced the Dalai Lama to flee Tibet, seeking refuge in India. He eventually established the Tibetan government-in-exile in Dharamsala, where he continued to advocate for the rights of the Tibetan people. Although his government-in-exile has never been officially recognized by any country, the Dalai Lama has remained a symbol of hope and resilience for the Tibetan cause. His call for autonomy within China and his emphasis on non-violence have garnered international support, even though the political resolution of Tibet’s status remains elusive.

The Ramon Magsaysay Award, often referred to as the “Nobel Prize of Asia,” is a prestigious honor that is presented annually. The award is named after Ramon Magsaysay, a former Philippine president known for his integrity and dedication to public service. Magsaysay’s presidency was marked by his efforts to combat corruption and his commitment to improving the lives of ordinary people, qualities that the award seeks to recognize in its recipients.

The prize was established in 1957 by the trustees of the Rockefeller Brothers Fund in collaboration with the Philippine government. Since its inception, the award has celebrated individuals and organizations in Asia who demonstrate integrity, courage, and commitment to societal improvement. Recipients of the award are recognized for their contributions to a range of fields, including governance, community service, and social reform. The Ramon Magsaysay Award continues to stand as a beacon of ethical leadership in Asia, promoting ideals of democratic governance and social justice.

By launching the *Greatness of Spirit* series, the Ramon Magsaysay Award Foundation hopes to inspire future generations to follow in the footsteps of the award’s distinguished laureates. These volumes not only chronicle the lives and achievements of past recipients but also serve as a testament to the enduring power of compassion, courage, and service in creating positive social change.

As the Dalai Lama continues to inspire millions around the world with his teachings and actions, the launch of this series is a fitting tribute to his lifelong dedication to the betterment of humanity. The 65th anniversary of his Ramon Magsaysay Award is not just a commemoration of a past achievement but a reminder of the timeless values that the Dalai Lama embodies and the lasting impact he continues to make on the world stage.

The Raja Ravi Varma Art Gallery, a state-of-the-art facility, has been established to exclusively showcase the significant works of one of India’s most revered artists, Raja Ravi Varma. This new gallery, spanning 12,000 square feet, is situated adjacent to the Sree Chitra Art Gallery within the Museum and Zoo campus in Thiruvananthapuram, Kerala. Raja Ravi Varma, who was born on April 29, 1848, in Kilimanoor within the aristocratic family of the Travancore kingdom, is celebrated for his immense contribution to Indian art, and this gallery is a testament to his enduring legacy.

Previously, the masterpieces of Raja Ravi Varma were housed in the Sree Chitra Art Gallery, but the creation of this new gallery underscores the importance of preserving and properly displaying his works. The Raja Ravi Varma Art Gallery serves as a distinct entity within the Napier Museum and boasts a collection of 134 works, including 46 paintings, 14 oleographs, and 16 pencil sketches. These works are considered some of the finest examples of Indian art, with each piece holding immense cultural and artistic significance.

Among the prized possessions in the gallery are the oil paintings donated by Kilimanoor Palace in 1935, which are considered masterpieces in their own right. The gallery also houses certificates awarded to Raja Ravi Varma in 1893 from Chicago and Vienna, recognizing the excellence of his works sent from Kilimanoor Palace. These artifacts further enhance the gallery’s importance as a cultural institution dedicated to preserving and celebrating the achievements of one of India’s most illustrious artists.

In addition to the works of Raja Ravi Varma, the gallery also features pieces by his brother, C. Raja Raja Varma, and his sister, Mangala Bai Thampuratti. Their inclusion not only enriches the gallery’s collection but also provides visitors with a more comprehensive view of the artistic contributions made by the Varma family to Indian art.

The Raja Ravi Varma Art Gallery is more than just a space for displaying art; it is a place that honors the legacy of a man who played a pivotal role in shaping Indian art. Raja Ravi Varma is often credited with blending European techniques with Indian subjects, creating a unique style that has influenced generations of artists. His works, which often depicted scenes from Indian mythology and history, have left an indelible mark on the cultural landscape of India.

This gallery is a significant addition to Kerala’s cultural offerings, providing art enthusiasts with a dedicated space to explore the life and works of Raja Ravi Varma. The gallery’s layout and design have been carefully planned to ensure that visitors can fully appreciate the beauty and significance of the works on display. Each section of the gallery is meticulously organized, allowing for an immersive experience that highlights the artistic genius of Raja Ravi Varma.

For those looking to take a piece of this experience home, a souvenir shop is available, offering a range of memorabilia related to Raja Ravi Varma and his works. The gallery also ensures accessibility for all visitors by providing wheelchairs for those in need. Additionally, guide services are available upon request, offering insights and detailed explanations about the artworks and their historical context.

The Raja Ravi Varma Art Gallery is open to the public from Tuesday to Sunday, with visiting hours from 10:00 A.M. to 04:45 P.M. The gallery remains closed on Mondays and select public holidays, including Republic Day, Independence Day, Thiruvonam, and Mahanavami. The entry fee is modest, with adult tickets priced at Rs. 25 and children’s tickets at Rs. 10, making it an affordable cultural experience for families and individuals alike.

For more information or inquiries, visitors can contact the Directorate of Museums and Zoos in Thiruvananthapuram. The gallery is easily accessible, with the nearest railway station being Thiruvananthapuram Central Railway Station, located about 3.6 km away, and the nearest airport being Trivandrum International Airport, approximately 5.5 km from the gallery.

The establishment of the Raja Ravi Varma Art Gallery marks a significant milestone in the preservation and promotion of Indian art. It not only celebrates the life and works of Raja Ravi Varma but also provides a platform for future generations to learn about and appreciate the rich artistic heritage of India. As a state-of-the-art facility dedicated to one of the country’s most iconic artists, this gallery stands as a proud symbol of Kerala’s commitment to preserving its cultural heritage and promoting the arts.

The Sri Ashtalakshmi Temple, located in Sugarland, Texas, is preparing to unveil a massive 90-foot statue of Lord Hanuman, which will be the tallest statue in Texas and the third-largest in the United States. This grand statue, referred to as the ‘Statue of Union,’ is intended to serve as a symbol of unity and strength, inspired by the vision of the Indian spiritual leader Chinna Jeeyaar Swami. Chinna Jeeyaar Swami, who also inspired the creation of the Statue of Equality in Hyderabad, India, will be present to inaugurate the statue during a ceremony scheduled to take place from August 15-18 at the temple.

The temple officials describe the Statue of Union as “North America’s tallest statue of Lord Hanuman, an embodiment of strength, devotion, and selfless service.” Hanuman, revered for his loyalty and unwavering service to Lord Rama, is celebrated in Hindu tradition for his role in reuniting Sri Rama with Sita, which is the inspiration behind the statue’s name. The official statement elaborates that “The Statue of Union is about creating a spiritual epicenter where hearts find solace, minds find peace, and souls find a path to transcendence.”

Support for this monumental project has been overwhelming, with well-wishers from India and around the world showing their enthusiasm. Bollywood music director Dilip Sen, known for his work on “Hanuman Tandav” along with Anup Jalota, has expressed his support. He has also contributed Bhajans, devotional songs, sung by Anuradha Paudwal for the Ram Sita Milan, and another devotional track on Lord Ram featuring Udit Narayan.

The inauguration of this significant religious monument is being meticulously organized by a dedicated team led by prominent community leader Arun Mundra, who serves as the international coordinator for Mein BHARAT Hoon and NRI Global, along with Heemanshu Maheshwari.

In a historic and culturally significant event, the youth of Baramulla district in Jammu and Kashmir set a world record by performing the largest-ever Kashmiri folk dance. The record-breaking event took place during the ‘Kashur Riwaaj’ cultural event, with a staggering 10,000 young women participating.

The remarkable achievement was widely shared and celebrated on social media, with All India Radio News posting a video of the massive dance performance on its official Instagram handle. The event was organized by the Dagger Division of the Indian Army, in collaboration with the Punit Balan Group and the Baramulla District Administrative agencies. The Defence Spokesperson expressed the significance of the event, stating, “The mega event has successfully united the youth of Kashmir, celebrated their cultural heritage, and instilled a sense of pride and unity that will resonate for years to come.” The celebration was held in Baramulla and extended to several nominated schools across the district.

This record-setting event in Baramulla is reminiscent of a similar achievement last year by Kudumbashree, an all-woman network from Kerala. Kudumbashree organized a massive Thiruvathira dance performance at Kuttanellur Government College, which also set a world record. On that occasion, 7,027 Kudumbashree members came together to perform the ancient group dance form on the college campus. Thiruvathira, a dance traditionally performed during the Onam festival in the Malayalam month of Chingam, and sometimes in the month of Dhanu, was showcased on a grand scale.

Due to the sheer number of participants, the gigantic “Thiruvathirakali” (Thiruvathira dance) made its way into the Limca Book of Records and the Talent Record Book. Organizers are also considering submitting this achievement to the Guinness Book of World Records.

Kudumbashree, recognized as the world’s largest women’s network, was praised as a model of women’s empowerment by Revenue Minister K Rajan. He also emphasized the network’s significant status and influence. The district’s Onam celebrations, which included this record-breaking dance performance, were coordinated by the municipal corporation, the tourism department, and the district government.

Both events, one in Kashmir and the other in Kerala, exemplify the power of cultural traditions in bringing communities together and achieving global recognition. The success of these large-scale performances not only highlights the rich cultural heritage of the regions but also showcases the unity and empowerment of women through the preservation and celebration of traditional art forms.

The Moidams of eastern Assam, a 700-year-old burial system from the Ahom dynasty, were added to UNESCO’s World Heritage List on Friday, marking the first cultural site from the Northeast to achieve this status.

The nomination dossier for the Moidams was submitted over a decade ago. Culture Minister Gajendra Singh Shekhawat expressed his elation by stating that the “day would be etched in golden letters.” He extended gratitude to UNESCO, saying, “We thank UNESCO, World Heritage Committee for understanding the outstanding universal value of ‘Moidams.’”

Assam Chief Minister Himanta Biswa Sharma also celebrated this recognition, noting, “The Moidams make it to the UNESCO World Heritage list under the category Cultural Property – a great win for Assam… It is the first time a site from the North East has made it to the UNESCO World Heritage List under the Cultural Category and after Kaziranga and Manas National Parks, it is Assam’s third World Heritage Site.”

What are Moidams?

Located in the foothills of the Patkai Ranges in Assam, the Moidams are the royal necropolis of the Tai-Ahom. The site comprises ninety moidams — hollow vaults constructed from brick, stone, or earth — varying in size. According to a statement on the UNESCO website, for 600 years, the Tai-Ahom created these moidams, integrating the natural topography of hills, forests, and water, forming a sacred geography.

To date, the World Heritage Committee has inscribed 1,199 sites in 168 countries. India boasts 43 sites on this prestigious list.

A moidam is a tumulus, essentially a mound of earth raised over a grave, specifically of Ahom royalty and aristocracy. While Charaideo houses the moidams of Ahom royals, other moidams belonging to aristocrats and chiefs are scattered across the eastern part of Assam, between Jorhat and Dibrugarh.

Ahom kings and queens were interred within these moidams. Unlike Hindus who practice cremation, the Ahoms, originating from the Tai people, primarily buried their dead. The height of a moidam typically reflects the power and stature of the individual buried within. However, except for those of Gadhadhar Singha and Rudra Singha, most moidams remain unidentified.

Inside the moidam chambers, the deceased king would be buried along with items necessary for the “afterlife,” including servants, horses, livestock, and sometimes even their wives. The similarity between Ahom burial rites and those of the ancient Egyptians has led to the Charaideo moidams being referred to as the “Pyramids of Assam.”

President Droupadi Murmu announced on Thursday the renaming of two significant halls in Rashtrapati Bhavan—Durbar Hall and Ashok Hall. They will now be known as Ganatantra Mandap and Ashok Mandap, respectively. Durbar Hall is renowned for hosting important ceremonies, including the presentation of National Awards, while Ashok Hall, once a ballroom, is now reserved for special events.

“There has been a consistent endeavour to make the ambiance of the Rashtrapati Bhavan reflective of the Indian cultural values and ethos,” stated the Rashtrapati Bhavan in a press release.

The term ‘Durbar’ historically referred to the courts and assemblies of rulers. However, it lost its relevance after India became a Republic, or ‘Ganatantra.’ The statement elaborated that the concept of the republic is deeply rooted in ancient Indian society, making ‘Ganatantra Mandap’ a fitting name for the venue.

The name ‘Ashok’ signifies a person “free from all sufferings” or “bereft of any sorrow.” It also refers to Emperor Ashoka, a symbol of unity and peaceful coexistence. The National Emblem of India, the lion capital, is derived from the Ashokan Pillar at Sarnath. Additionally, the Ashok tree holds significant importance in Indian religious traditions, arts, and culture. The Rashtrapati Bhavan emphasized that renaming Ashok Hall as Ashok Mandap ensures linguistic uniformity and eliminates traces of anglicization while upholding the values associated with ‘Ashok.’

“Renaming Ashok Hall as Ashok Mandap brings uniformity in language and removes the traces of anglicisation while upholding the key values associated with the word ‘Ashok’,” read the statement.

Reacting to the renaming, Congress general secretary Priyanka Gandhi Vadra commented, “There is no concept of ‘Durbar’ [for the government] but a concept of ‘Shehanshah’… Interesting.”

In January of the previous year, just a day before the historic Mughal Gardens were set to open to the public, the Rashtrapati Bhavan announced that the gardens would henceforth be known as Amrit Udyan. Announcing that the gardens would be accessible from January 31 to March 26, Navika Gupta, Deputy Press Secretary to the President, stated, “On the occasion of the celebration of 75 years of Independence as Azadi Ka Amrit Mahotsav, the President of India has given a common name to the Rashtrapati Bhavan gardens as Amrit Udyan.”

Spanning 15 acres, the layout of the Mughal Gardens was inspired by the garden styles of the Mughals in Jammu and Kashmir and the Taj Mahal. According to the Rashtrapati Bhavan website, these gardens, described as “the soul of the Presidential Palace,” were also inspired by miniature paintings from India and Persia. BJP leaders hailed the renaming as “historic,” viewing it as a step away from “slave mentality.”

In 2022, the pathway from Rashtrapati Bhavan to India Gate, formerly known as Rajpath, was renamed Kartavya Path. The Prime Minister’s Office commented at the time, “It symbolises a shift from erstwhile Rajpath being an icon of power to Kartavya Path being an example of public ownership and empowerment.” The statement continued, “These are steps… in line with the Prime Minister’s second ‘Panch Pran’ for New India in Amrit Kaal: ‘remove any trace of colonial mindset.’”

(RNS) — Every day since March, 63-year-old Ranjani Saigal has posted a 90-second Instagram reel. “I’m not a social media person,” said Saigal, who goes by “The Hindu Grandma” on Instagram. “I didn’t know what a reel was, I didn’t know what TikTok was, any of that. Like many other grandparents, I was like, ‘Social media? I should stay away from that.’”

But Saigal, who lives in Boston, was determined to reach the next generation of Hindu children, and she knew social media is where she’d find them. Through short educational videos answering questions such as “Why do Hindus wear a bindi?” or demonstrating a step-by-step everyday morning prayer ritual, Saigal has become a symbolic “dadi,” “ajji,” or “ammamma” to over 100,000 followers.

“Somehow people seem to like to learn from grandma, and hence seem to listen in more,” she said. “People love their grandmas, at the same time they’re kind of missing in their lives. And I don’t know, it touches me a lot, so it makes me keep wanting to go with it.”

To Saigal, who is a trained purohita, or family priest, and a Bharatanatyam teacher, Hinduism is a “star-studded, gem-filled” tradition that has a real power to connect with youth. For her granddaughter’s first birthday, Saigal was able to gift her a copy of her own children’s book: “My First Om,” intended for the very youngest of Hindus.

“The more Hindu a teacher you are, the more you should allow for questions,” she said. “It’s a religion of understanding and of knowledge, not of faith. And I think that kind of vibes with the modern generation.”

American Hindu parents and grandparents like Saigal are reckoning with how to keep their children connected to Hinduism against a nationwide backdrop of decreased religiosity among young people. From Instagram reels to children’s books, summer camps to Sunday school, Hindu adults hope to spark genuine excitement about the Hindu faith among second-generation youth, while offering them a community to belong to.

Roopa Pai, an award-winning author based in Bangalore, India, similarly saw a gap that needed to be filled. The author of India’s first children’s fantasy series, the “Taranauts,” Pai wrote “The Gita: For Children” in 2015; it’s an 18-chapter, kid-friendly version of one of Hindus’ most revered scriptures, the Bhagavad Gita, which takes place during the Battle of Kurukshetra.

Before taking on the project, however, Pai, who had never read the Gita before, had her concerns. “First of all, I thought, it’s not meant for children,” said Pai, who was raised as a Lingayat, a community that does not practice Vedic rituals. “You know, it’s something that old people in their rocking chairs in the winter of their lives, after having experienced all the vicissitudes of life, settle into.

“And in India, the Gita is a living, breathing text, and people are very, very sensitive to what you may say about it,” she added. “So I approached the Gita with a very open, inquiring, curious mind as a piece of literature, not as a piece of scripture.”

Although the book is set in wartime, Pai says the dynamic Gita is chock-full of relevant lessons for children of any age. It is a metaphorical story, she says, in which the battlefield is in one’s own mind. Arjuna, the main protagonist, asks Lord Krishna for advice moments before he must fulfill his dharma, or duty, as a soldier, even though some of his beloved relatives are on the other side.

The author describes Krishna as Arjuna’s “best friend,” who instructs him to not let emotion cloud his dharma. In 700 verses, Krishna offers wisdom on morals, mindful action and the power of making the right choice against voices that will tell you otherwise — like, for example, when facing peer pressure to lie to your parents.

Pai says her lessons for children from this are to recognize they are already whole, that “your best friend is with you” and always has their back, and they just need to cultivate that friendship and lean into it when they face problems. “I tell them, you know, every five minutes before you go to sleep, each night, sit and talk to your Krishna,” Pai said.

Pai, who has lived in New York and Florida with her two children in the past, says her book is widely read by children across the Hindu American diaspora. “That’s the other core thing in Hindu philosophy: that happiness is not to be pursued, that it’s a waste of time, which goes fully against the American thing of pursuit of happiness,” she said. “It says instead, put all your energies into finding bliss, contentment, peace that is long-lasting.”

She says parents and children are equally “surprised, startled and delighted” by the modern-day relevance of the centuries-old text. Through “The Gita: For Children,” she instructs children around the world on its practical implications, teaching, for example, that a student’s dharma is simply to work hard and study, not to focus on being the first in the class.

“It’s very nonpreachy,” she said. “It allows you to think for yourself, and tells you that, once you have thought about it in this way, whatever you come up with is valid, and that’s a very warming thought for children to believe that they are in control of their own destiny.”

For some parents in the United States, grounding their kids in Hindu teachings at home is critical for combating what they say are stereotypes about Hinduism taught in schools, such as an emphasis on caste or cow worship.

“The anxiety that has started is this awareness, you know, especially post 2000s, that the only time children learn about India or Hinduism in their school textbooks is just being two or three buzzwords,” said scholar and parent Vamsee Juluri.

A media professor at the University of San Francisco, Juluri was raised in India, where as a kid, he said, intergenerational Hindu practices were passed down without much room for questioning. But mythological stories on TV and in movies, along with the popular Amar Chitra Katha comics, kept kids entertained and intrigued by the gods.

In the U.S., he says, Hindus face a challenge familiar to many immigrants with children who have more American sensibilities and questions about the meanings behind traditional rituals.

“Until the ’90s, most Hindu American kids didn’t have an alternative other than these very clumsy, you know, weekend temple classes run by an uncle from India,” said Juluri, calling them “cosmetic cultural” Hindu. ”There is now more of an organic, American born and raised transnational community that has started to form in the U.S.”

He points to initiatives such as the Chinmaya Mission’s Bala Vihar program, which offers weekly Vedic classes and a yearly Gita Chanting Competition, as pioneers in the Hindu youth space. Many former students are now leaders, which adds to its relatability, he said. And with more initiatives popping up, Juluri has high hopes for the future.

“I think it’s delightful that there are people like the Hindu Grandma who are just conveying their joy about what they feel. The joy of talking squirrels or the elephant-headed God, the gentleness and the beauty of the traditions and the worship and the aesthetics,” Juluri said.

Saigal has heard from other parents and grandparents who use her explanations as trusted, authenticated resources for their own children’s questions, something she says most parents didn’t have in the past 30 years. “If you’re respectful toward the traditions,” she says, “without forcing them on your children, your children will also learn to love them.”

“In Hindu traditions, the word ‘God-fearing’ doesn’t exist,” she added. “I teach children, never do it out of fear. Never do it out of superstition, or so that something horrible doesn’t happen. I think we can get out of that thought.”

On the occasion of International Yoga Day 2024, GOPIO, and Emmy-nominated filmmaker & Happy Life Yoga speaker Tirlok Malik along with the Indian Panorama & Indian American Forum will be hosting a highly interactive and informative Yoga event featuring experts and speakers from various walks of life.

The theme for this year addresses the basic question: “There are challenges and hardships in life, but how you let them go and laugh at life?”

Ambassador Binaya Srikanta Pradhan, Consul General of India in New York will be the chief guest. Other speakers will include Dr. Thomas Abraham, Professor Indrajit Saluja, Indu Jaiswal, Anil Narang, Lal Motwani (GOPIO International President), Neeta Bhasin, Dr. Renee Mehra, Deborah Fishman, Neha Lohia, Priti Dhariwal, Dr. Tara Shajan, and Dr. Bhuvan Lall.

The event promises to be energetic, knowledgeable, inspiring, and celebratory in nature. Malik will interact with all the prominent speakers on the panel to discover their own personal mantras for happiness. While emphasizing the growing importance of Yoga in today’s times, session host Malik explains his vision behind Happy Life Yoga and its underlying philosophy as “a way of living inspired by the wisdom of Ayurveda, Yoga and Indian Philosophy.”

Malik created the Happy Life Yoga workshop (No mats needed!) inspired by Ayurveda yoga and Indian philosophy as a practical way to live a happier and healthier life in today’s time. This interactive workshop emphasizes “love yourself,” and if you love yourself, it’s your responsibility to take care of your happiness and health, using the tools shared by Malik in this workshop. It’s the gift of ancient India, tested by science & time! The event is supported by many New York media outlets. Malik and the whole team look forward to the celebration of International Yoga Day 2024 and invite everybody to join!

The Zoom session will be held on Sunday, June 22nd from 11:00am – 12:30pm (East) (US and Canada). Interested participants can join the session using the meeting ID: 709 536 8686 and passcode: gopio.