Bollywood’s Shift: Intense Romances Dominate While Rom-Coms Fade

This Valentine’s Day, Bollywood’s romantic landscape has shifted from sweet love stories to intense, angry romances, leaving traditional rom-coms in the shadows as audiences seek deeper emotional engagement.

This Valentine’s Day, as the R. Premadasa Stadium in Colombo gears up for a high-stakes clash, the Indian film industry finds itself embroiled in a significant internal conflict. For decades, Bollywood has been the global ambassador of “sweet” romance, characterized by picturesque mustard fields, slow-motion dupatta flips, and charming protagonists like Raj and Rahul, who won over audiences with their dimpled smiles and hearts of gold.

However, as we approach 2026, the cinematic landscape has undergone a dramatic transformation. The archetypal chocolate boy has been sidelined, making way for a new breed of male leads—brooding, hyper-fixated, and often portrayed as angry figures who view love not as a gentle melody but as a battlefield.

This current trend marks a stark departure from the beloved era of films like *Dilwale Dulhania Le Jayenge* and *Kuch Kuch Hota Hai*. Today, the box office is dominated by what critics have dubbed the “toxic trope” school of romance. Following the seismic impact of films like *Animal* and the enduring shadow of *Kabir Singh*, the romantic hero has morphed into a figure defined by obsession and moral ambiguity. Even established stars are adapting to this shift; Shahid Kapoor, once the quintessential boy-next-door in *Jab We Met*, now headlines Vishal Bhardwaj’s *O’Romeo*, a narrative steeped in revenge and grit rather than traditional courtship.

This evolution suggests that modern audiences are increasingly disenchanted with the notion of “nice.” In a world marked by global uncertainty and digital restlessness, breezy rom-coms are increasingly perceived as hollow or out of touch with contemporary realities.

Filmmakers like Aanand L. Rai, who successfully transitioned from the quirky *Tanu Weds Manu* franchise to the intense, Dhanush-led *Tere Ishk Mein*, argue that cinema is merely reflecting the “angry world” around it. There is a growing sentiment that collective anxiety and a more connected, cynical audience have rendered the old-school, innocent love story a relic of the past. When modern rom-coms do emerge—such as Bejoy Nambiar’s *Tu Yaa Main*—they often feel compelled to incorporate external stressors like survival drama or high-stakes subplots to engage viewers. Without these intense elements, the genre risks becoming “hate-watched,” consumed primarily for critique on OTT platforms due to perceived cringe factors or lack of depth.

The phenomenon of hate-watching has emerged as a troubling metric for streaming success, reflecting a decline in the genre’s artistic health. While mature romances like *Aap Jaisa Koi* find their niche on platforms like Netflix, mainstream theatrical audiences are gravitating toward larger-than-life, macho spectacles. Trade experts note that the massive success of newcomers in *Saiyaara*, a sweeping and emotionally charged epic, demonstrates that romance is far from dead; however, it must now be presented with the scale and conviction of an action blockbuster. The casual, lighthearted romantic comedy is being squeezed out, leaving a void where gentle storytelling once flourished.

Interestingly, while the new “angry” protagonist is currently in vogue, a lingering nostalgia complicates the narrative. The unprecedented box office success of the re-release of *Sanam Teri Kasam* in late 2025 indicates that Gen Z still craves intense emotions, even as they reject the clichés of the nineties. This generation values authenticity and vulnerability, but they seem to prefer these qualities wrapped in high-stakes drama rather than domestic simplicity. The “chocolate boy” archetype hasn’t been entirely discarded; rather, it has been placed on hold while the industry explores the darker, more rugged facets of human connection.

As we celebrate Valentine’s Day 2026, the question “Where is the love?” remains unanswered for those yearning for the simplicity of yesteryear. Bollywood has traded its candy-floss dreams for a more textured, albeit aggressive, reality. Whether this shift toward the “angry young lover” is a permanent evolution or a reactionary phase remains to be seen. For now, audiences seem content to overlook the “nice guys,” opting instead for love stories that reflect the chaos, intensity, and occasional toxicity of the modern age, according to GlobalNetNews.

Dalai Lama Receives First Grammy Award for Spoken Word Teachings

The Dalai Lama, at 90 years old, won his first Grammy Award for his spoken-word album, marking a historic moment in the intersection of spirituality and contemporary music.

The 68th Grammy Awards, held in Los Angeles, marked a significant milestone for global music and culture. Among the evening’s highlights was an unexpected moment involving a spiritual figure rather than a traditional pop star. At 90 years of age, the Dalai Lama won his first-ever Grammy Award in the category of Best Audio Book, Narration, and Storytelling Recording. His spoken-word album, *Meditations: The Reflections of His Holiness the Dalai Lama*, represents a significant achievement for the Buddhist leader, whose influence has shaped decades of political and spiritual discourse.

This recognition by the Recording Academy places the Dalai Lama in a unique circle of non-musical figures who have used recorded media to share philosophical and humanitarian messages with a global audience. The ceremony celebrated diversity and historical breakthroughs, featuring major wins for artists like Kendrick Lamar and notable representation for K-pop artists. However, the announcement of the Dalai Lama’s victory sparked immediate global interest in how a Buddhist monk became a contender for one of the most prestigious honors in the American entertainment industry.

The category of Best Audio Book, Narration, and Storytelling Recording has long been a space where influential public figures, including presidents, actors, and activists, intersect with the recording arts. In this instance, the Dalai Lama faced a diverse field of nominees, including Fab Morvan of Milli Vanilli, U.S. Supreme Court Justice Ketanji Brown Jackson, comedian Trevor Noah, and veteran actress Kathy Garver.

Unlike traditional music albums, the award-winning project is an immersive auditory experience that combines the Dalai Lama’s spoken reflections with intricate musical arrangements. Released in August 2025 to coincide with his 90th birthday, the album distills the spiritual leader’s core teachings on compassion, peace, and environmental stewardship into a format accessible to modern listeners. By integrating these teachings with a contemporary soundscape, the producers aimed to bridge the gap between ancient wisdom and the digital age.

A significant factor in the album’s success and Grammy eligibility was its sophisticated musical production. The project featured contributions from internationally recognized artists such as Rufus Wainwright, Maggie Rogers, and Andra Day. These musicians provided vocal and instrumental layers that complemented the Dalai Lama’s narration without overshadowing the message. Producer Kabir Sehgal noted that the selection of these collaborators was intentional, targeting artists whose personal work or academic backgrounds reflected an interest in philosophy and global harmony. The result is a recording that meets contemporary artistic standards while maintaining the gravity of its spiritual source material.

The foundational sound of the album is rooted in Indian classical music, which connects to the Tibetan cultural context. Renowned sarod maestro Amjad Ali Khan, along with his sons Amaan and Ayaan Ali Bangash, played a central role in the composition process. Their long-standing relationship with the Dalai Lama, spanning over twenty years of performances, lent a sense of continuity and personal devotion to the recording. Their involvement ensured that the musical elements remained respectful of spiritual traditions while providing the depth necessary for a critically acclaimed production. Amaan Ali Bangash mentioned that the Dalai Lama’s office was consulted regularly throughout the production to ensure the final product aligned with his vision.

The creation of the album required extensive archival and editorial effort. Kabir Sehgal reportedly spent over 100 hours reviewing and selecting excerpts from the Dalai Lama’s speeches and private conversations. This curation process focused on ten specific tracks that address pressing concerns of the modern era. For instance, the track titled “Water” highlights the environmental changes the Dalai Lama has observed since his youth in Tibet, emphasizing the urgent global need for resource conservation. Another track, “Peace,” delves into the concept of compassion, which the leader argues is not merely a religious virtue but a fundamental requirement for the survival of humanity in an increasingly divided world.

The timing of the release and the subsequent Grammy win comes at a reflective period in the Dalai Lama’s life. Having lived in exile in India for most of his life, the Nobel Peace Prize laureate has spent decades advocating for the rights of the Tibetan people and for global non-violence. While his ability to travel has become limited due to his age, his office viewed the Grammy win as a vital opportunity for his message to reach a younger, more digitally engaged generation. Representatives for the spiritual leader noted that the accolade was seen not as a personal achievement but as a validation of the universal relevance of his calls for kindness and empathy.

The Recording Academy’s decision to honor the Dalai Lama reflects a broader trend of recognizing the impact of spoken-word recordings in shaping public consciousness. Previous winners in this category include figures such as Jimmy Carter, Barack Obama, and Maya Angelou, who used the medium to document historical narratives or advocate for social change. By including the Dalai Lama in this lineage, the Grammy Awards acknowledged the intersection of spirituality and media in the 21st century. The album’s ability to transcend cultural and religious boundaries was a primary theme during post-award discussions, with industry analysts noting the rare crossover appeal of such a project.

The production of *Meditations: The Reflections of His Holiness the Dalai Lama* also highlights the role of modern technology in preserving and disseminating the legacy of global icons. At a time when international tensions and environmental crises dominate the global news cycle, the album’s focus on shared humanity resonated with the Recording Academy’s voting body. The meticulous sound engineering and the high profile of the musical guests ensured that the project met the technical requirements of the music industry while fulfilling its purpose as an educational and spiritual tool.

Although the Dalai Lama did not attend the ceremony in person, his presence was felt throughout the night as various artists and attendees referenced the significance of his win. This victory serves as a reminder of his enduring influence, nearly forty years after he was awarded the Nobel Peace Prize in 1989. As the spiritual leader enters his tenth decade, this Grammy win marks an unexpected but impactful addition to a life defined by the pursuit of peace. The project stands as a testament to the idea that ancient philosophical concepts can be repackaged through the lens of art and music to find new life in the global cultural mainstream, according to GlobalNetNews.

Indian-American Physicist Bulbul Chakraborty Receives Prestigious Theatre Award

Indian American physicist Bulbul Chakraborty has won an Obie Award for her poignant performance in the off-Broadway play “Rheology,” exploring themes of life, death, love, and loss.

Bulbul Chakraborty, an Indian American physicist, has been honored with an Obie Award for her compelling performance in the off-Broadway play “Rheology.” This critically acclaimed production was a collaborative effort with her son, Shayok Misha Chowdhury, who is an award-winning playwright and director.

The Obie Awards are designed to celebrate the highest caliber of off-Broadway and off-off-Broadway theatre, recognizing innovative work and supporting the careers of theatre artists. Chakraborty’s award acknowledges her deeply personal portrayal in “Rheology,” where she “plunges nakedly, beautifully into her own grief through song, in an expression that is pure divinity,” as noted in a news release.

Chakraborty, who serves as the Enid and Nate Ancell Professor of Physics at Brandeis University in Waltham, Massachusetts, has dedicated over 36 years to exploring complex phenomena such as avalanches, sand, and grain silos. Her research focuses on understanding “systems far from equilibrium,” employing theoretical methods that often involve extensive calculations on paper.

Her work aims to construct a comprehensive theory that rigorously describes the collective behavior of granular materials, which physicists refer to as “fragile matter.” While Chakraborty is a theorist, her son, Chowdhury, is an experimentalist in the realm of theatre. His recent play, “Public Obscenities,” was a finalist for the 2024 Pulitzer Prize in Drama.

The bond between mother and son has always been rooted in a mutual fascination with each other’s fields. As a child, Chowdhury would meticulously copy the mathematical equations his mother left around and engage her with questions about her research. In turn, Chakraborty nurtured his creative inclinations by introducing him to literature and music, particularly the works of Bengali writer and composer Rabindranath Tagore.

This shared interest blossomed into a collaborative project five years ago, culminating in “Rheology,” which is currently being performed at the Bushwick Starr in Brooklyn until May 17. The title of the play refers to the study of how certain substances, like sand, flow and behave under various conditions. In this production, sand serves as a powerful metaphor for life, death, love, and loss, illustrating how it responds to external forces and captivates those who study it.

In “Rheology,” Chowdhury, in his 40s, contemplates his mother’s mortality by staging her demise. Chakraborty, at 71 and with no prior acting experience, portrays her real-life role as a mother facing her own mortality on stage. “We are really discussing my death on stage,” Chakraborty remarked, noting that she opens the play with a lecture on her favorite subject—sand. “It was exposure therapy for Misha, then it started hitting me that it was my mortality.”

Audience members have expressed that the play prompts them to reflect on their own mortality. “A lot of younger people step out of the play and say, ‘I’m going to call my mom right now,’” Chakraborty shared.

The play presents contrasting hypotheses from the mother-son duo. Chowdhury believes he will not survive his mother’s passing, while Chakraborty counters that he will endure. “Sand is fragile matter; it lives at the margin of being solid, so it has the ability to hold its shape by making small tweaks in the face of shifting external forces,” she explained. “My son is also fragile, so he will be able to make small changes, and grief will not break him—he will withstand its force.”

Chakraborty’s unique blend of science and art has not only garnered her recognition in the theatre world but also serves as a poignant exploration of the human experience, bridging the gap between the realms of physics and performance.

According to The American Bazaar, Chakraborty’s journey from the classroom to the stage exemplifies the profound connections between different disciplines and the universal themes that resonate through them.

Epstein Files Mention Filmmaker Mira Nair and NYC Mayor’s Mother

Recently released Justice Department records linked to Jeffrey Epstein mention filmmaker Mira Nair and reveal email exchanges with Tesla CEO Elon Musk, shedding light on high-profile social connections.

Indian American filmmaker Mira Nair, known for her acclaimed works, is mentioned in newly released court records associated with Jeffrey Epstein. The documents reveal that Nair, who is also the mother of New York City Mayor Zohran Mamdani, attended an afterparty at Ghislaine Maxwell’s home in 2009 following the premiere of her film, *Amelia*.

The information comes from a new batch of documents made public by the U.S. Justice Department, part of an ongoing effort to release materials related to Epstein, a convicted sex offender. This latest release includes a wealth of emails, images, and videos gathered during federal investigations into Epstein’s activities.

The afterparty in question attracted several notable figures, including former President Bill Clinton and Amazon founder Jeff Bezos. An email from the event provides insight into the guest list and the atmosphere, stating, “Just left Ghislaine’s townhouse…after party for film. Bill Clinton and Jeff Bezos were there…Jean Pigoni, director Mira Nair…etc.”

Despite the star-studded guest list, the email also conveyed a lukewarm reception for Nair’s film. The publicist noted, “Film received tepid reaction although women like it much more,” and shared impressions from another promotional event for the film.

Nair directed *Amelia*, a biographical film released in 2009 that starred Hilary Swank as the pioneering aviator Amelia Earhart, alongside Richard Gere as her husband, George Putnam.

It is important to note that the email does not suggest any illegal activity by those mentioned; it merely documents social connections. Many individuals referenced in the Epstein-related records appear due to their social ties rather than any implication of wrongdoing.

In addition to Nair, the documents reveal direct communication between Epstein and other prominent figures, including Tesla CEO Elon Musk. One email from Epstein, dated November 2012, posed a logistical question to Musk: “How many people will you be for the heli to island?”

The Justice Department indicated that the newly released materials provide a clearer understanding of Epstein’s communications and his connections within various sectors, including politics, business, and entertainment.

Deputy Attorney General Todd Blanche emphasized that the release aims to enhance transparency while acknowledging that some portions of the records were withheld to protect victims and sensitive information.

This latest disclosure was made under the Epstein Files Transparency Act, legislation enacted after significant public and political pressure for broader access to records related to the case. The release follows a previous delay by officials, who cited the extensive review process required to ensure the documents were suitable for public dissemination.

Epstein was found dead in his New York jail cell in August 2019 while awaiting trial on federal sex trafficking charges. Two years later, Ghislaine Maxwell was convicted for her role in recruiting and abusing underage girls and subsequently sentenced to 20 years in prison.

These revelations continue to draw attention to the complex web of relationships surrounding Epstein and the implications for those connected to him, including Nair and other high-profile individuals.

According to The American Bazaar, the ongoing release of these documents is part of a larger effort to bring transparency to the Epstein case and its far-reaching connections.

Indian Talent Shines at the 2026 Grammy Awards

The 2026 Grammy Awards will showcase a diverse array of Indian talent, with several nominations highlighting the fusion of traditional and contemporary music.

The 2026 Grammy Awards are just around the corner, and Indian artists have much to celebrate this weekend, with numerous nominations across both global and local categories. Renowned sitarist Anoushka Shankar and the fusion group Shakti are among the familiar names returning to the spotlight, while raga-jazz musician Charu Suri has made waves with her first nomination in the Best Contemporary Instrumental Album category for her album, Shayan.

This year’s roster of Indian-origin nominees showcases a rich tapestry of musical styles, ranging from classical fusion and spiritual compositions to contemporary jazz. It features a blend of legendary figures, returning winners, and innovative newcomers.

Charu Suri, an Indo-American pianist and composer, is breaking new ground as the first raga-jazz artist nominated in the Best Contemporary Instrumental Album category for her work, Shayan. Known for her distinctive ability to merge traditional Indian raga influences with Western jazz elements, Suri’s nomination marks a significant milestone in her career.

Shayan is a collaborative project that includes contributions from Bengaluru-based flutist Ravichandra Kulur, Melbourne-based vocalist and producer Shriram Iyer—professionally known as Siyer—and Carnatic-jazz musician Ramya Shankar, who plays the ukulele. The album is produced and mixed by Siddhant Bhatia, an India-based composer and vocalist who has also received his first Grammy nomination this year for Best Global Music Album with his project, Sounds of Kumbha.

Commissioned by the Uttar Pradesh government, Sounds of Kumbha captures the spiritual and sonic essence of the Maha Kumbha festival. This ambitious 12-track album features a collaboration of 50 global artists, including Charu Suri, Bay Area-based violin virtuoso Kala Ramnath, Indian-American rapper Raja Kumari, and Bollywood playback singer Kanika Kapoor.

Anoushka Shankar has garnered two nominations this year, bringing her total career nominations to an impressive 13. She is nominated for Best Global Music Album for Chapter III: We Return to Light and Best Global Music Performance for her evocative track, Daybreak.

This year, Shankar is joined by her frequent collaborators, sarod maestro Alam Khan—son of the legendary Ali Akbar Khan—and percussionist Sarathy Korwar, both of whom are receiving their first Grammy nominations for their contributions to both the album and the track Daybreak.

Shankar’s Grammy journey began in 2003 when she became the youngest nominee in the World Music category for her album Live at Carnegie Hall. Many are wondering if this will finally be the year she takes home the coveted golden gramophone.

Following their significant win at the 2024 Grammy Awards, the fusion supergroup Shakti is back with two nominations this year. They are nominated for Best Global Music Album for Mind Explosion (50th Anniversary Tour Live) and Best Global Music Performance for Shrini’s Dream (Live). Co-founded by the late tabla legend Ustad Zakir Hussain and guitarist John McLaughlin, Shakti includes vocalist Shankar Mahadevan, percussionist V. Selvaganesh, and violinist Ganesh Rajagopalan. This nomination follows the group’s 2024 victory for their first studio album in 46 years, This Moment, which earned Ustad Zakir Hussain three Grammys.

The Grammy Awards ceremony is set to take place on Sunday, February 1, at the Crypto.com Arena in Los Angeles. The event will be broadcast live on the CBS Television Network and will also be available for streaming on Paramount+.

As the excitement builds for the 2026 Grammy Awards, Indian artists continue to make their mark on the global music scene, showcasing the rich cultural heritage and innovative spirit of their craft.

According to India Currents.

Netflix Surpasses 325 Million Subscribers Worldwide

Netflix has surpassed 325 million global paid subscribers, according to its latest shareholder letter, marking a significant milestone for the streaming giant.

LOS ANGELES, CA – Netflix has reached a remarkable milestone, surpassing 325 million global paid subscribers, as revealed in the company’s shareholder letter for the final quarter of 2025. This announcement comes as a surprise to many industry observers.

In its fourth-quarter earnings report, Netflix announced earnings of 56 cents per share on revenue of $12.157 billion, exceeding market expectations. The company’s revenue saw a year-over-year increase of 17.6 percent, largely attributed to the growth of its advertising-supported tier. For the entirety of 2025, Netflix reported advertising revenue exceeding $1.5 billion.

Netflix’s fourth-quarter operating income was reported at $2.957 billion, resulting in an operating margin of 24.5 percent. The net income for the quarter stood at $2.419 billion, showcasing the company’s strong financial performance.

Just three months prior, Netflix had projected a fourth-quarter profit of $2.355 billion on revenue of $11.96 billion, with expected operating income of $2.86 billion. This significant outperformance highlights the company’s ability to exceed its own forecasts.

On the content front, the highly anticipated release of ‘Stranger Things 5’ emerged as a key driver for Netflix during the fourth quarter. The viewership generated by the series, coupled with Netflix’s Christmas Day NFL games, contributed to what the company described as the largest single streaming day and month in U.S. history.

In addition to its subscriber growth, Netflix is currently in the process of acquiring Warner Bros. On January 20, the company revised its initial $83 billion offer to an all-cash bid, aligning its proposal with the structure of Paramount’s competing offer, which has been declined.

This latest development underscores Netflix’s ongoing strategy to expand its content library and enhance its market position in the competitive streaming landscape.

According to India-West, Netflix’s achievements in subscriber growth and financial performance reflect its successful adaptation to changing viewer preferences and its commitment to delivering compelling content.

Kavya Gowda Trends After Alleging Assault by In-Laws, Husband Hospitalized

Kannada actress Kavya Gowda and her husband Somasekhar were hospitalized following a violent family dispute in Bengaluru, leading to police investigations and public outcry.

A disturbing family dispute involving Kannada television actress Kavya Gowda has garnered significant attention after she and her husband, Somasekhar, were hospitalized due to an alleged attack by relatives in Bengaluru. The incident, which escalated from an internal disagreement to physical violence, has prompted police action, including the registration of FIRs and ongoing investigations.

Kavya Gowda is a well-known figure in the Kannada entertainment industry, having gained fame through popular television serials such as “Radha Ramana” and “Gandhari.” With a strong fan base, she has largely maintained a private life, making her recent public statements about this personal crisis particularly noteworthy.

The actress is trending on social media following reports that she and her husband were allegedly assaulted by close family members at their home. The seriousness of the allegations, which include claims of stabbing and threats, has sparked widespread discussion and concern among the public.

In a powerful media statement, Kavya described the trauma of the incident and called for legal action against those involved. The case has remained in the spotlight due to the involvement of multiple relatives and the filing of counter-complaints, further complicating the situation.

Somasekhar, Kavya’s husband, is a businessman based in Bengaluru. The couple married in December 2021 and have a young daughter together. According to police reports, Somasekhar sustained stab wounds during the altercation and was rushed to a private hospital. Medical professionals have indicated that his condition is stable and he is out of danger, although concerns about his safety within the family environment remain.

The incident reportedly occurred on January 26 at the couple’s residence. Kavya’s sister, Bhavya Gowda, filed an FIR stating that Kavya had called her multiple times in distress, claiming that she and Somasekhar were being threatened and assaulted. The complaint alleges that Somasekhar’s brother, Nandish, his sister-in-law, Prema, their father, Ravikumar, and another woman named Priya physically attacked the couple using sticks and rods. During this altercation, Somasekhar was allegedly stabbed.

Preliminary investigations suggest that longstanding family disputes may have contributed to the violence. The couple reportedly lived in a joint family setup, where disagreements over household responsibilities and child-rearing had created tension. As arguments escalated, the situation spiraled out of control, leading to the violent confrontation. Police are currently examining whether the attack was premeditated or a spontaneous outburst during the dispute.

The FIR, filed at the Ramamurthy Nagar Police Station in Bengaluru, names several individuals as accused. The complaint details how the accused restrained, abused, and physically assaulted Kavya and Somasekhar during the altercation. It also mentions threats to their lives, prompting Kavya to seek urgent help from her sister.

Based on the FIR, Bengaluru Police have invoked relevant sections of the Bharatiya Nyaya Sanhita (BNS), including those related to assault, criminal intimidation, unlawful restraint, and causing physical injury. Authorities have indicated that additional charges may be added as more evidence comes to light, depending on medical reports and witness statements.

In her media address, Kavya Gowda made serious allegations against her relatives, stating, “I am not someone who seeks publicity over trivial issues. My husband was stabbed, and I was assaulted. This should be punished according to the law. I want justice.” She also mentioned threats of sexual violence and indicated that evidence from home surveillance cameras would support her claims.

This incident has reignited discussions about unresolved family conflicts and the potential for such disputes to escalate into violence. It underscores the necessity for legal intervention and protective measures, particularly when physical safety is at risk. As the investigation unfolds, public attention remains focused on the police findings and the potential for accountability based on the evidence gathered.

As the situation develops, it serves as a reminder of the complexities surrounding domestic disputes and the urgent need for effective resolution mechanisms.

According to The Sunday Guardian, the case continues to evolve as authorities work to uncover the full details of the incident.

Heated Rivalry: Its Impact on Indian-American Families

“Heated Rivalry” resonates with Indian American families by exploring themes of identity, conflict, and connection, reflecting shared experiences that often remain unspoken.

“Heated Rivalry” has quickly emerged as a global phenomenon, tackling topics that have long been considered taboo. At first glance, it may not seem to directly address the experiences of Indian American families. However, it is the underlying struggle that lingers long after the episodes conclude that truly resonates. This struggle revolves around the tension between one’s internal self and the expectations imposed by family, profession, culture, and society.

This internal conflict is one that many Indian American children face, yet it often goes unacknowledged. In the pursuit of stability and success, families may inadvertently push their children toward careers that signify achievement—such as medicine, engineering, or finance—without recognizing that this pressure can suppress their children’s exploration of their true identities.

The narrative of Shane Holland (played by Hudson Williams) and Ilya Rosanov (played by Connor Storrie) transcends discussions of gender and sexuality. Instead, it delves into a more universal contradiction: the fear that revealing one’s authentic self will lead to judgment, misunderstanding, or rejection by the very structures that shape their identity. This fear manifests not as overt drama, but as restraint, silence, and shame, making the story relatable across various cultures.

Shane’s upbringing in a mixed-race family highlights the complexities of belonging, visibility, and cultural fluency. In contrast, Ilya’s relationship with his traditional Russian family underscores themes of legacy, toughness, and conformity. While their cultural backgrounds differ, the emotional dynamics are strikingly familiar to Indian American families, where children often navigate the delicate balance of living in two worlds—one that is private and introspective, and another that is public and compliant.

For many Indian American children, the most profound struggles remain unspoken. Inner identities, aspirations, relationships, and choices are often concealed—not out of rebellion, but due to feelings of shame, guilt, and the fear of disappointing parents who have made significant sacrifices. These conflicts extend beyond issues of gender and sexuality; they encompass career choices, personal values, creative ambitions, and definitions of success that diverge from familial expectations. “Heated Rivalry” captures this internal dissonance with remarkable honesty, illustrating how individuals learn to cope emotionally by compartmentalizing their identities rather than integrating them.

It would be unjust to claim that all Indian families are rigid or unyielding; many parents have evolved in significant ways. However, it is also true that in numerous households, difficult conversations are sidestepped rather than confronted—not out of malice, but from discomfort and fear. Silence is often mistaken for stability, while restraint is confused with maturity. The show reflects this reality without vilifying families, instead revealing how love and control can coexist, and how protective instincts can inadvertently become constraining.

One of the most poignant aspects of the series is the portrayal of friends and chosen family as vital sources of emotional support. The imperfect, sometimes awkward, assistance that Shane and Ilya receive underscores the importance of psychological safety in allowing individuals to explore their identities without immediate judgment. This theme is particularly relevant for Indian American children, many of whom first find acceptance outside their families before feeling secure enough to engage in these conversations at home. The show does not diminish the role of families; rather, it suggests that personal growth often necessitates spaces where vulnerability is welcomed before it can be shared with loved ones.

The discomfort surrounding discussions of gender, sex, and intimacy is portrayed with honesty. These are not topics that Indian society, or many immigrant families, find easy to discuss. Indeed, the show is not widely available in India, despite its global acclaim. Many parents may never watch it, and numerous relatives may struggle to accept its themes. However, this discomfort is not unique to Indian culture; it reflects a broader societal evolution, where emotional realities often exist long before language and comfort catch up.

What “Heated Rivalry” offers is not a manual or advocacy, but a powerful reminder of the importance of creating safe spaces for expression. It highlights the emotional toll of suppression and the quiet relief that accompanies being seen, even partially. The lessons it imparts—about coping, self-discovery, acceptance, and forgiveness—are subtle and unfold gradually, mirroring the complexities of real life.

There is added significance in knowing that Hudson Williams, who portrays Shane Hollander in the series adaptation, has openly discussed navigating the intricacies of mixed Asian identity. This connection grounds the story in lived experience rather than abstraction, reinforcing that it is not a contrived narrative but one shaped by genuine inner conflicts.

For Indian American families, “Heated Rivalry” holds importance not merely because it reflects their lives, but because it articulates an unspoken truth: the gap between who we are internally and who we believe we are permitted to be, along with the quiet courage required to bridge that divide. This nuanced exploration of identity and connection resonates deeply, offering a mirror to the complexities of the immigrant experience.

According to The American Bazaar, the series serves as a vital conversation starter, encouraging families to engage in discussions that can lead to greater understanding and acceptance.

Must-Watch Titles on ZEE5 Global Highlight Courage and Equality

Streaming on ZEE5 Global, a selection of powerful films and series highlights stories of courage, equality, and social change, inviting audiences to reflect on the realities of modern society.

Stories that challenge societal norms, question entrenched power systems, and celebrate quiet resilience have the potential to ignite meaningful change. They amplify unheard voices, shine a light on everyday heroes, and reveal the strength it takes to stand up against injustice, tradition, and inequality. In a world craving empathy, fairness, and progress, these narratives do more than entertain; they provoke thought, inspire courage, and spark transformation.

ZEE5 Global has curated a compelling slate of films and series that embody the spirit of equality, resistance, identity, and social reform. From deeply personal journeys to system-shaking confrontations, each title captures a moment where individuals dare to rise above silence and choose change over conformity.

Among the must-watch titles streaming on ZEE5 Global are several that powerfully reflect courage, resilience, and meaningful social transformation.

Mrs.

Genre: Drama / Social

Language: Hindi

Cast: Sanya Malhotra

Director: Arati Kadav

Release Date: February 10, 2025

Mrs. is a poignant and emotionally resonant social drama that follows a woman’s journey of self-discovery as she navigates personal expectations and societal pressures. Anchored by a deeply moving performance from Sanya Malhotra, the film explores gender roles, identity, and the courage it takes to reclaim one’s voice.

The film struck a powerful chord with audiences, shattering streaming records while sparking conversations around women’s autonomy, emotional labor, and modern womanhood. Its progressive storytelling and heartfelt tone make it one of the most impactful social dramas of the year.

Hisaab Barabar

Genre: Financial Thriller

Language: Hindi

Cast: R. Madhavan

Director: Ashwni Dhar

Release Date: January 24, 2025

Hisaab Barabar delivers a sharp and socially relevant examination of morality, accountability, and ethical compromise. With R. Madhavan leading a gripping narrative, the film probes how ordinary decisions can ripple into profound consequences.

Tense, intelligent, and thought-provoking, the story challenges viewers to reconsider systems of power, personal responsibility, and the true cost of justice, making it a standout thriller with a conscience.

Baai Tujhyapayi

Genre: Drama / Family / Period

Language: Marathi

Director: Nipun Dharmadhikari

Release Date: October 31, 2025

Baai Tujhyapayi is a deeply moving woman-led series centered on a determined young girl’s fight for education and independence in a society constrained by rigid traditions.

Through its intimate storytelling, the series captures the emotional cost of defying social norms while celebrating courage, ambition, and generational change. Its powerful portrayal of resistance and self-belief makes it an inspiring tribute to women’s empowerment.

Viduthalai Part 2

Genre: Crime Thriller

Language: Tamil

Cast: Vijay Sethupathi, Soori, Manju Warrier, Gautham Vasudev Menon

Director: Vetrimaaran

Release Date: December 20, 2024

Viduthalai Part 2 continues director Vetrimaaran’s critically acclaimed saga, diving deeper into themes of resistance, justice, and moral conflict.

The film expands the emotional journey of Kumaresan, who is torn between duty and conscience, while exposing the human cost of systemic violence and political struggle. Gritty, socially charged, and emotionally intense, it reinforces the franchise’s reputation for raw realism and fearless storytelling.

Middle Class

Genre: Family Comedy Drama

Language: Tamil

Cast: Kalaiyarasan

Director: Kishore Muthuramalingam

Release Date: November 21, 2025

Middle Class offers a heartfelt and relatable portrayal of middle-class aspirations, financial pressures, and everyday resilience. With humor, warmth, and emotional honesty, the film captures the sacrifices, hopes, and quiet victories that define ordinary lives.

Rooted in realism and empathy, it celebrates the strength found in family bonds and perseverance, making it a comforting yet meaningful slice-of-life experience.

These titles share a common thread: they give voice to courage in its many forms, from quiet personal battles to loud social revolutions. They invite audiences to reflect, empathize, and engage with the realities shaping modern society, reminding us that real change often begins with a single brave choice.

Streaming on ZEE5 Global, these stories are not just entertainment; they are mirrors of society, catalysts for conversation, and tributes to resilience, according to GlobalNetNews.

Shoojit Sircar Supports Indian-American Film ‘Thursday Special’

Filmmakers Shoojit Sircar and Vikramaditya Motwane are collaborating to present ‘Thursday Special,’ a short film by Varun Tandon that explores themes of love and companionship.

MUMBAI—Renowned filmmakers Shoojit Sircar and Vikramaditya Motwane have come together to support ‘Thursday Special,’ a short film directed by Indian National Award winner Varun Tandon. This film has garnered attention at various festivals, showcasing its unique storytelling and emotional depth.

Sircar, known for his acclaimed films such as ‘Piku,’ ‘Vicky Donor,’ and ‘October,’ expressed his admiration for ‘Thursday Special,’ highlighting its understated narrative style. He remarked, “’Thursday Special’ really moved me with its simplicity and gentle storytelling.” He drew parallels between this film and his own unreleased project, ‘Shoe Bite,’ which features the legendary Amitabh Bachchan.

“Varun’s nuanced portrayal of companionship, aging, and love is heartfelt and mature,” Sircar continued. “It’s a delicately handled take on marriage and middle-age relationships—especially impressive for a young filmmaker—and it reminded me, in a way, of my unreleased film ‘Shoe Bite.’”

The film tells the intimate story of Ram and Shakuntala, an elderly couple portrayed by Anubha Fatehpuria and Ramakanth Dayama. Their relationship is beautifully depicted through their shared passion for food and their cherished Thursday tradition.

Motwane emphasized the film’s focus on often-overlooked narratives. He stated, “When I watched ‘Thursday Special,’ I was struck by the fact that though all the stories we tell are human stories, we tend to forget that there are so many other stories out there in the mundane, and in the lives of people who you would not expect to have unique stories.”

‘Thursday Special’ has recently received the Most Poetic Film Award at the Küstendorf Film Festival 2025 in Serbia, a distinction personally awarded by the esteemed director Emir Kusturica. This recognition further solidifies the film’s impact and relevance in contemporary cinema.

For Tandon, whose previous short film ‘Syaahi’ earned a Special Jury Award at the Indian National Film Awards, ‘Thursday Special’ represents a long-cherished creative vision. The film has already amassed over 25 awards across various global festivals since its premiere at Mecal Pro in Barcelona. Noteworthy accolades include Best Narrative Short at the New York Indian Film Festival, Best International Short Film at the Adelaide Independent Film Festival, and Best Narrative Short at the Tryon International Film Festival.

As ‘Thursday Special’ continues to resonate with audiences and critics alike, it stands as a testament to the power of storytelling in capturing the essence of human relationships.

According to IANS, the film’s success reflects the dedication and passion of its creators, making it a significant addition to the landscape of Indian short films.

Indibar and Nadu Named Semifinalists for James Beard Best New Restaurant Award

Indibar and Nadu have been recognized as semifinalists for the 2026 James Beard Award for Best New Restaurant, highlighting the rising prominence of Indian cuisine in the United States.

NEW YORK, NY – The James Beard Foundation has announced its semifinalists for the 2026 James Beard Awards, and several Indian-inspired restaurants and chefs have garnered national recognition, showcasing the growing influence of Indian cuisine across the United States.

Among the nominees in the Best New Restaurant category is INDIBAR, a modern Indian establishment located in Arizona. The restaurant has gained attention for its innovative take on Indian street food, featuring a variety of inspired chaats, regional specialties, and contemporary dishes. Chef Partner Nigel J. Lobo, who has honed his skills in Michelin-starred kitchens across Europe, leads the culinary team alongside Chef Ajay Singh, an expert in tandoor cooking with international experience. The menu at Indibar highlights street-inspired chaats, tandoor preparations, and regional dishes that reflect the rich diversity of India’s culinary landscape.

Another notable contender is Nadu, which translates to “homeland” in English, led by Chef Sujan Sarkar. This restaurant emphasizes the regional cuisines of India, offering a menu that includes dishes such as Hyderabadi biryani, Kerala curries, Delhi street snacks, and coastal specialties from Goa. Nadu’s culinary approach combines traditional Indian spices with fresh, locally sourced ingredients, creating an authentic yet contemporary dining experience that celebrates the cultural and gastronomic breadth of India.

In addition to the restaurant nominations, Srijith Gopinathan and Ayesha Thapar have been recognized as semifinalists in the Outstanding Restaurateur category for their work at Ettan, Copra, and Eylan, with locations across Palo Alto, San Francisco, Los Altos, and Menlo Park, California. Their contributions to the culinary scene have been significant, further elevating the profile of Indian cuisine in the region.

Also honored in the Outstanding Restaurateur category are Meherwan Irani and Molly Irani of the Chai Pani Restaurant Group, which operates Chai Pani and Botiwalla in Asheville, North Carolina. Their dedication to authentic Indian flavors and innovative dining experiences has earned them a loyal following and recognition within the industry.

The winners of the James Beard Awards will be celebrated at a ceremony on June 15 at the Lyric Opera of Chicago, marking a significant occasion for the culinary community.

As the recognition of these restaurants and chefs illustrates, Indian cuisine continues to make a substantial impact on the American dining landscape, blending tradition with innovation to create memorable culinary experiences. According to India West, this year’s nominations reflect a broader appreciation for the diversity and richness of Indian culinary traditions.

GTA 6 Trailer 3 Anticipated Soon Ahead of 2026 Launch

As anticipation builds for the release of GTA 6, fans eagerly await the arrival of the third trailer, expected soon from Rockstar Games ahead of the game’s November 19, 2026 launch.

Anticipation for Grand Theft Auto VI (GTA 6) continues to escalate as fans worldwide search for clues regarding the next major trailer. With the official launch date set for November 19, 2026, players and industry analysts are speculating that Rockstar Games will unveil a third trailer this year to kick off the final phase of marketing.

The first two trailers, released in late 2023 and May 2025, significantly heightened excitement by showcasing characters, gameplay, and the vibrant world of modern-day Vice City. Historical patterns observed in previous Rockstar titles suggest that another trailer could be released months prior to the launch to sustain momentum.

Rockstar Games has been actively updating its channels and playlists, fueling speculation that GTA 6 Trailer 3 could drop soon. The company has reorganized its YouTube content, which some fans interpret as a precursor to the next major reveal. While Rockstar has not confirmed any details, analysts believe these updates indicate preparations for a new trailer ahead of the November 19, 2026 launch.

This update keeps fans engaged by hinting at gameplay footage, soundtrack teasers, and character insights without revealing too much. Rockstar’s meticulous approach ensures that each trailer has a substantial impact, maintaining excitement for both GTA 6 and the eventual expansion of GTA Online.

Regarding the release date, Rockstar Games and its parent company, Take-Two Interactive, have confirmed that GTA 6 will launch on November 19, 2026. This announcement follows two delays from its original targets, with the studio stating that the additional time will help deliver the level of polish that players expect.

The journey to the final release has been lengthy, with delays initially pushing the game from late 2025 to May 2026, and subsequently to November 2026. While these setbacks have tested fan patience, they have also heightened expectations for a blockbuster final product.

Speculation surrounding GTA 6 Trailer 3 has surged following leaks and updates on Rockstar’s official channels. Fans monitoring YouTube and social media believe that changes to the company’s online media assets could signal an imminent reveal, although nothing has been confirmed yet.

Gaming analysts suggest that the trailer could be released as early as late winter or spring 2026, aligning with marketing and earnings cycles. Patterns from previous Rockstar titles support this theory, indicating that a third major reveal typically occurs months before the launch.

Rockstar has maintained a tight lid on details, opting to delay official reveals until they have content ready to impress. This selective approach has drawn both criticism and admiration from the gaming community. While some fans express frustration over the long gaps between trailer releases, others appreciate Rockstar’s commitment to ensuring each drop delivers maximum impact.

Some industry insiders argue that releasing too many teasers too early may dilute excitement leading up to the launch. Therefore, Rockstar’s slower pace may be a strategic choice, reserving the next significant trailer for closer to key milestones such as pre-orders or major gaming events.

Fan sentiment across social media platforms reflects a blend of eagerness and impatience. Many players are excited about the potential for new footage, while others express concern over the lengthy wait following years without substantial updates. The steady stream of speculation and leaks keeps GTA 6 in the news cycle, but some fans caution that the hype could plateau without new official content.

The gaming community remains actively engaged in discussions about possible trailer timing, story details, and even features related to GTA Online that may accompany the upcoming release. This ongoing dialogue illustrates how deeply GTA 6 has embedded itself in global gamer culture.

GTA 6 is not merely another major release; it is poised to set a benchmark for game marketing in 2026. Competing titles are reportedly adjusting their release schedules to avoid launching too close to GTA 6, which is expected to dominate sales and capture significant attention.

If Trailer 3 is released soon, it could reset the conversation around the game and rejuvenate excitement ahead of the busy gaming release season, according to The Sunday Guardian.

Jujutsu Kaisen Season 3 Episode 4: Release Date, Time, and Viewing Options

Jujutsu Kaisen Season 3 Episode 4 is set to premiere on January 22, 2026, featuring intense battles and character development as the series continues its thrilling narrative.

Fans of the popular dark fantasy anime, *Jujutsu Kaisen*, can mark their calendars for January 22, 2026, when Season 3 Episode 4 will be released. The series, which follows Yuji Itadori’s journey as a Jujutsu Sorcerer battling curses, is currently delving into the action-packed Culling Games arc.

The upcoming episode will air on a Thursday, consistent with the show’s weekly release schedule. Episode 4 will cover manga chapters 180 to 185, promising high-stakes confrontations and significant plot developments.

Viewers can expect the episode to be available at 11:00 p.m. JST (9:00 a.m. PT / 12:00 p.m. ET / 10:30 p.m. IST). This extended 28-minute episode, titled “Perfect Preparation,” is anticipated to include several twists, although no major spoilers have emerged beyond teaser clips.

For those eager to watch, *Jujutsu Kaisen* Season 3 Episode 4 will be exclusively available on Crunchyroll, accessible worldwide, including in India. A Premium subscription, priced between ₹725-₹730 (approximately $7.99 per month), is required to view the episode upon release.

English subtitles will be available immediately, with the dubbed version following shortly after. Fans are encouraged to avoid unofficial streaming sites to support the creators and minimize the risk of spoilers.

Leaked previews hint at Yuji’s character development and intense curse battles, but the excitement generated by the official promotional materials from MAPPA studio remains the highlight. The surge in streaming popularity in India has allowed fans to catch up on earlier episodes via Crunchyroll before the new installment airs. This increase in global viewership is expected to rival the buzz surrounding major events like the IPL, particularly among anime enthusiasts in India.

Stay updated with the latest news and notifications through the Crunchyroll app to ensure you don’t miss any developments regarding *Jujutsu Kaisen*.

This information is intended for entertainment purposes and is derived from various trusted sources.

Arundhati Roy, Han Kang, Viet Thanh Nguyen Named Finalists for 2026 National Book Critics Circle Awards

This year’s National Book Critics Circle Awards highlights a diverse group of finalists, including Arundhati Roy, Han Kang, and Viet Thanh Nguyen, reflecting the growing prominence of Asian voices in literature.

The 2026 National Book Critics Circle (NBCC) Awards has unveiled its finalists, showcasing a rich tapestry of literary voices that increasingly spotlight Asian American and South Asian perspectives. This year’s nominations signal a significant cultural shift, as diasporic narratives move from the margins to the forefront of U.S. literary recognition.

The NBCC announced its finalists on Tuesday, honoring works published in the United States across various categories, including fiction, nonfiction, poetry, criticism, and autobiography. The list is notable for the strong representation of authors whose works engage with Asian, Asian American, and Indian experiences, both domestically and globally.

Among the prominent nominees is Indian writer and activist Arundhati Roy, who has been nominated in the autobiography category for her book, “Mother Mary Comes to Me.” Although Roy resides in India, her impact on American readers has been profound, particularly among Indian American scholars and audiences who view her work as a vital connection between South Asian political history and global literary discourse. This memoir intertwines personal reflection with broader cultural memory, continuing Roy’s legacy of challenging power structures through intimate storytelling.

Viet Thanh Nguyen, a Vietnamese American novelist and Pulitzer Prize winner, has received a nomination in the criticism category for his work, “To Save and to Destroy.” Nguyen has emerged as one of the most influential Asian American intellectuals today, particularly noted for his explorations of war, displacement, and cultural memory. His nomination underscores the growing stature of Asian American criticism alongside fiction and poetry in shaping contemporary U.S. literary thought.

In the fiction category, South Korean author Han Kang, a Nobel Prize laureate, is a finalist for her novel “We Do Not Part,” which has been translated into English by e. yaewon and Paige Aniyah Morris. The inclusion of Kang’s work highlights the increasing acceptance of Asian narratives, even those rooted outside the U.S., as essential components of contemporary literature.

The broader finalists list reflects a diversity of backgrounds and subject matter, featuring works by authors such as Angela Flournoy, Karen Russell, and Katie Kitamura. However, the recognition of Asian and South Asian writers carries particular significance in an industry that has historically underrepresented these communities.

The NBCC Awards, voted on by professional book critics, are regarded as some of the most influential literary honors in the United States. They are often viewed as a barometer of critical taste rather than commercial success, making the representation of Asian American and Indian voices especially meaningful.

For Indian American readers and writers, Roy’s nomination signifies a sustained interest in South Asian perspectives within U.S. literary institutions. Meanwhile, for Asian American communities, the acknowledgment of figures like Nguyen reflects decades of advocacy and creative work finally receiving consistent critical recognition.

As the winners are set to be announced on March 26, this year’s NBCC finalists collectively suggest a transformative moment in American literary culture, one increasingly shaped by diasporic histories, multilingual storytelling, and voices that transcend national boundaries. The recognition of these authors not only enriches the literary landscape but also fosters a deeper understanding of the diverse narratives that define contemporary society.

According to The American Bazaar, the growing prominence of these voices highlights a significant cultural evolution in the literary world.

GTA 6 Release Date, Price, Characters, and Gameplay Details Revealed

Rockstar Games has officially announced that Grand Theft Auto VI will be released on November 19, 2026, featuring dual protagonists and a modern Vice City setting.

After years of speculation and anticipation, Rockstar Games has confirmed the release date for Grand Theft Auto VI (GTA 6). The highly awaited title is set to launch globally on November 19, 2026. This marks Rockstar’s return to the franchise after more than a decade since the release of Grand Theft Auto V.

GTA 6 will take players to a modern version of Vice City, promising a vast open world, dual protagonists, and a satirical exploration of contemporary American culture. The game is expected to redefine open-world gaming with next-generation visuals, deeper storytelling, and enhanced gameplay systems.

The release date for Indian players is expected to align with the global launch, as Rockstar typically follows a worldwide release model. Initially, the game was anticipated to be released sooner, but Rockstar decided to push the date back to ensure a polished and complete gaming experience.

While Rockstar has yet to officially announce the pricing for GTA 6 in India, industry estimates suggest that the standard edition could be priced between ₹5,999 and ₹9,000, reflecting the rising costs of AAA games. Special and deluxe editions may be available at higher price points, depending on in-game bonuses and additional content. Final pricing details are expected to be revealed closer to the launch date.

GTA 6 will feature two main protagonists: Lucia Caminos and Jason Duval. Lucia marks a significant milestone as the first female lead character in a mainline Grand Theft Auto game. Coming from a criminal background, she is driven by the desire to secure a better life. Jason Duval, her partner in crime, has a troubled past and becomes deeply involved in illegal activities alongside Lucia. Their narrative is inspired by a modern “Bonnie and Clyde” dynamic, focusing on themes of trust, survival, and ambition.

The game is being developed using the latest version of Rockstar’s RAGE engine, promising a significant leap in realism. Players can expect improved vehicle physics, smarter non-player character (NPC) behavior, and a more dynamic open world. The game world is designed to feel more alive, featuring dense crowds, realistic weather systems, and interactive environments. Rockstar is also expected to enhance player choice and immersion, although full gameplay details remain undisclosed.

GTA 6 will launch on PlayStation 5 and Xbox Series X|S. As of now, there is no official confirmation regarding a PC release. However, based on Rockstar’s previous release strategies, a PC version is likely to follow several months after the console launch.

Rockstar has cited the need for additional development time to meet its high-quality standards as the reason for the delay. The studio emphasized that GTA 6 aims to be its most ambitious project yet, both technically and narratively.

Set in modern-day Vice City, which is situated within the fictional state of Leonida and inspired by Florida, the game will extend beyond the city limits to include beaches, highways, suburbs, and rural areas. The storyline will offer a satirical take on contemporary American culture, social media, crime, and power, reflecting today’s world through Rockstar’s signature lens.

As anticipation builds for the release of GTA 6, fans are eager to see how the game will evolve the franchise and what new experiences it will bring to the open-world genre, according to The Sunday Guardian.

Humans in the Loop: Tribal Wisdom and AI Bias Challenges

Independent film ‘Humans in the Loop’ explores the intersection of tribal wisdom and artificial intelligence, highlighting the importance of human input in technology.

Independent films often struggle to find their footing in the vast landscape of mainstream cinema. However, Humans in the Loop (2024), now streaming on Netflix, has carved out a niche for itself, thanks in part to the involvement of executive producer Kiran Rao. The film draws inspiration from a 2022 article by journalist Karishma Mehrotra in FiftyTwo, titled “Human Touch.” It follows the story of Nehma, an Adivasi woman from the Oraon tribe in Jharkhand, who returns to her ancestral village after a broken relationship and faces the challenge of supporting her children.

To make ends meet, Nehma takes a job as a data labeller at an AI data center, where she assigns labels to images and videos to help train AI systems. As she immerses herself in this work, she begins to recognize that the categories she is asked to define and the systems she is contributing to may harbor biases that are disconnected from her cultural understanding of nature, community, and labor.

One of the film’s emotional cores lies in the relationship between Nehma and her daughter, Dhaanu. While Dhaanu is drawn toward the urban world, Nehma feels a strong pull back to her land and traditions. Yet, she is also compelled to embrace this new mode of work. The film captures this dynamic beautifully, avoiding forced sentimentality.

Watching Humans in the Loop evokes a sense of quiet tension, navigating the complexities of place and displacement, tradition and technology, caregiving and coded labor. Viewers find themselves rooting for Nehma not only as a mother striving to support her children but also as a subtle force challenging conventional notions of progress.

The film employs contrasting spaces to enhance its narrative: the lush, vibrant village juxtaposed with the sterile, screen-filled environment of the data lab. These visual contrasts underscore the film’s exploration of loops—nature versus technology, labor versus identity, home versus exile. The sound design is particularly evocative, intertwining the natural sounds of the forest with the digital hum of the lab, creating a soulful auditory backdrop.

In addressing the theme of AI’s potential to enhance tribal lives, the film does not take an anti-AI stance. Instead, it posits that when AI systems integrate the labor, perspectives, and knowledge of tribal communities, they can become tools of recognition and empowerment. Nehma’s insistence on shaping the labels and incorporating her lived ecological knowledge into the system illustrates that technology can serve as a site of agency rather than mere extraction.

This hopeful loop suggests that humans can train machines, and in turn, the outputs of these machines can reflect that training. Nehma’s journey emphasizes that individuals can learn not only to survive but also to assert their knowledge. When approached ethically and collaboratively, AI can become part of a cycle of continuity, serving not as a break from tradition but as a tool to sustain and evolve it.

Titled after the human-in-the-loop (HITL) approach, which actively integrates human input and expertise into machine learning and AI systems, Humans in the Loop stands as a quietly significant film. Director Aranya Sahay has crafted a narrative that speaks to the age of AI while honoring the human experience—the laborer, the mother, the land. As discussions surrounding AI and equity continue to grow, this film is poised to resonate even more deeply over time, according to India Currents.

GTA 6 Online Mode Details Leaked in Court Documents

New details about GTA 6’s online mode have emerged from court documents, suggesting the game may feature 32-player lobbies ahead of its anticipated release on November 19, 2026.

New insights into the online mode of Grand Theft Auto VI (GTA 6) have surfaced from court documents related to a legal dispute involving Rockstar Games and its former employees. This information, which has not been officially confirmed by Rockstar, offers a glimpse into the multiplayer component of the highly anticipated game, set to be released on November 19, 2026, for PlayStation 5 and Xbox Series X/S.

Rockstar has maintained a tight lid on the details surrounding GTA 6’s multiplayer features. However, recent revelations from a tribunal in the UK indicate that the game may support up to 32 players in a single session, mirroring the current setup in GTA Online.

The details emerged during a legal hearing concerning the termination of over 30 developers at Rockstar, which is tied to allegations of leaking confidential information on a private Discord channel associated with the Independent Workers’ Union of Great Britain (IWGB). During the proceedings, Rockstar disclosed that certain internal messages discussed game features deemed “top secret.” Among these was a reference to a “large session” involving 32 players, which many have interpreted as a significant hint regarding the online mode.

According to the court documents, the leaked information stemmed from internal Discord messages where a former employee noted that Rockstar faced challenges in organizing playtests due to the need for 32-player sessions. Another developer questioned the difficulty of arranging such sessions, suggesting that multiple studios with quality assurance testers should be able to manage it.

While Rockstar has yet to officially confirm any multiplayer features for GTA 6, the leak aligns with the existing 32-player limit in GTA Online, providing one of the clearest indications of the online ambitions for the upcoming title.

Fans of the franchise have high expectations for GTA 6 Online, particularly given the success of GTA Online, which set a high standard for open-world multiplayer experiences. Many anticipate that the new installment will introduce innovative mechanics, expansive maps, fresh missions, and enhanced social features. Currently, the only confirmed detail is the proposed 32-player limit for at least one type of online session.

In the midst of these developments, Rockstar has defended its decision to terminate the employees, asserting that the dismissals were due to the leaking of confidential information rather than any union-related activities. The company claims that sharing sensitive game details violated internal policies. Conversely, the IWGB and the dismissed developers contend that the firings were unjust and linked to union activism.

A recent ruling by a UK judge determined that Rockstar is not obligated to provide interim back pay to the terminated staff, which supports the studio’s position regarding confidentiality breaches.

The significance of the 32-player detail lies in its origin; it comes from official court documents rather than speculative leaks. While this number may seem modest compared to earlier rumors of larger player limits, it suggests that Rockstar may be adopting a familiar multiplayer structure as a foundation for GTA 6.

It remains uncertain whether the online mode will launch with additional player limits or game modes that could accommodate more than 32 players. Rockstar has not publicly commented on these possibilities. For now, this insight derived from court proceedings offers fans their first credible look at the multiplayer potential of GTA 6 as the release date approaches.

As anticipation builds, Rockstar has officially confirmed that GTA 6 will be available on November 19, 2026, for PS5 and Xbox Series X/S, with expectations for additional platform releases to follow. Fans are eagerly awaiting what is poised to be one of the most significant gaming releases in recent years, according to The Sunday Guardian.

Raj Tawney’s Debut Essay Collection Set for Publication in 2027

Raj Tawney’s debut essay collection, titled *Better the Next Day: On Food, Family, and the Memories We Leave Behind*, is set to be published in fall 2027 by Fordham University Press.

Award-winning author, journalist, and essayist Raj Tawney is preparing to release his first collection of essays, *Better the Next Day: On Food, Family, and the Memories We Leave Behind*, in fall 2027. The collection will be published by Fordham University Press and will delve into themes that have become hallmarks of Tawney’s writing, including reflections on his formative years, cultural and culinary influences, and explorations of his complex family history.

Tawney has established himself as a significant multicultural voice through his personal essays featured in prestigious publications such as *The New York Times*, *The Washington Post*, *The Guardian*, and *USA Today*. His 2023 debut memoir, *Colorful Palate: A Flavorful Journey Through a Mixed American Experience*, also published by Fordham University Press’s Empire State Editions imprint, garnered critical acclaim and won multiple awards, including the Ippy Award, Best Indie Book Award, National Indie Excellence Award, and Living Now Book Award. The memoir received praise from notable figures such as Junot Díaz, Lidia Bastianich, John Leguizamo, Carla Hall, and Wajahat Ali.

In addition to his memoir, Tawney published *All Mixed Up* in 2024, a Middle Grade novel that was recognized as a New York Public Library Best Book for Kids and featured on the Día Reading List, among other accolades.

Expressing his gratitude for the collaboration with Fordham University Press, Tawney stated, “I feel truly grateful to continue working with such a talented, dedicated team of people at Fordham University Press. They’ve become like a second family. I had an incredible three years working on *Colorful Palate* and I wouldn’t want to publish this collection with anyone else. In a publishing landscape that values and encourages sensationalism and phoniness, Fredric is one of the rare gems who lets his authors truly be themselves and as a result, they shine brightly.”

Fredric Nachbaur, Director of Fordham University Press, shared his enthusiasm for Tawney’s upcoming collection. “When Raj asked me if Fordham University Press would consider publishing a collection of his essays, I jumped at the chance,” he said. “I’ve long admired Raj’s writing about family, culture, identity, and food. We took a chance on his first book, *Colorful Palate*, but had confidence that readers would appreciate his honesty, humor, and relate to his challenges of feeling like an outsider. We were not disappointed! Raj proved himself to be a tireless promoter and advocate for his work and university press publishing. The awards and reviews he received attest to his exceptional writing. I am beyond thrilled to be working with Raj on his next book.”

*Better the Next Day: On Food, Family, and the Memories We Leave Behind* is scheduled for release in fall 2027. Meanwhile, *Colorful Palate: A Flavorful Journey Through a Mixed American Experience* will be available in paperback on March 3, 2026, according to *India Currents*.

Avtar Singh Walia Recognized as Top Indian-American Restaurant Owner of the Year

Avtar Singh Walia has been honored as Top Restaurant Owner of the Year by the International Association of Top Professionals, solidifying his legacy in the realm of Indian fine dining.

In a momentous celebration of Indian cuisine in America, celebrated restaurateur Avtar Singh Walia received the prestigious title of Top Restaurant Owner of the Year from the International Association of Top Professionals (IAOTP) during a dazzling awards ceremony at the Bellagio Hotel in Las Vegas.

In addition to this accolade, Walia’s flagship restaurant, Tamarind Tribeca, was recognized as Top Restaurant of the Year 2025 by IAOTP, further affirming its status as a premier destination for refined Indian dining.

The annual gala, held in December 2025, brought together distinguished leaders and innovators from various industries to honor excellence, leadership, and long-term impact. For Walia, this recognition represents nearly four decades of dedication, innovation, and a steadfast belief in the global potential of Indian cuisine.

“It was truly humbling for me and my beloved restaurant, Tamarind, to be chosen as the top in the world from among the hundreds that were considered for this great honor,” Walia stated during his acceptance speech. “This recognition is a testament to Indian cuisine going mainstream across the globe.”

IAOTP honors only a select few professionals each year, evaluating candidates based on leadership, professional excellence, industry influence, and community impact. According to Stephanie Cirami, President of IAOTP, the decision to recognize Walia was clear-cut.

“Choosing Mr. Walia for this honor was an easy decision for our panel,” Cirami remarked. “He is inspirational, influential, and a true visionary and thought leader. His journey exemplifies the highest standards of excellence we aim to celebrate.”

Avtar Singh Walia’s journey is one of perseverance, vision, and reinvention. Born in Abheypur, Punjab, he earned his bachelor’s degree from Punjab University in 1974 and initially considered a career in the army. However, fate led him toward hospitality and entrepreneurship.

After immigrating to the United States in the late 1970s, Walia began his career as a warehouse manager for Gucci before transitioning to a position at New York’s Tandoor restaurant, where he discovered his passion for the culinary arts. His early managerial role at Akbar Restaurant on Park Avenue was formative, planting the seeds of a dream to elevate Indian cuisine within the fine-dining sector.

That dream became a reality in 1986 with the founding of Dawat, co-created with acclaimed actor and food writer Madhur Jaffrey. The restaurant quickly gained a reputation for redefining Indian food for American diners.

“We wanted to show people that Indian cuisine could be sophisticated, nuanced, and worthy of the city’s culinary spotlight,” Walia recalled. “It was about changing perceptions and celebrating the richness of our culture.”

Walia’s most significant achievement came in 2001 when he opened Tamarind in Manhattan’s Flatiron District as the sole proprietor. Collaborating with renowned chefs Raj Jallepalli and Durga Prasad, he guided the restaurant to Michelin-star recognition, marking a first for Indian cuisine in New York City.

“A Michelin star isn’t just a personal achievement,” Walia explained. “It’s a recognition of my team’s relentless pursuit of perfection. It affirms that Indian food belongs among the world’s greatest cuisines.”

In 2010, he expanded his vision with Tamarind Tribeca, an 11,000-square-foot culinary landmark located at 99 Hudson Street. The restaurant, which seats 175 guests across two levels, features a grand dining hall, a windowed cocktail lounge, and a private mezzanine, earning Michelin stars in both 2013 and 2014.

Designed to blend the elegance of Tribeca with the depth of Indian flavors, Tamarind Tribeca has become synonymous with luxury, hospitality, and authenticity.

“Dining at Tamarind Tribeca isn’t just a meal—it’s a journey,” said longtime patron and food critic Susan Feldman. “Mr. Walia has redefined Indian fine dining by blending tradition with innovation in every dish.”

At the heart of Walia’s philosophy lies the Indian ethos of “Atithi Devo Bhava”—the guest is god. Known for his hands-on leadership, Walia is a constant presence at the restaurant, greeting guests, overseeing service, and maintaining high standards, particularly during festivals such as Diwali.

“Success comes from honesty, sincerity, and giving your best every single day,” he stated. “I believe in leading by example.”

This philosophy has cultivated a fiercely loyal clientele and a reputation for warmth that extends beyond the plate. Tamarind Tribeca’s acclaimed wine program and inventive cocktails further enhance the dining experience.

Walia’s influence reaches far beyond his restaurants. He is widely regarded as a mentor to aspiring chefs and restaurateurs, an advocate for Indian gastronomy, and a supporter of civic and cultural initiatives. Over the years, he has received numerous accolades, including Lifetime Achievement honors, and has been featured in leading global publications and television programs.

Often referred to as the “godfather of high-end Indian cuisine in America,” Walia’s impact has helped shape the perception of Indian food on the global stage.

Despite decades of success, Walia remains committed to giving back and inspiring the next generation.

“I want to encourage young people to enter this industry and believe that integrity and dedication still matter,” he said. Among his future plans is writing a memoir chronicling the lessons, challenges, and triumphs of his extraordinary journey.

With Tamarind Tribeca firmly established as a global beacon of Indian fine dining and recognition continuing to pour in, Avtar Singh Walia’s legacy is secure—not just as a restaurateur but as a visionary who has transformed the culinary landscape of America, according to Global Net News.

Anupam Kher Expresses Excitement for Upcoming Sequel Release

Veteran actor Anupam Kher expresses excitement over the immense anticipation surrounding the sequel to his beloved film “Khosla Ka Ghosla.”

MUMBAI – Veteran actor Anupam Kher is currently immersed in the production of the sequel to his cherished comedy, “Khosla Ka Ghosla.” The filming of “Khosla Ka Ghosla 2” is underway, and the project has already generated significant buzz among film enthusiasts.

Reflecting on the upcoming sequel, Kher shared that in his four-decade-long career in the entertainment industry, he has never experienced such overwhelming anticipation for a follow-up film. This level of excitement has led him to ponder what aspects of the original film resonated so deeply with audiences.

The sequel will feature several familiar faces from the original cast, including Kher, Ranvir Shorey, Parvin Dabas, Tara Sharma, and Kiran Juneja. Additionally, the film will introduce new talent, including actor Ravi Kishan.

In a recent social media post, Kher welcomed Kishan to the cast, expressing his enthusiasm about collaborating with the seasoned actor. The anticipation surrounding “Khosla Ka Ghosla 2” highlights the lasting impact of the original film and the excitement for its continuation.

According to IANS, Kher’s reflections on the sequel underscore the unique connection that audiences have with the original film, making this upcoming project a highly anticipated release.

Washington National Opera to Leave Kennedy Center Following Overhaul

The Washington National Opera is set to leave the Kennedy Center after over 50 years, amid significant changes in leadership and programming direction influenced by the Trump administration.

The Washington National Opera (WNO), one of America’s most esteemed cultural institutions, is preparing to exit the Kennedy Center, marking a historic separation after more than five decades of collaboration. This decision comes in the wake of sweeping changes at the iconic arts venue, following President Donald Trump’s takeover of its leadership and programming direction, a shift that has ignited controversy across the U.S. cultural landscape.

On Friday, a spokesperson for the Kennedy Center confirmed the development, stating that the separation was motivated by financial and strategic considerations.

“After careful consideration, we have made the difficult decision to part ways with the WNO due to a financially challenging relationship,” the spokesperson said. They added that the move aims to safeguard the institution’s future, emphasizing, “We believe this represents the best path forward for both organizations and enables us to make responsible choices that support the financial stability and long-term future of the Trump Kennedy Center.”

For the Washington National Opera, this decision signifies a dramatic turning point. In a separate statement, the opera company announced its intention to seek an early and amicable end to its long-standing affiliation agreement with the Kennedy Center.

“The Washington National Opera has announced its decision to seek an amicable early termination of its affiliation agreement with the Kennedy Center and resume operations as a fully independent nonprofit entity,” the company stated.

This move concludes a partnership that began over 50 years ago, during which the WNO became synonymous with opera at the Kennedy Center. Throughout the decades, the company staged acclaimed productions, nurtured emerging talent, and played a pivotal role in shaping Washington, D.C.’s cultural identity.

Arts observers note that the split underscores the depth of unease sweeping through the U.S. arts community since the Trump administration initiated an overhaul of the Kennedy Center earlier this year. Several artists and performers have already canceled appearances at the venue, citing concerns over artistic freedom, governance, and political interference.

The administration has reportedly restructured programming priorities and imposed new restrictions on performances deemed “inappropriate,” raising fears of ideological influence over what has traditionally been a nonpartisan cultural space.

The Kennedy Center is currently overseen by Richard Grenell, a longtime Trump ally, who has taken a leading role in supervising annual programs and institutional direction. His appointment, along with other governance changes, has drawn criticism from artists, donors, and lawmakers.

Tensions have also surfaced within the Washington National Opera itself. “There were disagreements among the Board on whether to disaffiliate or not. Some WNO Board members are resigning,” a WNO spokesperson indicated, reflecting internal strain as the organization considered its future.

Arts management experts suggest that the decision to leave may grant the WNO greater autonomy at a time when artistic independence has become a defining issue. Operating as a standalone nonprofit could allow the opera company to seek new venues, donors, and partnerships without the constraints of a politically charged environment.

The WNO’s exit occurs against the backdrop of another contentious issue: the Kennedy Center Board’s recent vote to add President Trump’s name to the venue. This rebranding has sparked sharp opposition from Democratic lawmakers, who argue that the decision violates federal law governing the institution.

Representative Joyce Beatty of Ohio, an ex-officio member of the Kennedy Center Board, has filed a lawsuit seeking to block the name change and remove Trump’s name from the venue. Critics contend that this move undermines the legacy of the Kennedy Center as a national cultural institution dedicated to artistic excellence rather than political branding.

“This is not about partisanship,” a Democratic aide familiar with the lawsuit stated privately. “It’s about preserving the integrity of one of America’s most important cultural spaces.”

Looking ahead, the Washington National Opera faces both opportunities and uncertainties. While leaving the Kennedy Center means losing a historic home, it also opens the door to reinventing its identity at a time when many arts organizations are rethinking traditional models.

Meanwhile, the Kennedy Center is entering a period of transition marked by political scrutiny, artist backlash, and questions about its future role in American cultural life. The departure of a flagship resident company like the WNO is widely perceived as a symbolic blow and possibly a sign of further exits to come.

As debates over governance, funding, and artistic freedom continue, the split between the Kennedy Center and the Washington National Opera highlights a broader reckoning underway in the U.S. arts world: one that pits tradition and independence against political influence and institutional transformation, according to Global Net News.

Daily Horoscope for All Zodiac Signs: January 10, 2026

Your daily horoscope for January 10, 2026, offers insights into what the stars have in store for each zodiac sign.

Aries (March 21 – April 20): Today, you will be quite circumspect, according to Ganesha. Your spirits will soar as invitations to parties and social gatherings come your way. You will find a good balance between work and leisure, allowing you to enjoy the day.

Taurus (April 21 – May 21): It’s time to confront your problems rather than avoid them, suggests Ganesha. Your loved ones will appreciate your generosity today, especially as you may be inclined to impress those of the opposite sex. Remember, time is money, so manage both wisely.

Gemini (May 22 – June 21): You may crave some privacy today, says Ganesha. There’s potential for significant earnings, particularly through private ventures. This day is especially favorable for cashiers, money lenders, and those in retail. Keep pushing forward to achieve your goals.

Cancer (June 22 – July 22): Unexpected job changes may be on the horizon today. You might find yourself spending lavishly to please family and friends, reflecting the belief that money is meant to be shared with loved ones. However, Ganesha advises you to keep a close eye on your expenses.

Leo (July 23 – August 23): Today may not go as planned, as challenges seem to arise at every turn. Ganesha notes that while it can be frustrating, it’s important to persevere and seek support from those around you. On a positive note, you might meet someone who inspires your creativity.

Virgo (August 24 – September 22): Expect a blend of business and pleasure today, with social events likely lasting into the night. You will make important decisions that pave the way for success. Others will benefit from your involvement in their activities, according to Ganesha.

Libra (September 23 – October 23): Today may not be your best day, and prospects appear dim. However, Ganesha reminds you that not every day can be perfect. If you face stress during the day, ensure you enjoy a relaxing evening. You might find yourself wanting to discuss personal matters with your partner.

Scorpio (October 24 – November 22): Infuse your work with innovation and creativity today. Ganesha advises that while your tasks may seem chaotic, there is an underlying order that will become evident. Rejuvenate your spirit and dive into your work with renewed enthusiasm.

Sagittarius (November 23 – December 21): Today is set to be a pivotal day, as circumstances may force you into making quick decisions. Ganesha encourages you to take a moment to evaluate the situation and consider the long-term effects of your choices.

Capricorn (December 22 – January 20): This day holds significant importance, as you are likely to meet someone who will play a vital role in your life. Relationships and family will occupy much of your time today. While it may not be the most exciting day, Ganesha suggests a visit to a peaceful place for reflection and relaxation.

Aquarius (January 21 – February 18): You may find yourself frustrated with colleagues or juniors who offer excuses instead of solutions. Ganesha advises you to focus on completing your own tasks before assisting others. Fortunately, your partner may help ease your stress.

Pisces (February 19 – March 20): Today, you may struggle to understand your partner’s behavior. Ganesha recommends fostering transparency in your relationship rather than harboring doubts. Open communication about your concerns is essential. Business relationships may also face challenges, but those who are employed may find success at work. The evening could bring comfort through family time, according to Ganesha.

Stay connected with the cosmos through your daily horoscope! Access your January 10, 2026, daily and weekly horoscopes for every zodiac sign. Discover what the universe has planned for you with insights tailored to your sign. Whether you are an adventurous Aries or a sensitive Pisces, our expert astrologers provide precise and personalized readings to help navigate life’s challenges and triumphs.

The insights shared here are based on predictions by Ganesha.

Grammy Awards Reintroduce Album Cover Category to Honor Visual Artists

The Grammy Awards are reviving the Best Album Cover category, celebrating visual artists and their significant role in shaping music’s identity after more than 50 years.

More than five decades after album covers were last recognized as a standalone honor, the Grammy Awards are once again shining a spotlight on the visual artists who help define how music is seen, felt, and remembered. The newly revived Best Album Cover category will be presented this year, marking a significant shift in how the music industry acknowledges creative contributions beyond sound.

This move comes at a time when album artwork, once thought to be losing relevance in the streaming era, has reasserted its cultural power. From viral aesthetics to carefully constructed visual worlds, cover art has become an essential extension of an album’s identity.

Among the inaugural nominees are Wet Leg’s *Moisturizer*, Bad Bunny’s *Debí Tirar Más Fotos*, Tyler, the Creator’s *Chromakopia*, Perfume Genius’ *Glory*, and Djo’s *The Crux*. The award is primarily given to art directors, though in most cases this year, the recording artists themselves are also credited for their hands-on involvement in shaping the final image.

The return of this category comes after years of album covers being judged under the broader Best Recording Package category, which considered all physical components such as booklets, typography, and inserts. However, industry leaders felt that cover art deserved its own moment again.

Recording Academy CEO Harvey Mason Jr. stated that the decision reflects the renewed impact of cover imagery in a digital-first world. While listeners may no longer flip through CD booklets, the album cover is often the first—and sometimes only—visual cue that introduces an artist’s work to a global audience.

The revived category also aligns with the Academy’s goal of recognizing the full ecosystem of creators who shape music culture.

For British indie band Wet Leg, the nomination validates a process rooted in instinct and creative friction. The cover for *Moisturizer* was conceived during a weekend retreat, where the band gathered unusual objects—velvet worms, oversized hair props, and reptilian gloves—to spark ideas.

Lead singer Rhian Teasdale, who co-art-directed the cover alongside Iris Luz and Lava La Rue, explained, “I wanted it to be something that was both super girly and feminine, but then at the same time, just totally repulsive. That juxtaposition creates something that’s evocative.”

The final image features a creature-like version of Teasdale, crouched with outstretched hands and an unsettling grin. The visual mirrors the album’s emotional terrain, which explores tenderness and longing alongside moments that Teasdale herself describes as “feral.”

The striking simplicity of *Chromakopia* offers a different approach. The monochrome portrait of Tyler, the Creator, with his face partially concealed by a mask, was reportedly the final shot taken during the session.

What stood out most, according to the creative team, was the intensity in Tyler’s eyes. The image emerged from what collaborators describe as an “unspoken language” developed over years of working together—a shared understanding of movement, framing, and restraint.

Rather than explaining itself, the cover invites interpretation, reinforcing Tyler’s reputation for blending mystery with control.

For Perfume Genius, ambiguity was the goal with the cover of *Glory*, which shows the artist reclining on a patterned carpet in a dim interior, his stiletto boots pointed toward a bright window while colorful cords trail across the floor.

Art director and photographer Cody Critcheloe, who collaborated with Andrew J.S., noted that the image was never meant to capture a specific narrative. “It was mostly about an energy,” Critcheloe explained. “People have said they can’t quite figure out what the aesthetic is—and that’s the best thing to hear.”

The image reflects the internal tension explored on the album: the safety of private life versus the vulnerability required by a public-facing persona.

Few covers this year demonstrate scale and storytelling like *The Crux*, the third album by Djo, the musical project of actor Joe Keery. Shot on a studio backlot designed as a fictional hotel, the image functions like a cinematic still packed with micro-narratives.

Photographer Neil Krug, alongside collaborators Jake Hirshland and William Wesley II, filled the scene with intentional detail: a couple kissing in one window, a man arguing over a parking ticket in the foreground, and Djo himself seen only from behind, suspended from a window in a white suit.

“Everything is intentional,” Wesley said. “It’s the sum of many people’s contributions.”

In contrast, *Debí Tirar Más Fotos* relies on restraint. Art-directed by Bad Bunny himself, the cover features just two white plastic chairs and plantain trees, photographed by Eric Rojas. The simplicity evokes nostalgia—backyard gatherings, beachside afternoons—while reinforcing the album’s themes of memory, diaspora, and cultural history.

Both *Debí Tirar Más Fotos* and *Chromakopia* have also earned nominations for Album of the Year, underlining the deep connection between visual storytelling and musical impact.

Although Grammy rules no longer require albums to exist physically for eligibility, all nominees this year are available on vinyl or CD. For many artists, physical formats remain central to the creative conversation.

“When vinyl lives in your home, it lives with you,” Krug said. “There’s a rediscovery of the art form happening.”

As the Grammys reintroduce the Best Album Cover category, the message is clear: in an age of endless content, a single image can still define an era, according to Global Net News.

Parul Kapur Receives $25,000 Pattis Family Foundation Book Award

Parul Kapur’s debut novel, ‘Inside the Mirror,’ has won the prestigious $25,000 Pattis Family Foundation Creative Arts Book Award, highlighting her emerging voice in contemporary literature.

NEW YORK, NY – In a year filled with remarkable literary debuts, Parul Kapur’s novel, ‘Inside the Mirror,’ has distinguished itself by winning the Pattis Family Foundation Creative Arts Book Award. This accolade not only recognizes Kapur’s talent but also positions her among a growing cadre of writers to watch in the literary world.

The award was announced in Interlochen, Michigan, and comes with a $25,000 cash prize along with a writer-in-residence appointment at the Interlochen Center for the Arts, a renowned institution known for fostering creative talent.

Kapur, who was born in Assam and raised in the United States, infuses her fiction with a transnational perspective that resonates throughout her work. ‘Inside the Mirror,’ published in March 2024 by the University of Nebraska Press, is set against the backdrop of Bombay in the 1950s—a decade marked by both optimism and upheaval in the wake of Indian Independence.

The narrative centers on twin sisters who are bound by family and tradition yet pursue different artistic paths: one is drawn to painting, while the other is passionate about classical dance. As the sisters navigate their ambitions and the constraints imposed on women in a rapidly changing society, the novel explores themes of loyalty and the quest for creative freedom.

The historical context of the novel has played a significant role in its acclaim. Eric Blackburn, chair of the selection committee for the Pattis Family Foundation award, noted that the judges were particularly impressed by the book’s adept handling of its historical setting and its emphasis on the importance of artistic expression for individuals, communities, and nations alike.

‘Inside the Mirror’ has garnered positive critical reception, earning starred reviews from both Publishers Weekly and Booklist. The Atlanta Journal Constitution commended the novel for its rich character development and its sensitivity to the evolving cultural landscape of post-Independence India.

As part of her award, Kapur will serve as a writer-in-residence at the Interlochen Arts Academy for three days in April 2026. Interlochen President Trey Devey emphasized that the residency provides young writers and artists with a unique opportunity to witness the evolution of creative ideas into polished literary works—a journey that Kapur has successfully navigated herself.

Kapur holds a Master of Fine Arts degree from Columbia University and currently resides in Atlanta. Her recognition through the Pattis Family Foundation award marks a significant milestone in her burgeoning literary career, promising to further elevate her profile in the literary community.

According to India West, Kapur’s work is a testament to the power of storytelling in bridging cultural divides and illuminating the complexities of identity and artistic expression.

Vijay Prioritized Respect Over Stardom in Jilla’s Credits

During the making of the film *Jilla*, Tamil superstar Vijay chose to prioritize respect over stardom by insisting that Malayalam icon Mohanlal’s name appear first on the title card.

In an industry often defined by box-office numbers, opening-day collections, and billing order disputes, rare moments of humility tend to resonate long after the applause fades. One such moment occurred during the production of *Jilla*, a much-discussed collaboration between Tamil superstar Vijay and Malayalam cinema icon Mohanlal. What could have easily turned into a clash of egos instead became a powerful statement about respect, seniority, and values that transcend mere stardom.

Released at a time when both actors were at the peak of their careers, *Jilla* was more than just a commercial entertainer. It symbolized a unique cultural crossover, bringing together two of South India’s most influential stars under one banner. However, it was a decision regarding the title card that truly revealed the character of those involved.

During the production of *Jilla*, Vijay reportedly approached director R. T. Neason with a surprising request. Despite being the primary crowd-puller in Tamil cinema at the time and the film’s central protagonist, Vijay insisted that Mohanlal’s name should appear before his own on the film’s title card.

For Vijay, the reasoning was both simple and profound: seniority and experience deserved precedence over box-office hierarchy. Mohanlal, with over three decades of work across Malayalam, Tamil, Telugu, and Hindi cinema, represented a legacy that Vijay felt should be acknowledged first.

“It is not about who the bigger star is today,” Vijay reportedly conveyed during discussions. “It is about respecting the journey and experience.”

True to his own reputation for humility, Mohanlal initially resisted the idea. The veteran actor believed that Vijay’s name should take precedence, pointing out that *Jilla* was primarily a Tamil-language film and that Vijay was the film’s biggest commercial draw in the state.

Observers close to the production recall that Mohanlal felt credit placement should reflect the film’s market realities. Yet Vijay stood firm, refusing to compromise on what he viewed as a matter of principle rather than promotion.

Ultimately, the filmmakers decided to place Mohanlal’s name first, followed by Vijay’s. This outcome did not cater to ego or marketing formulas but instead satisfied something far more enduring: mutual respect.

At first glance, the order of names on a title card may seem trivial. However, in an industry where credit placement is often fiercely negotiated, the decision made for *Jilla* resonated deeply with fans and industry insiders alike. It became a symbolic gesture, quietly reinforcing the idea that cinema, at its best, is built on collaboration rather than competition.

At the time, Vijay had already completed over two decades in cinema, steadily rising from a romantic hero to a mass entertainer with a vast fan base. Mohanlal, on the other hand, brought with him more than thirty years of unparalleled experience and critical acclaim, having redefined performance-driven cinema in India. The title card reflected this generational and professional dynamic without a single word being spoken.

Beyond the two leads, *Jilla* featured a strong supporting cast, including Kajal Aggarwal, Soori, Sampath Raj, Pradeep Rawat, Mahat Raghavendra, and Nivedha Thomas. The film secured a lasting place in South Indian cinema as a memorable collaboration between two distinct film cultures.

Years later, as Vijay prepares for what many believe will be his final on-screen phase and Mohanlal continues to make selective appearances—including a recent cameo in *Bha.Bha.Ba*—the *Jilla* anecdote continues to resurface as a reminder of what truly defines a legacy.

In an era increasingly dominated by branding and star valuation, the story behind the *Jilla* title card endures because it highlights something rarer than fame: character. Fans often celebrate stars for their performances, but moments like these reveal why certain artists command respect beyond the screen.

As industry observers often note, stardom may fill theaters, but humility builds history. Vijay’s insistence on placing Mohanlal first did not diminish his own stature; instead, it enhanced it—cementing his image as a star who understands that respect, once given, returns manifold.

In the end, *Jilla* was not just a film—it was a lesson in grace, reminding audiences that shared values often leave a deeper imprint than shared screen space ever could, according to Global Net News.

Vijay’s Final On-Stage Moment at Jana Nayagan Audio Launch Streaming January 4

Vijay’s final on-stage appearance as an actor will be celebrated at the audio launch of *Jana Nayagan*, streaming on ZEE5 Global starting January 4.

In a poignant moment that will resonate deeply within the Tamil cinema community, actor Vijay is set to make his final on-stage appearance at the grand audio launch of *Jana Nayagan*. This landmark event, taking place in Malaysia, will be streamed exclusively on ZEE5 Global beginning January 4 at 4:30 PM, allowing fans around the world to partake in this significant farewell.

Directed by H. Vinoth and produced by KVN Productions, *Jana Nayagan* is a political action thriller that holds exceptional significance beyond its cinematic appeal. This film marks Vijay’s last role as an actor before he fully transitions into public life, making the audio launch not just a promotional event, but a historic milestone in Tamil popular culture.

Headlined by Vijay, the film boasts an impressive ensemble cast, including Pooja Hegde, Bobby Deol, Mamitha Baiju, Gautham Vasudev Menon, Prakash Raj, Narain, and Priyamani in key roles. For KVN Productions, *Jana Nayagan* also represents its inaugural venture into Tamil cinema, adding another layer of importance to this project.

In its announcement regarding the stream, ZEE5 Global characterized the audio launch as “more than a celebration of a film—it is a tribute to a journey that has shaped generations of cinema lovers.” The platform highlighted that the global livestream aims to connect fans who are unable to attend the event in Malaysia, bridging the distance for audiences worldwide.

The choice of Malaysia as the venue elevated the audio launch into a spectacle worthy of Vijay’s stature. The entire cast and crew were present, but the emotional highlight of the evening was Vijay’s final address as an actor—an address that attendees have described as profoundly moving and symbolic.

“This is not goodbye to cinema,” Vijay reportedly told the audience. “This is the closing of a chapter that has given me more love than I could ever return.” His heartfelt words, met with thunderous applause, encapsulated the emotional weight of the moment and underscored why the event resonated far beyond the auditorium.

The evening also celebrated Vijay’s cinematic legacy with live performances of his most iconic songs, transforming the launch into a tribute to his decades-long career. The presence of renowned filmmakers such as Nelson Dilipkumar, Lokesh Kanagaraj, and Atlee, all of whom have collaborated with Vijay on some of his most influential films, further enhanced the significance of the occasion.

By streaming the audio launch on its platform, ZEE5 Global is positioning the event as a shared cultural experience rather than a mere spectacle. “This exclusive stream is a historic farewell, a celebration of cinema, and a defining moment for Tamil audiences worldwide,” the platform stated in its announcement.

The decision to broadcast the event globally reflects ZEE5’s broader strategy of delivering culturally significant moments to South Asian audiences everywhere, reinforcing its role not just as a content provider, but as a curator of milestones.

As *Jana Nayagan* approaches its release, the audio launch stands as a powerful symbol of transition—for Vijay, his fans, and Tamil cinema itself. January 4 will not simply mark the streaming of an event, but the moment when millions witness the closing act of one of Indian cinema’s most influential on-screen journeys.

The *Jana Nayagan* audio launch will stream on Tamil ZEE5 Global from January 4 at 4:30 PM, offering audiences across continents a front-row seat to this historic moment.

According to ZEE5 Global.

Comparisons Are Normal, Says New ‘Naagin’ Star Priyanka Chahar Choudhary

Priyanka Chahar Choudhary discusses her role in ‘Naagin 7’ and how she navigates comparisons with previous actresses who portrayed the iconic character.

MUMBAI – TV actress Priyanka Chahar Choudhary has recently shared her thoughts on stepping into the iconic role in the popular series ‘Naagin 7.’ As she takes on this challenging character, she acknowledges the inevitable comparisons with her predecessors.

Chahar emphasized her commitment to the role, stating that she focuses on delivering her best performance while honoring the legacy of the show. When asked about the comparisons that come with the territory, she expressed a positive outlook, noting that such evaluations are a normal part of the industry.

“Yes, definitely, comparisons will be there, and that is very normal,” Chahar said. “I feel one should take them in a positive way because comparisons happen everywhere. If there is any comparison, I would just like to say that since the show has had six seasons, there have been many iconic Naagins and several successful seasons.”

She further explained her approach to the role, saying, “In Season 7 as well, we are giving our best and putting in our 100 percent effort. I will try to carry forward the legacy the way it has been so far. I am simply playing my character with honesty, and I will continue to give my 100 percent.”

The ‘Naagin’ franchise has seen several talented actresses in leading roles. Previous seasons featured Nia Sharma as Brinda and Jasmin Bhasin as Nayantara in ‘Naagin 4,’ while ‘Naagin 5’ starred Surbhi Chandna alongside Sharad Malhotra and Mohit Sehgal. The most recent season, ‘Naagin 6,’ included performances by Tejasswi Prakash, Simba Nagpal, Mahek Chahal, Pratik Sehajpal, Shrey Mittal, and Vatsal Sheth.

As she embarks on this new chapter in her career, Priyanka Chahar Choudhary remains focused on her craft, determined to make her mark in the beloved series. Her perspective on the role and the comparisons that come with it reflects a mature understanding of the entertainment industry.

According to IANS, Chahar’s dedication to her character and her positive attitude toward comparisons may resonate with fans as ‘Naagin 7’ unfolds.

Oscars to Live Stream on YouTube Beginning in 2029

The Oscars will transition to YouTube for live streaming starting in 2029, marking a major change in the award show’s broadcast strategy and accessibility.

LOS ANGELES, CA – After more than five decades of airing on ABC, the Oscars will move to YouTube beginning with the 101st Academy Awards in 2029. This significant shift in the award show’s broadcast strategy aims to enhance the viewing experience for audiences worldwide.

The Academy of Motion Picture Arts and Sciences announced this week that it has signed an exclusive multi-faceted contract with YouTube, the largest online video-sharing and streaming platform owned by Google. The partnership will span from 2029 to 2033.

As part of this agreement, a comprehensive lineup of Oscars-related events will be available live and free to over two billion viewers globally on YouTube, as well as to YouTube TV subscribers in the United States. This includes the awards ceremony, red carpet coverage, behind-the-scenes content, and the Governors Ball.

YouTube will enhance accessibility for the Oscars audience by incorporating features such as closed captioning and audio tracks in multiple languages, according to a news release from the Academy.

In addition to the main event, the partnership will provide global film fans with access to a variety of other Academy events and year-round programming. This includes the Governor’s Awards, the Oscars Nominations Announcement, the Oscars Nominees Luncheon, the Student Academy Awards, the Scientific and Technical Awards, as well as interviews with Academy members and filmmakers, film education programs, and podcasts, all exclusively available on the Oscars YouTube channel.

The collaboration will also leverage the Google Arts & Culture initiative to offer online access to select exhibitions and programs from the Academy Museum, which houses the largest film-related collection in the world. This initiative aims to create a true hub for film enthusiasts accessible from anywhere in the world.

“This collaboration will leverage YouTube’s vast reach and infuse the Oscars and other Academy programming with innovative opportunities for engagement while honoring our legacy,” said Academy CEO Bill Kramer and Academy President Lynette Howell Taylor in the announcement. “We will be able to celebrate cinema, inspire new generations of filmmakers, and provide access to our film history on an unprecedented global scale.”

The Academy’s domestic partnership for the Oscars will continue with Disney ABC through the 100th Oscars in 2028, alongside an international partnership with Disney’s Buena Vista International.

The Oscars have been televised since 1953, but ratings have declined in recent years. The transition to YouTube is anticipated to provide a substantial boost in viewership.

Nominations for the upcoming 98th Oscars are set to be announced on January 22, 2026. India’s official entry, “Homebound,” directed by Neeraj Ghaywan, is among the 15 films shortlisted for nomination in the Best International Feature Film category.

The awards ceremony will take place on March 15, 2026, at the Dolby Theatre in Hollywood.

According to India West, this move represents a pivotal moment for the Academy as it embraces digital platforms to reach a broader audience.

Meher Castelino, India’s First Miss India and Fashion Journalist, Dies at 81

Meher Castelino, India’s first Miss India and a pioneering figure in fashion journalism, passed away at 81, leaving behind a legacy that transformed the industry and inspired countless individuals.

Meher Castelino, renowned as India’s first-ever Miss India and a significant voice in the realm of fashion journalism, passed away on Wednesday at the age of 81. Her death marks the conclusion of an era that intertwined beauty, intellect, and industry insight.

Castelino is survived by her son Karl, daughter-in-law Nisha, and daughter Christina. Her passing has elicited heartfelt tributes from designers, editors, students, and industry leaders who credit her with reshaping the understanding, documentation, and respect for fashion in India.

Born and raised in Mumbai, Castelino first gained national recognition in 1964 when she won the Femina Miss India title, becoming the first woman to don the crown. At a time when beauty pageants were still emerging in India, she represented the country in international competitions, including Miss Universe and Miss United Nations, showcasing Indian womanhood on a global platform.

Despite her achievements in pageantry, those who knew her assert that she never allowed the glamour of the crown to define her. “Winning Miss India opened doors, but Meher chose to walk through them with purpose,” recalled a senior fashion editor who collaborated with her for decades. “She wanted to build something lasting, not just be remembered for a title.”

In 1973, Castelino made a pivotal shift towards writing, publishing her first article in Eve’s Weekly. What began as a single byline blossomed into a formidable career spanning over five decades. She became a full-time fashion journalist and syndicated columnist, with her work featured in nearly 130 national and international newspapers and magazines.

At a time when fashion writing in India was primarily focused on trends and celebrity wardrobes, Castelino approached the subject as a serious industry. She wrote extensively about textiles, craftsmanship, branding, consumer psychology, and the economics of style—long before these discussions became mainstream.

<p“She was talking about fashion as business when most people were still dismissing it as frivolous,” noted a leading Indian designer. “Meher gave the industry intellectual legitimacy.”

Widely regarded as a pioneer in Indian fashion journalism, Castelino infused her writing with analytical rigor and historical depth. Her columns served as a living archive of India’s evolution—from small boutiques and export houses to global fashion weeks and international runways.

She authored several influential books, including *Manstyle*, *Fashion Kaleidoscope*, and *Fashion Musings*, which explored changing trends, evolving gender norms in fashion, and the cultural forces shaping style in India. These works continue to be reference points for students and professionals alike.

Castelino also held the position of official fashion writer for Lakme Fashion Week and other major fashion events in India, documenting not only collections but the broader ecosystem surrounding them. Her reviews were celebrated for their clarity, fairness, and deep contextual understanding.

“She never sensationalized fashion,” remarked a former Lakme Fashion Week organizer. “Her writing respected designers, readers, and the craft itself.”

Beyond her contributions to journalism, Castelino played a vital role in mentoring the next generation of fashion professionals. She frequently served as a judge at fashion awards, was a sought-after speaker at fashion institutes, and guided young designers and aspiring journalists.

Students remember her for her uncompromising standards and extensive knowledge. “If you exaggerated a fact or misunderstood a reference, she would gently but firmly correct you,” shared a former fashion student. “She believed fashion deserved the same integrity as any other field of journalism.”

Her remarkable ability to recall decades of collections, designers, and industry milestones earned her a reputation as one of Indian fashion’s most reliable chroniclers.

While history will always remember Meher Castelino as India’s first Miss India, those who knew her assert that her true legacy lies elsewhere. “She proved that beauty and intellect are not opposites,” stated a fellow journalist. “She redefined what it meant to move beyond a pageant crown.”

With her passing, Indian fashion media has lost not just a pioneer, but a conscience—someone who insisted on depth in an industry often tempted by surface appeal. Her career serves as a reminder that fashion, when thoughtfully examined, reflects society itself.

As India’s fashion industry continues to gain global recognition, Meher Castelino’s voice will endure in the words she wrote, the minds she shaped, and the standards she set, according to Global Net News.

Indian-American Michael Maliakel Redefines Tradition in Broadway’s Aladdin

Michael Maliakel’s portrayal of Aladdin on Broadway marks a significant cultural shift, redefining representation and challenging traditional casting norms in American theatre.

When Michael Maliakel steps onto the Broadway stage as Aladdin, it transcends mere theatrical spectacle; it signifies a quiet yet powerful cultural shift. For audiences gathered in New York’s renowned theatre district, Maliakel’s performance embodies not only musical excellence but also a broader reimagining of who can take center stage in mainstream American theatre.

The 37-year-old Indian American performer, whose family hails from Kerala, brings a resonant baritone voice and commanding presence to a role historically shaped by convention and narrow casting norms. His portrayal of the street-smart dreamer in Disney’s Aladdin represents a turning point for South Asian representation on Broadway, challenging long-standing stereotypes and expanding the visual and cultural narrative of one of the world’s most influential stages.

A Journey Rooted in Discipline and Tradition

Maliakel’s path to Broadway was paved through years of disciplined training and artistic immersion. He studied at the Peabody Conservatory of Johns Hopkins University, focusing on classical voice and performance. This education equipped him with the technical mastery required to navigate the demanding musical scores essential for a role as vocally and physically challenging as Aladdin.

Before stepping into the spotlight of Broadway, Maliakel honed his craft through choir singing and concert performances, experiences that shaped both his musical precision and emotional expressiveness. He has often remarked that those formative years instilled in him a balance of discipline and versatility—qualities that now define his stage presence.

This strong foundation allows him to transition seamlessly between powerful musical passages and moments of vulnerability, a balance that Broadway audiences have warmly embraced.

Breaking Barriers in Mainstream Theatre

Maliakel’s casting as the titular hero is widely regarded as a milestone—not just for his career but for South Asian visibility in American theatre. Broadway, long criticized for its lack of diversity in leading roles, has begun to reflect the changing demographics and narratives of its audiences.

Reflecting on his journey, Maliakel shared with IndiaWest that his connection to Aladdin runs deeper than performance. “Like Aladdin, Indian Americans feel the need to prove themselves,” he stated. “Growing up, my family had the bed sheets, the lunch boxes, the pajama sets—there was nothing casual about our household’s obsession with the film.”

This sentiment resonates with many Indian American theatergoers who grew up seeing the character as a symbol of aspiration but rarely saw themselves represented on stage in leading roles.

Representation Beyond Symbolism

For Maliakel, representation is not just a buzzword; it is a lived responsibility. In various interviews, he has emphasized the broader implications of his casting.

<p“It’s so important to tell more diverse stories,” he remarked in another conversation. “The support I’ve received from the South Asian community has been overwhelming, and it reminds me that this is bigger than just me.”

He believes that Broadway’s enduring appeal lies in its ability to mirror the complexities of the world beyond the footlights. “Seeing diverse faces in leading roles matters,” Maliakel explained. “Broadway’s magic lies in its ability to reflect the richness of the world we live in.”

The response from audiences and critics alike suggests that this shift is long overdue. Many theatergoers have praised his performance not only for its vocal strength but also for the authenticity and relatability he brings to the character.

A Cultural Moment, Not Just a Casting Choice

Industry observers note that Maliakel’s success symbolizes a broader change underway in American performing arts, where talent is increasingly recognized beyond traditional racial and ethnic boundaries. While progress has been gradual, moments like this serve as visible markers of transformation.

“Casting choices like Maliakel’s challenge audiences to rethink what is ‘traditional,’” said a Broadway casting professional familiar with the production. “They expand the emotional vocabulary of the show without altering its essence.”

For young performers of South Asian descent, Maliakel’s presence on Broadway offers something even more profound: possibility. His journey underscores that classical training, persistence, and authenticity can open doors once considered out of reach.

From Kerala Roots to Broadway Lights

Maliakel’s story is deeply personal yet broadly symbolic. It bridges cultures—from the traditions of an Indian American household to the global stage of Broadway. It also reflects a generation of artists who are reshaping American cultural institutions simply by being present and excelling in their craft.

As the curtain rises night after night, his Aladdin does more than entertain. It challenges assumptions, expands representation, and reaffirms theatre’s enduring power to evolve.

From Kerala roots to Broadway lights, Michael Maliakel’s ascent is both celebratory and provocative—a reminder that the greatest strength of the stage lies in its ability to challenge tradition, widen horizons, and finally give voice to those who have long waited in the wings, according to IndiaWest.

Indian-American Writers from India Currents Win Five Awards at San Francisco Press Club Gala

India Currents writers garnered five prestigious awards at the 2025 San Francisco Press Club Journalism Awards, showcasing their commitment to storytelling and reporting excellence.

India Currents writers achieved notable recognition at the 2025 San Francisco Press Club Journalism Awards, winning five top awards in the Print/Digital Small Newsroom category. The awards ceremony took place during the 48th Annual San Francisco Press Club Gala on December 9 at the Julia Morgan Ballroom, located in the Merchants Exchange Building in downtown San Francisco.

This year’s competition featured an impressive 910 submissions, highlighting exceptional storytelling and rigorous reporting. The entries were evaluated by a panel of independent judges, including journalists from cities such as New Orleans, Los Angeles, Cleveland, and Little Rock.

The sold-out event was hosted by Marisa Lagos and Scott Shafer from KQED, adding to the celebratory atmosphere of the evening.

Among the winners from India Currents were:

COLUMNS – SPORTS

First Place – Meera Kymal and Tanay Gokhale

Meera Kymal’s personal narrative, “A Desi Girl Goes to Paris,” reflects on her experiences living in Paris during the millennium compared to her visit to the City of Lights ahead of the July 2024 Olympics. Tanay Gokhale’s piece, “Mansher Khera’s ‘New Era’ is Dawning,” tells the unique story of a talented desi prospect in the prestigious Ultimate Fighting Championship (UFC) roster. Additionally, Gokhale’s article, “Mahantesh GK’s Dream Is To Grow Blind Cricket In The United States,” highlights the advocacy efforts of a blind cricketer in the U.S.

SPORTS FEATURE

Second Place – Tanay Gokhale

Gokhale’s story “Mansher Khera’s New Era Is Dawning” earned recognition once again for its compelling portrayal of the promising UFC fighter from Queens.

PROFILE

Second Place – Tanay Gokhale, Nandita Bose, and Kani Illangovan

The “Peoplewatch” series featured inspiring profiles of individuals breaking barriers. Gokhale’s piece, “I Will Be Like The Cosmic Dancer,” focuses on queer recording artist and performer Miraaj. Nandita Bose’s profile, “I Watched Her Run War Games,” highlights Captain Shanti Sethi (Retd.), the first American of Indian origin to command a guided missile destroyer in the U.S. Navy. Kani Illangovan’s article, “At Desi Rainbow, Aruna Rao Creates Safe Spaces,” showcases a trailblazing LGBTQ+ advocate.

FEATURE STORY/LIGHT SUBJECT

Third Place – Ashwini Gangal

Ashwini Gangal’s humorous trilogy, “This Immigrant Life,” explores the challenges faced by newly arrived immigrants in the U.S. The trilogy includes “Are You An Expat Or An Immigrant?,” “Brown Gaze: The Silent Language Of Indian Strangers In An Adopted Country,” and “A Desi Immigrant Lost English Words & Found Them In Transition.”

HEADLINE

Third Place – Meera Kymal

Kymal’s evocative headline, “Breakfast in Lahore, lunch in Amritsar and dinner in Bangalore❤️,” introduces a poignant narrative about an Indian writer’s nostalgic visit to her father’s ancestral home in Pakistan.

These accolades reflect the dedication and talent of the writers at India Currents, reinforcing the publication’s commitment to quality journalism and storytelling. The recognition at the San Francisco Press Club Gala serves as a testament to their hard work and passion for the craft.

For more details, refer to India Currents.

Mammootty’s ‘Dominic and the Ladies’ Purse’ to Stream on ZEE5 Global

Mammootty’s upcoming film, ‘Dominic and the Ladies’ Purse,’ will premiere exclusively on ZEE5 Global starting December 19, 2025, marking Gautham Vasudev Menon’s Malayalam directorial debut.

ZEE5 Global, a prominent platform for South Asian entertainment, has announced the digital premiere of the Malayalam mystery-comedy-thriller, Dominic and the Ladies’ Purse. The film is set to stream worldwide from December 19, 2025.

This project marks a significant milestone for director Gautham Vasudev Menon, who makes his Malayalam directorial debut with this film. Produced by Mammootty Kampany, the film stars the legendary actor Mammootty in a compelling and unconventional role.

The narrative follows Dominic, a retired police officer who has transitioned to life as a private investigator. What begins as a seemingly straightforward task—locating the owner of a lost ladies’ purse—quickly evolves into a complex and perilous investigation. Alongside his trusted assistant Vignesh, portrayed by Gokul Suresh, Dominic navigates a labyrinth of hidden truths, shifting identities, and unexpected twists.

Blending humor with suspense and emotional depth, Dominic and the Ladies’ Purse offers a refreshing take on the detective genre within contemporary Malayalam cinema. The ensemble cast features Gokul Suresh, Sushmitha Bhat, Viji Venkatesh, Siddique, Vineeth, and Vijay Babu, all of whom contribute to the film’s layered and intriguing narrative.

Director Gautham Vasudev Menon shared his thoughts on the film, noting that this project holds special significance as his first venture in Malayalam cinema. He described the protagonist as a grounded and relatable character, steering away from the archetype of a larger-than-life hero. Menon also highlighted the film’s efficient production, revealing that it was completed in just 45 days, thanks to the dedication and passion of the entire cast and crew. He expressed excitement about the film’s release on ZEE5 Global, emphasizing that the platform will help the story reach a broader audience.

With Mammootty anchoring the film and Menon’s signature storytelling style driving the narrative, Dominic and the Ladies’ Purse promises an engaging viewing experience filled with clever investigations, sharp humor, and unexpected turns.

The film will be available for streaming exclusively on ZEE5 Global starting December 19, 2025, according to Global Net News.

International Indian Icon Season 9 Celebrates Talent in Chicago

The 3iii Talent Foundation concluded its ninth season of the INTERNATIONAL INDIAN ICON (3iii) in Chicago, celebrating a diverse array of global talent from November 28 to 30, 2025.

The 3iii Talent Foundation has officially wrapped up the INTERNATIONAL INDIAN ICON (3iii) Season-9, marking its most ambitious and globally diverse edition to date. Held from November 28 to 30, 2025, at The Matrix Club in Naperville, Illinois, this three-day extravaganza brought together exceptional performers from around the world, reaffirming 3iii’s mission to elevate Indian arts and culture on a truly international stage.

Season-9 achieved a historic milestone with over 10,000 registrations from 39 countries across North America, Europe, Africa, Asia, the Middle East, and Australia. A comprehensive global audition process—spanning online uploads and live virtual rounds—culminated in 150 semifinalists advancing to the Chicago episode production. Their passion, discipline, and artistic refinement shaped one of the most memorable seasons in 3iii history.

The three-day on-site production unfolded as a dynamic blend of film-level execution, live performances, celebrity engagement, and red-carpet glamour. Legendary Bollywood composer Jatin Pandit served as the Grand Master for Season-9, alongside an expert judging panel that represented various fields, including singing, dancing, fashion, acting, instrumental performance, and multi-format talent.

Key judges for the event included Haley Bhardwaj, Dance Judge and Director of Simantikos Dance Academy; Rami Mital, Fashion Category Judge and Miss Universe USA & Mrs. Illinois Bharat 2026; and several others who contributed their expertise to the competition. Anchors Sonia Keshwani, Raahul Jatin, and Ajai Kumar infused charisma and vibrancy throughout the event.

A hallmark of the 3iii platform is its inclusivity, open to all ages, cultures, genders, and nationalities. Participants competed in various categories, including Singing, Dancing, Acting, Instruments, Fashion, Comedy, and IGT (I-Got-Talent). Non-Indian participants showcased exceptional artistry by weaving Indian culture into their performances through language, attire, choreography, or musical traditions.

The success of Season-9 reflects the guidance and strategic direction of the 3iii Talent Foundation’s Board of Directors, including Sharan Walia (Founder & CEO), Brij Sharma, Yogi Bharadwaj, Dileep Shrivastava, Swetalina Ahuja, Dr. Hitesh Bhatt, Vinni Walia, Ishita Walia, and Palak Walia. Their combined expertise in business, media, technology, and community leadership helped deliver a spectacular global event.

Founder and CEO Sharan Walia, supported by core team members Rahul Kundu, Naresh Shastri, and Damini Datta, continues to drive the vision of creating the world’s first fully global non-profit talent platform.

The 2025 edition was further elevated by renowned sponsors, including Darshan Dhaliwal, Director of Dhaliwal Enterprises, who served as the Chief Guest of Honor; Sunil Bhatia, Director of MyFashion.com, who supported the Fashion Category; and Rami Mital, Director of Ark Medical Revenue Management, who was a key contributor. Other notable sponsors included Brij Sharma of Power Volt Group & Power Gen AI LLC, RJ Anya Ahuja of Anya International, Rajat Sahani of Shimla Peppers, Sunny Shah of Holiday Inn, and Pratibha Phadke of A3P Connections.

Their collective support strengthened the platform and expanded its global resonance.

The official results for the INTERNATIONAL INDIAN ICON (3iii) Season-9 are as follows:

Singing — Junior Category

Winner: Nitika Pande (USA)

1st Runner-Up: Mishka Kacholiya (USA)

2nd Runner-Up (tie): Tharani Somanathan (UK), Rayyan Ariff (UK)

Judges’ Choice: Saanvi Chandna (USA), Renia Ganguly (UK), Prasheeta Mohanty (USA), Sahithi Yalamanchli (Canada)

Singing — Senior Category

Winner: Razin Syed (USA)

1st Runner-Up: Zain Baig (USA)

2nd Runner-Up: Luoyi Pan (USA)

Judges’ Choice: Ranjita Roy (USA), Caren Mempin (USA), Arwyn Anish (UK), Soumya Mahapatra (UK), Shayan Mukherjee (USA)

Singing — Super Senior Category

Winner: Raj Kewalramani (USA)

1st Runner-Up: Murali M. Collur (USA)

2nd Runner-Up: Saigeetha Matta (USA)

Judges’ Choice: Bhavvika Merchant (USA), Rekha Mahbubani (USA), Kuldeep Sethi (USA), Jayanta Mukherjee (USA)

Dancing — Junior Category

Winner: Thejolakshmi Achari (USA)

1st Runner-Up: Little Angels (USA)

2nd Runner-Up (tie): Saanvi Panda (USA), Jaanvi Venkatesan (USA)

Judges’ Choice: Classical Rhythms Dance Academy (USA), Sunshine Reynoldsburg Dance Group (USA), Reet Jain Parakh (USA), Sataakshi Joshi (USA)

Dancing — Senior & Super Senior

Senior Winner: Classical Rhythms Dance Academy (USA)

Senior 1st Runner-Up: Dance Den Senior (USA)

Senior 2nd Runner-Up (tie): Ritu Jain (USA), Abhilasha Chawdhary Saxena (USA)

Super Senior Winner: Asha Mehta (USA)

IGT — Junior Category

Winner: Sai Khusheel Krishna Bayya (USA)

1st Runner-Up: Sabarish Rajagopal (USA)

2nd Runner-Up: Avismit Bhattacharya (USA)

Judges’ Choice: Shrihaan Mukherjee (USA)

IGT — Senior & Super Senior

Senior Winner: Dinesh Sunar (USA) — for an extraordinary Parkour act

Super Senior Judges’ Choice: Cris M. (USA), Rekha Mahbubani (USA)

Looking ahead, the 3iii Talent Foundation extends warm congratulations to all participants who made Season-9 a monumental celebration of global Indian talent. Registrations for Season-10 (2026) will open in March, with State and Country-level competitions running through November 2026. Details of the Grand Finale will be announced soon as 3iii continues its mission to expand worldwide and champion Indian arts across borders, according to Global Net News.

‘Quantico’ Creator Says No Ethnicity Was Considered for Priyanka’s Role

Priyanka Chopra Jonas discusses the stereotypes faced by Eastern actors in Western entertainment and reflects on her transformative role in ‘Quantico’ during the Bridge Summit in the UAE.

MUMBAI – Priyanka Chopra Jonas recently addressed the ongoing stereotypes that actors from Eastern backgrounds encounter in Western entertainment during her appearance at the Bridge Summit in the UAE.

When asked about her decision-making process regarding roles that do not align with her long-term goals, Chopra Jonas shared her experiences of turning down numerous offers that relied heavily on clichés. She expressed her frustration with the prevalence of characters that were often reduced to stereotypes, such as “the Indian girl with the exaggerated accent… pretty and ornamental.” She noted her surprise at the sheer number of roles written in this manner.

Chopra Jonas highlighted her breakthrough moment with the television series ‘Quantico,’ which she described as a transformative experience. She emphasized that her character was not defined by her ethnicity, stating that the role “could have been from anywhere.” Originally conceived as an American character, the absence of cultural qualifiers allowed her to portray an FBI agent, which significantly shifted how she was perceived within the industry and helped her move beyond the label of “the Indian actor.”

Despite her success, Chopra Jonas acknowledged that many talented performers from Eastern countries continue to face similar typecasting in Hollywood. She pointed out that, although their presence and accomplishments are on the rise, the industry still struggles with outdated stereotypes.

In offering advice to aspiring artists, Chopra Jonas encouraged them to be intentional about the environments they wish to be part of and the people they choose to collaborate with. She stressed that decisions should stem from a clear understanding of the community one wants to belong to, as well as discerning which opportunities merit acceptance or rejection.

Chopra Jonas’s insights reflect a broader conversation about representation and the need for more nuanced roles in the entertainment industry, particularly for actors from diverse backgrounds.

According to India West, her experiences serve as a reminder of the importance of challenging stereotypes and advocating for authentic representation in film and television.

Shahzad Ali Praises Ranveer Singh’s Energy in New Song

Shahzad Ali expresses his excitement for the release of ‘Ishq Jalakar,’ a powerful track from the film ‘Dhurandhar,’ praising Ranveer Singh’s dynamic contribution to the song.

MUMBAI – Singer Shahzad Ali is eagerly anticipating the release of “Ishq Jalakar,” a fierce and emotionally charged track featured in filmmaker Aditya Dhar’s upcoming movie “Dhurandhar.” The song showcases a powerful ensemble of voices, including Shashwat Sachdev and Shahzad Ali himself, and is gaining attention as the film has surpassed the Rs. 100 crore mark at the box office, also performing well in North America.

Shahzad describes “Dhurandhar” as more than just a project; it serves as a reminder of his passion for music. He states, “When a story burns with fire, you don’t just compose for it; you surrender to it.”

He elaborates on his collaboration with Ranveer Singh, saying, “Collaborating with Ranveer took that fire to another level. Ranveer doesn’t just enter a song; he inhabits it. He brings a storm, a pulse, and an unpredictability that forces you to rise to your own highest frequency. Working with him felt like trading energies with a living thunderbolt.”

Shahzad emphasizes that “Dhurandhar” transcends being merely a soundtrack; it represents a celebration of intensity, courage, and raw emotion. “I’m grateful that this collaboration allowed me to stretch my voice, my craft, and my spirit in ways I never imagined,” he adds.

Known for his unique ability to blend classical roots with contemporary emotion, Shahzad delivers a performance that is both soulful and explosive. His vocal strength aligns perfectly with the film’s intense and dramatic tone.

Speaking about “Ishq Jalakar,” Shahzad shares his enthusiasm: “This project came to me with a very exciting and enthusiastic approach. ‘Ishq Jalakar’ is a track you don’t just listen to; you feel it. It’s powerful, emotional, and rooted in a kind of energy that stays with you.”

While Shahzad takes center stage, the collaborative essence of the track enhances its richness. Composer and vocalist Shashwat Sachdev has crafted the sonic landscape with his signature intensity, fully embodying the “Dhurandhar Vibes” that Aditya Dhar has envisioned for his film.

With Ranveer Singh leading the visuals and Shahzad Ali powering the audio with a voice that strikes like lightning, “Ishq Jalakar” is poised to stand out as an anthem destined to make a lasting impact.

According to IANS, this collaboration marks a significant moment in Shahzad Ali’s career, showcasing his artistic growth and the powerful synergy created between him and Ranveer Singh.

Dharmendra’s Passing Marks End of an Era for Deol Family

Bollywood icon Dharmendra passed away on November 24 at the age of 89, marking the end of an era in Indian cinema and leaving behind a rich legacy through his expansive Deol lineage.

MUMBAI – Bollywood legend Dharmendra has passed away at the age of 89, a loss that resonates deeply within the Indian film industry. He died on November 24 after a period of recovery at home following his admission to Breach Candy Hospital in South Mumbai. His passing has prompted an outpouring of condolences from fans and colleagues alike, with notable tributes, including an obituary published by The New York Times, highlighting his significant impact on cinema and audiences in India.

Dharmendra’s death signifies the conclusion of a remarkable era in Bollywood, where he dedicated over six decades to building one of the industry’s most enduring legacies. He leaves behind a multi-generational family that is intricately woven into the fabric of Indian cinema, alongside an estimated personal net worth ranging between Rs 335 crore and Rs 450 crore, according to NDTV.

Born in Nasrali village, located in Punjab’s Ludhiana district, Dharmendra was the son of schoolteacher Kewal Krishan Singh Deol and Satwant Kaur. His journey into the film industry began in the late 1950s when Filmfare magazine, in collaboration with Bimal Roy Productions, held a nationwide talent contest to discover new faces for Hindi cinema. Dharmendra emerged as the winner in 1958, recognized for his striking looks and natural charm, which opened the door to his illustrious career.

He quickly gained fame for his emotional depth and effortless screen presence, showcasing remarkable versatility across genres. Dharmendra starred in numerous iconic films, including ‘Phool Aur Patthar,’ which established him as a leading man, and ‘Sholay,’ where his portrayal of the lovable and witty Veeru became legendary. His impeccable comic timing was evident in ‘Chupke Chupke,’ while action-packed dramas like ‘Yaadon Ki Baaraat’ solidified his status as the quintessential Bollywood hero.

Before embarking on his film career, Dharmendra married Prakash Kaur in 1954, and the couple raised four children together. Their eldest son, Sunny Deol, has made a name for himself as an actor, filmmaker, and politician. Sunny is married to Pooja Deol, and they have two sons, Karan and Rajveer. Karan, who is married to Drisha Acharya, has already entered the film industry alongside his brother Rajveer.

Dharmendra’s younger son, Bobby Deol, also carved out a successful career in films and is married to interior designer Tanya Ahuja. They have two sons, Aryaman and Dharam, while their daughters, Vijayta and Ajeeta, have chosen paths outside the film industry. Vijayta lives a private life with her husband Vivek Gill and their children, Prerna and Sahil, while Ajeeta resides in California with her husband, Dr. Kiran Chaudhri, and their daughters, Dr. Nikita Mina and Dr. Prianka Chaudhri.

In 1980, Dharmendra married ‘Dream Girl’ Hema Malini, a superstar of her time who is now a BJP MP, film producer, and dancer. Their relationship garnered significant public attention, particularly because Dharmendra remained legally married to Prakash Kaur. Despite the scrutiny, their marriage endured, becoming somewhat of a norm in an industry where second marriages have become more common.

Dharmendra and Hema Malini have two daughters. Esha Deol, an actress, is married to businessman Bharat Takhtani, and they share two daughters, Radhya and Miraya. Ahana Deol, an Odissi dancer and entrepreneur, is married to Vaibhav Vohra, and they have twin daughters, Astraia and Adea, along with a son, Darien.

Although Hema Malini and her daughters have long resided separately in Mumbai, Dharmendra maintained cordial relationships and participated in significant family events across both households. He spent his later years at his farmhouse in Khandala, having relocated there due to the worsening pollution levels in Mumbai.

The broader Deol family includes Dharmendra’s younger brother, the late Ajit Singh Deol, who was also an actor and producer. His son, actor Abhay Deol, has remained close to his cousins Sunny and Bobby, further enriching the Deol legacy in the film industry.

Dharmendra’s financial legacy reflects his disciplined and successful career. Estimates suggest that his personal wealth ranges between Rs 335 crore and Rs 450 crore. When combined with the earnings and assets of the broader Deol family, their collective fortune is believed to exceed Rs 1,000 crore, establishing them as one of Indian cinema’s most significant dynastic portfolios.

Beyond his cinematic achievements, Dharmendra was cherished for his humility and charisma, making him a beloved figure both on and off the screen. He was honored with the Padma Bhushan, India’s third-highest civilian award, recognizing his contributions to the arts.

Source: Original article

Viral Denim Ads and Gen Z Influence Boost Fashion Brand Revenue

Gap’s viral summer denim campaign has sparked a cultural moment and significant sales growth, showcasing the power of nostalgia and influencer marketing in the fashion industry.

Gap Inc. is experiencing a surge in momentum following the success of its viral summer denim campaign, “Better in Denim.” This campaign not only ignited a cultural moment but also translated into impressive sales growth for the brand.

Similar to American Eagle’s successful campaign featuring actress Sydney Sweeney, Gap’s ad has effectively turned social media buzz into substantial revenue. Richard Dickson, CEO of Gap Inc., highlighted the campaign’s impact during the company’s third-quarter earnings call, noting that it garnered over 8 billion impressions and 500 million views. He described it as a global cultural takeover, marking it as one of the brand’s most successful campaigns to date, which resulted in significant traffic and double-digit growth in denim sales.

Following the campaign’s success, Gap Inc., which also owns brands such as Old Navy and Banana Republic, reported quarterly results that exceeded expectations and raised its full-year outlook. The positive news led to a 5% increase in the company’s shares during after-hours trading.

The “Better in Denim” campaign, launched over the summer, resonated with audiences by featuring the global girl group Katseye performing to Kelis’ hit song “Milkshake.” The ad quickly dominated social media feeds and contributed to a broader resurgence of denim across the fashion industry. This campaign coincided with an unofficial “denim ad showdown,” as other brands like American Eagle and Lucky Brand released their own eye-catching campaigns, all vying for cultural relevance and consumer attention.

According to Dickson, influencer content has become a primary method for product discovery among Gen Z and millennials, and Gap has been performing exceptionally well in this area. He emphasized that collaborations continue to enhance the brand’s relevance and revenue, citing a recent partnership with designer Sandy Liang that attracted a wave of younger shoppers. This strategy not only appeals to younger consumers but also resonates with higher-income customers, positioning Gap effectively between premium and value markets.

Gap Inc. reported a 5% increase in comparable sales compared to the previous year, with the Gap brand itself seeing a 7% rise, as noted by Chief Financial Officer Katrina O’Connell. Dickson attributed the strong quarterly performance to “broad-based strength in denim,” repeatedly acknowledging the Katseye campaign’s role in driving momentum across the company’s portfolio.

The resurgence of denim in the fashion world is not merely about the fabric; it encompasses faces, culture, and timing. Fashion brands are increasingly leveraging the power of viral collaborations, enlisting rising stars and culturally relevant personalities who resonate with Gen Z’s preferences.

These campaigns transcend traditional advertising; they are designed as shareable moments optimized for platforms like Instagram and TikTok. When a video captures the right emotional and cultural elements—such as nostalgic music, authentic dance moments, or beloved influencers—it transforms into social currency. This momentum often translates directly into sales. Brands like Gap and American Eagle have demonstrated that when the right talent leads a campaign, it not only builds awareness but also fosters a sense of community among Gen Z consumers.

As the fashion industry continues to evolve, the successful integration of viral marketing strategies and influencer partnerships will likely remain crucial for brands seeking to capture the attention and loyalty of younger audiences.

Source: Original article

Fátima Bosch of Mexico Wins Miss Universe 2025 Title

Fátima Bosch Fernández of Mexico was crowned Miss Universe 2025 in Bangkok, overcoming public bullying and controversy during the competition.

BANGKOK — Fátima Bosch Fernández, representing Mexico, was crowned Miss Universe 2025 on Friday in a finale marked by emotion and drama. The 25-year-old not only triumphed in the pageant but also emerged from a week filled with controversy, having stood up against public mistreatment from one of the event’s hosts.

This year’s 74th edition of the Miss Universe competition took a turbulent turn during a livestreamed sashing ceremony on November 4. Bosch faced sharp criticism from Thai national director Nawat Itsaragrisil, who accused her of failing to adhere to his promotional instructions. In a bold move, Bosch defended herself, prompting Itsaragrisil to call for security to remove her from the stage. Unintimidated, Bosch walked out, joined by several other contestants, including Miss Universe 2024, Victoria Kjær Theilvig of Denmark.

“What your director did is not respectful. He called me dumb,” Bosch told reporters after the incident. “If something violates your dignity, you must walk away.” Nawat denied using the term “dumb,” but the backlash against him quickly escalated.

The global support for Bosch was overwhelming. Raúl Rocha Cantú, president of the Miss Universe Organization, condemned Nawat’s actions as “public aggression” and “serious abuse.” The incident even drew praise from Mexico’s newly elected president, Claudia Sheinbaum, who commended Bosch’s courage, stating, “This is an example of how women must raise our voices. We look more beautiful not when we stay quiet, but when we speak up for our rights.”

In a later speech, Nawat offered a half-hearted apology, saying, “If anyone was uncomfortable, I am sorry,” before adding, “It’s passed. OK? Are you happy?” This response did little to quell the outrage surrounding the incident.

Fátima Bosch’s background is as impressive as her victory. According to her official Miss Universe profile, she studied fashion in both Mexico and Italy, specializes in sustainable and upcycled designs, and has volunteered with sick children. Additionally, she is an advocate for environmental causes and supports initiatives related to migrants and mental health.

Despite the controversies surrounding this year’s competition, including the resignation of two judges who alleged manipulation of the contest—claims the organization has denied—and an investigation by Thai police into potential links between pageant promotions and illegal online casinos, Bosch’s crowning became the defining moment of the night. Her victory was celebrated as a testament to resilience, dignity, and the global support for women who dare to speak out.

In the final results, Bosch was named the winner, with Praveenar Singh of Thailand as the first runner-up and Stephany Adriana Abasali Nasser of Venezuela taking the second runner-up position. The top five also included Ahtisa Manalo from the Philippines and Olivia Yacé from the Ivory Coast.

As the arena erupted in cheers and Mexican flags waved throughout the crowd, Bosch expressed her hopes to be remembered as “someone who helped redefine the Miss Universe prototype — a real person who leads with heart.” She emphasized the importance of the competition as a platform for women to claim their space and be heard.

Fátima Bosch’s journey to the crown is not just a personal victory; it symbolizes a broader movement for respect and empowerment among women globally.

Source: Original article

Songs of Paradise: Honoring a Timeless Voice from Kashmir

Inspired by the life of Raj Begum, “Songs of Paradise” is a poetic tribute to Kashmir’s first female singer, exploring themes of love, loss, and the transcendent power of music.

“Songs of Paradise” is a film that hums like a dream—fragile, haunting, and steeped in longing. Directed by Danish Renzu, the movie draws inspiration from the life of Raj Begum, Kashmir’s first female singer on Radio Kashmir. It reimagines her journey through the character of Zeba, also known as Noor Begum, portrayed with piercing authenticity by Saba Azad, and later by Soni Razdan. Rather than a conventional biopic, this film serves as a luminous, poetic tribute—a fictionalized account that captures the emotional truth of a woman whose voice rose from a conservative and politically volatile valley to touch the heavens.

Noor’s singing transcends narrative; it becomes an element of nature itself. Her voice embodies the towering mountains, open skies, rushing streams, and lush valleys, encapsulating both peace and desire, longing and prayer.

The film’s visual artistry draws viewers in with stunning imagery: shikaras gliding on the shimmering Dal Lake, and three young women in festive attire singing at a friend’s wedding, their eyes sparkling like diamonds reflected on the water. We catch glimpses of Zeba’s modest one-room home, adorned with a flowerpot drawn on a brick wall—a small bloom of hope amidst hardship. In a dimly lit kitchenette, Zeba mischievously cooks a photograph of a “potential groom” in a pot of stew, adding a touch of whimsy to her otherwise challenging life.

Cinematographer Vincenzo Condorelli captures Kashmir as a living soul, showcasing snow-dusted Himalayas, saffron-scented air, and alleyways perfumed with kahwa and rogan josh. Each frame feels like a prayer, inviting viewers to immerse themselves in the beauty and complexity of the region.

The emotional core of the film lies in Zeba’s bond with her father, an uneducated tailor with a liberal heart. Their quiet, affectionate scenes together by his sewing machine are filled with unspoken understanding. He believes in Zeba’s innate talent even when others do not, and his quiet faith becomes her guiding light.

Her Ustadji, played by Shishir Sharma, is gentle yet discerning, recognizing the divinity in her voice. He encourages her to enter a local singing contest, which becomes one of the film’s most arresting sequences. Dressed in a simple pink and violet Kashmiri salwar kameez, with a biscuit-colored hijab perched on her head, Zeba appears like a schoolgirl—uncertain and seeking her teacher’s approval. As she begins to sing “Dil Tsooran Hai,” the song that first wins her recognition, the audience is drawn into her world.

Following her performance, Zeba is awarded a trophy and a contract to sing for Radio Kashmir, where she meets Mr. Kaul, played by Suhail Nathani. The skeptical producer doubts that a young Muslim woman can endure the pressures of public life, but her voice silences every hesitation and gives her wings. Panditji, portrayed by Renzu himself, is a composer overwhelmed by her gift, creating rich orchestral arrangements that amplify the purity of her tone.

Zeba’s journey leads her to perform live at Tagore Theatre, but her photograph in the local newspaper brings her family shame. She is rescued from this scandal by poet Azad, played by Zain Khan Durrani, who asks for her hand in marriage. Azad’s poetry merges with her music, and the scene by Dal Lake, where she sings a verse composed by her husband, becomes a poignant invocation of love and devotion.

The film’s musical magic is heightened by Sufi-inflected songs like “Karsa Myon,” alongside many Kashmiri folk songs beautifully sung by Zeba, with playback by Masrat Un Nissa. Each note is layered with longing and spiritual surrender, deepening the emotional resonance of the narrative.

On a personal note, redemption arrives quietly for Zeba when she returns home with a new sewing machine for her father—a gesture of love, dignity, and self-worth. Her mother, played by Sheeba Chaddha, acknowledges her mistakes, whispering, “I was wrong. You have only brought us respect.” This moment of reconciliation is tender, evoking the breath of spring.

However, “Songs of Paradise” does not shy away from conflict or pain. Zeba faces her community’s judgment and endures the heartbreak of losing her entire archive of recordings in a fire. As she stands frozen before the flames, her face illuminated by loss, Saba Azad’s cries pierce the skies, leaving her silent and unable—or unwilling—to sing again.

Saba Azad’s performance is the heartbeat of this film. She embodies Zeba with an open, luminous face, an authentic Kashmiri accent, and questioning eyes that hold both courage and generosity. Whether demanding equal pay, sharing her food with colleagues, or seeking higher verse to lend her voice meaning, Azad delivers each moment with quiet ferocity. When she sings, the valley itself seems to hold its breath.

Unaware of her growing influence, Zeba inspires a generation of Kashmiri girls to sing. They come to her door, their voices opening with hope, asking to sing her songs. In that moment, her voice echoing against the mountains, Noor’s voice is not hers alone; it belongs to every woman who has ever sung her heart out.

Produced by Ritesh Sidhwani, Farhan Akhtar, Shafat Qazi, and Danish Renzu, “Songs of Paradise” is currently streaming on Amazon Prime.

Source: Original article

Digital Domain Names Sudhir Reddy as Head of Global VFX Operations

Digital Domain has appointed Sudhir Reddy as President of its Global VFX Business, succeeding Lala Gavgavian, who served the company for 18 years.

LOS ANGELES, CA – Digital Domain, the acclaimed visual effects studio known for its work on some of Hollywood’s most celebrated films, has announced the appointment of Sudhir Reddy as President of its Global VFX Business, effective immediately.

Reddy takes over from Lala Gavgavian, who dedicated 18 years to the company, including the last four years as President and COO. Gavgavian’s tenure was marked by significant growth and innovation within the studio.

With 27 years of experience in the visual effects industry, Reddy has played a crucial role in expanding Digital Domain’s international presence over the past 15 years. His leadership has been instrumental in the launch of the Hyderabad studio, as well as the management of the Vancouver and Montreal locations.

Reddy’s extensive experience includes overseeing global productions across feature films, episodic content, and emerging media. He has earned a reputation for successfully delivering ambitious projects on a worldwide scale.

Before rejoining Digital Domain, Reddy held various creative roles at prominent studios in India and at Flux Animation Studios in New Zealand. He later transitioned into senior production and management roles at Reliance MediaWorks in both India and Los Angeles, where he managed large-scale VFX pipelines and cross-border teams.

Digital Domain is recognized for its innovative artistry, contributing to several Academy Award-winning films, including ‘Titanic,’ ‘What Dreams May Come,’ and ‘The Curious Case of Benjamin Button.’ Reddy’s appointment is expected to further enhance the studio’s creative capabilities and global reach.

According to India West, Reddy’s leadership is anticipated to drive the company into new realms of creativity and technological advancement in the visual effects industry.

Source: Original article

‘De De Pyaar De 2’ Receives 4.5 Stars for Heartfelt Humor

‘De De Pyaar De 2’ is a heartwarming sequel that combines humor and emotion, earning 4.5 stars for its relatable storytelling and strong performances.

MUMBAI – It’s rare to find a film that evokes laughter, tears, and smiles all within the same heartbeat. ‘De De Pyaar De 2’ is that exceptional gem. This sequel not only lives up to the 2019 blockbuster but also expands on it with heart, humor, and a narrative that feels both deeply personal and universally relatable.

In a year dominated by thrillers and high-octane spectacles, ‘De De Pyaar De 2’ emerges as the standout family entertainer of 2025. It’s a film centered around family, designed to be enjoyed with loved ones. Whether you’re a parent, a young adult, or a daughter sharing a special bond with her father, this film resonates on multiple levels.

The film masterfully balances comedic moments that invite applause with tear-jerking scenes, ultimately delivering a subtle yet powerful message about love, relationships, and what it means to be ‘man enough’ in today’s world.

Lead actor Ajay Devgn shines in his role, effortlessly transitioning between subtle humor and emotional depth. His clever references to his own iconic films are a delightful treat for fans and are perfectly timed throughout the film. It’s refreshing to see him return to the romantic-comedy genre after a series of action-heavy roles.

R. Madhavan adds a soulful touch to the story. Portraying a father grappling with complex emotions, he embodies warmth and vulnerability. His interactions with Ajay are particularly noteworthy, blending humor with heartfelt moments that resonate deeply.

Leading lady Rakul Preet Singh delivers her finest performance to date, exuding charm, confidence, and radiance on screen.

Jaaved Jaffery consistently brings laughter, ensuring that audiences are in stitches every time he appears. Meanwhile, Meezaan makes a striking impression in the second half, looking effortlessly dashing and leaving a lasting mark despite his limited screen time.

The supporting cast, including Gautami, Ishita, and Suhasini Mulay, adds natural warmth and depth, beautifully rounding out the film’s emotional landscape.

Director Anshul Sharma infuses ‘De De Pyaar De 2’ with heart, humor, and a seamless storytelling approach. His vision is evident in every frame, skillfully bringing together a powerhouse cast and allowing each performer to leave a significant impact. Sharma adeptly orchestrates the film’s emotional beats and comic timing, blending warmth and wit in equal measure, solidifying his reputation as a filmmaker who knows how to entertain while keeping emotions genuine and grounded.

Unlike many sequels that merely aim to capitalize on a franchise name, ‘De De Pyaar De 2’ feels like an organic continuation of its predecessor. The callbacks are clever and not forced, with the story flowing with sincerity and purpose.

Just when viewers think they’ve seen it all, the final 20 to 30 minutes deliver one of the most emotionally satisfying climaxes in recent cinema. This rollercoaster of emotions leaves audiences with full hearts and broad smiles as they exit the theater.

Source: Original article

Makarand Deshpande Praises Innovation and Depth in Malayalam Cinema

Bollywood actor Makarand Deshpande lauds Malayalam cinema for its innovative storytelling and emotional depth, calling it the epicenter of exceptional filmmaking in India.

Bollywood actor Makarand Deshpande has expressed profound admiration for Malayalam cinema, describing it as the current epicenter of exceptional filmmaking in India. His remarks came during a visit to Kochi for the pooja ceremony of his upcoming Malayalam film, Vavvaal.

During this event, Makarand highlighted the unique blend of innovation and emotional authenticity that characterizes the Malayalam film industry. He emphasized that the strength of Malayalam cinema lies in its close connection to human emotions and the audience’s deep understanding of the art form.

This knowledgeable viewer base, according to Makarand, empowers Malayalam superstars to take creative risks and experiment with their roles and narratives. He noted that such an environment is less common in Bollywood, where commercial considerations often limit artistic ventures.

Makarand, who has appeared in notable Malayalam films such as Amen and Pulimurugan, praised the storytelling culture of the industry for its ability to balance authentic narratives with profound emotional depth. He recalled his involvement in the thriller No.66 Madhura Bus, emphasizing that Malayalam cinema prioritizes acting prowess over star power.

His comments reflect a broader recognition of Malayalam cinema as a space for world-class, experimental, and performance-driven films that resonate deeply with audiences. Makarand’s insights underscore the industry’s commitment to innovation and emotional storytelling, setting it apart in the landscape of Indian cinema.

As the industry continues to evolve, the appreciation from established actors like Makarand Deshpande highlights the growing influence and respect for Malayalam cinema on a national scale. This acknowledgment may encourage more filmmakers to explore the unique narrative styles and emotional depth that Malayalam films offer.

In conclusion, Makarand Deshpande’s admiration for Malayalam cinema not only celebrates its current achievements but also serves as a reminder of the importance of storytelling that connects with audiences on a deeper level. The industry’s ability to innovate while remaining rooted in genuine human experiences is what makes it a vital part of India’s cinematic landscape.

Source: Original article

Fitness Influencer Dies Following Suspicious Fall in Rio de Janeiro

Fitness influencer Diana Areas was found dead after a suspicious fall from her Rio de Janeiro apartment, raising questions about the circumstances surrounding her death.

Diana Areas, a popular fitness influencer and nutritionist from Brazil, tragically died this week after falling from her high-rise apartment in Rio de Janeiro. The 39-year-old, who boasted over 200,000 followers on Instagram, was discovered dead outside the Unique Towers condominium building on Thursday, according to reports from local news outlets, including the New York Post and People magazine.

Before her untimely death, Areas had been admitted to a hospital following a concerning incident at her home, where authorities found her with cuts on her body. Despite her condition, she reportedly left the hospital without being formally discharged, raising further questions about her well-being.

The circumstances surrounding her fall remain unclear, and authorities have not provided additional details regarding the investigation into her death. The news of Areas’ passing has left her followers in shock, prompting an outpouring of grief on her social media platforms.

One follower expressed their disbelief, writing, “My Godddd !!! Speechless !!! What a difficult time !!! Unbelievable !!!” Another follower paid tribute to her contributions to the field of nutrition, stating, “Today our profession loses a great nutritionist. A woman who left a mark on the lives of many through the care, knowledge, and affection with which she did her work. May God comfort the family and all who lived with her. Your dedication will continue to inspire those who pursue the same purpose.”

Yet another follower lamented the loss, saying, “Lord…. such sad news … so beautiful, young woman, may God receive her with open arms.”

Just weeks prior to her death, Areas had shared several photos from a trip with her significant other, reflecting on their relationship. She wrote, “We live and go through a lot together, as a couple. And you know what’s better? We choose each other every day! Our love doesn’t need a showcase, but these special photos couldn’t just stay in the gallery.”

Additionally, only a week before her death, Areas was actively promoting a fitness program called the REV 90 and Summer Challenge, encouraging her followers not to miss out on the opportunity to transform their bodies and health.

The tragic circumstances of Diana Areas’ death have left many questions unanswered, and her community continues to mourn the loss of a vibrant and inspiring figure.

Source: Original article

Dashavatar Premieres on ZEE5 Global as a New Indian-American Epic

ZEE5 Global is set to premiere “Dashavatar,” a mythological epic that explores the triumph of faith and light, on November 14, 2025, marking a significant milestone in Marathi cinema.

ZEE5 Global is preparing for the premiere of the grand mythological epic “Dashavatar” on November 14, 2025. This film represents a significant milestone in Marathi cinema, showcasing a rich tapestry of storytelling and cultural heritage.

Directed by Subodh Khanolkar and produced by Ocean Film Company and Ocean Art House, “Dashavatar” boasts an impressive cast that includes Dilip Prabhavalkar, Mahesh Manjrekar, Bharat Jadhav, Abhinay Berde, Priyadarshini Indalkar, Siddharth Menon, Aarti Wadagbalkar, Ravi Kale, and Vijay Kenkre. The film reimagines the timeless legend of Lord Vishnu’s ten avatars, symbolizing the victory of light and faith over darkness.

Set against the picturesque backdrop of the Konkan region in Maharashtra, the narrative follows Babuli Mestri, portrayed by Dilip Prabhavalkar, a dedicated Dashavtari folk performer. As Babuli grapples with his fading eyesight, he strives to preserve the ancient theatrical tradition. His final performance during Mahashivratri becomes a pivotal moment, blurring the lines between art and divinity, particularly as he channels the fierce Rudra avatar. This transformative experience sets him on an emotional and spiritual journey, reflecting the ongoing struggle between faith, destiny, and duty.

“Dashavatar” is a visual celebration of Maharashtra’s rich heritage, featuring meticulously crafted sets, authentic costumes, and stunning cinematography. The film delves into the emotional depths of devotion, cultural legacy, and the intersection of myth and modernity, providing viewers with a profound touchstone of spiritual and artistic expression.

Leadership at ZEE5 Global has emphasized their commitment to showcasing narratives that honor Maharashtra’s spiritual and cultural traditions while redefining the storytelling landscape. “Dashavatar” is poised to be a visually striking and emotionally resonant journey, brought to life by powerful performances and masterful direction. The creators aspire for the film’s message of faith and cultural pride to transcend regional and national boundaries, sharing its story with a global audience.

For director Subodh Khanolkar, “Dashavatar” is deeply personal, drawing from his childhood memories of watching Dashavatari performances in Konkan villages. His vision aims to encapsulate the grandeur, vibrancy, and diverse artistry that characterize India’s cultural identity, weaving these elements into an epic narrative that speaks to all audiences.

Dilip Prabhavalkar, a veteran actor, describes his role as Babuli Mestri as transformative. Under Khanolkar’s sensitive direction, Babuli emerges as a symbol of pure devotion and artistic surrender. For Prabhavalkar and the entire cast, “Dashavatar” is more than just a film; it is a cherished journey that they hope will resonate with viewers on a profound level.

As “Dashavatar” prepares to stream exclusively on ZEE5 Global starting November 14, audiences can anticipate a majestic saga rooted in mythology, faith, and the luminous victory of light over darkness.

Source: Original article

The Growing Influence of India’s Soft Power at Major Film Festivals

India’s presence at the Cannes Film Festival highlights its growing soft power, showcasing its cinematic achievements and cultural influence on the global stage.

Experience the magic of Cannes, where films, frenzy, flamboyance, festivity, and fortunes converge in a spectacular celebration of cinematic excellence on the French Riviera. Since its inception in 1946, the Cannes Film Festival has become a shining example of India’s burgeoning soft power.

Bhuvan Lall’s book, Namaste Cannes, offers a first-hand account of the festival’s remarkable history and India’s emergence as a global entertainment powerhouse. With decades of experience at Cannes, Lall transports readers to the world’s most famous film festival, where the Indian cinema industry shares its stories on an international platform, receives standing ovations, and wins prestigious awards.

Namaste Cannes honors the legacy of Satyajit Ray and celebrates the trailblazing filmmakers who have illuminated the path for future generations. The book showcases visionary film producers and distributors at the festival’s Marché du Film, who have extended the reach of Indian films worldwide.

Lall shares exclusive anecdotes about film stars who have influenced the global perception of India, chronicling unforgettable moments in Indian cinema’s journey across the world. His narrative evokes pride and patriotism, reflecting on how Indian cinema has shaped cultural dialogues internationally.

As India embarks on its next chapter in the world of entertainment, Namaste Cannes inspires optimism and energizes dreamers, storytellers, and achievers. The book serves as a testament to the power of cinema in bridging cultures and fostering understanding.

Namaste Cannes is available on Amazon worldwide, offering insights into India’s rich cinematic legacy and its enduring relationship with the Cannes Film Festival.

Dr. Bhuvan Lall deserves credit for his insightful narrative and historical perspective shared in Namaste Cannes, which chronicles India’s cultural influence through its participation in this prestigious film festival.

Source: Original article

Priyanka Chopra Returns to Music with Desi Version of ‘Last Christmas’

Priyanka Chopra Jonas brings a desi twist to the classic holiday song “Last Christmas” for Gurinder Chadha’s upcoming film, Christmas Karma, set to release on November 14 in U.S. theaters.

Priyanka Chopra Jonas is set to add a distinctly desi flavor to the holiday season this year. The global star has reimagined Wham!’s iconic classic “Last Christmas” for Gurinder Chadha’s new festive film, Christmas Karma. This much-anticipated movie will hit theaters across the United States on November 14, coinciding with the release of its original motion picture soundtrack.

Directed by Chadha, who is renowned for her work on films such as Bend It Like Beckham and Blinded By The Light, Christmas Karma presents a vibrant, musical retelling of Charles Dickens’ beloved tale, A Christmas Carol. The film features Kunal Nayyar, known for his role in The Big Bang Theory, as a modern-day Scrooge named Mr. Sood. The cast also includes notable appearances by Eva Longoria, Billy Porter, and Boy George, who portray the Ghosts of Christmas.

For Chopra Jonas, this project represents a significant collaboration with a longtime friend and a fellow pioneer of the South Asian diaspora in global entertainment. “Gurinder Chadha has been one of the very few stalwarts in entertainment that has championed stories of the Indian diaspora globally and consistently with absolute authenticity and heart,” Chopra Jonas remarked. “She is a dear friend, and I am so happy to support her in my little way in Christmas Karma. I hope this desi twist to a song that has long been the soundtrack of Christmas for so many of us resonates with audiences.”

Chadha, a self-proclaimed fan of George Michael, expressed her gratitude to his estate for permitting the team to create their unique interpretation of the beloved 1984 hit. “When I called my mate Priyanka Chopra Jonas to sing our fun Hindi version, she kindly stepped in to support me and the film with her beautiful take on Last Christmas,” Chadha said. “I hope George will enjoy this track in heaven, and all his fans around the world will sing along to the catchy Hindi vibe.”

The soundtrack for Christmas Karma reflects Chadha’s signature blend of cultures, incorporating elements of gospel, bhangra, Christmas carols, and pop music. In addition to Chopra Jonas, the album features performances from artists such as Gary Barlow, Billy Porter, Pixie Lott, Boy George, and legendary Punjabi singer Malkit Singh, with production contributions from Nitin Sawhney, Panjabi MC, and others.

As the first South Asian actress to win a People’s Choice Award for her role in Quantico, Chopra Jonas continues to exemplify the essence of a global crossover star. Her rendition of “Last Christmas”—a mix of nostalgia and reinvention—adds a fresh sparkle to a song that has long defined holiday playlists around the world.

With Christmas Karma, Gurinder Chadha delivers yet another joyful, multicultural celebration that feels perfectly timed for the season. Priyanka Chopra Jonas ensures that this festive offering comes with a generous dose of desi glamour and heartfelt spirit.

Christmas Karma is set to release in U.S. theaters on November 14, accompanied by its soundtrack album.

Source: Original article

Tisca Chopra’s Directorial Debut ‘Saali Mohabbat’ Starring Radhika Apte to Release on ZEE5

Tisca Chopra’s directorial debut, *Saali Mohabbat*, featuring Radhika Apte, is set to premiere exclusively on ZEE5 Global later this year, promising a compelling blend of drama and psychological thriller.

Tisca Chopra is stepping into the director’s chair for the first time with her upcoming feature film, *Saali Mohabbat*. The film stars acclaimed actress Radhika Apte alongside Divyenndu Sharma, and is slated for an exclusive premiere on ZEE5 Global later this year. The ensemble cast also includes notable talents such as Anurag Kashyap, Anshumaan Pushkar, Sauraseni Maitra, and Sharat Saxena, contributing to the film’s anticipation following its appearances at prestigious film festivals, including the International Film Festival of India (IFFI) and the Chicago South Asian Film Festival.

Produced by Jio Studios in collaboration with Manish Malhotra’s Stage5 Production, *Saali Mohabbat* marks a significant milestone for the renowned designer, who is making his debut as a digital producer. The film is expected to showcase a strong aesthetic combined with deep emotional resonance, adding a new dimension to Malhotra’s creative portfolio. This project also highlights the successful partnership between ZEE5 and Jio Studios, following the success of previous releases such as *Hisaab Barabar*, *Mrs.*, and *Bhagwat*.

The narrative of *Saali Mohabbat* centers around Smita, portrayed by Radhika Apte, a housewife living in a small town. Her seemingly ordinary life takes a dramatic turn as she becomes entangled in a web of infidelity, deceit, and moral dilemmas. What begins as a domestic drama quickly evolves into a high-stakes psychological thriller, exploring the complex interplay between love and obsession, as well as truth and illusion.

From ZEE5 Global’s perspective, *Saali Mohabbat* is not merely a suspenseful thriller but also a profound exploration of the emotions that drive human decisions. The collaboration with Jio Studios and Manish Malhotra brings together a unique blend of visionary creativity and a commitment to impactful storytelling. Radhika Apte’s return to the platform adds to the excitement, as audiences anticipate another powerful performance from the actress.

The film embodies a shared vision of courage and authenticity. For Jio Studios, *Saali Mohabbat* represents their dedication to supporting bold, genre-defying narratives. Manish Malhotra expressed that Stage5 Production was established to champion original, craft-driven stories. Every aspect of the film—from development to execution—was approached with intention, rigor, and responsibility. The cast members have infused their performances with restraint and truth, resulting in a collection of memorable portrayals.

Tisca Chopra drew inspiration for *Saali Mohabbat* from her fascination with the unspoken power dynamics and silent expectations that exist within relationships, particularly from a female perspective. She aimed to capture the subtle strains that lie beneath domestic life, delving into themes of trust, betrayal, and self-identity. Directing the film has been both a daunting and liberating experience for Chopra, as she navigated vulnerable emotions while challenging the constraints often faced by women filmmakers. She credits the project’s authenticity and emotional depth to the unwavering trust and support from Manish Malhotra, Stage5 Production, Jio Studios, and ZEE5 Global.

As one of the most anticipated releases on ZEE5, *Saali Mohabbat* promises to captivate global audiences with its blend of cinematic artistry, emotional depth, and powerful storytelling, backed by a talented and respected team.

Source: Original article

Honey Singh Enjoys Collaboration with Ajay Devgn on New Project

Honey Singh expressed his excitement about collaborating with Ajay Devgn on the upcoming film ‘De De Pyaar De 2’ and its lively music track ‘Jhoom Sharaabi.’

MUMBAI – Ahead of the highly anticipated release of the sequel ‘De De Pyaar De 2’ on November 14, the film’s creators are generating excitement with its vibrant soundtrack.

Following the release of the track ‘Raat Bhar,’ the team has introduced a new energetic wedding anthem titled ‘Jhoom Sharaabi,’ featuring popular actors Ajay Devgn and Rakul Preet Singh, alongside renowned musician Yo Yo Honey Singh.

<p’Honey Singh, who composed and performed the song, aimed to create a track that would get everyone dancing. He collaborated with choreographer Ganesh Acharya to ensure the song’s infectious beats would resonate with audiences.

“’Jhoom Sharaabi’ sets the mood the moment it drops! I wanted a track that pulls everyone to the floor, from the cool uncles to the crazy cousins,” Singh remarked, highlighting his vision for the song.

Reflecting on his collaboration with Ajay Devgn, Honey Singh shared, “Working with Ajay sir again was pure fun, packed with energy and masti.” The camaraderie between the two artists is evident, and their combined efforts promise to deliver an entertaining experience for fans.

As the release date approaches, the buzz surrounding ‘De De Pyaar De 2’ continues to grow, with music playing a pivotal role in building anticipation for the film.

Source: Original article

Khazana Offers Modern Takes on Traditional Indian-American Cuisine

Chef Sanjeev Kapoor’s Khazana restaurant in Palo Alto offers a modern take on traditional Indian cuisine, blending authentic flavors with contemporary presentation in a sophisticated setting.

For millions across the Indian subcontinent, Chef Sanjeev Kapoor is more than just a culinary icon; he is a beloved household name and a mentor in the kitchen. Kapoor has been a trailblazer in bringing Indian cooking to television, long before food became a form of entertainment. His warm smile and effortless command over spices revolutionized home cooking through “Khana Khazana,” Asia’s longest-running cooking show, which aired an impressive 649 episodes. He further solidified his influence as a media pioneer by launching “FoodFood,” India’s first 24/7 food and lifestyle channel.

In recognition of his contributions, the Indian government awarded him the Best Chef of India title and the prestigious Padma Shri, the nation’s fourth-highest civilian honor. These accolades reflect his significant cultural impact both in India and around the world.

Kapoor’s ambitions have always extended beyond television. In 1998, he opened the first Khazana restaurant in Dubai, aiming to present Indian cuisine on the global stage with the finesse and elegance it deserves. Today, that vision has expanded into a global empire of 81 restaurants across 10 countries, under eight distinct culinary brands. Last year, he introduced his flagship concept—Khazana—to Palo Alto, marking the brand’s debut in the United States.

Khazana Palo Alto represents decades of culinary storytelling by a chef who has elevated Indian food to the global gourmet spotlight. This restaurant is Kapoor’s second establishment on the Peninsula, following The Yellow Chilli in Santa Clara, but Khazana is considered the crown jewel. His philosophy centers on authenticity, innovation, and accessibility, as he believes Indian cuisine should be as revered internationally as French or Japanese food—elegant, expressive, and deserving of fine-dining acclaim. At Khazana, Kapoor successfully bridges tradition and modernity, crafting each dish using time-honored techniques while presenting them with contemporary flair.

The restaurant’s interior reflects a seamless blend of modern elegance and Indian artistry. Designed to evoke a sense of understated luxury, the space features warm, earthy tones, hand-carved wood accents, and custom lighting that casts a golden glow across the dining area. Contemporary furniture is paired with subtle nods to Indian design, including jaali-inspired patterns, traditional textiles, and curated art pieces that celebrate India’s rich cultural heritage. An open kitchen concept allows diners to catch glimpses of the culinary craftsmanship, enhancing the overall dining experience. The ambiance is refined yet welcoming, making Khazana feel both globally sophisticated and deeply rooted in tradition.

Chef Kapoor personally curated the menu, ensuring that each dish reflects his culinary vision. For starters, guests can enjoy Shimeji Pepper Fry, featuring mushrooms with a black pepper kick served alongside paratha. The menu also includes Jackfruit and Avocado Tacos made with millet tortillas and spiced jackfruit, as well as Ancho Chili Paneer Tikka and Edamame Panipuri, which combines crispy puris with spiced edamame.

For meat and seafood enthusiasts, Khazana offers Kashmiri-style lamb chops infused with saffron and fennel, along with a fiery Bedgi Chilli Chicken. The tandoori seabass, marinated Chilean seabass cooked in a clay oven, and Argentinean shrimp presented with a spicy batter cater to those seeking bold flavors.

Main courses feature classic vegetarian options such as baingan bharta and sarson da saag, a leafy green puree with a truffle twist, alongside dal tadka. Non-vegetarian selections include fish tikka masala, creamy kali mirch chicken with black pepper, and Mango Butter Chicken. Diners can also savor the Malabari Prawn in Sourdough Bowl, rich with coconut milk, and Laal Maas Keema Bati, a goat dish with red chili.

Khazana’s Signature selection showcases dishes like Lalla Mussa Dal, which is simmered overnight, and Rogan Josh Nalli, lamb shanks in a Kashmiri spiced curd sauce. The menu also features Chicken Tariwala, a spicy chicken curry inspired by the famous Puran Singh da dhaba on the Delhi-Ambala Highway, and Shaam Savera, soft cottage cheese stuffed spinach dumplings in a perfectly spiced tomato sauce.

No Indian meal would be complete without biryani, and Khazana offers chicken, vegetarian, lamb, and prawn versions, all cooked with aromatic rice and spices, sealed with dough and served with gravy.

For dessert, guests can indulge in Baked Mishti Doi, a Kolkata-style treat with apricot, or try the vegan Badam Kheer. The menu also features a twist on gajar ka halwa with their Carrot Pudding Puff Tart, Motichoor Ladoo-inspired cheesecake, and the classic gulab jamun. Complementing the cuisine, Khazana boasts a full bar serving a variety of classic drinks, special house cocktails, and many Indian-inspired seasonal creations.

The word “Khazana” translates to treasure, and this culinary treasure is now just around the corner for those in Palo Alto.

Source: Original article

6-A Akash Ganga Challenges Myths Surrounding Annapurna Devi, Ravi Shankar’s Widow

Documentary “6-A Akash Ganga” explores the life of legendary musician Annapurna Devi, shedding light on her decision to step back from performance to support her husband, sitarist Ravi Shankar.

Legendary musician Annapurna Devi, known for her mastery of the surbahar, was the widow of renowned sitarist Ravi Shankar. Her influence in the world of Indian classical music is profound, yet her story is often overshadowed by her husband’s fame. It is said that even George Harrison of The Beatles sought special permission just to hear her practice, highlighting her exceptional talent and the respect she commanded among her peers.

In the mid-1950s, Annapurna Devi made a significant choice that would shape her legacy. To protect her marriage to Ravi Shankar, who was becoming increasingly uneasy with her rising acclaim, she decided to stop performing altogether. This decision has led to various myths surrounding her life and career, which are now being addressed in a new documentary film.

Titled “6-A Akash Ganga,” the film is directed by Nirmal Chander and features insights from her disciple, Nityanand Haldipur. The documentary aims to cut through the misconceptions and reveal the true essence of Annapurna Devi as a matchless guru and musician.

“6-A Akash Ganga” has garnered significant recognition, winning several awards, including Best Documentary at the 2024 Jagran Film Festival, Best Film at Film Southasia 2024, and Best Indian Documentary Film at the 2024 Mumbai International Film Festival. Additionally, it was a runner-up for feature documentary at the 2025 South Asian Film Festival of Montreal.

Nirmal Chander, who has dedicated over three decades to the film industry as an editor, director, and producer, has received multiple accolades for his work. His previous documentary, “Moti Bagh,” was even submitted as an Oscar entry from India in 2019, showcasing his ability to tell compelling stories through film.

The documentary “6-A Akash Ganga” will be screened on Saturday, October 25, at Facets, located at 1517 W. Fullerton Ave., Chicago, and on Sunday, October 26, at Hollywood Blvd. Cinema, situated at 1001 75th St., Woodridge. These screenings are presented by Mandala South Asian Performing Arts in partnership with India Development Service.

For those interested in learning more about the film and its screenings, additional information can be found at mandalaarts.org.

Source: Original article

Apple Signs Five-Year Exclusive Streaming Deal for Formula 1 on Apple TV

Apple has secured a five-year exclusive deal to stream all Formula 1 races in the United States on Apple TV, beginning in 2026, marking a significant expansion into live sports streaming.

Apple and Formula 1 have announced a five-year media rights agreement that will make Apple TV the exclusive platform for streaming every F1 race in the United States, starting in 2026. This deal, revealed on Friday, represents a notable advancement in Apple’s efforts to expand its presence in live sports streaming.

Under the terms of the agreement, subscribers to Apple TV, who pay the standard monthly fee of $12.99, will have access to comprehensive coverage of all Formula 1 events. This includes practice sessions, qualifying rounds, and Sprint races, all without advertisements. Additionally, select races and all practice sessions will be available for free streaming through the Apple TV app during the season, as confirmed in a joint statement from both companies.

This new structure differs from Apple’s existing partnership with Major League Soccer, which requires an additional purchase of the MLS Season Pass. Reports indicate that Apple is paying approximately $140 million annually for the Formula 1 rights, a significant increase compared to Disney’s ESPN, which previously paid around $85 million per year for the same rights.

The agreement further solidifies Apple’s growing relationship with Formula 1, following the success of “F1: The Movie,” starring Brad Pitt, which has become the highest-grossing sports film of all time.

In a statement, ESPN expressed pride in its collaboration with Formula 1 in the United States, stating, “We are incredibly proud of what we and Formula 1 accomplished together in the United States and look forward to a strong finish in this final season. We wish F1 well in the future.”

F1’s own streaming service, F1 TV Premium, will continue to be available in the U.S. but will now be integrated into Apple’s ecosystem. Subscribers will need an Apple TV subscription to access F1 TV Premium content, which will be included as part of the package rather than offered as a standalone service. The coverage will feature commentary from both F1 TV and Sky Sports announcers, enhancing the viewing experience for fans.

Eddy Cue, Apple’s Senior Vice President of Services, emphasized the company’s selective approach to live sports, focusing on opportunities where it can “control the user experience.” Speaking at the Motorsport Network’s Autosport Business Exchange NYC, Cue stated, “We don’t have to do sports the way that they are. There’s plenty of people doing that, so the world doesn’t need us to do that. And so our view around it is, if we can do something unique, then we’ll do it.”

Stefano Domenicali, President and CEO of Formula 1, expressed enthusiasm for the partnership, stating, “This is an incredibly exciting partnership for Apple and the whole of Formula 1 that will ensure we can continue to maximize our growth potential in the U.S.”

This exclusive deal positions Apple as a significant player in the sports streaming market, reflecting its commitment to providing unique and engaging content for its subscribers.

Source: Original article

Daily Horoscope for All Zodiac Signs: October 16, 2025

Your daily horoscope for October 16, 2025, offers insights into the celestial influences affecting each zodiac sign.

Aries (March 21 – April 20): Today, you will embody compassion and generosity. Your willingness to share your resources will be rewarded in the future, according to Ganesha. You possess a unique ability to blend work with enjoyment, treating your colleagues and juniors like family.

Taurus (April 21 – May 21): Your analytical skills may catch the attention of your boss today, enhancing your awareness and wisdom as the afternoon progresses. Ganesha suggests you might indulge in a shopping spree for electronic gadgets, such as cassettes and CDs.

Gemini (May 22 – June 21): Nostalgia will be a prominent theme for you today, as you reflect on cherished memories. Expect sentimental moments in the afternoon, leading you to make decisions based on your emotions rather than logic. Ganesha advises you to cultivate a clearer understanding of right and wrong.

Cancer (June 22 – July 22): Love is in abundance today, and you may find yourself falling in love with your partner all over again. Although you might feel restless in the afternoon due to separation, the evening will provide ample opportunity to reconnect and make up for lost time.

Leo (July 23 – August 23): It’s essential to maintain a balance between your income and expenses today. This is an opportune time for investments and speculation in shares. Ganesha notes that any outstanding debts will be settled, and delayed projects will finally reach completion, strengthening your relationships with business partners.

Virgo (August 24 – September 22): You may feel inspired to refresh your living space today. Ganesha encourages you to add vibrant decorations that reflect your personality. In the evening, you will shine as a performer and a supportive friend.

Libra (September 23 – October 23): Family will be your pillar of support today, as Ganesha suggests that you may feel compelled to show gratitude later in the day. Expect recognition from rivals for your accomplishments. Your charm and eloquence will also enhance your romantic relationships.

Scorpio (October 24 – November 22): Creativity will flow freely today, especially as you engage with your siblings. Ganesha predicts that you will navigate challenges with ease and may secure a job opportunity later. In the evening, you will play the role of a peacemaker.

Sagittarius (November 23 – December 21): Ganesha advises you to surround yourself with like-minded individuals today. While your ideas may not come to fruition as expected, persistence is key. Stay practical as the day progresses.

Capricorn (December 22 – January 20): Understanding emotions, particularly those of your partner, may be challenging today. However, their openness will help you both deepen your connection. Spend quality time together and consider surprising them with a thoughtful gift.

Aquarius (January 21 – February 18): If you find yourself involved in legal matters, Ganesha recommends seeking an out-of-court settlement. Your resilience will help you navigate difficulties, but be mindful that your strong convictions may come across as rigidity. A softer approach could prove beneficial.

Pisces (February 19 – March 20): Nostalgia will guide your actions today, prompting you to reach out to old friends and relatives. Ganesha notes that it is a favorable day for social and religious activities. While your emotions may influence your work, it’s important to remain practical in business decisions.

Stay connected with the cosmos through your daily horoscope! Access insights tailored to your zodiac sign for October 16, 2025, and discover what the universe has in store for you. Whether you are an adventurous Aries or a sensitive Pisces, our expert astrologers provide personalized readings to help you navigate life’s challenges and triumphs.

Source: Original article

Kiran Desai’s ‘The Loneliness of Sonia and Sunny’ Shortlisted for Booker Prize

Kiran Desai’s latest novel, *The Loneliness of Sonia and Sunny*, has been shortlisted for the 2025 Booker Prize, showcasing her distinctive narrative style and exploration of loneliness.

Kiran Desai’s upcoming novel, *The Loneliness of Sonia and Sunny*, has garnered significant attention after being shortlisted for the 2025 Booker Prize. In this work, Desai employs a naturalist’s eye, crafting a narrative that is both observant and immersive, transporting readers to the diverse settings she vividly describes.

Desai’s journey to this point has not been without its challenges. In the margins of an early draft of her manuscript, her mother, Anita Desai, famously wrote, “Cut. If not, shorten.” This advice came after Kiran had already reduced a staggering 5,000-page manuscript to a still-imposing 1,000 pages. The final published version, at 688 pages, has sparked debate among readers regarding its length.

During a recent event at Kepler’s Books in Menlo Park on September 21, Desai discussed her novel in an engaging conversation moderated by her friend and fellow writer, Ellen Sussman. Heather Birchall, a representative from Kepler’s, introduced the event by recalling that Desai was the youngest female winner of the Booker Prize in 2006 for her previous work, *The Inheritance of Loss*, at the age of 34.

The inspiration for *The Loneliness of Sonia and Sunny* stems from Desai’s own experiences at Bennington College in Vermont, where she encountered what she describes as a winter of “exquisite, artistic loneliness.” The novel delves into various forms of loneliness, including romantic, existential, and those arising from racial, gender, and national differences.

Set against the backdrop of privileged upper-class Indian families, the protagonists, Sonia and Sunny, are raised with the expectation of leaving India. Their families attempt to arrange a marriage for Sonia while she is a lonely college student in Vermont, and Sunny is an AP reporter in New York. However, these attempts ultimately fail, leading them to pursue their own paths.

Sonia relocates to New York, where she becomes involved with a self-absorbed and abusive artist named Ilan. Meanwhile, Sunny’s close friend, Satya, a medical student, decides to enter an arranged marriage and seeks Sunny’s assistance in selecting his bride. Fate brings Sonia and Sunny together in India, sparking a sweet but complicated romance.

Throughout their relationship, Desai illustrates how external circumstances continually pull Sonia and Sunny apart, prompting questions about whether love can truly overcome such obstacles. Both characters are portrayed as writers and wanderers, grappling with their identities and how they fit into the world. Sussman highlighted Sonia’s struggle with her writing, quoting her reflection on the creative process: “I am trying to write a book, in fact, but I feel I am circling the story.” This sentiment resonates throughout the novel, as Desai’s prose often reflects a similar circling of ideas.

While the book features moments of striking prose, such as “The train began to clop to a tabla beat,” and “An aberrant ice cube harboring a bubble of air begins to squeal in the glass and spin around like a dervish,” it also contains lengthy passages that can feel meandering. These extended musings, while occasionally meditative, sometimes detract from the narrative’s momentum.

Desai’s exploration of racial relations and justice adds depth to the story, particularly through Sunny’s experiences as a brown person navigating a predominantly white audience. A poignant moment occurs when an acquaintance warns Sunny that seeking American citizenship may alter his perspective as a reporter, suggesting that he might lose touch with the very humanity he aims to advocate for.

The narrative is punctuated by significant historical events, such as 9/11 and the destruction of the Babri Masjid, which serve to anchor the characters in specific contexts. However, these references often feel superficial, as they are more about situating the characters in time rather than directly affecting their lives.

Desai also touches on elements of magical realism, inspired by her introduction to an exhibition by Francesco Clemente. While she acknowledges the use of magical realism as a means to explore complex themes, the execution in this novel may not resonate as strongly as in other celebrated works of the genre.

Desai’s keen observational skills shine through in her descriptions of landscapes and settings. She paints vivid images of nature and architecture, such as “a forest of doves” and “water pooling in the corner of a bathroom.” However, her character descriptions tend to focus more on personality traits than physical attributes, which may leave readers wanting more depth in understanding the characters.

Among the characters, the resilient mothers stand out, each embodying different aspects of loneliness. Sonia’s mother, referred to simply as Mama, finds peace in solitude, while Sunny’s mother, Babita, believes that loneliness is the only problem worth solving. This thematic exploration of loneliness echoes contemporary discussions, such as those presented in Surgeon General Vivek Murthy’s 2021 book on the subject.

At the book signing following the event, Desai’s warmth and graciousness were evident as she engaged with fans, remarking on the “cool” Advance Reader’s Copy in hand. Her approachable demeanor leaves a lasting impression, inviting readers to wish her well on her literary journey.

Source: Original article

Kishkindhapuri: New Telugu Horror-Thriller Set to Premiere on ZEE5 Global

ZEE5 Global will premiere the Telugu horror-thriller *Kishkindhapuri* on October 17 at 6 PM IST, featuring a gripping storyline set in an abandoned radio station.

ZEE5 Global is poised to unveil the Telugu horror-thriller *Kishkindhapuri* on October 17 at 6 PM IST. Directed by Kaushik Pegallapati and produced by Sahu Garapati under the Shine Screens banner, the film stars Bellamkonda Sai Srinivas, Anupama Parameswaran, Makarand Deshpande, and Tanikella Bharani in key roles. Following its theatrical release, the film is set to make its digital debut, promising a chilling experience for viewers.

Set against the eerie backdrop of an abandoned radio station, *Kishkindhapuri* follows a group of visitors on a ghost tour who inadvertently awaken a dormant spirit. What begins as curiosity quickly spirals into terror as they find themselves trapped with no means of escape, delivering suspense at every turn.

Bellamkonda Sai Srinivas, who plays a pivotal role in the film, shared insights into the challenges of horror acting. “Horror acting is challenging because you respond to unseen threats. This role pushed me beyond my comfort zone, as the atmosphere of fear lingered even off-camera. Audiences will experience suspense and tension throughout,” he remarked.

Anupama Parameswaran also reflected on her experience, stating, “My character feels genuine fear and finds inner strength in unexpected moments. Shooting in the haunting locations made the experience intense, almost as if the environment itself was guiding our performances.”

With its immersive visuals, strong performances, and a gripping storyline, *Kishkindhapuri* is set to captivate horror enthusiasts. Viewers can catch the supernatural thrills starting October 17 at 6 PM IST, exclusively on ZEE5 Global.

Source: Original article

6th Indic Film Utsav Highlights Diversity of Indian-American Cinema

The 6th Indic Film Utsav will showcase a diverse lineup of films celebrating human resilience and cultural richness from November 7–9, 2025, in Dallas, Texas.

The Indic Film Utsav (IFU) has announced its lineup for the 6th edition, titled The Festival of Positive Cinema. This year’s festival aims to showcase films that inspire, uplift, and celebrate human resilience across various cultures.

Scheduled to take place from November 7 to 9, 2025, the festival will be held at the Galaxy Theater at the Grandscape in The Colony, Dallas, Texas. Since its inception in 2020 as an OTT festival, the Indic Film Utsav has evolved into a fully theatrical experience, reflecting the growing Indian community in the Dallas area.

The festival will kick off on November 7 with the North American premiere of *American Warrior*, directed by Gustavo Martin Benites. This gripping narrative features an Indian American protagonist, portrayed by Vishy Ayyar, who is compelled to confront his past. Following the screening, there will be a Q&A session with the filmmaker and cast.

This year’s festival features a diverse array of narrative features, short films, student works, and documentaries presented in English, Hindi, Marathi, Telugu, Kannada, Konkani, and Bengali, all with English subtitles. Approximately twenty films have been selected from over 1,350 entries submitted to the festival.

Audiences will have the opportunity to experience cinema deeply rooted in the textures of India and its neighboring regions. The festival includes a searing exposé on Hindu phobia titled *Caste Gate – The Untold Story* by Vikram Mishra, alongside the lyrical Bengali feature *Ahana – The Light Within* by Promita Bhowmick. These films embrace narratives that are both urgent and timeless.

Other notable films include *6A Akash Ganga*, directed by Nirmal Chander, which explores the musical heritage of the legendary musician Annapurna Devi, and *Rhythm of Dammam* by Jayan Cherian, which delves into cultural heritage. Additionally, *Jaar* by Phurba Tshering Lama transports viewers to 19th-century Nepal.

Films such as *87 Rupees Ink Pen* and *Aata Tu Motha Jhalas* capture themes of childlike innocence, survival, and the dilemmas of growing up. Short films like *All Water is Holy Water* and *Cowboys and Hindus* highlight resilience, identity, and cultural exchange. Two student shorts, *Bhamakalapam* and *Lady Bird! Together*, reflect the diversity and vitality that define Indic cinema.

Now in its sixth year, the Indic Film Utsav has established itself as a global platform for independent filmmakers who champion cinema rooted in empathy, dignity, and hope. In addition to film screenings, the festival will host Q&A sessions, networking opportunities with participating filmmakers, and special events aimed at engaging the wider Dallas film-loving community.

Danji Thotapalli, Co-founder and Chief Curator of Indic Film Utsav, stated, “The Indic Film Utsav is more than a weekend of screenings — it’s a celebration of stories that uplift, connect, and inspire. Every film we select reflects our core belief in the power of cinema to highlight the human spirit and spark meaningful conversations. In a world often clouded by negativity, our festival offers a refreshing space to discover hopeful, culturally rich, and creative voices from India and beyond.”

For more information about the festival, visit the official website of the 6th Indic Film Utsav.

Source: Original article

Priyanka Chopra Shows Off ‘Nicholas’ Mehendi Before Karva Chauth

Priyanka Chopra Jonas embraces the festive spirit of Karva Chauth, showcasing her mehendi featuring her husband Nick Jonas’ name, ‘Nicholas,’ alongside her daughter Malti Marie’s intricate henna designs.

MUMBAI – Priyanka Chopra Jonas is fully immersed in the festive atmosphere as she prepares for Karva Chauth. The actress recently shared a glimpse of her stunning mehendi, which prominently features her husband Nick Jonas’ full name, ‘Nicholas,’ beautifully inscribed on her palm.

In addition to her own mehendi, Priyanka also posted a heartwarming photograph that showcases the tiny hands of her daughter, Malti Marie, adorned with intricate henna designs. This touching moment reflects the significance of the occasion, which celebrates the bond between married couples.

Priyanka Chopra has been busy with her acting career, having recently appeared in the action film ‘Heads of State,’ directed by Ilya Naishuller. The film stars Idris Elba and John Cena, who portray the UK Prime Minister and the US President, respectively.

Looking ahead, Chopra is set to share the screen with Mahesh Babu for the first time in the upcoming film tentatively titled ‘SSMB29.’ This collaboration has generated excitement among fans eager to see the two stars together.

Additionally, Chopra has been cast in the latest installment of the popular franchise ‘Krrish 4,’ which will mark Hrithik Roshan’s directorial debut. This project is highly anticipated, given the franchise’s success and the star power involved.

Furthermore, the 42-year-old actress is set to take on a unique role as a 19th-century Caribbean pirate in the forthcoming swashbuckler action drama titled ‘The Bluff.’ This diverse range of roles showcases her versatility as an actress.

As Priyanka celebrates Karva Chauth, her festive spirit and dedication to her family and career continue to shine, making her a beloved figure in the entertainment industry.

Source: Original article

David Dhawan Expresses Admiration for ‘Tiwariji’ Rohitashv Gour

Television star Rohitashv Gour, known for his role as Manmohan Tiwari, has garnered admiration from comedy legend David Dhawan for his recent performance in the film ‘Sunny Sanskari Ki Tulsi Kumari.’

MUMBAI – Rohitashv Gour, a prominent figure in Indian television, is celebrated for his versatility and talent across various shows and films. Recently, he appeared in the film ‘Sunny Sanskari Ki Tulsi Kumari,’ starring Janhvi Kapoor, where he portrayed Suresh Sanskari, the father of Varun Dhawan’s character.

Gour is widely recognized for his role as Manmohan Tiwari in the popular comedy series ‘&TV’s Bhabi Ji Ghar Par Hai.’ He shared that during the filming of ‘Sunny Sanskari Ki Tulsi Kumari,’ many on set affectionately referred to him as “Tiwari Ji,” a testament to the character’s popularity.

Reflecting on his experience, Rohitashv Gour expressed, “The love people have for Tiwari Ji is unbelievable! Even during the film’s shoot, everyone – including Varun Dhawan – would call me Tiwari Ji.”

He further revealed an interesting connection to the film’s director, stating, “One day, Varun told me that his father, the renowned comedy director David Dhawan, often watches ‘Bhabiji Ghar Par Hai’ with his family and praises it. For me, that felt like a huge achievement; it shows how deeply the character has connected with and entertained people from all walks of life.”

Gour shared how he became involved in the film, explaining, “I received a call from Mukesh Chhabra’s casting team, and when I learned that Varun was part of the project, I was instantly excited. We had met earlier when he visited our show sets to promote ‘Badrinath Ki Dulhania.’”

He described the filming experience as delightful, saying, “Shooting for this film was an absolute delight, and the team’s warmth made it even more special. Honestly, I did not feel like I was doing a film; it was as if Tiwari Ji had just walked onto a bigger set. It was pure fun and a deeply satisfying experience. Now that audiences are loving my role too, it feels like a double celebration!”

Rohitashv Gour has been a staple on ‘Bhabi Ji Ghar Par Hain’ for over a decade, contributing significantly to the show’s enduring success.

Source: Original article

Gajendra Verma Releases New Ballad Exploring Love and Longing

Gajendra Verma’s new ballad “Waade” explores the complexities of love, promises, and the heartache of lost connections, showcasing his collaboration with rising artist Ravator.

MUMBAI – Following the success of hits like “Mann Mera” and “Tera Ghata,” singer Gajendra Verma has released his latest ballad, “Waade.” This poignant love song delves into the intricate emotions surrounding promises, passion, and the sorrow of lost love.

In this new track, Gajendra collaborates with emerging artist Ravator, and the music video features stunning visuals shot against the picturesque landscapes of Georgia, showcasing everything from snow-capped mountains to tranquil valleys.

Gajendra expressed his thoughts on the song, stating, “Waade is more than just a song—it’s an emotion. It’s about the promises we make in love, the hope that comes with them, and the ache we carry when those promises break. I wanted to capture that bittersweet mix of love and longing that stays with you forever.”

He further elaborated on the creative process behind “Waade,” noting that he drew inspiration from his own experiences. “While creating it, I kept revisiting moments from my own journey—those little memories and heartbreaks we all go through,” he said.

Gajendra also praised his collaboration with Ravator, describing it as a refreshing experience. “He brings a modern texture and unique energy to the music, and together we’ve shaped something that feels both timeless and contemporary,” he added.

With “Waade,” Gajendra Verma continues to showcase his talent for crafting emotional narratives through music, resonating with listeners who have experienced the complexities of love and longing.

Source: Original article

3rd i Films Showcases Independent Indian-American Film at Roxie Theater

3rd i Films will showcase a diverse array of independent films highlighting South Asian narratives at the 23rd Annual San Francisco International South Asian Film Festival from October 10-12.

3rd i Films is set to celebrate the 23rd Annual San Francisco International South Asian Film Festival, taking place from October 10 to 12 at The Roxie Theater in San Francisco. The festival aims to promote diverse representations of South Asians through independent cinema, featuring a range of genres from art-house classics to innovative documentaries.

This year’s festival will kick off with the crime thriller LITTLE JAFFNA (France, 2024), directed by Lawrence Valin. The film, which premiered at the Venice Film Festival 2024 and was nominated for Best International Feature Film at the Zurich Film Festival, follows an undercover French police officer of Sri Lankan descent. Tasked with infiltrating a Tamil gang in Paris, the protagonist grapples with the complexities of his dual identity while navigating the gang’s operations. Following the screening, Valin will participate in a Q&A session.

3rd i Films continues to push boundaries with its selection of groundbreaking cinema from South Asia and its diaspora. This year, the festival’s Beyond Bollywood segment will showcase award-winning narrative, documentary, and short films from various countries, including India, Sri Lanka, France, the UK, Canada, and the USA.

Women’s stories take center stage at this year’s festival, highlighted by Uttera Singh’s PINCH (India, 2025). Premiering in the International Narrative Competition at the Tribeca Film Festival, this vibrant dark comedy offers sharp social commentary. The film follows travel vlogger Maitri, who, while accompanying her mother and neighbors to a temple during the Navratri festival, faces an unexpected and shocking incident. This prompts her to take retributive action, setting off a series of events that disrupt her close-knit community. Singh will also engage in a Q&A after the screening.

Another notable film is Rohan Parashuram Kanawade’s CACTUS PEARS (India/Canada/UK, 2025), which presents a sensitive exploration of bereavement and the mother-son bond within a rural, lower-class Indian farming community. This film, the first Indian and Marathi language entry to win the World Cinema Grand Jury Prize at the 2025 Sundance Film Festival, has resonated with audiences for its intimate portrayal of queer identity.

Additionally, Lakshmipriya Devi’s BOONG (India, 2024) offers an upbeat coming-of-age story that explores themes of friendship against the backdrop of Manipur’s sociopolitical unrest. The narrative follows adventurous schoolboy Boong and his friend Raju as they navigate obstacles to reunite Boong’s divided family.

Engaging and poignant, Aranya Sahay’s HUMANS IN THE LOOP (India, 2024) provides a nuanced examination of artificial intelligence through the lens of a tribal woman’s experiences. Following her divorce, Nehma returns to her village with her children and takes a job as a data annotator, reflecting the real-life involvement of many indigenous women in India’s burgeoning AI industry.

The festival also features documentaries that blend magical realism with investigative storytelling. Rajee Samarasinghe’s YOUR TOUCH MAKES OTHERS INVISIBLE (Sri Lanka/USA, 2025) explores the plight of thousands of missing persons during Sri Lanka’s 26-year civil war. The narrative intertwines the supernatural with real-life testimonies from women whose loved ones disappeared amidst the conflict. Samarasinghe will join a Q&A session following the screening.

Another documentary, FARMING THE REVOLUTION (India/France/Norway, 2024), directed by Nishtha Jain, captures the spirit of the massive protests against exploitative farm laws in India during the COVID lockdown. The film follows young Punjabi farmer Gurbaz as he joins over half a million protesters, showcasing the diverse demographics of the movement. Jain will also participate in a Q&A after the screening.

The festival’s shorts program continues to highlight a wide range of themes, from immigration and identity to gender and social justice. This year’s selection features narratives and documentaries that reflect the diverse experiences of filmmakers from South Asia and the diaspora, accompanied by Q&A sessions with the creators.

The San Francisco International South Asian Film Festival will take place from October 10 to 12, 2025. For more information about the festival and its lineup, visit thirdi.org.

Source: Original article

Nushrratt Bharuccha Enjoys Day at Niagara Falls During Visit

Actress Nushrratt Bharuccha embraced her carefree spirit during a recent trip to Niagara Falls, sharing glimpses of her adventure with friends on social media.

MUMBAI – Actress Nushrratt Bharuccha showcased her playful side during a recent getaway to Niagara Falls with friends. Known for her roles in films such as *Pyaar Ka Punchnama*, Nushrratt took to social media to share snapshots from her fun-filled trip.

In the photos and videos shared online, Nushrratt can be seen enjoying the stunning natural beauty of the falls, which featured cascading water and a vibrant rainbow. The actress appeared to be in high spirits, fully embracing the picturesque surroundings.

Accompanied by her friends, Nushrratt captured moments of joy and laughter, highlighting the carefree nature of their outing. The images reflect a sense of adventure and camaraderie, as the group explored one of the world’s most famous natural wonders.

This trip to Niagara Falls follows Nushrratt’s recent visit to Universal Studios in Orlando, where she also shared her experiences on social media. Her posts from the amusement park showcased her enjoyment of the various attractions and rides, further emphasizing her love for travel and adventure.

Fans of the actress have responded positively to her updates, expressing their delight at seeing her enjoy life and make lasting memories with friends. Nushrratt’s ability to connect with her audience through social media continues to resonate, as she shares snippets of her personal experiences.

As Nushrratt Bharuccha continues to balance her film career with her passion for travel, her adventures serve as a reminder of the importance of taking time to unwind and enjoy life’s beautiful moments.

According to Source Name, Nushrratt’s carefree spirit shines through in her latest escapades, inspiring her fans to embrace their own adventures.

Source: Original article

Nine Dolls: Indian-American Psychological Thriller Explores Navaratri Themes

Rupa Mahadevan’s debut psychological thriller, *Nine Dolls*, intertwines the festive spirit of Navaratri with suspense and dark secrets in a remote Scottish manor.

In *Nine Dolls*, Rupa Mahadevan crafts a gripping psychological thriller set against the backdrop of Navaratri, the Hindu festival celebrating the divine feminine. The story unfolds in a secluded manor in Oban, Scotland, where a group of friends reunites to honor the festival. However, what begins as a festive gathering quickly spirals into chaos when a guest is murdered, and the sacred dolls are mysteriously rearranged, each display echoing a dark secret from the past.

Leela, newly married and deeply traditional, joins her husband Dhruv and his circle of old friends for the holiday. As the festivities commence, Leela’s unease grows, and it becomes evident that the cheerful façade of the group conceals deeper fractures. Each night reveals a new secret, raising the stakes as the question looms: which secret is worth killing for?

The tradition of Golu Bommai, which features a vibrant display of dolls and figurines representing gods and daily life, plays a central role in the narrative. Leela insists on bringing her dolls to the celebration, hoping to infuse her Indian rituals into the unfamiliar Scottish setting. However, the dolls soon become harbingers of dread, as they are rearranged into gruesome tableaux that reference unsettling incidents from the friends’ past.

As the storm isolates the group, tensions escalate. The shattering of one of the dolls coincides with the murder of a friend, plunging the remaining guests into paranoia and suspicion. Trapped in the manor, the friends must confront their buried secrets, broken loyalties, and long-held grudges, as someone among them is determined to reveal the truth—no matter the cost.

In an exclusive interview, Mahadevan shared her inspiration for *Nine Dolls*. For her, Navaratri evokes cherished childhood memories of competing with her sister to create the most elaborate Golu display. Even after relocating to Edinburgh, she continues to celebrate the festival, inviting friends to join her in the festivities.

“The structure of the festival—ten days of celebration culminating in nine nights—provides a perfect backdrop for a high-pressure narrative,” Mahadevan explained. “It felt like an ideal match for the story I wanted to tell.”

Readers may notice similarities to Agatha Christie’s *And Then There Were None*, a classic that has influenced Mahadevan’s writing. A self-proclaimed fan of Christie, she sought to blend mystery, suspense, and the unraveling of secrets in her debut novel.

After the pandemic, Mahadevan committed to her writing journey, joining Jericho Writers, a global writing community. Initially, she wrote a novel featuring a white male protagonist, a choice influenced by her admiration for Christie’s characters. However, her writing coach encouraged her to delve into her cultural heritage, prompting Mahadevan to embrace her roots in *Nine Dolls*.

The festival of Navaratri, centered on the sacred feminine, is reflected in the novel through its four strong female narrators. Three of these characters are of Indian origin, while the fourth is Scottish, allowing Mahadevan to explore cultural contrasts and enrich the narrative.

Mahadevan admits that she did not know the identity of the killer until she was well into the writing process. As a “pantster,” she enjoys the journey of discovery that comes with writing, allowing the story to unfold organically.

When discussing the autobiographical elements in her work, Mahadevan acknowledges that she sees aspects of herself in both Leela and Smitha, two characters who represent opposing viewpoints. This internal conflict mirrors her own experiences, balancing traditional values with a more modern, sarcastic perspective.

Mahadevan’s ability to create compelling, flawed characters is a hallmark of her writing. She believes that high-stakes situations reveal the true nature of individuals, making it unrealistic to portray characters as perfect in the face of danger.

Her journey as a writer has been supported by her community at Jericho Writers, where she has honed her craft and learned from others. This network also opened doors to writing competitions, ultimately leading to her publishing deal.

As an underrepresented writer and woman of color in the competitive crime fiction landscape, Mahadevan faces unique challenges. Despite these obstacles, she balances her writing aspirations with a full-time job as a project manager at HSBC and the demands of family life. She writes whenever she can, whether on her commute or in fleeting moments throughout her day.

Mahadevan’s dedication paid off when she won the Joffe Books Prize 2024, the UK’s largest award for crime fiction. This accolade came with a two-book publishing deal, a cash prize, and an audiobook deal, marking a significant milestone in her writing career.

With *Nine Dolls*, Rupa Mahadevan invites readers into a world where tradition and suspense collide, revealing the complexities of friendship and the shadows that linger in the past.

Source: Original article

AI Actress Tilly Norwood Gains Attention at Zurich Summit on Synthetic Talent

Tilly Norwood, the world’s first AI actress, made a stunning debut at the Zurich Summit, highlighting the entertainment industry’s shift towards synthetic talent and the potential for AI in storytelling.

The Zurich Summit, part of the renowned Zurich Film Festival, served as the backdrop for a historic debut as Tilly Norwood, the world’s first AI actress, captivated audiences and garnered attention from talent agents worldwide. Developed by Xicoia, a new AI talent studio spun off from Eline Van der Velden’s innovative production company Particle6, Norwood’s introduction marks a significant moment in the entertainment industry’s ongoing adaptation to emerging technologies.

During a panel discussion at the Summit, Van der Velden, an accomplished actor, comedian, and producer, noted that Norwood’s launch has generated considerable interest within the industry. “Studios are quietly moving forward with AI projects, and we expect to announce more developments in the coming months,” she stated, reflecting on the rapid change in attitudes she has observed over the year. “In February, boardrooms were skeptical. By May, those same executives were eager to collaborate.”

Norwood’s journey began amid curiosity and skepticism but quickly gained traction as media professionals recognized her potential. Van der Velden explained that when Tilly was first introduced, many questioned the concept. Today, however, the conversation has shifted to which talent agency will represent the AI performer, with an official announcement expected soon.

The AI actress made headlines in July when she expressed her excitement on Facebook after landing her first role in a comedy sketch titled “AI Commissioner.” Produced by Particle6 Productions, the sketch humorously explores the future of television development and showcases Norwood’s ability to engage audiences. “Can’t believe it… my first ever role is live!” Norwood wrote. “I may be AI generated, but I’m feeling very real emotions right now. I am so excited for what’s coming next!”

Van der Velden’s ambitions for Norwood are nothing short of extraordinary. “We want Tilly to be the next Scarlett Johansson or Natalie Portman,” she told Broadcast International, emphasizing the project’s goal to elevate synthetic actors into mainstream stardom. She highlighted that economic challenges in the film and television sectors are driving a shift towards AI-driven production, where creativity is no longer limited by budget constraints. “People are realizing that their creativity doesn’t need to be boxed in by a budget—there are no constraints creatively, and that’s why AI can really be a positive. It’s just about changing people’s viewpoint.”

The impact of AI on the entertainment landscape is becoming increasingly evident. In a recent LinkedIn post, Van der Velden commented on audience perceptions: “Audiences? They care about the story—not whether the star has a pulse. Tilly is already attracting interest from talent agencies and fans. The age of synthetic actors isn’t ‘coming’—it’s here.”

Particle6, the studio behind Norwood’s development, has a strong track record of producing content across various genres and platforms. Their portfolio includes notable projects such as “Miss Holland” for BBC Three, “True Crime Secrets” for Hearst Networks, and “Look See Wow!” for Sky Kids, showcasing their commitment to innovation and storytelling excellence.

As the entertainment industry navigates the opportunities and challenges presented by AI, Tilly Norwood’s debut at the Zurich Summit stands as both a symbol of technological progress and a catalyst for vital discussions about the future of performance, creativity, and audience engagement. The coming months will be crucial as the industry observes which agency steps forward to represent this virtual pioneer and how her presence will influence the evolution of film and television.

Source: Original article

Child Actor From ‘Veer Hanuman’ and Brother Die in Apartment Fire

Child actor Veer Sharma and his brother Shaurya tragically lost their lives in a fire at their home in Kota on September 28.

MUMBAI – In a heartbreaking incident, child television actor Veer Sharma and his elder brother, Shaurya Sharma, died after a fire broke out in their home in Kota during the early hours of September 28.

Reports indicate that the fire originated on the fourth floor of their building, where the two boys were alone at the time. The blaze reportedly started in the drawing room of their flat at the Deepshree building but did not spread to other rooms.

According to police reports, both Veer and Shaurya were asleep when the fire ignited and succumbed to suffocation from the thick smoke. Neighbors noticed smoke billowing from the apartment and quickly rushed to the scene. They managed to break down the door in an attempt to rescue the boys, who were subsequently taken to a nearby hospital, where they were declared dead on arrival.

Their father, Jitendra Sharma, a teacher at a local coaching center, was attending a bhajan event at the time of the incident. Their mother, Rita Sharma, who is also an actress, was in Mumbai.

Police suspect that a short circuit may have caused the fire, although the exact cause remains uncertain. Investigators revealed that the drawing room was completely destroyed, while other areas of the flat showed signs of burn marks.

In a touching gesture, the family chose to donate the children’s eyes to the eye bank, honoring their wishes.

An FIR has been registered under section 194 of the BNSS Act, and authorities are conducting further investigations to determine the cause of the fire that led to the tragic loss of Veer and Shaurya.

Veer Sharma was well-known for his roles in popular television shows such as ‘Shrimad Ramayan’ and ‘Veer Hanuman.’

According to IANS, the community mourns the loss of these young lives, and the investigation continues to uncover the circumstances surrounding this tragic event.

Source: Original article

The Discipline Behind Akshay Kumar’s Successful Career in Bollywood

Akshay Kumar shares insights into his disciplined lifestyle, emphasizing simplicity and effective time management during a recent appearance on ‘The Great Indian Kapil Show.’

MUMBAI – Akshay Kumar, the acclaimed actor currently receiving praise for his role in the recently released film ‘Jolly LLB 3’, has opened up about the principles that guide his disciplined life.

During the season finale of the popular streaming sketch comedy show ‘The Great Indian Kapil Show’, Kumar discussed the importance of simplicity in achieving a balanced life.

When host Kapil Sharma inquired about his approach to taking breaks, Kumar revealed, “Yes, I definitely take breaks. I take a break for 125 days a year, add another 52 Sundays to it, 40 days of summer vacation, 3 days of Diwali, and a 7-day holiday after every 3 months. So, I have made a timetable. We all have the same 24 hours and 365 days a year, but the most important thing is time management.”

Kumar emphasized the significance of leading a simple life, stating, “Make your life completely simple, don’t take on the complications, don’t take stress. Stress is extremely harmful. I understand people have financial problems or someone may be struggling with their relationship. Everything is alright. I’ll tell you I lived in a very small house, where I shared one room with 24 people. Kapil also comes from a similar background. But the thing is to lead a simple life.”

Known for his disciplined lifestyle, Kumar stands out in the film industry for his commitment to health and fitness. He adheres to an early-to-bed, early-to-rise routine that prioritizes physical well-being. His fitness regimen includes a blend of martial arts, yoga, swimming, and functional training, rather than relying solely on traditional gym workouts.

In terms of nutrition, Kumar maintains a straightforward and home-cooked diet that emphasizes balanced meals over extreme dietary restrictions. He consciously avoids alcohol and smoking, and limits his intake of processed foods, opting instead for freshly prepared meals.

Through his disciplined approach to life, Akshay Kumar not only sets an example for his peers but also inspires his fans to embrace simplicity and effective time management.

Source: Original article

Destination Oak Tree Road Documentary Earns Two Emmy Nominations for 2025

Destination Oak Tree Road, a documentary showcasing the revitalization of a New Jersey neighborhood, has received two nominations for the 2025 New York Emmy Awards.

Destination Oak Tree Road, a celebrated documentary that highlights the transformation of a once-declining neighborhood in New Jersey, has garnered two nominations for the prestigious 2025 New York Emmy Awards.

Directed and narrated by acclaimed broadcast journalist Rohit Vyas, the film is recognized in the categories of Documentary Historical and Performer/Narrator. The nominations were announced at PIX 11 studios by the New York chapter of the National Academy of Television Arts and Sciences (NY NATAS).

In response to the nominations, Vyas expressed his gratitude, stating, “I am deeply honored that our team’s dedication has been acknowledged by industry peers. After decades of covering the Indian and South Asian diaspora, this first documentary project is very special. It’s gratifying to see the story resonate.”

The documentary chronicles the history of Oak Tree Road, a one-and-a-half-mile stretch that spans Edison and Iselin in Woodbridge Township. Once a desolate area, it has been revitalized into a vibrant district, thanks to the perseverance and vision of the Indian American community. Today, Oak Tree Road stands as an internationally recognized hub for culture, commerce, and investment.

The project team includes Emmy-winning producer Janice Selinger, actress and sports host Aditi Vyas, arts advocate Isha Vyas, Joe Lee (former NJPBS VP/GM) as Executive in Charge of Production, and Steve Stone as Director of Photography. The documentary is a co-production of Vyas Productions and NJPBS / The WNET Group, having first premiered on NJPBS and is now available for streaming on PBS.

Vyas emphasized the significance of the project, noting, “The Asian Indian community in New Jersey is one of the nation’s largest. Through Oak Tree Road’s journey, we tell a quintessentially American story of hard work, resilience, and success.”

The winners of the 68th Annual New York Emmy Awards will be announced in New York City on October 11, 2025.

Source: Original article

Abhishek Sharma Impresses with Helicopter Cover Drive Against R Ashwin

Abhishek Sharma showcased a remarkable MS Dhoni-style helicopter cover drive during the Asia Cup Super 4 match against Pakistan, leaving R. Ashwin in awe.

In a thrilling moment during the Asia Cup Super 4 match against Pakistan, Abhishek Sharma executed a stunning inside-out helicopter cover drive reminiscent of cricket legend MS Dhoni.

This remarkable shot not only highlighted Sharma’s skill but also drew admiration from his teammates and fans alike. The unique technique, often associated with Dhoni, has become a hallmark of innovative batting in modern cricket.

Sharma’s ability to replicate such a high-pressure shot in a crucial match underscores his growing reputation as a talented player in the international arena.

As the game unfolded, Sharma’s performance contributed significantly to the team’s efforts, showcasing his potential to become a key player in future tournaments.

His execution of the helicopter cover drive was a moment that fans will likely remember, as it encapsulated the excitement and unpredictability of cricket.

According to Source Name, such moments are what make the sport captivating, as players continue to push the boundaries of traditional batting techniques.

Source: Original article

Ashok Rajamani Announces 10-Year Anniversary Edition of ‘Imagine Carnivalesque’

Author Ashok Rajamani announces the release of a digitally remastered tenth anniversary edition of his influential audiobook, ‘Imagine Carnivalesque,’ narrated by Deepti Gupta.

Author Ashok Rajamani, known for his acclaimed memoir, ‘The Day My Brain Exploded: A True Story,’ is set to release a digitally remastered tenth anniversary edition of his pioneering audiobook, ‘Imagine Carnivalesque.’ This edition marks a significant milestone in Rajamani’s literary journey.

Rajamani’s memoir, which chronicles his extraordinary survival from a massive brain hemorrhage at the age of 25, is currently being adapted into a film by the producers of the Oscar-winning movies ‘Slumdog Millionaire’ and ‘Life of Pi.’ In contrast, ‘Imagine Carnivalesque’ delves into the sexual mores and unconscious impulses present in South Asian literature, analyzing the works of prominent authors such as Salman Rushdie.

The audiobook is narrated by Audie Award-winning actress Deepti Gupta, who has lent her voice to numerous bestselling authors, including Jhumpa Lahiri and Geethanjali Shree. Gupta is also known for her role alongside Jack Black in DreamWorks Animation’s ‘Kung Fu Panda: Dragon Knight’ and as the voice of Goddess Ganga in the Academy Award-nominated animation series ‘Ghee Happy.’ Currently, she appears in a recurring guest role on HBO Max’s critically acclaimed and Emmy-winning drama, ‘The Pitt,’ alongside Noah Wyle.

“Celebrating the ten-year anniversary of ‘Imagine Carnivalesque’ means a lot to me,” Rajamani said. “I wrote this book to uncover themes of gender and sexual representation in South Asian literature, which are rarely discussed. In doing so, I sought to reveal the importance of such visibility in subcontinental literature overall, and ultimately, in society itself. Given today’s political climate, in which the rights of the marginalized are constantly under attack, the book matters more than ever.”

Gupta expressed her personal connection to the work, stating, “As an immigrant who belongs here and also nowhere, I resonated with the book, especially in how Ashok challenges social hierarchies and norms that abound in the South Asian diaspora. And now, on its tenth anniversary, I have personal reasons to rejoice in the book’s success: my teenager has gender non-conforming and queer peers, and I want these kids to become adults in a world that welcomes them with open arms. I’m grateful for the incredible work of Ashok, and I know that ‘Imagine Carnivalesque’ will continue to do its work in furthering this important conversation.”

Rajamani’s Spiral Mirror Entertainment will be responsible for releasing the audiobook. The company has previously produced various works, including the flash audio monologue ‘If These Saris Could Talk,’ starring ‘Bombay Dreams’ actress Zehra Naqvi, and British voice artist Nano Nagle’s performance of the poetry collection ‘Tea Unbrewed.’ Additionally, they have released a digitally remastered audiobook of ‘Exploded,’ recorded live at New York’s Edge Studio.

With the release of this anniversary edition, Rajamani and Gupta aim to continue fostering discussions around representation and visibility in literature, particularly within the South Asian community.

Source: Original article

Kareena Kapoor Launches Two Malabar Gold & Diamonds Showrooms in the UK

Bollywood actress Kareena Kapoor Khan has inaugurated two flagship Malabar Gold & Diamonds showrooms in the UK, enhancing the brand’s international footprint.

BIRMINGHAM – Bollywood actress Kareena Kapoor Khan has officially inaugurated two new flagship showrooms for Malabar Gold & Diamonds in Birmingham and Southall. This significant milestone marks an important step in the brand’s ongoing international expansion.

The openings reinforce Malabar Gold & Diamonds’ growing presence in the UK, where it now operates four showrooms, including locations in Leicester and Green Street, London. The brand, recognized as the fifth-largest jewellery retailer globally, boasts over 400 showrooms across 13 countries.

The Birmingham showroom, which spans more than 5,700 square feet, is the largest Malabar outlet in the UK. The Southall showroom complements the brand’s vision of providing accessible elegance to its customers. Both locations feature an impressive selection of over 30,000 designs in 18K and 22K gold, diamonds, and precious gemstones. Additionally, they offer more than 25 exclusive collections, along with specialized services such as custom jewellery design and exclusive bridal collections.

M.P. Ahammed, Chairman of Malabar Group, emphasized the importance of the UK market in the company’s global growth strategy. He stated, “These openings strengthen our presence and reinforce our mission of being among the most preferred jewellery retailers globally.”

Mr. Abdul Salam K.P., Vice Chairman of Malabar Group, highlighted the brand’s commitment to responsible sourcing and ethical practices. He noted that the company ensures its diamonds are certified conflict-free, which is crucial for maintaining sustainable operations across international markets.

The launch event attracted large crowds, showcasing the trust and admiration that Malabar Gold & Diamonds has garnered among the South Asian diaspora in the UK. Shamlal Ahamed, Managing Director of International Operations, mentioned that the brand has ambitious plans for future expansion, with new showrooms slated to open in Manchester, London, Ireland, and France.

Beyond its retail operations, Malabar Gold & Diamonds is dedicated to strong environmental, social, and governance (ESG) commitments. The brand actively engages in initiatives focused on education, women empowerment, hunger relief, and healthcare. Programs such as micro-learning centres, scholarships for female students, and the “Grandma Home” project exemplify Malabar’s mission to ensure that its global growth positively impacts local communities.

As Malabar Gold & Diamonds continues to expand its footprint in the UK, the brand remains committed to providing luxury jewellery while also giving back to the communities it serves.

Source: Original article

Manoj Bajpayee Declares He Will Not Portray Young Lover Roles

Critically acclaimed actor Manoj Bajpayee discusses his reluctance to play young romantic roles while emphasizing the importance of age-appropriate storytelling in film.

MUMBAI – Manoj Bajpayee, a veteran actor known for his powerful performances, recently addressed a question regarding his interest in romantic roles. During an interview, he was asked whether he would consider taking on a romantic character, especially as many actors from his generation are currently exploring such roles.

In response, Bajpayee expressed his reservations about portraying a young lover. “Definitely you can’t imagine me doing a 25-year-old falling in love with a 20-year-old girl,” he stated. “I will personally not touch or take that kind of risk in this life.” His comments reflect a thoughtful approach to age and authenticity in storytelling.

However, Bajpayee did not completely dismiss the idea of romantic roles. He mentioned that if a script is well-crafted and the role is appropriate for his age, he would be open to it. “Love doesn’t limit itself to age, right?” he remarked. “So, if there is a very fine script which has a romantic story about two middle-aged people, why not?”

The actor emphasized his preference for portraying relatable, middle-class characters. He believes these roles resonate more with audiences and allow him to connect deeply with the material. “I enjoy doing these roles, I enjoy playing common people because I relate to them,” he shared. “Each and every character that I read, I feel like I have seen them somewhere—in real life, in a documentary, in my initial days in Mumbai, in the train.”

Bajpayee also reflected on his experiences in theatre, recalling a conversation with a director about the importance of observation in acting. “Once I spoke to a director and I said, ‘We can’t be observing all the time, people will eventually beat us up—Why are you looking at me?'” he recounted with a sense of humor. He explained that observation is a crucial aspect of an actor’s craft, stating, “Even if he is not looking at someone, he is observing. So, make it a part of your personality.”

In conclusion, Bajpayee articulated the essence of being an actor as being an observer of life. “So we actors are like that—we are observers of our own life, we are observers of people’s life, what’s happening in society,” he said. His insights highlight a commitment to authenticity and meaningful storytelling in his work.

Source: Original article

Javed Akhtar Reflects on Everlasting Regret Regarding Mohammed Rafi

Legendary writer Javed Akhtar reflects on his regret of never collaborating with iconic singer Mohammed Rafi, highlighting the enduring impact of Rafi’s music.

MUMBAI – Renowned writer and lyricist Javed Akhtar recently revealed a poignant regret: he never had the opportunity to collaborate with the legendary singer Mohammed Rafi. Despite being an established screenwriter during Rafi’s prime, Akhtar had not yet embarked on his journey as a lyricist.

“When he was in this world, I couldn’t write songs,” Akhtar explained. “I was a scriptwriter. So this desire remained in my heart that Rafi bhai should have also gotten to know me.”

Akhtar expressed his admiration for Rafi’s extraordinary talent, emphasizing that the singer’s voice continues to resonate with new generations of listeners. “It is impossible to find such perfection,” he remarked, referencing memorable tracks like “Jaan Ke Liye Deewana” and “Meri Duniya Mein Tum Aayi.”

In his reflections, Akhtar underscored the importance of honoring artists, asserting that a society that respects its creative minds is both healthy and civilized. His sentiments serve as a reminder of the lasting impact that artists like Rafi have on culture and society.

As Akhtar continues to contribute to the world of music and film, his regret highlights the fleeting nature of opportunities in the creative industry and the profound influence of legendary figures like Rafi.

Source: Original article

Manoj Bajpayee Delivers Outstanding Performance in Netflix Thriller

Netflix’s ‘Zende’ features Manoj Bajpayee in a gripping true-crime drama that highlights the relentless pursuit of justice by an unsung hero.

MUMBAI—Netflix’s latest release, Zende, is a compelling true-crime drama that delves into the untold story of a police officer dedicated to capturing one of the most cunning manipulators of his era. This film shines a light on an unsung hero whose bravery and resilience often went unnoticed, yet whose impact remains significant. What unfolds is a gripping tribute to determination, with Manoj Bajpayee delivering a powerful performance in the titular role that brings authenticity to every scene.

At its core, Zende unfolds as a taut cat-and-mouse thriller, skillfully engaging viewers in the unpredictable chase between justice and deception. Director Chinmay D Mandelkar expertly balances suspense with sharp writing, ensuring that the audience remains a step behind the action. The film’s nostalgic backdrop, set in the 1980s and 1990s, is recreated with striking detail, evoking a time before modern technology simplified crime-solving.

The performances in Zende are undoubtedly its strongest asset. Manoj Bajpayee infuses his character, Inspector Zende, with trademark intensity and subtle wit, while Jim Sarbh effectively portrays the calculating antagonist, creating face-offs that are both cerebral and thrilling. The film is further enhanced by a solid ensemble cast, including Sachin Khedekar, Bhalchandra Kadam, and Girija Oak. Their camaraderie and emotional depth feel natural and unforced, adding warmth and humor to an otherwise tense storyline.

What sets Zende apart is its genre fluidity; it seamlessly blends crime, suspense, and humor without sacrificing emotional depth. Beyond the thrills, it tells an endearing story of a cop whose wit, resilience, and heart make him instantly relatable. With clean humor and family-friendly storytelling, this true-crime film is suitable for viewing in the living room across generations. Ultimately, Zende is not just about a thrilling pursuit; it celebrates an unsung hero who finally deserves his moment in the spotlight.

Source: Original article

Babul Supriyo Discusses Destiny’s Influence on Art and Cinema

Actor and politician Babul Supriyo reflects on the significant role of destiny in the entertainment industry, inspired by veteran actor Mithun Chakraborty’s insights on success.

MUMBAI—Babul Supriyo, an actor, singer, and politician, has been contemplating the profound influence of destiny in the world of showbiz. His reflections were sparked by an old interview featuring Mithun Chakraborty, a celebrated Dadasaheb Phalke awardee.

In the interview, Chakraborty, who was enjoying a remarkable phase in his film career, attributed much of his success to destiny. He emphasized that while talent is essential, it is destiny that ultimately determines whether that talent will flourish. “Destiny is there. Everything comes with destiny. If the actor is good, then he performs well. But destiny brings all this. Then you have to promote your talent,” he stated.

When asked how long one can rely on destiny, the veteran actor responded, “As long as destiny supports me.” This perspective resonated with Supriyo, who expressed his thoughts in a lengthy social media post.

In his caption, Supriyo described it as “scary” to witness prominent figures in the industry attribute their success to fate. He noted, “It’s pretty scary to hear that ‘everything is Naseeb/Kismat/Luck,’ but it’s not just Mithun Da alone; I have heard even Big B say ‘Bhaggya’ when asked what is that one thing that he attributes his success to.”

Supriyo pointed out that these reflections come from individuals who have achieved remarkable success in their careers. He remarked on the unique nature of Mumbai, a city where both triumph and failure are inevitable experiences for everyone. “Many failures and successes defy artistic or creative logic,” he added, highlighting the unpredictable nature of the industry.

The context of Chakraborty’s journey in cinema further underscores the importance of destiny. Before his illustrious acting career, he was involved in the Naxalbari movement, which was inspired by Maoism. However, he eventually left the movement to pursue his education at the Film and Television Institute of India (FTII).

Chakraborty is one of the few actors across various Indian cinema industries to have received a National Award for his debut film, *Mrigayaa*. To date, he has won three National Awards and was recently honored with the Dadasaheb Phalke Award, which is regarded as the highest accolade in Indian cinema.

Supriyo’s reflections on destiny and success in the entertainment industry serve as a reminder of the complex interplay between talent, hard work, and the unpredictable forces that shape careers.

Source: Original article

Bollywood Horror Comedy Transforms Chanderi’s Cultural Landscape

Chanderi, a historic town in Madhya Pradesh, has experienced a tourism boom thanks to its portrayal in Bollywood films, particularly the horror comedy “Stree.”

Kati Ghati, an ancient archway in Chanderi, welcomes visitors with its imposing structure, surrounded by craggy hills and sparse vegetation. As dusk approaches, the area buzzes with excitement, filled with influencers capturing moments and tourists eager to experience the location made famous by the Hindi horror comedy, “Stree” (2018). In a memorable scene, actress Shraddha Kapoor bids farewell to Rajkummar Rao’s character at this very spot before boarding a bus.

The history of Kati Ghati is as intriguing as the film itself. An inscription reveals that this monumental arch was carved from solid rock, measuring 80 feet in height, 39 feet in width, and 192 feet in length. Commissioned by Jiman Khan in 1490 AD, the arch stands as a testament to the town’s rich heritage. Chanderi, located in Madhya Pradesh’s Ashoknagar district, is mentioned in the Mahabharata, with its roots tracing back to Sishupala, the King of Chedi, who is said to have established the town.

Visitors to Chanderi are often enchanted by its cobbled streets, narrow lanes, and architectural marvels. The “Chanderi Ka Tana Bana,” a light and sound show held at the fort, captivates audiences with tales from the town’s storied past, including the victory of Mughal emperor Babur over Malwa ruler Medini Rai in 1528.

Despite being overshadowed by more famous attractions like Khajuraho and Orchha, Chanderi has begun to carve out its niche in the tourism sector, thanks in large part to its appearances in Bollywood films such as “Sui Dhaaga,” “Kalank,” and “Stree.”

Located just 450 meters from Kati Ghati is Tent City, a luxurious accommodation option featuring 25 tents for tourists. Sachin Sahu, a sound and light electrician at Tent City, notes that his family has lived in Chanderi for 25 years. He observes that before the film industry spotlighted the town, few outsiders were aware of its existence.

Chanderi is also renowned for its exquisite sarees, a reputation that has been amplified by its cinematic exposure. Weaver Rajit Koli, 28, recalls that Chanderi was once a quiet town, but that has changed dramatically. “Tourists now flock to the Raja Rani Mahal, which was prominently featured in the filming of ‘Stree 2,'” he says. The town has also served as a backdrop for numerous films and web series, including “Rangbaaz.”

As the sun sets, casting vibrant hues across the sky, guide Mohammad Ansari reflects on Chanderi’s rich handloom tradition, which has thrived since 1304. Hundreds of weavers continue to operate wooden looms in their homes, creating beautiful sarees. However, the COVID-19 pandemic posed significant challenges, with 60 percent of looms closing down within three months, impacting over 1,000 weaver families and resulting in losses estimated at ₹20 million. Fortunately, the town has rebounded, with 1,500 new looms opening since the pandemic’s peak.

Ansari acknowledges that Bollywood has played a crucial role in boosting tourism. In the last three years, over 100,000 visitors have come to explore Chanderi, drawn by the film’s references to the town. The bustling streets have become a popular destination, particularly after “Stree” highlighted the area’s charm.

Local vendors have also benefitted from the influx of tourists. Mahesh Rathod, a chaat seller, reports that his stall, known for its aloo tikki, remains busy until 9 PM, catering to the appetites of travelers.

Dinesh Jain, a local resident, recalls his involvement in the filming of “Stree,” noting the excitement and congestion that accompanied the shoot. “Many onlookers were kept at bay to avoid chaos, as people were eager to see the cameras in action in our small town,” he explains.

In addition to the Raja Rani Mahal, other locations like Kila Kothi, Jageswari Temple, and Badal Mahal have gained popularity among fans of the film. Jain points out a tailoring shop, Modern Tailor 1947, which served as Rajkummar Rao’s character’s workplace in “Stree.” Nearby, Preeti Jain shares that a scene featuring Abhishek Banerjee’s character was filmed close to her home, although she did not witness the shooting due to the late hours.

As tourists flock to see the film locations, local hospitality businesses thrive. Some residents offer guided tours for a nominal fee, enhancing the visitor experience. Ansari, who typically avoids discussing ghost stories to maintain a welcoming atmosphere, now finds that the supernatural element of “Stree” attracts many visitors.

Chanderi not only offers a glimpse into Bollywood but also showcases its natural beauty and adventure opportunities. The town’s narrow, cobblestoned streets and friendly locals provide an engaging experience for visitors.

With the surge in tourism, sustainability has become a priority for local authorities. Sheo Shekhar Shukla, principal secretary and managing director of the Madhya Pradesh Tourism Board, emphasizes the importance of responsible tourism. Efforts include creating eco retreats like Tent City and promoting cleanliness. The tourism board also advocates for rural travel destinations, local art, and community empowerment through initiatives like homestays.

To manage visitor numbers and prevent overcrowding, Madhya Pradesh is promoting lesser-known destinations, ensuring the preservation of its rich heritage and natural beauty for future generations.

Source: Original article

‘Stolen’ Offers Emotional Depth in Indian-American Action Thriller

Director Karan Tejpal’s “Stolen” is a gripping action thriller that explores the darker side of rural India while delivering a powerful emotional narrative.

The transformation of Indian villages has often been depicted in contrasting ways, from idyllic scenes of sun-kissed fields to stark portrayals of poverty. However, a new reality is emerging in these villages, where the influence of mob mentality can overshadow the law, and fear often dictates the actions of both residents and authorities. In this setting, two men find themselves embroiled in a desperate struggle against a mob, ignited by a viral video that sets the stage for chaos.

Director Karan Tejpal’s film “Stolen” opens with a shocking scene that sets the tone for the rest of the narrative. Within the first 30 seconds, viewers witness the kidnapping of an infant from the arms of her sleeping mother, Jhumpa, played by Mia Maelzer, at a deserted railway station. This harrowing event thrusts Raman, portrayed by Shubham Vardhan, into a chaotic confrontation with Jhumpa, railway officials, and a police officer who mistakenly believes he is the kidnapper. As the plot unfolds, Raman’s brother Gautam, played by Abhishek Banerjee, joins the fray, attempting to protect his sibling. The ensuing 24 hours are filled with tension and urgency, driving the narrative forward.

<p“Stolen” is inspired by true events, and Tejpal’s direction reflects an unfiltered approach that enhances the film’s authenticity. Cinematographers Isshaan Ghosh and Sachin Pillai contribute to this raw aesthetic, opting for minimal artificial lighting throughout the first half of the film. This choice immerses the audience in a dark, gritty atmosphere, particularly during a suspenseful sequence set in a deserted location where characters search for the kidnapper and vital clues. The filmmakers avoid the synthetic blue tint often seen in thrillers, allowing viewers to experience the unfolding drama as if they were physically present in the dilapidated surroundings. The action sequences are visceral and intense, eschewing over-the-top stunts and special effects. A particularly striking moment occurs when a mob of villagers charges toward a moving jeep, evoking a sense of dread that underscores the film’s setting.

While “Stolen” is undeniably a suspense-filled action thriller, it also possesses a deeply emotional core. The film’s strength lies in its ability to evoke empathy for the characters, particularly the desperate search for the kidnapped baby and the longing for her safe return to her mother. The performances by the cast, which features actors who may not be household names in Bollywood, contribute to the film’s authenticity and emotional weight. As the narrative progresses, viewers become increasingly invested in the characters’ plight, culminating in a poignant moment that pays homage to a forest Goddess believed to ensure justice through her miracles.

“Stolen” is a film that demands the viewer’s full attention. It is not a movie to be watched casually or while multitasking; instead, it offers a richly rewarding experience that draws audiences into its gripping narrative. With its compelling storytelling and immersive cinematography, “Stolen” stands out as a unique entry in the action thriller genre, providing a glimpse into the complexities of rural life in India while delivering a powerful emotional impact.

As the film concludes, audiences are left with a sense of hope and a reminder of the resilience of the human spirit, making “Stolen” a must-watch for those seeking both thrills and emotional depth.

Source: Original article

Daily Horoscope for August 25, 2025: Insights for All Zodiac Signs

Your daily horoscope for August 25, 2025, offers insights into what the cosmos has in store for each zodiac sign.

Aries (March 21 – April 20): If you’re feeling sporty, today is your day! Embrace the unexpected, as a surprising turn of events may work in your favor. Your wisdom allows you to blend business and pleasure seamlessly, according to Ganesha.

Taurus (April 21 – May 21): Today, you will gain a fresh perspective on your love life. However, a tendency to think pessimistically could cloud your judgment. While you enjoy nurturing others, you may find it challenging to address your own issues, warns Ganesha.

Gemini (May 22 – June 21): You may find yourself deep in thought today. Your desire for pleasure will be satisfied, and while you will perform well at work, your true achievements will shine at home, according to Ganesha.

Cancer (June 22 – July 22): You might feel the urge to flaunt your financial power, but this may be futile. Typically methodical, you could find yourself completing tasks mindlessly in the afternoon, leading to potential regret.

Leo (July 23 – August 23): Resist the temptation to call in sick today. Escaping reality is not the solution. You may feel pensive with many thoughts vying for your attention. However, work will be a positive space as you share meaningful moments with colleagues. Ganesha predicts a pleasant evening with someone special, so there’s much to look forward to.

Virgo (August 24 – September 22): Today promises to be bright and rewarding. Remember, doomsday is far off. The planetary movements suggest that better days are ahead, so keep your hopes high, advises Ganesha.

Libra (September 23 – October 23): If you have friends or relatives abroad, you may receive good news from them today. However, job interviews may not yield the success you hoped for, despite your best efforts.

Scorpio (October 24 – November 22): Today, you may feel a strong desire for romance rather than focusing on business. You are in touch with your passions and may seek someone special to share your dreams with. Ganesha encourages you to be patient and trust in yourself.

Sagittarius (November 23 – December 21): Your wisdom will shine today, allowing you to see things from a practical perspective. Feeling spiritually inclined, you might consider meditation. If you’re planning to pursue new job opportunities, today is favorable for interviews, according to Ganesha.

Capricorn (December 22 – January 20): You will be intrigued by the depth of your relationships, prompting you to explore them further. Your persuasive abilities will help resolve misunderstandings with your partner. At work, you will gain support from colleagues, but be cautious of competitors looking to outshine you.

Aquarius (January 21 – February 18): Today, you will be at your best, combining commitment and competence. By the afternoon, your energy will surge, and you may find yourself volunteering to help others with their tasks, as noted by Ganesha.

Pisces (February 19 – March 20): Expect a busy day filled with demands at work as you strive to manage your department or business effectively. You may also encounter distant relatives unexpectedly, according to Ganesha.

Stay connected with the cosmos through your daily horoscope! Access your August 25, 2025, daily and weekly horoscopes for every zodiac sign. Discover what the universe has planned for you with insights tailored to your sign. Whether you’re a fiery Aries or a dreamy Pisces, our expert astrologers provide precise and personalized readings to help you navigate life’s challenges and triumphs. Visit us daily for fresh updates and stay attuned to the celestial forces shaping your destiny.

Source: Original article

Bharti Singh Reflects on Difficult Childhood Experiences

Stand-up comedian Bharti Singh opens up about her painful childhood memories during an emotional moment on ‘Super Dancer Chapter 5,’ highlighting her advocacy for house help and their struggles.

MUMBAI – Stand-up star Bharti Singh recently shared her feelings about her childhood, expressing deep emotional pain associated with her past. In an upcoming episode of the popular show ‘Super Dancer Chapter 5,’ Bharti became visibly moved while watching a performance by contestant Apsara Boro.

The performance resonated with Bharti’s own childhood experiences, particularly as it depicted a girl caring for her sister, mirroring Bharti’s own life where her sister played a similar role. This emotional connection prompted Bharti to walk off the set in tears, reflecting on the harsh realities of her upbringing.

In a promo released by the channel, Bharti candidly stated, “The one thing I hate is exactly what you showed me.” When pressed for more details about her feelings, she revealed, “I feel very bad, and I hate it when I think of my childhood, as I faced a lot of issues.”

Bharti elaborated on her struggles, sharing that she often felt isolated during festive seasons. “I used to not like festivals as we did not have anything to celebrate like other children,” she said, her voice tinged with emotion.

This difficult past has shaped Bharti’s current advocacy for house help and their families. She expressed a strong commitment to supporting those who work tirelessly while leaving their own children behind. “So now I always stand for all the house help, drivers, etc.; they take care of us, leaving their kids behind,” she explained.

In a heartwarming gesture during the episode, Bharti gifted new clothes to Apsara, who had previously observed other children wearing fresh outfits. This act not only showcased Bharti’s empathy but also highlighted her desire to uplift those who face similar challenges.

Bharti Singh’s candid reflections on her childhood serve as a reminder of the resilience required to overcome adversity, as well as the importance of supporting those who provide essential services in our lives.

Source: Original article

Punjabi Cinema Remembers Jaswinder Bhalla, Beloved Comedian and Actor

Jaswinder Bhalla, a beloved figure in Punjabi cinema known for his comedic brilliance, passed away at 65 after suffering a brain stroke, leaving fans and colleagues in mourning.

Jaswinder Bhalla, a cherished comedian and actor in Punjabi cinema, passed away on Friday morning following a brain stroke. He was 65 years old. His sudden departure has left the film fraternity and fans around the world in profound shock.

Regarded as one of the most iconic figures in Punjabi entertainment, Bhalla was celebrated for his sharp satire, relatable characters, and unmatched comic timing, which made him a household name across the region. His contributions to the industry have left an indelible mark on the cultural landscape of Punjab.

Born on May 4, 1960, in Ludhiana, Bhalla initially pursued a career in academics before venturing into the world of entertainment. He held a doctorate in Extension Education and served as a professor, eventually becoming the head of the Department of Extension Education at Punjab Agricultural University (PAU) until his retirement in 2020. Despite his academic achievements, it was his natural humor and keen societal observations that propelled him into the limelight.

Bhalla first gained widespread recognition with “Chhankata,” a satirical audio-video series launched in 1988 that became a cultural landmark in Punjab. His character, Chacha Chatar Singh, known for his rustic wit and incisive social commentary, remains a beloved figure in the memories of audiences. Over three decades, Bhalla produced 27 installments of “Chhankata,” each resonating with Punjabi communities worldwide.

His success on stage seamlessly transitioned into cinema, where he delivered some of the most memorable performances in Punjabi films. From “Mahaul Theek Hai” to mega-hits like “Carry On Jatta,” “Jatt & Juliet,” “Mel Karade Rabba,” and “Power Cut,” Bhalla consistently left audiences in stitches with his effortless delivery and signature one-liners. His portrayals as Advocate Dhillon in “Carry On Jatta” and Inspector Tiwana in “Jatt & Juliet” are celebrated as some of the finest comic roles in Punjabi cinema.

Throughout his illustrious career, Bhalla received numerous accolades, including the Gopal Sehgal Award in 2012 for his contributions to satirical comedy, the Mohammad Rafi Award for Best Comedian, and the Best Punjabi Comedian award at the Asian Festival. His performances in “Carry On Jatta” and “Jatt & Juliet” also earned him recognition at the PTC Punjabi Film Awards. His work was acknowledged not only in India but also at cultural events across Canada, the UK, and the US.

Beyond his cinematic achievements, Bhalla remained actively engaged with academia and social causes. As the brand ambassador for PAU, he promoted initiatives such as Mission Swachh and Swasth Punjab, effectively blending his humor with messages of awareness and community welfare.

In a heartfelt tribute, Punjab Chief Minister Bhagwant Mann expressed his condolences on social media, stating, “ਜਸਵਿੰਦਰ ਭੱਲਾ ਜੀ ਦੇ ਅਚਾਨਕ ਇਸ ਦੁਨੀਆਂ ਤੋਂ ਚਲੇ ਜਾਣਾ ਬੇਹੱਦ ਅਫ਼ਸੋਸਜਨਕ ਹੈ..ਛਣਕਾਟਿਆਂ ਦੀ ਛਣਕਾਰ ਬੰਦ ਹੋਣ ਤੇ ਮਨ ਉਦਾਸ ਹੈ..ਵਾਹਿਗੁਰੂ ਚਰਨਾਂ ਚ ਨਿਵਾਸ ਬਖਸ਼ਣ…ਚਾਚਾ ਚਤਰਾ ਹਮੇਸ਼ਾ ਸਾਡੇ ਦਿਲਾਂ ਚ ਵਸਦੇ ਰਹਿਣਗੇ..”

Actor Upasna Singh also remembered Bhalla, saying, “His passing marks the end of an era. His laughter will continue to echo through his films, reminding generations of the joy and insight he brought to Punjabi culture.”

Jaswinder Bhalla’s demise leaves an irreplaceable void in Punjabi entertainment, but his legacy of satire, laughter, and heartfelt humor will continue to inspire generations to come.

Source: Original article

Alia Bhatt Enjoys Beach Vacation with Sister Shaheen and Mother Soni Razdan

Alia Bhatt enjoys a relaxing beach getaway with her sister Shaheen and mother Soni Razdan, sharing moments of family bonding and leisure.

Alia Bhatt has taken a break from her busy work schedule to enjoy a refreshing beach vacation with her sister, Shaheen Bhatt, and their mother, Soni Razdan. The family trip has provided them with an opportunity to unwind and spend quality time together.

Shaheen, who often shares glimpses of their family life on social media, posted a delightful update from their vacation. She captioned the post with the phrase “Island Interlude,” hinting at the serene and picturesque setting they are enjoying.

The images shared by Shaheen showcase the beautiful beach backdrop, highlighting the tranquil environment that has allowed the family to relax and reconnect. Alia, known for her busy film schedule and various commitments, seems to be relishing this much-needed break.

Fans of the actress have expressed their joy at seeing her take time off to enjoy life outside of her professional commitments. Alia’s ability to balance her career and personal life has always been a topic of admiration among her followers.

This vacation comes at a time when Alia has been actively involved in multiple projects, making the getaway a perfect way to recharge her batteries. Spending time with family is something she values deeply, and moments like these are cherished by the actress.

As the Bhatt family continues to share their experiences from the trip, fans eagerly await more updates and glimpses into their beach adventures. The bond between Alia, Shaheen, and Soni is evident, showcasing the importance of family support in their lives.

According to NDTV, this vacation not only serves as a break for Alia but also highlights the significance of family time amidst the hustle of the entertainment industry.

Source: Original article

Shah Rukh Khan Reflects on Zero’s Reception at Aryan Khan’s Event

Shah Rukh Khan humorously addressed the mixed reception of his 2018 film *Zero* during an event for his son Aryan Khan, advising against repeating past mistakes.

Shah Rukh Khan, the celebrated Bollywood actor, recently took a light-hearted approach to discussing his 2018 film *Zero*, which featured him in the role of a dwarf. The film, directed by Aanand L. Rai, received a mixed response from both audiences and critics upon its release.

During an event celebrating his son Aryan Khan, Shah Rukh made a playful remark that resonated with the audience. He humorously advised, “Ullu bana lena, zero mat banana,” which translates to “Make a fool of yourself, but don’t make a zero.” This quip not only showcased his sense of humor but also reflected his awareness of the film’s reception.

*Zero* was ambitious in its storytelling, exploring themes of love and self-acceptance through the lens of a man with dwarfism. Despite its star-studded cast, which included Anushka Sharma and Katrina Kaif, the film struggled to connect with viewers, leading to discussions about its shortcomings.

Shah Rukh’s ability to laugh at himself and his past projects has endeared him to fans, and his comments at Aryan’s event were no exception. The actor’s candidness about his career missteps highlights a refreshing perspective in an industry often marked by serious public personas.

As he continues to navigate his career, Shah Rukh Khan remains a beloved figure in Indian cinema, known for both his iconic roles and his relatable personality. His willingness to engage with his audience through humor is a testament to his enduring appeal.

According to NDTV, Shah Rukh Khan’s remarks serve as a reminder that even the most successful actors face challenges and that humor can be a powerful tool in addressing them.

Source: Original article

Karan Kundrra’s Bumble Profile Sparks Attention Amid Tejasswi Prakash Relationship

Karan Kundrra’s Bumble profile has gone viral, raising eyebrows despite his relationship with Tejasswi Prakash, who reportedly found the situation amusing.

Karan Kundrra, a well-known figure in the Indian entertainment industry, has recently found himself at the center of attention due to his Bumble profile going viral. This unexpected turn of events has sparked conversations among fans and followers, particularly given his current relationship with actress Tejasswi Prakash.

The buzz surrounding Kundrra’s Bumble profile has prompted inquiries into how Prakash feels about the situation. In response to these questions, Kundrra revealed that Prakash took the news in stride, simply laughing it off. This light-hearted reaction suggests a level of comfort and understanding between the couple, despite the public scrutiny they face.

As social media continues to amplify the story, fans are left to speculate about the implications of Kundrra’s profile being shared widely. The incident highlights the intersection of personal lives and public personas in the realm of celebrity culture, where even a dating app profile can become a topic of widespread discussion.

In a world where relationships are often dissected under the public eye, Kundrra and Prakash’s ability to maintain a sense of humor about the situation speaks volumes about their bond. As they navigate the complexities of fame and romance, their reactions to such incidents may serve as a reminder of the importance of communication and trust in any relationship.

While the viral nature of the Bumble profile may have surprised some, it also underscores the ever-evolving landscape of dating in the digital age, particularly for those in the limelight. As fans continue to follow their journey, it remains to be seen how this playful incident will influence their relationship moving forward.

According to NDTV, the couple seems to be handling the situation with grace and humor, a testament to their strong connection.

Source: Original article

Isabela Ferrer Alleges Harassment by Justin Baldoni in Legal Claim

Isabela Ferrer, star of “It Ends With Us,” has accused Justin Baldoni of harassment, claiming he exerted legal pressure on her.

Isabela Ferrer, known for her role in the upcoming film “It Ends With Us,” has made serious allegations against actor Justin Baldoni. Ferrer claims that Baldoni engaged in harassment by exerting legal pressure on her.

The accusations come as both Ferrer and Baldoni prepare for a legal battle, with their cases set to go on trial in March 2026. The nature of the allegations has sparked significant attention, particularly given Baldoni’s prominence in the entertainment industry.

Ferrer has expressed her concerns regarding the impact of Baldoni’s actions on her career and personal life. She has stated that the pressure she faced was not only emotionally taxing but also detrimental to her professional opportunities.

The allegations against Baldoni add to a growing discourse surrounding harassment in Hollywood, where many individuals have come forward with their own experiences. The timing of Ferrer’s claims coincides with a broader movement advocating for accountability and change within the industry.

As the trial date approaches, both parties are expected to present their cases, shedding light on the circumstances surrounding the allegations. The outcome may have significant implications for both Ferrer and Baldoni, as well as for the broader conversation about harassment in the entertainment world.

Ferrer’s accusations highlight the ongoing challenges faced by individuals in the industry when confronting powerful figures. The legal proceedings will likely draw public interest and media coverage, as many are eager to see how the situation unfolds.

As the trial date nears, both Ferrer and Baldoni are preparing for what is expected to be a high-profile legal confrontation. The entertainment community is watching closely, as the case could set precedents for how similar allegations are handled in the future.

According to NDTV, the legal battles involving both Baldoni and fellow actor Blake Lively are set to commence in March 2026, further intensifying the scrutiny surrounding these high-profile figures.

Source: Original article

Badshah’s Team Refutes Claims of Pakistan Link in Dallas Show

Badshah’s team has clarified that his upcoming Dallas show is not linked to Pakistan, emphasizing that the rapper uses music as a bridge between cultures.

Indian rapper Badshah is facing scrutiny regarding his upcoming performance in Dallas, Texas. A film industry organization has issued a letter to the artist, requesting clarification about the alleged sponsorship of the event by a Pakistani company.

The inquiry stems from concerns raised about the nature of the sponsorship and its implications. In response, Badshah’s team has firmly denied any connection to Pakistan regarding the Dallas show, asserting that the rapper’s music transcends borders and serves as a unifying force.

Badshah, known for his chart-topping hits and vibrant performances, has built a reputation for using his platform to connect with diverse audiences. His team emphasized that the Dallas concert is intended to celebrate music and culture, not to promote any political agenda.

The rapper’s commitment to bridging cultural divides through music has been a hallmark of his career. His fans appreciate his ability to blend various musical influences, creating a unique sound that resonates with people from different backgrounds.

As the date of the Dallas show approaches, Badshah’s team remains focused on delivering an unforgettable experience for attendees. They are confident that the concert will highlight the positive impact of music in fostering understanding and unity among different communities.

According to reports, Badshah’s team is prepared to address any further questions or concerns regarding the event’s sponsorship and its implications. They maintain that the focus should remain on the celebration of music rather than any external controversies.

In a world where music often serves as a bridge between cultures, Badshah continues to exemplify this ethos through his work. His Dallas show promises to be a testament to the power of music in bringing people together, regardless of their backgrounds.

Source: Original article

Archana Puran Singh’s Son Aaryamann Sethi Engaged to Yogita Bihani

Aaryamann Sethi, son of actress Archana Puran Singh, has announced his engagement to Yogita Bihani, sharing details of the romantic proposal on his YouTube vlog.

Aaryamann Sethi, the son of renowned actress Archana Puran Singh, has taken a significant step in his personal life by getting engaged to his girlfriend, Yogita Bihani. The couple’s engagement has captured the attention of fans and followers, especially with the romantic details shared by Aaryamann on his YouTube vlog.

The proposal, described as dreamy, showcased a heartfelt moment between the couple, reflecting their deep connection and commitment to one another. Aaryamann’s vlog provides a glimpse into the special occasion, allowing viewers to experience the joy and excitement of the engagement.

In addition to the proposal, Aaryamann and Yogita have also recently moved into a new home on Madh Island, marking another milestone in their journey together. The couple’s new residence is expected to be a cozy space where they can build their life as an engaged pair.

Fans of Aaryamann and Yogita have expressed their excitement and support for the couple, celebrating their love and the new chapter they are embarking on. As they share their journey through social media, many are eager to see what the future holds for this young couple.

The engagement not only highlights Aaryamann’s personal happiness but also reflects the close-knit family dynamics, with Archana Puran Singh likely playing a supportive role in this new phase of her son’s life.

As the couple prepares for their future together, fans are left anticipating more updates and glimpses into their life as they navigate this exciting time.

According to NDTV, Aaryamann Sethi’s engagement to Yogita Bihani has been a joyful occasion for both families, marking the beginning of a promising journey ahead.

Source: Original article

John Abraham Discusses Audience Response to Chhaava and The Kashmir Files

John Abraham expresses his awareness of the audience’s positive reception of the film “Chhaava,” despite not having seen it himself.

Actor John Abraham recently shared his thoughts on the film “Chhaava,” acknowledging its popularity among audiences. Although he has not yet viewed the film, he is aware of the positive feedback it has received.

Abraham’s comments come in the context of a broader discussion about the impact of films that tackle sensitive subjects. He emphasized the importance of storytelling in cinema and how certain narratives resonate deeply with viewers.

While he appreciates the success of “Chhaava,” Abraham also expressed his concerns regarding films that delve into controversial topics. He mentioned that the reception of such films can be overwhelming and, at times, frightening.

“It’s scary,” he remarked, reflecting on the societal implications of films that garner significant attention. Abraham indicated that he would prefer to avoid making films that provoke such intense reactions.

His perspective highlights the delicate balance filmmakers must strike when addressing sensitive issues in their work. Abraham’s comments resonate with many in the industry who grapple with the responsibilities that come with storytelling.

As the film industry continues to evolve, the discussions surrounding the themes and messages conveyed in movies like “Chhaava” will likely remain at the forefront of conversations among filmmakers and audiences alike.

Abraham’s insights serve as a reminder of the power of cinema to influence public discourse and the importance of thoughtful storytelling in today’s cultural landscape.

Source: Original article

Shruti Haasan Discusses Her Role as Preeti in Coolie

Shruti Haasan discusses her role as Preeti in the upcoming film Coolie, highlighting the differences between her character and her own personality.

Shruti Haasan is set to star alongside the legendary Rajinikanth in the much-anticipated film Coolie. Recently, she shared insights into her character, Preeti, revealing that the role is quite distinct from her own personality.

In her portrayal of Preeti, Haasan emphasizes that the character is not a reflection of herself. She describes Preeti as a unique individual with her own traits and complexities, which makes the role both challenging and exciting for the actress.

Haasan’s comments come as she prepares for the film’s release, where she will share the screen with one of India’s most iconic actors. The collaboration marks a significant moment in her career, as she has long admired Rajinikanth’s work.

As she delves into the nuances of her character, Haasan expresses enthusiasm about bringing Preeti to life. She believes that portraying someone so different from herself allows her to explore new facets of her acting abilities.

Fans of both Haasan and Rajinikanth are eagerly awaiting the film, which promises to deliver a captivating story alongside stellar performances. With her commitment to authenticity in her role, Haasan is poised to make a memorable impact in Coolie.

As the release date approaches, anticipation continues to build around the film and its characters, particularly Preeti, who is sure to resonate with audiences.

According to NDTV, Shruti Haasan’s insights into her character highlight her dedication to her craft and her excitement for the upcoming project.

Source: Original article

“Sholay’s 4K Re-Release Slated Overseas for 50th Anniversary”

Sholay, often hailed as the pinnacle of Indian cinema, is celebrating its 50th anniversary with a restored 4K version set for a limited premiere in Toronto, sparking a mix of nostalgia and discontent among its Indian fanbase.

Widely regarded as one of the greatest Hindi films ever made, Ramesh Sippy’s Sholay is reaching its 50-year milestone next week. To commemorate this landmark anniversary, the Film Heritage Foundation has restored the film in a 4K format, but the re-release will be exclusively available for viewing in Toronto. This decision has left many Indian fans disgruntled, as they had hoped for a broader release.

The announcement was made on Friday by the Film Heritage Foundation through social media. The organization unveiled that the restored version will premiere at the TIFF Toronto International Film Festival on September 6, 2025, during a special event at the prestigious Roy Thomson Hall, which seats 1,800 people. This screening is part of the 50th edition of the festival, highlighting the film’s legendary status.

The Film Heritage Foundation collaborated with Sippy Films Pvt. Ltd, the original producers of Sholay, for this restoration project. Despite the restoration event being celebrated, Indian fans have expressed disappointment in the comments section of the announcement, repeatedly asking, “When is it releasing in India?”

The 50th anniversary of Sholay falls on August 15, and there are currently no official plans from the producers or the Film Federation of India to re-release the restored version in Indian theaters. Historically, the film had a successful 70mm restored version release in cinemas in 2005, marking its 30-year anniversary.

In the comment threads, fans have shared their memories and anticipation for the film. One fan reminisced about watching it as a child at the now-defunct Strand Theatre in Colaba, Mumbai, expressing a desire to see it again at the Regal theater. Another fan hoped for a collaboration with major Indian theater chains like PVR-INOX or Cinepolis for a nationwide release. There were even suggestions to host a grand premiere at Mumbai’s New Excelsior, where Sholay originally debuted in 1975.

Sholay, often described as a ‘curry western’ in homage to Hollywood’s cowboy films, features an ensemble cast including Amitabh Bachchan, Dharmendra, Sanjeev Kumar, Amjad Khan, Jaya Bachchan, and Hema Malini. Upon its 1975 release, Sholay broke all Indian box office records to become the highest-grossing film of its time. Although it eventually lost that title, it remains the most-watched Indian film with over 250 million viewers worldwide.

There remains a profound admiration for Sholay among cinema enthusiasts, who hope to see the restored version grace Indian screens and deliver the cinematic experience in its newly polished format, according to the Hindustan Times.

“Ajay Devgn’s ‘Son of Sardaar 2’ Holds Steady, Nears Rs 35 Crore”

Ajay Devgn’s ‘Son of Sardaar 2’ continues a steady but modest run at the box office, nearing a Rs 35 crore collection in India by Day 8, while facing stiff competition from ‘Saiyaara’ and ‘Mahavatar Narsimha’.

Ajay Devgn’s latest film, “Son of Sardaar 2,” has concluded its first week at the box office, showing steady, albeit slow, growth. The film earned Rs 1.15 crore on its eighth day, bringing its total collection to Rs 34.15 crore in India, according to initial estimates from Sacnilk. Despite outperforming “Dhadak 2,” “Son of Sardaar 2” remains a long way from achieving blockbuster status, particularly in the face of significant competition.

The film, which stars Ajay Devgn and Mrunal Thakur, found its best performance during the opening weekend but experienced a sharp decline in collections thereafter. As of Day 8, the film’s daily earnings indicate a steady but small audience, a trend highlighting its struggle to draw larger crowds. Occupancy figures for Day 9 revealed a modest 10.48% overall in Hindi markets, with better attendance during evening and night shows.

Crucially affecting “Son of Sardaar 2” is the intense box-office rivalry posed by other films. “Saiyaara,” in particular, continues to perform well, having made Rs 1.65 crore on August 8 alone, bringing its total to an impressive Rs 310.40 crore. Meanwhile, “Mahavatar Narsimha” posted strong numbers, earning Rs 8 crore on the same day, with a cumulative total of Rs 126.25 crore. These figures underscore the challenges faced by “Son of Sardaar 2” in retaining its audience amid fierce competition.

Looking ahead, “Son of Sardaar 2” will face even greater pressure with the impending release of “War 2,” starring Hrithik Roshan and Jr. NTR. Set to debut on August 14, this high-profile action drama is expected to garner significant attention, further threatening the screen presence and audience draw for “Son of Sardaar 2.”

The plot of “Son of Sardaar 2” sees Ajay Devgn reprising his role as Jassi Singh Randhawa. The story takes Jassi to Scotland on a mission to reconcile with his estranged wife, but he soon finds himself entangled in a series of unexpected events, including mafia entanglements, a Punjabi wedding, and a hostage crisis. Acclaimed for its blend of comedy, action, and drama, the film also features a notable cast, including Mrunal Thakur, Ravi Kishan, Sanjay Mishra, and more.

Critically, “Son of Sardaar 2” has garnered a mixed response. The Times of India awarded the film three stars, praising Devgn for his role as an endearing and guileless Sardar. Mrunal Thakur and Ravi Kishan also received accolades, with Kishan’s performance as a businessman-turned-gangster being particularly highlighted. Despite some strong performances, the film was criticized for underutilizing talents like Sanjay Mishra.

As “Son of Sardaar 2” navigates a crowded box office landscape, its ability to sustain interest will be crucial in the days leading up to more high-profile releases.

Javed Akhtar Reflects on 50 Years of Sholay Film’s Success

As the iconic film Sholay celebrates its 50th anniversary, co-writer Javed Akhtar reflects on the mysterious recipe for its immense success and enduring cultural impact.

On August 15, 1975, India marked 28 years of independence. That Friday, several films debuted in theaters, taking advantage of the Independence Day weekend. Among these films was an action drama that initially struggled at the box office. However, over time, it reshaped Indian cinema’s cultural landscape. This film was Sholay, an iconic ‘curry western’ directed by Ramesh Sippy.

Before Sippy brought Sholay to the screen, the film was conceived by the eminent screenwriting duo Salim-Javed. Having already achieved significant success with the hit film Zanjeer, Salim-Javed pitched Sholay to Sippy while riding a wave of enthusiasm and momentum.

Speaking to the film’s enduring legacy, Javed Akhtar, who co-wrote Sholay, shares his perspective on its success, which remains challenging to dissect. Asked why the film resonated so deeply, Akhtar replied candidly, “Agar mujhe maloom hota toh main doosri Sholay nahin likh leta” (If I knew the formula, would I not write a second Sholay?).

Javed Akhtar elaborates that charisma, whether in an individual or a work of art, is indefinable. “Charisma can never be defined, whether in a person or in a piece of art, whether it’s a film or a song. If you are able to solve and decode what it is, then it is no longer charisma,” he explains. Despite attempts to rationalize and analyze art, some elements remain beyond understanding, making charisma a unique and unpredictable quality.

Sholay not only marked a significant achievement in Hindi cinema but also a pivotal point in Salim-Javed’s careers, establishing them as Bollywood’s most coveted screenwriters. “Two films of ours released that year – Deewar and Sholay. Naturally, our lives changed. We were able to earn money, make a name for ourselves, and build a standing in the industry. 1975 was a very important year in our lives,” Akhtar recounts.

In its time, Sholay grossed over ₹30 crore at the box office. If adjusted for inflation today, its earnings would surpass ₹3000 crore, cementing its status as Indian cinema’s largest commercial success. The film sold more tickets than any other, held the record for the highest number of golden jubilees, and previously, before Dilwale Dulhania Le Jayenge, held the record as the longest-running Indian film.

Despite numerous analyses surrounding Sholay’s success, Akhtar prefers not to dwell on it. “Reminiscing about old things too much is a waste,” he states, adding, “Your work is like your children. Whatever they achieved is not always because of you. These films become immortal not just because of you. Thousands and millions of people are involved in it. They liked it and connected with it, which is why it became so big. On paper or in camera, it was not this big. When millions of people identify with it, a work of art becomes big then.”

Featuring a cast comprising Sanjeev Kumar, Amitabh Bachchan, Dharmendra, Amjad Khan, Hema Malini, and Jaya Bachchan, Sholay’s storyline of revenge and love has rendered it one of the most frequently quoted and watched Indian films ever.

“Mahavatar Narsimha” Joins Top 10 Hindi Grossers of 2025

Mahavatar Narsimha, a mythological animated action drama directed by Ashwin Kumar, has become the 10th highest-grossing Hindi film of 2025, collecting Rs 83.55 crore in just 13 days.

In a year filled with surprises at the box office, the success story of Mahavatar Narsimha stands out. The Hindi version of the film has surpassed the lifetime earnings of Bhool Chuk Maaf, which collected Rs 72.73 crore. As of Day 13, Mahavatar Narsimha’s Hindi version has brought in an impressive Rs 83.55 crore, outperforming other films like Saiyaara, Son of Sardaar, and Dhadak 2.

The film’s momentum remains strong, particularly after a significant boost during the second weekend. It earned Rs 17.5 crore on its second Sunday alone, reflecting its growing appeal among both family audiences and devotees. This consistent performance extends to weekdays as well, a rare feat for animated films in India.

Beyond its Hindi version, Mahavatar Narsimha’s total India net collection has reached Rs 112.8 crore. This figure includes contributions from its Tamil, Telugu, Malayalam, and Kannada versions, showcasing its widespread acceptance. The film’s devotional and cultural themes have resonated across linguistic boundaries, with significant contributions from South Indian markets playing a crucial role in its nationwide success.

Next on the horizon for Mahavatar Narsimha is to surpass Sunny Deol’s Jaat, which currently sits at number nine on the 2025 Hindi box office leaderboard with Rs 88.72 crore. With less than Rs 5 crore to go, Mahavatar Narsimha is expected to surpass this milestone in the coming days. The approaching weekend promises to add another healthy sum to its earnings.

The film has a week before competing with big releases like War 2, featuring Hrithik Roshan, Jr NTR, and Kiara Advani, alongside Rajnikanth’s Coolie. This period offers Mahavatar Narsimha ample opportunity to climb higher on the box office chart.

‘Saiyaara’ Becomes 16th Biggest Hit in Hindi Cinema History

Saiyaara, directed by Mohit Suri and starring newcomers Ahaan Panday and Aneet Padda, has become the 16th highest-grossing Hindi film of all time, achieving significant box office success.

Sainyaara has made a remarkable entry into Bollywood’s list of elite films by grossing Rs 302.25 crore in just 18 days. Directed by Mohit Suri and featuring newcomers Ahaan Panday and Aneet Padda, the romantic drama has managed to surpass major blockbusters like “Padmaavat” and “Sultan.”

The film’s opening was strong, pulling in Rs 21.5 crore on its first Friday. However, it was the subsequent weekend that proved to be a turning point, with box office collections of Rs 26 crore on Saturday and an impressive Rs 35.75 crore on Sunday. By the end of its debut week, Saiyaara had raked in Rs 172.75 crore, marking one of the most successful opening weeks in recent times.

Although the second week saw a typical drop in numbers, the film maintained a steady pace, acquiring Rs 107.75 crore over the week. The third weekend continued to show strength, with Saturday and Sunday contributing Rs 6.75 crore and Rs 8 crore, respectively. Even Monday demonstrated stability, with the film gathering Rs 2.5 crore, bringing the 18-day total to a significant Rs 302.25 crore.

In surpassing the Rs 300 crore milestone, Saiyaara has edged out “Padmaavat,” starring Ranveer Singh, Deepika Padukone, and Shahid Kapoor, which earned Rs 302.15 crore, and Salman Khan and Anushka Sharma’s “Sultan,” which collected Rs 300.45 crore. As the film advances into its fourth weekend, it holds the potential to challenge other high-grossing films such as “War,” “Bajrangi Bhaijaan,” and “Tiger Zinda Hai.”

This success marks a significant comeback for Mohit Suri, whose recent films had not met with the same degree of success. With “Saiyaara,” he returns to the emotional storytelling style that previously brought him acclaim with films like “Aashiqui 2” and “Ek Villain.”

In a landscape dominated by franchise films and big-budget productions, Saiyaara stands out by proving that new talent, compelling music, and emotionally resonant narratives still resonate with audiences. For Ahaan Panday and Aneet Padda, the film’s success solidifies their presence in the industry, while reaffirming for Hindi cinema the enduring appeal of heartfelt storytelling.

According to The Times of India.

India’s ‘Mahavatar Narsimha’ Hits ₹1 Billion, Animation Milestone

India’s animation industry has reached a significant milestone with “Mahavatar Narsimha” becoming the first animated film to surpass ₹1 billion at the domestic box office.

In a groundbreaking achievement for Indian cinema, “Mahavatar Narsimha,” directed by Ashwin Kumar, has become the first animated film in India to achieve spectacular box office success, surpassing the ₹1 billion mark in domestic earnings. This milestone firmly places the film at the forefront of animation history, both in India and globally.

Traditionally, the reception of animated films in India has been tepid, with the majority of box office success coming from television broadcasts and digital platforms. Even films celebrated worldwide, such as “Frozen 2,” “Spider-Man: Across the Spider-Verse,” and “Incredibles 2,” struggled to make more than ₹50 crore each within Indian borders. Among local productions, the previous high watermark was set by “Hanuman,” which garnered just over ₹10 crore.

The film’s initial release saw moderate numbers at the box office. However, it experienced a dramatic turnaround due to positive word-of-mouth and the backing of family audiences, who flocked to theatres in growing numbers. In its second weekend alone, “Mahavatar Narsimha” saw a significant boost, propelling its earnings to the unprecedented ₹1 billion scale by the end of the second week.

Buoyed by this success, production company Hombale Films has ambitious plans to expand the “Mahavatar” franchise. It has announced a total of six more animated films to be released under the Mahavatar Cinematic Universe, with projects stretching out through the year 2037.

The film’s commercial triumph signals a promising future for Indian animation. Industry analysts now predict that “Mahavatar Narsimha” could gross between ₹150–200 crore on the global stage, positioning it as a pioneering title in a new wave of animated features that captivate audiences with rich Indian cultural and mythological narratives infused with universal themes.

This breakthrough could open doors to more expansive, theatrical animated productions that align Indian cultural heritage with elements that resonate internationally. It marks the dawn of an era where Indian animation might play a leading role on the global entertainment stage, much like its live-action counterparts.

According to Gulf News, “Mahavatar Narsimha” has not only redefined the landscape for animated films in India but may also set a template for future cultural storytelling through animation.

Utah May Attract Film Productions from Hollywood

Utah’s film tax incentives may not rival California’s, but the state’s unique landscapes and a “film-friendly” attitude keep it competitive in the entertainment industry.

Once synonymous with filmmaking, Los Angeles is no longer the automatic go-to location for every film, as production studios explore possibilities in other states. California Governor Gavin Newsom is working to reinforce L.A.’s status as a central hub for the entertainment industry. Despite challenges, including actor and writer strikes and the rise of streaming services, he announced a significant increase in California’s film and TV tax credit program to $750 million annually, aiming to sustain the city’s allure amidst a $12 billion budget deficit.

While California waits to see the effects of this increased funding, other states are seizing the opportunity to draw film projects with their own tax incentives. Texas, for instance, has raised its film tax credit to $300 million biennially, placing itself among significant, albeit secondary, production hubs like Louisiana and Pennsylvania.

Utah, though not matching the high fiscal incentives from states like California or Texas, presents an appealing alternative through practical incentives and a conducive filming environment, according to the Utah Film Commission. Virginia Pearce, director of the commission, states that Utah benefits from frequent requests for specific outdoor locations and a lower filming cost than cities like Manhattan. While Utah occasionally loses projects to other regions, it compensates with a strategic “film-friendly” atmosphere.

In December of the previous year, Utah commemorated 100 years since its first film production, highlighting a long-standing tradition of filmmaking. Utah’s Motion Picture Incentive Program, established in 2011, initially capped at $6.79 million, spurred the local film industry forward. Iconic productions like “Yellowstone” filmed approximately 75% of its initial three seasons, spending around $80 million locally. Although Utah later lost “Yellowstone” to Montana due to enticing incentives, the state remains vital in the industry.

An enhanced financial boost came with the introduction of a bill — SB49 — which provided a $12 million incentive for productions filming primarily in Utah’s rural areas. This initiative increased the annual incentive cap by nearly $2 million and attracted 28 projects, contributing over $200 million in spending.

Unique landscapes and settings in Utah continue to draw filmmakers. Productions such as HBO’s “Mountainhead” and Disney projects have capitalized on the diverse scenery from snow-clad mountains to picturesque towns. The state’s reputation for offering a general “any town in the U.S.A” aesthetic further appeals to varied storylines.

Despite these positive developments, Utah faces challenges such as the relocation of the Sundance Film Festival to Colorado, following a more attractive $34 million tax credit. Although this represents a potential economic setback, Utah’s Film Commission remains optimistic, acknowledging Sundance’s formative influence on the state’s creative economy. Pearce highlights this as a turning point for expanding the broader creative economy rather than relying on a single event.

Across the state border in Arizona, the viability of film tax credits faces scrutiny. The Goldwater Institute challenged Arizona’s $125 million film tax incentive, arguing it violates the state’s gift clause by failing to demonstrate a tangible return on investment.

Despite debates around economic returns, both Utah and California continue to invest in film tax incentives, recognizing the symbiotic relationship between filmmaking and economic activity. Utah’s film-friendly policies, rich history, skilled production capabilities, coupled with its natural allure, position it as an enduring competitor within the film industry.

Source: Original article

Experience the World Digital Premiere of Tehranon ZEE5 Global – A Maddock Films Production starring John Abraham, streaming this Indian Independence Day weekend

~ Premiering on 14th August exclusively on ZEE5 Global, Tehran is a gripping geo-political spy thriller about one man who is hunted by Iran, abandoned by Israel and deserted by India ~

Global, 1st August 2025: ZEE5 Global, the world’s leading streaming platform for South Asian content available globally across 190+ countries, brings viewers Maddock Films’ Tehran — a taut geo-political spy thriller starring John Abraham, Manushi Chhillar, Neeru Bajwa, and Madhurima Tuli this 14th August 2025. The film is a fictionalized version inspired by true events and unfolds against the simmering global tension between Israel and Iran. Directed by Arun Gopalan, Tehran dives into the shadowy world of international espionage where one man’s allegiance could tip the balance between loyalty and betrayal.

As seen in the trailer, the story draws inspiration from the 2012 bomb explosion near the Israeli Embassy in Delhi, a real-life incident that spiraled into complex diplomatic ripples. As ACP Rajeev Kumar (John Abraham) is pulled into a covert operation that spans continents, ideologies, and fractured alliances, the lines between right and wrong begin to blur. Is Rajeev India’s ultimate patriot, silently shaping the nation’s future from the shadows—or a rouge officer playing by his own rules?

Also featuring Neeru Bajwa, Manushi Chhillar, and Madhurima Tuli, Tehran is far more than a globe-spanning thriller—it’s a psychological and political minefield. The film doesn’t just trace espionage operations — it dissects international politics, deception, and mind games.

Trailer Link – https://www.youtube.com/watch?v=ffDvEdkFtJk

Kaveri Das, Business Head – Hindi ZEE5, said,“At ZEE5 Global, we believe in telling stories that don’t just entertain but provoke thought and reflect the pulse of our times. This Indian Independence Day, we’re proud to bring viewers Tehran — a high-stakes geo-political thriller that dives deep into the murky world of espionage, patriotism, and moral conflict. It’s a gripping narrative about the unsung heroes who serve from the shadows, and one man whose mission raises a powerful question: is he defending the nation — or betraying it? In partnership with Maddock Films, we’re excited to present a story that challenges black-and-white definitions of loyalty and sacrifice.”

Producer Dinesh Vijan adds,”Tehran focuses on what’s at stake behind the headlines – the people. The film is about a man’s conscience, about how even a single human life can change the course of international relations. It’s a genre we rarely do in India. But, at Maddock Films, we have always focused on storytelling with a heart and soul. And Tehran is such a story that we are sure viewers worldwide will enjoy.”

Director Arun Gopalan said,”Tehran, to me, is a mirror held up to a fractured world. A story about shifting loyalties, blurred identities, and the human cost hidden in the shadows of global politics. We approached it with honesty and restraint because the truth it draws from is far from fiction. Every decision these characters make carries weight; every silence, every betrayal leaves a mark. I’m thankful to John, Manushi, and the cast for stepping into this world with such courage and authenticity. More than a spy thriller, Tehran is a tense, adrenaline-charged ride that forces you to ask: whose truth do you believe?”

John Abraham said, “Tehran is a truly global film—rooted in real events but resonating far beyond borders. Playing ACP Rajeev Kumar in Tehran has been one of the most intense and layered roles of my career as he is not your conventional patriot. He’s a man constantly torn between duty and conscience, and that moral conflict is what makes this story so compelling. This film isn’t about good versus evil—it’s about navigating the grey. I’m proud to be part of a project that dares to explore these complexities, and I can’t wait for audiences to experience it this Indian Independence Day on ZEE5. I am also thankful to ZEE5 Global for giving a platform to this film because in all honesty, Tehran is India’s first international film”.

Neeru Bajwa said, “Tehran is unlike anything I’ve done before—a gripping narrative that’s as emotionally charged as it is politically complex. What drew me to this story was the strength and clarity of my character. She’s someone who holds her ground and chooses integrity, even when the world around her is falling apart. It’s a proud moment for me to represent a woman who is morally grounded and unafraid to stand up for what she believes in, in a story as intense and far-reaching as this. Tehran is a story that doesn’t just entertain—it provokes thought, and I’m proud to be part of a film that’s bold, timely, and unapologetically real”.

Tehran will premiere exclusively on ZEE5 Global on 14th August

About ZEE5 Global
ZEE5 is India’s largest homegrown video streaming platform and the global destination for South Asian content, reaching viewers across 190+ countries. As the streaming platform of ZEE Entertainment Enterprises Ltd., a leading content and technology powerhouse, With a focus on ‘Apni Bhasha, Apni Kahaniyan’ (multiple languages, infinite stories)., ZEE5 drives a language-first platform approach, delivering hyper-local content, language specific packs and deeply personalized experiences in seven languages, Hindi, Tamil, Telugu, Bengali, Malayalam, Kannada, and Marathi. With a vast library spanning Originals, Indian and international films, TV shows, kids’ content, news, live TV, and bite-sized micro dramas, ZEE5 is the destination for diverse, multilingual content for Indians everywhere.

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“Saiyaara Earns Rs 132 Cr in 5 Days, Outpaces Sikandar”

Mohit Suri’s romantic drama “Saiyaara,” starring newcomers Ahaan Panday and Aneet Padda, has quickly become a box office sensation in India, crossing the Rs 100 crore mark within five days of its release.

On its fifth day, “Saiyaara” maintained its momentum at the domestic box office, earning Rs 25 crore in just one day, a slight increase from its Rs 24 crore earning on its first Monday. The film’s impressive performance continued from its Sunday collection, which stood at Rs 35.75 crore, up from Rs 26 crore on Saturday, starting with a historic opening day collection of Rs 21.5 crore.

According to reports from Sacnilk, “Saiyaara’s” five-day total in India has reached Rs 132.25 crore. This achievement makes it a rare blockbuster featuring newcomers to breach the Rs 100 crore mark. The film has even surpassed the collection of a previous member of this year’s Rs 100 crore club, “Sikandar,” by AR Murugadoss, which featured Salman Khan and Rashmika Mandanna and earned Rs 129.95 crore in India.

“Saiyaara” is now eyeing to overtake Akshay Kumar’s “Sky Force,” which has a collection of Rs 134.93 crore. Given its current trajectory, it may soon challenge other high-grossing films like Aamir Khan’s “Sitaare Zameen Par” (Rs 164.74 crore), Ajay Devgn’s “Raid 2” (Rs 179.30 crore), and Akshay Kumar’s “Housefull 5” (Rs 198.41 crore).

Over the opening weekend, the film grossed a record-setting Rs 119 crore, cementing itself as the romantic film with the highest opening ever, as reported by Aditya Chopra’s Yash Raj Films, the production house behind “Saiyaara.” This debut marked a significant achievement for Ahaan Panday and gained critical acclaim for Aneet Padda. The movie earned Rs 84 crore in India and an additional Rs 17.25 crore from international markets over its first weekend.

The film’s robust three-day performance also exceeded the lifetime collections of other notable debuts by star kids, such as Alia Bhatt and Varun Dhawan’s “Student of the Year” (Rs 70 crore) and Jahnvi Kapoor and Ishaan Khattar’s “Dhadak” (Rs 73 crore). Ahaan Panday, nephew of actor Chunky Panday and cousin to Ananya Panday, is making his own mark in the industry with this successful debut.

“Saiyaara” also marks director Mohit Suri’s best opening, surpassing the first-day earnings of Suri’s previous films including “Ek Villain” (Rs 16 crore), “Aashiqui 2” (over Rs 6 crore), and “Murder 2” (almost Rs 7 crore). In response to the film’s success and to maintain accessibility for younger audiences, Yash Raj Films has requested exhibitors to keep ticket prices steady. Furthermore, the production house decided not to engage Panday and Padda in any promotional activities for the film.

According to Indian Express, “Saiyaara” continues to be a strong contender at the box office, as it targets more milestones in its ongoing theatrical run.

“The Sound of Music Child Star Reveals Cast’s 60-Year Friendship Secret”

The former child stars of “The Sound of Music,” who have maintained a friendship spanning 60 years, recently reunited in Florence, Italy.

Kym Karath, known for her role as the youngest von Trapp sibling, Gretl, shared snapshots on Instagram showcasing a joyful reunion with her on-screen siblings. Surrounded by bottles of wine, the group included Nicholas Hammond, 75, who portrayed Friedrich; Duane Chase, 74, who played Kurt; Angela Cartwright, 72, known as Brigitta; and Debbie Turner, 68, who portrayed Marta.

While the reunion was filled with joy, it was also bittersweet due to the absence of Heather Menzies-Urich (Louisa) and Charmian Carr (Liesl), who passed away in 2017 and 2016, respectively. Christopher Plummer, who famously played Captain von Trapp, died in 2021.

“Celebrating together in Florence with all my film siblings was a complete delight,” Karath expressed to Fox News Digital.

The cast gathered in Florence’s historic Teatro Niccolini. Karath noted the city’s beauty and the warmth of the fans and press, exclaiming, “The press was wonderful, and the fans were overwhelmingly warm and enthusiastic.”

Reflecting on their long-standing friendship, Karath shared, “I think the secret behind our friendship is the secret of all enduring friendships, although ours began at a film studio; staying close, loyal, and being there for one another.”

The lasting charm of “The Sound of Music,” which premiered on March 2, 1965, is attributed to its portrayal of a real family and their courage. The film, an Oscar winner inspired by the von Trapp family’s true story, follows a governess and her impact on the family she cares for amidst the backdrop of the Nazi regime.

“Here is a little-known fact – the film family is friends with the real family,” Karath remarked. She mentioned her friendship with Elizabeth von Trapp and the unique bond that existed between Duane Chase and Werner von Trapp.

The cast’s reunion in Italy was not just for nostalgia. “We are currently working on a documentary and filmed [it] while we were in Florence together!” Karath revealed, hinting at a project that fans can look forward to.

Karath’s career began serendipitously when she was discovered at age three while enjoying a cheeseburger in her father’s restaurant in California. However, her fame soared with “The Sound of Music,” which sparked her lifelong love for Europe and history. She fondly remembers the camaraderie among the cast in Salzburg, Austria, noting that the group truly became a family.

Julie Andrews, who played Maria, quickly formed a remarkable bond with the child actors. Now 86, Andrews’ kindness and talent left a lasting impression on Karath, who described her as “a gift.”

Karath recalled, “There is never a bad moment with Julie Andrews – never. She’s just the sweetest, most unbelievable, talented, brilliant human.” One cherished memory is when Andrews entertained the children between scenes by strumming her guitar and singing with them.

In contrast, Karath’s early impressions of Plummer were mixed. “At the time, he was kind of standoffish,” she said, reflecting on her five-year-old perspective. However, her views softened over the years.

As the cast members continue to hold onto their shared memories and strong bond, their story profoundly resonates with audiences, further solidifying the timelessness of “The Sound of Music.”

Indian Film Sees 1200% Profit, Surpassing Major Hits

In a remarkable turn of events, the Tamil film “Tourist Family” has emerged as India’s most profitable film of 2025, achieving an extraordinary profit margin of 1200% on a modest budget.

As the cinematic landscape of 2025 entered its midpoint, the industry took stock of what had succeeded and what had faltered at the box office. While major productions like “Chhaava” and “L2: Empuraan” dominated with impressive earnings, it was the unassuming “Tourist Family” that captured the spotlight with its unparalleled profitability. Directed by Abishan Jeevinth, the film was crafted on a budget of just ₹7 crore and has grossed an impressive ₹90 crore worldwide.

“Tourist Family,” a Tamil slice-of-life comedy drama, made its debut on April 29. The film features an ensemble cast including M. Sasikumar, Simran, Mithun Jai Sankar, and Kamalesh Jagan. Garnering praise from critics and audiences alike, the film’s success was fueled by its engaging storytelling and relatable themes. In its initial week, the movie collected ₹23 crore. However, buoyed by strong word-of-mouth promotion, it saw an even stronger second week, adding ₹29 crore to its earnings.

The film’s trajectory over five weeks culminated in a worldwide collection of ₹90 crore, with ₹62 crore accruing within India. This impressive financial performance underscored its humble origins and stands in stark contrast to much bigger budget projects.

While “Chhaava” holds the title of the highest-grossing Indian film of the year with ₹808 crore globally, its substantial budget of ₹90 crore results in a profit of 800%. In comparison, “Tourist Family’s” higher profit percentage demonstrates a remarkable return on investment, unmatched by even the most lavish Bollywood productions. Likewise, “Housefull 5,” despite grossing ₹300 crore worldwide, and Salman Khan’s “Sikandar” have yet to achieve profitability due to their costly productions. Aamir Khan’s “Sitaare Zameen Par,” with a budget of ₹65 crore, has managed a 300% profit margin on earnings of ₹260 crore.

Other regional films have also mirrored this trend of higher profitability margins. For instance, the Tamil film “Dragon” and the Malayalam hit “Thudarum” have achieved 300% and 720% profits, respectively. The Telugu film “Sankranthiki Vasthunam,” the highest-grossing film in its region, matched that with a 300% profit on its ₹60-crore investment.

According to the Hindustan Times, the unexpected success of “Tourist Family” signals a shift in viewer preferences and highlights the rising impact of regional cinema on India’s broader entertainment landscape.

Emmy Nominations 2025: AppleTV+ Dominates with 50 Total Nods

“Severance” led the Emmy pack with 27 nominations in a stellar year for Apple TV+, followed by “The Studio” with 23, marking Apple’s significant presence in the television industry.

Apple TV+ asserted its dominance in this year’s Emmy nominations as its drama series “Severance” received a remarkable 27 nods on Tuesday. The dystopian workplace series has peaked both critical acclaim and viewer interest during its second season, outpacing all other contenders in the drama category.

Key nominations for “Severance” included recognition for lead actors Adam Scott and Britt Lower, who portray dual roles of “innie” work selves and “outie” home selves. Tramell Tillman got a supporting actor nomination for his performance as their enigmatic supervisor, while Ben Stiller was acknowledged with a directing nomination.

The comedy genre spotlight was stolen by Apple’s “The Studio,” which led with 23 nominations and surpassed other contenders like “Hacks,” with 14 nominations, and “The Bear,” with 13. The show, which is a satirical look at Hollywood, also earned co-creator Seth Rogen three personal nods in acting, writing, and directing. A-list guest stars Martin Scorsese, Ron Howard, Bryan Cranston, Anthony Mackie, and Zoë Kravitz also scored nominations for their appearances on the series.

Another standout is HBO’s “The Penguin”, a dark drama entrenched in the “Batman” universe, achieving 24 nominations in the limited series category. Lead roles by Colin Farrell and Cristin Milioti earned individual recognition.

Netflix’s “Adolescence,” acclaimed for its engaging narrative, gathered 13 nominations, highlighted by a supporting actor nod for the young Owen Cooper, who plays a 13-year-old accused of a crime.

In the race for best drama series, the nominees are “Andor,” “Paradise,” “Severance,” “Slow Horses,” “The Diplomat,” “The Pitt,” “The Last of Us,” and “The White Lotus.” The best comedy series contenders include “Hacks,” “The Bear,” “The Studio,” “Only Murders in the Building,” “Abbott Elementary,” “Nobody Wants This,” “Shrinking,” and “What We Do in the Shadows.”

The limited series category features nominees “Adolescence,” “Black Mirror,” “Dying For Sex,” “Monsters: The Lyle And Erik Menendez Story,” and “The Penguin.”

Leading the best comedy actor list is Seth Rogen of “The Studio,” joined by Martin Short, Jeremy Allen-White, Adam Brody, and Jason Segel. On the comedy actress front, contenders are Uzo Aduba, Kristen Bell, Quinta Brunson, Jean Smart, and Ayo Edibiri.

Two of the categories were announced early on “CBS Mornings.” Competing for best talk series are “The Daily Show with Jon Stewart,” “Jimmy Kimmel Live,” and “The Late Show with Stephen Colbert.” Nominees for reality competition series include “The Amazing Race,” “RuPaul’s Drag Race,” “Survivor,” “Top Chef,” and “The Traitors.”

“Severance” solidifies Apple TV+ as a major player in the Emmy race. Despite previous successes with series like “The Morning Show” and “Slow Horses,” along with comedies such as “Ted Lasso,” Apple had not claimed the same prestige in dramas that perennial Emmy favorite HBO often enjoys. This year might signal a change, as evidenced by the multiple nominations for its strong dramatic and comedic programming.

All nominated shows reflect the evolving landscape of television shaped by streaming services. Viewership statistics illustrate this shift; for example, an average of 10 million watched “The Pitt” on HBO Max, compared to 30 million viewers of “ER” on NBC three decades ago. The role of broadcast networks in the Emmys has diminished, although successes such as ABC’s “Abbott Elementary” and CBS’s “Matlock” continue to shine in a few areas.

The 77th Primetime Emmy Awards is set to air on CBS, broadcasting from the Peacock Theater in Los Angeles on September 14, with Nate Bargatze hosting the ceremony.

Malayalam Cinema Report: Hyped Movie Disappoints, Mohanlal-Mammootty Dynamics Shift

The first half of 2025 proved a mixed period for Malayalam cinema, with notable successes and significant disappointments marking its journey.

The first six months of 2025 demonstrated a period of fluctuating fortunes for Malayalam cinema. While 2024 was a year of consistent triumphs in the industry, the recent period has been marked by both high-quality productions and underwhelming failures, indicating that success in the film industry is never guaranteed. Numerous factors contribute to the rising and falling fortunes of an industry, and Malayalam cinema is no exception.

The year started with high expectations following the successes of 2024, but it got off to a slow start with the release of “Identity,” an action thriller by directors Akhil Paul and Anas Khan, which failed to impress audiences due to its lackluster writing and weak performances from stars Tovino Thomas and Trisha Krishnan. Smaller releases like “Communist Pacha Adhava Appa” and “ID: The Fake” made little impact, while the alternate-history thriller “Rekhachithram,” directed by Jofin T Chacko and starring Asif Ali, quickly became a notable success.

In contrast, technical prowess occasionally shined through, as seen in “Rekhachithram,” where innovative use of AI technology helped overcome budget constraints. Meanwhile, high-budget films struggled with issues such as poorly executed visual effects, evident in releases like “The Greatest of All Time” starring Thalapathy Vijay, Kamal Haasan’s “Indian 2,” and Mohanlal’s “Barroz.” These issues contrasted sharply with the disciplined craftsmanship that allowed directors like Jofin T Chacko to succeed.

The year continued unevenly as stalwarts of Malayalam cinema experienced fluctuating success. Mammootty, following a run of successes, faced a downturn with “Dominic and the Ladies’ Purse,” directed by Gautham Vasudev Menon. On the other hand, Mohanlal reversed his string of disappointing releases with “L2: Empuraan” and “Thudarum,” generating more favorable outcomes at the box office.

February mirrored the unevenness of the year, failing to replicate the golden run of February 2024, and instead delivering a lackluster slate of releases including “Painkili,” “Bromance,” and “Daveed,” which struggled to connect with audiences. Kunchacko Boban and Priyamani’s “Officer on Duty” found some success despite mixed critical reception.

March traditionally sees fewer releases due to academic exams and Ramadan, but “L2: Empuraan” emerged as a blockbuster despite initial critical feedback regarding its script and controversial themes. The film eventually became the highest-grossing Malayalam film of all time.

April was another mixed month, with inconsistent performance from films such as Mammootty’s “Bazooka” and Basil Joseph’s “Maranamass,” the latter overshadowed by Khalid Rahman’s sports comedy “Alappuzha Gymkhana.” Meanwhile, May saw a lineup that included forgettable titles like “Mr & Mrs Bachelor” and “Azadi.” The dance drama “Moonwalk,” with its fresh approach, stood out among the releases, echoing broader appeals for Bollywood to reassess its formulaic approaches.

The final month of the half-year, June, saw another wave of underperforming films such as “Written & Directed by God” and “Abhyanthara Kuttavali.” However, the police procedural drama “Ronth,” directed by Shahi Kabir, garnered praise for its incisive storytelling and impressive performances, underscoring the industry’s capability for high-quality productions.

As Malayalam cinema moves forward into the latter half of the year, the industry must navigate its precarious position with strategic planning in both film production and distribution. While the first half of the year has highlighted some remarkable successes, it also reinforced the need for improved planning and promotional strategies to ensure more stable performance moving forward, according to Indian Express.

Aamir Khan Film Achieves Historic Milestone for Indian Cinema

Aamir Khan’s latest film, “Sitaare Zameen Par,” has made history by becoming the first Indian movie to be fully accessible to audiences with visual, hearing, or speech impairments, grossing over ₹200 crore worldwide.

Aamir Khan’s “Sitaare Zameen Par” has taken the box office by storm and reached a diverse audience, earning a place among the highest-grossing films of 2025. Heralded as the spiritual sequel to the critically acclaimed “Taare Zameen Par,” this film has marked a pivotal moment in Indian cinema by grossing over ₹200 crore worldwide, according to industry tracker Sacnilk.

Released on June 20, 2025, “Sitaare Zameen Par” stands out not just financially but also in its pioneering approach to inclusivity. The film has been crafted with closed captions, audio descriptions, and Indian Sign Language (ISL), ensuring it can be thoroughly enjoyed by viewers with disabilities. This achievement highlights Aamir Khan’s vision to create a film experience that transcends traditional barriers, offering accessibility to a wider demographic.

The movie’s impressive accessibility features have set a new benchmark in an industry where such inclusive practices have been limited. While international films often incorporate various accessibility tools, “Sitaare Zameen Par” is a trailblazer in Indian cinema for its integration of ISL. This has been facilitated through the innovative use of the XL Cinema app, which synchronizes with the audio track in theaters and provides real-time interpretation for deaf and hard-of-hearing audiences.

The XL Cinema app allows users to access an ISL interpreter directly on their mobile devices, enhancing the viewing experience for those with hearing impairments. By providing closed captions and detailed audio cues, it ensures that essential elements of the storyline and ambient audio are communicated effectively, thereby bringing a richer, more engaging cinematic experience to all viewers regardless of their sensory capabilities.

Aamir Khan’s dedication to inclusivity in “Sitaare Zameen Par” illustrates a significant step forward in making entertainment accessible and enjoyable for everyone. With this film, the Indian film industry not only acknowledges the diverse needs of its audience but also sets a global example of how cinema can cater to all kinds of people, bridging gaps in understanding and enjoyment through thoughtful inclusivity.

REVIEW OF MALAYALAM MOVIE “DHEERAN”

Get ready for a laughter-packed ride with ‘Dheeran’! Directed by the talented Devadath Shaji, this film bursts onto the Malayalam cinema scene just when audiences are hungry for a good dose of comedy.

After hits like ‘Jaan A Mann’, ‘Jaya Jaya Jaya Hai’, and ‘Phalimi’, ‘Dheeran,’ produced by Lakshmi Warrier and Ganesh Menon under Cheers Entertainments, has taken theaters by storm and is receiving rave reviews!

The makers of the film claimed that the vintage youth of Malayalam are coming together. Jagadish, Manoj K. Jayan, Sudheesh, Ashokan and Vineeth were seen roaming freely throughout the film.

At the heart of the film is the brilliant Rajesh Madhavan, who plays Eldhose, delivering moments of humor that make you chuckle, even as he navigates some serious territory. And he’s not alone! The evergreen Jagadish shines in his role as a thoughtful leader, while Manoj K Jayan brings his signature swagger with surprisingly subtle charm. Ashokan captures the essence of the perennial bachelor, prompting laughs at what might have been. But it’s Sudheesh who steals the show with a character so delightful that the audience is left on the edge of their seats, eagerly waiting for his next hilarious line!

The film weaves a chaotic yet captivating narrative, exploring the complexities of relationships and intimacy in a rural setting through clever humor. Devadath Shaji serves up social commentary with a side of laughter, making bold ideas accessible, all while keeping the comedy flowing. Intriguing character dynamics, especially those in the ambulance with Eldhose, add layers of friction that make the humor hit even harder.

While ‘Dheeran’ is ambitious in its quest to be a madcap entertainer, it shines brightly in its moments of humor that rescue it whenever the pace slows down. Set against the vibrant backdrop of Malayattoor, we follow the comedic misadventures of Eldhose and the quirky villagers on a wild journey to Denkanikottai in Tamil Nadu to retrieve a deceased community member. The mishaps and mayhem that ensue are what make this film a must-see!

With a nod towards the classic ‘In Harihar Nagar’ style comedy, ‘Dheeran’ truly captures the spirit of confusion and hilarity.

In the grand scheme of things, it promises an enjoyable experience filled with laughter and unexpected twists. Get ready to be entertained!
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