Viral Denim Ads and Gen Z Influence Boost Fashion Brand Revenue

Gap’s viral summer denim campaign has sparked a cultural moment and significant sales growth, showcasing the power of nostalgia and influencer marketing in the fashion industry.

Gap Inc. is experiencing a surge in momentum following the success of its viral summer denim campaign, “Better in Denim.” This campaign not only ignited a cultural moment but also translated into impressive sales growth for the brand.

Similar to American Eagle’s successful campaign featuring actress Sydney Sweeney, Gap’s ad has effectively turned social media buzz into substantial revenue. Richard Dickson, CEO of Gap Inc., highlighted the campaign’s impact during the company’s third-quarter earnings call, noting that it garnered over 8 billion impressions and 500 million views. He described it as a global cultural takeover, marking it as one of the brand’s most successful campaigns to date, which resulted in significant traffic and double-digit growth in denim sales.

Following the campaign’s success, Gap Inc., which also owns brands such as Old Navy and Banana Republic, reported quarterly results that exceeded expectations and raised its full-year outlook. The positive news led to a 5% increase in the company’s shares during after-hours trading.

The “Better in Denim” campaign, launched over the summer, resonated with audiences by featuring the global girl group Katseye performing to Kelis’ hit song “Milkshake.” The ad quickly dominated social media feeds and contributed to a broader resurgence of denim across the fashion industry. This campaign coincided with an unofficial “denim ad showdown,” as other brands like American Eagle and Lucky Brand released their own eye-catching campaigns, all vying for cultural relevance and consumer attention.

According to Dickson, influencer content has become a primary method for product discovery among Gen Z and millennials, and Gap has been performing exceptionally well in this area. He emphasized that collaborations continue to enhance the brand’s relevance and revenue, citing a recent partnership with designer Sandy Liang that attracted a wave of younger shoppers. This strategy not only appeals to younger consumers but also resonates with higher-income customers, positioning Gap effectively between premium and value markets.

Gap Inc. reported a 5% increase in comparable sales compared to the previous year, with the Gap brand itself seeing a 7% rise, as noted by Chief Financial Officer Katrina O’Connell. Dickson attributed the strong quarterly performance to “broad-based strength in denim,” repeatedly acknowledging the Katseye campaign’s role in driving momentum across the company’s portfolio.

The resurgence of denim in the fashion world is not merely about the fabric; it encompasses faces, culture, and timing. Fashion brands are increasingly leveraging the power of viral collaborations, enlisting rising stars and culturally relevant personalities who resonate with Gen Z’s preferences.

These campaigns transcend traditional advertising; they are designed as shareable moments optimized for platforms like Instagram and TikTok. When a video captures the right emotional and cultural elements—such as nostalgic music, authentic dance moments, or beloved influencers—it transforms into social currency. This momentum often translates directly into sales. Brands like Gap and American Eagle have demonstrated that when the right talent leads a campaign, it not only builds awareness but also fosters a sense of community among Gen Z consumers.

As the fashion industry continues to evolve, the successful integration of viral marketing strategies and influencer partnerships will likely remain crucial for brands seeking to capture the attention and loyalty of younger audiences.

Source: Original article

Fátima Bosch of Mexico Wins Miss Universe 2025 Title

Fátima Bosch Fernández of Mexico was crowned Miss Universe 2025 in Bangkok, overcoming public bullying and controversy during the competition.

BANGKOK — Fátima Bosch Fernández, representing Mexico, was crowned Miss Universe 2025 on Friday in a finale marked by emotion and drama. The 25-year-old not only triumphed in the pageant but also emerged from a week filled with controversy, having stood up against public mistreatment from one of the event’s hosts.

This year’s 74th edition of the Miss Universe competition took a turbulent turn during a livestreamed sashing ceremony on November 4. Bosch faced sharp criticism from Thai national director Nawat Itsaragrisil, who accused her of failing to adhere to his promotional instructions. In a bold move, Bosch defended herself, prompting Itsaragrisil to call for security to remove her from the stage. Unintimidated, Bosch walked out, joined by several other contestants, including Miss Universe 2024, Victoria Kjær Theilvig of Denmark.

“What your director did is not respectful. He called me dumb,” Bosch told reporters after the incident. “If something violates your dignity, you must walk away.” Nawat denied using the term “dumb,” but the backlash against him quickly escalated.

The global support for Bosch was overwhelming. Raúl Rocha Cantú, president of the Miss Universe Organization, condemned Nawat’s actions as “public aggression” and “serious abuse.” The incident even drew praise from Mexico’s newly elected president, Claudia Sheinbaum, who commended Bosch’s courage, stating, “This is an example of how women must raise our voices. We look more beautiful not when we stay quiet, but when we speak up for our rights.”

In a later speech, Nawat offered a half-hearted apology, saying, “If anyone was uncomfortable, I am sorry,” before adding, “It’s passed. OK? Are you happy?” This response did little to quell the outrage surrounding the incident.

Fátima Bosch’s background is as impressive as her victory. According to her official Miss Universe profile, she studied fashion in both Mexico and Italy, specializes in sustainable and upcycled designs, and has volunteered with sick children. Additionally, she is an advocate for environmental causes and supports initiatives related to migrants and mental health.

Despite the controversies surrounding this year’s competition, including the resignation of two judges who alleged manipulation of the contest—claims the organization has denied—and an investigation by Thai police into potential links between pageant promotions and illegal online casinos, Bosch’s crowning became the defining moment of the night. Her victory was celebrated as a testament to resilience, dignity, and the global support for women who dare to speak out.

In the final results, Bosch was named the winner, with Praveenar Singh of Thailand as the first runner-up and Stephany Adriana Abasali Nasser of Venezuela taking the second runner-up position. The top five also included Ahtisa Manalo from the Philippines and Olivia Yacé from the Ivory Coast.

As the arena erupted in cheers and Mexican flags waved throughout the crowd, Bosch expressed her hopes to be remembered as “someone who helped redefine the Miss Universe prototype — a real person who leads with heart.” She emphasized the importance of the competition as a platform for women to claim their space and be heard.

Fátima Bosch’s journey to the crown is not just a personal victory; it symbolizes a broader movement for respect and empowerment among women globally.

Source: Original article

Songs of Paradise: Honoring a Timeless Voice from Kashmir

Inspired by the life of Raj Begum, “Songs of Paradise” is a poetic tribute to Kashmir’s first female singer, exploring themes of love, loss, and the transcendent power of music.

“Songs of Paradise” is a film that hums like a dream—fragile, haunting, and steeped in longing. Directed by Danish Renzu, the movie draws inspiration from the life of Raj Begum, Kashmir’s first female singer on Radio Kashmir. It reimagines her journey through the character of Zeba, also known as Noor Begum, portrayed with piercing authenticity by Saba Azad, and later by Soni Razdan. Rather than a conventional biopic, this film serves as a luminous, poetic tribute—a fictionalized account that captures the emotional truth of a woman whose voice rose from a conservative and politically volatile valley to touch the heavens.

Noor’s singing transcends narrative; it becomes an element of nature itself. Her voice embodies the towering mountains, open skies, rushing streams, and lush valleys, encapsulating both peace and desire, longing and prayer.

The film’s visual artistry draws viewers in with stunning imagery: shikaras gliding on the shimmering Dal Lake, and three young women in festive attire singing at a friend’s wedding, their eyes sparkling like diamonds reflected on the water. We catch glimpses of Zeba’s modest one-room home, adorned with a flowerpot drawn on a brick wall—a small bloom of hope amidst hardship. In a dimly lit kitchenette, Zeba mischievously cooks a photograph of a “potential groom” in a pot of stew, adding a touch of whimsy to her otherwise challenging life.

Cinematographer Vincenzo Condorelli captures Kashmir as a living soul, showcasing snow-dusted Himalayas, saffron-scented air, and alleyways perfumed with kahwa and rogan josh. Each frame feels like a prayer, inviting viewers to immerse themselves in the beauty and complexity of the region.

The emotional core of the film lies in Zeba’s bond with her father, an uneducated tailor with a liberal heart. Their quiet, affectionate scenes together by his sewing machine are filled with unspoken understanding. He believes in Zeba’s innate talent even when others do not, and his quiet faith becomes her guiding light.

Her Ustadji, played by Shishir Sharma, is gentle yet discerning, recognizing the divinity in her voice. He encourages her to enter a local singing contest, which becomes one of the film’s most arresting sequences. Dressed in a simple pink and violet Kashmiri salwar kameez, with a biscuit-colored hijab perched on her head, Zeba appears like a schoolgirl—uncertain and seeking her teacher’s approval. As she begins to sing “Dil Tsooran Hai,” the song that first wins her recognition, the audience is drawn into her world.

Following her performance, Zeba is awarded a trophy and a contract to sing for Radio Kashmir, where she meets Mr. Kaul, played by Suhail Nathani. The skeptical producer doubts that a young Muslim woman can endure the pressures of public life, but her voice silences every hesitation and gives her wings. Panditji, portrayed by Renzu himself, is a composer overwhelmed by her gift, creating rich orchestral arrangements that amplify the purity of her tone.

Zeba’s journey leads her to perform live at Tagore Theatre, but her photograph in the local newspaper brings her family shame. She is rescued from this scandal by poet Azad, played by Zain Khan Durrani, who asks for her hand in marriage. Azad’s poetry merges with her music, and the scene by Dal Lake, where she sings a verse composed by her husband, becomes a poignant invocation of love and devotion.

The film’s musical magic is heightened by Sufi-inflected songs like “Karsa Myon,” alongside many Kashmiri folk songs beautifully sung by Zeba, with playback by Masrat Un Nissa. Each note is layered with longing and spiritual surrender, deepening the emotional resonance of the narrative.

On a personal note, redemption arrives quietly for Zeba when she returns home with a new sewing machine for her father—a gesture of love, dignity, and self-worth. Her mother, played by Sheeba Chaddha, acknowledges her mistakes, whispering, “I was wrong. You have only brought us respect.” This moment of reconciliation is tender, evoking the breath of spring.

However, “Songs of Paradise” does not shy away from conflict or pain. Zeba faces her community’s judgment and endures the heartbreak of losing her entire archive of recordings in a fire. As she stands frozen before the flames, her face illuminated by loss, Saba Azad’s cries pierce the skies, leaving her silent and unable—or unwilling—to sing again.

Saba Azad’s performance is the heartbeat of this film. She embodies Zeba with an open, luminous face, an authentic Kashmiri accent, and questioning eyes that hold both courage and generosity. Whether demanding equal pay, sharing her food with colleagues, or seeking higher verse to lend her voice meaning, Azad delivers each moment with quiet ferocity. When she sings, the valley itself seems to hold its breath.

Unaware of her growing influence, Zeba inspires a generation of Kashmiri girls to sing. They come to her door, their voices opening with hope, asking to sing her songs. In that moment, her voice echoing against the mountains, Noor’s voice is not hers alone; it belongs to every woman who has ever sung her heart out.

Produced by Ritesh Sidhwani, Farhan Akhtar, Shafat Qazi, and Danish Renzu, “Songs of Paradise” is currently streaming on Amazon Prime.

Source: Original article

Digital Domain Names Sudhir Reddy as Head of Global VFX Operations

Digital Domain has appointed Sudhir Reddy as President of its Global VFX Business, succeeding Lala Gavgavian, who served the company for 18 years.

LOS ANGELES, CA – Digital Domain, the acclaimed visual effects studio known for its work on some of Hollywood’s most celebrated films, has announced the appointment of Sudhir Reddy as President of its Global VFX Business, effective immediately.

Reddy takes over from Lala Gavgavian, who dedicated 18 years to the company, including the last four years as President and COO. Gavgavian’s tenure was marked by significant growth and innovation within the studio.

With 27 years of experience in the visual effects industry, Reddy has played a crucial role in expanding Digital Domain’s international presence over the past 15 years. His leadership has been instrumental in the launch of the Hyderabad studio, as well as the management of the Vancouver and Montreal locations.

Reddy’s extensive experience includes overseeing global productions across feature films, episodic content, and emerging media. He has earned a reputation for successfully delivering ambitious projects on a worldwide scale.

Before rejoining Digital Domain, Reddy held various creative roles at prominent studios in India and at Flux Animation Studios in New Zealand. He later transitioned into senior production and management roles at Reliance MediaWorks in both India and Los Angeles, where he managed large-scale VFX pipelines and cross-border teams.

Digital Domain is recognized for its innovative artistry, contributing to several Academy Award-winning films, including ‘Titanic,’ ‘What Dreams May Come,’ and ‘The Curious Case of Benjamin Button.’ Reddy’s appointment is expected to further enhance the studio’s creative capabilities and global reach.

According to India West, Reddy’s leadership is anticipated to drive the company into new realms of creativity and technological advancement in the visual effects industry.

Source: Original article

‘De De Pyaar De 2’ Receives 4.5 Stars for Heartfelt Humor

‘De De Pyaar De 2’ is a heartwarming sequel that combines humor and emotion, earning 4.5 stars for its relatable storytelling and strong performances.

MUMBAI – It’s rare to find a film that evokes laughter, tears, and smiles all within the same heartbeat. ‘De De Pyaar De 2’ is that exceptional gem. This sequel not only lives up to the 2019 blockbuster but also expands on it with heart, humor, and a narrative that feels both deeply personal and universally relatable.

In a year dominated by thrillers and high-octane spectacles, ‘De De Pyaar De 2’ emerges as the standout family entertainer of 2025. It’s a film centered around family, designed to be enjoyed with loved ones. Whether you’re a parent, a young adult, or a daughter sharing a special bond with her father, this film resonates on multiple levels.

The film masterfully balances comedic moments that invite applause with tear-jerking scenes, ultimately delivering a subtle yet powerful message about love, relationships, and what it means to be ‘man enough’ in today’s world.

Lead actor Ajay Devgn shines in his role, effortlessly transitioning between subtle humor and emotional depth. His clever references to his own iconic films are a delightful treat for fans and are perfectly timed throughout the film. It’s refreshing to see him return to the romantic-comedy genre after a series of action-heavy roles.

R. Madhavan adds a soulful touch to the story. Portraying a father grappling with complex emotions, he embodies warmth and vulnerability. His interactions with Ajay are particularly noteworthy, blending humor with heartfelt moments that resonate deeply.

Leading lady Rakul Preet Singh delivers her finest performance to date, exuding charm, confidence, and radiance on screen.

Jaaved Jaffery consistently brings laughter, ensuring that audiences are in stitches every time he appears. Meanwhile, Meezaan makes a striking impression in the second half, looking effortlessly dashing and leaving a lasting mark despite his limited screen time.

The supporting cast, including Gautami, Ishita, and Suhasini Mulay, adds natural warmth and depth, beautifully rounding out the film’s emotional landscape.

Director Anshul Sharma infuses ‘De De Pyaar De 2’ with heart, humor, and a seamless storytelling approach. His vision is evident in every frame, skillfully bringing together a powerhouse cast and allowing each performer to leave a significant impact. Sharma adeptly orchestrates the film’s emotional beats and comic timing, blending warmth and wit in equal measure, solidifying his reputation as a filmmaker who knows how to entertain while keeping emotions genuine and grounded.

Unlike many sequels that merely aim to capitalize on a franchise name, ‘De De Pyaar De 2’ feels like an organic continuation of its predecessor. The callbacks are clever and not forced, with the story flowing with sincerity and purpose.

Just when viewers think they’ve seen it all, the final 20 to 30 minutes deliver one of the most emotionally satisfying climaxes in recent cinema. This rollercoaster of emotions leaves audiences with full hearts and broad smiles as they exit the theater.

Source: Original article

Makarand Deshpande Praises Innovation and Depth in Malayalam Cinema

Bollywood actor Makarand Deshpande lauds Malayalam cinema for its innovative storytelling and emotional depth, calling it the epicenter of exceptional filmmaking in India.

Bollywood actor Makarand Deshpande has expressed profound admiration for Malayalam cinema, describing it as the current epicenter of exceptional filmmaking in India. His remarks came during a visit to Kochi for the pooja ceremony of his upcoming Malayalam film, Vavvaal.

During this event, Makarand highlighted the unique blend of innovation and emotional authenticity that characterizes the Malayalam film industry. He emphasized that the strength of Malayalam cinema lies in its close connection to human emotions and the audience’s deep understanding of the art form.

This knowledgeable viewer base, according to Makarand, empowers Malayalam superstars to take creative risks and experiment with their roles and narratives. He noted that such an environment is less common in Bollywood, where commercial considerations often limit artistic ventures.

Makarand, who has appeared in notable Malayalam films such as Amen and Pulimurugan, praised the storytelling culture of the industry for its ability to balance authentic narratives with profound emotional depth. He recalled his involvement in the thriller No.66 Madhura Bus, emphasizing that Malayalam cinema prioritizes acting prowess over star power.

His comments reflect a broader recognition of Malayalam cinema as a space for world-class, experimental, and performance-driven films that resonate deeply with audiences. Makarand’s insights underscore the industry’s commitment to innovation and emotional storytelling, setting it apart in the landscape of Indian cinema.

As the industry continues to evolve, the appreciation from established actors like Makarand Deshpande highlights the growing influence and respect for Malayalam cinema on a national scale. This acknowledgment may encourage more filmmakers to explore the unique narrative styles and emotional depth that Malayalam films offer.

In conclusion, Makarand Deshpande’s admiration for Malayalam cinema not only celebrates its current achievements but also serves as a reminder of the importance of storytelling that connects with audiences on a deeper level. The industry’s ability to innovate while remaining rooted in genuine human experiences is what makes it a vital part of India’s cinematic landscape.

Source: Original article

Fitness Influencer Dies Following Suspicious Fall in Rio de Janeiro

Fitness influencer Diana Areas was found dead after a suspicious fall from her Rio de Janeiro apartment, raising questions about the circumstances surrounding her death.

Diana Areas, a popular fitness influencer and nutritionist from Brazil, tragically died this week after falling from her high-rise apartment in Rio de Janeiro. The 39-year-old, who boasted over 200,000 followers on Instagram, was discovered dead outside the Unique Towers condominium building on Thursday, according to reports from local news outlets, including the New York Post and People magazine.

Before her untimely death, Areas had been admitted to a hospital following a concerning incident at her home, where authorities found her with cuts on her body. Despite her condition, she reportedly left the hospital without being formally discharged, raising further questions about her well-being.

The circumstances surrounding her fall remain unclear, and authorities have not provided additional details regarding the investigation into her death. The news of Areas’ passing has left her followers in shock, prompting an outpouring of grief on her social media platforms.

One follower expressed their disbelief, writing, “My Godddd !!! Speechless !!! What a difficult time !!! Unbelievable !!!” Another follower paid tribute to her contributions to the field of nutrition, stating, “Today our profession loses a great nutritionist. A woman who left a mark on the lives of many through the care, knowledge, and affection with which she did her work. May God comfort the family and all who lived with her. Your dedication will continue to inspire those who pursue the same purpose.”

Yet another follower lamented the loss, saying, “Lord…. such sad news … so beautiful, young woman, may God receive her with open arms.”

Just weeks prior to her death, Areas had shared several photos from a trip with her significant other, reflecting on their relationship. She wrote, “We live and go through a lot together, as a couple. And you know what’s better? We choose each other every day! Our love doesn’t need a showcase, but these special photos couldn’t just stay in the gallery.”

Additionally, only a week before her death, Areas was actively promoting a fitness program called the REV 90 and Summer Challenge, encouraging her followers not to miss out on the opportunity to transform their bodies and health.

The tragic circumstances of Diana Areas’ death have left many questions unanswered, and her community continues to mourn the loss of a vibrant and inspiring figure.

Source: Original article

Dashavatar Premieres on ZEE5 Global as a New Indian-American Epic

ZEE5 Global is set to premiere “Dashavatar,” a mythological epic that explores the triumph of faith and light, on November 14, 2025, marking a significant milestone in Marathi cinema.

ZEE5 Global is preparing for the premiere of the grand mythological epic “Dashavatar” on November 14, 2025. This film represents a significant milestone in Marathi cinema, showcasing a rich tapestry of storytelling and cultural heritage.

Directed by Subodh Khanolkar and produced by Ocean Film Company and Ocean Art House, “Dashavatar” boasts an impressive cast that includes Dilip Prabhavalkar, Mahesh Manjrekar, Bharat Jadhav, Abhinay Berde, Priyadarshini Indalkar, Siddharth Menon, Aarti Wadagbalkar, Ravi Kale, and Vijay Kenkre. The film reimagines the timeless legend of Lord Vishnu’s ten avatars, symbolizing the victory of light and faith over darkness.

Set against the picturesque backdrop of the Konkan region in Maharashtra, the narrative follows Babuli Mestri, portrayed by Dilip Prabhavalkar, a dedicated Dashavtari folk performer. As Babuli grapples with his fading eyesight, he strives to preserve the ancient theatrical tradition. His final performance during Mahashivratri becomes a pivotal moment, blurring the lines between art and divinity, particularly as he channels the fierce Rudra avatar. This transformative experience sets him on an emotional and spiritual journey, reflecting the ongoing struggle between faith, destiny, and duty.

“Dashavatar” is a visual celebration of Maharashtra’s rich heritage, featuring meticulously crafted sets, authentic costumes, and stunning cinematography. The film delves into the emotional depths of devotion, cultural legacy, and the intersection of myth and modernity, providing viewers with a profound touchstone of spiritual and artistic expression.

Leadership at ZEE5 Global has emphasized their commitment to showcasing narratives that honor Maharashtra’s spiritual and cultural traditions while redefining the storytelling landscape. “Dashavatar” is poised to be a visually striking and emotionally resonant journey, brought to life by powerful performances and masterful direction. The creators aspire for the film’s message of faith and cultural pride to transcend regional and national boundaries, sharing its story with a global audience.

For director Subodh Khanolkar, “Dashavatar” is deeply personal, drawing from his childhood memories of watching Dashavatari performances in Konkan villages. His vision aims to encapsulate the grandeur, vibrancy, and diverse artistry that characterize India’s cultural identity, weaving these elements into an epic narrative that speaks to all audiences.

Dilip Prabhavalkar, a veteran actor, describes his role as Babuli Mestri as transformative. Under Khanolkar’s sensitive direction, Babuli emerges as a symbol of pure devotion and artistic surrender. For Prabhavalkar and the entire cast, “Dashavatar” is more than just a film; it is a cherished journey that they hope will resonate with viewers on a profound level.

As “Dashavatar” prepares to stream exclusively on ZEE5 Global starting November 14, audiences can anticipate a majestic saga rooted in mythology, faith, and the luminous victory of light over darkness.

Source: Original article

The Growing Influence of India’s Soft Power at Major Film Festivals

India’s presence at the Cannes Film Festival highlights its growing soft power, showcasing its cinematic achievements and cultural influence on the global stage.

Experience the magic of Cannes, where films, frenzy, flamboyance, festivity, and fortunes converge in a spectacular celebration of cinematic excellence on the French Riviera. Since its inception in 1946, the Cannes Film Festival has become a shining example of India’s burgeoning soft power.

Bhuvan Lall’s book, Namaste Cannes, offers a first-hand account of the festival’s remarkable history and India’s emergence as a global entertainment powerhouse. With decades of experience at Cannes, Lall transports readers to the world’s most famous film festival, where the Indian cinema industry shares its stories on an international platform, receives standing ovations, and wins prestigious awards.

Namaste Cannes honors the legacy of Satyajit Ray and celebrates the trailblazing filmmakers who have illuminated the path for future generations. The book showcases visionary film producers and distributors at the festival’s Marché du Film, who have extended the reach of Indian films worldwide.

Lall shares exclusive anecdotes about film stars who have influenced the global perception of India, chronicling unforgettable moments in Indian cinema’s journey across the world. His narrative evokes pride and patriotism, reflecting on how Indian cinema has shaped cultural dialogues internationally.

As India embarks on its next chapter in the world of entertainment, Namaste Cannes inspires optimism and energizes dreamers, storytellers, and achievers. The book serves as a testament to the power of cinema in bridging cultures and fostering understanding.

Namaste Cannes is available on Amazon worldwide, offering insights into India’s rich cinematic legacy and its enduring relationship with the Cannes Film Festival.

Dr. Bhuvan Lall deserves credit for his insightful narrative and historical perspective shared in Namaste Cannes, which chronicles India’s cultural influence through its participation in this prestigious film festival.

Source: Original article

Priyanka Chopra Returns to Music with Desi Version of ‘Last Christmas’

Priyanka Chopra Jonas brings a desi twist to the classic holiday song “Last Christmas” for Gurinder Chadha’s upcoming film, Christmas Karma, set to release on November 14 in U.S. theaters.

Priyanka Chopra Jonas is set to add a distinctly desi flavor to the holiday season this year. The global star has reimagined Wham!’s iconic classic “Last Christmas” for Gurinder Chadha’s new festive film, Christmas Karma. This much-anticipated movie will hit theaters across the United States on November 14, coinciding with the release of its original motion picture soundtrack.

Directed by Chadha, who is renowned for her work on films such as Bend It Like Beckham and Blinded By The Light, Christmas Karma presents a vibrant, musical retelling of Charles Dickens’ beloved tale, A Christmas Carol. The film features Kunal Nayyar, known for his role in The Big Bang Theory, as a modern-day Scrooge named Mr. Sood. The cast also includes notable appearances by Eva Longoria, Billy Porter, and Boy George, who portray the Ghosts of Christmas.

For Chopra Jonas, this project represents a significant collaboration with a longtime friend and a fellow pioneer of the South Asian diaspora in global entertainment. “Gurinder Chadha has been one of the very few stalwarts in entertainment that has championed stories of the Indian diaspora globally and consistently with absolute authenticity and heart,” Chopra Jonas remarked. “She is a dear friend, and I am so happy to support her in my little way in Christmas Karma. I hope this desi twist to a song that has long been the soundtrack of Christmas for so many of us resonates with audiences.”

Chadha, a self-proclaimed fan of George Michael, expressed her gratitude to his estate for permitting the team to create their unique interpretation of the beloved 1984 hit. “When I called my mate Priyanka Chopra Jonas to sing our fun Hindi version, she kindly stepped in to support me and the film with her beautiful take on Last Christmas,” Chadha said. “I hope George will enjoy this track in heaven, and all his fans around the world will sing along to the catchy Hindi vibe.”

The soundtrack for Christmas Karma reflects Chadha’s signature blend of cultures, incorporating elements of gospel, bhangra, Christmas carols, and pop music. In addition to Chopra Jonas, the album features performances from artists such as Gary Barlow, Billy Porter, Pixie Lott, Boy George, and legendary Punjabi singer Malkit Singh, with production contributions from Nitin Sawhney, Panjabi MC, and others.

As the first South Asian actress to win a People’s Choice Award for her role in Quantico, Chopra Jonas continues to exemplify the essence of a global crossover star. Her rendition of “Last Christmas”—a mix of nostalgia and reinvention—adds a fresh sparkle to a song that has long defined holiday playlists around the world.

With Christmas Karma, Gurinder Chadha delivers yet another joyful, multicultural celebration that feels perfectly timed for the season. Priyanka Chopra Jonas ensures that this festive offering comes with a generous dose of desi glamour and heartfelt spirit.

Christmas Karma is set to release in U.S. theaters on November 14, accompanied by its soundtrack album.

Source: Original article

Tisca Chopra’s Directorial Debut ‘Saali Mohabbat’ Starring Radhika Apte to Release on ZEE5

Tisca Chopra’s directorial debut, *Saali Mohabbat*, featuring Radhika Apte, is set to premiere exclusively on ZEE5 Global later this year, promising a compelling blend of drama and psychological thriller.

Tisca Chopra is stepping into the director’s chair for the first time with her upcoming feature film, *Saali Mohabbat*. The film stars acclaimed actress Radhika Apte alongside Divyenndu Sharma, and is slated for an exclusive premiere on ZEE5 Global later this year. The ensemble cast also includes notable talents such as Anurag Kashyap, Anshumaan Pushkar, Sauraseni Maitra, and Sharat Saxena, contributing to the film’s anticipation following its appearances at prestigious film festivals, including the International Film Festival of India (IFFI) and the Chicago South Asian Film Festival.

Produced by Jio Studios in collaboration with Manish Malhotra’s Stage5 Production, *Saali Mohabbat* marks a significant milestone for the renowned designer, who is making his debut as a digital producer. The film is expected to showcase a strong aesthetic combined with deep emotional resonance, adding a new dimension to Malhotra’s creative portfolio. This project also highlights the successful partnership between ZEE5 and Jio Studios, following the success of previous releases such as *Hisaab Barabar*, *Mrs.*, and *Bhagwat*.

The narrative of *Saali Mohabbat* centers around Smita, portrayed by Radhika Apte, a housewife living in a small town. Her seemingly ordinary life takes a dramatic turn as she becomes entangled in a web of infidelity, deceit, and moral dilemmas. What begins as a domestic drama quickly evolves into a high-stakes psychological thriller, exploring the complex interplay between love and obsession, as well as truth and illusion.

From ZEE5 Global’s perspective, *Saali Mohabbat* is not merely a suspenseful thriller but also a profound exploration of the emotions that drive human decisions. The collaboration with Jio Studios and Manish Malhotra brings together a unique blend of visionary creativity and a commitment to impactful storytelling. Radhika Apte’s return to the platform adds to the excitement, as audiences anticipate another powerful performance from the actress.

The film embodies a shared vision of courage and authenticity. For Jio Studios, *Saali Mohabbat* represents their dedication to supporting bold, genre-defying narratives. Manish Malhotra expressed that Stage5 Production was established to champion original, craft-driven stories. Every aspect of the film—from development to execution—was approached with intention, rigor, and responsibility. The cast members have infused their performances with restraint and truth, resulting in a collection of memorable portrayals.

Tisca Chopra drew inspiration for *Saali Mohabbat* from her fascination with the unspoken power dynamics and silent expectations that exist within relationships, particularly from a female perspective. She aimed to capture the subtle strains that lie beneath domestic life, delving into themes of trust, betrayal, and self-identity. Directing the film has been both a daunting and liberating experience for Chopra, as she navigated vulnerable emotions while challenging the constraints often faced by women filmmakers. She credits the project’s authenticity and emotional depth to the unwavering trust and support from Manish Malhotra, Stage5 Production, Jio Studios, and ZEE5 Global.

As one of the most anticipated releases on ZEE5, *Saali Mohabbat* promises to captivate global audiences with its blend of cinematic artistry, emotional depth, and powerful storytelling, backed by a talented and respected team.

Source: Original article

Honey Singh Enjoys Collaboration with Ajay Devgn on New Project

Honey Singh expressed his excitement about collaborating with Ajay Devgn on the upcoming film ‘De De Pyaar De 2’ and its lively music track ‘Jhoom Sharaabi.’

MUMBAI – Ahead of the highly anticipated release of the sequel ‘De De Pyaar De 2’ on November 14, the film’s creators are generating excitement with its vibrant soundtrack.

Following the release of the track ‘Raat Bhar,’ the team has introduced a new energetic wedding anthem titled ‘Jhoom Sharaabi,’ featuring popular actors Ajay Devgn and Rakul Preet Singh, alongside renowned musician Yo Yo Honey Singh.

<p’Honey Singh, who composed and performed the song, aimed to create a track that would get everyone dancing. He collaborated with choreographer Ganesh Acharya to ensure the song’s infectious beats would resonate with audiences.

“’Jhoom Sharaabi’ sets the mood the moment it drops! I wanted a track that pulls everyone to the floor, from the cool uncles to the crazy cousins,” Singh remarked, highlighting his vision for the song.

Reflecting on his collaboration with Ajay Devgn, Honey Singh shared, “Working with Ajay sir again was pure fun, packed with energy and masti.” The camaraderie between the two artists is evident, and their combined efforts promise to deliver an entertaining experience for fans.

As the release date approaches, the buzz surrounding ‘De De Pyaar De 2’ continues to grow, with music playing a pivotal role in building anticipation for the film.

Source: Original article

Khazana Offers Modern Takes on Traditional Indian-American Cuisine

Chef Sanjeev Kapoor’s Khazana restaurant in Palo Alto offers a modern take on traditional Indian cuisine, blending authentic flavors with contemporary presentation in a sophisticated setting.

For millions across the Indian subcontinent, Chef Sanjeev Kapoor is more than just a culinary icon; he is a beloved household name and a mentor in the kitchen. Kapoor has been a trailblazer in bringing Indian cooking to television, long before food became a form of entertainment. His warm smile and effortless command over spices revolutionized home cooking through “Khana Khazana,” Asia’s longest-running cooking show, which aired an impressive 649 episodes. He further solidified his influence as a media pioneer by launching “FoodFood,” India’s first 24/7 food and lifestyle channel.

In recognition of his contributions, the Indian government awarded him the Best Chef of India title and the prestigious Padma Shri, the nation’s fourth-highest civilian honor. These accolades reflect his significant cultural impact both in India and around the world.

Kapoor’s ambitions have always extended beyond television. In 1998, he opened the first Khazana restaurant in Dubai, aiming to present Indian cuisine on the global stage with the finesse and elegance it deserves. Today, that vision has expanded into a global empire of 81 restaurants across 10 countries, under eight distinct culinary brands. Last year, he introduced his flagship concept—Khazana—to Palo Alto, marking the brand’s debut in the United States.

Khazana Palo Alto represents decades of culinary storytelling by a chef who has elevated Indian food to the global gourmet spotlight. This restaurant is Kapoor’s second establishment on the Peninsula, following The Yellow Chilli in Santa Clara, but Khazana is considered the crown jewel. His philosophy centers on authenticity, innovation, and accessibility, as he believes Indian cuisine should be as revered internationally as French or Japanese food—elegant, expressive, and deserving of fine-dining acclaim. At Khazana, Kapoor successfully bridges tradition and modernity, crafting each dish using time-honored techniques while presenting them with contemporary flair.

The restaurant’s interior reflects a seamless blend of modern elegance and Indian artistry. Designed to evoke a sense of understated luxury, the space features warm, earthy tones, hand-carved wood accents, and custom lighting that casts a golden glow across the dining area. Contemporary furniture is paired with subtle nods to Indian design, including jaali-inspired patterns, traditional textiles, and curated art pieces that celebrate India’s rich cultural heritage. An open kitchen concept allows diners to catch glimpses of the culinary craftsmanship, enhancing the overall dining experience. The ambiance is refined yet welcoming, making Khazana feel both globally sophisticated and deeply rooted in tradition.

Chef Kapoor personally curated the menu, ensuring that each dish reflects his culinary vision. For starters, guests can enjoy Shimeji Pepper Fry, featuring mushrooms with a black pepper kick served alongside paratha. The menu also includes Jackfruit and Avocado Tacos made with millet tortillas and spiced jackfruit, as well as Ancho Chili Paneer Tikka and Edamame Panipuri, which combines crispy puris with spiced edamame.

For meat and seafood enthusiasts, Khazana offers Kashmiri-style lamb chops infused with saffron and fennel, along with a fiery Bedgi Chilli Chicken. The tandoori seabass, marinated Chilean seabass cooked in a clay oven, and Argentinean shrimp presented with a spicy batter cater to those seeking bold flavors.

Main courses feature classic vegetarian options such as baingan bharta and sarson da saag, a leafy green puree with a truffle twist, alongside dal tadka. Non-vegetarian selections include fish tikka masala, creamy kali mirch chicken with black pepper, and Mango Butter Chicken. Diners can also savor the Malabari Prawn in Sourdough Bowl, rich with coconut milk, and Laal Maas Keema Bati, a goat dish with red chili.

Khazana’s Signature selection showcases dishes like Lalla Mussa Dal, which is simmered overnight, and Rogan Josh Nalli, lamb shanks in a Kashmiri spiced curd sauce. The menu also features Chicken Tariwala, a spicy chicken curry inspired by the famous Puran Singh da dhaba on the Delhi-Ambala Highway, and Shaam Savera, soft cottage cheese stuffed spinach dumplings in a perfectly spiced tomato sauce.

No Indian meal would be complete without biryani, and Khazana offers chicken, vegetarian, lamb, and prawn versions, all cooked with aromatic rice and spices, sealed with dough and served with gravy.

For dessert, guests can indulge in Baked Mishti Doi, a Kolkata-style treat with apricot, or try the vegan Badam Kheer. The menu also features a twist on gajar ka halwa with their Carrot Pudding Puff Tart, Motichoor Ladoo-inspired cheesecake, and the classic gulab jamun. Complementing the cuisine, Khazana boasts a full bar serving a variety of classic drinks, special house cocktails, and many Indian-inspired seasonal creations.

The word “Khazana” translates to treasure, and this culinary treasure is now just around the corner for those in Palo Alto.

Source: Original article

6-A Akash Ganga Challenges Myths Surrounding Annapurna Devi, Ravi Shankar’s Widow

Documentary “6-A Akash Ganga” explores the life of legendary musician Annapurna Devi, shedding light on her decision to step back from performance to support her husband, sitarist Ravi Shankar.

Legendary musician Annapurna Devi, known for her mastery of the surbahar, was the widow of renowned sitarist Ravi Shankar. Her influence in the world of Indian classical music is profound, yet her story is often overshadowed by her husband’s fame. It is said that even George Harrison of The Beatles sought special permission just to hear her practice, highlighting her exceptional talent and the respect she commanded among her peers.

In the mid-1950s, Annapurna Devi made a significant choice that would shape her legacy. To protect her marriage to Ravi Shankar, who was becoming increasingly uneasy with her rising acclaim, she decided to stop performing altogether. This decision has led to various myths surrounding her life and career, which are now being addressed in a new documentary film.

Titled “6-A Akash Ganga,” the film is directed by Nirmal Chander and features insights from her disciple, Nityanand Haldipur. The documentary aims to cut through the misconceptions and reveal the true essence of Annapurna Devi as a matchless guru and musician.

“6-A Akash Ganga” has garnered significant recognition, winning several awards, including Best Documentary at the 2024 Jagran Film Festival, Best Film at Film Southasia 2024, and Best Indian Documentary Film at the 2024 Mumbai International Film Festival. Additionally, it was a runner-up for feature documentary at the 2025 South Asian Film Festival of Montreal.

Nirmal Chander, who has dedicated over three decades to the film industry as an editor, director, and producer, has received multiple accolades for his work. His previous documentary, “Moti Bagh,” was even submitted as an Oscar entry from India in 2019, showcasing his ability to tell compelling stories through film.

The documentary “6-A Akash Ganga” will be screened on Saturday, October 25, at Facets, located at 1517 W. Fullerton Ave., Chicago, and on Sunday, October 26, at Hollywood Blvd. Cinema, situated at 1001 75th St., Woodridge. These screenings are presented by Mandala South Asian Performing Arts in partnership with India Development Service.

For those interested in learning more about the film and its screenings, additional information can be found at mandalaarts.org.

Source: Original article

Apple Signs Five-Year Exclusive Streaming Deal for Formula 1 on Apple TV

Apple has secured a five-year exclusive deal to stream all Formula 1 races in the United States on Apple TV, beginning in 2026, marking a significant expansion into live sports streaming.

Apple and Formula 1 have announced a five-year media rights agreement that will make Apple TV the exclusive platform for streaming every F1 race in the United States, starting in 2026. This deal, revealed on Friday, represents a notable advancement in Apple’s efforts to expand its presence in live sports streaming.

Under the terms of the agreement, subscribers to Apple TV, who pay the standard monthly fee of $12.99, will have access to comprehensive coverage of all Formula 1 events. This includes practice sessions, qualifying rounds, and Sprint races, all without advertisements. Additionally, select races and all practice sessions will be available for free streaming through the Apple TV app during the season, as confirmed in a joint statement from both companies.

This new structure differs from Apple’s existing partnership with Major League Soccer, which requires an additional purchase of the MLS Season Pass. Reports indicate that Apple is paying approximately $140 million annually for the Formula 1 rights, a significant increase compared to Disney’s ESPN, which previously paid around $85 million per year for the same rights.

The agreement further solidifies Apple’s growing relationship with Formula 1, following the success of “F1: The Movie,” starring Brad Pitt, which has become the highest-grossing sports film of all time.

In a statement, ESPN expressed pride in its collaboration with Formula 1 in the United States, stating, “We are incredibly proud of what we and Formula 1 accomplished together in the United States and look forward to a strong finish in this final season. We wish F1 well in the future.”

F1’s own streaming service, F1 TV Premium, will continue to be available in the U.S. but will now be integrated into Apple’s ecosystem. Subscribers will need an Apple TV subscription to access F1 TV Premium content, which will be included as part of the package rather than offered as a standalone service. The coverage will feature commentary from both F1 TV and Sky Sports announcers, enhancing the viewing experience for fans.

Eddy Cue, Apple’s Senior Vice President of Services, emphasized the company’s selective approach to live sports, focusing on opportunities where it can “control the user experience.” Speaking at the Motorsport Network’s Autosport Business Exchange NYC, Cue stated, “We don’t have to do sports the way that they are. There’s plenty of people doing that, so the world doesn’t need us to do that. And so our view around it is, if we can do something unique, then we’ll do it.”

Stefano Domenicali, President and CEO of Formula 1, expressed enthusiasm for the partnership, stating, “This is an incredibly exciting partnership for Apple and the whole of Formula 1 that will ensure we can continue to maximize our growth potential in the U.S.”

This exclusive deal positions Apple as a significant player in the sports streaming market, reflecting its commitment to providing unique and engaging content for its subscribers.

Source: Original article

Daily Horoscope for All Zodiac Signs: October 16, 2025

Your daily horoscope for October 16, 2025, offers insights into the celestial influences affecting each zodiac sign.

Aries (March 21 – April 20): Today, you will embody compassion and generosity. Your willingness to share your resources will be rewarded in the future, according to Ganesha. You possess a unique ability to blend work with enjoyment, treating your colleagues and juniors like family.

Taurus (April 21 – May 21): Your analytical skills may catch the attention of your boss today, enhancing your awareness and wisdom as the afternoon progresses. Ganesha suggests you might indulge in a shopping spree for electronic gadgets, such as cassettes and CDs.

Gemini (May 22 – June 21): Nostalgia will be a prominent theme for you today, as you reflect on cherished memories. Expect sentimental moments in the afternoon, leading you to make decisions based on your emotions rather than logic. Ganesha advises you to cultivate a clearer understanding of right and wrong.

Cancer (June 22 – July 22): Love is in abundance today, and you may find yourself falling in love with your partner all over again. Although you might feel restless in the afternoon due to separation, the evening will provide ample opportunity to reconnect and make up for lost time.

Leo (July 23 – August 23): It’s essential to maintain a balance between your income and expenses today. This is an opportune time for investments and speculation in shares. Ganesha notes that any outstanding debts will be settled, and delayed projects will finally reach completion, strengthening your relationships with business partners.

Virgo (August 24 – September 22): You may feel inspired to refresh your living space today. Ganesha encourages you to add vibrant decorations that reflect your personality. In the evening, you will shine as a performer and a supportive friend.

Libra (September 23 – October 23): Family will be your pillar of support today, as Ganesha suggests that you may feel compelled to show gratitude later in the day. Expect recognition from rivals for your accomplishments. Your charm and eloquence will also enhance your romantic relationships.

Scorpio (October 24 – November 22): Creativity will flow freely today, especially as you engage with your siblings. Ganesha predicts that you will navigate challenges with ease and may secure a job opportunity later. In the evening, you will play the role of a peacemaker.

Sagittarius (November 23 – December 21): Ganesha advises you to surround yourself with like-minded individuals today. While your ideas may not come to fruition as expected, persistence is key. Stay practical as the day progresses.

Capricorn (December 22 – January 20): Understanding emotions, particularly those of your partner, may be challenging today. However, their openness will help you both deepen your connection. Spend quality time together and consider surprising them with a thoughtful gift.

Aquarius (January 21 – February 18): If you find yourself involved in legal matters, Ganesha recommends seeking an out-of-court settlement. Your resilience will help you navigate difficulties, but be mindful that your strong convictions may come across as rigidity. A softer approach could prove beneficial.

Pisces (February 19 – March 20): Nostalgia will guide your actions today, prompting you to reach out to old friends and relatives. Ganesha notes that it is a favorable day for social and religious activities. While your emotions may influence your work, it’s important to remain practical in business decisions.

Stay connected with the cosmos through your daily horoscope! Access insights tailored to your zodiac sign for October 16, 2025, and discover what the universe has in store for you. Whether you are an adventurous Aries or a sensitive Pisces, our expert astrologers provide personalized readings to help you navigate life’s challenges and triumphs.

Source: Original article

Kiran Desai’s ‘The Loneliness of Sonia and Sunny’ Shortlisted for Booker Prize

Kiran Desai’s latest novel, *The Loneliness of Sonia and Sunny*, has been shortlisted for the 2025 Booker Prize, showcasing her distinctive narrative style and exploration of loneliness.

Kiran Desai’s upcoming novel, *The Loneliness of Sonia and Sunny*, has garnered significant attention after being shortlisted for the 2025 Booker Prize. In this work, Desai employs a naturalist’s eye, crafting a narrative that is both observant and immersive, transporting readers to the diverse settings she vividly describes.

Desai’s journey to this point has not been without its challenges. In the margins of an early draft of her manuscript, her mother, Anita Desai, famously wrote, “Cut. If not, shorten.” This advice came after Kiran had already reduced a staggering 5,000-page manuscript to a still-imposing 1,000 pages. The final published version, at 688 pages, has sparked debate among readers regarding its length.

During a recent event at Kepler’s Books in Menlo Park on September 21, Desai discussed her novel in an engaging conversation moderated by her friend and fellow writer, Ellen Sussman. Heather Birchall, a representative from Kepler’s, introduced the event by recalling that Desai was the youngest female winner of the Booker Prize in 2006 for her previous work, *The Inheritance of Loss*, at the age of 34.

The inspiration for *The Loneliness of Sonia and Sunny* stems from Desai’s own experiences at Bennington College in Vermont, where she encountered what she describes as a winter of “exquisite, artistic loneliness.” The novel delves into various forms of loneliness, including romantic, existential, and those arising from racial, gender, and national differences.

Set against the backdrop of privileged upper-class Indian families, the protagonists, Sonia and Sunny, are raised with the expectation of leaving India. Their families attempt to arrange a marriage for Sonia while she is a lonely college student in Vermont, and Sunny is an AP reporter in New York. However, these attempts ultimately fail, leading them to pursue their own paths.

Sonia relocates to New York, where she becomes involved with a self-absorbed and abusive artist named Ilan. Meanwhile, Sunny’s close friend, Satya, a medical student, decides to enter an arranged marriage and seeks Sunny’s assistance in selecting his bride. Fate brings Sonia and Sunny together in India, sparking a sweet but complicated romance.

Throughout their relationship, Desai illustrates how external circumstances continually pull Sonia and Sunny apart, prompting questions about whether love can truly overcome such obstacles. Both characters are portrayed as writers and wanderers, grappling with their identities and how they fit into the world. Sussman highlighted Sonia’s struggle with her writing, quoting her reflection on the creative process: “I am trying to write a book, in fact, but I feel I am circling the story.” This sentiment resonates throughout the novel, as Desai’s prose often reflects a similar circling of ideas.

While the book features moments of striking prose, such as “The train began to clop to a tabla beat,” and “An aberrant ice cube harboring a bubble of air begins to squeal in the glass and spin around like a dervish,” it also contains lengthy passages that can feel meandering. These extended musings, while occasionally meditative, sometimes detract from the narrative’s momentum.

Desai’s exploration of racial relations and justice adds depth to the story, particularly through Sunny’s experiences as a brown person navigating a predominantly white audience. A poignant moment occurs when an acquaintance warns Sunny that seeking American citizenship may alter his perspective as a reporter, suggesting that he might lose touch with the very humanity he aims to advocate for.

The narrative is punctuated by significant historical events, such as 9/11 and the destruction of the Babri Masjid, which serve to anchor the characters in specific contexts. However, these references often feel superficial, as they are more about situating the characters in time rather than directly affecting their lives.

Desai also touches on elements of magical realism, inspired by her introduction to an exhibition by Francesco Clemente. While she acknowledges the use of magical realism as a means to explore complex themes, the execution in this novel may not resonate as strongly as in other celebrated works of the genre.

Desai’s keen observational skills shine through in her descriptions of landscapes and settings. She paints vivid images of nature and architecture, such as “a forest of doves” and “water pooling in the corner of a bathroom.” However, her character descriptions tend to focus more on personality traits than physical attributes, which may leave readers wanting more depth in understanding the characters.

Among the characters, the resilient mothers stand out, each embodying different aspects of loneliness. Sonia’s mother, referred to simply as Mama, finds peace in solitude, while Sunny’s mother, Babita, believes that loneliness is the only problem worth solving. This thematic exploration of loneliness echoes contemporary discussions, such as those presented in Surgeon General Vivek Murthy’s 2021 book on the subject.

At the book signing following the event, Desai’s warmth and graciousness were evident as she engaged with fans, remarking on the “cool” Advance Reader’s Copy in hand. Her approachable demeanor leaves a lasting impression, inviting readers to wish her well on her literary journey.

Source: Original article

Kishkindhapuri: New Telugu Horror-Thriller Set to Premiere on ZEE5 Global

ZEE5 Global will premiere the Telugu horror-thriller *Kishkindhapuri* on October 17 at 6 PM IST, featuring a gripping storyline set in an abandoned radio station.

ZEE5 Global is poised to unveil the Telugu horror-thriller *Kishkindhapuri* on October 17 at 6 PM IST. Directed by Kaushik Pegallapati and produced by Sahu Garapati under the Shine Screens banner, the film stars Bellamkonda Sai Srinivas, Anupama Parameswaran, Makarand Deshpande, and Tanikella Bharani in key roles. Following its theatrical release, the film is set to make its digital debut, promising a chilling experience for viewers.

Set against the eerie backdrop of an abandoned radio station, *Kishkindhapuri* follows a group of visitors on a ghost tour who inadvertently awaken a dormant spirit. What begins as curiosity quickly spirals into terror as they find themselves trapped with no means of escape, delivering suspense at every turn.

Bellamkonda Sai Srinivas, who plays a pivotal role in the film, shared insights into the challenges of horror acting. “Horror acting is challenging because you respond to unseen threats. This role pushed me beyond my comfort zone, as the atmosphere of fear lingered even off-camera. Audiences will experience suspense and tension throughout,” he remarked.

Anupama Parameswaran also reflected on her experience, stating, “My character feels genuine fear and finds inner strength in unexpected moments. Shooting in the haunting locations made the experience intense, almost as if the environment itself was guiding our performances.”

With its immersive visuals, strong performances, and a gripping storyline, *Kishkindhapuri* is set to captivate horror enthusiasts. Viewers can catch the supernatural thrills starting October 17 at 6 PM IST, exclusively on ZEE5 Global.

Source: Original article

6th Indic Film Utsav Highlights Diversity of Indian-American Cinema

The 6th Indic Film Utsav will showcase a diverse lineup of films celebrating human resilience and cultural richness from November 7–9, 2025, in Dallas, Texas.

The Indic Film Utsav (IFU) has announced its lineup for the 6th edition, titled The Festival of Positive Cinema. This year’s festival aims to showcase films that inspire, uplift, and celebrate human resilience across various cultures.

Scheduled to take place from November 7 to 9, 2025, the festival will be held at the Galaxy Theater at the Grandscape in The Colony, Dallas, Texas. Since its inception in 2020 as an OTT festival, the Indic Film Utsav has evolved into a fully theatrical experience, reflecting the growing Indian community in the Dallas area.

The festival will kick off on November 7 with the North American premiere of *American Warrior*, directed by Gustavo Martin Benites. This gripping narrative features an Indian American protagonist, portrayed by Vishy Ayyar, who is compelled to confront his past. Following the screening, there will be a Q&A session with the filmmaker and cast.

This year’s festival features a diverse array of narrative features, short films, student works, and documentaries presented in English, Hindi, Marathi, Telugu, Kannada, Konkani, and Bengali, all with English subtitles. Approximately twenty films have been selected from over 1,350 entries submitted to the festival.

Audiences will have the opportunity to experience cinema deeply rooted in the textures of India and its neighboring regions. The festival includes a searing exposé on Hindu phobia titled *Caste Gate – The Untold Story* by Vikram Mishra, alongside the lyrical Bengali feature *Ahana – The Light Within* by Promita Bhowmick. These films embrace narratives that are both urgent and timeless.

Other notable films include *6A Akash Ganga*, directed by Nirmal Chander, which explores the musical heritage of the legendary musician Annapurna Devi, and *Rhythm of Dammam* by Jayan Cherian, which delves into cultural heritage. Additionally, *Jaar* by Phurba Tshering Lama transports viewers to 19th-century Nepal.

Films such as *87 Rupees Ink Pen* and *Aata Tu Motha Jhalas* capture themes of childlike innocence, survival, and the dilemmas of growing up. Short films like *All Water is Holy Water* and *Cowboys and Hindus* highlight resilience, identity, and cultural exchange. Two student shorts, *Bhamakalapam* and *Lady Bird! Together*, reflect the diversity and vitality that define Indic cinema.

Now in its sixth year, the Indic Film Utsav has established itself as a global platform for independent filmmakers who champion cinema rooted in empathy, dignity, and hope. In addition to film screenings, the festival will host Q&A sessions, networking opportunities with participating filmmakers, and special events aimed at engaging the wider Dallas film-loving community.

Danji Thotapalli, Co-founder and Chief Curator of Indic Film Utsav, stated, “The Indic Film Utsav is more than a weekend of screenings — it’s a celebration of stories that uplift, connect, and inspire. Every film we select reflects our core belief in the power of cinema to highlight the human spirit and spark meaningful conversations. In a world often clouded by negativity, our festival offers a refreshing space to discover hopeful, culturally rich, and creative voices from India and beyond.”

For more information about the festival, visit the official website of the 6th Indic Film Utsav.

Source: Original article

Priyanka Chopra Shows Off ‘Nicholas’ Mehendi Before Karva Chauth

Priyanka Chopra Jonas embraces the festive spirit of Karva Chauth, showcasing her mehendi featuring her husband Nick Jonas’ name, ‘Nicholas,’ alongside her daughter Malti Marie’s intricate henna designs.

MUMBAI – Priyanka Chopra Jonas is fully immersed in the festive atmosphere as she prepares for Karva Chauth. The actress recently shared a glimpse of her stunning mehendi, which prominently features her husband Nick Jonas’ full name, ‘Nicholas,’ beautifully inscribed on her palm.

In addition to her own mehendi, Priyanka also posted a heartwarming photograph that showcases the tiny hands of her daughter, Malti Marie, adorned with intricate henna designs. This touching moment reflects the significance of the occasion, which celebrates the bond between married couples.

Priyanka Chopra has been busy with her acting career, having recently appeared in the action film ‘Heads of State,’ directed by Ilya Naishuller. The film stars Idris Elba and John Cena, who portray the UK Prime Minister and the US President, respectively.

Looking ahead, Chopra is set to share the screen with Mahesh Babu for the first time in the upcoming film tentatively titled ‘SSMB29.’ This collaboration has generated excitement among fans eager to see the two stars together.

Additionally, Chopra has been cast in the latest installment of the popular franchise ‘Krrish 4,’ which will mark Hrithik Roshan’s directorial debut. This project is highly anticipated, given the franchise’s success and the star power involved.

Furthermore, the 42-year-old actress is set to take on a unique role as a 19th-century Caribbean pirate in the forthcoming swashbuckler action drama titled ‘The Bluff.’ This diverse range of roles showcases her versatility as an actress.

As Priyanka celebrates Karva Chauth, her festive spirit and dedication to her family and career continue to shine, making her a beloved figure in the entertainment industry.

Source: Original article

David Dhawan Expresses Admiration for ‘Tiwariji’ Rohitashv Gour

Television star Rohitashv Gour, known for his role as Manmohan Tiwari, has garnered admiration from comedy legend David Dhawan for his recent performance in the film ‘Sunny Sanskari Ki Tulsi Kumari.’

MUMBAI – Rohitashv Gour, a prominent figure in Indian television, is celebrated for his versatility and talent across various shows and films. Recently, he appeared in the film ‘Sunny Sanskari Ki Tulsi Kumari,’ starring Janhvi Kapoor, where he portrayed Suresh Sanskari, the father of Varun Dhawan’s character.

Gour is widely recognized for his role as Manmohan Tiwari in the popular comedy series ‘&TV’s Bhabi Ji Ghar Par Hai.’ He shared that during the filming of ‘Sunny Sanskari Ki Tulsi Kumari,’ many on set affectionately referred to him as “Tiwari Ji,” a testament to the character’s popularity.

Reflecting on his experience, Rohitashv Gour expressed, “The love people have for Tiwari Ji is unbelievable! Even during the film’s shoot, everyone – including Varun Dhawan – would call me Tiwari Ji.”

He further revealed an interesting connection to the film’s director, stating, “One day, Varun told me that his father, the renowned comedy director David Dhawan, often watches ‘Bhabiji Ghar Par Hai’ with his family and praises it. For me, that felt like a huge achievement; it shows how deeply the character has connected with and entertained people from all walks of life.”

Gour shared how he became involved in the film, explaining, “I received a call from Mukesh Chhabra’s casting team, and when I learned that Varun was part of the project, I was instantly excited. We had met earlier when he visited our show sets to promote ‘Badrinath Ki Dulhania.’”

He described the filming experience as delightful, saying, “Shooting for this film was an absolute delight, and the team’s warmth made it even more special. Honestly, I did not feel like I was doing a film; it was as if Tiwari Ji had just walked onto a bigger set. It was pure fun and a deeply satisfying experience. Now that audiences are loving my role too, it feels like a double celebration!”

Rohitashv Gour has been a staple on ‘Bhabi Ji Ghar Par Hain’ for over a decade, contributing significantly to the show’s enduring success.

Source: Original article

Gajendra Verma Releases New Ballad Exploring Love and Longing

Gajendra Verma’s new ballad “Waade” explores the complexities of love, promises, and the heartache of lost connections, showcasing his collaboration with rising artist Ravator.

MUMBAI – Following the success of hits like “Mann Mera” and “Tera Ghata,” singer Gajendra Verma has released his latest ballad, “Waade.” This poignant love song delves into the intricate emotions surrounding promises, passion, and the sorrow of lost love.

In this new track, Gajendra collaborates with emerging artist Ravator, and the music video features stunning visuals shot against the picturesque landscapes of Georgia, showcasing everything from snow-capped mountains to tranquil valleys.

Gajendra expressed his thoughts on the song, stating, “Waade is more than just a song—it’s an emotion. It’s about the promises we make in love, the hope that comes with them, and the ache we carry when those promises break. I wanted to capture that bittersweet mix of love and longing that stays with you forever.”

He further elaborated on the creative process behind “Waade,” noting that he drew inspiration from his own experiences. “While creating it, I kept revisiting moments from my own journey—those little memories and heartbreaks we all go through,” he said.

Gajendra also praised his collaboration with Ravator, describing it as a refreshing experience. “He brings a modern texture and unique energy to the music, and together we’ve shaped something that feels both timeless and contemporary,” he added.

With “Waade,” Gajendra Verma continues to showcase his talent for crafting emotional narratives through music, resonating with listeners who have experienced the complexities of love and longing.

Source: Original article

3rd i Films Showcases Independent Indian-American Film at Roxie Theater

3rd i Films will showcase a diverse array of independent films highlighting South Asian narratives at the 23rd Annual San Francisco International South Asian Film Festival from October 10-12.

3rd i Films is set to celebrate the 23rd Annual San Francisco International South Asian Film Festival, taking place from October 10 to 12 at The Roxie Theater in San Francisco. The festival aims to promote diverse representations of South Asians through independent cinema, featuring a range of genres from art-house classics to innovative documentaries.

This year’s festival will kick off with the crime thriller LITTLE JAFFNA (France, 2024), directed by Lawrence Valin. The film, which premiered at the Venice Film Festival 2024 and was nominated for Best International Feature Film at the Zurich Film Festival, follows an undercover French police officer of Sri Lankan descent. Tasked with infiltrating a Tamil gang in Paris, the protagonist grapples with the complexities of his dual identity while navigating the gang’s operations. Following the screening, Valin will participate in a Q&A session.

3rd i Films continues to push boundaries with its selection of groundbreaking cinema from South Asia and its diaspora. This year, the festival’s Beyond Bollywood segment will showcase award-winning narrative, documentary, and short films from various countries, including India, Sri Lanka, France, the UK, Canada, and the USA.

Women’s stories take center stage at this year’s festival, highlighted by Uttera Singh’s PINCH (India, 2025). Premiering in the International Narrative Competition at the Tribeca Film Festival, this vibrant dark comedy offers sharp social commentary. The film follows travel vlogger Maitri, who, while accompanying her mother and neighbors to a temple during the Navratri festival, faces an unexpected and shocking incident. This prompts her to take retributive action, setting off a series of events that disrupt her close-knit community. Singh will also engage in a Q&A after the screening.

Another notable film is Rohan Parashuram Kanawade’s CACTUS PEARS (India/Canada/UK, 2025), which presents a sensitive exploration of bereavement and the mother-son bond within a rural, lower-class Indian farming community. This film, the first Indian and Marathi language entry to win the World Cinema Grand Jury Prize at the 2025 Sundance Film Festival, has resonated with audiences for its intimate portrayal of queer identity.

Additionally, Lakshmipriya Devi’s BOONG (India, 2024) offers an upbeat coming-of-age story that explores themes of friendship against the backdrop of Manipur’s sociopolitical unrest. The narrative follows adventurous schoolboy Boong and his friend Raju as they navigate obstacles to reunite Boong’s divided family.

Engaging and poignant, Aranya Sahay’s HUMANS IN THE LOOP (India, 2024) provides a nuanced examination of artificial intelligence through the lens of a tribal woman’s experiences. Following her divorce, Nehma returns to her village with her children and takes a job as a data annotator, reflecting the real-life involvement of many indigenous women in India’s burgeoning AI industry.

The festival also features documentaries that blend magical realism with investigative storytelling. Rajee Samarasinghe’s YOUR TOUCH MAKES OTHERS INVISIBLE (Sri Lanka/USA, 2025) explores the plight of thousands of missing persons during Sri Lanka’s 26-year civil war. The narrative intertwines the supernatural with real-life testimonies from women whose loved ones disappeared amidst the conflict. Samarasinghe will join a Q&A session following the screening.

Another documentary, FARMING THE REVOLUTION (India/France/Norway, 2024), directed by Nishtha Jain, captures the spirit of the massive protests against exploitative farm laws in India during the COVID lockdown. The film follows young Punjabi farmer Gurbaz as he joins over half a million protesters, showcasing the diverse demographics of the movement. Jain will also participate in a Q&A after the screening.

The festival’s shorts program continues to highlight a wide range of themes, from immigration and identity to gender and social justice. This year’s selection features narratives and documentaries that reflect the diverse experiences of filmmakers from South Asia and the diaspora, accompanied by Q&A sessions with the creators.

The San Francisco International South Asian Film Festival will take place from October 10 to 12, 2025. For more information about the festival and its lineup, visit thirdi.org.

Source: Original article

Nushrratt Bharuccha Enjoys Day at Niagara Falls During Visit

Actress Nushrratt Bharuccha embraced her carefree spirit during a recent trip to Niagara Falls, sharing glimpses of her adventure with friends on social media.

MUMBAI – Actress Nushrratt Bharuccha showcased her playful side during a recent getaway to Niagara Falls with friends. Known for her roles in films such as *Pyaar Ka Punchnama*, Nushrratt took to social media to share snapshots from her fun-filled trip.

In the photos and videos shared online, Nushrratt can be seen enjoying the stunning natural beauty of the falls, which featured cascading water and a vibrant rainbow. The actress appeared to be in high spirits, fully embracing the picturesque surroundings.

Accompanied by her friends, Nushrratt captured moments of joy and laughter, highlighting the carefree nature of their outing. The images reflect a sense of adventure and camaraderie, as the group explored one of the world’s most famous natural wonders.

This trip to Niagara Falls follows Nushrratt’s recent visit to Universal Studios in Orlando, where she also shared her experiences on social media. Her posts from the amusement park showcased her enjoyment of the various attractions and rides, further emphasizing her love for travel and adventure.

Fans of the actress have responded positively to her updates, expressing their delight at seeing her enjoy life and make lasting memories with friends. Nushrratt’s ability to connect with her audience through social media continues to resonate, as she shares snippets of her personal experiences.

As Nushrratt Bharuccha continues to balance her film career with her passion for travel, her adventures serve as a reminder of the importance of taking time to unwind and enjoy life’s beautiful moments.

According to Source Name, Nushrratt’s carefree spirit shines through in her latest escapades, inspiring her fans to embrace their own adventures.

Source: Original article

Nine Dolls: Indian-American Psychological Thriller Explores Navaratri Themes

Rupa Mahadevan’s debut psychological thriller, *Nine Dolls*, intertwines the festive spirit of Navaratri with suspense and dark secrets in a remote Scottish manor.

In *Nine Dolls*, Rupa Mahadevan crafts a gripping psychological thriller set against the backdrop of Navaratri, the Hindu festival celebrating the divine feminine. The story unfolds in a secluded manor in Oban, Scotland, where a group of friends reunites to honor the festival. However, what begins as a festive gathering quickly spirals into chaos when a guest is murdered, and the sacred dolls are mysteriously rearranged, each display echoing a dark secret from the past.

Leela, newly married and deeply traditional, joins her husband Dhruv and his circle of old friends for the holiday. As the festivities commence, Leela’s unease grows, and it becomes evident that the cheerful façade of the group conceals deeper fractures. Each night reveals a new secret, raising the stakes as the question looms: which secret is worth killing for?

The tradition of Golu Bommai, which features a vibrant display of dolls and figurines representing gods and daily life, plays a central role in the narrative. Leela insists on bringing her dolls to the celebration, hoping to infuse her Indian rituals into the unfamiliar Scottish setting. However, the dolls soon become harbingers of dread, as they are rearranged into gruesome tableaux that reference unsettling incidents from the friends’ past.

As the storm isolates the group, tensions escalate. The shattering of one of the dolls coincides with the murder of a friend, plunging the remaining guests into paranoia and suspicion. Trapped in the manor, the friends must confront their buried secrets, broken loyalties, and long-held grudges, as someone among them is determined to reveal the truth—no matter the cost.

In an exclusive interview, Mahadevan shared her inspiration for *Nine Dolls*. For her, Navaratri evokes cherished childhood memories of competing with her sister to create the most elaborate Golu display. Even after relocating to Edinburgh, she continues to celebrate the festival, inviting friends to join her in the festivities.

“The structure of the festival—ten days of celebration culminating in nine nights—provides a perfect backdrop for a high-pressure narrative,” Mahadevan explained. “It felt like an ideal match for the story I wanted to tell.”

Readers may notice similarities to Agatha Christie’s *And Then There Were None*, a classic that has influenced Mahadevan’s writing. A self-proclaimed fan of Christie, she sought to blend mystery, suspense, and the unraveling of secrets in her debut novel.

After the pandemic, Mahadevan committed to her writing journey, joining Jericho Writers, a global writing community. Initially, she wrote a novel featuring a white male protagonist, a choice influenced by her admiration for Christie’s characters. However, her writing coach encouraged her to delve into her cultural heritage, prompting Mahadevan to embrace her roots in *Nine Dolls*.

The festival of Navaratri, centered on the sacred feminine, is reflected in the novel through its four strong female narrators. Three of these characters are of Indian origin, while the fourth is Scottish, allowing Mahadevan to explore cultural contrasts and enrich the narrative.

Mahadevan admits that she did not know the identity of the killer until she was well into the writing process. As a “pantster,” she enjoys the journey of discovery that comes with writing, allowing the story to unfold organically.

When discussing the autobiographical elements in her work, Mahadevan acknowledges that she sees aspects of herself in both Leela and Smitha, two characters who represent opposing viewpoints. This internal conflict mirrors her own experiences, balancing traditional values with a more modern, sarcastic perspective.

Mahadevan’s ability to create compelling, flawed characters is a hallmark of her writing. She believes that high-stakes situations reveal the true nature of individuals, making it unrealistic to portray characters as perfect in the face of danger.

Her journey as a writer has been supported by her community at Jericho Writers, where she has honed her craft and learned from others. This network also opened doors to writing competitions, ultimately leading to her publishing deal.

As an underrepresented writer and woman of color in the competitive crime fiction landscape, Mahadevan faces unique challenges. Despite these obstacles, she balances her writing aspirations with a full-time job as a project manager at HSBC and the demands of family life. She writes whenever she can, whether on her commute or in fleeting moments throughout her day.

Mahadevan’s dedication paid off when she won the Joffe Books Prize 2024, the UK’s largest award for crime fiction. This accolade came with a two-book publishing deal, a cash prize, and an audiobook deal, marking a significant milestone in her writing career.

With *Nine Dolls*, Rupa Mahadevan invites readers into a world where tradition and suspense collide, revealing the complexities of friendship and the shadows that linger in the past.

Source: Original article

AI Actress Tilly Norwood Gains Attention at Zurich Summit on Synthetic Talent

Tilly Norwood, the world’s first AI actress, made a stunning debut at the Zurich Summit, highlighting the entertainment industry’s shift towards synthetic talent and the potential for AI in storytelling.

The Zurich Summit, part of the renowned Zurich Film Festival, served as the backdrop for a historic debut as Tilly Norwood, the world’s first AI actress, captivated audiences and garnered attention from talent agents worldwide. Developed by Xicoia, a new AI talent studio spun off from Eline Van der Velden’s innovative production company Particle6, Norwood’s introduction marks a significant moment in the entertainment industry’s ongoing adaptation to emerging technologies.

During a panel discussion at the Summit, Van der Velden, an accomplished actor, comedian, and producer, noted that Norwood’s launch has generated considerable interest within the industry. “Studios are quietly moving forward with AI projects, and we expect to announce more developments in the coming months,” she stated, reflecting on the rapid change in attitudes she has observed over the year. “In February, boardrooms were skeptical. By May, those same executives were eager to collaborate.”

Norwood’s journey began amid curiosity and skepticism but quickly gained traction as media professionals recognized her potential. Van der Velden explained that when Tilly was first introduced, many questioned the concept. Today, however, the conversation has shifted to which talent agency will represent the AI performer, with an official announcement expected soon.

The AI actress made headlines in July when she expressed her excitement on Facebook after landing her first role in a comedy sketch titled “AI Commissioner.” Produced by Particle6 Productions, the sketch humorously explores the future of television development and showcases Norwood’s ability to engage audiences. “Can’t believe it… my first ever role is live!” Norwood wrote. “I may be AI generated, but I’m feeling very real emotions right now. I am so excited for what’s coming next!”

Van der Velden’s ambitions for Norwood are nothing short of extraordinary. “We want Tilly to be the next Scarlett Johansson or Natalie Portman,” she told Broadcast International, emphasizing the project’s goal to elevate synthetic actors into mainstream stardom. She highlighted that economic challenges in the film and television sectors are driving a shift towards AI-driven production, where creativity is no longer limited by budget constraints. “People are realizing that their creativity doesn’t need to be boxed in by a budget—there are no constraints creatively, and that’s why AI can really be a positive. It’s just about changing people’s viewpoint.”

The impact of AI on the entertainment landscape is becoming increasingly evident. In a recent LinkedIn post, Van der Velden commented on audience perceptions: “Audiences? They care about the story—not whether the star has a pulse. Tilly is already attracting interest from talent agencies and fans. The age of synthetic actors isn’t ‘coming’—it’s here.”

Particle6, the studio behind Norwood’s development, has a strong track record of producing content across various genres and platforms. Their portfolio includes notable projects such as “Miss Holland” for BBC Three, “True Crime Secrets” for Hearst Networks, and “Look See Wow!” for Sky Kids, showcasing their commitment to innovation and storytelling excellence.

As the entertainment industry navigates the opportunities and challenges presented by AI, Tilly Norwood’s debut at the Zurich Summit stands as both a symbol of technological progress and a catalyst for vital discussions about the future of performance, creativity, and audience engagement. The coming months will be crucial as the industry observes which agency steps forward to represent this virtual pioneer and how her presence will influence the evolution of film and television.

Source: Original article

Child Actor From ‘Veer Hanuman’ and Brother Die in Apartment Fire

Child actor Veer Sharma and his brother Shaurya tragically lost their lives in a fire at their home in Kota on September 28.

MUMBAI – In a heartbreaking incident, child television actor Veer Sharma and his elder brother, Shaurya Sharma, died after a fire broke out in their home in Kota during the early hours of September 28.

Reports indicate that the fire originated on the fourth floor of their building, where the two boys were alone at the time. The blaze reportedly started in the drawing room of their flat at the Deepshree building but did not spread to other rooms.

According to police reports, both Veer and Shaurya were asleep when the fire ignited and succumbed to suffocation from the thick smoke. Neighbors noticed smoke billowing from the apartment and quickly rushed to the scene. They managed to break down the door in an attempt to rescue the boys, who were subsequently taken to a nearby hospital, where they were declared dead on arrival.

Their father, Jitendra Sharma, a teacher at a local coaching center, was attending a bhajan event at the time of the incident. Their mother, Rita Sharma, who is also an actress, was in Mumbai.

Police suspect that a short circuit may have caused the fire, although the exact cause remains uncertain. Investigators revealed that the drawing room was completely destroyed, while other areas of the flat showed signs of burn marks.

In a touching gesture, the family chose to donate the children’s eyes to the eye bank, honoring their wishes.

An FIR has been registered under section 194 of the BNSS Act, and authorities are conducting further investigations to determine the cause of the fire that led to the tragic loss of Veer and Shaurya.

Veer Sharma was well-known for his roles in popular television shows such as ‘Shrimad Ramayan’ and ‘Veer Hanuman.’

According to IANS, the community mourns the loss of these young lives, and the investigation continues to uncover the circumstances surrounding this tragic event.

Source: Original article

The Discipline Behind Akshay Kumar’s Successful Career in Bollywood

Akshay Kumar shares insights into his disciplined lifestyle, emphasizing simplicity and effective time management during a recent appearance on ‘The Great Indian Kapil Show.’

MUMBAI – Akshay Kumar, the acclaimed actor currently receiving praise for his role in the recently released film ‘Jolly LLB 3’, has opened up about the principles that guide his disciplined life.

During the season finale of the popular streaming sketch comedy show ‘The Great Indian Kapil Show’, Kumar discussed the importance of simplicity in achieving a balanced life.

When host Kapil Sharma inquired about his approach to taking breaks, Kumar revealed, “Yes, I definitely take breaks. I take a break for 125 days a year, add another 52 Sundays to it, 40 days of summer vacation, 3 days of Diwali, and a 7-day holiday after every 3 months. So, I have made a timetable. We all have the same 24 hours and 365 days a year, but the most important thing is time management.”

Kumar emphasized the significance of leading a simple life, stating, “Make your life completely simple, don’t take on the complications, don’t take stress. Stress is extremely harmful. I understand people have financial problems or someone may be struggling with their relationship. Everything is alright. I’ll tell you I lived in a very small house, where I shared one room with 24 people. Kapil also comes from a similar background. But the thing is to lead a simple life.”

Known for his disciplined lifestyle, Kumar stands out in the film industry for his commitment to health and fitness. He adheres to an early-to-bed, early-to-rise routine that prioritizes physical well-being. His fitness regimen includes a blend of martial arts, yoga, swimming, and functional training, rather than relying solely on traditional gym workouts.

In terms of nutrition, Kumar maintains a straightforward and home-cooked diet that emphasizes balanced meals over extreme dietary restrictions. He consciously avoids alcohol and smoking, and limits his intake of processed foods, opting instead for freshly prepared meals.

Through his disciplined approach to life, Akshay Kumar not only sets an example for his peers but also inspires his fans to embrace simplicity and effective time management.

Source: Original article

Destination Oak Tree Road Documentary Earns Two Emmy Nominations for 2025

Destination Oak Tree Road, a documentary showcasing the revitalization of a New Jersey neighborhood, has received two nominations for the 2025 New York Emmy Awards.

Destination Oak Tree Road, a celebrated documentary that highlights the transformation of a once-declining neighborhood in New Jersey, has garnered two nominations for the prestigious 2025 New York Emmy Awards.

Directed and narrated by acclaimed broadcast journalist Rohit Vyas, the film is recognized in the categories of Documentary Historical and Performer/Narrator. The nominations were announced at PIX 11 studios by the New York chapter of the National Academy of Television Arts and Sciences (NY NATAS).

In response to the nominations, Vyas expressed his gratitude, stating, “I am deeply honored that our team’s dedication has been acknowledged by industry peers. After decades of covering the Indian and South Asian diaspora, this first documentary project is very special. It’s gratifying to see the story resonate.”

The documentary chronicles the history of Oak Tree Road, a one-and-a-half-mile stretch that spans Edison and Iselin in Woodbridge Township. Once a desolate area, it has been revitalized into a vibrant district, thanks to the perseverance and vision of the Indian American community. Today, Oak Tree Road stands as an internationally recognized hub for culture, commerce, and investment.

The project team includes Emmy-winning producer Janice Selinger, actress and sports host Aditi Vyas, arts advocate Isha Vyas, Joe Lee (former NJPBS VP/GM) as Executive in Charge of Production, and Steve Stone as Director of Photography. The documentary is a co-production of Vyas Productions and NJPBS / The WNET Group, having first premiered on NJPBS and is now available for streaming on PBS.

Vyas emphasized the significance of the project, noting, “The Asian Indian community in New Jersey is one of the nation’s largest. Through Oak Tree Road’s journey, we tell a quintessentially American story of hard work, resilience, and success.”

The winners of the 68th Annual New York Emmy Awards will be announced in New York City on October 11, 2025.

Source: Original article

Abhishek Sharma Impresses with Helicopter Cover Drive Against R Ashwin

Abhishek Sharma showcased a remarkable MS Dhoni-style helicopter cover drive during the Asia Cup Super 4 match against Pakistan, leaving R. Ashwin in awe.

In a thrilling moment during the Asia Cup Super 4 match against Pakistan, Abhishek Sharma executed a stunning inside-out helicopter cover drive reminiscent of cricket legend MS Dhoni.

This remarkable shot not only highlighted Sharma’s skill but also drew admiration from his teammates and fans alike. The unique technique, often associated with Dhoni, has become a hallmark of innovative batting in modern cricket.

Sharma’s ability to replicate such a high-pressure shot in a crucial match underscores his growing reputation as a talented player in the international arena.

As the game unfolded, Sharma’s performance contributed significantly to the team’s efforts, showcasing his potential to become a key player in future tournaments.

His execution of the helicopter cover drive was a moment that fans will likely remember, as it encapsulated the excitement and unpredictability of cricket.

According to Source Name, such moments are what make the sport captivating, as players continue to push the boundaries of traditional batting techniques.

Source: Original article

Ashok Rajamani Announces 10-Year Anniversary Edition of ‘Imagine Carnivalesque’

Author Ashok Rajamani announces the release of a digitally remastered tenth anniversary edition of his influential audiobook, ‘Imagine Carnivalesque,’ narrated by Deepti Gupta.

Author Ashok Rajamani, known for his acclaimed memoir, ‘The Day My Brain Exploded: A True Story,’ is set to release a digitally remastered tenth anniversary edition of his pioneering audiobook, ‘Imagine Carnivalesque.’ This edition marks a significant milestone in Rajamani’s literary journey.

Rajamani’s memoir, which chronicles his extraordinary survival from a massive brain hemorrhage at the age of 25, is currently being adapted into a film by the producers of the Oscar-winning movies ‘Slumdog Millionaire’ and ‘Life of Pi.’ In contrast, ‘Imagine Carnivalesque’ delves into the sexual mores and unconscious impulses present in South Asian literature, analyzing the works of prominent authors such as Salman Rushdie.

The audiobook is narrated by Audie Award-winning actress Deepti Gupta, who has lent her voice to numerous bestselling authors, including Jhumpa Lahiri and Geethanjali Shree. Gupta is also known for her role alongside Jack Black in DreamWorks Animation’s ‘Kung Fu Panda: Dragon Knight’ and as the voice of Goddess Ganga in the Academy Award-nominated animation series ‘Ghee Happy.’ Currently, she appears in a recurring guest role on HBO Max’s critically acclaimed and Emmy-winning drama, ‘The Pitt,’ alongside Noah Wyle.

“Celebrating the ten-year anniversary of ‘Imagine Carnivalesque’ means a lot to me,” Rajamani said. “I wrote this book to uncover themes of gender and sexual representation in South Asian literature, which are rarely discussed. In doing so, I sought to reveal the importance of such visibility in subcontinental literature overall, and ultimately, in society itself. Given today’s political climate, in which the rights of the marginalized are constantly under attack, the book matters more than ever.”

Gupta expressed her personal connection to the work, stating, “As an immigrant who belongs here and also nowhere, I resonated with the book, especially in how Ashok challenges social hierarchies and norms that abound in the South Asian diaspora. And now, on its tenth anniversary, I have personal reasons to rejoice in the book’s success: my teenager has gender non-conforming and queer peers, and I want these kids to become adults in a world that welcomes them with open arms. I’m grateful for the incredible work of Ashok, and I know that ‘Imagine Carnivalesque’ will continue to do its work in furthering this important conversation.”

Rajamani’s Spiral Mirror Entertainment will be responsible for releasing the audiobook. The company has previously produced various works, including the flash audio monologue ‘If These Saris Could Talk,’ starring ‘Bombay Dreams’ actress Zehra Naqvi, and British voice artist Nano Nagle’s performance of the poetry collection ‘Tea Unbrewed.’ Additionally, they have released a digitally remastered audiobook of ‘Exploded,’ recorded live at New York’s Edge Studio.

With the release of this anniversary edition, Rajamani and Gupta aim to continue fostering discussions around representation and visibility in literature, particularly within the South Asian community.

Source: Original article

Kareena Kapoor Launches Two Malabar Gold & Diamonds Showrooms in the UK

Bollywood actress Kareena Kapoor Khan has inaugurated two flagship Malabar Gold & Diamonds showrooms in the UK, enhancing the brand’s international footprint.

BIRMINGHAM – Bollywood actress Kareena Kapoor Khan has officially inaugurated two new flagship showrooms for Malabar Gold & Diamonds in Birmingham and Southall. This significant milestone marks an important step in the brand’s ongoing international expansion.

The openings reinforce Malabar Gold & Diamonds’ growing presence in the UK, where it now operates four showrooms, including locations in Leicester and Green Street, London. The brand, recognized as the fifth-largest jewellery retailer globally, boasts over 400 showrooms across 13 countries.

The Birmingham showroom, which spans more than 5,700 square feet, is the largest Malabar outlet in the UK. The Southall showroom complements the brand’s vision of providing accessible elegance to its customers. Both locations feature an impressive selection of over 30,000 designs in 18K and 22K gold, diamonds, and precious gemstones. Additionally, they offer more than 25 exclusive collections, along with specialized services such as custom jewellery design and exclusive bridal collections.

M.P. Ahammed, Chairman of Malabar Group, emphasized the importance of the UK market in the company’s global growth strategy. He stated, “These openings strengthen our presence and reinforce our mission of being among the most preferred jewellery retailers globally.”

Mr. Abdul Salam K.P., Vice Chairman of Malabar Group, highlighted the brand’s commitment to responsible sourcing and ethical practices. He noted that the company ensures its diamonds are certified conflict-free, which is crucial for maintaining sustainable operations across international markets.

The launch event attracted large crowds, showcasing the trust and admiration that Malabar Gold & Diamonds has garnered among the South Asian diaspora in the UK. Shamlal Ahamed, Managing Director of International Operations, mentioned that the brand has ambitious plans for future expansion, with new showrooms slated to open in Manchester, London, Ireland, and France.

Beyond its retail operations, Malabar Gold & Diamonds is dedicated to strong environmental, social, and governance (ESG) commitments. The brand actively engages in initiatives focused on education, women empowerment, hunger relief, and healthcare. Programs such as micro-learning centres, scholarships for female students, and the “Grandma Home” project exemplify Malabar’s mission to ensure that its global growth positively impacts local communities.

As Malabar Gold & Diamonds continues to expand its footprint in the UK, the brand remains committed to providing luxury jewellery while also giving back to the communities it serves.

Source: Original article

Manoj Bajpayee Declares He Will Not Portray Young Lover Roles

Critically acclaimed actor Manoj Bajpayee discusses his reluctance to play young romantic roles while emphasizing the importance of age-appropriate storytelling in film.

MUMBAI – Manoj Bajpayee, a veteran actor known for his powerful performances, recently addressed a question regarding his interest in romantic roles. During an interview, he was asked whether he would consider taking on a romantic character, especially as many actors from his generation are currently exploring such roles.

In response, Bajpayee expressed his reservations about portraying a young lover. “Definitely you can’t imagine me doing a 25-year-old falling in love with a 20-year-old girl,” he stated. “I will personally not touch or take that kind of risk in this life.” His comments reflect a thoughtful approach to age and authenticity in storytelling.

However, Bajpayee did not completely dismiss the idea of romantic roles. He mentioned that if a script is well-crafted and the role is appropriate for his age, he would be open to it. “Love doesn’t limit itself to age, right?” he remarked. “So, if there is a very fine script which has a romantic story about two middle-aged people, why not?”

The actor emphasized his preference for portraying relatable, middle-class characters. He believes these roles resonate more with audiences and allow him to connect deeply with the material. “I enjoy doing these roles, I enjoy playing common people because I relate to them,” he shared. “Each and every character that I read, I feel like I have seen them somewhere—in real life, in a documentary, in my initial days in Mumbai, in the train.”

Bajpayee also reflected on his experiences in theatre, recalling a conversation with a director about the importance of observation in acting. “Once I spoke to a director and I said, ‘We can’t be observing all the time, people will eventually beat us up—Why are you looking at me?'” he recounted with a sense of humor. He explained that observation is a crucial aspect of an actor’s craft, stating, “Even if he is not looking at someone, he is observing. So, make it a part of your personality.”

In conclusion, Bajpayee articulated the essence of being an actor as being an observer of life. “So we actors are like that—we are observers of our own life, we are observers of people’s life, what’s happening in society,” he said. His insights highlight a commitment to authenticity and meaningful storytelling in his work.

Source: Original article

Javed Akhtar Reflects on Everlasting Regret Regarding Mohammed Rafi

Legendary writer Javed Akhtar reflects on his regret of never collaborating with iconic singer Mohammed Rafi, highlighting the enduring impact of Rafi’s music.

MUMBAI – Renowned writer and lyricist Javed Akhtar recently revealed a poignant regret: he never had the opportunity to collaborate with the legendary singer Mohammed Rafi. Despite being an established screenwriter during Rafi’s prime, Akhtar had not yet embarked on his journey as a lyricist.

“When he was in this world, I couldn’t write songs,” Akhtar explained. “I was a scriptwriter. So this desire remained in my heart that Rafi bhai should have also gotten to know me.”

Akhtar expressed his admiration for Rafi’s extraordinary talent, emphasizing that the singer’s voice continues to resonate with new generations of listeners. “It is impossible to find such perfection,” he remarked, referencing memorable tracks like “Jaan Ke Liye Deewana” and “Meri Duniya Mein Tum Aayi.”

In his reflections, Akhtar underscored the importance of honoring artists, asserting that a society that respects its creative minds is both healthy and civilized. His sentiments serve as a reminder of the lasting impact that artists like Rafi have on culture and society.

As Akhtar continues to contribute to the world of music and film, his regret highlights the fleeting nature of opportunities in the creative industry and the profound influence of legendary figures like Rafi.

Source: Original article

Manoj Bajpayee Delivers Outstanding Performance in Netflix Thriller

Netflix’s ‘Zende’ features Manoj Bajpayee in a gripping true-crime drama that highlights the relentless pursuit of justice by an unsung hero.

MUMBAI—Netflix’s latest release, Zende, is a compelling true-crime drama that delves into the untold story of a police officer dedicated to capturing one of the most cunning manipulators of his era. This film shines a light on an unsung hero whose bravery and resilience often went unnoticed, yet whose impact remains significant. What unfolds is a gripping tribute to determination, with Manoj Bajpayee delivering a powerful performance in the titular role that brings authenticity to every scene.

At its core, Zende unfolds as a taut cat-and-mouse thriller, skillfully engaging viewers in the unpredictable chase between justice and deception. Director Chinmay D Mandelkar expertly balances suspense with sharp writing, ensuring that the audience remains a step behind the action. The film’s nostalgic backdrop, set in the 1980s and 1990s, is recreated with striking detail, evoking a time before modern technology simplified crime-solving.

The performances in Zende are undoubtedly its strongest asset. Manoj Bajpayee infuses his character, Inspector Zende, with trademark intensity and subtle wit, while Jim Sarbh effectively portrays the calculating antagonist, creating face-offs that are both cerebral and thrilling. The film is further enhanced by a solid ensemble cast, including Sachin Khedekar, Bhalchandra Kadam, and Girija Oak. Their camaraderie and emotional depth feel natural and unforced, adding warmth and humor to an otherwise tense storyline.

What sets Zende apart is its genre fluidity; it seamlessly blends crime, suspense, and humor without sacrificing emotional depth. Beyond the thrills, it tells an endearing story of a cop whose wit, resilience, and heart make him instantly relatable. With clean humor and family-friendly storytelling, this true-crime film is suitable for viewing in the living room across generations. Ultimately, Zende is not just about a thrilling pursuit; it celebrates an unsung hero who finally deserves his moment in the spotlight.

Source: Original article

Babul Supriyo Discusses Destiny’s Influence on Art and Cinema

Actor and politician Babul Supriyo reflects on the significant role of destiny in the entertainment industry, inspired by veteran actor Mithun Chakraborty’s insights on success.

MUMBAI—Babul Supriyo, an actor, singer, and politician, has been contemplating the profound influence of destiny in the world of showbiz. His reflections were sparked by an old interview featuring Mithun Chakraborty, a celebrated Dadasaheb Phalke awardee.

In the interview, Chakraborty, who was enjoying a remarkable phase in his film career, attributed much of his success to destiny. He emphasized that while talent is essential, it is destiny that ultimately determines whether that talent will flourish. “Destiny is there. Everything comes with destiny. If the actor is good, then he performs well. But destiny brings all this. Then you have to promote your talent,” he stated.

When asked how long one can rely on destiny, the veteran actor responded, “As long as destiny supports me.” This perspective resonated with Supriyo, who expressed his thoughts in a lengthy social media post.

In his caption, Supriyo described it as “scary” to witness prominent figures in the industry attribute their success to fate. He noted, “It’s pretty scary to hear that ‘everything is Naseeb/Kismat/Luck,’ but it’s not just Mithun Da alone; I have heard even Big B say ‘Bhaggya’ when asked what is that one thing that he attributes his success to.”

Supriyo pointed out that these reflections come from individuals who have achieved remarkable success in their careers. He remarked on the unique nature of Mumbai, a city where both triumph and failure are inevitable experiences for everyone. “Many failures and successes defy artistic or creative logic,” he added, highlighting the unpredictable nature of the industry.

The context of Chakraborty’s journey in cinema further underscores the importance of destiny. Before his illustrious acting career, he was involved in the Naxalbari movement, which was inspired by Maoism. However, he eventually left the movement to pursue his education at the Film and Television Institute of India (FTII).

Chakraborty is one of the few actors across various Indian cinema industries to have received a National Award for his debut film, *Mrigayaa*. To date, he has won three National Awards and was recently honored with the Dadasaheb Phalke Award, which is regarded as the highest accolade in Indian cinema.

Supriyo’s reflections on destiny and success in the entertainment industry serve as a reminder of the complex interplay between talent, hard work, and the unpredictable forces that shape careers.

Source: Original article

Bollywood Horror Comedy Transforms Chanderi’s Cultural Landscape

Chanderi, a historic town in Madhya Pradesh, has experienced a tourism boom thanks to its portrayal in Bollywood films, particularly the horror comedy “Stree.”

Kati Ghati, an ancient archway in Chanderi, welcomes visitors with its imposing structure, surrounded by craggy hills and sparse vegetation. As dusk approaches, the area buzzes with excitement, filled with influencers capturing moments and tourists eager to experience the location made famous by the Hindi horror comedy, “Stree” (2018). In a memorable scene, actress Shraddha Kapoor bids farewell to Rajkummar Rao’s character at this very spot before boarding a bus.

The history of Kati Ghati is as intriguing as the film itself. An inscription reveals that this monumental arch was carved from solid rock, measuring 80 feet in height, 39 feet in width, and 192 feet in length. Commissioned by Jiman Khan in 1490 AD, the arch stands as a testament to the town’s rich heritage. Chanderi, located in Madhya Pradesh’s Ashoknagar district, is mentioned in the Mahabharata, with its roots tracing back to Sishupala, the King of Chedi, who is said to have established the town.

Visitors to Chanderi are often enchanted by its cobbled streets, narrow lanes, and architectural marvels. The “Chanderi Ka Tana Bana,” a light and sound show held at the fort, captivates audiences with tales from the town’s storied past, including the victory of Mughal emperor Babur over Malwa ruler Medini Rai in 1528.

Despite being overshadowed by more famous attractions like Khajuraho and Orchha, Chanderi has begun to carve out its niche in the tourism sector, thanks in large part to its appearances in Bollywood films such as “Sui Dhaaga,” “Kalank,” and “Stree.”

Located just 450 meters from Kati Ghati is Tent City, a luxurious accommodation option featuring 25 tents for tourists. Sachin Sahu, a sound and light electrician at Tent City, notes that his family has lived in Chanderi for 25 years. He observes that before the film industry spotlighted the town, few outsiders were aware of its existence.

Chanderi is also renowned for its exquisite sarees, a reputation that has been amplified by its cinematic exposure. Weaver Rajit Koli, 28, recalls that Chanderi was once a quiet town, but that has changed dramatically. “Tourists now flock to the Raja Rani Mahal, which was prominently featured in the filming of ‘Stree 2,'” he says. The town has also served as a backdrop for numerous films and web series, including “Rangbaaz.”

As the sun sets, casting vibrant hues across the sky, guide Mohammad Ansari reflects on Chanderi’s rich handloom tradition, which has thrived since 1304. Hundreds of weavers continue to operate wooden looms in their homes, creating beautiful sarees. However, the COVID-19 pandemic posed significant challenges, with 60 percent of looms closing down within three months, impacting over 1,000 weaver families and resulting in losses estimated at ₹20 million. Fortunately, the town has rebounded, with 1,500 new looms opening since the pandemic’s peak.

Ansari acknowledges that Bollywood has played a crucial role in boosting tourism. In the last three years, over 100,000 visitors have come to explore Chanderi, drawn by the film’s references to the town. The bustling streets have become a popular destination, particularly after “Stree” highlighted the area’s charm.

Local vendors have also benefitted from the influx of tourists. Mahesh Rathod, a chaat seller, reports that his stall, known for its aloo tikki, remains busy until 9 PM, catering to the appetites of travelers.

Dinesh Jain, a local resident, recalls his involvement in the filming of “Stree,” noting the excitement and congestion that accompanied the shoot. “Many onlookers were kept at bay to avoid chaos, as people were eager to see the cameras in action in our small town,” he explains.

In addition to the Raja Rani Mahal, other locations like Kila Kothi, Jageswari Temple, and Badal Mahal have gained popularity among fans of the film. Jain points out a tailoring shop, Modern Tailor 1947, which served as Rajkummar Rao’s character’s workplace in “Stree.” Nearby, Preeti Jain shares that a scene featuring Abhishek Banerjee’s character was filmed close to her home, although she did not witness the shooting due to the late hours.

As tourists flock to see the film locations, local hospitality businesses thrive. Some residents offer guided tours for a nominal fee, enhancing the visitor experience. Ansari, who typically avoids discussing ghost stories to maintain a welcoming atmosphere, now finds that the supernatural element of “Stree” attracts many visitors.

Chanderi not only offers a glimpse into Bollywood but also showcases its natural beauty and adventure opportunities. The town’s narrow, cobblestoned streets and friendly locals provide an engaging experience for visitors.

With the surge in tourism, sustainability has become a priority for local authorities. Sheo Shekhar Shukla, principal secretary and managing director of the Madhya Pradesh Tourism Board, emphasizes the importance of responsible tourism. Efforts include creating eco retreats like Tent City and promoting cleanliness. The tourism board also advocates for rural travel destinations, local art, and community empowerment through initiatives like homestays.

To manage visitor numbers and prevent overcrowding, Madhya Pradesh is promoting lesser-known destinations, ensuring the preservation of its rich heritage and natural beauty for future generations.

Source: Original article

‘Stolen’ Offers Emotional Depth in Indian-American Action Thriller

Director Karan Tejpal’s “Stolen” is a gripping action thriller that explores the darker side of rural India while delivering a powerful emotional narrative.

The transformation of Indian villages has often been depicted in contrasting ways, from idyllic scenes of sun-kissed fields to stark portrayals of poverty. However, a new reality is emerging in these villages, where the influence of mob mentality can overshadow the law, and fear often dictates the actions of both residents and authorities. In this setting, two men find themselves embroiled in a desperate struggle against a mob, ignited by a viral video that sets the stage for chaos.

Director Karan Tejpal’s film “Stolen” opens with a shocking scene that sets the tone for the rest of the narrative. Within the first 30 seconds, viewers witness the kidnapping of an infant from the arms of her sleeping mother, Jhumpa, played by Mia Maelzer, at a deserted railway station. This harrowing event thrusts Raman, portrayed by Shubham Vardhan, into a chaotic confrontation with Jhumpa, railway officials, and a police officer who mistakenly believes he is the kidnapper. As the plot unfolds, Raman’s brother Gautam, played by Abhishek Banerjee, joins the fray, attempting to protect his sibling. The ensuing 24 hours are filled with tension and urgency, driving the narrative forward.

<p“Stolen” is inspired by true events, and Tejpal’s direction reflects an unfiltered approach that enhances the film’s authenticity. Cinematographers Isshaan Ghosh and Sachin Pillai contribute to this raw aesthetic, opting for minimal artificial lighting throughout the first half of the film. This choice immerses the audience in a dark, gritty atmosphere, particularly during a suspenseful sequence set in a deserted location where characters search for the kidnapper and vital clues. The filmmakers avoid the synthetic blue tint often seen in thrillers, allowing viewers to experience the unfolding drama as if they were physically present in the dilapidated surroundings. The action sequences are visceral and intense, eschewing over-the-top stunts and special effects. A particularly striking moment occurs when a mob of villagers charges toward a moving jeep, evoking a sense of dread that underscores the film’s setting.

While “Stolen” is undeniably a suspense-filled action thriller, it also possesses a deeply emotional core. The film’s strength lies in its ability to evoke empathy for the characters, particularly the desperate search for the kidnapped baby and the longing for her safe return to her mother. The performances by the cast, which features actors who may not be household names in Bollywood, contribute to the film’s authenticity and emotional weight. As the narrative progresses, viewers become increasingly invested in the characters’ plight, culminating in a poignant moment that pays homage to a forest Goddess believed to ensure justice through her miracles.

“Stolen” is a film that demands the viewer’s full attention. It is not a movie to be watched casually or while multitasking; instead, it offers a richly rewarding experience that draws audiences into its gripping narrative. With its compelling storytelling and immersive cinematography, “Stolen” stands out as a unique entry in the action thriller genre, providing a glimpse into the complexities of rural life in India while delivering a powerful emotional impact.

As the film concludes, audiences are left with a sense of hope and a reminder of the resilience of the human spirit, making “Stolen” a must-watch for those seeking both thrills and emotional depth.

Source: Original article

Daily Horoscope for August 25, 2025: Insights for All Zodiac Signs

Your daily horoscope for August 25, 2025, offers insights into what the cosmos has in store for each zodiac sign.

Aries (March 21 – April 20): If you’re feeling sporty, today is your day! Embrace the unexpected, as a surprising turn of events may work in your favor. Your wisdom allows you to blend business and pleasure seamlessly, according to Ganesha.

Taurus (April 21 – May 21): Today, you will gain a fresh perspective on your love life. However, a tendency to think pessimistically could cloud your judgment. While you enjoy nurturing others, you may find it challenging to address your own issues, warns Ganesha.

Gemini (May 22 – June 21): You may find yourself deep in thought today. Your desire for pleasure will be satisfied, and while you will perform well at work, your true achievements will shine at home, according to Ganesha.

Cancer (June 22 – July 22): You might feel the urge to flaunt your financial power, but this may be futile. Typically methodical, you could find yourself completing tasks mindlessly in the afternoon, leading to potential regret.

Leo (July 23 – August 23): Resist the temptation to call in sick today. Escaping reality is not the solution. You may feel pensive with many thoughts vying for your attention. However, work will be a positive space as you share meaningful moments with colleagues. Ganesha predicts a pleasant evening with someone special, so there’s much to look forward to.

Virgo (August 24 – September 22): Today promises to be bright and rewarding. Remember, doomsday is far off. The planetary movements suggest that better days are ahead, so keep your hopes high, advises Ganesha.

Libra (September 23 – October 23): If you have friends or relatives abroad, you may receive good news from them today. However, job interviews may not yield the success you hoped for, despite your best efforts.

Scorpio (October 24 – November 22): Today, you may feel a strong desire for romance rather than focusing on business. You are in touch with your passions and may seek someone special to share your dreams with. Ganesha encourages you to be patient and trust in yourself.

Sagittarius (November 23 – December 21): Your wisdom will shine today, allowing you to see things from a practical perspective. Feeling spiritually inclined, you might consider meditation. If you’re planning to pursue new job opportunities, today is favorable for interviews, according to Ganesha.

Capricorn (December 22 – January 20): You will be intrigued by the depth of your relationships, prompting you to explore them further. Your persuasive abilities will help resolve misunderstandings with your partner. At work, you will gain support from colleagues, but be cautious of competitors looking to outshine you.

Aquarius (January 21 – February 18): Today, you will be at your best, combining commitment and competence. By the afternoon, your energy will surge, and you may find yourself volunteering to help others with their tasks, as noted by Ganesha.

Pisces (February 19 – March 20): Expect a busy day filled with demands at work as you strive to manage your department or business effectively. You may also encounter distant relatives unexpectedly, according to Ganesha.

Stay connected with the cosmos through your daily horoscope! Access your August 25, 2025, daily and weekly horoscopes for every zodiac sign. Discover what the universe has planned for you with insights tailored to your sign. Whether you’re a fiery Aries or a dreamy Pisces, our expert astrologers provide precise and personalized readings to help you navigate life’s challenges and triumphs. Visit us daily for fresh updates and stay attuned to the celestial forces shaping your destiny.

Source: Original article

Bharti Singh Reflects on Difficult Childhood Experiences

Stand-up comedian Bharti Singh opens up about her painful childhood memories during an emotional moment on ‘Super Dancer Chapter 5,’ highlighting her advocacy for house help and their struggles.

MUMBAI – Stand-up star Bharti Singh recently shared her feelings about her childhood, expressing deep emotional pain associated with her past. In an upcoming episode of the popular show ‘Super Dancer Chapter 5,’ Bharti became visibly moved while watching a performance by contestant Apsara Boro.

The performance resonated with Bharti’s own childhood experiences, particularly as it depicted a girl caring for her sister, mirroring Bharti’s own life where her sister played a similar role. This emotional connection prompted Bharti to walk off the set in tears, reflecting on the harsh realities of her upbringing.

In a promo released by the channel, Bharti candidly stated, “The one thing I hate is exactly what you showed me.” When pressed for more details about her feelings, she revealed, “I feel very bad, and I hate it when I think of my childhood, as I faced a lot of issues.”

Bharti elaborated on her struggles, sharing that she often felt isolated during festive seasons. “I used to not like festivals as we did not have anything to celebrate like other children,” she said, her voice tinged with emotion.

This difficult past has shaped Bharti’s current advocacy for house help and their families. She expressed a strong commitment to supporting those who work tirelessly while leaving their own children behind. “So now I always stand for all the house help, drivers, etc.; they take care of us, leaving their kids behind,” she explained.

In a heartwarming gesture during the episode, Bharti gifted new clothes to Apsara, who had previously observed other children wearing fresh outfits. This act not only showcased Bharti’s empathy but also highlighted her desire to uplift those who face similar challenges.

Bharti Singh’s candid reflections on her childhood serve as a reminder of the resilience required to overcome adversity, as well as the importance of supporting those who provide essential services in our lives.

Source: Original article

Punjabi Cinema Remembers Jaswinder Bhalla, Beloved Comedian and Actor

Jaswinder Bhalla, a beloved figure in Punjabi cinema known for his comedic brilliance, passed away at 65 after suffering a brain stroke, leaving fans and colleagues in mourning.

Jaswinder Bhalla, a cherished comedian and actor in Punjabi cinema, passed away on Friday morning following a brain stroke. He was 65 years old. His sudden departure has left the film fraternity and fans around the world in profound shock.

Regarded as one of the most iconic figures in Punjabi entertainment, Bhalla was celebrated for his sharp satire, relatable characters, and unmatched comic timing, which made him a household name across the region. His contributions to the industry have left an indelible mark on the cultural landscape of Punjab.

Born on May 4, 1960, in Ludhiana, Bhalla initially pursued a career in academics before venturing into the world of entertainment. He held a doctorate in Extension Education and served as a professor, eventually becoming the head of the Department of Extension Education at Punjab Agricultural University (PAU) until his retirement in 2020. Despite his academic achievements, it was his natural humor and keen societal observations that propelled him into the limelight.

Bhalla first gained widespread recognition with “Chhankata,” a satirical audio-video series launched in 1988 that became a cultural landmark in Punjab. His character, Chacha Chatar Singh, known for his rustic wit and incisive social commentary, remains a beloved figure in the memories of audiences. Over three decades, Bhalla produced 27 installments of “Chhankata,” each resonating with Punjabi communities worldwide.

His success on stage seamlessly transitioned into cinema, where he delivered some of the most memorable performances in Punjabi films. From “Mahaul Theek Hai” to mega-hits like “Carry On Jatta,” “Jatt & Juliet,” “Mel Karade Rabba,” and “Power Cut,” Bhalla consistently left audiences in stitches with his effortless delivery and signature one-liners. His portrayals as Advocate Dhillon in “Carry On Jatta” and Inspector Tiwana in “Jatt & Juliet” are celebrated as some of the finest comic roles in Punjabi cinema.

Throughout his illustrious career, Bhalla received numerous accolades, including the Gopal Sehgal Award in 2012 for his contributions to satirical comedy, the Mohammad Rafi Award for Best Comedian, and the Best Punjabi Comedian award at the Asian Festival. His performances in “Carry On Jatta” and “Jatt & Juliet” also earned him recognition at the PTC Punjabi Film Awards. His work was acknowledged not only in India but also at cultural events across Canada, the UK, and the US.

Beyond his cinematic achievements, Bhalla remained actively engaged with academia and social causes. As the brand ambassador for PAU, he promoted initiatives such as Mission Swachh and Swasth Punjab, effectively blending his humor with messages of awareness and community welfare.

In a heartfelt tribute, Punjab Chief Minister Bhagwant Mann expressed his condolences on social media, stating, “ਜਸਵਿੰਦਰ ਭੱਲਾ ਜੀ ਦੇ ਅਚਾਨਕ ਇਸ ਦੁਨੀਆਂ ਤੋਂ ਚਲੇ ਜਾਣਾ ਬੇਹੱਦ ਅਫ਼ਸੋਸਜਨਕ ਹੈ..ਛਣਕਾਟਿਆਂ ਦੀ ਛਣਕਾਰ ਬੰਦ ਹੋਣ ਤੇ ਮਨ ਉਦਾਸ ਹੈ..ਵਾਹਿਗੁਰੂ ਚਰਨਾਂ ਚ ਨਿਵਾਸ ਬਖਸ਼ਣ…ਚਾਚਾ ਚਤਰਾ ਹਮੇਸ਼ਾ ਸਾਡੇ ਦਿਲਾਂ ਚ ਵਸਦੇ ਰਹਿਣਗੇ..”

Actor Upasna Singh also remembered Bhalla, saying, “His passing marks the end of an era. His laughter will continue to echo through his films, reminding generations of the joy and insight he brought to Punjabi culture.”

Jaswinder Bhalla’s demise leaves an irreplaceable void in Punjabi entertainment, but his legacy of satire, laughter, and heartfelt humor will continue to inspire generations to come.

Source: Original article

Alia Bhatt Enjoys Beach Vacation with Sister Shaheen and Mother Soni Razdan

Alia Bhatt enjoys a relaxing beach getaway with her sister Shaheen and mother Soni Razdan, sharing moments of family bonding and leisure.

Alia Bhatt has taken a break from her busy work schedule to enjoy a refreshing beach vacation with her sister, Shaheen Bhatt, and their mother, Soni Razdan. The family trip has provided them with an opportunity to unwind and spend quality time together.

Shaheen, who often shares glimpses of their family life on social media, posted a delightful update from their vacation. She captioned the post with the phrase “Island Interlude,” hinting at the serene and picturesque setting they are enjoying.

The images shared by Shaheen showcase the beautiful beach backdrop, highlighting the tranquil environment that has allowed the family to relax and reconnect. Alia, known for her busy film schedule and various commitments, seems to be relishing this much-needed break.

Fans of the actress have expressed their joy at seeing her take time off to enjoy life outside of her professional commitments. Alia’s ability to balance her career and personal life has always been a topic of admiration among her followers.

This vacation comes at a time when Alia has been actively involved in multiple projects, making the getaway a perfect way to recharge her batteries. Spending time with family is something she values deeply, and moments like these are cherished by the actress.

As the Bhatt family continues to share their experiences from the trip, fans eagerly await more updates and glimpses into their beach adventures. The bond between Alia, Shaheen, and Soni is evident, showcasing the importance of family support in their lives.

According to NDTV, this vacation not only serves as a break for Alia but also highlights the significance of family time amidst the hustle of the entertainment industry.

Source: Original article

Shah Rukh Khan Reflects on Zero’s Reception at Aryan Khan’s Event

Shah Rukh Khan humorously addressed the mixed reception of his 2018 film *Zero* during an event for his son Aryan Khan, advising against repeating past mistakes.

Shah Rukh Khan, the celebrated Bollywood actor, recently took a light-hearted approach to discussing his 2018 film *Zero*, which featured him in the role of a dwarf. The film, directed by Aanand L. Rai, received a mixed response from both audiences and critics upon its release.

During an event celebrating his son Aryan Khan, Shah Rukh made a playful remark that resonated with the audience. He humorously advised, “Ullu bana lena, zero mat banana,” which translates to “Make a fool of yourself, but don’t make a zero.” This quip not only showcased his sense of humor but also reflected his awareness of the film’s reception.

*Zero* was ambitious in its storytelling, exploring themes of love and self-acceptance through the lens of a man with dwarfism. Despite its star-studded cast, which included Anushka Sharma and Katrina Kaif, the film struggled to connect with viewers, leading to discussions about its shortcomings.

Shah Rukh’s ability to laugh at himself and his past projects has endeared him to fans, and his comments at Aryan’s event were no exception. The actor’s candidness about his career missteps highlights a refreshing perspective in an industry often marked by serious public personas.

As he continues to navigate his career, Shah Rukh Khan remains a beloved figure in Indian cinema, known for both his iconic roles and his relatable personality. His willingness to engage with his audience through humor is a testament to his enduring appeal.

According to NDTV, Shah Rukh Khan’s remarks serve as a reminder that even the most successful actors face challenges and that humor can be a powerful tool in addressing them.

Source: Original article

Karan Kundrra’s Bumble Profile Sparks Attention Amid Tejasswi Prakash Relationship

Karan Kundrra’s Bumble profile has gone viral, raising eyebrows despite his relationship with Tejasswi Prakash, who reportedly found the situation amusing.

Karan Kundrra, a well-known figure in the Indian entertainment industry, has recently found himself at the center of attention due to his Bumble profile going viral. This unexpected turn of events has sparked conversations among fans and followers, particularly given his current relationship with actress Tejasswi Prakash.

The buzz surrounding Kundrra’s Bumble profile has prompted inquiries into how Prakash feels about the situation. In response to these questions, Kundrra revealed that Prakash took the news in stride, simply laughing it off. This light-hearted reaction suggests a level of comfort and understanding between the couple, despite the public scrutiny they face.

As social media continues to amplify the story, fans are left to speculate about the implications of Kundrra’s profile being shared widely. The incident highlights the intersection of personal lives and public personas in the realm of celebrity culture, where even a dating app profile can become a topic of widespread discussion.

In a world where relationships are often dissected under the public eye, Kundrra and Prakash’s ability to maintain a sense of humor about the situation speaks volumes about their bond. As they navigate the complexities of fame and romance, their reactions to such incidents may serve as a reminder of the importance of communication and trust in any relationship.

While the viral nature of the Bumble profile may have surprised some, it also underscores the ever-evolving landscape of dating in the digital age, particularly for those in the limelight. As fans continue to follow their journey, it remains to be seen how this playful incident will influence their relationship moving forward.

According to NDTV, the couple seems to be handling the situation with grace and humor, a testament to their strong connection.

Source: Original article

Isabela Ferrer Alleges Harassment by Justin Baldoni in Legal Claim

Isabela Ferrer, star of “It Ends With Us,” has accused Justin Baldoni of harassment, claiming he exerted legal pressure on her.

Isabela Ferrer, known for her role in the upcoming film “It Ends With Us,” has made serious allegations against actor Justin Baldoni. Ferrer claims that Baldoni engaged in harassment by exerting legal pressure on her.

The accusations come as both Ferrer and Baldoni prepare for a legal battle, with their cases set to go on trial in March 2026. The nature of the allegations has sparked significant attention, particularly given Baldoni’s prominence in the entertainment industry.

Ferrer has expressed her concerns regarding the impact of Baldoni’s actions on her career and personal life. She has stated that the pressure she faced was not only emotionally taxing but also detrimental to her professional opportunities.

The allegations against Baldoni add to a growing discourse surrounding harassment in Hollywood, where many individuals have come forward with their own experiences. The timing of Ferrer’s claims coincides with a broader movement advocating for accountability and change within the industry.

As the trial date approaches, both parties are expected to present their cases, shedding light on the circumstances surrounding the allegations. The outcome may have significant implications for both Ferrer and Baldoni, as well as for the broader conversation about harassment in the entertainment world.

Ferrer’s accusations highlight the ongoing challenges faced by individuals in the industry when confronting powerful figures. The legal proceedings will likely draw public interest and media coverage, as many are eager to see how the situation unfolds.

As the trial date nears, both Ferrer and Baldoni are preparing for what is expected to be a high-profile legal confrontation. The entertainment community is watching closely, as the case could set precedents for how similar allegations are handled in the future.

According to NDTV, the legal battles involving both Baldoni and fellow actor Blake Lively are set to commence in March 2026, further intensifying the scrutiny surrounding these high-profile figures.

Source: Original article

Badshah’s Team Refutes Claims of Pakistan Link in Dallas Show

Badshah’s team has clarified that his upcoming Dallas show is not linked to Pakistan, emphasizing that the rapper uses music as a bridge between cultures.

Indian rapper Badshah is facing scrutiny regarding his upcoming performance in Dallas, Texas. A film industry organization has issued a letter to the artist, requesting clarification about the alleged sponsorship of the event by a Pakistani company.

The inquiry stems from concerns raised about the nature of the sponsorship and its implications. In response, Badshah’s team has firmly denied any connection to Pakistan regarding the Dallas show, asserting that the rapper’s music transcends borders and serves as a unifying force.

Badshah, known for his chart-topping hits and vibrant performances, has built a reputation for using his platform to connect with diverse audiences. His team emphasized that the Dallas concert is intended to celebrate music and culture, not to promote any political agenda.

The rapper’s commitment to bridging cultural divides through music has been a hallmark of his career. His fans appreciate his ability to blend various musical influences, creating a unique sound that resonates with people from different backgrounds.

As the date of the Dallas show approaches, Badshah’s team remains focused on delivering an unforgettable experience for attendees. They are confident that the concert will highlight the positive impact of music in fostering understanding and unity among different communities.

According to reports, Badshah’s team is prepared to address any further questions or concerns regarding the event’s sponsorship and its implications. They maintain that the focus should remain on the celebration of music rather than any external controversies.

In a world where music often serves as a bridge between cultures, Badshah continues to exemplify this ethos through his work. His Dallas show promises to be a testament to the power of music in bringing people together, regardless of their backgrounds.

Source: Original article

Archana Puran Singh’s Son Aaryamann Sethi Engaged to Yogita Bihani

Aaryamann Sethi, son of actress Archana Puran Singh, has announced his engagement to Yogita Bihani, sharing details of the romantic proposal on his YouTube vlog.

Aaryamann Sethi, the son of renowned actress Archana Puran Singh, has taken a significant step in his personal life by getting engaged to his girlfriend, Yogita Bihani. The couple’s engagement has captured the attention of fans and followers, especially with the romantic details shared by Aaryamann on his YouTube vlog.

The proposal, described as dreamy, showcased a heartfelt moment between the couple, reflecting their deep connection and commitment to one another. Aaryamann’s vlog provides a glimpse into the special occasion, allowing viewers to experience the joy and excitement of the engagement.

In addition to the proposal, Aaryamann and Yogita have also recently moved into a new home on Madh Island, marking another milestone in their journey together. The couple’s new residence is expected to be a cozy space where they can build their life as an engaged pair.

Fans of Aaryamann and Yogita have expressed their excitement and support for the couple, celebrating their love and the new chapter they are embarking on. As they share their journey through social media, many are eager to see what the future holds for this young couple.

The engagement not only highlights Aaryamann’s personal happiness but also reflects the close-knit family dynamics, with Archana Puran Singh likely playing a supportive role in this new phase of her son’s life.

As the couple prepares for their future together, fans are left anticipating more updates and glimpses into their life as they navigate this exciting time.

According to NDTV, Aaryamann Sethi’s engagement to Yogita Bihani has been a joyful occasion for both families, marking the beginning of a promising journey ahead.

Source: Original article

John Abraham Discusses Audience Response to Chhaava and The Kashmir Files

John Abraham expresses his awareness of the audience’s positive reception of the film “Chhaava,” despite not having seen it himself.

Actor John Abraham recently shared his thoughts on the film “Chhaava,” acknowledging its popularity among audiences. Although he has not yet viewed the film, he is aware of the positive feedback it has received.

Abraham’s comments come in the context of a broader discussion about the impact of films that tackle sensitive subjects. He emphasized the importance of storytelling in cinema and how certain narratives resonate deeply with viewers.

While he appreciates the success of “Chhaava,” Abraham also expressed his concerns regarding films that delve into controversial topics. He mentioned that the reception of such films can be overwhelming and, at times, frightening.

“It’s scary,” he remarked, reflecting on the societal implications of films that garner significant attention. Abraham indicated that he would prefer to avoid making films that provoke such intense reactions.

His perspective highlights the delicate balance filmmakers must strike when addressing sensitive issues in their work. Abraham’s comments resonate with many in the industry who grapple with the responsibilities that come with storytelling.

As the film industry continues to evolve, the discussions surrounding the themes and messages conveyed in movies like “Chhaava” will likely remain at the forefront of conversations among filmmakers and audiences alike.

Abraham’s insights serve as a reminder of the power of cinema to influence public discourse and the importance of thoughtful storytelling in today’s cultural landscape.

Source: Original article

Shruti Haasan Discusses Her Role as Preeti in Coolie

Shruti Haasan discusses her role as Preeti in the upcoming film Coolie, highlighting the differences between her character and her own personality.

Shruti Haasan is set to star alongside the legendary Rajinikanth in the much-anticipated film Coolie. Recently, she shared insights into her character, Preeti, revealing that the role is quite distinct from her own personality.

In her portrayal of Preeti, Haasan emphasizes that the character is not a reflection of herself. She describes Preeti as a unique individual with her own traits and complexities, which makes the role both challenging and exciting for the actress.

Haasan’s comments come as she prepares for the film’s release, where she will share the screen with one of India’s most iconic actors. The collaboration marks a significant moment in her career, as she has long admired Rajinikanth’s work.

As she delves into the nuances of her character, Haasan expresses enthusiasm about bringing Preeti to life. She believes that portraying someone so different from herself allows her to explore new facets of her acting abilities.

Fans of both Haasan and Rajinikanth are eagerly awaiting the film, which promises to deliver a captivating story alongside stellar performances. With her commitment to authenticity in her role, Haasan is poised to make a memorable impact in Coolie.

As the release date approaches, anticipation continues to build around the film and its characters, particularly Preeti, who is sure to resonate with audiences.

According to NDTV, Shruti Haasan’s insights into her character highlight her dedication to her craft and her excitement for the upcoming project.

Source: Original article

“Sholay’s 4K Re-Release Slated Overseas for 50th Anniversary”

Sholay, often hailed as the pinnacle of Indian cinema, is celebrating its 50th anniversary with a restored 4K version set for a limited premiere in Toronto, sparking a mix of nostalgia and discontent among its Indian fanbase.

Widely regarded as one of the greatest Hindi films ever made, Ramesh Sippy’s Sholay is reaching its 50-year milestone next week. To commemorate this landmark anniversary, the Film Heritage Foundation has restored the film in a 4K format, but the re-release will be exclusively available for viewing in Toronto. This decision has left many Indian fans disgruntled, as they had hoped for a broader release.

The announcement was made on Friday by the Film Heritage Foundation through social media. The organization unveiled that the restored version will premiere at the TIFF Toronto International Film Festival on September 6, 2025, during a special event at the prestigious Roy Thomson Hall, which seats 1,800 people. This screening is part of the 50th edition of the festival, highlighting the film’s legendary status.

The Film Heritage Foundation collaborated with Sippy Films Pvt. Ltd, the original producers of Sholay, for this restoration project. Despite the restoration event being celebrated, Indian fans have expressed disappointment in the comments section of the announcement, repeatedly asking, “When is it releasing in India?”

The 50th anniversary of Sholay falls on August 15, and there are currently no official plans from the producers or the Film Federation of India to re-release the restored version in Indian theaters. Historically, the film had a successful 70mm restored version release in cinemas in 2005, marking its 30-year anniversary.

In the comment threads, fans have shared their memories and anticipation for the film. One fan reminisced about watching it as a child at the now-defunct Strand Theatre in Colaba, Mumbai, expressing a desire to see it again at the Regal theater. Another fan hoped for a collaboration with major Indian theater chains like PVR-INOX or Cinepolis for a nationwide release. There were even suggestions to host a grand premiere at Mumbai’s New Excelsior, where Sholay originally debuted in 1975.

Sholay, often described as a ‘curry western’ in homage to Hollywood’s cowboy films, features an ensemble cast including Amitabh Bachchan, Dharmendra, Sanjeev Kumar, Amjad Khan, Jaya Bachchan, and Hema Malini. Upon its 1975 release, Sholay broke all Indian box office records to become the highest-grossing film of its time. Although it eventually lost that title, it remains the most-watched Indian film with over 250 million viewers worldwide.

There remains a profound admiration for Sholay among cinema enthusiasts, who hope to see the restored version grace Indian screens and deliver the cinematic experience in its newly polished format, according to the Hindustan Times.

“Ajay Devgn’s ‘Son of Sardaar 2’ Holds Steady, Nears Rs 35 Crore”

Ajay Devgn’s ‘Son of Sardaar 2’ continues a steady but modest run at the box office, nearing a Rs 35 crore collection in India by Day 8, while facing stiff competition from ‘Saiyaara’ and ‘Mahavatar Narsimha’.

Ajay Devgn’s latest film, “Son of Sardaar 2,” has concluded its first week at the box office, showing steady, albeit slow, growth. The film earned Rs 1.15 crore on its eighth day, bringing its total collection to Rs 34.15 crore in India, according to initial estimates from Sacnilk. Despite outperforming “Dhadak 2,” “Son of Sardaar 2” remains a long way from achieving blockbuster status, particularly in the face of significant competition.

The film, which stars Ajay Devgn and Mrunal Thakur, found its best performance during the opening weekend but experienced a sharp decline in collections thereafter. As of Day 8, the film’s daily earnings indicate a steady but small audience, a trend highlighting its struggle to draw larger crowds. Occupancy figures for Day 9 revealed a modest 10.48% overall in Hindi markets, with better attendance during evening and night shows.

Crucially affecting “Son of Sardaar 2” is the intense box-office rivalry posed by other films. “Saiyaara,” in particular, continues to perform well, having made Rs 1.65 crore on August 8 alone, bringing its total to an impressive Rs 310.40 crore. Meanwhile, “Mahavatar Narsimha” posted strong numbers, earning Rs 8 crore on the same day, with a cumulative total of Rs 126.25 crore. These figures underscore the challenges faced by “Son of Sardaar 2” in retaining its audience amid fierce competition.

Looking ahead, “Son of Sardaar 2” will face even greater pressure with the impending release of “War 2,” starring Hrithik Roshan and Jr. NTR. Set to debut on August 14, this high-profile action drama is expected to garner significant attention, further threatening the screen presence and audience draw for “Son of Sardaar 2.”

The plot of “Son of Sardaar 2” sees Ajay Devgn reprising his role as Jassi Singh Randhawa. The story takes Jassi to Scotland on a mission to reconcile with his estranged wife, but he soon finds himself entangled in a series of unexpected events, including mafia entanglements, a Punjabi wedding, and a hostage crisis. Acclaimed for its blend of comedy, action, and drama, the film also features a notable cast, including Mrunal Thakur, Ravi Kishan, Sanjay Mishra, and more.

Critically, “Son of Sardaar 2” has garnered a mixed response. The Times of India awarded the film three stars, praising Devgn for his role as an endearing and guileless Sardar. Mrunal Thakur and Ravi Kishan also received accolades, with Kishan’s performance as a businessman-turned-gangster being particularly highlighted. Despite some strong performances, the film was criticized for underutilizing talents like Sanjay Mishra.

As “Son of Sardaar 2” navigates a crowded box office landscape, its ability to sustain interest will be crucial in the days leading up to more high-profile releases.

Javed Akhtar Reflects on 50 Years of Sholay Film’s Success

As the iconic film Sholay celebrates its 50th anniversary, co-writer Javed Akhtar reflects on the mysterious recipe for its immense success and enduring cultural impact.

On August 15, 1975, India marked 28 years of independence. That Friday, several films debuted in theaters, taking advantage of the Independence Day weekend. Among these films was an action drama that initially struggled at the box office. However, over time, it reshaped Indian cinema’s cultural landscape. This film was Sholay, an iconic ‘curry western’ directed by Ramesh Sippy.

Before Sippy brought Sholay to the screen, the film was conceived by the eminent screenwriting duo Salim-Javed. Having already achieved significant success with the hit film Zanjeer, Salim-Javed pitched Sholay to Sippy while riding a wave of enthusiasm and momentum.

Speaking to the film’s enduring legacy, Javed Akhtar, who co-wrote Sholay, shares his perspective on its success, which remains challenging to dissect. Asked why the film resonated so deeply, Akhtar replied candidly, “Agar mujhe maloom hota toh main doosri Sholay nahin likh leta” (If I knew the formula, would I not write a second Sholay?).

Javed Akhtar elaborates that charisma, whether in an individual or a work of art, is indefinable. “Charisma can never be defined, whether in a person or in a piece of art, whether it’s a film or a song. If you are able to solve and decode what it is, then it is no longer charisma,” he explains. Despite attempts to rationalize and analyze art, some elements remain beyond understanding, making charisma a unique and unpredictable quality.

Sholay not only marked a significant achievement in Hindi cinema but also a pivotal point in Salim-Javed’s careers, establishing them as Bollywood’s most coveted screenwriters. “Two films of ours released that year – Deewar and Sholay. Naturally, our lives changed. We were able to earn money, make a name for ourselves, and build a standing in the industry. 1975 was a very important year in our lives,” Akhtar recounts.

In its time, Sholay grossed over ₹30 crore at the box office. If adjusted for inflation today, its earnings would surpass ₹3000 crore, cementing its status as Indian cinema’s largest commercial success. The film sold more tickets than any other, held the record for the highest number of golden jubilees, and previously, before Dilwale Dulhania Le Jayenge, held the record as the longest-running Indian film.

Despite numerous analyses surrounding Sholay’s success, Akhtar prefers not to dwell on it. “Reminiscing about old things too much is a waste,” he states, adding, “Your work is like your children. Whatever they achieved is not always because of you. These films become immortal not just because of you. Thousands and millions of people are involved in it. They liked it and connected with it, which is why it became so big. On paper or in camera, it was not this big. When millions of people identify with it, a work of art becomes big then.”

Featuring a cast comprising Sanjeev Kumar, Amitabh Bachchan, Dharmendra, Amjad Khan, Hema Malini, and Jaya Bachchan, Sholay’s storyline of revenge and love has rendered it one of the most frequently quoted and watched Indian films ever.

“Mahavatar Narsimha” Joins Top 10 Hindi Grossers of 2025

Mahavatar Narsimha, a mythological animated action drama directed by Ashwin Kumar, has become the 10th highest-grossing Hindi film of 2025, collecting Rs 83.55 crore in just 13 days.

In a year filled with surprises at the box office, the success story of Mahavatar Narsimha stands out. The Hindi version of the film has surpassed the lifetime earnings of Bhool Chuk Maaf, which collected Rs 72.73 crore. As of Day 13, Mahavatar Narsimha’s Hindi version has brought in an impressive Rs 83.55 crore, outperforming other films like Saiyaara, Son of Sardaar, and Dhadak 2.

The film’s momentum remains strong, particularly after a significant boost during the second weekend. It earned Rs 17.5 crore on its second Sunday alone, reflecting its growing appeal among both family audiences and devotees. This consistent performance extends to weekdays as well, a rare feat for animated films in India.

Beyond its Hindi version, Mahavatar Narsimha’s total India net collection has reached Rs 112.8 crore. This figure includes contributions from its Tamil, Telugu, Malayalam, and Kannada versions, showcasing its widespread acceptance. The film’s devotional and cultural themes have resonated across linguistic boundaries, with significant contributions from South Indian markets playing a crucial role in its nationwide success.

Next on the horizon for Mahavatar Narsimha is to surpass Sunny Deol’s Jaat, which currently sits at number nine on the 2025 Hindi box office leaderboard with Rs 88.72 crore. With less than Rs 5 crore to go, Mahavatar Narsimha is expected to surpass this milestone in the coming days. The approaching weekend promises to add another healthy sum to its earnings.

The film has a week before competing with big releases like War 2, featuring Hrithik Roshan, Jr NTR, and Kiara Advani, alongside Rajnikanth’s Coolie. This period offers Mahavatar Narsimha ample opportunity to climb higher on the box office chart.

‘Saiyaara’ Becomes 16th Biggest Hit in Hindi Cinema History

Saiyaara, directed by Mohit Suri and starring newcomers Ahaan Panday and Aneet Padda, has become the 16th highest-grossing Hindi film of all time, achieving significant box office success.

Sainyaara has made a remarkable entry into Bollywood’s list of elite films by grossing Rs 302.25 crore in just 18 days. Directed by Mohit Suri and featuring newcomers Ahaan Panday and Aneet Padda, the romantic drama has managed to surpass major blockbusters like “Padmaavat” and “Sultan.”

The film’s opening was strong, pulling in Rs 21.5 crore on its first Friday. However, it was the subsequent weekend that proved to be a turning point, with box office collections of Rs 26 crore on Saturday and an impressive Rs 35.75 crore on Sunday. By the end of its debut week, Saiyaara had raked in Rs 172.75 crore, marking one of the most successful opening weeks in recent times.

Although the second week saw a typical drop in numbers, the film maintained a steady pace, acquiring Rs 107.75 crore over the week. The third weekend continued to show strength, with Saturday and Sunday contributing Rs 6.75 crore and Rs 8 crore, respectively. Even Monday demonstrated stability, with the film gathering Rs 2.5 crore, bringing the 18-day total to a significant Rs 302.25 crore.

In surpassing the Rs 300 crore milestone, Saiyaara has edged out “Padmaavat,” starring Ranveer Singh, Deepika Padukone, and Shahid Kapoor, which earned Rs 302.15 crore, and Salman Khan and Anushka Sharma’s “Sultan,” which collected Rs 300.45 crore. As the film advances into its fourth weekend, it holds the potential to challenge other high-grossing films such as “War,” “Bajrangi Bhaijaan,” and “Tiger Zinda Hai.”

This success marks a significant comeback for Mohit Suri, whose recent films had not met with the same degree of success. With “Saiyaara,” he returns to the emotional storytelling style that previously brought him acclaim with films like “Aashiqui 2” and “Ek Villain.”

In a landscape dominated by franchise films and big-budget productions, Saiyaara stands out by proving that new talent, compelling music, and emotionally resonant narratives still resonate with audiences. For Ahaan Panday and Aneet Padda, the film’s success solidifies their presence in the industry, while reaffirming for Hindi cinema the enduring appeal of heartfelt storytelling.

According to The Times of India.

India’s ‘Mahavatar Narsimha’ Hits ₹1 Billion, Animation Milestone

India’s animation industry has reached a significant milestone with “Mahavatar Narsimha” becoming the first animated film to surpass ₹1 billion at the domestic box office.

In a groundbreaking achievement for Indian cinema, “Mahavatar Narsimha,” directed by Ashwin Kumar, has become the first animated film in India to achieve spectacular box office success, surpassing the ₹1 billion mark in domestic earnings. This milestone firmly places the film at the forefront of animation history, both in India and globally.

Traditionally, the reception of animated films in India has been tepid, with the majority of box office success coming from television broadcasts and digital platforms. Even films celebrated worldwide, such as “Frozen 2,” “Spider-Man: Across the Spider-Verse,” and “Incredibles 2,” struggled to make more than ₹50 crore each within Indian borders. Among local productions, the previous high watermark was set by “Hanuman,” which garnered just over ₹10 crore.

The film’s initial release saw moderate numbers at the box office. However, it experienced a dramatic turnaround due to positive word-of-mouth and the backing of family audiences, who flocked to theatres in growing numbers. In its second weekend alone, “Mahavatar Narsimha” saw a significant boost, propelling its earnings to the unprecedented ₹1 billion scale by the end of the second week.

Buoyed by this success, production company Hombale Films has ambitious plans to expand the “Mahavatar” franchise. It has announced a total of six more animated films to be released under the Mahavatar Cinematic Universe, with projects stretching out through the year 2037.

The film’s commercial triumph signals a promising future for Indian animation. Industry analysts now predict that “Mahavatar Narsimha” could gross between ₹150–200 crore on the global stage, positioning it as a pioneering title in a new wave of animated features that captivate audiences with rich Indian cultural and mythological narratives infused with universal themes.

This breakthrough could open doors to more expansive, theatrical animated productions that align Indian cultural heritage with elements that resonate internationally. It marks the dawn of an era where Indian animation might play a leading role on the global entertainment stage, much like its live-action counterparts.

According to Gulf News, “Mahavatar Narsimha” has not only redefined the landscape for animated films in India but may also set a template for future cultural storytelling through animation.

Utah May Attract Film Productions from Hollywood

Utah’s film tax incentives may not rival California’s, but the state’s unique landscapes and a “film-friendly” attitude keep it competitive in the entertainment industry.

Once synonymous with filmmaking, Los Angeles is no longer the automatic go-to location for every film, as production studios explore possibilities in other states. California Governor Gavin Newsom is working to reinforce L.A.’s status as a central hub for the entertainment industry. Despite challenges, including actor and writer strikes and the rise of streaming services, he announced a significant increase in California’s film and TV tax credit program to $750 million annually, aiming to sustain the city’s allure amidst a $12 billion budget deficit.

While California waits to see the effects of this increased funding, other states are seizing the opportunity to draw film projects with their own tax incentives. Texas, for instance, has raised its film tax credit to $300 million biennially, placing itself among significant, albeit secondary, production hubs like Louisiana and Pennsylvania.

Utah, though not matching the high fiscal incentives from states like California or Texas, presents an appealing alternative through practical incentives and a conducive filming environment, according to the Utah Film Commission. Virginia Pearce, director of the commission, states that Utah benefits from frequent requests for specific outdoor locations and a lower filming cost than cities like Manhattan. While Utah occasionally loses projects to other regions, it compensates with a strategic “film-friendly” atmosphere.

In December of the previous year, Utah commemorated 100 years since its first film production, highlighting a long-standing tradition of filmmaking. Utah’s Motion Picture Incentive Program, established in 2011, initially capped at $6.79 million, spurred the local film industry forward. Iconic productions like “Yellowstone” filmed approximately 75% of its initial three seasons, spending around $80 million locally. Although Utah later lost “Yellowstone” to Montana due to enticing incentives, the state remains vital in the industry.

An enhanced financial boost came with the introduction of a bill — SB49 — which provided a $12 million incentive for productions filming primarily in Utah’s rural areas. This initiative increased the annual incentive cap by nearly $2 million and attracted 28 projects, contributing over $200 million in spending.

Unique landscapes and settings in Utah continue to draw filmmakers. Productions such as HBO’s “Mountainhead” and Disney projects have capitalized on the diverse scenery from snow-clad mountains to picturesque towns. The state’s reputation for offering a general “any town in the U.S.A” aesthetic further appeals to varied storylines.

Despite these positive developments, Utah faces challenges such as the relocation of the Sundance Film Festival to Colorado, following a more attractive $34 million tax credit. Although this represents a potential economic setback, Utah’s Film Commission remains optimistic, acknowledging Sundance’s formative influence on the state’s creative economy. Pearce highlights this as a turning point for expanding the broader creative economy rather than relying on a single event.

Across the state border in Arizona, the viability of film tax credits faces scrutiny. The Goldwater Institute challenged Arizona’s $125 million film tax incentive, arguing it violates the state’s gift clause by failing to demonstrate a tangible return on investment.

Despite debates around economic returns, both Utah and California continue to invest in film tax incentives, recognizing the symbiotic relationship between filmmaking and economic activity. Utah’s film-friendly policies, rich history, skilled production capabilities, coupled with its natural allure, position it as an enduring competitor within the film industry.

Source: Original article

Experience the World Digital Premiere of Tehranon ZEE5 Global – A Maddock Films Production starring John Abraham, streaming this Indian Independence Day weekend

~ Premiering on 14th August exclusively on ZEE5 Global, Tehran is a gripping geo-political spy thriller about one man who is hunted by Iran, abandoned by Israel and deserted by India ~

Global, 1st August 2025: ZEE5 Global, the world’s leading streaming platform for South Asian content available globally across 190+ countries, brings viewers Maddock Films’ Tehran — a taut geo-political spy thriller starring John Abraham, Manushi Chhillar, Neeru Bajwa, and Madhurima Tuli this 14th August 2025. The film is a fictionalized version inspired by true events and unfolds against the simmering global tension between Israel and Iran. Directed by Arun Gopalan, Tehran dives into the shadowy world of international espionage where one man’s allegiance could tip the balance between loyalty and betrayal.

As seen in the trailer, the story draws inspiration from the 2012 bomb explosion near the Israeli Embassy in Delhi, a real-life incident that spiraled into complex diplomatic ripples. As ACP Rajeev Kumar (John Abraham) is pulled into a covert operation that spans continents, ideologies, and fractured alliances, the lines between right and wrong begin to blur. Is Rajeev India’s ultimate patriot, silently shaping the nation’s future from the shadows—or a rouge officer playing by his own rules?

Also featuring Neeru Bajwa, Manushi Chhillar, and Madhurima Tuli, Tehran is far more than a globe-spanning thriller—it’s a psychological and political minefield. The film doesn’t just trace espionage operations — it dissects international politics, deception, and mind games.

Trailer Link – https://www.youtube.com/watch?v=ffDvEdkFtJk

Kaveri Das, Business Head – Hindi ZEE5, said,“At ZEE5 Global, we believe in telling stories that don’t just entertain but provoke thought and reflect the pulse of our times. This Indian Independence Day, we’re proud to bring viewers Tehran — a high-stakes geo-political thriller that dives deep into the murky world of espionage, patriotism, and moral conflict. It’s a gripping narrative about the unsung heroes who serve from the shadows, and one man whose mission raises a powerful question: is he defending the nation — or betraying it? In partnership with Maddock Films, we’re excited to present a story that challenges black-and-white definitions of loyalty and sacrifice.”

Producer Dinesh Vijan adds,”Tehran focuses on what’s at stake behind the headlines – the people. The film is about a man’s conscience, about how even a single human life can change the course of international relations. It’s a genre we rarely do in India. But, at Maddock Films, we have always focused on storytelling with a heart and soul. And Tehran is such a story that we are sure viewers worldwide will enjoy.”

Director Arun Gopalan said,”Tehran, to me, is a mirror held up to a fractured world. A story about shifting loyalties, blurred identities, and the human cost hidden in the shadows of global politics. We approached it with honesty and restraint because the truth it draws from is far from fiction. Every decision these characters make carries weight; every silence, every betrayal leaves a mark. I’m thankful to John, Manushi, and the cast for stepping into this world with such courage and authenticity. More than a spy thriller, Tehran is a tense, adrenaline-charged ride that forces you to ask: whose truth do you believe?”

John Abraham said, “Tehran is a truly global film—rooted in real events but resonating far beyond borders. Playing ACP Rajeev Kumar in Tehran has been one of the most intense and layered roles of my career as he is not your conventional patriot. He’s a man constantly torn between duty and conscience, and that moral conflict is what makes this story so compelling. This film isn’t about good versus evil—it’s about navigating the grey. I’m proud to be part of a project that dares to explore these complexities, and I can’t wait for audiences to experience it this Indian Independence Day on ZEE5. I am also thankful to ZEE5 Global for giving a platform to this film because in all honesty, Tehran is India’s first international film”.

Neeru Bajwa said, “Tehran is unlike anything I’ve done before—a gripping narrative that’s as emotionally charged as it is politically complex. What drew me to this story was the strength and clarity of my character. She’s someone who holds her ground and chooses integrity, even when the world around her is falling apart. It’s a proud moment for me to represent a woman who is morally grounded and unafraid to stand up for what she believes in, in a story as intense and far-reaching as this. Tehran is a story that doesn’t just entertain—it provokes thought, and I’m proud to be part of a film that’s bold, timely, and unapologetically real”.

Tehran will premiere exclusively on ZEE5 Global on 14th August

About ZEE5 Global
ZEE5 is India’s largest homegrown video streaming platform and the global destination for South Asian content, reaching viewers across 190+ countries. As the streaming platform of ZEE Entertainment Enterprises Ltd., a leading content and technology powerhouse, With a focus on ‘Apni Bhasha, Apni Kahaniyan’ (multiple languages, infinite stories)., ZEE5 drives a language-first platform approach, delivering hyper-local content, language specific packs and deeply personalized experiences in seven languages, Hindi, Tamil, Telugu, Bengali, Malayalam, Kannada, and Marathi. With a vast library spanning Originals, Indian and international films, TV shows, kids’ content, news, live TV, and bite-sized micro dramas, ZEE5 is the destination for diverse, multilingual content for Indians everywhere.

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“Saiyaara Earns Rs 132 Cr in 5 Days, Outpaces Sikandar”

Mohit Suri’s romantic drama “Saiyaara,” starring newcomers Ahaan Panday and Aneet Padda, has quickly become a box office sensation in India, crossing the Rs 100 crore mark within five days of its release.

On its fifth day, “Saiyaara” maintained its momentum at the domestic box office, earning Rs 25 crore in just one day, a slight increase from its Rs 24 crore earning on its first Monday. The film’s impressive performance continued from its Sunday collection, which stood at Rs 35.75 crore, up from Rs 26 crore on Saturday, starting with a historic opening day collection of Rs 21.5 crore.

According to reports from Sacnilk, “Saiyaara’s” five-day total in India has reached Rs 132.25 crore. This achievement makes it a rare blockbuster featuring newcomers to breach the Rs 100 crore mark. The film has even surpassed the collection of a previous member of this year’s Rs 100 crore club, “Sikandar,” by AR Murugadoss, which featured Salman Khan and Rashmika Mandanna and earned Rs 129.95 crore in India.

“Saiyaara” is now eyeing to overtake Akshay Kumar’s “Sky Force,” which has a collection of Rs 134.93 crore. Given its current trajectory, it may soon challenge other high-grossing films like Aamir Khan’s “Sitaare Zameen Par” (Rs 164.74 crore), Ajay Devgn’s “Raid 2” (Rs 179.30 crore), and Akshay Kumar’s “Housefull 5” (Rs 198.41 crore).

Over the opening weekend, the film grossed a record-setting Rs 119 crore, cementing itself as the romantic film with the highest opening ever, as reported by Aditya Chopra’s Yash Raj Films, the production house behind “Saiyaara.” This debut marked a significant achievement for Ahaan Panday and gained critical acclaim for Aneet Padda. The movie earned Rs 84 crore in India and an additional Rs 17.25 crore from international markets over its first weekend.

The film’s robust three-day performance also exceeded the lifetime collections of other notable debuts by star kids, such as Alia Bhatt and Varun Dhawan’s “Student of the Year” (Rs 70 crore) and Jahnvi Kapoor and Ishaan Khattar’s “Dhadak” (Rs 73 crore). Ahaan Panday, nephew of actor Chunky Panday and cousin to Ananya Panday, is making his own mark in the industry with this successful debut.

“Saiyaara” also marks director Mohit Suri’s best opening, surpassing the first-day earnings of Suri’s previous films including “Ek Villain” (Rs 16 crore), “Aashiqui 2” (over Rs 6 crore), and “Murder 2” (almost Rs 7 crore). In response to the film’s success and to maintain accessibility for younger audiences, Yash Raj Films has requested exhibitors to keep ticket prices steady. Furthermore, the production house decided not to engage Panday and Padda in any promotional activities for the film.

According to Indian Express, “Saiyaara” continues to be a strong contender at the box office, as it targets more milestones in its ongoing theatrical run.

“The Sound of Music Child Star Reveals Cast’s 60-Year Friendship Secret”

The former child stars of “The Sound of Music,” who have maintained a friendship spanning 60 years, recently reunited in Florence, Italy.

Kym Karath, known for her role as the youngest von Trapp sibling, Gretl, shared snapshots on Instagram showcasing a joyful reunion with her on-screen siblings. Surrounded by bottles of wine, the group included Nicholas Hammond, 75, who portrayed Friedrich; Duane Chase, 74, who played Kurt; Angela Cartwright, 72, known as Brigitta; and Debbie Turner, 68, who portrayed Marta.

While the reunion was filled with joy, it was also bittersweet due to the absence of Heather Menzies-Urich (Louisa) and Charmian Carr (Liesl), who passed away in 2017 and 2016, respectively. Christopher Plummer, who famously played Captain von Trapp, died in 2021.

“Celebrating together in Florence with all my film siblings was a complete delight,” Karath expressed to Fox News Digital.

The cast gathered in Florence’s historic Teatro Niccolini. Karath noted the city’s beauty and the warmth of the fans and press, exclaiming, “The press was wonderful, and the fans were overwhelmingly warm and enthusiastic.”

Reflecting on their long-standing friendship, Karath shared, “I think the secret behind our friendship is the secret of all enduring friendships, although ours began at a film studio; staying close, loyal, and being there for one another.”

The lasting charm of “The Sound of Music,” which premiered on March 2, 1965, is attributed to its portrayal of a real family and their courage. The film, an Oscar winner inspired by the von Trapp family’s true story, follows a governess and her impact on the family she cares for amidst the backdrop of the Nazi regime.

“Here is a little-known fact – the film family is friends with the real family,” Karath remarked. She mentioned her friendship with Elizabeth von Trapp and the unique bond that existed between Duane Chase and Werner von Trapp.

The cast’s reunion in Italy was not just for nostalgia. “We are currently working on a documentary and filmed [it] while we were in Florence together!” Karath revealed, hinting at a project that fans can look forward to.

Karath’s career began serendipitously when she was discovered at age three while enjoying a cheeseburger in her father’s restaurant in California. However, her fame soared with “The Sound of Music,” which sparked her lifelong love for Europe and history. She fondly remembers the camaraderie among the cast in Salzburg, Austria, noting that the group truly became a family.

Julie Andrews, who played Maria, quickly formed a remarkable bond with the child actors. Now 86, Andrews’ kindness and talent left a lasting impression on Karath, who described her as “a gift.”

Karath recalled, “There is never a bad moment with Julie Andrews – never. She’s just the sweetest, most unbelievable, talented, brilliant human.” One cherished memory is when Andrews entertained the children between scenes by strumming her guitar and singing with them.

In contrast, Karath’s early impressions of Plummer were mixed. “At the time, he was kind of standoffish,” she said, reflecting on her five-year-old perspective. However, her views softened over the years.

As the cast members continue to hold onto their shared memories and strong bond, their story profoundly resonates with audiences, further solidifying the timelessness of “The Sound of Music.”

Indian Film Sees 1200% Profit, Surpassing Major Hits

In a remarkable turn of events, the Tamil film “Tourist Family” has emerged as India’s most profitable film of 2025, achieving an extraordinary profit margin of 1200% on a modest budget.

As the cinematic landscape of 2025 entered its midpoint, the industry took stock of what had succeeded and what had faltered at the box office. While major productions like “Chhaava” and “L2: Empuraan” dominated with impressive earnings, it was the unassuming “Tourist Family” that captured the spotlight with its unparalleled profitability. Directed by Abishan Jeevinth, the film was crafted on a budget of just ₹7 crore and has grossed an impressive ₹90 crore worldwide.

“Tourist Family,” a Tamil slice-of-life comedy drama, made its debut on April 29. The film features an ensemble cast including M. Sasikumar, Simran, Mithun Jai Sankar, and Kamalesh Jagan. Garnering praise from critics and audiences alike, the film’s success was fueled by its engaging storytelling and relatable themes. In its initial week, the movie collected ₹23 crore. However, buoyed by strong word-of-mouth promotion, it saw an even stronger second week, adding ₹29 crore to its earnings.

The film’s trajectory over five weeks culminated in a worldwide collection of ₹90 crore, with ₹62 crore accruing within India. This impressive financial performance underscored its humble origins and stands in stark contrast to much bigger budget projects.

While “Chhaava” holds the title of the highest-grossing Indian film of the year with ₹808 crore globally, its substantial budget of ₹90 crore results in a profit of 800%. In comparison, “Tourist Family’s” higher profit percentage demonstrates a remarkable return on investment, unmatched by even the most lavish Bollywood productions. Likewise, “Housefull 5,” despite grossing ₹300 crore worldwide, and Salman Khan’s “Sikandar” have yet to achieve profitability due to their costly productions. Aamir Khan’s “Sitaare Zameen Par,” with a budget of ₹65 crore, has managed a 300% profit margin on earnings of ₹260 crore.

Other regional films have also mirrored this trend of higher profitability margins. For instance, the Tamil film “Dragon” and the Malayalam hit “Thudarum” have achieved 300% and 720% profits, respectively. The Telugu film “Sankranthiki Vasthunam,” the highest-grossing film in its region, matched that with a 300% profit on its ₹60-crore investment.

According to the Hindustan Times, the unexpected success of “Tourist Family” signals a shift in viewer preferences and highlights the rising impact of regional cinema on India’s broader entertainment landscape.

Emmy Nominations 2025: AppleTV+ Dominates with 50 Total Nods

“Severance” led the Emmy pack with 27 nominations in a stellar year for Apple TV+, followed by “The Studio” with 23, marking Apple’s significant presence in the television industry.

Apple TV+ asserted its dominance in this year’s Emmy nominations as its drama series “Severance” received a remarkable 27 nods on Tuesday. The dystopian workplace series has peaked both critical acclaim and viewer interest during its second season, outpacing all other contenders in the drama category.

Key nominations for “Severance” included recognition for lead actors Adam Scott and Britt Lower, who portray dual roles of “innie” work selves and “outie” home selves. Tramell Tillman got a supporting actor nomination for his performance as their enigmatic supervisor, while Ben Stiller was acknowledged with a directing nomination.

The comedy genre spotlight was stolen by Apple’s “The Studio,” which led with 23 nominations and surpassed other contenders like “Hacks,” with 14 nominations, and “The Bear,” with 13. The show, which is a satirical look at Hollywood, also earned co-creator Seth Rogen three personal nods in acting, writing, and directing. A-list guest stars Martin Scorsese, Ron Howard, Bryan Cranston, Anthony Mackie, and Zoë Kravitz also scored nominations for their appearances on the series.

Another standout is HBO’s “The Penguin”, a dark drama entrenched in the “Batman” universe, achieving 24 nominations in the limited series category. Lead roles by Colin Farrell and Cristin Milioti earned individual recognition.

Netflix’s “Adolescence,” acclaimed for its engaging narrative, gathered 13 nominations, highlighted by a supporting actor nod for the young Owen Cooper, who plays a 13-year-old accused of a crime.

In the race for best drama series, the nominees are “Andor,” “Paradise,” “Severance,” “Slow Horses,” “The Diplomat,” “The Pitt,” “The Last of Us,” and “The White Lotus.” The best comedy series contenders include “Hacks,” “The Bear,” “The Studio,” “Only Murders in the Building,” “Abbott Elementary,” “Nobody Wants This,” “Shrinking,” and “What We Do in the Shadows.”

The limited series category features nominees “Adolescence,” “Black Mirror,” “Dying For Sex,” “Monsters: The Lyle And Erik Menendez Story,” and “The Penguin.”

Leading the best comedy actor list is Seth Rogen of “The Studio,” joined by Martin Short, Jeremy Allen-White, Adam Brody, and Jason Segel. On the comedy actress front, contenders are Uzo Aduba, Kristen Bell, Quinta Brunson, Jean Smart, and Ayo Edibiri.

Two of the categories were announced early on “CBS Mornings.” Competing for best talk series are “The Daily Show with Jon Stewart,” “Jimmy Kimmel Live,” and “The Late Show with Stephen Colbert.” Nominees for reality competition series include “The Amazing Race,” “RuPaul’s Drag Race,” “Survivor,” “Top Chef,” and “The Traitors.”

“Severance” solidifies Apple TV+ as a major player in the Emmy race. Despite previous successes with series like “The Morning Show” and “Slow Horses,” along with comedies such as “Ted Lasso,” Apple had not claimed the same prestige in dramas that perennial Emmy favorite HBO often enjoys. This year might signal a change, as evidenced by the multiple nominations for its strong dramatic and comedic programming.

All nominated shows reflect the evolving landscape of television shaped by streaming services. Viewership statistics illustrate this shift; for example, an average of 10 million watched “The Pitt” on HBO Max, compared to 30 million viewers of “ER” on NBC three decades ago. The role of broadcast networks in the Emmys has diminished, although successes such as ABC’s “Abbott Elementary” and CBS’s “Matlock” continue to shine in a few areas.

The 77th Primetime Emmy Awards is set to air on CBS, broadcasting from the Peacock Theater in Los Angeles on September 14, with Nate Bargatze hosting the ceremony.

Malayalam Cinema Report: Hyped Movie Disappoints, Mohanlal-Mammootty Dynamics Shift

The first half of 2025 proved a mixed period for Malayalam cinema, with notable successes and significant disappointments marking its journey.

The first six months of 2025 demonstrated a period of fluctuating fortunes for Malayalam cinema. While 2024 was a year of consistent triumphs in the industry, the recent period has been marked by both high-quality productions and underwhelming failures, indicating that success in the film industry is never guaranteed. Numerous factors contribute to the rising and falling fortunes of an industry, and Malayalam cinema is no exception.

The year started with high expectations following the successes of 2024, but it got off to a slow start with the release of “Identity,” an action thriller by directors Akhil Paul and Anas Khan, which failed to impress audiences due to its lackluster writing and weak performances from stars Tovino Thomas and Trisha Krishnan. Smaller releases like “Communist Pacha Adhava Appa” and “ID: The Fake” made little impact, while the alternate-history thriller “Rekhachithram,” directed by Jofin T Chacko and starring Asif Ali, quickly became a notable success.

In contrast, technical prowess occasionally shined through, as seen in “Rekhachithram,” where innovative use of AI technology helped overcome budget constraints. Meanwhile, high-budget films struggled with issues such as poorly executed visual effects, evident in releases like “The Greatest of All Time” starring Thalapathy Vijay, Kamal Haasan’s “Indian 2,” and Mohanlal’s “Barroz.” These issues contrasted sharply with the disciplined craftsmanship that allowed directors like Jofin T Chacko to succeed.

The year continued unevenly as stalwarts of Malayalam cinema experienced fluctuating success. Mammootty, following a run of successes, faced a downturn with “Dominic and the Ladies’ Purse,” directed by Gautham Vasudev Menon. On the other hand, Mohanlal reversed his string of disappointing releases with “L2: Empuraan” and “Thudarum,” generating more favorable outcomes at the box office.

February mirrored the unevenness of the year, failing to replicate the golden run of February 2024, and instead delivering a lackluster slate of releases including “Painkili,” “Bromance,” and “Daveed,” which struggled to connect with audiences. Kunchacko Boban and Priyamani’s “Officer on Duty” found some success despite mixed critical reception.

March traditionally sees fewer releases due to academic exams and Ramadan, but “L2: Empuraan” emerged as a blockbuster despite initial critical feedback regarding its script and controversial themes. The film eventually became the highest-grossing Malayalam film of all time.

April was another mixed month, with inconsistent performance from films such as Mammootty’s “Bazooka” and Basil Joseph’s “Maranamass,” the latter overshadowed by Khalid Rahman’s sports comedy “Alappuzha Gymkhana.” Meanwhile, May saw a lineup that included forgettable titles like “Mr & Mrs Bachelor” and “Azadi.” The dance drama “Moonwalk,” with its fresh approach, stood out among the releases, echoing broader appeals for Bollywood to reassess its formulaic approaches.

The final month of the half-year, June, saw another wave of underperforming films such as “Written & Directed by God” and “Abhyanthara Kuttavali.” However, the police procedural drama “Ronth,” directed by Shahi Kabir, garnered praise for its incisive storytelling and impressive performances, underscoring the industry’s capability for high-quality productions.

As Malayalam cinema moves forward into the latter half of the year, the industry must navigate its precarious position with strategic planning in both film production and distribution. While the first half of the year has highlighted some remarkable successes, it also reinforced the need for improved planning and promotional strategies to ensure more stable performance moving forward, according to Indian Express.

Aamir Khan Film Achieves Historic Milestone for Indian Cinema

Aamir Khan’s latest film, “Sitaare Zameen Par,” has made history by becoming the first Indian movie to be fully accessible to audiences with visual, hearing, or speech impairments, grossing over ₹200 crore worldwide.

Aamir Khan’s “Sitaare Zameen Par” has taken the box office by storm and reached a diverse audience, earning a place among the highest-grossing films of 2025. Heralded as the spiritual sequel to the critically acclaimed “Taare Zameen Par,” this film has marked a pivotal moment in Indian cinema by grossing over ₹200 crore worldwide, according to industry tracker Sacnilk.

Released on June 20, 2025, “Sitaare Zameen Par” stands out not just financially but also in its pioneering approach to inclusivity. The film has been crafted with closed captions, audio descriptions, and Indian Sign Language (ISL), ensuring it can be thoroughly enjoyed by viewers with disabilities. This achievement highlights Aamir Khan’s vision to create a film experience that transcends traditional barriers, offering accessibility to a wider demographic.

The movie’s impressive accessibility features have set a new benchmark in an industry where such inclusive practices have been limited. While international films often incorporate various accessibility tools, “Sitaare Zameen Par” is a trailblazer in Indian cinema for its integration of ISL. This has been facilitated through the innovative use of the XL Cinema app, which synchronizes with the audio track in theaters and provides real-time interpretation for deaf and hard-of-hearing audiences.

The XL Cinema app allows users to access an ISL interpreter directly on their mobile devices, enhancing the viewing experience for those with hearing impairments. By providing closed captions and detailed audio cues, it ensures that essential elements of the storyline and ambient audio are communicated effectively, thereby bringing a richer, more engaging cinematic experience to all viewers regardless of their sensory capabilities.

Aamir Khan’s dedication to inclusivity in “Sitaare Zameen Par” illustrates a significant step forward in making entertainment accessible and enjoyable for everyone. With this film, the Indian film industry not only acknowledges the diverse needs of its audience but also sets a global example of how cinema can cater to all kinds of people, bridging gaps in understanding and enjoyment through thoughtful inclusivity.

REVIEW OF MALAYALAM MOVIE “DHEERAN”

Get ready for a laughter-packed ride with ‘Dheeran’! Directed by the talented Devadath Shaji, this film bursts onto the Malayalam cinema scene just when audiences are hungry for a good dose of comedy.

After hits like ‘Jaan A Mann’, ‘Jaya Jaya Jaya Hai’, and ‘Phalimi’, ‘Dheeran,’ produced by Lakshmi Warrier and Ganesh Menon under Cheers Entertainments, has taken theaters by storm and is receiving rave reviews!

The makers of the film claimed that the vintage youth of Malayalam are coming together. Jagadish, Manoj K. Jayan, Sudheesh, Ashokan and Vineeth were seen roaming freely throughout the film.

At the heart of the film is the brilliant Rajesh Madhavan, who plays Eldhose, delivering moments of humor that make you chuckle, even as he navigates some serious territory. And he’s not alone! The evergreen Jagadish shines in his role as a thoughtful leader, while Manoj K Jayan brings his signature swagger with surprisingly subtle charm. Ashokan captures the essence of the perennial bachelor, prompting laughs at what might have been. But it’s Sudheesh who steals the show with a character so delightful that the audience is left on the edge of their seats, eagerly waiting for his next hilarious line!

The film weaves a chaotic yet captivating narrative, exploring the complexities of relationships and intimacy in a rural setting through clever humor. Devadath Shaji serves up social commentary with a side of laughter, making bold ideas accessible, all while keeping the comedy flowing. Intriguing character dynamics, especially those in the ambulance with Eldhose, add layers of friction that make the humor hit even harder.

While ‘Dheeran’ is ambitious in its quest to be a madcap entertainer, it shines brightly in its moments of humor that rescue it whenever the pace slows down. Set against the vibrant backdrop of Malayattoor, we follow the comedic misadventures of Eldhose and the quirky villagers on a wild journey to Denkanikottai in Tamil Nadu to retrieve a deceased community member. The mishaps and mayhem that ensue are what make this film a must-see!

With a nod towards the classic ‘In Harihar Nagar’ style comedy, ‘Dheeran’ truly captures the spirit of confusion and hilarity.

In the grand scheme of things, it promises an enjoyable experience filled with laughter and unexpected twists. Get ready to be entertained!

“The World’s Happiest Man” Premieres at NAIFF 2025 Festival

The U.S. premiere of “The World’s Happiest Man” at the Nepal-America International Film Festival 2025 highlighted the power of cinema to bridge diverse cultures and address compelling immigrant narratives.

The much-anticipated U.S. premiere of the feature film “The World’s Happiest Man” was celebrated during a red-carpet event on June 28, 2025, at the AFI Silver Theatre and Cultural Center in Silver Spring, Maryland. The event was a part of the Nepal-America International Film Festival (NAIFF), which showcased more than 30 films from 14 countries, running from June 26-29 across venues in Silver Spring and Greenbelt, Maryland.

“We’re trying to bridge diverse cultures in the United States through cinema,” said Purna Baraili, president of the Nepal America Film Society, which has hosted the NAIFF annually since 2017. This year’s festival featured critically acclaimed films such as “Shambhala,” directed by Min Bahadur Bham, which opened the festival and previously competed at the Berlin International Film Festival. The festival closed with “Pooja, Sir,” directed by Deepak Rauniyar, which initially premiered at the Venice International Film Festival.

Baraili acknowledged the significant contributions of Director Binod Paudel and legendary Nepali actor, filmmaker, and comedian Hari Bamsha Acharya, who were both present at the June 28 screening of “The World’s Happiest Man.” Director Paudel explained that the film centers on Nepali-speaking Bhutanese refugees who were expelled from Bhutan between 1998 and 1990. Having initially settled in Nepal for 22 years, many were subsequently resettled in the United States. The movie narrates the story of one individual living in the U.S. who desires to return to Bhutan but faces continual rejection of his visa applications. The film portrays the intricate psychological journey of this individual.

Paudel emphasized that the film explores the intergenerational dynamics of exile and adaptation, showing an older generation longing for their homeland, a middle generation caught between cultures, and a younger generation embracing an American identity. “This is an immigrant story. The movie captures the essence of the psychological journey of these generations at the same time,” he stated.

The concept of the film originated in Ohio in 2020, as Paudel observed an alarming frequency of suicides among the Bhutanese refugee community, often attributed to identity crises and psychological trauma. He developed the screenplay as a fictional narrative deeply rooted in real-life experiences after conducting research and speaking with affected families.

Filmed in various locations in Akron, Ohio, “The World’s Happiest Man” was completed and released in 2025. Expressing gratitude, Paudel said, “I was quite lucky that Acharya accepted my script and decided to act in my film.” Actor Acharya commented on his involvement, saying, “I was very impressed with his script. I read it three times and was happy that he reached out to me. I have seen his work previously as well. He also made a beautiful Nepali movie called ‘Bulbul.’ So, I agreed to the offer.”

“Bulbul” had also been screened at NAIFF in a previous edition. Paudel reiterated his long-standing support for Baraili and the Nepal America Film Society. Acharya noted that despite his over 20 visits to the U.S., this marked his first time attending a film festival in the country.

Actress Aditi Pyakurel, a Bhutanese refugee who also appeared in “The World’s Happiest Man,” shared her experiences with the film, stating, “It was fun acting in this movie – a story that’s like my own that I’ve seen reflected so much within my community.”

Meanwhile, Director Min Bahadur Bham, whose film “Shambhala” opened the festival, described it as his second feature, which was shot in the high Himalayas at altitudes ranging from 4,000 to 6,500 meters—a region known as one of the highest human settlements on Earth. Bham shared his inspiration, saying, “I used to hallucinate about my previous life. I always saw myself in some strange mountain village, as a young monk. Since that time, I was always curious to discover that place.”

Bham recounted writing a poem about reincarnation at 12 years old and a short story on the same theme during high school. After completing his first feature in 2015, he visited the village that had appeared in his visions and was amazed by the familiarity of every detail, from its landscapes and monastery to the local monks.

Among the attendees of the June 28 screening was director and producer Vijaykumar Mirchandani. Though his film was not selected for NAIFF this year, he came to support his peers. “But it’s always good to come and support your peers. I’m here to support one of the producers of the film, Kirtana Banskota, who is a friend of mine. She’s also an actor director for my next short film,” he said.

Kirtana Banskota, a co-founder of the Nepal America Film Society and NAIFF, traveled from Austin, Texas, for the festival. “The festival was founded in 2017 with the sole purpose of not only bridging communities together but also highlighting Nepali films,” she noted. NAIFF, supported by Prince George’s County, Maryland, is committed to offering local filmmakers opportunities to showcase their work alongside international cinema, according to South Asian Herald.

Source: Original article

Vishnu Manchu’s Kannappa to Showcase Three Generations of Mohan Babu Family in Mega Budget Epic

Kannappa is shaping up to be one of the most anticipated Telugu films following the recent success of Kuberaa. The historical drama is not only notable for its grand scale and big names but also for a rare cinematic occurrence — three generations of the Mohan Babu family will be appearing in key roles. Spearheaded by Vishnu Manchu, who is both the lead actor and the producer, the film boasts a star-studded cast, including South Indian superstars Prabhas and Mohanlal, as well as Bollywood’s Akshay Kumar, who takes on the divine role of Lord Shiva.

Scheduled for release on June 27, 2025, Kannappa is a big-budget production that carries significant emotional and cinematic weight. One of the most remarkable elements of the film is its inclusion of multiple generations from a single film family — a rarity in Indian cinema. Leading the charge is Manchu Mohan Babu, a legendary actor in Telugu film history, who plays a powerful and pivotal priest in the story. His son, Vishnu Manchu, is cast in the title role of Kannappa, the central character around whom the film revolves.

The next generation of the Mohan Babu family is also making a splash in this project. Vishnu Manchu’s twin daughters, Ariana and Viviana, have lent their voices to a song in the film and will also make brief on-screen appearances in cameo roles. In addition, Vishnu’s young son, Avram Manchu, will portray the childhood version of Kannappa, allowing the audience to witness the character’s journey from a young age. Rounding out the familial presence is Vishnu’s daughter, Arya Vidya, who is also set to make a special appearance.

This multi-generational involvement adds a unique layer of intimacy and depth to the film. In an interview, Vishnu Manchu discussed his decision to bring his family into the project, highlighting that the narrative provided a natural opportunity to include them. “Kannappa had a good scope to include three generations of my family in the film, and I did not think twice before making everyone act in the movie,” he stated.

Such a combination of three generations in one film is highly unusual and marks a rare moment in Indian cinema. The last time something similar occurred in Telugu films was with the critically acclaimed and commercially successful Manam. That film starred three generations of the Akkineni family — the iconic Akkineni Nageswara Rao, his son Nagarjuna, and grandson Naga Chaitanya — all of whom played significant roles. Manam was widely celebrated not just for its emotional storytelling but also for bringing together a lineage of talent in a meaningful way.

Kannappa aims to replicate that magic while carving out its own legacy. With a production budget exceeding ₹150 crore, the film is being crafted on an epic scale. Apart from the central family members, the cast features a host of prominent names from Indian cinema. Mukesh Rishi, known for his strong screen presence, will be seen in a key supporting role. Veteran actors Sarath Kumar and Madhoo bring their years of experience to the ensemble, while popular actress Kajal Aggarwal adds star value. Comedian Brahmanandam, a beloved figure in Telugu cinema, will also feature, likely providing some comic relief in this otherwise intense narrative.

The music, an essential component of any Indian film, is composed by Stephen Devassy, who has crafted the film’s score to match the grandeur of the storyline. The runtime has been finalized at 182 minutes, suggesting an expansive and layered narrative that takes its time in unfolding.

Kannappa, both as a cinematic offering and as a family collaboration, is clearly a labor of love for Vishnu Manchu. The film tells the story of a legendary devotee of Lord Shiva, and the actor-producer appears to have invested not just money but heart into every frame. With its spiritual overtones, historical setting, and mythological depth, the film is expected to strike a chord with audiences across generations.

Adding to its wide appeal is the strategic casting of actors from across India. Akshay Kumar, playing the role of Lord Shiva, brings a pan-Indian appeal and is likely to draw in North Indian audiences. Meanwhile, the presence of Malayalam superstar Mohanlal and Telugu icon Prabhas ensures that the film commands attention in the South. The multilingual cast serves as a strong signal that Kannappa is being positioned not just as a regional release, but as a film with national, and potentially international, ambitions.

While much of the film’s plot remains under wraps, the combination of historical fiction, devotional elements, and family drama is expected to be a compelling mix. The personal investment of the Manchu family, combined with the rich storytelling tradition of Telugu cinema, sets the stage for a film that is as much a cultural event as it is a movie.

Kannappa is more than just a big-budget Telugu film. It is a project that brings together generations of cinematic legacy, star power from various industries, and a deeply rooted mythological tale. With the emotional draw of a family acting together and the production values to support its grand vision, Kannappa is gearing up to be one of the landmark films of 2025. As the release date draws closer, expectations continue to rise for what promises to be a film rich in both substance and spectacle.

Vishnu Manchu’s Mythic Epic ‘Kannappa’ Struggles to Match Ambition with Execution

Set against the mythologically rich backdrop of Sri Kalahasthi in Tirupati, Kannappa presents an adventurous tale centered around Thinaadu, portrayed by Vishnu Manchu. Thinaadu is a tribal warrior and an atheist who challenges blind faith and temple-based worship. The narrative follows his dramatic transformation from a skeptic to a fervent devotee of Lord Shiva, a journey that is both spiritual and symbolic. While the story has promising elements and a compelling arc on paper, the film fails to deliver a satisfying cinematic experience due to shortcomings in execution and technical aspects.

Kannappa relies heavily on the strength of its concept and the emotional potential of its characters. However, its visuals and special effects are subpar, creating a mismatch between the film’s lofty ambitions and its presentation. Despite the film’s rich mythological setting and intense themes, the visual effects often feel unpolished and artificial, diluting the impact of significant moments.

Vishnu Manchu, who not only leads the film but also conceived the story, appears deeply committed to his passion project. His dedication is evident in the grand scale of production and the impressive list of guest appearances. The film has already generated buzz for its star-studded cameos, including Prabhas, Mohanlal, Akshay Kumar, Mohan Babu, and Kajal Aggarwal. These renowned actors elevate the film by bringing gravitas and believability to their roles, even though the parts themselves are underwritten.

“These actors lend a sense of conviction to the underwritten parts and make us buy into the occasional exciting exchange of ideas,” notes the original commentary. Unfortunately, the film squanders this advantage with uninspired and often bland storytelling. The presence of high-profile actors isn’t enough to mask the absence of strong writing and engaging narrative depth.

The story incorporates multiple elements — from tribal conflicts and conspiracies to escapes through dense forests — but ends up feeling disjointed. The script becomes too absorbed in its central themes, neglecting the need for cohesive and compelling screenwriting. While the idea of a rational, godless warrior being spiritually reborn as a devoted believer has potential, Kannappa leans too heavily on familiar clichés, delaying meaningful progression in the plot.

The first half of the film drags noticeably, failing to establish a firm narrative rhythm. Emotional cues involving father-son or husband-wife relationships are present but are poorly developed. The character interactions are minimal and mostly serve to provide basic exposition rather than build depth or resonance. “The one-note interactions and placeholder character moments do not engage beyond just informing us of the bare essentials,” highlights the review.

There is no shortage of investment in terms of financial resources, and parts of that effort are visible on screen. However, director Mukesh Kumar Singh struggles with a script that lacks focus and cohesion. It jumps between too many ideas and attempts to explore numerous themes without adequate refinement. As a result, the storytelling appears rushed and uneven.

A particularly crucial moment in the film involves Kannappa discovering a deserted Shiva shrine deep in the forest — a pivotal point in his spiritual journey. Ideally, this scene should carry immense emotional weight and mark a turning point. Instead, the script breezes through it in a hurry, focusing instead on ticking narrative checkboxes and moving on to the next celebrity cameo. “The writing is in a hurry to tick all the requisite boxes and move on to the next star cameo,” the review critiques.

Visually, the film struggles to find consistency. Sheldon Chau’s cinematography leans heavily on green screen effects, giving the visuals a washed-out, digital look that detracts from the story’s dramatic gravity. While some images are thoughtfully composed, the overall aesthetic lacks the immersive quality expected from a mythological epic.

The music by Stephen Devassy, however, emerges as one of the film’s stronger aspects. His score effectively complements the mood of the film and adds emotional texture to key scenes. He makes the most of his limited opportunities within the movie’s runtime.

Secondary characters played by Sarath Kumar, Madhubala, Brahmanandam, and Preity Mukundan are minimally fleshed out. They function more as symbolic elements within the hero’s spiritual voyage than as fully realized characters. Their appearances feel sporadic and do little to enrich the overall narrative.

Stylistically, Kannappa bears similarities to television epics like the Mahabharata series, which Mukesh Kumar Singh previously directed. It uses exaggerated aesthetics and vibrant, saturated visuals that sometimes feel out of place. This stylistic approach gives the impression that there’s little formal control over the material or consistency in tone.

Prabhas, who portrays the enigmatic Rudra, emerges with some of the film’s most philosophical lines and moments. “Prabhas, as the mysterious Rudra, gets to spout some of the film’s key spiritual ideas; he walks away with the best-written stretches of the film,” states the review. Akshay Kumar and Kajal Aggarwal, appearing as Lord Shiva and Parvati, respectively, deliver visually striking performances, while Mohanlal’s brief appearance also leaves an impression.

Despite the attention given to these superstar cameos, Kannappa remains a personal statement from Vishnu Manchu. As the central figure, he convincingly portrays the transformation from a rational tribal man into a devoted spiritual icon. “Kannappa is not about any of these stars; it’s a strong mission statement from the leading man, Vishnu Manchu,” the review observes. He succeeds in embodying the archetype of a mystic hero meant to inspire faith, even if the character itself feels more symbolic than human.

At its core, Kannappa tells the story of a tribal non-believer’s spiritual awakening into passionate devotion for Lord Shiva. This concept is intriguing and has the potential to explore complex themes of faith, identity, and transformation. However, the way the film handles this arc is uneven — alternating between moments of genuine intrigue and stretches of tedious storytelling.

“The way the film goes about exploring this line is both beguiling and exhausting,” summarizes the review. There is a consistent vision throughout the film, but it lacks the polish and attention to detail that could have elevated it to a higher cinematic standard. More rigorous planning and multiple script drafts in pre-production might have helped sharpen the narrative and emotional beats.

It’s heartening to see filmmakers like Vishnu Manchu take creative risks and invest in stories that reflect their personal beliefs and passions. The production’s technical infrastructure and ambition are commendable. But, ultimately, the execution falls short of the intention. As the review aptly concludes, “one wishes that the execution matched the intent.”

Box Office Blockbusters: The Biggest Movie Hits of 2025 So Far

The first half of 2025 has proven to be an exhilarating time for film enthusiasts, with a wide array of movies making their debut and achieving significant success at the global box office. From animated sequels to action-packed thrillers, cinema-goers have had plenty to enjoy. Standout hits such as Ne Zha 2 and Mission: Impossible – The Final Reckoning, starring Tom Cruise in his final outing as Ethan Hunt, have drawn large crowds and generated considerable earnings.

This surge in box office numbers is reminiscent of last year’s impressive performances. In 2024, a string of sequels and franchise favorites like Deadpool & Wolverine, Inside Out 2, Moana 2, Despicable Me 4, and Kung Fu Panda 4 dominated cinema screens worldwide. The excitement surrounding returning characters and new adventures carried over into 2025, with eager fans flocking to theatres in the first six months of the year to watch their favorite stars return to action or embark on new story arcs.

According to data shared by Dexerto, here are the top 10 highest-grossing films of 2025 so far based on worldwide earnings:

Topping the list is Ne Zha 2, the animated action-adventure film that has taken audiences by storm, collecting a staggering $1.898 billion globally. Released at the end of January, the film’s success has positioned it as the only 2025 release so far to break the $1 billion mark. The phenomenal reception of Ne Zha 2 shows the continued popularity of animated epics and Eastern mythology-inspired storytelling among a broad audience.

In second place is A Minecraft Movie, which has earned $954 million worldwide. The adaptation of the popular video game has successfully translated its pixelated universe onto the big screen, resonating with fans of all ages. Its near-billion-dollar box office performance underlines the strength of gaming franchises in modern cinema.

Following closely is Lilo & Stitch, the live-action remake of the beloved animated classic. With earnings of $910 million, the film has not only met expectations but exceeded them, showcasing the enduring affection audiences have for Disney remakes.

Next is Mission: Impossible – The Final Reckoning, which has earned $541 million. The film marks the end of an era for Tom Cruise as he reprises the role of Ethan Hunt for the final time. Still running in select theatres, this installment has managed to keep fans on the edge of their seats with its signature blend of high-stakes action and elaborate stunts.

Captain America: Brave New World also finds a spot on the top 10 list, having grossed $415 million globally. As part of the Marvel Cinematic Universe, the film continues the storyline following Steve Rogers’ departure, now focusing on Sam Wilson taking up the mantle of Captain America.

Another Marvel entry, Thunderbolts, has made $381 million and is still running in select cinemas. This team-up movie introduces a mix of antiheroes and morally complex characters, expanding the MCU’s scope beyond traditional heroism.

Sinners, a darker, original thriller, follows with $364 million in earnings, proving that original content still has a place amidst a landscape crowded with franchises and sequels.

In eighth position is the live-action version of How to Train Your Dragon, which was released on June 13 and is still currently showing in theatres. With $358 million in earnings, it features performances by Mason Thames, Nico Parker, Gabriel Howell, and Julian Dennison. This reimagined tale of dragons and friendships continues to enchant both loyal fans and new viewers.

Rounding out the top 10 are Final Destination: Bloodlines with $280 million and Snow White with $205 million. These films reflect the enduring appeal of horror reboots and fairy tale adaptations, respectively. The latest Final Destination entry reinvigorates the long-running franchise with fresh scares, while Snow White brings a modern retelling of the iconic tale to a new generation.

Many of these films are still available in theatres, particularly Mission: Impossible – The Final Reckoning, Thunderbolts, Lilo & Stitch, and How to Train Your Dragon. This means their earnings could continue to climb in the weeks ahead, especially with summer holidays driving footfall.

Looking back at 2024, it was a record-setting year with several billion-dollar hits that have helped shape the current cinematic momentum. Inside Out 2 led the pack with $1.69 billion, followed by Deadpool & Wolverine with $1.34 billion. Both sequels benefitted from strong fan bases and positive word of mouth. Moana 2 joined the billion-dollar club with $1 billion in box office revenue, confirming that Disney’s animated adventures remain evergreen.

Despicable Me 4 also performed impressively with $969 million, continuing the Minions’ long-standing success. Meanwhile, Wicked brought in $728 million, giving musical fans a theatrical spectacle. Other major earners from 2024 included Dune: Part Two with $714 million, Mufasa: The Lion King with $699 million, and Godzilla x Kong: The New Empire which made $571 million. Kung Fu Panda 4 and Sonic the Hedgehog 3 rounded out the top 10 with $548 million and $483 million respectively, showing strong performance from animated and hybrid films alike.

Looking ahead, the rest of 2025 is packed with exciting releases that are likely to keep the box office thriving. Some of the most anticipated films set for release this year include F1, M3GAN 2.0, Jurassic World: Rebirth, Heads of State, Superman, Smurfs, Eddington, The Fantastic Four: First Steps, Splitsville, The Roses, The Toxic Avenger, The Conjuring: Last Rites, The Smashing Machine, Kiss of the Spider Woman, Now You See Me: Now You Don’t, and Avatar: Fire and Ash.

Each of these titles promises a unique cinematic experience, with several being part of well-established franchises and others representing bold, original storytelling. With such a diverse lineup on the horizon, box office momentum is expected to continue well into the second half of the year.

In summary, 2025 has kicked off with a strong performance in theatres around the world, offering a mix of sequels, remakes, and original stories that have connected with audiences across demographics. With only one film so far, Ne Zha 2, surpassing the $1 billion mark, it’s worth watching to see if any of the upcoming releases will join that elite club.

When asked about the timing of the highest-grossing film of the year, the answer is simple: “It was released at the end of January.”

And as for the billion-dollar club this year? “As per reports, only Ne Zha 2 ($1.898 billion) has crossed the $1 billion mark so far.”

With half the year still to go, audiences can look forward to more cinematic magic as new releases aim to leave their mark at the box office.

Kuberaa Garners Widespread Acclaim as Chiranjeevi Applauds Dhanush’s Performance

Kuberaa has taken the Telugu film industry by storm, receiving glowing praise from both critics and audiences alike. In recent memory, very few Telugu films have enjoyed such unanimous approval. This wave of acclaim is largely attributed to the expert direction of Sekhar Kammula and the powerful performances delivered by lead actors Dhanush, Nagarjuna, and Rashmika Mandanna.

The film has emerged as a cinematic success story, with its narrative and performances resonating deeply with viewers. At a time when the Telugu film landscape is constantly evolving, Kuberaa has managed to strike a chord across a broad spectrum of moviegoers, making it one of the most appreciated films in recent times.

Celebrating this triumph, a grand success event was held in Hyderabad last night. The highlight of the evening was the presence of Megastar Chiranjeevi, who attended as the chief guest. During his speech, Chiranjeevi didn’t hold back in expressing his admiration for the film, especially for Dhanush’s portrayal of the central character Deva.

In a moment that quickly captured public attention, Chiranjeevi lavished praise on Dhanush’s performance, noting the exceptional depth and nuance the actor brought to the role. He stated with conviction, “No one could have portrayed the role of Deva with such perfection, not even myself.” This remark drew cheers from the audience and underscored the level of respect and recognition Dhanush has garnered for his role.

Further amplifying his praise, Chiranjeevi added that Dhanush is deserving of the prestigious National Award for his work in Kuberaa. His exact words were, “If he doesn’t receive it, then those awards lose their meaning.” This bold and candid endorsement made in front of a live crowd swiftly became a hot topic of discussion both in the media and among fans online. It is rare for a veteran like Chiranjeevi to be so openly appreciative of another actor’s performance, making his comments all the more significant.

The film Kuberaa also benefits from a robust ensemble cast that includes acclaimed actors such as Jim Sarbh and Sayaji Shinde, who play pivotal roles. Their contributions add further depth and complexity to the storyline, complementing the work of the lead trio. These performances have been praised for their intensity and authenticity, enhancing the overall impact of the film.

Kuberaa is a product of the combined efforts of two production houses—Sree Venkateswara Cinemas LLP and Amigos Creations. Both banners have supported director Sekhar Kammula’s vision with significant backing, allowing him to execute a story that is both emotionally stirring and visually compelling. Known for his ability to bring out the best in actors and craft meaningful narratives, Kammula has once again proven his mettle with Kuberaa.

Another major factor contributing to the film’s positive reception is its music. The film’s soundtrack and background score are composed by Devi Sri Prasad, one of the most celebrated music directors in the Telugu film industry. His compositions for Kuberaa have been described as both haunting and powerful, aligning seamlessly with the film’s emotional arcs and dramatic beats. The music not only supports the narrative but elevates it, creating a memorable auditory experience for the audience.

With such strong elements working in its favor—compelling direction, a talented cast, and an evocative musical score—Kuberaa has positioned itself as a major contender in the Telugu film scene this year. The early reviews have been nothing short of glowing, with critics praising the film for its balanced storytelling, striking visuals, and powerful performances. Many have already begun predicting that Kuberaa could sweep multiple award categories in the months to come.

Now, all eyes are set on the box office. Given the initial reception, there is considerable anticipation surrounding how Kuberaa will perform commercially. While artistic and critical success is already secured, a strong box office performance would further cement the film’s status as one of the year’s standout releases. Industry analysts are closely monitoring its ticket sales and occupancy rates across various centers, both domestic and overseas.

The positive word-of-mouth and star power associated with the film are expected to drive consistent footfalls in theaters in the coming days. The combination of an emotionally engaging story, technical finesse, and stellar performances is proving to be a winning formula, and Kuberaa is riding high on that momentum.

Meanwhile, fans and cinema lovers continue to engage in discussions online, sharing their admiration for the characters, the storyline, and most notably, Dhanush’s performance. Social media platforms are abuzz with clips, reviews, and reactions, further fueling the film’s popularity. The buzz created by Chiranjeevi’s bold statement about Dhanush deserving a National Award has only amplified the conversation, bringing the film to the attention of an even wider audience.

The presence of a legend like Nagarjuna, the charm of Rashmika Mandanna, the versatility of Dhanush, and the creativity of Sekhar Kammula all combine to make Kuberaa a compelling cinematic experience. Each actor has brought something unique to the table, contributing to a well-rounded and emotionally resonant film. Nagarjuna’s mature and seasoned portrayal, Rashmika’s expressive performance, and Dhanush’s intense transformation into Deva have particularly stood out.

As the film continues its theatrical run, its impact is expected to grow, not only through box office numbers but also through cultural resonance. Kuberaa seems poised to be remembered not just as a commercial hit but also as a film that set a new standard for performance-driven narratives in Telugu cinema.

With accolades pouring in and conversations surrounding its excellence gaining traction, Kuberaa has undoubtedly made its mark. As updates on its box office journey unfold, one thing is certain—Kuberaa is not just a film; it’s an experience that has touched both the heart and the mind of its audience.

Tirlok Malik Lights Up New York with Laughter and Joy

TIRLOK MALIK PRESS RELEASE POSTER
Tirlok Malik In Central Park.

New York, June 24 – International Yoga Day 2025 was marked with uplifting energy, deep spiritual resonance, and a dash of humor as Emmy-nominated filmmaker and wellness advocate Tirlok Malik brought smiles to faces worldwide with his signature “Happy Life Yoga” session at Central Park, New York. The event was “UPLIFTNY2025,” an inspiring celebration of International Yoga Day hosted by philanthropist Meera Gandhi and her foundation, “The Giving Back Foundation”.

Held on June 21, the event blended yoga, mindfulness, laughter, and storytelling — all elements that have come to define Malik’s unique approach to wellness. With the backdrop of Central Park’s summer bloom, participants from various walks of life gathered in person and online, connecting across continents through yoga and joy.

On June 22, the Global Organization of People of Indian Origin (GOPIO) hosted its Annual Global Virtual Celebration, continuing its tradition of organizing large-scale online gatherings since the pandemic. Now in its fourth consecutive year of going digital, the GOPIO event has evolved into a truly global affair, connecting Indian-origin professionals, leaders, and changemakers across time zones.

Tirlok Malik with Anupam Kher in New York
L TO R Tirlok Malik and Anupam kher

Ambassador Binaya Srikanta Pradhan, Consul General of India in New York, served as the Chief Guest for this virtual event, which GOPIO Chairman Dr. Thomas Abraham and President Prakash Shah led. Participants included individuals from diverse regions — North America, Europe, Africa, and Asia — and professions ranging from scientists and authors to entrepreneurs and even a Nobel Peace Prize nominee.

Tirlok Malik participated in the event as both a wellness advocate and filmmaker, sharing insights into how joy and positive thinking can serve as bridges between cultures. “Whether it’s yoga or storytelling, the aim is to touch lives and spread happiness,” he said during the virtual gathering.

On the cinematic front, Malik was also present at The New York Indian Film Festival, which recently celebrated its 25th anniversary, marking a significant milestone in its journey as the oldest and most respected Indian film festival in North America.

Hello Dad poster
Hello Dad poster.

Tirlok Malik, who has attended every edition of the festival, expressed his heartfelt gratitude to Aseem Chhabra, the festival director, and the entire team for consistently organizing this enriching event for New Yorkers. He also praised the festival as a vibrant space where audiences can enjoy the premieres of thought-provoking, artistic films and engage with members of the film fraternity in an atmosphere brimming with creative energy.

Among the showcased films was Tanvi the Great, a moving feature directed by the legendary Anupam Kher, which received heartfelt appreciation for its powerful performances and universal theme. There was also Mr Anupam Kher’s friend, a Hollywood and New York’s most loved actor, Robert De Niro.

Meanwhile, Malik’s short film Hello Dad — directed by Neha Lohia and co-starring Swiss actress Ankita Makwana — continues to gain critical acclaim. The touching father-daughter story, filmed in New York, has been honored with the prestigious Environmental Media Association (EMA) Green Seal Award. This recognition is reserved for productions that adhere to eco-friendly filming practices while delivering compelling narratives.

From breathing joy into yoga mats in Central Park to sparking emotional introspection through film, Tirlok Malik continues to inspire across mediums and platforms. His work — grounded in joy, wellness, and consciousness — reminds us that happiness isn’t a luxury, but a daily practice.

Mohanlal Opens His Private Ooty Villa ‘Hideaway’ for Fans and Tourists to Experience His Lifestyle

Popular Malayalam actor Mohanlal has decided to share a part of his private life with his fans and tourists by opening the doors to his personal villa in Ooty. The scenic three-bedroom property, which has served as a retreat for his family for over a decade, is now available for booking on Luxunlock, a platform known for offering unique and luxurious celebrity experiences. The villa, named Hideaway, provides visitors with the opportunity to experience a day in the life of the iconic actor.

Built in a tranquil corner of Lovedale in Ooty, Hideaway has long been a private haven for Mohanlal, his wife Suchitra, and their children, Pranav and Vismaya. Over the years, it has evolved into a space that not only serves as a holiday retreat but also reflects the personality, passions, and lifestyle of the veteran actor. The decision to open it to the public marks a rare opportunity for fans to get closer to the life of one of India’s most respected film stars.

According to Luxunlock, Hideaway is more than just a luxurious villa; it carries the legacy of Mohanlal’s family and their time spent in Ooty. The website elaborates, “Built more than a decade ago, Hideaway was a family retreat while the children were studying in Ooty; a place to reunite and bond during weekends, surrounded by nature. With time, it has grown into a house that reflects their passions. Fitting for its name, Hideaway now stands as a celebrity’s sanctuary, where he can keep his privacy and enjoy time with his friends and family.”

The villa, listed at ₹37,000 per night, offers guests a lavish yet deeply personal experience. Guests have the option to stay in either the master bedroom, famously referred to as ‘Lal’s bedroom,’ or in the rooms that once belonged to his children. This thoughtful detail offers fans a more intimate experience, giving them a taste of the actor’s day-to-day surroundings and family traditions.

Adding to the personalized experience is the presence of a dedicated chef who has been associated with the Mohanlal family for over 25 years. This chef specializes in preparing authentic Kerala cuisine, offering guests the same flavors and dishes that have graced Mohanlal’s dining table for decades. To ensure a seamless and comfortable stay, a concierge service is also available to cater to guests’ needs.

The property is not just a luxurious stay but also a space rich with memorabilia and personal touches. The villa includes a family room adorned with 300 caricatures of Mohanlal, celebrating his diverse and storied film career. One of the unique attractions of the property is a gun house that displays replica weapons used in his films such as Marakkar: Lion of the Arabian Sea and Barroz 3D. These replicas offer fans a glimpse into the cinematic legacy of the actor and the roles that have defined his career.

Outdoors, Hideaway features a picturesque garden with seasonal blooms, ideal for leisurely strolls or BBQ evenings under the stars. Nature lovers may also find excitement in the fact that the woods surrounding the villa are occasionally visited by leopards. As mentioned on the listing, “leopards are often found in the woods near the villa,” adding an adventurous element to the experience of staying in the lush Ooty countryside.

While Mohanlal has opened up his cherished personal retreat to the public, he continues to stay active and relevant in the film industry. After facing setbacks in 2024, the actor made a strong comeback this year with two major releases, L2 Empuraan and Thudarum. Both films not only performed well commercially but also won over audiences and critics alike, marking a significant turnaround in his cinematic journey.

These successful ventures have set new milestones for Malayalam cinema, reaffirming Mohanlal’s place at the top of the industry. The momentum continues with several exciting projects lined up. He is set to star in a multi-starrer that includes Mammootty and Fahadh Faasil. The yet-to-be-titled film is eagerly awaited by fans and is expected to generate significant buzz upon its release. Additionally, Mohanlal will feature in two other upcoming projects, Hridayapoorvam and Vrusshabha, both of which are currently in various stages of production.

In addition to these major roles, the actor will also be making a cameo appearance in Kannappa, a film led by Vishnu Manchu. This brief role adds another dimension to his already packed filmography and shows his willingness to experiment with different formats and collaborations in Indian cinema.

By opening Hideaway to the public, Mohanlal not only gives his fans a chance to connect with him on a personal level but also elevates the concept of celebrity hospitality. Instead of creating a staged experience, he offers genuine access to the place that has been a core part of his family life. The decision reflects a level of openness and gratitude toward his fanbase and also taps into the growing interest in experiential travel.

In a time when celebrities often guard their privacy fiercely, Mohanlal’s decision to share his space shows a different kind of generosity. It blends the allure of a celebrity lifestyle with the warmth of a home deeply rooted in tradition, family, and nature. From personalized Kerala meals to rooms steeped in family history, Hideaway provides more than just a night’s stay—it offers a full immersion into the world of one of India’s most beloved actors.

As Mohanlal continues to balance his personal life with a thriving career, fans now have a unique opportunity to step into his world, even if just for a day. And with new film projects on the horizon and continued success on the screen, the actor remains as relevant as ever—both as a cinematic icon and as a gracious host.

Kuberaa Opens to ₹13 Crore on Day 1, Draws Praise for Dhanush’s Performance

Kuberaa, featuring Dhanush, Nagarjuna, and Rashmika Mandanna, was among the most eagerly awaited films of the year. The film has managed to garner significant attention with its day one box office performance and favorable audience response. As per a report on Sacnilk.com, the film opened with collections amounting to ₹13 crore on its first day, which sets a strong, if slightly modest, beginning for its theatrical journey.

According to early estimates, Sekhar Kammula’s directorial venture Kuberaa has made ₹13 crore on its opening day. This collection is slightly lower compared to Dhanush’s previous theatrical release, Raayan, which had a more robust debut with ₹15.7 crore. While Kuberaa’s start is commendable, especially given the competitive box office climate, it falls short of surpassing the benchmark set by Raayan.

The film enjoyed considerable interest from the Telugu-speaking audience, with an overall Telugu occupancy rate of 57.36% on Friday. The morning shows began on a somewhat moderate note with an occupancy of 38.94%, but the trend improved over the day. Afternoon shows saw occupancy rise to 54.58%, and by the evening, it climbed further to 57.04%. These figures indicate growing interest and word-of-mouth momentum that could help the film during the weekend.

Positive reception from audiences seems to be working in Kuberaa’s favor. Reviews have especially highlighted Dhanush’s compelling performance. His portrayal in the film has received special appreciation, which is expected to boost ticket sales in the coming days. The momentum is likely to continue into the weekend, although it will face competition, particularly in the Hindi-speaking belt, from the film Sitaare Zameen Par.

Kuberaa is backed by Suniel Narang and Puskur Rammohan Rao of Amigos Creations. Besides Dhanush, the film also features performances from Nagarjuna, Rashmika Mandanna, and Jim Sarbh. Helmed by Shekhar K, the film brings together an ensemble cast and is positioned as a pan-India release.

On the day of release, Dhanush and his son Linga decided to watch the movie at the first day, first show screening at Rohini Silver Screens in Chennai. The atmosphere at the theater was electric, and Dhanush appeared visibly emotional in response to the overwhelming warmth from fans. In one video that surfaced online, the actor was seen getting teary-eyed as the audience erupted in cheers upon his arrival. Fans were seen climbing walls to catch a glimpse of him, with many attempting to shake hands with the star. The chaotic crowd led to security stepping in to manage the situation and urging fans to climb down.

The Central Board of Film Certification (CBFC) cleared Kuberaa for a pan-India release with a UA certificate. However, this approval came after the filmmakers agreed to make several changes. A total of 19 scenes were trimmed from the original version, reducing the film’s duration by 13 minutes and 41 seconds. This kind of censorship is not unusual for big-ticket Indian films that aim to appeal to a broader audience base, but it does suggest some sensitivity in the original cut that needed adjustment.

Despite the edits, Kuberaa has struck a chord with the audience, largely thanks to its lead actor’s emotional performance and the strong storytelling by Sekhar Kammula. While it’s too early to predict the film’s long-term box office trajectory, the opening day signals a solid start bolstered by fan enthusiasm and critical praise.

If the positive buzz continues, Kuberaa may well emerge as one of the more successful releases of the year, particularly in the Telugu market. Its performance over the weekend will provide a clearer picture of its staying power, especially with competition from Hindi releases.

The makers will likely be banking on word-of-mouth to maintain steady footfall in cinemas. Dhanush’s connection with his audience, as evidenced by his emotional reaction during the premiere screening, could play a vital role in drawing repeat viewers and encouraging those on the fence to give the film a chance.

In summary, Kuberaa’s day one performance at ₹13 crore places it on a firm, if slightly cautious, path toward commercial success. While it has not matched the opening of Dhanush’s Raayan, the film’s increasing occupancy through the day, positive audience feedback, and enthusiastic fan response suggest a promising run ahead. As the weekend progresses, the true test for Kuberaa will lie in how well it can sustain this early momentum amid stiff box office competition.

As it stands, Kuberaa is off to a solid start, with the team and fans alike hopeful that the journey ahead will only get stronger.

Priyanka Barve Captivates Chicago in Tribute to Legendary Divas at The Matrix Club

2 Priyanka Barve Captivates Chicago in Tribute to Legendary Divas at The Matrix ClubOn a warm evening in Chicago, excitement filled the air at The Matrix Club as music lovers gathered for an unforgettable night of melody and memories. On June 13, 2025, at 7:00 pm, the venue hosted a special event titled “Celebrating Legendary Divas: Mughal-E-Azam’s Anarkali,” presented by Aarush Entertainment, Rudra Creation, and Dhrishti. This performance by the renowned vocalist Priyanka Barve wasn’t merely a concert — it was an emotional tribute to the legendary voices that have shaped Indian music for generations.

The Matrix Club’s top-tier acoustics and welcoming ambiance provided the perfect backdrop for this celebration of3 Priyanka Barve Captivates Chicago in Tribute to Legendary Divas at The Matrix Club cultural heritage and musical expression. It was a full-house event, with attendees of all ages — families, friends, and music connoisseurs — coming together to immerse themselves in the musical legacy of India. The evening became a shared experience of nostalgia, reverence, and joy, leaving a lasting impression on everyone present.

Priyanka Barve, known for her versatility and musical prowess, took center stage with grace and power. With classical training rooted in a musically gifted family, she has made a name for herself in Bollywood and Marathi cinema through her expressive playback singing. Her unique ability to blend classical nuance 4 Priyanka Barve Captivates Chicago in Tribute to Legendary Divas at The Matrix Clubwith a contemporary touch has elevated her career, but it is her portrayal of Anarkali in the stage adaptation of Mughal-E-Azam that has set her apart as a multi-dimensional artist capable of merging voice, emotion, and stage presence seamlessly.

Her setlist for the night was a musical journey through time, starting from the golden age of Bollywood, weaving through evocative classical ragas, and arriving at contemporary hits. Every performance was rich in emotion, ranging from the tenderness of a romantic ballad to the exhilaration of a modern Bollywood chartbuster. With her skillful navigation through classical, semi-classical, and fusion genres, Priyanka offered something for every listener. Whether evoking memories with a Lata Mangeshkar5 Priyanka Barve Captivates Chicago in Tribute to Legendary Divas at The Matrix Club evergreen or lifting spirits with an energetic number, her voice brought each song’s story to life.

Ahead of the event, Priyanka and the organizers held a press conference on June 12 to provide insight into the performance. With heartfelt enthusiasm, Priyanka shared, “This show is my tribute to the divas who have inspired me.” She added, “Expect a journey through Hindi and Marathi songs — from Mughal-E-Azam classics to modern hits. It’s about connecting with the audience through music that speaks to every heart.”

When asked about her acclaimed portrayal of Anarkali, Priyanka reflected on the challenges of embodying such a demanding role. “Singing, acting, and dancing all at once was tough! I’m trained in Kathak, which helped, but capturing Anarkali’s emotional depth was a beautiful challenge. It taught me to push my limits,” she explained, her face glowing with pride.

6 Priyanka Barve Captivates Chicago in Tribute to Legendary Divas at The Matrix ClubPriyanka also spoke fondly of her personal connection with Chicago. “I was 21 when I first performed here. The love from this diverse audience — people from Karnataka, Maharashtra, and beyond — was overwhelming. Coming back feels like coming home,” she said, expressing her appreciation for the warmth and support of the city’s multicultural community.

Discussing her ability to shift between classical and contemporary styles, Priyanka shared her philosophy. “Music is one, whether it’s a raga or a pop song. I started with light classical, then ghazals and bhajans, and now I let each genre flow from my heart. It’s about staying true to the music and the audience.”

For young and aspiring musicians, she had a message of perseverance and dedication. “Classical demands patience, but it’s a foundation that strengthens every performance. Work hard, stay rooted, and let your passion shine,” she advised, offering words of encouragement to those embarking on their own musical journeys.

The success of the event was made possible by the tireless efforts of the organizers. Manoj Rathod and Swati Kukian7 Priyanka Barve Captivates Chicago in Tribute to Legendary Divas at The Matrix Club expressed their deep gratitude to everyone who attended, as well as to the sponsors and fellow organizers who contributed to making the evening a grand success. Their collaborative effort with Rajkumari Rathod of Rudra Creations and Dhrishti demonstrated a shared passion for promoting rich cultural experiences. “This night was not just about the music; it was about honoring our rich culture and the unity we find in it. We’re proud to bring Priyanka Barve to Chicago — a true musical gem,” said the team, underlining the emotional and cultural significance of the occasion.

Beyond Priyanka’s headline act, the event also showcased emerging local talent. Aarush Entertainment and Rudra Creations took pride in providing a platform for community performers, reflecting their dedication to uplifting regional artists and offering a blend of celebrated and rising stars. This marked their second year of celebrating and nurturing talent, reinforcing their long-term commitment to the arts.

8 Priyanka Barve Captivates Chicago in Tribute to Legendary Divas at The Matrix ClubSuresh Bodiwala, Chairman of Asian Media USA, echoed the importance of the concert in highlighting the role of cultural unity through the arts. “We are proud to support Priyanka Barve’s extraordinary concert, a celebration of musical excellence and cultural unity. This event underscores our commitment to promoting diverse artistic talent and fostering community engagement through the universal language of music,” he said. Recognizing the power of music to transcend boundaries, he praised the concert for honoring the timeless voices that continue to inspire. “She brought vocal magic to Chicago, paying homage to the legendary divas — Lata Mangeshkar, Asha Bhosle, Shreya Ghoshal — whose voices have defined generations,” he added.

Indeed, the evening was more than just entertainment — it was a tribute, a cultural milestone, and a shared memory for Chicago’s Indian diaspora and broader music community. As the final notes echoed through The Matrix Club and the audience erupted in applause, it was clear that Priyanka Barve’s voice had done more than entertain — it had united hearts and celebrated a heritage rich in emotion, artistry, and timeless beauty.

Malayalam Cinema Expands OTT Presence with Three Diverse Releases This Week

As India’s OTT landscape continues to embrace a broader range of regional narratives, Malayalam cinema is making a notable mark this week with the release of three new films and series across major platforms. Viewers can look forward to a mix of comedy, crime, and family drama as Aap Kaise Ho, Kerala Crime Files Season 2, and Prince and Family debut on Sun NXT, JioCinema-Hotstar, and ZEE5 respectively, starting June 20, 2025.

This line-up not only reflects the diversity in storytelling that Malayalam content consistently offers but also underscores the growing appetite for regionally grounded, yet universally appealing stories on streaming platforms.

Aap Kaise Ho on Sun NXT: Comedy of Pre-Wedding Mayhem

Premiering on June 20, 2025, Aap Kaise Ho brings comedy lovers a refreshing dose of chaos and laughter. This situational comedy is set around a bachelor party that goes terribly awry, spiraling into a string of unforeseen misadventures. The film stars Dhyan Sreenivasan as Christy, the groom-to-be whose final celebration before tying the knot takes an unexpected turn.

Set against the backdrop of camaraderie, revelry, and pre-marital nerves, Aap Kaise Ho aims to tap into the hilarity that often emerges when things don’t go as planned. The ensemble cast includes veteran actors Ramesh Pisharody, Sudheesh, and Sreenivasan, who add a seasoned touch to the otherwise youthful chaos. The film’s strength lies in its ability to mix relatable scenarios with exaggerated comic timing, making it an ideal watch for audiences seeking light-hearted entertainment.

With its familiar setting and laugh-out-loud moments, the film is expected to appeal to a wide demographic, particularly those familiar with the madness that can accompany wedding planning. As streaming audiences continue to gravitate toward content that blends humor with heartfelt storytelling, Aap Kaise Ho is poised to make a solid impact.

Kerala Crime Files Season 2 on JioCinema-Hotstar: Delving into the Dark Side of the Police Force

Also launching on June 20, 2025, is the second season of the gripping investigative thriller series Kerala Crime Files. Building on the success of its first season, the show returns with a new storyline that probes deeper into the complexities of crime and accountability. This time, the narrative pivots dramatically as it centers around an unlikely suspect within the police force itself.

The spotlight is on CPO Ambili Raju, who becomes entangled in a case that blurs the line between protector and perpetrator. As the story unfolds, viewers are taken on a suspense-filled journey that challenges their understanding of law, loyalty, and justice. The new season is led by the character SI Noble, who heads the investigation. His team must navigate not only the intricacies of the case but also the emotional and ethical dilemmas that arise when one of their own is implicated.

The creators of Kerala Crime Files have skillfully crafted a narrative that forces viewers to ask hard questions about the nature of institutional trust and the shades of grey that exist within the justice system. By positioning a police officer at the center of suspicion, the show explores a rarely addressed angle in crime dramas.

The return of this series is expected to further deepen its fanbase, offering a layered story that combines procedural drama with character-driven storytelling. The series continues to uphold the Malayalam industry’s reputation for crafting suspenseful, socially conscious thrillers.

Prince and Family on ZEE5: A Tale of Tradition and Modern Love

The third major release on June 20 is Prince and Family, which arrives on ZEE5 with a focus on the intersection of familial duty and contemporary romance. The story follows Prince Chakkalakkal, a bachelor navigating the often conflicting demands of family expectations and his personal aspirations. His life takes a surprising twist when a marriage proposal comes from an unexpected source—a social media influencer.

The film’s central theme examines the changing face of relationships in a time where tradition and modernity coexist, often in conflict. Prince, played by Dhyan Sreenivasan, finds himself caught between the expectations of his traditional family and the realities of a rapidly evolving social landscape. His internal conflict reflects that of many young Indians today who are trying to balance parental hopes with individual choices.

The film features a strong cast, including respected actors Siddique, Bindu Panicker, and Johny Antony, alongside Sreenivasan. Each actor contributes to a heartfelt portrayal of a family grappling with generational shifts and the nuances of matchmaking in the digital age.

Prince and Family seeks to engage viewers who are drawn to stories of emotional complexity wrapped in the warmth of familial love. Its narrative taps into current societal conversations about how families adapt—or struggle to adapt—to new paradigms of courtship and marriage.

By presenting a story that is both rooted in cultural values and open to modern influences, the film resonates with a wide audience. It sheds light on how technology, especially social media, is reshaping the contours of personal relationships in India.

A Week to Celebrate the Range of Malayalam Content

The simultaneous release of these three Malayalam titles across major OTT platforms marks a significant moment for the industry. Each offering caters to a different mood—comedy, crime, and drama—underscoring the creative breadth of Malayalam storytellers. While Aap Kaise Ho brings a dose of humor, Kerala Crime Files Season 2 offers intensity and suspense, and Prince and Family brings emotional resonance and cultural commentary.

These releases also highlight how streaming platforms have become crucial spaces for regional content to thrive and reach global audiences. By tapping into culturally specific yet universally relatable themes, Malayalam creators are pushing the envelope while staying true to their roots.

Audiences can look forward to exploring these diverse narratives starting June 20, 2025, making it a noteworthy week for Malayalam entertainment on OTT. Whether you’re in the mood for a good laugh, a gripping mystery, or a heartfelt family saga, this lineup has something to offer for everyone.

Madhushree Reflects on Working with A.R. Rahman, M.M. Keeravani, and the South vs. Bollywood Music Culture

Playback singer Madhushree recently shared her experiences collaborating with some of India’s most celebrated music composers, shedding light on the contrasting work styles of the South Indian and Bollywood music industries. With a career that spans both regions, she offered insights into the methods and professionalism of renowned composers like A.R. Rahman, M.M. Keeravani, Yuvan Shankar Raja, and Harris Jayaraj.

Speaking to O2India, Madhushree opened up about her memorable association with Oscar-winning composer A.R. Rahman. She fondly remembered her experience singing some of his most loved compositions. Among her collaborations with Rahman are the popular songs Kabhi Neem Neem and Marudhani, both of which became hits. She emphasized how Rahman’s approach to music consistently brings unexpected elements that elevate the final output.

“Rahman ji always brings an element of surprise… whether it’s this song or Kabhi Neem Neem, he adds his touch later, and it turns out to be magical,” Madhushree remarked. This observation highlights Rahman’s creative spontaneity and his tendency to keep the musical arrangement fluid, allowing room for artistic evolution even after the vocal recording is done.

She elaborated that working with Rahman often feels like being part of a larger creative process where his unique inputs can transform a simple composition into something truly enchanting. This element of unpredictability, she suggested, is part of what makes Rahman’s music so impactful and emotionally resonant with audiences across the globe.

Moving on to her experience in the South Indian music industry, Madhushree spoke highly of composers like Yuvan Shankar Raja and Harris Jayaraj. She noted that working with them feels seamless due to their clear direction and meticulous guidance throughout the recording process. According to her, these composers make the experience smooth and efficient by ensuring the singer is never left guessing.

“One thing about South Indian music composers is that they’re so good, you never feel lost. They’ll guide you with exact notations—where to pause, what expressions to use—they spell everything out, so you don’t have to figure it out on your own. They are that good,” she explained.

Her appreciation for this hands-on and structured method reveals the deep respect she has for the musical rigor and discipline in South Indian studios. The clarity provided by these composers, she added, not only eases the singer’s task but also ensures that the final product reflects a unified artistic vision.

Among the South Indian composers she praised, M.M. Keeravani holds a special place. Known for his extensive work in Telugu and Hindi cinema, Keeravani has won accolades both in India and internationally. Madhushree expressed admiration for his clear communication and understanding of vocal dynamics, which make recording sessions efficient and fulfilling for singers.

“When you go to sing for M.M. Keeravani, you don’t have to do anything—just follow whatever he says. All of them understand singers really well,” she said. This comment underlines Keeravani’s precise approach to music-making, where the singer’s role becomes a matter of following direction rather than improvising on the spot.

Madhushree’s praise for Keeravani, like her comments on Yuvan Shankar Raja and Harris Jayaraj, highlights a consistent theme in her narrative—the value she places on clarity, structure, and mutual understanding in the studio. She indicated that such working environments not only enhance the singer’s performance but also foster a professional and artistically satisfying collaboration.

One of the most striking points Madhushree made was about the broader cultural and professional differences between Bollywood and South Indian music industries. She noted that South Indian studios maintain a level of discipline that stands out, particularly in terms of punctuality and time management. In her experience, recording sessions in the South start precisely as scheduled, reflecting a commitment to time and professionalism that she finds admirable.

Madhushree emphasized this difference as a key distinguishing factor between the two industries, implying that the South Indian work culture leaves a strong impression on those accustomed to Bollywood’s often more relaxed approach to scheduling. While she didn’t criticize Bollywood directly, her remarks pointed to the efficiency and respect for time that define the Southern industry’s way of functioning.

This insight not only offers a behind-the-scenes glimpse into how different musical cultures operate within India but also serves as a testament to Madhushree’s versatility and adaptability as a singer who can navigate both systems. Her ability to adjust to varying styles of collaboration, whether it involves Rahman’s creative spontaneity or Keeravani’s structured direction, demonstrates the professional breadth that she brings to her craft.

Throughout her career, Madhushree has lent her voice to songs in multiple languages and genres, which has given her a broad perspective on India’s diverse music traditions. Her reflections serve as valuable commentary for aspiring singers and industry observers who wish to understand what it’s like to work with some of the country’s most influential music directors.

By sharing her personal experiences, Madhushree has not only paid tribute to the genius of the composers she has worked with but also offered an honest comparison of industry cultures. Her words highlight the importance of communication, clarity, and professionalism—qualities that ultimately enhance the collaborative process between singer and composer.

To sum up, Madhushree’s journey through both Bollywood and the South Indian music landscape has been shaped by her interactions with visionary composers. Her collaborations with A.R. Rahman showcased the magic of unpredictability and post-recording brilliance, while her work with Yuvan Shankar Raja, Harris Jayaraj, and M.M. Keeravani emphasized the value of clear guidance and discipline.

Whether through the whimsical genius of Rahman or the precise direction of Keeravani, Madhushree has experienced a spectrum of musical creativity that has enriched her as an artist. As she continues to evolve in her career, her insights provide a meaningful look at what it takes to thrive across India’s multifaceted musical terrains.

Disney Secures Full Ownership of Hulu with Final Payment to NBCUniversal

Disney is officially taking complete control of Hulu by purchasing Comcast’s NBCUniversal remaining stake for nearly $439 million. This transaction brings an end to a drawn-out appraisal process and firmly places the streaming service under Disney’s sole ownership.

The acquisition stems from Disney’s November 2023 announcement that it intended to buy out NBCUniversal’s 33% interest in Hulu for a minimum of $8.6 billion. This price was based on Hulu’s agreed-upon minimum valuation of $27.5 billion, according to a regulatory document submitted by the company.

Disney has already been overseeing Hulu’s operations since 2019, the year Comcast relinquished its decision-making authority. While Comcast remained a stakeholder, its role became passive, essentially making it a silent partner. With this latest transaction, Comcast’s involvement in Hulu will officially end.

Hulu was launched in 2007 with the backing of major media firms aiming to combat the rising dominance of the internet by offering a centralized digital platform for their television content. Disney entered the Hulu partnership in 2009 with plans to provide shows from its flagship networks, including ABC, ESPN, and the Disney Channel.

A major shift in Hulu’s ownership occurred a decade later in 2019 when Disney secured a majority stake following its acquisition of 21st Century Fox. This strategic move expanded Disney’s reach in the streaming space and made Hulu a more integral part of its digital offerings.

The final stages of the valuation process revealed differences between the two appraisers assigned by Disney and NBCUniversal. In a filing made on Monday, Disney stated that its own appraiser determined a value below the $27.5 billion minimum, whereas NBCUniversal’s appraisal significantly exceeded that benchmark.

To resolve the discrepancy, a neutral third appraiser was brought into the process. This third-party evaluation ultimately determined that Disney would pay $438.7 million for NBCUniversal’s remaining share in Hulu.

Expressing satisfaction over the resolution, Disney CEO Bob Iger issued a statement saying, “We are pleased this is finally resolved. We have had a productive partnership with NBCUniversal, and we wish them the best of luck.” He further elaborated on the strategic significance of the acquisition by stating, “Completing the Hulu acquisition paves the way for a deeper and more seamless integration of Hulu’s general entertainment content with Disney+ and, soon, with ESPN’s direct-to-consumer product, providing an unrivaled value proposition for consumers.”

According to Disney, the deal is expected to close by July 24. Despite the size of the transaction, it is not anticipated to have any impact on the company’s adjusted earnings forecast for fiscal year 2025.

In response to the news, Disney’s stock experienced a slight uptick in morning trading on Tuesday, reflecting investor confidence in the move.

This development marks a critical juncture for Disney as it continues to align its streaming assets under a single strategic vision. Integrating Hulu more deeply into its broader digital ecosystem will allow Disney to better compete in a crowded market dominated by services like Netflix, Amazon Prime Video, and Apple TV+.

Having full control over Hulu offers Disney increased flexibility in content planning, bundling strategies, and platform management. It can now streamline decision-making across its streaming properties and build a more cohesive user experience. This approach is expected to benefit subscribers by offering access to a wider variety of content through a unified interface, spanning general entertainment, sports, and family programming.

Disney’s plans to merge Hulu content more closely with Disney+ and eventually ESPN’s streaming services illustrate a larger industry trend of consolidation in the face of mounting competition. Media companies are increasingly seeking to combine platforms and offer expansive content libraries to attract and retain subscribers.

While the exact mechanics of the integration have yet to be detailed, the move is poised to reshape the way Disney presents its streaming offerings. For consumers, the result could be simplified access to a broader selection of shows and films without needing to navigate multiple separate apps.

The resolution of this deal also signifies the end of an era for Hulu, which began as a joint venture among multiple media firms and has now become a wholly owned property of one of the world’s largest entertainment conglomerates. It reflects the larger transformation of the media landscape, where legacy companies are adapting to digital consumption patterns by consolidating assets and investing heavily in streaming.

For Comcast, the completion of the sale allows the company to step away from Hulu and focus on its own streaming endeavors, including its Peacock platform. Although Comcast remained financially linked to Hulu for several years after ceding control, this final payout concludes its involvement.

The valuation differences between Disney and NBCUniversal underscore the complexities involved in high-stakes media appraisals. With such a significant spread between appraised values, the presence of a third-party arbitrator was essential to ensure fairness and reach a final figure acceptable to both parties.

The nearly $439 million payout by Disney is the concluding chapter in a multi-year process that began with its 21st Century Fox acquisition and will likely shape its streaming strategy for years to come. Hulu, now completely within Disney’s portfolio, stands as a key component in the company’s mission to become the leading global provider of digital entertainment.

By consolidating its streaming brands under one umbrella, Disney is not only simplifying its operational model but also sending a clear signal to investors and competitors that it intends to be a dominant force in the next era of media consumption.

With the transaction closing in just a few weeks, all eyes will now be on how Disney executes the integration and capitalizes on the newfound control over Hulu’s content, infrastructure, and subscriber base.

In summary, Disney’s final payment of $438.7 million to Comcast concludes a protracted negotiation over Hulu’s valuation and results in full ownership of the platform. As Bob Iger stated, the acquisition clears the path for “a deeper and more seamless integration” of Hulu with Disney+ and ESPN, setting the stage for a more unified and powerful streaming offering.

AIA NY Chapter – Project India Presents “The Life of Gautama Buddha” – A Theatrical Fundraiser Supporting Indian Farmers

Brookville, NY — The Association of Indians in America (AIA), New York Chapter – Project India, is proud to present The Life of Gautama Buddha, an acclaimed stage production by Theater World, on Sunday, July 27, 2025, at the Krasnoff Theater, Tilles Center for Performing Arts at LIU in Brookville, New York.
This powerful theatrical performance is a creation of celebrated theater veterans Lushin Dubey and Bubbles Sabharwal, known for their thought-provoking and socially conscious work on stage. The play stars Siddh Makkar in the lead role and invites the audience on a compelling journey through the life of Gautama Buddha — from prince to spiritual guide — brought to life with captivating visuals, moving dialogue, and a universal message of peace and transformation.
The event is being held to raise funds for Global Vikas Trust (GVT), an India-based NGO that works tirelessly to uplift rural communities by increasing farmers’ incomes through sustainable agriculture. Proceeds from the performance will directly benefit GVT’s grassroots efforts.
📅 Sunday, July 27, 2025
📍 Krasnoff Theater, Tilles Center at LIU
🕔 VIP Reception: 5:00 – 6:30 PM
🚪 Doors Open: 6:30 PM
🎭 Showtime: 7:00 – 9:00 PM
🎟️ TICKETS & INFORMATION:
Tickets are limited and available only through:
Sulekha.com (limited quantity)
Direct phone reservations:
Smiti Khanna – 516-317-0146 | skhanna50@hotmail.com
Sunny Thakkar – 516-817-4601 | sneharts@outlook.com
The event is being marketed and managed by Sneh Arts. For updates, visit sneharts.com and theaiany.org.

Sneh “Sunny” Thakkar

516 817 4601

SNEH ARTS LLC

Confidentiality Note: This message w/attachments (message) is intended solely for the use of the intended recipient(s) & may contain information that is privileged, confidential, otherwise protected from disclosure or proprietary. If you are not an intended recipient, please notify the sender & then please delete & destroy all copies & attachments. Please be advised that any review, copying, distribution or dissemination of, or the taking of any action in reliance on, the information contained in or attached to this message is prohibited.

A Soulful Odyssey: Ustad Ghulam Abbas Khan Mesmerizes Chicago at Al Larson Prairie Center

Raga & Resonance: A Night of Classical Magic with Ustad Ghulam Abbas Khan

Ustad Ghulam Abbas Khan:Global King of Raga, Sufi, and Ghazal

Asian Media USA ©

Chicago, IL:  On the enchanting evening of May 31, 2025, the Al Larson Prairie Center for the Arts in Schaumburg, Illinois, transformed into a sanctuary of soul-stirring melodies, as the legendary Ustad Ghulam Abbas Khan took center stage for an unforgettable night of Hindustani classical music, Sufi, and ghazals. Organized by Khurram Syed under the esteemed banner of DK Omsheel Production and with the gracious support of Chicago community leader Mr. Iftekhar Sharif, the first overseas citizen of India, this cultural extravaganza, titled Soulful Classical, Sufi & Ghazals, brought together connoisseurs of music for a four-hour journey from 8:00 PM to midnight. The event was a testament to the timeless allure of Indian classical music, weaving together tradition, artistry, and emotional depth.

The evening was masterfully hosted by Amin Haider, whose eloquent commentary and storytelling added a profound layer to the experience. Haider’s insightful introductions, peppered with anecdotes from Ustad Ghulam Abbas Khan’s illustrious career, illuminated the maestro’s journey from a musically inclined youth to a globally revered artist. One such story captivated the audience: a young Ustad, at just 16, faced the daunting challenge of performing classical musica genre unfamiliar to himat Delhi’s Daulat Ram College. Despite his inexperience, his innate talent shone through, earning praise from none other than Pandit Debu Chaudhary, who paused the performance to personally tune the tanpura, ensuring the young artist’s brilliance was perfectly showcased. This anecdote set the tone for an evening that celebrated not just music, but the resilience and passion of a maestro whose name is synonymous with excellence.

Ustad Ghulam Abbas Khan, a scion of the Rampur-Sahaswan Gharana, delivered a performance that was nothing short of transcendent. His mastery over khayal, thumri, dadra, Sufi kalams, bhajans, and ghazals left the audience spellbound. From the intricate taans of Raga Puriya Kalyan to the emotive renditions of traditional and original bandishes, such as “More Ghar Aaja” and “Ab ToTumhi Sang Lagan Lagai,” his voice carried the weight of centuries-old traditions while infusing them with contemporary resonance. His performance was a seamless blend of technical precision and emotional depth, reflecting the legacy of his mentors. His father Padmashri Ustad Ghulam Sadiq Khan a renowned Hindustani Classical Vocalist and his maternal grandfather Padmabhushan Ustad Mushtaq Husain Khan.

The evening was further enriched by the soulful performance of Chicago’s own Payel Ganguly, whose brief yet powerful presentation paid homage to the traditions that continue to inspire artists across generations. Her authentic and heartfelt rendition added a local flavor to the night, earning her resounding applause and cementing her place as a rising star in the classical music scene.

The musical ensemble was elevated by the exceptional accompaniment of Shehzad Marcus on keyboard, whose melodic flourishes provided a rich backdrop to the vocal performances. Young tabla prodigy Abhijeet Kastha demonstrated a masterful command of rhythm, weaving intricate patterns that complemented the maestro’s vocals with precision and flair. The seamless coordination between the artists created an immersive experience, transporting the audience to the heart of India’s musical heritage.

The event was graced by distinguished guests, including Nayab Hamid Ali Khan, son of the legendary Ustad Hamid Ali Khan, and community leaders such as Paul Chopra, Ramesh Punatar, Chris Veteran, and Syed Razi, alongside US and Indian Army veterans. Their presence underscored the event’s significance as a cultural milestone for Chicago’s South Asian community. Although Mr. Iftekhar Sharif, the chief guest, was unable to attend due to an unforeseen schedule change, the evening was honored by the presence of Amir Mohammed Khan, a renowned ghazal singer, as the Guest of Honor.

Ustad Ghulam Abbas Khan’s performance was not just a concert but a celebration of a legacy that spans continents. With over 15 albums to his name and performances across prestigious stages in the UK, Australia, Japan, Singapore, Hong Kong, China, Indonesia, Malaysia, Mauritius, Thailand, Pakistan, Afghanistan, Saudi Arabia, UAE, and Oman, the Ustad has carried the torch of Hindustani classical music to global audiences. His contributions have earned him accolades such as the Central Fellowship Award from the Ministry of Culture, the Global Achievement Award in 2017, and the Dr. Radhakrishnan Award in 2018. Notably, his performance at the President’s House during Dr. APJ Abdul Kalam’s tenure remains a highlight of his illustrious career.

The event’s success was bolstered by the generous support of sponsors, including Masood Ali of Ali’s Catering, Ena Agnihotri of Radisson Hotel in Schaumburg, Urdu Institute, Aftab Baig of Monty’s Banquet, Windy City Pharmacies, South Asian Seniors, United States Disability Cricket, and Universal Seniors Association. Their contributions ensured a flawless execution, making the evening a cherished memory for all attendees.

Special thanks to Mahesh Kumar of Melody and Soul of Playback USA, whose expert sound engineering delivered pristine acoustics, amplifying every note’s brilliance.

This evening was a radiant celebration of India’s musical heritage, brought to life by the unparalleled artistry of Ustad Ghulam Abbas Khan and the vibrant contributions of Chicago’s own Payel Ganguly. Payel Ganguly’s authentic rendition in Chicago earned warm applause, complemented by Shehzad Marcus on keyboard and tabla prodigy Abhijeet Kastha. Notable guests, including Nayab Hamid Ali Khan, and Guest of Honor Amir Mohammed Khan, attended.

“Event was not only showcased the depth of Hindustani classical music but also highlighted the cultural unity and passion of Chicago’s South Asian community. Events like these remind us of the power of music to transcend borders and connect hearts, and we look forward to supporting more such cultural milestones in the future”Editor’s Note by Suresh Bodiwala, Chairman and Founder of Asian Media USA

 

Photographs and Press release by:Asian Media USA

 

Suresh Bodiwala
Chairman

Asian Media USA

Cell: 847-420-4789
E-Mail: bodiwalasuresh@gmail.com

ZEE5 Unveils New Brand Identity, Pivots to become a Hyper-Personalized, Language-First Content Platform

~ A sleek, vibrant new logo that embodies the spirit of modern India and its rich multilingual identity~

~“Multiple Languages, Infinite Stories”campaign celebrates emotional connection and linguistic pride, resonating with audiences across India and beyond ~

~ 130+new content titlesin FY26, including originals,movies and non-fiction as well as live content and more across languages~

Global, 8 June 2025– ZEE5 today announced a bold new brand identity and strategic shift, reaffirming its positioning as India’s foremost homegrown platform. The relaunch marks a pivotal step in ZEE5’s evolution, anchored in the promise of “Apni Bhasha, ApniKahaniyan” (Multiple Languages, Infinite Stories) and a sharper focus on culturally authentic narratives, language-driven personalization and cutting-edge technology.

With a new visual identity and a reimagined product experience,ZEE5 deepens its connect with its audiences. This strategic shift is built on three foundational pillars—content, experience, and affordability crafted to meet India’s next wave of digital demand. ZEE5’s language content strategy will deliver local, emotionally grounded stories inspired by folklore, real-life heroes, and regional legends. Each languagemandate will be structured as an individual vertical to ensure authenticity and scale.

The upcoming language titles include – Detective Sherdil (Hindi), SattamumNeethiyum(Tamil), Mothubaru Love Story (Telugu),Inspection Bungalow (Malayalam),Maarigallu(Kannada), Aata ThambhahyaNaay (Marathi) and Vibhishan (Bengali) among others.

With a view to increasing engagement, the platform’s new direction focuses on intuitive design and AI-powered personalization, providing tailored recommendations that resonate with users across all pincodes of India. Leveraging data-driven insights, ZEE5 ensures a more engaging and effortless user experience, enabling viewers to quickly access personalized recommendations and enjoy premium-quality streaming across all devices.

Link to the brand film: https://www.zee5.com/videos/details/my-language-my-stories/0-0- 2z5765791

Tamil: https://youtu.be/_kxLDrjhiWM

Telugu:https://youtu.be/iPcS9DPx0pc

Kannada:https://youtu.be/e84w2L4hpiM

Marathi:https://youtu.be/WzTga9Itu1w

Amit Goenka, President, Digital Businesses and Platforms, Zee Entertainment Enterprises Ltd. said“Our new brand identity marks a pivotal step in our journey to become a deeply personalized, language-first platform that mirrors the diversity of Indian audiences. Our strategic focus is clear – strengthen our footprint across India and global markets, deepen engagement through culturally relevant storytelling, and continue building a tech-enabled, scalable platform that’s personalized and intuitive. It’s a cultural shift in how consumers discover, connect with, and consume Indian entertainment globally.”

Kartik Mahadev, Chief Marketing Officer,Zee Entertainment Enterprises Ltd. said,“Our brand campaign with the tagline “Apni Bhasha. ApniKahaniyan” is rooted in the idea that language is belonging, a celebration of a deeply personal emotion. A story told in your language feels like it’s lived in and not just watched. Going across 7 languages, this multilingual campaign is designed to resonate with large and small towns alike, including tier-2, tier-3 cities as well as with global audiences. Rooted in our language-first content strategy and hyper-local personalization, this campaign brings to life ZEE5’s belief that in your language, stories are endless.”

Raghavendra Hunsur, Chief Content Officer, Zee Entertainment Enterprises Ltd. added“At ZEE5, we’ve always believed that powerful storytelling begins with deep cultural insight. We’re deeply committed to serving audiences that have historically been underserved. By leaning into their realities, their languages, and their everyday stories, we’re expanding not just what we create-but who we create it for. Whether it’s long-form originals, short-form bites, or experimental formats, our goal is to delight viewers on their terms. This isn’t just a content strategy, we are placing language at the centre of discovery, access, and engagement.”

This strategic brand shift aligns seamlessly with Z’s brand promise, ‘Yours Truly, Z’, and marks a pivotal step in ZEE5’s evolution, setting the stage for the platform’s next phase of growth. Reinforcing its commitment to hyper-local narratives at scale, ZEE5 continues to solidify its role as the definitive destination for diverse, multilingual content that resonates with audiences across India and beyond.

Indie Film Festival Awards Launches Four-Day Global Celebration of Independent Cinema in New York

The Indie Film Festival Awards (IFFA), a non-profit entity dedicated to promoting independent cinema, launched its inaugural edition with an opening ceremony on June 2 at the Quad Cinema in Manhattan. Over the course of four days, from June 2 to June 5, 2025, the festival showcased a diverse array of films including feature-length movies and short films, culminating in a closing awards ceremony where notable individuals from the film and media industries were honored for their contributions.

The event kicked off with the presence of several dignitaries. Among them was India’s Minister of State for Social Justice & Empowerment, Dr. Ramdas Athawale, who had the distinction of inaugurating the festival on the opening day. Dr. Athawale’s participation marked a significant recognition of the importance of cinema as a vehicle for social messaging and creative expression. Other prominent guests in attendance on June 2 included Navneet Kumar Sehgal, Chairman of Prasar Bharati; Dr. Sudhir Parikh, the Padma Shri awardee and Chairman of Parikh Worldwide Media and ITV Gold; and Binaya Srikanta Pradhan, Consul General of India in New York. Actor and producer Jeff Wallner was also present as a guest of honor at the inaugural function.

Mukesh Modi, the founder of IFFA and host of both the opening and closing ceremonies, described the initiative as an international celebration devoted to the creative excellence of independent filmmakers. Modi, who has previously been honored with the Dada Saheb Phalke Film Foundation Award, underscored the mission behind the festival, noting its global scope and intent to uplift voices often sidelined in mainstream cinema. “Our goal is to give indie filmmakers a platform to shine,” he stated. “IFFA is here to make sure their voices are heard, their films are seen, and their efforts are celebrated with pride.”

The festival attracted an overwhelming number of submissions from filmmakers around the globe. In total, IFFA received 115 entries from more than 20 different countries, reflecting its wide international reach. Of these, over 50 films were selected for theatrical screening during the four-day event, ensuring a highly curated and competitive lineup. These selected works included a robust mix of short films and full-length features, demonstrating the wide creative spectrum embraced by the festival.

According to the festival’s official website, IFFA is the result of the collaboration of a diverse team of industry professionals, film enthusiasts, and creatives who work together to deliver a unique film festival experience. The site highlights their mission to spotlight emerging talents while creating an inclusive environment that fosters appreciation for indie cinema. “Behind the scenes, our diverse team of industry professionals, film enthusiasts, and creative minds unite to curate an unforgettable film festival experience,” the website notes.

From the outset, the tone of the festival was set by the opening ceremony, where several speakers commended the remarkable effort that went into bringing IFFA to life. Many praised not only the logistics and organization but also the careful selection of films and shorts that distinguished this event from other film festivals. The emphasis was repeatedly placed on the festival’s role in bridging cultures and promoting artistic expression across borders.

The final day of the festival, June 5, was marked by the announcement of winners across various film categories. Though specific category winners were not detailed in the coverage, the ceremony itself became a celebratory event that honored both filmmakers and individuals who have made outstanding contributions to cinema, media, and communications.

Among the honorees during the awards ceremony were again Dr. Ramdas Athawale, whose participation was symbolic of the intersection between government and the arts; Navneet Kumar Sehgal, for his contributions to media through his leadership of India’s largest public broadcaster; and Dr. Sudhir Parikh, whose continued support for media and cultural programming through Parikh Worldwide Media and ITV Gold was recognized as instrumental in promoting Indian and South Asian voices globally.

Mukesh Modi reiterated the vision behind IFFA during the closing event, calling the festival a much-needed platform for artists who often struggle to find mainstream visibility. “IFFA is not just a festival, it is a movement,” he said, emphasizing the importance of giving space to narratives that challenge conventions and celebrate originality. He pointed out that by offering an international platform, IFFA helps indie filmmakers break through the noise of the commercial film industry.

The organizers were also commended for their inclusivity and global outreach. The decision to host the event in New York, a global hub of art and culture, played a key role in drawing international attention. The city’s vibrant film culture provided a fitting backdrop to the festival’s debut. Both the film community and diplomatic representatives present at the event acknowledged the significance of this initiative in giving a voice to independent storytellers.

In his address at the inauguration, Dr. Ramdas Athawale spoke about the transformative power of cinema and its ability to bring about social change. His remarks underscored the alignment between his ministry’s objectives and the broader mission of IFFA. By supporting an event that celebrates creativity, diversity, and inclusion, Athawale positioned the Indian government as an ally in promoting cultural diplomacy.

Consul General Binaya Srikanta Pradhan also expressed support for the festival, noting the role of Indian cinema in building bridges with other cultures. His presence added a diplomatic layer to the proceedings, affirming the importance of cultural initiatives in international relations.

For the filmmakers whose works were screened, the festival offered more than just exposure. It served as a validation of their creative journey and a unique opportunity to engage with audiences, fellow artists, and industry veterans. The screenings at Quad Cinema were attended by a mix of cinephiles, critics, and media professionals, creating a dynamic atmosphere of artistic exchange.

Though it was only the first edition of IFFA, the festival left a lasting impression through its strong debut. The number and quality of film submissions, the range of international representation, and the high-profile attendees all contributed to positioning IFFA as a promising new player in the global festival circuit.

Mukesh Modi and his team were lauded for their vision and determination. Their efforts have laid the groundwork for what is likely to become an annual celebration of independent cinema. With its strong foundation and broad support, IFFA seems poised to grow in stature and influence in the years to come.

In conclusion, the 2025 Indie Film Festival Awards in New York successfully inaugurated a new era for independent filmmakers worldwide. By offering a vibrant platform for creative expression, the festival not only celebrated cinematic excellence but also fostered international collaboration and cultural dialogue. As Mukesh Modi aptly put it, “IFFA is here to make sure their voices are heard, their films are seen, and their efforts are celebrated with pride.”

Soulful Evening in Schaumburg Celebrates Legacy of Ustad Ghulam Abbas Khan

On the magical night of May 31, 2025, the Al Larson Prairie Center for the Arts in Schaumburg, Illinois, transformed into a haven of emotionally charged and spiritually rich melodies. The centerpiece of the evening was none other than the celebrated Hindustani classical vocalist Ustad Ghulam Abbas Khan, who headlined a four-hour musical spectacle titled Soulful Classical, Sufi & Ghazals. The event, orchestrated by Khurram Syed under DK Omsheel Production and supported by Chicago’s prominent community figure Mr. Iftekhar Sharif—the first Overseas Citizen of India—drew music enthusiasts from far and wide for an immersive musical experience that lasted from 8:00 PM until midnight.

Soulful Evening in Schaumburg Celebrates Legacy of Ustad Ghulam Abbas Khan1Serving as a cultural showcase and tribute to the enduring legacy of Indian classical music, the event harmonized tradition with emotional storytelling. Anchoring the evening was the eloquent Amin Haider, whose articulate hosting and thoughtful commentary added significant depth to the program. Haider’s narration was not just informative but evocative, highlighting several memorable moments from Ustad Ghulam Abbas Khan’s life and career. A particularly striking story he shared revolved around a young Ghulam Abbas, only 16 at the time, who had to perform Hindustani classical music at Delhi’s Daulat Ram College—a genre then unfamiliar to him. Despite his lack of experience, the young artist impressed none other than Pandit Debu Chaudhary. So captivated was the maestro that he interrupted the concert to tune the tanpura himself, allowing Ghulam Abbas to shine at his best. As Haider described, this story was emblematic of “the resilience and passion of a maestro whose name is synonymous with excellence.”

A direct musical descendant of the Rampur-Sahaswan Gharana, Ustad Ghulam Abbas Khan brought to the stage aSoulful Evening in Schaumburg Celebrates Legacy of Ustad Ghulam Abbas Khan 2 performance that was as spiritually uplifting as it was technically flawless. He seamlessly navigated an array of musical forms, from khayal and thumri to dadra, Sufi kalams, bhajans, and ghazals. Audiences were deeply moved by his performance of Raga Puriya Kalyan and original and traditional bandishes like “More Ghar Aaja” and “Ab To Tumhi Sang Lagan Lagai.” His ability to infuse these centuries-old compositions with fresh emotion and contemporary nuance was nothing short of mesmerizing. The performance bore the unmistakable imprint of his artistic lineage—being the son of Padmashri Ustad Ghulam Sadiq Khan, and the maternal grandson of Padmabhushan Ustad Mushtaq Husain Khan.

Soulful Evening in Schaumburg Celebrates Legacy of Ustad Ghulam Abbas Khan 3Adding a local flavor to the evening, Chicago-based vocalist Payel Ganguly gave a brief yet impactful performance that paid homage to the same musical traditions Ustad Ghulam Abbas embodies. Her rendition was heartfelt and authentic, resonating powerfully with the audience. The crowd responded with enthusiastic applause, affirming her rising status in the realm of classical music.

The richness of the vocal performances was amplified by a superb musical ensemble. Shehzad Marcus brought depth to the evening with his expert handling of the keyboard, weaving melodies that perfectly complemented the vocals. Meanwhile, young tabla virtuoso AbhijeetSoulful Evening in Schaumburg Celebrates Legacy of Ustad Ghulam Abbas Khan 4 Kastha delivered a stunning rhythmic performance, displaying a maturity and finesse that belied his age. His intricate patterns and subtle flourishes aligned flawlessly with the vocal cadences, creating a musical dialogue that captivated listeners throughout the night.

The event also drew the presence of several notable guests, further elevating its stature. Among the dignitaries were Nayab Hamid Ali Khan, son of the illustrious Ustad Hamid Ali Khan, and respected community figures including Paul Chopra, Ramesh Punatar, Chris Veteran, and Syed Razi. Veterans of the US and Indian Army were also in attendance, Soulful Evening in Schaumburg Celebrates Legacy of Ustad Ghulam Abbas Khan5emphasizing the evening’s significance as a unifying cultural moment for the South Asian community in Chicago. Though Mr. Iftekhar Sharif, the designated chief guest, was unable to attend due to unforeseen scheduling issues, the event was graced by the esteemed ghazal singer Amir Mohammed Khan, who appeared as the Guest of Honor.

Beyond being a musical performance, Ustad Ghulam Abbas Khan’s presence on stage symbolized a rich cultural heritage that spans continents. With over 15 albums to his credit, the Ustad has performed on some of the most prestigious stages around the globe—including in the United Kingdom, Australia, Japan, Singapore, Hong Kong, China, Indonesia, Malaysia, Mauritius, Thailand, Pakistan, Afghanistan, Saudi Arabia, UAE, and Oman. His global influenceSoulful Evening in Schaumburg Celebrates Legacy of Ustad Ghulam Abbas Khan 6 and contributions to Hindustani classical music have earned him several prestigious honors. These include the Central Fellowship Award from India’s Ministry of Culture, the Global Achievement Award in 2017, and the Dr. Radhakrishnan Award in 2018. One of the pinnacles of his career was a performance at the President’s House during the tenure of Dr. APJ Abdul Kalam—an event that remains a highlight in his professional journey.

The success of the evening was bolstered by the generosity and support of key sponsors and partners. Masood Ali of Soulful Evening in Schaumburg Celebrates Legacy of Ustad Ghulam Abbas Khan 7Ali’s Catering ensured that guests were well-fed, while Ena Agnihotri of the Radisson Hotel in Schaumburg provided additional hospitality support. Other significant contributors included the Urdu Institute and Aftab Baig of Monty’s Banquet. Their collective efforts helped transform the evening into more than just a concert—it became a holistic celebration of culture, heritage, and music.

Soulful Classical, Sufi & Ghazals was not merely a concert but a cultural landmark that paid homage to the legacy of Hindustani classical music and its contemporary torchbearers. Through the stellar performances of Ustad Ghulam Abbas Khan, Payel Ganguly, and the supporting artists, the event showcased the power of music to transcend borders, generations, and traditions. In the words of Amin Haider, the evening stood as a “celebration of a legacy that continues to inspire and elevate.”

Diljit Dosanjh’s Met Gala Look Symbolizes a Global Punjabi Style Revolution

Indian singer Diljit Dosanjh made an unforgettable first appearance at the Met Gala last month, leaving a deep impression on global fashion circles. The 41-year-old artist, already celebrated as the only Punjabi musician to have performed at Coachella, walked the iconic red carpet wearing a look inspired by early 20th-century Indian royalty.

He was dressed in an extravagant ivory and gold outfit designed by Prabal Gurung, which featured a feathered and jewel-studded turban. The ensemble captured the attention of many and became a trending topic across India for weeks. Adding to the grandeur was a dazzling diamond necklace, whose design echoed a Cartier piece once worn by a former monarch from Punjab in northern India.

His outfit was completed with a Panthère de Cartier watch, a lion-head accessory, and a jewel-encrusted sword. A particularly personal touch was the cape, which had an embroidered map of his home state Punjab along with letters in Gurmukhi, the traditional script of the Punjabi language.

Dosanjh’s Met Gala appearance wasn’t an outlier—he’s long been recognized for his distinct fashion sense. Just as his music blends traditional Punjabi roots with modern hip-hop elements, his wardrobe does the same. He is frequently spotted in anti-fit pants, bulky sneakers, and a stack of necklaces that complement his colorful turbans. This signature mix of traditional and contemporary has become a form of personal expression that resonates with millions and has transformed Punjabi fashion in unexpected ways.

This evolution in style is evident across the globe. For example, high-energy bhangra competitions in California now rely on high-performance sneakers rather than traditional footwear. Meanwhile, bhangra-themed nights in Berlin’s basements are frequented by attendees wearing crop tops and creatively designed pants.

Punjabi music itself has developed into a full-blown subculture, bursting with energy and loud volume. The lyrics often name-drop international cities and luxury brands, cementing its global appeal. While Dosanjh leads this style movement, he’s not alone in influencing Punjabi fashion.

Punjabi-Canadian singer Jazzy B once made headlines with his enormous rings—some as big as cookies—his oversized Kanda pendants, and his silver-blonde hair streaks. More recently, artist Badshah’s yellow-tinted sunglasses, Yo Yo Honey Singh’s loose-fitting hoodies, and AP Dhillon’s designer outfits featuring Louis Vuitton jackets and Chanel timepieces have taken center stage among Punjabi youth.

Despite their fashion-forward choices, the influence of earlier artists remained mostly regional. However, Dosanjh and a select few have managed to elevate Punjabi style to a global platform. Their fashion resonates not only with the Sikh diaspora but also with a wider international audience. Dosanjh’s t-shirts, pearl accessories, and sneakers from his recent world tour sold out in just hours. AP Dhillon’s fashion appearances at Paris Couture Week have also sparked admiration and aspiration among young Punjabis.

According to cultural analysts, the fusion of music and fashion seen in today’s Punjabi artists has deep roots in Western pop culture, especially since many of these musicians live and perform abroad. As art historian and author Alka Pande observes, “Punjabi men are inventive. The region has been at the forefront of fusion, it believes in hybridity. This is especially the case with the Punjabi diaspora—even when they live in ghettos, they are the showmen [of their lives].”

With the rise of the Punjabi diaspora, a new generation of musicians began blending modern hip-hop with traditional Punjabi aesthetics. Their unique style vocabulary—marked by gold chains, faux fur, oversized jewelry, braids, and beards—has attracted the attention of academics and media alike. Numerous articles, books, and doctoral theses now explore this cultural evolution in South Asia.

Back in Punjab, the shift was immediate. When luxury fashion labels entered the Indian market in the 2000s, Punjabis—many of whom come from farming backgrounds—were quick to adopt and integrate these global styles. As renowned singer Rabbi Shergill puts it, “It symbolised the movement of the Punjabi identity from a farmer to a global consumer.” He believes these fashion choices reflect the realities of the modern world, stating, “These impulses are a response to the hyper capitalist world.”

Interestingly, the fashion of Punjabi musicians across genres—from bhangra pop to Punjabi rap and fusion—tends to remain grounded and even androgynous. These performers might don Balenciaga or traditional creations by Indian designer Manish Malhotra, appear in cities from Ludhiana to London, dance with Beyoncé near Dubai’s Burj Khalifa or on the lawns of a British mansion, but they never lose touch with their Punjabi heritage.

Dosanjh’s Met Gala appearance illustrated this perfectly. “It’s like the popularity of his androgynous style was waiting to happen,” notes Pande.

The ripple effects of this cultural blend are now clearly visible across Punjab’s creative scenes. Traditional bhangra outfits are no longer limited to the standard “dhoti-kurta-koti” with juttis (ethnic shoes). Performers now step on stage in sneakers, graphic T-shirts, unconventional pants, and even jeans. This updated wardrobe mirrors the hybrid identities of the artists themselves.

Harinder Singh, the owner of the 1469 brand, confirms the growing demand for such styles. “Such items are highly sought after by customers,” he says. His stores offer accessories made popular by Punjabi music stars, including Phulkari turbans worn by Dosanjh and Kanda pendants first made famous by the veteran Bhangra performer Pammi Bai. Singh himself owns turbans in over 100 shades, showcasing the diversity in modern Punjabi headwear.

This shift isn’t confined to performers alone. Everyday men’s fashion in Punjab now incorporates global influences. Gurpreet Saini, a young poet who performs at cultural events across India, wears shawls printed with Gurmukhi letters in ombre tones—a unique style he sources from his hometown of Hariana. He acknowledges the impact of musical icons on his aesthetic choices, particularly the legendary folk singer Gurdas Mann.

What started out as individual flair has now grown into a full-blown cultural movement. These fashion choices are no longer just personal—they have evolved into symbols of identity. Through bold rhythms, stylistic innovation, and a deep connection to heritage, Punjabi artists have reshaped how their culture is seen both at home and abroad.

Dosanjh’s statement at the Met Gala was not just about fashion—it was a declaration of identity. The blend of tradition and trend that he and his peers embody represents more than style; it reflects a new, confident Punjabi identity that is as global as it is rooted.

Taylor Swift Reclaims Full Ownership of Her Music Catalog

Taylor Swift has successfully regained full ownership of her entire music catalog, marking a pivotal moment in her career. In a heartfelt message shared on her official website Friday, the global pop sensation revealed that she now holds the rights to every song she has ever created.

“All of the music I’ve ever made now belongs to me,” Swift wrote in her statement, signifying the completion of a years-long journey to reclaim control over her artistic work.

The announcement comes after Swift purchased the master recordings of her earlier work, originally released through Big Machine Records. These recordings were most recently owned by Shamrock Capital, a private equity firm. While she did not reveal the cost of the acquisition, the milestone represents the final step in Swift’s plan to reclaim her legacy.

In recent years, Swift has been systematically rerecording her first six studio albums in an effort to regain control after her masters were sold without her consent. Her efforts were prompted by the highly publicized acquisition and later sale of her original recordings by Scooter Braun, CEO of Hybe America. Braun’s purchase of her catalog sparked widespread debate over artists’ rights and ownership in the music industry.

“I can’t thank you enough for helping to reunite me with this art that I have dedicated my life to, but have never owned until now,” Swift told her fans in her online message. “The best things that have ever been mine … finally actually are.”

Shamrock Capital also released a statement expressing their support for Swift, saying, “We are thrilled with this outcome and are so happy for Taylor.”

The controversy over her masters led to a creative and strategic move by Swift—rerecording her early albums and branding them as “Taylor’s Version.” These versions have gone far beyond simple reproductions, including previously unreleased “from the vault” tracks, hidden clues for fans, and fresh visuals that offer deeper insight into her evolution as an artist.

In response to the latest development, Braun himself stated, “I am happy for her.”

Alongside her rerecordings, Swift has continued releasing new music. In 2024, she launched “The Tortured Poets Department,” which was announced during the Grammy Awards and released while she was on her record-breaking tour. The album added yet another successful chapter to her already storied career.

So far, Swift has rerecorded four of her original six albums. The journey began in 2021 with “Fearless (Taylor’s Version)” and “Red (Taylor’s Version),” both of which received critical acclaim and commercial success. Each rereleased album has debuted at No. 1 on the Billboard 200, underscoring her immense influence and enduring popularity.

Her most recent rerecorded album, “1989 (Taylor’s Version),” came out in October 2023. It followed closely behind “Speak Now (Taylor’s Version),” which had dropped just four months earlier. These releases helped Swift set a new record as the female artist with the most No. 1 albums in history.

Many fans believe “Reputation (Taylor’s Version)” is likely next in line. The theory gained traction after “Look What You Made Me Do (Taylor’s Version)” was featured prominently in the opening scene of a Season 6 episode of “The Handmaid’s Tale,” which aired on May 19. The rerecorded track has also appeared in other projects, including the 2023 Prime Video thriller series “Wilderness” and the 2024 Apple TV+ documentary “The Dynasty: New England Patriots.”

Additionally, in 2023, Swift’s song “Delicate (Taylor’s Version)” was included in the Prime Video series “The Summer I Turned Pretty,” further fueling speculation about an imminent release of “Reputation (Taylor’s Version).”

However, despite fan excitement, Swift clarified in her recent post that the rerecording process is far from complete. “I haven’t even rerecorded a quarter of it,” she wrote, indicating there’s still much more to come in her mission to take back her musical legacy.

On a more optimistic note, she confirmed that she has completed the rerecording of her 2006 self-titled debut album. “I really love how it sounds now,” she said, expressing her satisfaction with the updated version.

Swift concluded by reassuring fans that both “Reputation (Taylor’s Version)” and her self-titled debut are not being forgotten. She said they “can still have their moments to reemerge when the time is right,” leaving room for strategic future releases.

At the time of the announcement, representatives for both Swift and HYBE had not yet responded to media requests for comment, keeping the finer details of the transaction under wraps.

The journey to this point has not only underscored Taylor Swift’s determination and business acumen but also sparked broader conversations about artist empowerment, creative ownership, and industry practices. What began as a dispute over the rights to her music has now turned into a blueprint for artists seeking to take back control over their own work.

Through the rerecording project, Swift has transformed what could have been a setback into a triumphant campaign. By re-releasing her music with additional content and involving her fans in a creative treasure hunt of Easter eggs, she has managed to reframe her old catalog in a way that feels both nostalgic and brand new.

The decision to rerecord her early work was initially viewed as a risky move in an industry that often discourages repetition. However, Swift’s approach proved revolutionary. Each “Taylor’s Version” album has reinvigorated interest in her past music while reinforcing her message of independence and resilience.

Her fans have responded enthusiastically, treating each release as a cultural event. This strategy has allowed Swift to not only regain ownership but also enhance her legacy on her own terms.

Now, with complete control over her discography and the support of a passionate global fan base, Taylor Swift stands as a powerful example of how artists can navigate challenges, reclaim what is rightfully theirs, and emerge stronger.

“All of the music I’ve ever made now belongs to me,” Swift emphasized once again in her message—a final declaration of victory in one of the most high-profile battles over music ownership in modern pop history.

Miss India Nandini Gupta Shines as Asia-Oceania Winner in Miss World 2025 Top Model Challenge

Miss India Nandini Gupta was named one of the four continental winners in the Top Model Challenge at Miss World 2025, a key segment of the international beauty pageant. The event, which took place on Saturday evening at the Trident Hotel in Hyderabad, was a vibrant celebration of global fashion and regional culture.

A total of 108 contestants from various parts of the world graced the runway during this glamorous event. Each participant represented their country and continent, bringing forward not just beauty but elegance, cultural pride, and personality. The winners were chosen based on their confidence, stage presence, and command over the runway, making the challenge more than just a visual spectacle.

Representing the Asia and Oceania region, Nandini Gupta stood out among her peers and was selected as the winner for her continent. The other three winners who joined her were Miss Namibia Selma Kamanya from Africa, Miss Martinique Aurélie Joachim representing the Americas and Caribbean, and Miss Ireland Jasmine Gerhardt, who represented Europe. The winners were selected not only for their physical appeal but also for how they carried themselves during the event and embodied the values of grace and composure.

The fashion event went beyond traditional pageantry, becoming a platform that celebrated both high fashion and cultural heritage. Hyderabad’s role as host was particularly significant, as the city’s own rich traditions in textiles were highlighted during the show. Contestants wore beautifully crafted garments made using local handloom techniques such as Pochampally, Gadwal, and Gollabhama weaves. These designs also incorporated pearl-inspired elements, in homage to Hyderabad’s historical identity as the City of Pearls.

The outfits were designed by Indian fashion designer Archana Kochhar, widely admired for her ability to seamlessly merge modern silhouettes with traditional Indian artistry. Kochhar’s creations for the event were not only eye-catching but also served as cultural statements. Her work paid tribute to India’s heritage while ensuring the designs remained globally appealing.

After the cultural showcase segment, contestants returned to the runway in contemporary fashion. These modern ensembles were created by internationally renowned designers, presenting a dramatic contrast to the earlier part of the evening. This transition underscored the versatility of the participants as well as the event’s theme of merging tradition with modernity.

The contest was structured in several phases. In the initial stage, two finalists were shortlisted from each continent based on their performance in the earlier rounds. For Africa, the selected finalists were Miss Côte d’Ivoire Fatoumata Coulibaly and Miss Namibia Selma Kamanya. Representing the Americas and Caribbean were Miss Martinique Aurélie Joachim and Miss Venezuela Valeria Cannavò. In the Asia and Oceania category, Miss India Nandini Gupta was joined by Miss New Zealand Samantha Poole. For Europe, the two finalists were Miss Belgium Karen Jansen and Miss Ireland Jasmine Gerhardt.

From these eight finalists, one winner per continent was announced. The final selection was based on multiple criteria, including stage presence, confidence, and overall runway performance. All contestants had an opportunity to showcase their individuality and style before the final decisions were made.

The Top Model Challenge also included a segment where awards for the best designer dress were given. These awards were separate from the main continental winners and recognized participants who excelled in wearing and presenting specially crafted designer outfits. Miss South Africa Zoalise Jansen van Rensburg, Miss Puerto Rico Valeria Pérez, Miss New Zealand Samantha Poole, and Miss Ukraine Maria Melnychenko were honoured in this category. They were each praised for their poise and ability to carry unique and distinctive fashion creations with elegance and charm.

The overall tone of the evening was not just one of beauty and competition, but of unity, tradition, and artistic celebration. The Top Model Challenge served as a tribute to both global diversity and Indian heritage, with Hyderabad playing a central role as both a cultural ambassador and fashionable backdrop.

Commenting on the event’s broader impact, one of the organizers stated that it was about much more than pageantry. “This was not just a beauty pageant but a celebration of culture, fashion, and Telangana’s rich textile heritage.” This sentiment was evident in every segment, from the traditional handloom garments to the modern runway looks that closed the show.

For Miss India Nandini Gupta, the recognition as the top model from Asia and Oceania is a significant achievement and places her in strong contention for the Miss World crown. Her performance in the event showed not only her elegance but also her ability to represent her culture with pride and sophistication. Gupta’s inclusion among the four continental winners highlights India’s growing prominence in the global beauty and fashion industry.

Miss Namibia Selma Kamanya, winner for Africa, also left a strong impression with her performance, while Miss Martinique Aurélie Joachim and Miss Ireland Jasmine Gerhardt captivated audiences in their respective regions. Each of these winners symbolized the diverse beauty and talent present across continents, reinforcing the pageant’s global vision.

In total, the evening was a dynamic blend of fashion, tradition, and international camaraderie. From intricately woven Indian fabrics to sleek modern designs, from heartfelt cultural tributes to confident runway strides, the Top Model Challenge delivered a memorable experience for all in attendance and those watching from around the world.

By the end of the night, it was clear that Miss World 2025’s Top Model Challenge was more than just a lead-up event. It was a powerful display of how beauty, culture, and identity can intersect on a global stage. The success of contestants like Nandini Gupta marks a moment of pride not only for India but for everyone who believes in the celebration of both tradition and innovation.

Billie Eilish Dominates 2025 American Music Awards as Beyoncé Makes History in Country Category

The 2025 American Music Awards, held on Memorial Day, proved to be a night of unforgettable wins, powerful performances, and historic firsts. Among the biggest stories of the evening was Billie Eilish’s sweeping victory, claiming all seven awards she was nominated for, including the top honors of Artist of the Year, Album of the Year, and Song of the Year. Although Eilish was not present to receive her awards in person due to her ongoing tour, her presence was deeply felt throughout the ceremony.

Beyoncé made her own mark on the night by securing her first ever wins in the country music category. She took home the awards for Favorite Female Country Artist and Favorite Country Album for “Cowboy Carter,” underscoring her successful crossover into the genre. Meanwhile, Kendrick Lamar won Favorite Hip-Hop Song for “Not Like Us,” and SZA took home two awards: Favorite R&B Song and Favorite Female R&B Artist.

The event was hosted by Jennifer Lopez, who opened the show with a dynamic dance number that blended tracks from various artists, including Beyoncé, Billie Eilish, Shaboozey, and Chappell Roan. The high-energy introduction set the tone for a vibrant evening of music celebration.

One of the most poignant moments of the night came when Janet Jackson was honored with the 2025 Icon Award. Jackson made her return to television with her first performance in seven years, delighting fans with renditions of classics such as “Someone to Call My Lover” and “All for You.” In an emotional acceptance speech, she reflected on her journey and legacy. “My family (and) myself, our dream wasn’t ever to be famous. We weren’t raised like that. We always had a special love for music, dancing and singing, and fame came with the result of hard work and dedication,” she said. “My story, my family’s story, it’s truly an American story. This would’ve only happened in America.”

Sir Rod Stewart received the Lifetime Achievement Award and concluded the evening with a heartfelt performance of “Forever Young,” reinforcing his enduring influence on the music world. Other artists who took the stage during the broadcast included Blake Shelton, Benson Boone, Gloria Estefan, Lainey Wilson, Gwen Stefani, and Reneé Rapp.

In keeping with the significance of Memorial Day, the AMAs partnered with the Easy Day Foundation, an organization that supports military veterans transitioning to civilian life. The ceremony paid tribute to veterans in the audience, with special mentions by Zac Brown and Ciara highlighting their contributions and presence during the event.

This year’s awards saw an expansive list of nominees and winners across a wide range of genres. Gracie Abrams was named New Artist of the Year, while “Hit Me Hard and Soft” by Billie Eilish won Album of the Year. Eilish’s hit “Birds of a Feather” secured Song of the Year and also took the award for Favorite Pop Song. Additionally, Eilish was recognized as Favorite Female Pop Artist, Favorite Pop Album winner, and Favorite Touring Artist.

Lady Gaga and Bruno Mars were also notable winners, clinching Collaboration of the Year and Favorite Music Video for “Die With A Smile.” Doechii’s track “Anxiety” won Social Song of the Year, and Eminem secured wins for both Favorite Male Hip-Hop Artist and Favorite Hip-Hop Album with “The Death Of Slim Shady (Coup De Grâce).”

The Weeknd won Favorite Male R&B Artist, and his album “Hurry Up Tomorrow” earned Favorite R&B Album. SZA’s “Saturn” was named Favorite R&B Song. Post Malone, recognized for his growing influence in country music, won Favorite Male Country Artist and also shared a win for Favorite Country Song alongside Morgan Wallen for “I Had Some Help.”

Among other notable victories, Dan + Shay won Favorite Country Duo or Group, while Twenty One Pilots were honored as Favorite Rock Artist and won Favorite Rock Album for “Clancy.” Linkin Park took the award for Favorite Rock Song with “The Emptiness Machine.”

In the Latin categories, Bad Bunny once again made a strong showing, winning Favorite Male Latin Artist and Favorite Latin Album for “DeBÍ TiRAR MáS FOToS.” Becky G won Favorite Female Latin Artist, while Shakira’s “Soltera” was named Favorite Latin Song. Julión Álvarez y su Norteño Banda received recognition as Favorite Latin Duo or Group.

Afrobeats and K-Pop categories also saw celebrated wins. Tyla won Favorite Afrobeats Artist, and RM of BTS fame secured the Favorite K-Pop Artist title, continuing the genre’s international prominence. Lady Gaga added another win to her list by being named Favorite Dance/Electronic Artist. In the soundtrack category, “Arcane League of Legends: Season 2” took the win for Favorite Soundtrack.

The evening’s blend of star-studded performances, moving tributes, and a broad showcase of music genres underscored the American Music Awards’ continued relevance and cultural impact. Billie Eilish’s dominant performance at the awards reinforced her status as one of the most influential artists of her generation. Beyoncé’s recognition in the country genre highlighted the genre’s growing inclusivity, while Janet Jackson’s return served as a powerful reminder of the lasting legacy of iconic performers.

“My story, my family’s story, it’s truly an American story,” Jackson said, summing up a night that celebrated music’s ability to cross boundaries, genres, and generations.

In all, the 2025 AMAs succeeded in honoring both emerging and legendary talents while using the platform to pay tribute to American heroes, making it one of the most memorable ceremonies in recent years.

Global Audiences Flock to Netflix’s Top 10 Most-Watched Shows of All Time

With a subscriber base exceeding 300 million across more than 190 countries, Netflix stands as the world’s leading streaming platform, offering a vast catalog of content. Despite this extensive library, only a select few shows and films capture worldwide attention and secure a place in Netflix’s elite list of most-watched programs.

The following rankings showcase the top 10 most-viewed shows ever released on Netflix, determined by global viewership numbers within the first 91 days of a show’s debut. According to Netflix’s official methodology, views are calculated by dividing the total number of hours watched by a show’s runtime, offering a standardized measure of popularity.

Topping the list is the South Korean sensation Squid Game (Season 1), which amassed an astounding 265.2 million views in its first 91 days. This achievement illustrates the increasing global appeal of non-English programming. “Squid Game” originally premiered in September 2021 during a time when pandemic-induced lockdowns boosted digital content consumption dramatically. Its gripping storyline and cultural relevance propelled it to unprecedented heights, and its sequel also found massive success, earning 192.1 million views during the same initial window.

In fact, three of the top 10 shows are non-English productions, highlighting the internationalization of streaming entertainment. These include Squid Game (both seasons) and Money Heist (Season 4), which pulled in 106 million views. The Spanish-language crime drama continues to hold its ground among global viewers, proving that language barriers are increasingly irrelevant in the age of subtitles and dubbing.

While international content is gaining prominence, English-language shows still dominate the rankings. Wednesday (Season 1) follows closely behind Squid Game, with 252.1 million views. The show’s appeal lies in its charismatic lead, Wednesday Addams, described as both mysterious and sarcastic. With a quirky storyline set against a gothic backdrop, it managed to captivate a broad audience and is Netflix’s second most-watched show.

Sci-fi horror series Stranger Things (Season 4) occupies the fourth spot with 140.7 million views. The show’s nostalgic 1980s Indiana setting and its gripping mix of supernatural and suspenseful plotlines have made it a cultural phenomenon over the years. Each season builds on the previous with more intrigue and intensity, and its latest installment was no different in drawing massive attention.

The fifth spot goes to Adolescence, the newest addition to Netflix’s top 10. Debuting in March 2025, the show quickly garnered 134 million views in just two months. This limited series has been widely praised for its cinematic style, particularly the bold decision to film each episode in a continuous single shot without any cuts. This innovative approach has set it apart from traditional television formats. “Adolescence” is noted for being a standout in storytelling and direction, adding artistic depth to mainstream streaming content.

Coming in sixth is DAHMER, a chilling true-crime series chronicling the life and crimes of Jeffrey Dahmer. It received 115.6 million views, underlining the continued popularity of real-life horror stories and the general fascination with criminal psychology. This show sparked significant conversations around the ethics of dramatizing real tragedies but still managed to pull viewers in with its intense narrative and stellar performances.

Bridgerton (Season 1) follows next with 113.3 million views. The period drama, centered on Regency-era romance and high society intrigue, has resonated strongly with viewers around the world. Its third season also made the list with 106 million views, making Bridgerton the only show with multiple seasons featured in the top 10, aside from Squid Game. With a diverse cast, elegant costumes, and a romantic storyline, it offers a refreshing alternative to the thrillers and mysteries that dominate the list.

The Queen’s Gambit, another English-language limited series, ranks eighth with 112.8 million views. Based on a young chess prodigy’s journey to the top of the competitive chess world, the show captivated audiences not only with its plot but also with its stylish execution and emotional depth. It’s the only other single-season show besides Adolescence to make the cut, demonstrating the potential for limited series to leave a lasting impact.

Completing the list is Money Heist (Season 4), which like Squid Game, is a testament to the power of foreign-language programming on a global platform. Originally a Spanish-language series, Money Heist has become a global cultural symbol for rebellion and resistance, attracting audiences far beyond its domestic market. The fourth season’s viewership of 106 million confirms its sustained popularity.

Here’s the complete ranking of Netflix’s most-watched shows based on the number of views in the first 91 days of their release:

  1. Squid Game (Season 1) – 265.2M views – Korean
  2. Wednesday (Season 1) – 252.1M views – English
  3. Squid Game (Season 2) – 192.1M views – Korean
  4. Stranger Things (Season 4) – 140.7M views – English
  5. Adolescence – 134.0M views – English
  6. DAHMER – 115.6M views – English
  7. Bridgerton (Season 1) – 113.3M views – English
  8. The Queen’s Gambit – 112.8M views – English
  9. Bridgerton (Season 3) – 106.0M views – English
  10. Money Heist (Season 4) – 106.0M views – Spanish

Although non-English shows have clearly proven their global appeal, the top 10 list still sees English-language content claiming seven of the ten spots. This suggests that while Netflix viewers are increasingly open to international storytelling, English shows retain a strong hold on the platform’s viewership base.

From thrillers and horrors to period romances and single-season masterpieces, Netflix’s most-watched list reveals that high-quality storytelling—regardless of language or format—can capture the imagination of a worldwide audience. Whether it’s the high-stakes games of Squid Game, the eerie charm of Wednesday, or the artistic risk-taking of Adolescence, each of these shows has found a way to resonate with millions.

“Squid Game’s first season premiered in September 2021, supported by ballooning media consumption during COVID lockdowns,” Netflix notes, highlighting the timing of its breakout success.

Ultimately, the top 10 most-viewed shows underscore the diversity in viewer preferences, genre tastes, and geographic reach. As global audiences continue to evolve, so too does the definition of what makes a show a hit in the digital age.

Netflix Docuseries ‘American Manhunt: Osama bin Laden’ Becomes a Global Sensation with Perfect Score

Netflix’s docuseries genre focusing on significant episodes in American history has seen continued success, and its latest installment, American Manhunt: Osama bin Laden, has emerged as a major global hit. Despite being delayed for two months, the series has managed to capture the attention of audiences worldwide, achieving a rare 100% critics score on Rotten Tomatoes. This milestone marks another achievement in Netflix’s longstanding tradition of producing impactful documentaries that delve into crucial historical events.

Netflix has steadily developed a reputation for creating high-quality docuseries that explore various pivotal moments in the history of the United States. Past productions such as Waco: American Apocalypse, which chronicles the 1993 Waco massacre, and Spy Ops, examining different federal government operations, have garnered widespread viewership and acclaim. These series often shine a spotlight on intense and often tragic events, offering viewers a deeper understanding of the complexities involved.

The American Manhunt label on Netflix refers to a set of documentary series focused on notorious individuals who have been pursued by the American government in contemporary times. The series began with 2023’s American Manhunt: The Boston Marathon Bombing, which centered on the devastating 2013 terrorist attack and the subsequent manhunt for the Tsarnaev brothers. This was followed by American Manhunt: O.J. Simpson in 2025, which revisited the infamous trial of the former football star. Both series examined major criminal investigations, combining expert commentary and eyewitness accounts to paint a vivid picture of how these cases unfolded.

The latest installment, American Manhunt: Osama bin Laden, has achieved tremendous success on the platform. The three-part series details the intense and complex search for bin Laden, primarily from the perspective of insiders at the CIA. It delves into the history and strategy behind one of the most significant manhunts in modern history, exploring the nuances of the intelligence operations that led to his eventual capture. Despite facing a delay in its release, the series has earned widespread praise. “The series holds a 100% critics score on Rotten Tomatoes as of writing,” highlighting its critical acclaim and signaling its significance within the larger context of American docuseries.

Netflix officially announced that American Manhunt: Osama bin Laden had become the Number 1 English-language TV show on the platform for the week of May 12 to May 18, 2025. According to the platform, it amassed 38.7 million hours of viewership across a total of 12.6 million viewers. The documentary is currently in the Top 10 in 88 countries and has reached the Number 1 position in 19 of those nations. These countries include Canada, Colombia, Costa Rica, Ecuador, Guatemala, Panama, Paraguay, the United States, Cyprus, Estonia, Malta, Portugal, Egypt, Morocco, Bahrain, Kuwait, Qatar, Saudi Arabia, and the United Arab Emirates.

The immense popularity of this docuseries is no surprise when considering the subject matter. Osama bin Laden’s role in global terrorism and his eventual capture is one of the most consequential narratives of the 21st century. The documentary’s deep dive into the events, strategies, and intelligence work that surrounded his capture appeals to a broad global audience. “Given the pervasiveness of America’s war on terror has been for recent world history, it’s not surprising American Manhunt: Osama bin Laden is popular globally.”

The success of the series can also be attributed to its tight, concise structure. With only three episodes, the series manages to deliver all the essential information without overwhelming the viewer. This makes it easily accessible to a global audience interested in understanding the history and tactics of federal investigative operations.This is especially the case because of the experts involved in the series, making the information that shows up in the series feel like an important glimpse into the world of federal investigations.

Another factor that enhances the series’ impact is its reliance on informed voices. Interviews with CIA insiders and intelligence experts provide authenticity and credibility, turning the series into more than just a retelling of events. These perspectives give viewers an intimate look into the decision-making processes and behind-the-scenes operations that aren’t typically available to the public. It is this inside look that distinguishes the series from other historical documentaries.

Additionally, the series comes at a time when audiences are increasingly drawn to real-life crime and investigation narratives. As streaming platforms compete for attention, productions that offer depth, relevance, and a strong storytelling foundation tend to rise to the top. American Manhunt: Osama bin Laden fits this mold perfectly, bringing together history, suspense, and emotional resonance. Its position at the top of Netflix’s charts underscores the global interest in stories that examine the consequences of terrorism and the efforts made to confront it.

Netflix’s ability to market and distribute such a series effectively has also played a role in its success. With strategic release timing and global availability, the platform ensured the docuseries would receive maximum exposure. The widespread international interest demonstrates that stories rooted in American history can have universal appeal when told with clarity and authority.

The high Rotten Tomatoes rating is a testament to the series’ quality. It suggests that critics not only appreciated the storytelling and production but also recognized the importance of documenting such a significant event in global history. “Despite a delay in release, the series holds a 100% critics score on Rotten Tomatoes as of writing,” as noted, indicating that the delay did not negatively affect the reception of the show.

All episodes of American Manhunt: Osama bin Laden are currently available for streaming on Netflix. As viewers around the world continue to engage with the series, its impact is likely to resonate beyond the screen, sparking renewed discussion on the legacy of bin Laden, the war on terror, and the evolving role of intelligence in national security. In a media landscape often dominated by fiction, Netflix’s success with this non-fiction narrative further highlights the growing appetite for real stories that shaped the world.

The success of American Manhunt: Osama bin Laden not only reinforces the popularity of historical docuseries but also signals Netflix’s continued strength in producing globally relevant, critically acclaimed content. As the platform expands its library, the American Manhunt series stands as a compelling example of how true stories, when told well, can resonate powerfully across borders and cultures.

Ram Charan’s Wax Figure with Pet Rhyme Unveiled at Madame Tussauds Singapore in Historic First

Madame Tussauds Singapore, a popular tourist attraction managed by Merlin Entertainments, has revealed its latest wax figure—a lifelike statue of Indian superstar Ram Charan. What makes this unveiling even more unique is that it marks the first time a wax figure includes both a celebrity and their pet. Ram Charan’s statue is accompanied by his beloved dog, Rhyme, making it a groundbreaking moment for the museum.

The actor, who has garnered widespread acclaim for his performances in South Indian cinema as well as forays into international recognition, expressed his amazement at seeing the figure for the first time. “When I saw the figure for the first time, I was absolutely stunned. The likeness is unbelievable—from the expression to the stance to the exact detail of Rhyme by my side. It’s like looking in a mirror, and I’m so thrilled that fans around the world will get to experience me up close,” said Ram Charan.

The waxwork captures every aspect of the actor’s appearance and demeanor, including the intricate portrayal of Rhyme, who stands beside him in the display. This addition of a pet figure to the wax statue is a novel concept for Madame Tussauds, and Ram Charan is now the first to have such a personalized representation. This decision reflects not only his celebrity status but also a deep personal bond that resonated with the creative team behind the figure.

This event marks a significant cultural moment as well, especially in terms of how South Indian cinema is increasingly finding its place on the global entertainment map. Ram Charan, known for blockbuster hits in Telugu cinema and more recently for his role in the globally recognized film “RRR”, represents a powerful shift in how regional Indian cinema is perceived internationally.

Andre Timmins, co-founder of the International Indian Film Academy (IIFA), also spoke at the unveiling and shared his thoughts on the importance of this collaboration. “For over 25 years, IIFA and Madame Tussauds have shared a proud partnership built on celebrating Indian cinema’s biggest icons and its extraordinary cultural journey across the world. This unveiling of Ram Charan’s figure, a global superstar whose roots are in South Indian cinema, has redefined international perceptions. It is a milestone moment that reflects the growing influence of regional cinema alongside Hindi movies on the global stage. Together with Madame Tussauds, we remain committed to showcasing the diversity, depth and dynamism of Indian cinema to audiences everywhere.”

Timmins’ comments underline the broader cultural implications of the unveiling. Indian cinema is no longer just about Bollywood; the increasing recognition of regional stars and their global fan bases signals a larger narrative about inclusivity and representation. Ram Charan, who hails from a long line of cinematic icons in the Telugu film industry, embodies this evolving dynamic.

The presence of his dog Rhyme in the wax figure presentation also sends a message about the evolving nature of celebrity identity. In today’s age of social media and digital storytelling, fans are not just interested in a star’s professional achievements but are also deeply invested in their personal lives. Including Rhyme brings an emotional and intimate layer to the statue, which makes it stand out among the many figures housed in Madame Tussauds.

Ram Charan has enjoyed a career filled with both critical and commercial success. From memorable performances in movies like “Magadheera”, “Dhruva”, and “Rangasthalam” to international exposure through “RRR”, his journey has been one of consistent evolution and growing appeal. His presence in Madame Tussauds Singapore now offers fans a chance to get closer to one of India’s most dynamic actors.

The wax statue is expected to become a major attraction for the museum, drawing fans from across Asia and around the world. Singapore’s Madame Tussauds location has been noted for its diverse range of wax figures, but the inclusion of Ram Charan along with his pet signifies a move toward more personalized and meaningful representations of global celebrities.

According to the creators at Madame Tussauds, crafting a wax figure is a highly meticulous process involving hundreds of measurements, detailed photographs, and numerous sessions with the individual to ensure every element is accurate. In Ram Charan’s case, this also extended to his dog, requiring additional efforts to achieve the same level of detail and realism for Rhyme.

Such detailed craftsmanship not only captures physical features but also the aura and personality of the subject, making each statue a work of art. Visitors to Madame Tussauds often marvel at how real the figures appear, and the new Ram Charan-Rhyme installation is likely to elicit the same reaction.

This dual wax figure also symbolizes the emotional connection that fans feel with their favorite celebrities. By showcasing Ram Charan with Rhyme, Madame Tussauds is acknowledging the role of relationships and companionship in a celebrity’s life—a departure from the usual portrayal of stars in glamorous or iconic poses.

In terms of cultural representation, this move also illustrates Madame Tussauds’ expanding focus on global diversity. The inclusion of a South Indian star, celebrated for both his artistic talent and broad popularity, speaks volumes about the global appeal of Indian cinema beyond the Hindi-language industry.

For Ram Charan, this wax figure is not just an honor but a marker of his journey and the deep affection fans hold for him. It is a visual and symbolic reminder of how far South Indian cinema has come and how its stars are now celebrated on international platforms that once predominantly featured Western celebrities.

Madame Tussauds Singapore’s decision to feature Ram Charan and Rhyme has set a new standard for wax figures, blending personal significance with public recognition. It not only enhances the museum’s collection but also reinforces its role as a space that evolves with global cultural currents.

As Ram Charan himself noted, the experience of seeing his wax figure was like “looking in a mirror”, a statement that encapsulates the striking authenticity of the display. With this launch, both Madame Tussauds and Ram Charan have achieved a landmark moment—one that honors not just a film career but a deeply human story of connection and recognition.

This new figure is now on display at Madame Tussauds Singapore, inviting fans to witness an extraordinary blend of celebrity, artistry, and affection.

Mohanlal’s ‘Thudarum’ Breaks Records with Unprecedented Footfalls and Global Box Office Triumph

The year 2025 is shaping up to be an iconic one for Malayalam cinema, especially for superstar Mohanlal. His latest crime thriller Thudarum has emerged as a groundbreaking film in Mollywood, surpassing several benchmarks and setting a new standard for box office success. With record-breaking footfalls and massive global collections, Thudarum has achieved a feat no Indian film has managed in the last nine years.

Released on April 25, 2025, Thudarum has captivated audiences across Kerala, with its gripping storyline and Mohanlal’s compelling performance drawing in massive crowds to theatres. The film’s popularity shows no sign of slowing down, as it continues to attract moviegoers in unprecedented numbers.

According to the most recent data, the film has recorded a staggering 66.2 lakh footfalls in Kerala within just 20 days of its release. With the current momentum, Thudarum is expected to cross the 70 lakh mark with ease by the weekend. This incredible audience turnout reflects the film’s strong word-of-mouth and repeat viewership. What makes this even more remarkable is that Thudarum has outperformed another of Mohanlal’s recent blockbusters, L2: Empuraan, which had amassed a total of 53.95 lakh footfalls during its entire theatrical run.

This level of footfall is historic for Kerala’s film industry. Thudarum is now the third most-watched Indian film in Kerala since the year 2000. It trails only behind Narasimham (2000) and Pulimurugan (2016), both of which are also Mohanlal starrers. Notably, Pulimurugan had been the gold standard for nearly a decade when it came to audience turnout, but now Thudarum is challenging that legacy. In fact, no Indian film over the past nine years has managed to achieve such a large viewership in Kerala. As one observer noted, “Mind-boggling, isn’t it?”

While the film is breaking records in terms of audience numbers, its performance at the global box office is equally impressive. Within 21 days, Thudarum has already overtaken L2: Empuraan to become the second highest-grossing Malayalam film of all time. The only film still ahead of it is Manjummel Boys.

Domestically, Thudarum has earned a net total of ₹107.66 crore in India. Its gross domestic collections amount to ₹127.03 crore. On the international front, the film has concluded its overseas run with a gross of ₹90.20 crore. Adding it all together, the worldwide gross stands at a remarkable ₹217.23 crore.

Here’s a breakdown of Thudarum’s global box office performance over the span of 20 days:

India net: ₹107.66 crore

India gross: ₹127.03 crore

Overseas gross: ₹90.20 crore

Worldwide gross: ₹217.23 crore

These numbers are a testament to the wide appeal of the film, not just among audiences in Kerala but also among the Malayali diaspora and international moviegoers. Few regional films manage to make such a dent globally, but Thudarum has proven that Malayalam cinema continues to rise in stature and influence on the world stage.

The film has been helmed by director Tharun Moorthy, who has crafted a crime thriller that resonates with viewers across demographics. Featuring a stellar ensemble cast, Thudarum includes celebrated actress Shobana in a pivotal role, alongside Prakash Varma, Farhaan Faasil, Maniyanpilla Raju, Binu Pappu, Irshad Ali, Aarsha Chandini Baiju, Thomas Mathew, Sangeeth Prathap, and Krishna Prabha. Each actor brings depth and nuance to the film, enhancing the intricate storyline and creating a cinematic experience that is both engaging and memorable.

Produced by M. Renjith under the banner of Rejaputhra Visual Media, Thudarum had a wide theatrical release on April 25, 2025. The production values and cinematic craftsmanship have received praise, with critics highlighting the film’s storytelling, tight screenplay, and impactful performances. The collaboration between Mohanlal and director Tharun Moorthy has proven to be a winning combination, attracting both critical acclaim and commercial success.

The film’s success reflects not just Mohanlal’s star power but also the evolution of Malayalam cinema into a more global and commercially viable force. While Mohanlal’s name undoubtedly adds tremendous weight to any film, it is clear that Thudarum has resonated with audiences on multiple levels—thanks to its compelling plot, direction, and powerful ensemble cast.

As Thudarum continues its theatrical run, it remains a phenomenon in Kerala and beyond. With its footfall count inching toward 70 lakhs and worldwide revenue already crossing ₹217 crore, the film is expected to climb even higher in the list of all-time box office successes.

Given the current trajectory, it wouldn’t be surprising if Thudarum goes on to challenge even more longstanding records in the days to come. Its popularity suggests strong legs at the box office, and with continued support from fans and audiences, it could eventually narrow the gap with Manjummel Boys or even surpass it.

For now, Mohanlal can bask in the glory of yet another historic achievement. His ability to consistently draw crowds and push the boundaries of Malayalam cinema remains unmatched. Thudarum is more than just a hit film—it is a cultural event, a celebration of storytelling, and a clear indicator that Malayalam cinema is thriving like never before.

In an industry constantly evolving with new trends and shifting audience preferences, Mohanlal continues to adapt and dominate. As 2025 unfolds, Thudarum stands tall as a defining moment for both the actor and the Malayalam film industry.

A Night Under the Stars: Aditya Gadhvi’s Historic Open-Air Gujarati Concert Lights up Chicago

Echoes of Gujarat: Aditya Gadhvi’s Landmark Concert Unites Thousands

Breaking Barriers: Aditya Gadhvi’s Historic Concert Redraws Cultural Maps

Asian Media USA ©

Chicago, IL: On May 9, 2025, Wintrust Field in Schaumburg, Illinois, transformed into a vibrant celebration of music, culture, and unity as Aditya Gadhvi, Gujarat’s revered folk and playback singer, headlined North America’s first open-air Gujarati concert. Aditya Gadhvi concert brought to life with the dedication of community organizers, this historic event drew thousands of music enthusiasts, marking a pivotal moment in the global ascent of Gujarati music and culture under a starlit sky.

Aditya Gadhvi, whose voice embodies the spirit of Gujarat, took the stage with an electrifying presence, weaving a rich tapestry of sound that blended the soulful depth of traditional folk, the mystic allure of Sufi melodies, and the dynamic energy of contemporary beats. The sprawling outdoor setting of Wintrust Field amplified the evening’s enchantment, offering an immersive experience that felt both intimate and grand. From the first note, Gadhvi held the audience spellbound, their rhythmic swaying and enthusiastic cheers a testament to his status as a global sensation.

This concert was more than a musical performance; it was a cultural milestone. Gadhvi’s carefully curated stylist honoured Gujarat’s storied musical heritage while embracing modern innovation. He performed timeless folk classics that paid homage to the state’s traditions alongside contemporary hits that resonated with universal appeal. Songs inspired by the poetic brilliance of Narsinh Mehta and the devotional intensity of Kabir Das filled the air, while devotional tracks celebrating the divine love of Lord Krishna and Radha transported listeners to the sacred streets of Vrindavan. The diverse audiencecomprising the Gujarati diaspora and music lovers from varied backgrounds—lit up the field with mobile flashlights during poignant moments, creating a breathtaking sea of stars that mirrored the celestial sky above.

Gadhvi’s connection with the crowd was palpable, marked by moments of heartfelt engagement. Sharing personal anecdotes about Gujarat’s literary luminaries, such as Jhaverchand Meghani, he infused the evening with warmth and authenticity. “This is not just a concert; it’s a celebration of our roots, our stories, and our unity,” Gadhvi declared, igniting thunderous applause. The energy surged as fans clapped, danced, and sang along, their voices harmonizing with his in a powerful testament to music’s ability to transcend cultural and geographic boundaries. From children twirling in the aisles to elders reminiscing over familiar folk melodies, the night was a shared celebration of heritage and joy.

The event’s success was underpinned by a robust network of sponsors and organizers. Main sponsor Rise 2 Shine, a gaming terminal operator, and event promoters World Power Solutions, Core Exteriors &BuzzTicks, event sponsor Elgin Toyota led the charge, supported by Gokul Processing. Community leaders and event managers consist of Navnit Patel, Roshan Patel, Hasmukh Patel, Brijesh Patel, Umesh Patel (Canada), Nil Patel, and Ghanshyam Patel played a crucial role in orchestrating the event. Buzz Ticks, the official ticketing partner, facilitated seamless access through Buzzticks.com, with tickets selling out swiftly, underscoring Gadhvi’s immense popularity and the event’s historic significance.

Wintrust Field’s expansive green landscape and state-of-the-art facilities provided an ideal backdrop, elevating the concert’s grandeur. Its accessibility welcomed families, friends, and first-time concertgoers, fostering a communal atmosphere of celebration. The night brimmed with unforgettable moments, creating memories that will resonate for years to come.

Asian Media USA, the visionary force behind the event, ensured every detail was flawless, from world-class sound and lighting to authentic Gujarati cultural elements. Their commitment to promoting South Asian arts in North America was evident, bridging tradition and modernity in a seamless fusion. The concert highlighted the growing influence of the Gujarati diaspora, whose passion has propelled artists like Gadhvi to international acclaim.

As the final notes faded, the audience rose in a resounding standing ovation, their applause echoing across the field. Visibly moved, Gadhvi expressed his gratitude: “You’ve made this night unforgettable. This is just the beginningGujarat’s music is here to stay.” His words encapsulated the evening’s essence, honouring the past while embracing a vibrant future.

The concert’s impact reverberated far beyond the music, igniting conversations about Gujarati culture’s global reach. Social media platforms buzzed with videos and photos, with hashtags like #AdityaGadhviLive and #GujaratInChicago trending widely. Attendees shared stories of how Gadhvi’s music evoked memories of their homeland and inspired younger generations to embrace their roots.

This landmark event was part of Gadhvi’s 2025 Tour, with additional performances on May 3 in Los Angeles, May 10 in New Jersey, and May 16 in Dallas. Reports of Gadhvi’s appearances in these cities prior to the shows fuelled anticipation, signalling a cultural wave sweeping the United States. As one attendee poignantly remarked, “Where is Gujarat? Look around—Gujarat is here.”

“The Aditya Gadhvi open-air concert at Wintrust Field was a dream realized, showcasing music’s power to unite. Aditya Gadhvi’s talent, supported by our Sponsors, Community organizers and vibrant Gujarati audience, made it a memorable night for Gujarati music in North America. We thank all who joined this celebration of heritage and artistry. This is more than an eventit’s a movement, and we look forward to continuing this cultural journey” said by Suresh Bodiwala Chairman of Asian Media USA.

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Suresh Bodiwala
Chairman

Asian Media USA

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E-Mail: bodiwalasuresh@gmail.com

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72nd Miss World Festival Kicks Off in Telangana with a Grand Cultural Celebration

The 72nd Miss World Festival officially began on May 10 with an elaborate and colorful inauguration ceremony at the Gachibowli Indoor Stadium in Hyderabad, marking the start of a month-long tribute to global beauty, cultural diversity, and humanitarian ideals. The launch of the prestigious event was underscored by a powerful message of peace and unity, in keeping with the pageant’s long-standing mission of promoting “Beauty with a Purpose.”

The opening event highlighted Telangana’s rich and vibrant cultural identity. Attendees witnessed energetic performances of various traditional folk and tribal dances, including Perini, Kommu Koya, Lambada, and Oggu Dolu. These displays were more than just entertainment; they served as a heartfelt welcome to over 110 contestants from across the globe and showcased the unique traditions and spirit of Telangana. This lively cultural representation not only enchanted the audience but also set an uplifting and inclusive tone for the upcoming festival events.

Among the notable dignitaries present at the inauguration was Telangana’s Chief Minister Revanth Reddy, who gave a warm greeting to all the participants. The official opening declaration of the Festival in Telangana was made by Julia Morley, CBE, Chairman and CEO of Miss World Limited. Her address emphasized the significance of this event being held in such a culturally rich region.

Julia Morley expressed her excitement by saying, “We are thrilled to bring the Miss World festival to Telangana, a place where tradition beautifully intertwines with innovation. This year’s pageant reflects the spirit of world unity, peace and cultural appreciation, and I am excited to witness the remarkable journeys of each contestant as they inspire the world.”

Jayesh Ranjan, who holds the Full Additional Charge (FAC) as Special Chief Secretary in Telangana’s Youth Advancement, Tourism and Culture Department, also extended a cordial welcome to the international participants. He remarked on the significance of the occasion, noting, “It is a historic day as the 72nd Miss World opens in Telangana. Today will be marked as a significant moment where a powerful message of peace is being conveyed to the world. I wish all the contestants to also become ambassadors of peace in their respective countries.”

Reigning Miss World Krystyna Pyszková, reflecting on her own reign and the importance of the event, expressed gratitude towards the hosts. “A heartfelt thank you to the government of Telangana for welcoming all the contestants with open hearts. I encourage all the contestants to showcase the rich heritage of their countries and be the voices of their communities. I am proud to have been crowned the 71st Miss World in India, and it is an honor to pass my crown in this incredible country once again,” she stated.

The inauguration also featured a visually stunning parade of contestants. Each participant introduced herself while proudly carrying her nation’s flag, creating a memorable scene of unity through diversity. The parade not only allowed the contestants to present their personal and cultural identities but also celebrated the global spirit of the Miss World platform.

In addition to the pageant itself, the 72nd Miss World Festival includes an itinerary rich with cultural, spiritual, and charitable engagements. On May 12, the contestants are scheduled to visit Buddhavanam, a sacred Buddhist site at Nagarjunasagar, offering them an opportunity to connect with India’s spiritual heritage. This will be followed by a heritage walk through Charminar and Laad Bazaar on May 13, allowing the contestants to explore the historical and commercial heart of Hyderabad. A royal welcome dinner at the majestic Chowmahalla Palace will also be held, featuring a live musical concert to further showcase the region’s grandeur and hospitality.

The pageant has received robust support from various partners. Trident has come on board as the Official Hospitality Partner, renowned for its top-tier services and luxurious accommodations, thus ensuring that contestants experience a high standard of comfort during their stay. HITEX, the Venue Partner, provides state-of-the-art facilities that are in perfect sync with the international scope and elegance of the Miss World Festival.

Viewers around the globe will be able to follow the festivities through digital streaming. The entire Miss World Festival is being exclusively streamed on Sony LIV, the official streaming partner. Audiences can also stay updated through regular posts and updates on the official website (www.missworld.com) and the pageant’s Instagram handle @missworld.

The grand finale of the 72nd Miss World Festival is scheduled for May 31, concluding a month filled with festivities, cross-cultural connections, and efforts to champion meaningful causes under the umbrella of “Beauty with a Purpose.”

From its impressive inauguration to its diverse and meaningful schedule of events, the 72nd edition of Miss World is shaping up to be a memorable chapter in the pageant’s history, celebrating not only beauty but also culture, unity, and humanitarian spirit.

“The Untold Story of Indian Music in America” Released

BOSTON (May 10, 2025) — In a historic first for Indian American cultural storytelling, The Mishra Group Studios has officially released its much-anticipated documentary, “The Untold Story of Indian Music in America”, now available for streaming on YouTube.

The film is now available for global audiences and marks the first-ever comprehensive cinematic chronicle of the 70-year journey of Indian classical music in the United States.

This deeply researched and emotionally resonant film captures how Indian music—rooted in millennia-old traditions—has taken root, adapted, and blossomed across the American landscape, thanks to the quiet dedication of musicians, teachers, students, and communities nationwide.

“This documentary is a cinematic celebration of identity, perseverance, and artistic excellence,” said Vandana Sharma, the film’s producer. “For the first time, we are shining a light on a community that built a parallel world of music in basements, temples, concert halls, and classrooms—often with no spotlight, just pure passion.”

A 70-Year Cultural Symphony

“The Untold Story of Indian Music in America” traces the genre’s arc from its first known Indian classical concert in New York in 1955 to today’s rich and diverse Indian-American musical ecosystem. The film explores both Hindustani and Carnatic traditions, and how they evolved in dialogue with American audiences and artists—often in uncharted cultural territory.

“The inspiration came from witnessing a Kathak Manch Pravesh in Boston, where every accompanying musician was born and trained in the U.S.,” said Upendra Mishra, Executive Producer and founder of The Mishra Group Studios. “It was a profound moment—a signal that Indian classical music hadn’t just migrated here, it had matured here.”

The documentary features rare archival footage, first-person accounts, and exclusive interviews with maestros and cultural pioneers, making it a visual and emotional archive of a history never before documented on film.

A Broader Cultural Movement

The film’s release follows on the heels of other groundbreaking cultural initiatives, including the Symphony Masala concert by Symphony New Hampshire (SNH) in 2023, which featured award-winning Indian-American singer Anuradha Palakurthi-Juju performing Bollywood music with a full Western symphony orchestra—an unprecedented musical fusion.

“This is probably the first such concert in the United States,” Palakurthi-Juju said at the time, adding that the event “was a special honor for the larger Indian community in the Greater Boston area.” Her achievement highlights the growing sophistication and integration of Indian musical forms into American cultural institutions.

The documentary draws from this same spirit of innovation and cross-cultural collaboration, showing how Indian music has transcended traditional boundaries to find new expressions—without losing its soul.

“Our story is not just about music,” Sharma added. “It’s about identity, heritage, and the ability of a community to carry a living tradition across oceans, generations, and genres.”

KEY DETAILS:

Title: The Untold Story of Indian Music in America

Released by: The Mishra Group Studios

Release Date: May 10, 2025

Producer: Vandana Sharma

Executive Producer: Upendra Mishra

Editor: Anastasia Bogushevsky

Cinematography: Radhika Mishra

Watch Now: Available on YouTube

Trailer Available At: Available on YouTube

A Call to Watch, Reflect, and Celebrate

As audiences around the world increasingly seek authentic and underrepresented cultural narratives, The Untold Story of Indian Music in America offers both a tribute and a testimony. It celebrates a musical journey that is as much about resilience and community as it is about ragas and rhythms.

“We hope this film inspires pride, sparks conversation, and most importantly, preserves a legacy that deserves to be seen and heard,” said Mishra.

Now streaming worldwide—don’t miss the documentary that gives voice to a generation, and music to a movement.

Kareena Kapoor Reflects on Hollywood and Global Reach of Indian Cinema at WAVES 2025

The first-ever World Audio Visual and Entertainment Summit (WAVES) 2025 is currently taking place at the Jio World Convention Centre in Mumbai. On the second day of the summit, a special session titled Cinema – The Soft Power featured popular actors Kareena Kapoor and Vijay Deverakonda. The discussion, centered around the influence of cinema both in India and globally, was moderated by filmmaker and producer Karan Johar.

Karan Johar opened the session by steering the discussion toward the growing international impact of Indian cinema and the evolving collaborations between the Hindi and South Indian film industries. He posed questions on how these synergies might influence the future of filmmaking in the country. Addressing Kareena Kapoor directly, Karan asked why she had never pursued a career in Hollywood, unlike some of her peers who had actively explored opportunities in the West.

In response, Kareena explained that she has never been the type to go after things forcefully. “Chasing is not a part of my personality. If it has to happen, it will happen. I know, times are changing. Who knows, a Hindi-English film will happen. Even Steven Spielberg is watching our Hindi films. So, you never know,” she said.

This comment prompted her to recount a memorable moment when she had a surprising encounter with the legendary filmmaker Steven Spielberg. Recalling the incident, Kareena shared how the acclaimed director behind Lincoln had recognized her from one of the most iconic Hindi films of all time. “I was actually in a restaurant, I am travelling somewhere. Steven Spielberg was eating at the same restaurant. This was many moons ago, when 3 Idiots had just released. He actually came up to me and told me that, ‘Are you that girl who was in that very famous Indian film about three students?’ I said, ‘Yes, that’s me.’ He said, ‘My god. I loved that movie,’” she narrated.

Kareena emphasized that this moment was particularly significant to her because it demonstrated the global reach of Indian films without the need for actors to appear in English-language cinema. “I didn’t need to act in an English film for him to see me. He watched 3 Idiots. That’s a moment for us,” she said proudly, highlighting the power and potential of Indian content to resonate internationally.

Throughout the session, the focus remained on cinema’s ability to transcend language barriers and reach audiences across the world. Both Kareena Kapoor and Vijay Deverakonda acknowledged the increasing scope for collaboration between Hindi cinema and the Southern film industry, a trend that has gained momentum over the past few years. With blockbuster successes from both industries influencing each other and drawing global attention, discussions like these at WAVES 2025 aim to explore how such synergy can shape the future of Indian entertainment.

Karan Johar, known for his influential work in Bollywood and his role in launching several actors’ careers, played the role of moderator with his usual flair. His question to Kareena highlighted how stardom is perceived differently by different artists and how some prefer organic growth over actively seeking international fame. Kareena’s candid response underlined her confidence in the changing landscape of cinema, where quality storytelling can garner global admiration regardless of the language it is told in.

The anecdote about Spielberg’s recognition of her role in 3 Idiots served as a testament to the global appeal of Indian films. 3 Idiots, directed by Rajkumar Hirani and starring Aamir Khan, R. Madhavan, Sharman Joshi, and Kareena Kapoor, became a phenomenon not only in India but also in several other countries. Its themes of educational pressure, friendship, and innovation resonated with audiences across cultures, furthering its reach and impact.

Kareena Kapoor, who has consistently remained a prominent figure in Hindi cinema for over two decades, has maintained a unique approach to her career. Unlike some of her contemporaries who have actively worked in Hollywood or made appearances in international media, Kareena has chosen to focus on impactful roles within the Indian industry. Her decision reflects a belief that quality content and powerful performances can lead to recognition on their own terms.

In her comments, Kareena also hinted at the possibility of future collaborations that blend Indian and Western storytelling. With the global entertainment landscape becoming increasingly interconnected through platforms like Netflix and Amazon Prime Video, the line between local and international cinema is becoming increasingly blurred. Kareena acknowledged this shift, saying, “Who knows, a Hindi-English film will happen.”

She further pointed out that the admiration of Indian films by global icons like Spielberg is a validation of Indian cinema’s growing influence. The fact that a Hollywood giant had watched 3 Idiots and appreciated it without her ever stepping into an English-language film set reinforced her belief that one does not need to chase global fame if their work speaks for itself.

On the professional front, Kareena Kapoor was most recently seen in Singham Again, a multi-starrer film that continues the popular cop franchise by Rohit Shetty. The film features several big names from Bollywood and showcases Kareena in a key role. In addition to this, she also starred in Crew last year, a female-led comedy-drama that was well received by audiences and critics alike.

WAVES 2025, with its focus on innovation and integration across the audiovisual and entertainment sectors, is designed to foster conversations like these that explore the future of cinema in a rapidly changing world. The event has brought together filmmakers, actors, producers, and policy-makers from around the globe to discuss the cultural and economic power of storytelling.

Sessions like Cinema – The Soft Power emphasize how cinema can serve as a bridge between cultures and ideas. Kareena’s presence, along with Vijay Deverakonda’s and Karan Johar’s, added depth to this conversation, particularly in showcasing the diversity and evolution of Indian cinema.

As Indian films continue to gain visibility in international film festivals, streaming platforms, and global box offices, the discussion around representation, content quality, and cross-border collaboration becomes increasingly relevant. Kareena’s remarks offered a grounded yet optimistic perspective on how the industry is evolving. Her belief that meaningful cinema can open doors without having to chase opportunities is a powerful message for aspiring actors and filmmakers alike.

In a time when entertainment is more global than ever, the WAVES 2025 summit is playing a vital role in encouraging dialogue and celebrating achievements. Kareena Kapoor’s Spielberg anecdote served as a fitting highlight, underscoring the fact that Indian cinema’s soft power is already being felt around the world—and that its potential continues to grow.

YouTube to Invest ₹850 Crore in Indian Creator Economy, Declares Nation a Global Content Powerhouse

YouTube CEO Neal Mohan reaffirmed the video platform’s expanding commitment to India’s flourishing digital content industry, announcing a significant ₹850 crore investment—roughly $102 million—over the next two years. The funds are intended to accelerate the growth of India’s creator economy, which has been evolving at a rapid pace in recent years.

Speaking at the World Audio Visual and Entertainment Summit (WAVES 2025) held in Mumbai, Mohan spotlighted India’s growing influence in the global digital content space. He described the country as an emerging “Creator Nation” and disclosed that YouTube has disbursed more than ₹21,000 crore, or around $2.5 billion, to Indian content creators, artists, and media firms during the last three years.

“India’s creator economy is not only thriving—it’s exploding,” Mohan said in his keynote speech at the prominent industry gathering, which brought together top entertainment professionals, government officials, and content visionaries. He emphasized the scale and scope of content creation in India, revealing that, “Over the past year alone, more than 100 million Indian channels uploaded content, and over 15,000 have crossed the one-million subscriber mark.”

According to Mohan, YouTube’s strength lies in its unmatched ability to connect creators to a global viewer base, enabling Indian talent to reach audiences far beyond national borders. “India isn’t just a global leader in film and music—it’s quickly becoming what I’m proud to call a ‘Creator Nation,’” he said.

He underlined the international appeal of Indian digital content by stating that videos originating from India generated more than 45 billion hours of watch time from global viewers in the last year alone. This vast engagement highlights India’s growing role in shaping global cultural conversations through video content.

The announcement was well-aligned with a broader message delivered by Indian Prime Minister Narendra Modi, who opened the WAVES summit with a call for greater creative responsibility amid a landscape transformed by rapid technological advancement. In his address, PM Modi highlighted the importance of retaining cultural authenticity and emotional richness in content, even as tools like artificial intelligence and advanced production techniques become more widespread.

“WAVES will be a bridge between Indian talent and global platforms,” the Prime Minister said. He extended an invitation to global investors and content creators to engage with India’s vibrant and diverse storytelling tradition. PM Modi also urged the country’s youth to actively participate in sharing their stories with the world. He encouraged them to bring to light what he called India’s “one billion untold stories,” underscoring the country’s untapped potential to enrich the world with its cultural narratives and emotional depth.

The initiative represents a clear strategic move for YouTube as it solidifies India’s position as a central hub in its global operations. With Indian audiences leading the world in mobile-first video consumption, YouTube’s substantial investment reflects a vision for the country not just as a regional leader but as a critical pillar in the platform’s worldwide growth strategy. The platform is committed to expanding monetization options, enhancing creative tools, and facilitating international visibility for Indian content creators.

For YouTube, India’s value lies not only in its massive user base but in its creative energy and ability to produce stories that resonate globally. The investment is therefore more than just financial support—it’s a signal that the platform sees long-term potential in Indian creators to define future trends in global digital entertainment.

While India’s traditional film and music industries have long been recognized globally, the digital content sector is now emerging as an equally influential cultural force. The evolving creator economy in India is diverse, innovative, and remarkably fast-growing. By giving creators access to more advanced tools and wider monetization avenues, YouTube is positioning itself as both a facilitator and beneficiary of this creative revolution.

Moreover, Mohan’s remarks at the summit echoed the belief that platforms like YouTube play a crucial role in cultural diplomacy and the global spread of ideas. By enabling content in regional Indian languages and from remote parts of the country to reach international audiences, the platform contributes to greater cultural exchange and understanding. It not only amplifies the voices of Indian creators but also allows global viewers to engage with stories they might not otherwise encounter.

The Prime Minister’s vision of storytelling infused with emotional depth, cultural wisdom, and ethical creativity complements YouTube’s strategy of elevating authentic voices. As technology continues to redefine how stories are told and shared, the challenge will be to ensure that rapid innovation does not come at the cost of narrative integrity. Mohan and Modi’s combined messages underscore a shared hope: that technology will empower storytellers rather than overshadow their stories.

Looking ahead, YouTube’s ₹850 crore pledge signifies more than capital injection—it reflects a deeper strategic alignment with India’s digital and cultural future. It is a recognition of the country’s growing status as a global center for video content, driven by a new generation of tech-savvy storytellers. These creators are not just entertaining audiences—they are redefining modern storytelling, shaping perceptions, and influencing global media trends.

By bolstering this sector with financial backing, tools for content enhancement, and increased international outreach, YouTube aims to create an ecosystem where Indian creators can not only succeed at home but also thrive on a global stage. The move is part of a broader trend where tech giants are looking to India not just as a market, but as a creative engine with the ability to lead global content creation in the digital age.

In a media landscape where digital platforms are becoming as influential as traditional broadcasters, India’s ascendancy as a Creator Nation could mark a pivotal shift. YouTube’s renewed focus on the Indian creator economy underscores a belief that the next wave of global influencers, cultural icons, and trendsetters may well emerge from India’s bustling digital spaces. This commitment, backed by investment and vision, signals a new chapter in India’s digital story—one that merges creativity, commerce, and cultural diplomacy on an unprecedented scale.

New York Indian Film Festival Marks 25th Anniversary With Powerhouse Lineup, Pays Tribute to Shyam Benegal, Features Special Film on James Ivory

The New York Indian Film Festival (NYIFF), the longest-running and most prestigious U.S. festival dedicated to Indian independent cinema, returns for its milestone 25th edition from June 20–22, spotlighting bold new voices, storied auteurs, and urgent narratives from the Indian subcontinent and its global diaspora.

Screenings will take place at Manhattan’s Village East by Angelika, with tickets and full programming details now live at nyiff.us. All the films have English subtitles.

The 2025 lineup includes 22 feature-length films—18 narratives and 4 documentaries—spanning more than a dozen languages and regions. From Tamil and Odia to Assamese, Hindi, and Malayalam, the selection reflects both the diversity and the evolving language of Indian cinema. The festival program also includes 21 short narrative and documentary films.

Opening Film Showcases Emerging Voices

The festival opens with the East Coast premiere of The Fable, Raam Reddy’s visually arresting drama that debuted at the 2024 Berlinale. Starring Manoj Bajpayee, Priyanka Bose, and Deepak Dobriyal, the film merges surrealism and psychological tension against the Himalayan backdrop. Reddy, whose debut Thithi won the Golden Leopard at the Locarno Film Festival and an Indian National Film Award, returns with what critics have called a “lyrical, genre-defying triumph.” The Fable recently took home Best Film at the Leeds International Film Festival.

With haunting performances and a stellar ensemble including Tillotama Shome in a cameo, The Fable sets the tone for a weekend of cinema that is as thought-provoking as it is emotionally resonant.

Opening Night: The Fable

Centerpiece and Closing Films Bring Star Power

Kennedy, the noir thriller that bowed in Cannes’ Midnight Section, headlines as the centerpiece. Anchored by Rahul Bhat’s intense lead performance—building on his recent acclaim for the series Black Warrant—the film is directed by Anurag Kashyap, stars Sunny Leone and tackles corruption and inner demons.

Centerpiece Film: Kennedy

The closing night film, Little Thomas, is a coming-of-age dramedy set in 1990s Goa, marking the directorial debut of Kaushal Oza. The film stars Rasika Dugal (Delhi Crime, Mirzapur) and Gulshan Devaiah (Hunterrr, Ulajh), who will be in attendance alongside the crew.

Closing night film - Little Thomas

Off-Screen Celebration at Chatti

Following the closing night, the festival will host its official after-party at Chatti, a buzzy new Manhattan hotspot by chef Regi Mathew. Known for its contemporary twist on Kerala cuisine, the venue offers an intimate setting to toast the future of Indian cinema.

Honoring Master Storytellers: Shyam Benegal and James Ivory

The festival pays tribute to Shyam Benegal, a titan of Indian parallel cinema who passed away in 2024. NYIFF will screen a 4K restoration of Manthan (1976), his landmark film about India’s White Revolution, restored by the Film Heritage Foundation. The film premiered at the Cannes Classics in 2024.

 

Also on the slate is An Arrested Moment, a short documentary from The Metropolitan Museum of Art, directed by Dev Benegal. The film explores Oscar-winner James Ivory’s enduring fascination with Indian art and culture.

Narrative Features Reflect India’s Multitudes

Other Feature Narratives Include:

  • Angammal (Tamil) — Vipin Radhakrishna’s emotional film – adapted from a short story by Perumal Murugan, delves into generational resilience and women’s agency in rural South India.
  • Humans in the Loop (Hindi) — Aranya Sahay’s near-future narrative explores the ethics of AI in an increasingly mechanized society.
  • I’m Not An Actor (Hindi/English) — Starring Nawazuddin Siddiqui, Aditya Kriplani’s film blurs fiction and reality in a searing critique of fame and identity.
  • Kaisi Ye Paheli (Hindi) — Ananyabrata Chakravorty’s thriller examines a mother-son relationship and a series of murders.
  • Madam Driver (Hindi/Gujarati) — Indrajit Nattoji delivers a witty, heartfelt tale of a middle aged woman learning to drive.
  • Parab (Odia) — Chinmay Das brings indigenous voices to the forefront in this powerful tale of resistance and land.
  • Parikama (Hindi/English/Italian) — A multicultural cinematic journey along the Narmada River and the dams built around it from veteran director Goutam Ghose.
  • Pyre (Hindi) — Vinod Kapri crafts a haunting drama about an elderly couple facing loneliness and abandonment in a small Himalayan village.
  • LGBTQ Double Feature celebrating Pride Month: Riptide (Malayalam) — Afrad VK’s moody, melodious gay romance that interweaves reality, fantasy and legend. Followed by the short film IYKYK (Hindi) by Bonita Rajpurohit.
  • Second Chance (Hindi) — Subhadra Mahajan’s film tracks the narrative of a young woman’s grief, healing, and rediscovery.
  • Simple Manusan (Tamil) — A collaborative directorial debut from Shobaan Nagarajan and Haran Kaveri that explores marriages, culture and identity among the Tamil community in Kuala Lumpur.
  • Sunday Special (Kannada) — Abhilash Shetty’s film about a young girl who wants a chicken meal.
  • The Ancient (Bengali) — In Suman Ghosh’s new film Sharmila Tagore returns to Bengali cinema after 14 years playing the role of an 80-year-old woman with a deteriorating mental state.
  • The Other Side (Malayalam) — Indu Lakshmi’s debut feature has a teenager coping with her mother’s death and an oppressive patriarchal society.
  • The Tiger (Marathi) — Nikhil Mahajan delivers a rousing tale of climate change, and the struggle between humans and tigers in a rural village.
  • Village Rockstars 2 (Assamese) — Rima Das returns with a follow-up to her internationally acclaimed and National Award winning debut, continuing the story of children and their musical dreams.

Documentaries Spotlight Urgency and Humanity

NYIFF’s nonfiction programming includes A Fly on the Wall, a deeply personal film by Shonali Bose and Nilesh Maniyar documenting physician-assisted suicide in Switzerland. Other standouts: Marching in the Dark (Marathi), on widows of suicide-struck farmers; Renaissance Man, about parliamentarian Vivek Tankha; and Turtle Walker, which follows a conservationist’s mission to protect India’s sea turtles.

Legacy and Looking Ahead

“What began as a grassroots platform is now a global stage for Indian independent cinema,” says Festival Director Aseem Chhabra. “This year’s lineup is one of our most powerful and wide-ranging to date. From deeply personal documentaries to regional narratives that rarely reach global audiences, the 25th edition of NYIFF reflects the evolving language of Indian cinema. We are especially proud to welcome back stalwarts like Goutam Ghose, Rima Das, Suman Ghosh and Nikhil Mahajan, while also shining a spotlight on extraordinary new talent making their debut. And we are thrilled to have actor Nawazuddin Siddiqui, who has won two NYIFF best actor trophies, attend this year’s festival.”

Adds Suman Gollamudi, Executive Director of the Indo-American Arts Council, which presents NYIFF: “This festival has long been a space where India’s cinematic legacy meets its most daring futures. At 25, we are not just celebrating the past—we are investing in what’s next.”

Tickets, schedule, and full program details are available at nyiff.us.

About the New York Indian Film Festival:

The New York Indian Film Festival is presented annually by the Indo-American Arts Council, a non-profit organization dedicated to promoting Indian arts and culture in the United States. Since its inception in 2001, NYIFF has showcased the best in Indian cinema, celebrating the diversity and creativity of filmmakers from India and around the world.

Kareena Kapoor and Prithviraj Sukumaran Join Forces for Meghna Gulzar’s Crime Thriller ‘Daayra’

The recent buzz surrounding Kareena Kapoor Khan and Prithviraj Sukumaran’s sighting together in Mumbai has now been confirmed—both actors are teaming up for an upcoming crime thriller titled Daayra, which will be helmed by the critically acclaimed director Meghna Gulzar.

The news was officially announced on April 14, when Kareena Kapoor Khan took to her Instagram account to share images from the film’s early promotions. One picture shows Kareena and Prithviraj in a deep, intense gaze, suggesting the film’s dramatic tone, while another portrays a lighter moment, capturing the three key figures—Kareena, Prithviraj, and Meghna Gulzar—smiling together.

In the caption accompanying her post, Kareena expressed her excitement about the collaboration, calling the team her dream lineup. “I’ve always said I’m a director’s actor… This time, I’m thrilled to work with one of the best, Meghna Gulzar, and the phenomenal Prithviraj Sukumaran, whose craft I truly respect. To my dream team, Daayra, let’s make magic,” she wrote. Her message was met with overwhelming enthusiasm from fans, many of whom hailed the casting as a “GOAT combo” and shared their anticipation for the project.

While fans were quick to express their excitement about the pairing, another question that surfaced was about Prithviraj Sukumaran’s remuneration for the project. Although specific details about his fee for Daayra have not been made public, there is enough information available about his general approach to compensation in film projects to speculate.

In big-budget ventures like Salaar, Prithviraj is said to have charged approximately ₹4 crore for his role. However, his payment strategy isn’t always fixed. In fact, within the Malayalam film industry, he is known to favor profit-sharing models instead of demanding high upfront fees. This financial approach often enables more of the production budget to be directed toward improving the overall quality of the film.

Given that Daayra is a Hindi-language film, produced on a substantial scale and featuring Bollywood A-listers like Kareena Kapoor Khan under the direction of Meghna Gulzar, it’s likely that Prithviraj’s compensation will be on the higher end of his typical range, possibly reaching ₹4 crore or beyond. However, considering his known preference, there’s also a strong chance he may opt for a profit-sharing deal, where he would earn a portion of the film’s proceeds instead of a fixed amount.

The project itself marks a significant milestone for all involved. Titled Daayra, the film is a socially driven crime drama that is being produced by Junglee Pictures. This will be Meghna Gulzar’s first directorial outing following her 2023 release Sam Bahadur. The screenplay has been jointly written by Meghna Gulzar along with Sima and Yash, and is currently in the pre-production phase. The story aims to highlight pressing social issues, while simultaneously addressing broader questions around crime, justice, and morality.

Kareena Kapoor Khan, who celebrates 25 years in Hindi cinema, spoke about the deeper relevance of the film and her longstanding desire to work with Gulzar. “As I celebrate 25 years in Hindi cinema, I’m beyond excited to announce Daayra. Meghna Gulzar has always been one of my dream directors, and collaborating with her on such a thought-provoking story is a dream come true. Working with Prithviraj is equally exciting. This film is not just a story – it’s an experience that will push boundaries,” she said.

Prithviraj Sukumaran echoed similar sentiments, stating that the depth and complexity of his character were major reasons for signing onto the film. “When I heard the script, I instantly knew this was a story I wanted to tell. My character is rich with layers and has emotional depth. The opportunity to work alongside Kareena and Meghna is a truly rewarding experience. Daayra explores critical societal questions that will resonate with audiences,” he shared.

As for director Meghna Gulzar, her vision for the film appears deeply rooted in a desire to provoke reflection and challenge existing norms. She describes Daayra as an intense narrative that scrutinizes the systems and norms that underpin our society. “This film dives deep into the complexities of societal norms and institutional truths. Co-writing it with Sima and Yash was a creatively intense journey. With Kareena and Prithviraj embodying the leads, the narrative is poised to leave a lasting impact. Collaborating with Junglee Pictures again has been incredibly fulfilling,” Meghna said.

The collaboration of these three prominent figures from different film industries—Kareena from Bollywood, Prithviraj from the Malayalam cinema, and Meghna as a critically acclaimed Hindi filmmaker—has significantly raised the expectations around Daayra. With the film promising to address weighty societal issues through a gripping crime drama, audiences can expect a cinematic experience that is both thought-provoking and emotionally engaging.

Although the film is still in its early stages, the combination of Kareena Kapoor’s mainstream appeal, Prithviraj Sukumaran’s nuanced acting, and Meghna Gulzar’s directorial finesse has already generated considerable excitement in both industry circles and among fans. The movie is expected to delve into complex human emotions and societal contradictions, making it more than just a conventional thriller.

Daayra is shaping up to be a film that not only entertains but also informs and inspires dialogue. As the production gears up to move forward, anticipation will likely grow with each new update. For now, the powerful trio of Kareena Kapoor, Prithviraj Sukumaran, and Meghna Gulzar has successfully piqued interest, and expectations for the film’s narrative depth and execution are sky-high.

Deepika Padukone Reflects on Her Roots and Career Journey in Heartfelt Instagram Video

Deepika Padukone, who recently welcomed her daughter Dua, returned to Instagram with a poignant and emotional video that deeply resonated with her fans. The video, filled with nostalgic reflections, not only offered a glimpse into her personal life but also prompted introspection about identity, home, and the duality of her emotional connection with two cities—Mumbai and Bengaluru.

In the video, shared on Wednesday evening, Deepika is seen getting her hair styled while speaking candidly about a question she has often been asked: “Mumbai or Bengaluru?” The question triggered a flood of memories and emotions for the actress, who spent her formative years in Bengaluru but built her professional life in Mumbai. With a thoughtful demeanor, she delved into her relationship with both cities.

One particular moment in the video drew smiles from viewers, especially those familiar with Bengaluru’s iconic dessert destination. When asked if she missed Corner House, the beloved ice cream parlour in Bengaluru, Deepika chuckled and replied, “I do miss it, but I’m actually in a way glad there isn’t one in Mumbai because that would require a different level of willpower.” Her candid answer captured the relatable struggle of resisting tempting indulgences and showcased her ability to mix warmth and humor even in moments of reflection.

The conversation soon turned to the core question: if she had to choose between Mumbai and Bengaluru, which one would it be? Her answer was heartfelt and full of emotional weight. “Whenever I come back to Bangalore, it feels like home… because this is where I’ve lived a large part of my life. This is where I’ve grown up — my friends, my school, my college — all of those formative years and experiences have been here,” she shared.

Her sentiments underscored how deeply her childhood memories are rooted in Bengaluru. It’s the city where she grew up, forged her closest friendships, attended school and college, and developed the foundations of who she is today. Bengaluru represents her past, her beginnings, and the simpler chapters of her life before fame and stardom took over.

However, her emotional bond with Mumbai is just as strong, albeit different. She acknowledged the significance of the city where her professional journey began. Speaking about Mumbai, she said, “Bombay again, because professionally, that’s where my life began and that’s where home is now. The energy in Mumbai is very, very different. It’s very difficult to choose one over the other. But I feel like both cities have really influenced my 39 years.”

These words reveal her recognition of Mumbai’s dynamic influence on her life, not just as a city but as the setting where her dreams took flight. It is in Mumbai that she evolved from a budding model to one of the most celebrated actresses in the country. The bustling energy of Mumbai, often described as the city that never sleeps, has played a crucial role in shaping her work ethic and outlook on life. For Deepika, Mumbai symbolizes growth, ambition, and the present, while Bengaluru remains a cherished anchor to her roots.

The reel that accompanied her reflections was visually moving. It featured a montage of never-before-seen childhood photos, school and college clips from her days in Bengaluru, and nostalgic throwbacks from her early modelling career in Mumbai. These visuals added emotional depth to her narrative, letting fans witness the journey she spoke about so eloquently.

Deepika captioned the video with the question that inspired it all: “A question I get asked ever so often…Bengaluru or Mumbai?” The caption served as a powerful summary of the internal dialogue many people experience when they straddle different worlds—one representing their roots and the other their reinvention.

While the video itself was focused on her personal reflections, it also offered a subtle update about her current phase of life. Having recently become a mother, Deepika has been selective about her public appearances. She gave birth to her daughter Dua, and although she has not made any official announcements about future projects post-motherhood, there’s a strong buzz in the film industry.

Reports suggest that the team behind Kalki 2 is eager to bring Deepika back for the highly anticipated sequel. Her performance in previous roles, including her recent portrayal as the powerful DCP Shakti Shetty in Singham Again, has left audiences impressed and eager for more. However, Deepika has yet to confirm any upcoming film officially.

In the meantime, she has been sharing brief yet impactful glimpses of her life as a new mother on social media, much to the delight of her fans. These moments reflect her joy and adjustment to motherhood, showcasing a new dimension of her life. While she continues to balance her personal and professional commitments, her followers wait patiently for news about her next steps in the film industry.

This Instagram reel, though simple in format, carried a profound emotional weight. It highlighted the delicate dance between holding onto one’s past while embracing the future. For Deepika Padukone, both Bengaluru and Mumbai are not just places on a map—they are emotional landscapes that have molded her identity.

Her honesty in expressing love for both cities without trying to pick a favorite resonated with many who face similar crossroads in life. The contrast between the calming nostalgia of Bengaluru and the electrifying hustle of Mumbai echoed with fans who saw their own life stories reflected in hers.

By openly sharing her inner dialogue, Deepika reminded her audience that success often comes with difficult choices, but it’s possible to honor both where we come from and where we’re headed. The video wasn’t just about two cities—it was about the journey of becoming, and the importance of never forgetting your roots, no matter how far you go.

With this touching tribute, Deepika not only reconnected with her fans after a personal milestone but also reasserted her unique ability to communicate powerful emotions through subtle, sincere storytelling. Whether through her films or her Instagram reels, she continues to inspire, reminding everyone that home isn’t always a single place—it can be two, or even more, each holding a piece of your soul.

Trailer Out Now: Babil Khan’s ‘Logout’ is a Wake-Up Call on the Hidden Dangers of Phone Addiction

~ Directed by Amit Golani, ‘Logout’ stars Babil Khan in the lead as a social media influencer; the direct-to-digital film will premiere on ZEE5 Global on 18th April ~

 Global, 8th April 2025: ZEE5 Global, the world’s largest streaming platform for South Asian content, is all set to unveil its latest thrilling mystery, Logout—a suspenseful tale that will have viewers questioning the security of their digital lives. Directed by Amit Golani and written by Biswapati Sarkar, this gripping film promises a dynamic mix of tension and drama, featuring Babil Khan, Rasika Dugal, Nimisha Nair, and Gandharv Dewan in pivotal roles. Produced by Digital 18 Media Private Limited (erstwhile Viacom 18 Studios) and Posham Pa Pictures, Logout has already made waves on the international festival circuit, being showcased at renowned events such as the 21st Indian Film Festival Stuttgart 2024, Mal Del Plata 2024, Indian Film Festival Melbourne 2024, and the River to River Florence Indian Film Festival 2024, where it has garnered rave reviews. Now, anticipation builds as the film gears up for its ZEE5 Global release on April 18th.

Trailer Link – https://www.youtube.com/watch?v=GOKaA2H2PgA

The story follows Pratyush (Babil Khan), a 26-year-old social media influencer on the verge of reaching 10 million followers, when his life takes a dark turn. A fan’s obsessive fixation drags him into a chilling game of cat and mouse, shattering his carefully curated world. Logout taps into the modern-day problem of digital dependence, resonating deeply with today’s audience and exploring the dangers of being entrapped in a virtual world. With its timely and relatable theme, the film promises to captivate and provoke thought about the ever-growing influence of digital dependence and the security of our digital lives.

Director Amit Golani shared, “Directing Logout has been an immensely rewarding experience. At its heart, the film delves into the complex and often unsettling relationship between individuals and their growing dependence on the digital world — especially our increasing reliance on smartphones. It explores how overdependence on our phones has crept into every aspect of life, and how helpless we can feel without them. I aimed to capture that tension in a way that feels both intense and profoundly relatable. Babil has truly embodied his character, bringing it to life in a way that feels raw and authentic. I couldn’t be prouder of what we’ve accomplished. With ZEE5 Global as a global platform, Logout is poised to reach a wide audience, and I couldn’t have asked for a better opportunity to share this timely, real, and deeply relevant story with the world”.

 Writer Biswapati Sarkar shared, “Writing Logout has been an exciting journey, especially since the scenarios and situations in the film feel so relevant to our daily lives. The idea of being trapped in a digital world with no escape mirrors the very real anxieties we all face today. I’m deeply grateful for the collaboration with Amit, Babil, and the entire cast and crew, whose contributions have brought this script to life. I hope viewers connect with the film, as it holds up a mirror to the behaviors and realities many of us experience every day”.

Actor Babil Khan said, “I’m really looking forward to audiences experiencing Logout. The film has already been showcased at several international film festivals, earning great reviews, and now, I can’t wait for its release on ZEE5 Global, where a wider audience will get to see it. This role truly pushed me out of my comfort zone, immersing me in the digital world — a space that’s both fascinating and dangerously unpredictable. Playing a modern-day influencer and navigating the complexities of virtual success was a unique challenge, especially since my character is so different from who I am in real life. I’m incredibly proud to be part of a story that feels so relevant today, shedding light on the darker side of our online lives. Logout is an intense, fast-paced thriller, and I can’t wait for viewers to join my character, Pratyush, on this gripping journey”.

‘Logout’ premieres on 18th April on ZEE5 Global!

 Users can download the ZEE5 Global app from Google Play Store / iOS App Store. It is available on Roku devices, Apple TVs, Android TVs, Amazon Fire TV and Samsung Smart TVs. Users can also access ZEE5 Global on www.ZEE5.com

 About ZEE5 Global

ZEE5 Global is the digital entertainment destination launched by Zee Entertainment Enterprises Limited (ZEEL), a global Media and Entertainment powerhouse. The platform launched across 190+ countries in October 2018 and has content across 18 languages: Hindi, English, Bengali, Malayalam, Tamil, Telugu, Kannada, Marathi, Oriya, Bhojpuri, Gujarati, Punjabi, including six international languages Malay, Thai, Bahasa, Urdu, Bangla and Arabic. ZEE5 Global is home to 200,000+ hours of on-demand content. The platform brings together the best of Originals, Movies and TV Shows, Music, Health and Lifestyle content in one destination. In addition, ZEE5 Global offers features like 15 navigational languages, content download options, seamless video playback and Voice Search.

ZEE5 Global Twitter: https://twitter.com/ZEE5GlobalCorp

ZEE5 Global LinkedIn: https://www.linkedin.com/company/ZEE5 Global/

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Mohanlal Breaks His Own Record Again with Empuraan, Setting a New Benchmark for Mollywood

Mohanlal has once again proven why he remains a dominant force in Malayalam cinema. After a nine-year wait, the veteran actor, who earlier set the benchmark for industry hits in Mollywood, has broken his own record with the release of Empuraan. This political action-thriller, directed by Prithviraj Sukumaran and serving as the sequel to Lucifer, is now officially the highest-grossing Malayalam film ever, surpassing the lifetime collection of the previously reigning box office hit, Manjummel Boys.

Despite facing controversies and a mixed critical reception, Empuraan has managed to pull off a remarkable feat at the box office. The film’s script was penned by Murali Gopy, and it was released worldwide on March 27 to record-breaking numbers. The success of this film marks a significant moment for Mohanlal’s fans, who had been awaiting such a breakthrough. After several years without a monumental box office win, they are now celebrating what they consider a triumphant return for their beloved star.

Even though Empuraan received mixed reviews and struggled in dubbed versions across other languages, the original Malayalam version has been dominating the box office. Within just ten days of its release, the film collected a staggering Rs 250 crore. This box office performance has made it the biggest Mollywood grosser ever.

Sharing his excitement with fans, Mohanlal took to social media to express his gratitude. “#L2E #Empuraan now reigns as the highest-grossing film in Malayalam cinema history,” he wrote.

This new accomplishment adds to Mohanlal’s already impressive list of industry hits. Since the year 2000, five out of the ten top-grossing Mollywood films have featured Mohanlal. These include Narasimham (2000), Twenty20 (2008), which also starred Mammootty and Suresh Gopi, Drishyam (2013), Pulimurugan (2016), and now Empuraan. Each of these films set new records during their respective releases and reaffirmed Mohanlal’s status as a box office heavyweight.

Mohanlal’s track record of delivering massive hits dates back even further, with eleven projects from 1980 onwards achieving massive success. Among these early hits are Irupatham Nootandu (1987), Chithram (1988), Kilukkam (1991), Manichithrathazhu (1993), and Aaram Thampuran (1997). His ability to consistently attract audiences to theaters has helped shape the trajectory of Malayalam cinema over the past several decades.

A significant reason behind Empuraan‘s phenomenal success is its grand scale and production value. The movie was made on a massive budget of Rs 180 crore, positioning it among the most expensive productions in Malayalam cinema history. Impressively, it recovered more than its entire budget and reached Rs 250 crore in earnings even before completing two full weekends in Indian theaters.

The film’s success isn’t limited to India alone. The Malayalam version has been performing well in Gulf countries and several other international markets. The global appeal and reach of the movie have contributed significantly to its overall box office figures.

The production journey of Empuraan itself was ambitious. It was conceived during the COVID-19 pandemic and filmed in numerous locations across the globe. The crew shot scenes in Indian cities such as Kerala, Chennai, Mumbai, Hyderabad, Faridabad, Haryana, Shimla, and Ladakh, as well as international locations including New York, New Mexico, Louisiana, Atlanta, the United Kingdom, and the United Arab Emirates. With such an expansive shooting schedule, Empuraan holds the distinction of being the first Malayalam film to be shot across so many different places on multiple continents.

Remarkably, the film’s shooting was wrapped up in just 145 days—28 days ahead of the originally scheduled timeline. Adding to the uniqueness of this production, both director Prithviraj Sukumaran and lead actor Mohanlal did not take any remuneration for their work. Instead, they opted for a profit-sharing model, ensuring that every rupee spent went into making the film itself.

Empuraan picks up five years after the events of Lucifer, exploring the aftermath of the Khureshi-Ab’Raam nexus. The world is once again plunged into a socio-political crisis that promises to be transformational. This gripping premise sets the stage for yet another high-stakes confrontation, blending action and political intrigue.

The film features a star-studded cast led by Mohanlal. Prithviraj Sukumaran reprises his role as Zayed Masood, while Tovino Thomas plays Jathin Ramdas. Other prominent actors in the film include Manju Warrier as Priyadarshini Ramdas, Abhimanyu Singh as Balraj, Indrajith Sukumaran as Govardhan, and international stars like Jerome Flynn as Boris Oliver and Eriq Ebouaney as Kabuga.

The ensemble also includes Kishore as Karthik, Andrea Tivadar as Michele Menuhin, Suraj Venjaramoodu as Sajanachandran, Saikumar as Mahesha Varma, Baiju Santhosh as Murugan, Fazil as Father Nedumpally, Sachin Khedekar as PK Ramdas, and Saniya Iyappan as Jhanvi. The film also features Nyla Usha, Giju John, Nandhu, Shivaji Guruvayoor, Manikuttan, Aneesh G. Menon, Sshivada, Alexx O’Nell, Satyajit Sharma, Shubhangi Latkar, Nikhat Khan, and Jaise Jose in various key roles.

Behind the scenes, the film boasts an equally talented crew. The cinematography was handled by Sujith Vaassudev, whose visuals bring the large-scale vision to life. Editing was done by Akhilesh Mohan, ensuring the complex narrative was tightly woven. The music and background score, which play a crucial role in intensifying the film’s atmosphere, were composed by Deepak Dev. As with the previous installment, Murali Gopy provided both the story and screenplay.

With its compelling storyline, remarkable cast, and visionary production, Empuraan has not only lived up to expectations but exceeded them. The film’s critical and commercial success further cements Mohanlal’s legacy as a central figure in Malayalam cinema. It also establishes Empuraan as a cultural phenomenon, resonating with audiences far beyond Kerala.

As the film continues to rake in impressive numbers, fans and industry watchers alike are waiting to see how far it will go. For now, it’s safe to say that Empuraan has achieved legendary status, adding another glorious chapter to the legacy of Mohanlal.

Mohanlal and Prithviraj’s L2: Empuraan Becomes Third Highest-Grossing Malayalam Film in India

The much-awaited sequel starring Mohanlal and directed by Prithviraj Sukumaran, L2: Empuraan, has reached a remarkable box office milestone in India. Over its extended eight-day opening weekend, the film collected a domestic net total of ₹88.26 crore, solidifying its status as the third highest-earning Malayalam film in India. This accomplishment allowed the film to overtake recent popular releases, including Fahadh Faasil’s Aavesham, which earned ₹85.15 crore, and Prithviraj’s own The Goat Life, which made ₹85 crore.

As a direct continuation of the 2019 hit Lucifer, L2: Empuraan brings together once again the powerful pairing of actor Mohanlal and actor-director Prithviraj Sukumaran. The collaboration between these two film industry heavyweights has proved to be a successful formula, evident in the film’s impressive opening numbers and strong box office presence in the following days.

The film had an extraordinary opening day, collecting ₹21 crore in total. This surge was largely powered by Kerala, which alone brought in ₹18.6 crore from the Malayalam version. The film experienced the typical dip on the second day, bringing in ₹11.1 crore, but managed to regain momentum over the weekend. Saturday saw collections rise to ₹13.25 crore, while Sunday brought in ₹13.65 crore, showing that audience interest remained strong during the initial stretch.

During the weekdays that followed, the movie’s earnings remained stable, helping the total first-week domestic collection climb past ₹88 crore. Though mid-week figures saw a slight dip, the film remained firmly rooted in its core Malayalam-speaking markets. The dubbed versions in Telugu, Tamil, Hindi, and Kannada contributed to the earnings, but these figures were relatively modest. The majority of the revenue stemmed from the original Malayalam release, indicating the film’s significant pull within its primary audience.

With its current total, L2: Empuraan now ranks just below 2018, starring Tovino Thomas, which earned ₹92.5 crore, and the record-smashing Manjummel Boys, directed by Chidambaram S. Poduva, which has a domestic haul of ₹141.61 crore. These two films still hold the top positions in terms of all-time highest-grossing Malayalam films within India.

To provide context, 2018 is a survival drama that deeply resonated with viewers due to its powerful depiction of the Kerala floods and their emotional aftermath. The film’s connection to a real-life event helped it make a strong impact on audiences. In contrast, Manjummel Boys is an adventure-thriller that tells the story of a group of friends, one of whom falls into the treacherous Guna Caves. The film chronicles their intense and emotional effort to save him, exploring themes of friendship, loyalty, and courage. It struck a chord with viewers through its compelling portrayal of human endurance and unity.

Although L2: Empuraan has not yet overtaken these two titles, it has managed to carve out its own significant place in Malayalam cinema history. Moreover, the film is not just a sequel but a critical piece in a larger cinematic world that the filmmakers are building. It has laid the foundation for an expanded storyline that is expected to continue in a third installment. Fans are already speculating and expressing excitement over how the narrative will develop in the next chapter.

Adding to the anticipation for the third film in the series, it has been revealed that Mohanlal’s son, Pranav Mohanlal, will portray a younger version of Stephen Nedumpally, the character played by Mohanlal. This development has generated a great deal of buzz, as fans are eager to see how the character’s origin and backstory will be explored through the younger actor’s performance.

Despite the competition and the dominance of earlier blockbusters, L2: Empuraan has shown the strength and consistency needed to make a mark at the box office. As the days progress and positive word-of-mouth continues to spread, the film is expected to inch closer to 2018’s record. While it may not yet be able to challenge the massive numbers posted by Manjummel Boys, there is a growing belief that L2: Empuraan still has room to grow.

The buzz around the movie and the strength of its storytelling, performances, and direction are helping to maintain its momentum. The fan base that had been waiting eagerly for the sequel to Lucifer has shown up in large numbers, and their enthusiasm is translating into strong ticket sales, especially in Kerala. The Malayalam version continues to dominate the earnings, reflecting the depth of engagement from the core audience.

In terms of its role in Malayalam cinema, L2: Empuraan is being recognized not just as a commercial hit but as an ambitious step forward in narrative building. The film is playing a crucial role in shaping a cinematic universe that brings together action, drama, political intrigue, and complex character arcs. This is seen as a relatively new direction for the Malayalam film industry, which has traditionally been known for its content-driven and realistic storytelling. With Empuraan, the scope is becoming larger and more interconnected.

At this point, it is difficult to predict whether the film will be able to surpass 2018, but the outlook remains positive. Given the continuing box office support, and the solid groundwork laid for further installments, L2: Empuraan has the potential to end its run with numbers that place it firmly among the top Malayalam films of all time.

The impact of Mohanlal and Prithviraj’s collaboration continues to grow. Their on-screen and behind-the-scenes chemistry has resulted in a project that has captivated audiences and demonstrated the commercial viability of ambitious Malayalam-language films. As more days unfold and as audience interest remains strong, industry watchers will be closely monitoring whether Empuraan can climb even higher in the box office rankings.

The current success of the film proves the appetite for high-concept sequels and complex storytelling within the Malayalam-speaking audience and beyond. While the dubbed versions contributed modestly, it’s the film’s Malayalam roots and the strength of its original narrative that are driving its performance.

With Mohanlal’s return as Stephen Nedumpally, Prithviraj’s direction and presence, and Pranav Mohanlal’s inclusion in the future narrative, the film is setting the stage for even more impactful storytelling. The journey of Empuraan is far from over, and its path forward promises to be as exciting and unpredictable as the story it tells.

“Even as the collections tapered mid-week, the film held strong in its core Malayalam market,” one report noted, underscoring how the foundation of its success lies in its home base. With “more days to go and positive word-of-mouth continuing,” the film’s prospects remain bright. Though “Manjummel Boys’ staggering numbers remain untouched—for now,” L2: Empuraan is undeniably a force to reckon with in the evolving landscape of Malayalam cinema.

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