Category: Entertainment

Playback singer Madhushree recently shared her experiences collaborating with some of India’s most celebrated music composers, shedding light on the contrasting work styles of the South Indian and Bollywood music industries. With a career that spans both regions, she offered insights into the methods and professionalism of renowned composers like A.R. Rahman, M.M. Keeravani, Yuvan Shankar Raja, and Harris Jayaraj.

Speaking to O2India, Madhushree opened up about her memorable association with Oscar-winning composer A.R. Rahman. She fondly remembered her experience singing some of his most loved compositions. Among her collaborations with Rahman are the popular songs Kabhi Neem Neem and Marudhani, both of which became hits. She emphasized how Rahman’s approach to music consistently brings unexpected elements that elevate the final output.

“Rahman ji always brings an element of surprise… whether it’s this song or Kabhi Neem Neem, he adds his touch later, and it turns out to be magical,” Madhushree remarked. This observation highlights Rahman’s creative spontaneity and his tendency to keep the musical arrangement fluid, allowing room for artistic evolution even after the vocal recording is done.

She elaborated that working with Rahman often feels like being part of a larger creative process where his unique inputs can transform a simple composition into something truly enchanting. This element of unpredictability, she suggested, is part of what makes Rahman’s music so impactful and emotionally resonant with audiences across the globe.

Moving on to her experience in the South Indian music industry, Madhushree spoke highly of composers like Yuvan Shankar Raja and Harris Jayaraj. She noted that working with them feels seamless due to their clear direction and meticulous guidance throughout the recording process. According to her, these composers make the experience smooth and efficient by ensuring the singer is never left guessing.

“One thing about South Indian music composers is that they’re so good, you never feel lost. They’ll guide you with exact notations—where to pause, what expressions to use—they spell everything out, so you don’t have to figure it out on your own. They are that good,” she explained.

Her appreciation for this hands-on and structured method reveals the deep respect she has for the musical rigor and discipline in South Indian studios. The clarity provided by these composers, she added, not only eases the singer’s task but also ensures that the final product reflects a unified artistic vision.

Among the South Indian composers she praised, M.M. Keeravani holds a special place. Known for his extensive work in Telugu and Hindi cinema, Keeravani has won accolades both in India and internationally. Madhushree expressed admiration for his clear communication and understanding of vocal dynamics, which make recording sessions efficient and fulfilling for singers.

“When you go to sing for M.M. Keeravani, you don’t have to do anything—just follow whatever he says. All of them understand singers really well,” she said. This comment underlines Keeravani’s precise approach to music-making, where the singer’s role becomes a matter of following direction rather than improvising on the spot.

Madhushree’s praise for Keeravani, like her comments on Yuvan Shankar Raja and Harris Jayaraj, highlights a consistent theme in her narrative—the value she places on clarity, structure, and mutual understanding in the studio. She indicated that such working environments not only enhance the singer’s performance but also foster a professional and artistically satisfying collaboration.

One of the most striking points Madhushree made was about the broader cultural and professional differences between Bollywood and South Indian music industries. She noted that South Indian studios maintain a level of discipline that stands out, particularly in terms of punctuality and time management. In her experience, recording sessions in the South start precisely as scheduled, reflecting a commitment to time and professionalism that she finds admirable.

Madhushree emphasized this difference as a key distinguishing factor between the two industries, implying that the South Indian work culture leaves a strong impression on those accustomed to Bollywood’s often more relaxed approach to scheduling. While she didn’t criticize Bollywood directly, her remarks pointed to the efficiency and respect for time that define the Southern industry’s way of functioning.

This insight not only offers a behind-the-scenes glimpse into how different musical cultures operate within India but also serves as a testament to Madhushree’s versatility and adaptability as a singer who can navigate both systems. Her ability to adjust to varying styles of collaboration, whether it involves Rahman’s creative spontaneity or Keeravani’s structured direction, demonstrates the professional breadth that she brings to her craft.

Throughout her career, Madhushree has lent her voice to songs in multiple languages and genres, which has given her a broad perspective on India’s diverse music traditions. Her reflections serve as valuable commentary for aspiring singers and industry observers who wish to understand what it’s like to work with some of the country’s most influential music directors.

By sharing her personal experiences, Madhushree has not only paid tribute to the genius of the composers she has worked with but also offered an honest comparison of industry cultures. Her words highlight the importance of communication, clarity, and professionalism—qualities that ultimately enhance the collaborative process between singer and composer.

To sum up, Madhushree’s journey through both Bollywood and the South Indian music landscape has been shaped by her interactions with visionary composers. Her collaborations with A.R. Rahman showcased the magic of unpredictability and post-recording brilliance, while her work with Yuvan Shankar Raja, Harris Jayaraj, and M.M. Keeravani emphasized the value of clear guidance and discipline.

Whether through the whimsical genius of Rahman or the precise direction of Keeravani, Madhushree has experienced a spectrum of musical creativity that has enriched her as an artist. As she continues to evolve in her career, her insights provide a meaningful look at what it takes to thrive across India’s multifaceted musical terrains.

Disney is officially taking complete control of Hulu by purchasing Comcast’s NBCUniversal remaining stake for nearly $439 million. This transaction brings an end to a drawn-out appraisal process and firmly places the streaming service under Disney’s sole ownership.

The acquisition stems from Disney’s November 2023 announcement that it intended to buy out NBCUniversal’s 33% interest in Hulu for a minimum of $8.6 billion. This price was based on Hulu’s agreed-upon minimum valuation of $27.5 billion, according to a regulatory document submitted by the company.

Disney has already been overseeing Hulu’s operations since 2019, the year Comcast relinquished its decision-making authority. While Comcast remained a stakeholder, its role became passive, essentially making it a silent partner. With this latest transaction, Comcast’s involvement in Hulu will officially end.

Hulu was launched in 2007 with the backing of major media firms aiming to combat the rising dominance of the internet by offering a centralized digital platform for their television content. Disney entered the Hulu partnership in 2009 with plans to provide shows from its flagship networks, including ABC, ESPN, and the Disney Channel.

A major shift in Hulu’s ownership occurred a decade later in 2019 when Disney secured a majority stake following its acquisition of 21st Century Fox. This strategic move expanded Disney’s reach in the streaming space and made Hulu a more integral part of its digital offerings.

The final stages of the valuation process revealed differences between the two appraisers assigned by Disney and NBCUniversal. In a filing made on Monday, Disney stated that its own appraiser determined a value below the $27.5 billion minimum, whereas NBCUniversal’s appraisal significantly exceeded that benchmark.

To resolve the discrepancy, a neutral third appraiser was brought into the process. This third-party evaluation ultimately determined that Disney would pay $438.7 million for NBCUniversal’s remaining share in Hulu.

Expressing satisfaction over the resolution, Disney CEO Bob Iger issued a statement saying, “We are pleased this is finally resolved. We have had a productive partnership with NBCUniversal, and we wish them the best of luck.” He further elaborated on the strategic significance of the acquisition by stating, “Completing the Hulu acquisition paves the way for a deeper and more seamless integration of Hulu’s general entertainment content with Disney+ and, soon, with ESPN’s direct-to-consumer product, providing an unrivaled value proposition for consumers.”

According to Disney, the deal is expected to close by July 24. Despite the size of the transaction, it is not anticipated to have any impact on the company’s adjusted earnings forecast for fiscal year 2025.

In response to the news, Disney’s stock experienced a slight uptick in morning trading on Tuesday, reflecting investor confidence in the move.

This development marks a critical juncture for Disney as it continues to align its streaming assets under a single strategic vision. Integrating Hulu more deeply into its broader digital ecosystem will allow Disney to better compete in a crowded market dominated by services like Netflix, Amazon Prime Video, and Apple TV+.

Having full control over Hulu offers Disney increased flexibility in content planning, bundling strategies, and platform management. It can now streamline decision-making across its streaming properties and build a more cohesive user experience. This approach is expected to benefit subscribers by offering access to a wider variety of content through a unified interface, spanning general entertainment, sports, and family programming.

Disney’s plans to merge Hulu content more closely with Disney+ and eventually ESPN’s streaming services illustrate a larger industry trend of consolidation in the face of mounting competition. Media companies are increasingly seeking to combine platforms and offer expansive content libraries to attract and retain subscribers.

While the exact mechanics of the integration have yet to be detailed, the move is poised to reshape the way Disney presents its streaming offerings. For consumers, the result could be simplified access to a broader selection of shows and films without needing to navigate multiple separate apps.

The resolution of this deal also signifies the end of an era for Hulu, which began as a joint venture among multiple media firms and has now become a wholly owned property of one of the world’s largest entertainment conglomerates. It reflects the larger transformation of the media landscape, where legacy companies are adapting to digital consumption patterns by consolidating assets and investing heavily in streaming.

For Comcast, the completion of the sale allows the company to step away from Hulu and focus on its own streaming endeavors, including its Peacock platform. Although Comcast remained financially linked to Hulu for several years after ceding control, this final payout concludes its involvement.

The valuation differences between Disney and NBCUniversal underscore the complexities involved in high-stakes media appraisals. With such a significant spread between appraised values, the presence of a third-party arbitrator was essential to ensure fairness and reach a final figure acceptable to both parties.

The nearly $439 million payout by Disney is the concluding chapter in a multi-year process that began with its 21st Century Fox acquisition and will likely shape its streaming strategy for years to come. Hulu, now completely within Disney’s portfolio, stands as a key component in the company’s mission to become the leading global provider of digital entertainment.

By consolidating its streaming brands under one umbrella, Disney is not only simplifying its operational model but also sending a clear signal to investors and competitors that it intends to be a dominant force in the next era of media consumption.

With the transaction closing in just a few weeks, all eyes will now be on how Disney executes the integration and capitalizes on the newfound control over Hulu’s content, infrastructure, and subscriber base.

In summary, Disney’s final payment of $438.7 million to Comcast concludes a protracted negotiation over Hulu’s valuation and results in full ownership of the platform. As Bob Iger stated, the acquisition clears the path for “a deeper and more seamless integration” of Hulu with Disney+ and ESPN, setting the stage for a more unified and powerful streaming offering.

~ A sleek, vibrant new logo that embodies the spirit of modern India and its rich multilingual identity~

~“Multiple Languages, Infinite Stories”campaign celebrates emotional connection and linguistic pride, resonating with audiences across India and beyond ~

~ 130+new content titlesin FY26, including originals,movies and non-fiction as well as live content and more across languages~

Global, 8 June 2025– ZEE5 today announced a bold new brand identity and strategic shift, reaffirming its positioning as India’s foremost homegrown platform. The relaunch marks a pivotal step in ZEE5’s evolution, anchored in the promise of “Apni Bhasha, ApniKahaniyan” (Multiple Languages, Infinite Stories) and a sharper focus on culturally authentic narratives, language-driven personalization and cutting-edge technology.

With a new visual identity and a reimagined product experience,ZEE5 deepens its connect with its audiences. This strategic shift is built on three foundational pillars—content, experience, and affordability crafted to meet India’s next wave of digital demand. ZEE5’s language content strategy will deliver local, emotionally grounded stories inspired by folklore, real-life heroes, and regional legends. Each languagemandate will be structured as an individual vertical to ensure authenticity and scale.

The upcoming language titles include – Detective Sherdil (Hindi), SattamumNeethiyum(Tamil), Mothubaru Love Story (Telugu),Inspection Bungalow (Malayalam),Maarigallu(Kannada), Aata ThambhahyaNaay (Marathi) and Vibhishan (Bengali) among others.

With a view to increasing engagement, the platform’s new direction focuses on intuitive design and AI-powered personalization, providing tailored recommendations that resonate with users across all pincodes of India. Leveraging data-driven insights, ZEE5 ensures a more engaging and effortless user experience, enabling viewers to quickly access personalized recommendations and enjoy premium-quality streaming across all devices.

Link to the brand film: https://www.zee5.com/videos/details/my-language-my-stories/0-0- 2z5765791

Tamil: https://youtu.be/_kxLDrjhiWM

Telugu:https://youtu.be/iPcS9DPx0pc

Kannada:https://youtu.be/e84w2L4hpiM

Marathi:https://youtu.be/WzTga9Itu1w

Amit Goenka, President, Digital Businesses and Platforms, Zee Entertainment Enterprises Ltd. said“Our new brand identity marks a pivotal step in our journey to become a deeply personalized, language-first platform that mirrors the diversity of Indian audiences. Our strategic focus is clear – strengthen our footprint across India and global markets, deepen engagement through culturally relevant storytelling, and continue building a tech-enabled, scalable platform that’s personalized and intuitive. It’s a cultural shift in how consumers discover, connect with, and consume Indian entertainment globally.”

Kartik Mahadev, Chief Marketing Officer,Zee Entertainment Enterprises Ltd. said,“Our brand campaign with the tagline “Apni Bhasha. ApniKahaniyan” is rooted in the idea that language is belonging, a celebration of a deeply personal emotion. A story told in your language feels like it’s lived in and not just watched. Going across 7 languages, this multilingual campaign is designed to resonate with large and small towns alike, including tier-2, tier-3 cities as well as with global audiences. Rooted in our language-first content strategy and hyper-local personalization, this campaign brings to life ZEE5’s belief that in your language, stories are endless.”

Raghavendra Hunsur, Chief Content Officer, Zee Entertainment Enterprises Ltd. added“At ZEE5, we’ve always believed that powerful storytelling begins with deep cultural insight. We’re deeply committed to serving audiences that have historically been underserved. By leaning into their realities, their languages, and their everyday stories, we’re expanding not just what we create-but who we create it for. Whether it’s long-form originals, short-form bites, or experimental formats, our goal is to delight viewers on their terms. This isn’t just a content strategy, we are placing language at the centre of discovery, access, and engagement.”

This strategic brand shift aligns seamlessly with Z’s brand promise, ‘Yours Truly, Z’, and marks a pivotal step in ZEE5’s evolution, setting the stage for the platform’s next phase of growth. Reinforcing its commitment to hyper-local narratives at scale, ZEE5 continues to solidify its role as the definitive destination for diverse, multilingual content that resonates with audiences across India and beyond.

Taylor Swift has successfully regained full ownership of her entire music catalog, marking a pivotal moment in her career. In a heartfelt message shared on her official website Friday, the global pop sensation revealed that she now holds the rights to every song she has ever created.

“All of the music I’ve ever made now belongs to me,” Swift wrote in her statement, signifying the completion of a years-long journey to reclaim control over her artistic work.

The announcement comes after Swift purchased the master recordings of her earlier work, originally released through Big Machine Records. These recordings were most recently owned by Shamrock Capital, a private equity firm. While she did not reveal the cost of the acquisition, the milestone represents the final step in Swift’s plan to reclaim her legacy.

In recent years, Swift has been systematically rerecording her first six studio albums in an effort to regain control after her masters were sold without her consent. Her efforts were prompted by the highly publicized acquisition and later sale of her original recordings by Scooter Braun, CEO of Hybe America. Braun’s purchase of her catalog sparked widespread debate over artists’ rights and ownership in the music industry.

“I can’t thank you enough for helping to reunite me with this art that I have dedicated my life to, but have never owned until now,” Swift told her fans in her online message. “The best things that have ever been mine … finally actually are.”

Shamrock Capital also released a statement expressing their support for Swift, saying, “We are thrilled with this outcome and are so happy for Taylor.”

The controversy over her masters led to a creative and strategic move by Swift—rerecording her early albums and branding them as “Taylor’s Version.” These versions have gone far beyond simple reproductions, including previously unreleased “from the vault” tracks, hidden clues for fans, and fresh visuals that offer deeper insight into her evolution as an artist.

In response to the latest development, Braun himself stated, “I am happy for her.”

Alongside her rerecordings, Swift has continued releasing new music. In 2024, she launched “The Tortured Poets Department,” which was announced during the Grammy Awards and released while she was on her record-breaking tour. The album added yet another successful chapter to her already storied career.

So far, Swift has rerecorded four of her original six albums. The journey began in 2021 with “Fearless (Taylor’s Version)” and “Red (Taylor’s Version),” both of which received critical acclaim and commercial success. Each rereleased album has debuted at No. 1 on the Billboard 200, underscoring her immense influence and enduring popularity.

Her most recent rerecorded album, “1989 (Taylor’s Version),” came out in October 2023. It followed closely behind “Speak Now (Taylor’s Version),” which had dropped just four months earlier. These releases helped Swift set a new record as the female artist with the most No. 1 albums in history.

Many fans believe “Reputation (Taylor’s Version)” is likely next in line. The theory gained traction after “Look What You Made Me Do (Taylor’s Version)” was featured prominently in the opening scene of a Season 6 episode of “The Handmaid’s Tale,” which aired on May 19. The rerecorded track has also appeared in other projects, including the 2023 Prime Video thriller series “Wilderness” and the 2024 Apple TV+ documentary “The Dynasty: New England Patriots.”

Additionally, in 2023, Swift’s song “Delicate (Taylor’s Version)” was included in the Prime Video series “The Summer I Turned Pretty,” further fueling speculation about an imminent release of “Reputation (Taylor’s Version).”

However, despite fan excitement, Swift clarified in her recent post that the rerecording process is far from complete. “I haven’t even rerecorded a quarter of it,” she wrote, indicating there’s still much more to come in her mission to take back her musical legacy.

On a more optimistic note, she confirmed that she has completed the rerecording of her 2006 self-titled debut album. “I really love how it sounds now,” she said, expressing her satisfaction with the updated version.

Swift concluded by reassuring fans that both “Reputation (Taylor’s Version)” and her self-titled debut are not being forgotten. She said they “can still have their moments to reemerge when the time is right,” leaving room for strategic future releases.

At the time of the announcement, representatives for both Swift and HYBE had not yet responded to media requests for comment, keeping the finer details of the transaction under wraps.

The journey to this point has not only underscored Taylor Swift’s determination and business acumen but also sparked broader conversations about artist empowerment, creative ownership, and industry practices. What began as a dispute over the rights to her music has now turned into a blueprint for artists seeking to take back control over their own work.

Through the rerecording project, Swift has transformed what could have been a setback into a triumphant campaign. By re-releasing her music with additional content and involving her fans in a creative treasure hunt of Easter eggs, she has managed to reframe her old catalog in a way that feels both nostalgic and brand new.

The decision to rerecord her early work was initially viewed as a risky move in an industry that often discourages repetition. However, Swift’s approach proved revolutionary. Each “Taylor’s Version” album has reinvigorated interest in her past music while reinforcing her message of independence and resilience.

Her fans have responded enthusiastically, treating each release as a cultural event. This strategy has allowed Swift to not only regain ownership but also enhance her legacy on her own terms.

Now, with complete control over her discography and the support of a passionate global fan base, Taylor Swift stands as a powerful example of how artists can navigate challenges, reclaim what is rightfully theirs, and emerge stronger.

“All of the music I’ve ever made now belongs to me,” Swift emphasized once again in her message—a final declaration of victory in one of the most high-profile battles over music ownership in modern pop history.

With a subscriber base exceeding 300 million across more than 190 countries, Netflix stands as the world’s leading streaming platform, offering a vast catalog of content. Despite this extensive library, only a select few shows and films capture worldwide attention and secure a place in Netflix’s elite list of most-watched programs.

The following rankings showcase the top 10 most-viewed shows ever released on Netflix, determined by global viewership numbers within the first 91 days of a show’s debut. According to Netflix’s official methodology, views are calculated by dividing the total number of hours watched by a show’s runtime, offering a standardized measure of popularity.

Topping the list is the South Korean sensation Squid Game (Season 1), which amassed an astounding 265.2 million views in its first 91 days. This achievement illustrates the increasing global appeal of non-English programming. “Squid Game” originally premiered in September 2021 during a time when pandemic-induced lockdowns boosted digital content consumption dramatically. Its gripping storyline and cultural relevance propelled it to unprecedented heights, and its sequel also found massive success, earning 192.1 million views during the same initial window.

In fact, three of the top 10 shows are non-English productions, highlighting the internationalization of streaming entertainment. These include Squid Game (both seasons) and Money Heist (Season 4), which pulled in 106 million views. The Spanish-language crime drama continues to hold its ground among global viewers, proving that language barriers are increasingly irrelevant in the age of subtitles and dubbing.

While international content is gaining prominence, English-language shows still dominate the rankings. Wednesday (Season 1) follows closely behind Squid Game, with 252.1 million views. The show’s appeal lies in its charismatic lead, Wednesday Addams, described as both mysterious and sarcastic. With a quirky storyline set against a gothic backdrop, it managed to captivate a broad audience and is Netflix’s second most-watched show.

Sci-fi horror series Stranger Things (Season 4) occupies the fourth spot with 140.7 million views. The show’s nostalgic 1980s Indiana setting and its gripping mix of supernatural and suspenseful plotlines have made it a cultural phenomenon over the years. Each season builds on the previous with more intrigue and intensity, and its latest installment was no different in drawing massive attention.

The fifth spot goes to Adolescence, the newest addition to Netflix’s top 10. Debuting in March 2025, the show quickly garnered 134 million views in just two months. This limited series has been widely praised for its cinematic style, particularly the bold decision to film each episode in a continuous single shot without any cuts. This innovative approach has set it apart from traditional television formats. “Adolescence” is noted for being a standout in storytelling and direction, adding artistic depth to mainstream streaming content.

Coming in sixth is DAHMER, a chilling true-crime series chronicling the life and crimes of Jeffrey Dahmer. It received 115.6 million views, underlining the continued popularity of real-life horror stories and the general fascination with criminal psychology. This show sparked significant conversations around the ethics of dramatizing real tragedies but still managed to pull viewers in with its intense narrative and stellar performances.

Bridgerton (Season 1) follows next with 113.3 million views. The period drama, centered on Regency-era romance and high society intrigue, has resonated strongly with viewers around the world. Its third season also made the list with 106 million views, making Bridgerton the only show with multiple seasons featured in the top 10, aside from Squid Game. With a diverse cast, elegant costumes, and a romantic storyline, it offers a refreshing alternative to the thrillers and mysteries that dominate the list.

The Queen’s Gambit, another English-language limited series, ranks eighth with 112.8 million views. Based on a young chess prodigy’s journey to the top of the competitive chess world, the show captivated audiences not only with its plot but also with its stylish execution and emotional depth. It’s the only other single-season show besides Adolescence to make the cut, demonstrating the potential for limited series to leave a lasting impact.

Completing the list is Money Heist (Season 4), which like Squid Game, is a testament to the power of foreign-language programming on a global platform. Originally a Spanish-language series, Money Heist has become a global cultural symbol for rebellion and resistance, attracting audiences far beyond its domestic market. The fourth season’s viewership of 106 million confirms its sustained popularity.

Here’s the complete ranking of Netflix’s most-watched shows based on the number of views in the first 91 days of their release:

1. Squid Game (Season 1) – 265.2M views – Korean
2. Wednesday (Season 1) – 252.1M views – English
3. Squid Game (Season 2) – 192.1M views – Korean
4. Stranger Things (Season 4) – 140.7M views – English
5. Adolescence – 134.0M views – English
6. DAHMER – 115.6M views – English
7. Bridgerton (Season 1) – 113.3M views – English
8. The Queen’s Gambit – 112.8M views – English
9. Bridgerton (Season 3) – 106.0M views – English
10. Money Heist (Season 4) – 106.0M views – Spanish

Although non-English shows have clearly proven their global appeal, the top 10 list still sees English-language content claiming seven of the ten spots. This suggests that while Netflix viewers are increasingly open to international storytelling, English shows retain a strong hold on the platform’s viewership base.

From thrillers and horrors to period romances and single-season masterpieces, Netflix’s most-watched list reveals that high-quality storytelling—regardless of language or format—can capture the imagination of a worldwide audience. Whether it’s the high-stakes games of Squid Game, the eerie charm of Wednesday, or the artistic risk-taking of Adolescence, each of these shows has found a way to resonate with millions.

“Squid Game’s first season premiered in September 2021, supported by ballooning media consumption during COVID lockdowns,” Netflix notes, highlighting the timing of its breakout success.

Ultimately, the top 10 most-viewed shows underscore the diversity in viewer preferences, genre tastes, and geographic reach. As global audiences continue to evolve, so too does the definition of what makes a show a hit in the digital age.

Netflix’s docuseries genre focusing on significant episodes in American history has seen continued success, and its latest installment, American Manhunt: Osama bin Laden, has emerged as a major global hit. Despite being delayed for two months, the series has managed to capture the attention of audiences worldwide, achieving a rare 100% critics score on Rotten Tomatoes. This milestone marks another achievement in Netflix’s longstanding tradition of producing impactful documentaries that delve into crucial historical events.

Netflix has steadily developed a reputation for creating high-quality docuseries that explore various pivotal moments in the history of the United States. Past productions such as Waco: American Apocalypse, which chronicles the 1993 Waco massacre, and Spy Ops, examining different federal government operations, have garnered widespread viewership and acclaim. These series often shine a spotlight on intense and often tragic events, offering viewers a deeper understanding of the complexities involved.

The American Manhunt label on Netflix refers to a set of documentary series focused on notorious individuals who have been pursued by the American government in contemporary times. The series began with 2023’s American Manhunt: The Boston Marathon Bombing, which centered on the devastating 2013 terrorist attack and the subsequent manhunt for the Tsarnaev brothers. This was followed by American Manhunt: O.J. Simpson in 2025, which revisited the infamous trial of the former football star. Both series examined major criminal investigations, combining expert commentary and eyewitness accounts to paint a vivid picture of how these cases unfolded.

The latest installment, American Manhunt: Osama bin Laden, has achieved tremendous success on the platform. The three-part series details the intense and complex search for bin Laden, primarily from the perspective of insiders at the CIA. It delves into the history and strategy behind one of the most significant manhunts in modern history, exploring the nuances of the intelligence operations that led to his eventual capture. Despite facing a delay in its release, the series has earned widespread praise. “The series holds a 100% critics score on Rotten Tomatoes as of writing,” highlighting its critical acclaim and signaling its significance within the larger context of American docuseries.

Netflix officially announced that American Manhunt: Osama bin Laden had become the Number 1 English-language TV show on the platform for the week of May 12 to May 18, 2025. According to the platform, it amassed 38.7 million hours of viewership across a total of 12.6 million viewers. The documentary is currently in the Top 10 in 88 countries and has reached the Number 1 position in 19 of those nations. These countries include Canada, Colombia, Costa Rica, Ecuador, Guatemala, Panama, Paraguay, the United States, Cyprus, Estonia, Malta, Portugal, Egypt, Morocco, Bahrain, Kuwait, Qatar, Saudi Arabia, and the United Arab Emirates.

The immense popularity of this docuseries is no surprise when considering the subject matter. Osama bin Laden’s role in global terrorism and his eventual capture is one of the most consequential narratives of the 21st century. The documentary’s deep dive into the events, strategies, and intelligence work that surrounded his capture appeals to a broad global audience. “Given the pervasiveness of America’s war on terror has been for recent world history, it’s not surprising American Manhunt: Osama bin Laden is popular globally.”

The success of the series can also be attributed to its tight, concise structure. With only three episodes, the series manages to deliver all the essential information without overwhelming the viewer. This makes it easily accessible to a global audience interested in understanding the history and tactics of federal investigative operations.This is especially the case because of the experts involved in the series, making the information that shows up in the series feel like an important glimpse into the world of federal investigations.

Another factor that enhances the series’ impact is its reliance on informed voices. Interviews with CIA insiders and intelligence experts provide authenticity and credibility, turning the series into more than just a retelling of events. These perspectives give viewers an intimate look into the decision-making processes and behind-the-scenes operations that aren’t typically available to the public. It is this inside look that distinguishes the series from other historical documentaries.

Additionally, the series comes at a time when audiences are increasingly drawn to real-life crime and investigation narratives. As streaming platforms compete for attention, productions that offer depth, relevance, and a strong storytelling foundation tend to rise to the top. American Manhunt: Osama bin Laden fits this mold perfectly, bringing together history, suspense, and emotional resonance. Its position at the top of Netflix’s charts underscores the global interest in stories that examine the consequences of terrorism and the efforts made to confront it.

Netflix’s ability to market and distribute such a series effectively has also played a role in its success. With strategic release timing and global availability, the platform ensured the docuseries would receive maximum exposure. The widespread international interest demonstrates that stories rooted in American history can have universal appeal when told with clarity and authority.

The high Rotten Tomatoes rating is a testament to the series’ quality. It suggests that critics not only appreciated the storytelling and production but also recognized the importance of documenting such a significant event in global history. “Despite a delay in release, the series holds a 100% critics score on Rotten Tomatoes as of writing,” as noted, indicating that the delay did not negatively affect the reception of the show.

All episodes of American Manhunt: Osama bin Laden are currently available for streaming on Netflix. As viewers around the world continue to engage with the series, its impact is likely to resonate beyond the screen, sparking renewed discussion on the legacy of bin Laden, the war on terror, and the evolving role of intelligence in national security. In a media landscape often dominated by fiction, Netflix’s success with this non-fiction narrative further highlights the growing appetite for real stories that shaped the world.

The success of American Manhunt: Osama bin Laden not only reinforces the popularity of historical docuseries but also signals Netflix’s continued strength in producing globally relevant, critically acclaimed content. As the platform expands its library, the American Manhunt series stands as a compelling example of how true stories, when told well, can resonate powerfully across borders and cultures.

Madame Tussauds Singapore, a popular tourist attraction managed by Merlin Entertainments, has revealed its latest wax figure—a lifelike statue of Indian superstar Ram Charan. What makes this unveiling even more unique is that it marks the first time a wax figure includes both a celebrity and their pet. Ram Charan’s statue is accompanied by his beloved dog, Rhyme, making it a groundbreaking moment for the museum.

The actor, who has garnered widespread acclaim for his performances in South Indian cinema as well as forays into international recognition, expressed his amazement at seeing the figure for the first time. “When I saw the figure for the first time, I was absolutely stunned. The likeness is unbelievable—from the expression to the stance to the exact detail of Rhyme by my side. It’s like looking in a mirror, and I’m so thrilled that fans around the world will get to experience me up close,” said Ram Charan.

The waxwork captures every aspect of the actor’s appearance and demeanor, including the intricate portrayal of Rhyme, who stands beside him in the display. This addition of a pet figure to the wax statue is a novel concept for Madame Tussauds, and Ram Charan is now the first to have such a personalized representation. This decision reflects not only his celebrity status but also a deep personal bond that resonated with the creative team behind the figure.

This event marks a significant cultural moment as well, especially in terms of how South Indian cinema is increasingly finding its place on the global entertainment map. Ram Charan, known for blockbuster hits in Telugu cinema and more recently for his role in the globally recognized film “RRR”, represents a powerful shift in how regional Indian cinema is perceived internationally.

Andre Timmins, co-founder of the International Indian Film Academy (IIFA), also spoke at the unveiling and shared his thoughts on the importance of this collaboration. “For over 25 years, IIFA and Madame Tussauds have shared a proud partnership built on celebrating Indian cinema’s biggest icons and its extraordinary cultural journey across the world. This unveiling of Ram Charan’s figure, a global superstar whose roots are in South Indian cinema, has redefined international perceptions. It is a milestone moment that reflects the growing influence of regional cinema alongside Hindi movies on the global stage. Together with Madame Tussauds, we remain committed to showcasing the diversity, depth and dynamism of Indian cinema to audiences everywhere.”

Timmins’ comments underline the broader cultural implications of the unveiling. Indian cinema is no longer just about Bollywood; the increasing recognition of regional stars and their global fan bases signals a larger narrative about inclusivity and representation. Ram Charan, who hails from a long line of cinematic icons in the Telugu film industry, embodies this evolving dynamic.

The presence of his dog Rhyme in the wax figure presentation also sends a message about the evolving nature of celebrity identity. In today’s age of social media and digital storytelling, fans are not just interested in a star’s professional achievements but are also deeply invested in their personal lives. Including Rhyme brings an emotional and intimate layer to the statue, which makes it stand out among the many figures housed in Madame Tussauds.

Ram Charan has enjoyed a career filled with both critical and commercial success. From memorable performances in movies like “Magadheera”, “Dhruva”, and “Rangasthalam” to international exposure through “RRR”, his journey has been one of consistent evolution and growing appeal. His presence in Madame Tussauds Singapore now offers fans a chance to get closer to one of India’s most dynamic actors.

The wax statue is expected to become a major attraction for the museum, drawing fans from across Asia and around the world. Singapore’s Madame Tussauds location has been noted for its diverse range of wax figures, but the inclusion of Ram Charan along with his pet signifies a move toward more personalized and meaningful representations of global celebrities.

According to the creators at Madame Tussauds, crafting a wax figure is a highly meticulous process involving hundreds of measurements, detailed photographs, and numerous sessions with the individual to ensure every element is accurate. In Ram Charan’s case, this also extended to his dog, requiring additional efforts to achieve the same level of detail and realism for Rhyme.

Such detailed craftsmanship not only captures physical features but also the aura and personality of the subject, making each statue a work of art. Visitors to Madame Tussauds often marvel at how real the figures appear, and the new Ram Charan-Rhyme installation is likely to elicit the same reaction.

This dual wax figure also symbolizes the emotional connection that fans feel with their favorite celebrities. By showcasing Ram Charan with Rhyme, Madame Tussauds is acknowledging the role of relationships and companionship in a celebrity’s life—a departure from the usual portrayal of stars in glamorous or iconic poses.

In terms of cultural representation, this move also illustrates Madame Tussauds’ expanding focus on global diversity. The inclusion of a South Indian star, celebrated for both his artistic talent and broad popularity, speaks volumes about the global appeal of Indian cinema beyond the Hindi-language industry.

For Ram Charan, this wax figure is not just an honor but a marker of his journey and the deep affection fans hold for him. It is a visual and symbolic reminder of how far South Indian cinema has come and how its stars are now celebrated on international platforms that once predominantly featured Western celebrities.

Madame Tussauds Singapore’s decision to feature Ram Charan and Rhyme has set a new standard for wax figures, blending personal significance with public recognition. It not only enhances the museum’s collection but also reinforces its role as a space that evolves with global cultural currents.

As Ram Charan himself noted, the experience of seeing his wax figure was like “looking in a mirror”, a statement that encapsulates the striking authenticity of the display. With this launch, both Madame Tussauds and Ram Charan have achieved a landmark moment—one that honors not just a film career but a deeply human story of connection and recognition.

This new figure is now on display at Madame Tussauds Singapore, inviting fans to witness an extraordinary blend of celebrity, artistry, and affection.

The 72nd Miss World Festival officially began on May 10 with an elaborate and colorful inauguration ceremony at the Gachibowli Indoor Stadium in Hyderabad, marking the start of a month-long tribute to global beauty, cultural diversity, and humanitarian ideals. The launch of the prestigious event was underscored by a powerful message of peace and unity, in keeping with the pageant’s long-standing mission of promoting “Beauty with a Purpose.”

The opening event highlighted Telangana’s rich and vibrant cultural identity. Attendees witnessed energetic performances of various traditional folk and tribal dances, including Perini, Kommu Koya, Lambada, and Oggu Dolu. These displays were more than just entertainment; they served as a heartfelt welcome to over 110 contestants from across the globe and showcased the unique traditions and spirit of Telangana. This lively cultural representation not only enchanted the audience but also set an uplifting and inclusive tone for the upcoming festival events.

Among the notable dignitaries present at the inauguration was Telangana’s Chief Minister Revanth Reddy, who gave a warm greeting to all the participants. The official opening declaration of the Festival in Telangana was made by Julia Morley, CBE, Chairman and CEO of Miss World Limited. Her address emphasized the significance of this event being held in such a culturally rich region.

Julia Morley expressed her excitement by saying, “We are thrilled to bring the Miss World festival to Telangana, a place where tradition beautifully intertwines with innovation. This year’s pageant reflects the spirit of world unity, peace and cultural appreciation, and I am excited to witness the remarkable journeys of each contestant as they inspire the world.”

Jayesh Ranjan, who holds the Full Additional Charge (FAC) as Special Chief Secretary in Telangana’s Youth Advancement, Tourism and Culture Department, also extended a cordial welcome to the international participants. He remarked on the significance of the occasion, noting, “It is a historic day as the 72nd Miss World opens in Telangana. Today will be marked as a significant moment where a powerful message of peace is being conveyed to the world. I wish all the contestants to also become ambassadors of peace in their respective countries.”

Reigning Miss World Krystyna Pyszková, reflecting on her own reign and the importance of the event, expressed gratitude towards the hosts. “A heartfelt thank you to the government of Telangana for welcoming all the contestants with open hearts. I encourage all the contestants to showcase the rich heritage of their countries and be the voices of their communities. I am proud to have been crowned the 71st Miss World in India, and it is an honor to pass my crown in this incredible country once again,” she stated.

The inauguration also featured a visually stunning parade of contestants. Each participant introduced herself while proudly carrying her nation’s flag, creating a memorable scene of unity through diversity. The parade not only allowed the contestants to present their personal and cultural identities but also celebrated the global spirit of the Miss World platform.

In addition to the pageant itself, the 72nd Miss World Festival includes an itinerary rich with cultural, spiritual, and charitable engagements. On May 12, the contestants are scheduled to visit Buddhavanam, a sacred Buddhist site at Nagarjunasagar, offering them an opportunity to connect with India’s spiritual heritage. This will be followed by a heritage walk through Charminar and Laad Bazaar on May 13, allowing the contestants to explore the historical and commercial heart of Hyderabad. A royal welcome dinner at the majestic Chowmahalla Palace will also be held, featuring a live musical concert to further showcase the region’s grandeur and hospitality.

The pageant has received robust support from various partners. Trident has come on board as the Official Hospitality Partner, renowned for its top-tier services and luxurious accommodations, thus ensuring that contestants experience a high standard of comfort during their stay. HITEX, the Venue Partner, provides state-of-the-art facilities that are in perfect sync with the international scope and elegance of the Miss World Festival.

Viewers around the globe will be able to follow the festivities through digital streaming. The entire Miss World Festival is being exclusively streamed on Sony LIV, the official streaming partner. Audiences can also stay updated through regular posts and updates on the official website (www.missworld.com) and the pageant’s Instagram handle @missworld.

The grand finale of the 72nd Miss World Festival is scheduled for May 31, concluding a month filled with festivities, cross-cultural connections, and efforts to champion meaningful causes under the umbrella of “Beauty with a Purpose.”

From its impressive inauguration to its diverse and meaningful schedule of events, the 72nd edition of Miss World is shaping up to be a memorable chapter in the pageant’s history, celebrating not only beauty but also culture, unity, and humanitarian spirit.

BOSTON (May 10, 2025) — In a historic first for Indian American cultural storytelling, The Mishra Group Studios has officially released its much-anticipated documentary, “The Untold Story of Indian Music in America”, now available for streaming on YouTube.

The film is now available for global audiences and marks the first-ever comprehensive cinematic chronicle of the 70-year journey of Indian classical music in the United States.

This deeply researched and emotionally resonant film captures how Indian music—rooted in millennia-old traditions—has taken root, adapted, and blossomed across the American landscape, thanks to the quiet dedication of musicians, teachers, students, and communities nationwide.

“This documentary is a cinematic celebration of identity, perseverance, and artistic excellence,” said Vandana Sharma, the film’s producer. “For the first time, we are shining a light on a community that built a parallel world of music in basements, temples, concert halls, and classrooms—often with no spotlight, just pure passion.”

A 70-Year Cultural Symphony

“The Untold Story of Indian Music in America” traces the genre’s arc from its first known Indian classical concert in New York in 1955 to today’s rich and diverse Indian-American musical ecosystem. The film explores both Hindustani and Carnatic traditions, and how they evolved in dialogue with American audiences and artists—often in uncharted cultural territory.

“The inspiration came from witnessing a Kathak Manch Pravesh in Boston, where every accompanying musician was born and trained in the U.S.,” said Upendra Mishra, Executive Producer and founder of The Mishra Group Studios. “It was a profound moment—a signal that Indian classical music hadn’t just migrated here, it had matured here.”

The documentary features rare archival footage, first-person accounts, and exclusive interviews with maestros and cultural pioneers, making it a visual and emotional archive of a history never before documented on film.

A Broader Cultural Movement

The film’s release follows on the heels of other groundbreaking cultural initiatives, including the Symphony Masala concert by Symphony New Hampshire (SNH) in 2023, which featured award-winning Indian-American singer Anuradha Palakurthi-Juju performing Bollywood music with a full Western symphony orchestra—an unprecedented musical fusion.

“This is probably the first such concert in the United States,” Palakurthi-Juju said at the time, adding that the event “was a special honor for the larger Indian community in the Greater Boston area.” Her achievement highlights the growing sophistication and integration of Indian musical forms into American cultural institutions.

The documentary draws from this same spirit of innovation and cross-cultural collaboration, showing how Indian music has transcended traditional boundaries to find new expressions—without losing its soul.

“Our story is not just about music,” Sharma added. “It’s about identity, heritage, and the ability of a community to carry a living tradition across oceans, generations, and genres.”

KEY DETAILS:

Title: The Untold Story of Indian Music in America

Released by: The Mishra Group Studios

Release Date: May 10, 2025

Producer: Vandana Sharma

Executive Producer: Upendra Mishra

Editor: Anastasia Bogushevsky

Cinematography: Radhika Mishra

Watch Now: Available on YouTube

Trailer Available At: Available on YouTube

A Call to Watch, Reflect, and Celebrate

As audiences around the world increasingly seek authentic and underrepresented cultural narratives, The Untold Story of Indian Music in America offers both a tribute and a testimony. It celebrates a musical journey that is as much about resilience and community as it is about ragas and rhythms.

“We hope this film inspires pride, sparks conversation, and most importantly, preserves a legacy that deserves to be seen and heard,” said Mishra.

Now streaming worldwide—don’t miss the documentary that gives voice to a generation, and music to a movement.

The first-ever World Audio Visual and Entertainment Summit (WAVES) 2025 is currently taking place at the Jio World Convention Centre in Mumbai. On the second day of the summit, a special session titled Cinema – The Soft Power featured popular actors Kareena Kapoor and Vijay Deverakonda. The discussion, centered around the influence of cinema both in India and globally, was moderated by filmmaker and producer Karan Johar.

Karan Johar opened the session by steering the discussion toward the growing international impact of Indian cinema and the evolving collaborations between the Hindi and South Indian film industries. He posed questions on how these synergies might influence the future of filmmaking in the country. Addressing Kareena Kapoor directly, Karan asked why she had never pursued a career in Hollywood, unlike some of her peers who had actively explored opportunities in the West.

In response, Kareena explained that she has never been the type to go after things forcefully. “Chasing is not a part of my personality. If it has to happen, it will happen. I know, times are changing. Who knows, a Hindi-English film will happen. Even Steven Spielberg is watching our Hindi films. So, you never know,” she said.

This comment prompted her to recount a memorable moment when she had a surprising encounter with the legendary filmmaker Steven Spielberg. Recalling the incident, Kareena shared how the acclaimed director behind Lincoln had recognized her from one of the most iconic Hindi films of all time. “I was actually in a restaurant, I am travelling somewhere. Steven Spielberg was eating at the same restaurant. This was many moons ago, when 3 Idiots had just released. He actually came up to me and told me that, ‘Are you that girl who was in that very famous Indian film about three students?’ I said, ‘Yes, that’s me.’ He said, ‘My god. I loved that movie,’” she narrated.

Kareena emphasized that this moment was particularly significant to her because it demonstrated the global reach of Indian films without the need for actors to appear in English-language cinema. “I didn’t need to act in an English film for him to see me. He watched 3 Idiots. That’s a moment for us,” she said proudly, highlighting the power and potential of Indian content to resonate internationally.

Throughout the session, the focus remained on cinema’s ability to transcend language barriers and reach audiences across the world. Both Kareena Kapoor and Vijay Deverakonda acknowledged the increasing scope for collaboration between Hindi cinema and the Southern film industry, a trend that has gained momentum over the past few years. With blockbuster successes from both industries influencing each other and drawing global attention, discussions like these at WAVES 2025 aim to explore how such synergy can shape the future of Indian entertainment.

Karan Johar, known for his influential work in Bollywood and his role in launching several actors’ careers, played the role of moderator with his usual flair. His question to Kareena highlighted how stardom is perceived differently by different artists and how some prefer organic growth over actively seeking international fame. Kareena’s candid response underlined her confidence in the changing landscape of cinema, where quality storytelling can garner global admiration regardless of the language it is told in.

The anecdote about Spielberg’s recognition of her role in 3 Idiots served as a testament to the global appeal of Indian films. 3 Idiots, directed by Rajkumar Hirani and starring Aamir Khan, R. Madhavan, Sharman Joshi, and Kareena Kapoor, became a phenomenon not only in India but also in several other countries. Its themes of educational pressure, friendship, and innovation resonated with audiences across cultures, furthering its reach and impact.

Kareena Kapoor, who has consistently remained a prominent figure in Hindi cinema for over two decades, has maintained a unique approach to her career. Unlike some of her contemporaries who have actively worked in Hollywood or made appearances in international media, Kareena has chosen to focus on impactful roles within the Indian industry. Her decision reflects a belief that quality content and powerful performances can lead to recognition on their own terms.

In her comments, Kareena also hinted at the possibility of future collaborations that blend Indian and Western storytelling. With the global entertainment landscape becoming increasingly interconnected through platforms like Netflix and Amazon Prime Video, the line between local and international cinema is becoming increasingly blurred. Kareena acknowledged this shift, saying, “Who knows, a Hindi-English film will happen.”

She further pointed out that the admiration of Indian films by global icons like Spielberg is a validation of Indian cinema’s growing influence. The fact that a Hollywood giant had watched 3 Idiots and appreciated it without her ever stepping into an English-language film set reinforced her belief that one does not need to chase global fame if their work speaks for itself.

On the professional front, Kareena Kapoor was most recently seen in Singham Again, a multi-starrer film that continues the popular cop franchise by Rohit Shetty. The film features several big names from Bollywood and showcases Kareena in a key role. In addition to this, she also starred in Crew last year, a female-led comedy-drama that was well received by audiences and critics alike.

WAVES 2025, with its focus on innovation and integration across the audiovisual and entertainment sectors, is designed to foster conversations like these that explore the future of cinema in a rapidly changing world. The event has brought together filmmakers, actors, producers, and policy-makers from around the globe to discuss the cultural and economic power of storytelling.

Sessions like Cinema – The Soft Power emphasize how cinema can serve as a bridge between cultures and ideas. Kareena’s presence, along with Vijay Deverakonda’s and Karan Johar’s, added depth to this conversation, particularly in showcasing the diversity and evolution of Indian cinema.

As Indian films continue to gain visibility in international film festivals, streaming platforms, and global box offices, the discussion around representation, content quality, and cross-border collaboration becomes increasingly relevant. Kareena’s remarks offered a grounded yet optimistic perspective on how the industry is evolving. Her belief that meaningful cinema can open doors without having to chase opportunities is a powerful message for aspiring actors and filmmakers alike.

In a time when entertainment is more global than ever, the WAVES 2025 summit is playing a vital role in encouraging dialogue and celebrating achievements. Kareena Kapoor’s Spielberg anecdote served as a fitting highlight, underscoring the fact that Indian cinema’s soft power is already being felt around the world—and that its potential continues to grow.

The recent buzz surrounding Kareena Kapoor Khan and Prithviraj Sukumaran’s sighting together in Mumbai has now been confirmed—both actors are teaming up for an upcoming crime thriller titled Daayra, which will be helmed by the critically acclaimed director Meghna Gulzar.

The news was officially announced on April 14, when Kareena Kapoor Khan took to her Instagram account to share images from the film’s early promotions. One picture shows Kareena and Prithviraj in a deep, intense gaze, suggesting the film’s dramatic tone, while another portrays a lighter moment, capturing the three key figures—Kareena, Prithviraj, and Meghna Gulzar—smiling together.

In the caption accompanying her post, Kareena expressed her excitement about the collaboration, calling the team her dream lineup. “I’ve always said I’m a director’s actor… This time, I’m thrilled to work with one of the best, Meghna Gulzar, and the phenomenal Prithviraj Sukumaran, whose craft I truly respect. To my dream team, Daayra, let’s make magic,” she wrote. Her message was met with overwhelming enthusiasm from fans, many of whom hailed the casting as a “GOAT combo” and shared their anticipation for the project.

While fans were quick to express their excitement about the pairing, another question that surfaced was about Prithviraj Sukumaran’s remuneration for the project. Although specific details about his fee for Daayra have not been made public, there is enough information available about his general approach to compensation in film projects to speculate.

In big-budget ventures like Salaar, Prithviraj is said to have charged approximately ₹4 crore for his role. However, his payment strategy isn’t always fixed. In fact, within the Malayalam film industry, he is known to favor profit-sharing models instead of demanding high upfront fees. This financial approach often enables more of the production budget to be directed toward improving the overall quality of the film.

Given that Daayra is a Hindi-language film, produced on a substantial scale and featuring Bollywood A-listers like Kareena Kapoor Khan under the direction of Meghna Gulzar, it’s likely that Prithviraj’s compensation will be on the higher end of his typical range, possibly reaching ₹4 crore or beyond. However, considering his known preference, there’s also a strong chance he may opt for a profit-sharing deal, where he would earn a portion of the film’s proceeds instead of a fixed amount.

The project itself marks a significant milestone for all involved. Titled Daayra, the film is a socially driven crime drama that is being produced by Junglee Pictures. This will be Meghna Gulzar’s first directorial outing following her 2023 release Sam Bahadur. The screenplay has been jointly written by Meghna Gulzar along with Sima and Yash, and is currently in the pre-production phase. The story aims to highlight pressing social issues, while simultaneously addressing broader questions around crime, justice, and morality.

Kareena Kapoor Khan, who celebrates 25 years in Hindi cinema, spoke about the deeper relevance of the film and her longstanding desire to work with Gulzar. “As I celebrate 25 years in Hindi cinema, I’m beyond excited to announce Daayra. Meghna Gulzar has always been one of my dream directors, and collaborating with her on such a thought-provoking story is a dream come true. Working with Prithviraj is equally exciting. This film is not just a story – it’s an experience that will push boundaries,” she said.

Prithviraj Sukumaran echoed similar sentiments, stating that the depth and complexity of his character were major reasons for signing onto the film. “When I heard the script, I instantly knew this was a story I wanted to tell. My character is rich with layers and has emotional depth. The opportunity to work alongside Kareena and Meghna is a truly rewarding experience. Daayra explores critical societal questions that will resonate with audiences,” he shared.

As for director Meghna Gulzar, her vision for the film appears deeply rooted in a desire to provoke reflection and challenge existing norms. She describes Daayra as an intense narrative that scrutinizes the systems and norms that underpin our society. “This film dives deep into the complexities of societal norms and institutional truths. Co-writing it with Sima and Yash was a creatively intense journey. With Kareena and Prithviraj embodying the leads, the narrative is poised to leave a lasting impact. Collaborating with Junglee Pictures again has been incredibly fulfilling,” Meghna said.

The collaboration of these three prominent figures from different film industries—Kareena from Bollywood, Prithviraj from the Malayalam cinema, and Meghna as a critically acclaimed Hindi filmmaker—has significantly raised the expectations around Daayra. With the film promising to address weighty societal issues through a gripping crime drama, audiences can expect a cinematic experience that is both thought-provoking and emotionally engaging.

Although the film is still in its early stages, the combination of Kareena Kapoor’s mainstream appeal, Prithviraj Sukumaran’s nuanced acting, and Meghna Gulzar’s directorial finesse has already generated considerable excitement in both industry circles and among fans. The movie is expected to delve into complex human emotions and societal contradictions, making it more than just a conventional thriller.

Daayra is shaping up to be a film that not only entertains but also informs and inspires dialogue. As the production gears up to move forward, anticipation will likely grow with each new update. For now, the powerful trio of Kareena Kapoor, Prithviraj Sukumaran, and Meghna Gulzar has successfully piqued interest, and expectations for the film’s narrative depth and execution are sky-high.

Deepika Padukone, who recently welcomed her daughter Dua, returned to Instagram with a poignant and emotional video that deeply resonated with her fans. The video, filled with nostalgic reflections, not only offered a glimpse into her personal life but also prompted introspection about identity, home, and the duality of her emotional connection with two cities—Mumbai and Bengaluru.

In the video, shared on Wednesday evening, Deepika is seen getting her hair styled while speaking candidly about a question she has often been asked: “Mumbai or Bengaluru?” The question triggered a flood of memories and emotions for the actress, who spent her formative years in Bengaluru but built her professional life in Mumbai. With a thoughtful demeanor, she delved into her relationship with both cities.

One particular moment in the video drew smiles from viewers, especially those familiar with Bengaluru’s iconic dessert destination. When asked if she missed Corner House, the beloved ice cream parlour in Bengaluru, Deepika chuckled and replied, “I do miss it, but I’m actually in a way glad there isn’t one in Mumbai because that would require a different level of willpower.” Her candid answer captured the relatable struggle of resisting tempting indulgences and showcased her ability to mix warmth and humor even in moments of reflection.

The conversation soon turned to the core question: if she had to choose between Mumbai and Bengaluru, which one would it be? Her answer was heartfelt and full of emotional weight. “Whenever I come back to Bangalore, it feels like home… because this is where I’ve lived a large part of my life. This is where I’ve grown up — my friends, my school, my college — all of those formative years and experiences have been here,” she shared.

Her sentiments underscored how deeply her childhood memories are rooted in Bengaluru. It’s the city where she grew up, forged her closest friendships, attended school and college, and developed the foundations of who she is today. Bengaluru represents her past, her beginnings, and the simpler chapters of her life before fame and stardom took over.

However, her emotional bond with Mumbai is just as strong, albeit different. She acknowledged the significance of the city where her professional journey began. Speaking about Mumbai, she said, “Bombay again, because professionally, that’s where my life began and that’s where home is now. The energy in Mumbai is very, very different. It’s very difficult to choose one over the other. But I feel like both cities have really influenced my 39 years.”

These words reveal her recognition of Mumbai’s dynamic influence on her life, not just as a city but as the setting where her dreams took flight. It is in Mumbai that she evolved from a budding model to one of the most celebrated actresses in the country. The bustling energy of Mumbai, often described as the city that never sleeps, has played a crucial role in shaping her work ethic and outlook on life. For Deepika, Mumbai symbolizes growth, ambition, and the present, while Bengaluru remains a cherished anchor to her roots.

The reel that accompanied her reflections was visually moving. It featured a montage of never-before-seen childhood photos, school and college clips from her days in Bengaluru, and nostalgic throwbacks from her early modelling career in Mumbai. These visuals added emotional depth to her narrative, letting fans witness the journey she spoke about so eloquently.

Deepika captioned the video with the question that inspired it all: “A question I get asked ever so often…Bengaluru or Mumbai?” The caption served as a powerful summary of the internal dialogue many people experience when they straddle different worlds—one representing their roots and the other their reinvention.

While the video itself was focused on her personal reflections, it also offered a subtle update about her current phase of life. Having recently become a mother, Deepika has been selective about her public appearances. She gave birth to her daughter Dua, and although she has not made any official announcements about future projects post-motherhood, there’s a strong buzz in the film industry.

Reports suggest that the team behind Kalki 2 is eager to bring Deepika back for the highly anticipated sequel. Her performance in previous roles, including her recent portrayal as the powerful DCP Shakti Shetty in Singham Again, has left audiences impressed and eager for more. However, Deepika has yet to confirm any upcoming film officially.

In the meantime, she has been sharing brief yet impactful glimpses of her life as a new mother on social media, much to the delight of her fans. These moments reflect her joy and adjustment to motherhood, showcasing a new dimension of her life. While she continues to balance her personal and professional commitments, her followers wait patiently for news about her next steps in the film industry.

This Instagram reel, though simple in format, carried a profound emotional weight. It highlighted the delicate dance between holding onto one’s past while embracing the future. For Deepika Padukone, both Bengaluru and Mumbai are not just places on a map—they are emotional landscapes that have molded her identity.

Her honesty in expressing love for both cities without trying to pick a favorite resonated with many who face similar crossroads in life. The contrast between the calming nostalgia of Bengaluru and the electrifying hustle of Mumbai echoed with fans who saw their own life stories reflected in hers.

By openly sharing her inner dialogue, Deepika reminded her audience that success often comes with difficult choices, but it’s possible to honor both where we come from and where we’re headed. The video wasn’t just about two cities—it was about the journey of becoming, and the importance of never forgetting your roots, no matter how far you go.

With this touching tribute, Deepika not only reconnected with her fans after a personal milestone but also reasserted her unique ability to communicate powerful emotions through subtle, sincere storytelling. Whether through her films or her Instagram reels, she continues to inspire, reminding everyone that home isn’t always a single place—it can be two, or even more, each holding a piece of your soul.

Academy Award-winning composer A.R. Rahman is set to embark on a North American tour in 2025, bringing his new immersive concert experience, The Wonderment Tour, to audiences across the continent. The tour kicks off on July 18, 2025, in Vancouver, BC, and will include stops in major cities such as Los Angeles, Toronto, and New York.

Blending classical Indian traditions with contemporary electronic music, the tour will showcase Rahman’s signature style, which has revolutionized Indian cinema music. Fans can expect a dynamic journey through Rahman’s prolific career, which spans over 150 films and features global hits like Jai Ho, Kun Faya Kun, and Chaiyya Chaiyya.

Renowned for his work in both Indian and Hollywood films, Rahman’s music has transcended cultural boundaries, captivating audiences of all generations. His illustrious career includes two Academy Awards, two Grammy Awards, a Golden Globe, and a BAFTA for his work on Slumdog Millionaire. He continues to push the boundaries of music and immersive storytelling, collaborating with artists worldwide.

The Wonderment Tour is presented by Concerts West, AEG Presents, and Kash Patel Productions. The show promises a unique cinematic experience, featuring cutting-edge visuals, masterful orchestrations, and immersive storytelling.

Tickets will go on sale Friday, March 28, 2025, at 10:00 AM ET, with presales starting on Tuesday, March 26, 2025.

Academy Award-winning composer AR Rahman has introduced the first song from the much-anticipated anthology My Melbourne. The track, titled Rukna Nahi, is a musical tribute to empowerment and unity. The song marks the Hindi debut of Aryana Sayeed, an Afghan singer who lends her vocals to the composition.

Announcing the song’s release, Rahman shared a message on X (formerly Twitter), stating, “Glad to share the music of ‘My Melbourne’ with you. Best wishes to the entire team. ‘My Melbourne’ releases in Cinemas in India on March 14, and in ANZ on March 6. Rukna Nahi (Setara Title track): Hindi version.”

Rukna Nahi conveys themes of freedom and identity, aligning with the anthology’s broader message of cultural unity. Aryana Sayeed, originally from Kabul and now residing in London, brings a soulful depth to the song. The lyrics and music have been composed by Anurag Sharma. With Rahman’s support and Aryana’s moving rendition, Rukna Nahi sets the stage for an anthology that aims to be both a musical and cinematic celebration of diverse cultural narratives.

Renowned singer Shreya Ghoshal has unveiled her latest track, Namo Shankara, describing it as more than just a song. She expressed that it represents a heartfelt journey, deeply connected to the cosmic energy of Shambho Shiva.

With MahaShivratri approaching, Ghoshal has introduced Namo Shankara, a track blending devotion and energy, as stated in an official release. The song, which serves as an invocation to Lord Shiva, is a composition by Kinjal Chatterjee and Shreya Ghoshal, with lyrics penned by Shraddha Pandit.

Announcing the song’s release, Shreya shared, “The wait is over! Namo Shankara is out now! Let the resonance of this soul-stirring ode to Lord Shiva awaken the Mahadev within you.” She further added, “This is more than just a song—it’s a heartfelt journey that connects you to the cosmic energy of Shambho Shiva.”

The track, infused with damru beats, Sanskrit chants, and Shreya’s powerful vocals, carries an energy that evokes devotion and transports listeners into Mahadev’s divine realm.

Prior to its release, she had teased Namo Shankara on Instagram with an announcement that read, “Har Har Mahadev! This Mahashivratri, let devotion take over as we present #NamoShankara—a soul-stirring offering to the divine. This song is an ode to the supreme energy of Mahadev. Feel the power and lose yourself in the chants of Shiva. Coming soon! Stay tuned.”

Apart from her latest devotional release, Shreya Ghoshal is preparing for a series of live concerts in Chennai and other cities as part of her All Hearts tour, where she is set to mesmerize audiences with her extraordinary vocal prowess.

Speaking about the All Hearts tour, her team previously stated, “Shreya Ghoshal’s All Hearts Tour has been receiving an overwhelming response, and the excitement only continues to grow. She is set to perform next in Chennai, followed by Mumbai and Ahmedabad.” They added, “Her ability to captivate audiences with her soulful voice and diverse repertoire makes every concert a truly unforgettable experience.”

Renowned playback singer Kumar Sanu, whose evergreen songs from the 90s continue to captivate listeners, was recently bestowed with two significant awards at the UK Parliament. Expressing his gratitude for the recognition, the veteran singer dedicated the honor to his devoted fans.

Kumar Sanu was felicitated by the House of Commons, UK, in appreciation of his outstanding contributions to the music industry. This marks the second time the UK Parliament has acknowledged his immense influence on music.

In addition, he was presented with the Lifetime Achievement Award by the World Book of Records, celebrating his remarkable career and lasting legacy in the world of music.

Reacting to the prestigious recognition, Kumar Sanu expressed his heartfelt appreciation. “I am both overwhelmed and deeply grateful to receive these prestigious awards. It is a great honor to be recognized for my contribution to the music industry, especially for recording 28 songs in a single day—a milestone that is very close to my heart,” he stated.

The veteran singer further extended his gratitude to those who have supported him throughout his journey. “I sincerely thank my friends, family, and fraternity, but most importantly, my incredible fans, whose love and support have meant everything to me over the years. This honor is truly for all of you, thank you from the bottom of my heart,” he added.

Accompanying Kumar Sanu for the special occasion was his daughter, Shannon K, who joined him in London for a special performance following the award ceremonies.

In a brief but emotional acceptance speech, Kumar Sanu reiterated his appreciation for the honor, saying, “I am truly honored by these recognitions. Music has been my lifelong passion, and being acknowledged across countries, especially by the UK Parliament for the second time, is incredibly humbling.”

The legendary singer concluded by dedicating the awards to his loyal fans, emphasizing the support he has received throughout his illustrious career. “I dedicate this to my fans, whose love and support have been my greatest strength throughout my journey,” he said.

“Conclave” is poised to cross the $100 million mark at the worldwide box office this week, marking a significant achievement for a film targeted at adult audiences. This milestone comes shortly after the papal thriller secured four BAFTA awards, winning in the categories of best film, best British film, best adapted screenplay, and best editing. It tied for the most wins alongside “The Brutalist.”

Director Edward Berger expressed his excitement over the film’s success, stating, “This is such a personal film for me, so to hear how it has connected with and entertained so many movie lovers around the world makes me very happy. I am very grateful to our incredible partners releasing ‘Conclave’ who have helped this film reach its utmost potential.”

The film, produced by FilmNation Entertainment, has reached a current global gross of approximately $98.5 million. Of this total, international markets have contributed $66.3 million, while North America has accounted for $32.2 million. Focus Features is handling the film’s U.S. distribution, where it has been screening in 300 theaters since its release in October.

Several major international markets, including Japan, South Korea, and Taiwan, are set to release the film soon. “Conclave” was produced on a budget of $20 million.

FilmNation Entertainment CEO Glen Basner highlighted the film’s broad appeal, stating, “Distributors have been telling us what their audiences want, and we have been listening. Moviegoers want a compelling and entertaining experience at the cinema, and audiences are more discerning than ever. ‘Conclave’ is the perfect storm of great directing, writing, and acting and shows us how the independent model works.”

The film delves into the political maneuvering within the Catholic Church as different factions vie to elect a new pope. Its ensemble cast features Ralph Fiennes, Stanley Tucci, John Lithgow, Sergio Castellitto, and Isabella Rossellini. Peter Straughan adapted the screenplay from Robert Harris’s 2016 novel of the same name.

In North America, “Conclave” has grossed $32.2 million. The film has also performed well in various international markets. In the United Kingdom, it has earned $10.3 million, where Black Bear handled the local distribution. In France, where the film was distributed by SND, it grossed $8.9 million. Meanwhile, the film brought in $4.3 million in Australia.

In Germany, Berger’s home country, the film has generated $9 million, with Leonine overseeing its distribution. In Spain, where DeAPlaneta handled local distribution, “Conclave” has accumulated $5 million. The film has also performed well in Mexico, earning $3.7 million through distributor Sun/Diamond, and in Switzerland, where Ascot Elite handled distribution, contributing $2.1 million to the overall gross.

In addition to its box office success, “Conclave” has earned eight Academy Award nominations. These include nods for best picture and best adapted screenplay. Ralph Fiennes has received a nomination for best actor, while Isabella Rossellini has been recognized with a best supporting actress nomination.

The South Asian Showdown has officially revealed the ten teams that will compete in this year’s highly anticipated Bollywood Fusion dance competition. Recognized as one of the largest and most prestigious Bollywood Fusion events in North America, the competition draws some of the finest dance teams from across the United States and Canada.

Participants will perform intricate, professionally choreographed routines in vibrant costumes as they compete for the grand prize of $5,000. The event is scheduled for Saturday, March 1, 2025, at the Strand Theatre in Boston. Tickets are currently available at www.southasianshowdown.com.

“This year we had more than 50 teams apply from across North America,” said Rohit Bhambi, founder of the South Asian Showdown. “We have selected the top ten teams that will be joining us in Boston from as far away as L.A. and Vancouver to see who is the best. The audience will get to see some of the best Bollywood/Fusion that North America has to offer as each region brings their own style to the competition.”

Bollywood Fusion, a highly energetic dance style originating from India, blends various dance forms into a cohesive theme. Attendees can expect to witness an exciting mix of Bollywood, Hip-Hop, Bhangra, Classical, Contemporary, Tollywood, and more.

The 2025 Competitors

BU Chankaar (Boston, MA)

BU Chankaar, Boston University’s premier all-female fusion dance team, showcases an array of dance styles, including Bollywood, Bhangra, Hip-Hop, and Classical. Their performances aim to represent South Asian culture within the Boston community. The group is dedicated to maintaining its legacy by channeling creativity, energy, and passion into each performance.

MIT Mirchi (Boston, MA)

Founded in 2012, MIT Mirchi is the university’s competitive Bollywood-Fusion dance team. They embody a love for dance, blending South Asian and Western influences into dynamic performances. Mirchi has proudly represented MIT and the greater Boston area at competitions across the country. Known for their fiery stage presence, they strive to captivate audiences with every performance.

Desi Dhamaka (Tampa, FL)

Desi Dhamaka is a co-ed independent Bollywood Fusion team based in Tampa, Florida. Their performances are known for vibrant choreography and compelling storytelling. The team fosters a supportive and inspiring environment, encouraging its members to grow and flourish in their dance journey.

Miami UJhoom (Miami, FL)

Since its inception in 2013, Miami UJhoom has been setting stages ablaze with its energetic performances. The name “UJhoom” derives from the Hindi phrase “Jhoom Barabar Jhoom”, meaning to dance and celebrate without restrictions or fear. The team, consisting of dancers from diverse backgrounds, integrates multiple styles such as Bollywood, Bhangra, Contemporary, Hip-Hop, and Classical, creating a unique fusion experience.

NYU Dillagi (New York, NY)

NYU Dillagi, New York University’s only co-ed Bollywood Fusion dance team, is well-known for seamlessly merging Eastern and Western dance styles. The team takes pride in showcasing diverse backgrounds and storytelling abilities. They are excited to participate in this year’s competition, presenting a performance that reflects their unity, dedication, and passion for dance.

UBC Junoon (Vancouver, BC)

UBC Junoon, traveling from Vancouver, represents Canada as the only internationally competitive Bollywood dance team at the event. Driven by a deep passion for Bollywood Fusion, they promise an electrifying performance. Their choreography, infused with vibrant energy and powerful storytelling, is designed to captivate and leave a lasting impression on the audience.

UCI Zamana (Irvine, CA)

Zamana, the University of California, Irvine’s premier Bollywood Fusion competitive team, blends multiple dance forms such as Hip-Hop, Bhangra, Kuthu, Contemporary, and Classical into its Bollywood foundation. Founded in 2009, Zamana has been a consistent presence at prestigious dance events nationwide. The team has even been invited to audition for America’s Got Talent.

UConn Surya (Storrs, CT)

Established in 2004, UConn Surya is Connecticut’s leading competitive Bollywood Fusion dance team. Over the years, it has evolved into a nationally recognized team that integrates a variety of dance styles, including Bollywood, Classical, Lyrical, Hip-Hop, and Bhangra.

USC Zeher (Los Angeles, CA)

USC Zeher, a nationally acclaimed Bollywood Fusion dance team, represents Los Angeles with its award-winning performances. Their goal is to bring the essence of Bollywood Fusion to the collegiate stage through creativity and dedication. Known for their commitment to authenticity, Zeher aims to deliver performances that are both captivating and inspiring.

WashU Chaahat (St. Louis, MO)

WashU Chaahat is a student-run competitive dance team from Washington University in St. Louis. The team participates in various on- and off-campus events, including WashU’s renowned Diwali celebration. As part of an intercollegiate dance circuit, Chaahat competes at national-level events. Their performances feature an array of styles, including Bollywood, Kuthu, Hip-Hop, Contemporary, Bharatanatyam, Raas, and Garba.

Cultural Impact and Support

The South Asian Showdown is organized by Boston Bhangra and South Asian Nation, two local nonprofit organizations dedicated to promoting cultural awareness. The event receives significant support from institutions such as the Barr Foundation, the Mass Cultural Council, the Mayor’s Office of Arts and Culture, and Chardikla TV.

The 2025 South Asian Showdown is set to take place on March 1 at the Strand Theatre, located at 543 Columbia Rd, Boston, MA. Tickets are currently available for purchase.

Renowned composer and singer A.R. Rahman has unveiled the inspiration behind his powerful anthem, “Aaya Re Toofan,” from the upcoming historical film Chhaava, calling it a tribute to the unwavering spirit of Chhatrapati Sambhaji Maharaj.

The film’s makers recently released the second track from Chhaava, with Rahman composing and singing the electrifying anthem. The Oscar-winning musician explained that the song is intended to capture the essence of an era, channeling the fierce and unbreakable energy associated with the Maratha king.

The multiple National Award-winning artist highlighted how the song’s composition is meant to evoke a deep emotional and historical resonance. He described the track as an artistic representation of the Maratha roar, structured to be both primal and celebratory. According to Rahman, every element of the song—from its beats to its war cries—is meticulously crafted to ignite a sense of power and honor in listeners.

In a statement, Rahman elaborated on the song’s meaning, saying, “‘Aaya Re Toofan’ is an invocation of an era; it’s a resounding tribute to the unyielding spirit of Chhatrapati Sambhaji Maharaj. When I set out to compose this song, the idea was to bring forth the Maratha roar in its grandest, most electrifying form, one that echoes in the soul. Every beat, every note, every war cry in this composition is meant to stir something primal, powerful, and celebratory—I’m delighted that this.”

Vicky Kaushal, who portrays Chhatrapati Sambhaji Maharaj in the historical drama, also reflected on the song’s significance. He described “Aaya Re Toofan” as a force of nature, underscoring the immense dedication and passion that went into its creation. Kaushal emphasized that the song was not merely a musical piece but a tribute to the Maratha legacy, with every member of the team fully invested in honoring the historical icon’s memory.

“‘Aaya Re Toofan’ is a primal force of nature. Every single person on the set poured their heart, blood, and sweat into honoring the sacred legacy of Chhatrapati Sambhaji Maharaj. This wasn’t just a song for us; it was a responsibility, a calling,” said Kaushal.

Further elaborating on the song’s importance, the actor noted that it marked a pivotal moment in the film, symbolizing the coronation of a historic figure. He expressed his gratitude for being part of a project that brings such an iconic moment to life and credited Rahman’s unparalleled talent in making the anthem as powerful as it is.

“‘Aaya Re Toofan’ marks a huge milestone—the coronation of a historic icon, and to be able to bring it to life is a privilege beyond words. I’m honored that the legendary A.R. Rahman sir has powered this anthem with his mesmerizing composition and mighty voice, invoking an era of unmatched bravery. Launching it in Chhatrapati Sambhajinagar, a land that carries the weight of his name and his sacrifice, feels like destiny bringing everything full circle,” Kaushal added.

Directed by Laxman Utekar, Chhaava is set to release in theaters on February 14.

The world has long known Chandrika Tandon as a visionary—an artist whose music transcends borders, a leader whose generosity uplifts communities, and a soul whose very presence radiates warmth. With her Grammy Award win for Triveni, she has once again shined a spotlight on the power of music to heal, unite, and inspire.

The Indo-American Arts Council (IAAC), which has long cherished Tandon as both an artistic force and a dear patron, celebrates this moment with immense pride. Her unwavering support of IAAC’s programming has enriched the arts in countless ways, and we had the distinct honor of hosting a book talk for her deeply personal work, Ammu’s Treasures, inspired by the songs she sings to her grandchildren.

“Chandrika Tandon’s Grammy win is a testament to her unparalleled artistry and her ability to elevate Indian classical music on the global stage,” said Rakesh Kaul, Vice Chairman of IAAC. “Her work embodies the essence of cultural harmony, and we are thrilled to see her receive this well-deserved recognition.”

“Chandrika’s music is one for the soul. Beautifully blending ancient healing chants with Western elements, she creates something divine that transcends boundaries, touching hearts across the world. This Grammy is not just a personal achievement but a celebration of the rich cultural heritage she represents,” added Suman Gollamudi, IAAC’s Executive Director.

There are artists, and then there are those rare luminaries who make the world brighter simply by being in it. Chandrika Tandon is one of them. Her Grammy win is not just a recognition of musical excellence—it is a reminder that passion, purpose, and generosity can transform lives.

The IAAC, along with admirers across the globe, stands in awe of her brilliance and rejoices in this well-deserved honor.

A woman is often defined by her roles, someone’s wife, daughter-in-law, or responsibility, while her own identity fades into the background. Mrs., ZEE5 Global’s latest film starring Sanya Malhotra, brings this reality to the forefront. It’s not just a story about marriage but about what it silently takes away—dreams, ambitions, and a sense of self.

Richa, the woman at the heart of this story, enters marriage with dreams that feel close enough to touch. She wants to dance. She has ambition, drive, and a sense of who she is. But in her new home, none of that matters. There are other priorities—meals to cook, chores to finish, duties to fulfil. Slowly, without her even realizing it, the things that made her feel alive are pushed aside. Not taken away, not forbidden, just made impossible. It is a story about the moment a woman realizes that she has been conditioned to shrink herself, to prioritize everyone else before even thinking about what she wants. And once that realization sets in, what comes next?

Richa’s journey is filled with these quiet moments of defiance. They don’t come in the form of grand speeches or bold declarations. They exist in pauses, in hesitation, in choices that seem small but carry enormous weight. The decision to say no. The insistence that her name and her identity matters. The film also makes one thing clear: a woman’s worth cannot, and should not, be measured by how much of herself she is willing to give up.

Mrs. is a story that feels uncomfortably familiar. It is a reflection of conversations we’ve overheard, dynamics we’ve witnessed, and for many women, experiences they’ve lived through. It speaks to those who have watched their own ambitions take a backseat, who have been made to feel that asking for more is selfish, who have learned to apologize for simply wanting to be seen. And yet, at its core, the film is not about despair, it is about possibility. It is about the hope that comes from recognizing that things can be different. That choosing yourself is not a betrayal. That a woman does not cease to be an individual the moment she becomes a wife.

ZEE5 Global continues to spotlight stories that reflect the struggles and realities of men and women in today’s society, making Mrs. a deeply relatable narrative. It speaks to those women who have been told that wanting more is selfish and reminds them that choosing themselves is not a betrayal. Streaming from February 7th, Mrs. is a story of quiet strength, self-discovery, and the fight to be seen.

About ZEE5 Global

ZEE5 Global is the digital entertainment destination launched by Zee Entertainment Enterprises Limited (ZEEL), a global Media and Entertainment powerhouse. The platform launched across 190+ countries in October 2018 and has content across 18 languages: Hindi, English, Bengali, Malayalam, Tamil, Telugu, Kannada, Marathi, Oriya, Bhojpuri, Gujarati, Punjabi, including six international languages Malay, Thai, Bahasa, Urdu, Bangla and Arabic. ZEE5 Global is home to 200,000+ hours of on-demand content. The platform brings together the best of Originals, Movies and TV Shows, Music, Health and Lifestyle content in one destination. In addition, ZEE5 Global offers features like 15 navigational languages, content download options, seamless video playback and Voice Search.

Sunday night saw Beyoncé and Kendrick Lamar win big at the Grammy Awards, which also served as a fundraiser for wildfire relief efforts in Los Angeles. The event featured memorable performances, impassioned speeches, and striking red carpet looks (leather chaps are back, in case you were wondering).

HIGHLIGHT: Beyoncé wins album of the year—at last

On her eighth solo record, Cowboy Carter, Beyoncé addressed the Grammys’ reluctance to grant her Album of the Year. “AOTY, I ain’t win,” she sang. “Take that s— on the chin.” Now, she has won, making history in the process.

Her victory was long overdue. In 2017, Adele admitted Beyoncé’s Lemonade deserved the award over 25, and eyebrows were raised again in 2023 when Renaissance lost to Harry’s House. Ultimately, Beyoncé secured her win by tackling a genre Grammy voters could grasp—country.

But that doesn’t diminish her achievement. Cowboy Carter is a masterpiece that threads multiple genres into a thesis on America’s cultural past and the futility of racial gatekeeping in music. As part of a planned trilogy, this likely won’t be Beyoncé’s last Grammy triumph.

HIGHLIGHT: Sabrina Carpenter’s staged ‘malfunction’

Sabrina Carpenter, who has been on the brink of superstardom for years, took the Grammy stage in dazzling fashion—literally. She appeared in a razzle-dazzle showgirl outfit, missed her spotlight, dropped her cane, and fell through a trap door—only for it to all be an elaborate joke.

She bounced back into a big band version of Espresso, complete with a tap routine, before changing into a crystal-studded bodysuit for Please, Please, Please. As her set collapsed around her, she laughed it off, perfectly executing a vaudeville-style performance that left the audience entertained.

Host Trevor Noah quipped, “That was amazing and funny, which I didn’t appreciate. Really, Sabrina? You’re just gonna take my job like that?”

LOWLIGHT: The Weeknd ends his Grammys boycott

In 2020, The Weeknd was snubbed despite Blinding Lights becoming the most-streamed song ever. Calling the Grammys “corrupt,” he refused to submit his music for years.

So it was a surprise when he appeared unannounced at Sunday’s ceremony. Recording Academy CEO Harvey Mason Jr. acknowledged his past criticisms, highlighting efforts to diversify Grammy voters.

The Weeknd then performed two new songs, Cry For Me and Timeless, but the performance felt oddly joyless. Constantly shrouded in smoke, his return seemed more like sabotage than celebration.

HIGHLIGHT: Chappell Roan rides a big pink pony

BBC Sound of 2025 winner Chappell Roan delivered a theatrical performance of Pink Pony Club, a love letter to LA and queer discovery. Dressed in a sequined cowboy hat and boots, she rode a giant pink carousel pony alongside rodeo clown dancers.

Host Trevor Noah joked, “‘My Little Pony’ grew up!”

Later, Roan used her Best New Artist speech to call for record labels to provide artists with livable wages and healthcare. It was a breakout night for the 26-year-old.

LOWLIGHT: Kanye West and Bianca Censori’s nude stunt

Kanye West arrived on the red carpet in black, while his wife Bianca Censori wore a sheer body stocking that left little to the imagination.

After posing for cameras, the couple left abruptly, leading to speculation that they had been kicked out. However, sources later confirmed they departed on their own accord—likely before West lost the Best Rap Song award to Kendrick Lamar.

West, who already has 24 Grammys, may not have won, but he certainly got the headlines he wanted.

HIGHLIGHT: Charli XCX’s ‘Brat Green’ wins Best Artwork

Among Charli XCX’s three wins was Best Artwork for Brat. At first glance, the album cover—a plain green square with low-resolution Arial text—seems unremarkable.

However, designer Brent David Freaney spent five months perfecting the garish, nausea-inducing shade. Charli aimed to challenge the industry’s expectations of female artists, rejecting provocative album covers in favor of something intentionally off-putting.

She explained, “Why should anyone have ownership over female artists? I wanted to provoke people.”

Later, her Von Dutch performance transformed the ceremony into a sweaty underground rave, complete with a champagne toss, Julia Fox, and dancers showered in underwear (which was later donated to domestic violence survivors).

HIGHLIGHT: Kendrick Lamar’s clean sweep

The Grammys have had a complicated history with hip-hop. They didn’t introduce a rap category until 1989, and no rap album has won Album of the Year since OutKast’s Speakerboxxx/The Love Below in 2004.

That changed when Kendrick Lamar dominated the night, winning all five of his nominated categories—including Record and Song of the Year for Not Like Us, a scathing diss track aimed at Drake.

Dressed in denim, Lamar delivered a powerful message: “At the end of the day, nothing is more powerful than rap music. I don’t care what it is. We are the culture… respect the art form.”

HIGHLIGHT: Janelle Monáe’s moonwalk tribute to Quincy Jones

The Grammys honored the late Quincy Jones with a star-studded tribute.

Cynthia Erivo and Herbie Hancock performed Fly Me to the Moon, while Stevie Wonder led We Are the World with choirs from fire-affected schools.

But it was Janelle Monáe’s electrifying performance of Michael Jackson’s Don’t Stop ‘Til You Get Enough that stole the show. Dressed in MJ’s Billie Jean outfit, she moonwalked across the stage, danced on tables, and threw off her jacket to reveal a shirt reading “I Love QJ.”

Taylor Swift caught the shirt—and wore it for the rest of the night.

LOWLIGHT: Snubs for Billie Eilish and Taylor Swift

Even with 94 categories, some artists inevitably go home empty-handed. But few expected Billie Eilish and Taylor Swift to be among them.

Swift, despite six nominations, won nothing—Grammy voters seemingly deciding The Tortured Poets Department didn’t match the caliber of her past Album of the Year wins.

Eilish, the bookmakers’ favorite for Album of the Year with Hit Me Hard And Soft, lost all seven categories she was nominated for.

However, Swift has credited previous losses for inspiring her biggest work (1989), so this may not be a setback—it could be a setup for her next era.

Trevor Noah’s easy-going hosting

Trevor Noah continues to strike the right balance as Grammy host—relaxed, engaged, and never mean-spirited. Some of his best jokes included:

• “Yesterday, Beyoncé announced her new tour. I will say, though—Beyoncé, there are tariffs. We can’t afford a new tour, right? Maple syrup is about to be $50.”
• “Taylor Swift could become the first artist ever to win Album of the Year five times. That means she would break the record of four, set all the way back in 2024 by… Taylor Swift.”
• “The Beatles are nominated tonight for Record of the Year thanks to AI. So good luck to them! If they win, this could open up a few doors for them.”
• “And who knows, through the power of AI, we could even get another Rihanna album.”

Final Thoughts

From Beyoncé’s long-overdue win to Kendrick Lamar’s historic sweep, the 2025 Grammys delivered major moments. With standout performances from Sabrina Carpenter, Chappell Roan, and Janelle Monáe, and a few eyebrow-raising snubs, the night was a mix of celebrations, surprises, and controversy.

And if nothing else, at least we got some GIF-worthy reactions along the way.

For years, AR Rahman has been India’s most celebrated and financially successful music composer. His albums have consistently been chartbusters, enabling him to command fees in crores for each film. However, in 2023, a young composer overtook him as the country’s highest-paid musician. Achieving this milestone at just 33, he became the first Indian composer to charge a nine-figure amount for a single project.

India’s Highest-Paid Musician

Anirudh Ravichander, the celebrated composer behind Tamil films like Jailer, Petta, Master, and Vikram, has emerged as the highest-paid music composer in India. His popularity has also made him the most expensive musician in the country. In 2023, he made his Bollywood debut by composing music for Jawan, starring Shah Rukh Khan. According to News 18, he charged ₹10 crore for the film, surpassing AR Rahman’s usual fee of ₹7-8 crore per film. While he lowered his remuneration for subsequent projects, he still retained his position as the highest-paid composer. Times of India reported that Anirudh charged ₹8 crore each for Leo and Jailer, keeping him ahead of all his contemporaries.

How Anirudh Surpassed Industry Veterans

Anirudh has played a crucial role in introducing a fresh musical style to Tamil cinema. He is known for his experimental approach, particularly his use of techno beats and his ability to integrate actors’ real-life personas into background scores. This distinctive style has made him the preferred composer for some of India’s biggest stars, including Rajinikanth (Petta, Jailer), Kamal Haasan (Vikram), Vijay (Master, Leo), and Shah Rukh Khan (Jawan).

Anirudh has also become a key figure in major film ‘camps,’ frequently working with stars like Shah Rukh Khan, Rajinikanth, and Vijay. His ability to create anthems for these actors, such as Hukum from Jailer, has further solidified his reputation. The immense success of his compositions has allowed him to significantly increase his fees, ultimately leading him to charge ₹10 crore per film at just 33 years old.

Among other top Indian composers, Pritam, Vishal-Shekhar, MM Keeravani, and Yuvan Shankar Raja all charge below ₹5 crore per film. Singers earn even less, typically receiving ₹15-20 lakh per song, with very few ever earning a crore for an entire film. However, private albums offer higher earnings, with artists like Diljit Dosanjh routinely making over a crore per project.

The nominations for the 97th Academy Awards were revealed today, with Emilia Perez dominating the list by earning an impressive 14 nominations. This remarkable feat places the film in the same esteemed company as All About Eve, Titanic, and La La Land, all of which previously achieved the milestone of 14 nominations.

Beyond living up to expectations, Emilia Perez exceeded them by earning nominations in categories where its success was less predictable. These include Best Cinematography, Best Sound, and two nominations recognizing Selena Gomez’s contributions—Best Supporting Actress and Original Song.

While Emilia Perez takes the lead, the Oscar race remains highly competitive. Conclave, directed by Edward Berger, has emerged as a formidable contender. The critically acclaimed film secured nominations in key categories: Best Picture, Best Director, Best Actor for Ralph Fiennes, and Best Supporting Actress for Isabella Rossellini. Following its triumphs at the BAFTA Awards, Conclave has further solidified its status as a major player this awards season.

Universal Pictures’ Wicked, a box office sensation, also performed exceptionally well with several nominations. Cynthia Erivo received a Best Actress nod for her role as Elphaba, while Ariana Grande earned a Best Supporting Actress nomination for her portrayal of Glinda. The film further demonstrated its strength in technical categories, with nominations for Best Costume Design, Best Film Editing, and Best Visual Effects.

A24’s The Brutalist, a historical epic featuring Adrien Brody, garnered eight nominations, including Best Actor for Brody and Best Director for Brady Corbet. Despite its success in several technical categories, the film missed out on nominations for Best Supporting Actress (Felicity Jones) and Best Film Editing, both of which had been considered strong possibilities.

Searchlight Pictures’ A Complete Unknown, a Bob Dylan biopic, earned three acting nominations. Timothée Chalamet received his second career nod for Best Actor, Edward Norton was recognized with his fourth nomination in the Best Supporting Actor category, and breakout star Monica Barbaro received a nomination for Best Supporting Actress.

Complete List of Major Nominations:

Best Picture

• Anora
• The Brutalist
• A Complete Unknown
• Conclave
• Dune: Part Two
• Emilia Perez
• A Real Pain
• Sing Sing
• The Substance
• Wicked

Best Director

• Jacques Audiard (Emilia Perez)
• Sean Baker (Anora)
• Edward Berger (Conclave)
• Brady Corbet (The Brutalist)
• Payal Kapadia (All We Imagine as Light)

Best Actress

• Cynthia Erivo (Wicked)
• Marianne Jean-Baptiste (Hard Truths)
• Mikey Madison (Anora)
• Demi Moore (The Substance)
• Fernanda Torres (I’m Still Here)

Best Actor

• Adrien Brody (The Brutalist)
• Timothée Chalamet (A Complete Unknown)
• Daniel Craig (Queer)
• Colman Domingo (Sing Sing)
• Ralph Fiennes (Conclave)

Best Supporting Actress

• Monica Barbaro (A Complete Unknown)
• Jamie Lee Curtis (The Last Showgirl)
• Ariana Grande (Wicked)
• Isabella Rossellini (Conclave)
• Zoe Saldaña (Emilia Perez)

Best Supporting Actor

• Yura Borisov (Anora)
• Kieran Culkin (A Real Pain)
• Jeremy Strong (Apprentice)
• Edward Norton (A Complete Unknown)
• Guy Pearce (The Brutalist)

Best Original Screenplay

• The Substance
• Anora (Sean Baker)
• The Brutalist (Brady Corbet, Mona Fastvold)
• A Real Pain (Jesse Eisenberg)
• September 5

Best Adapted Screenplay

• A Complete Unknown
• Conclave
• Emilia Perez
• Sing Sing
• Wicked

International and Animated Features

In the International Feature Film category, Emilia Perez leads alongside Flow, I’m Still Here, Kneecap, and Vermiglio. Meanwhile, the Animated Feature lineup includes Flow, Inside Out 2, Memoir of a Snail, Wallace & Gromit: Vengeance Most Fowl, and The Wild Robot.

Technical Achievements

Films like The Brutalist, Conclave, Dune: Part Two, Wicked, and Emilia Perez also dominated in technical categories. Notable mentions include:

• Best Cinematography: Emilia Perez, The Brutalist, and Conclave
• Best Costume Design: Wicked and Nosferatu
• Best Film Editing: Dune: Part Two, Emilia Perez, and Wicked
• Best Visual Effects: Wicked, Dune: Part Two, and Deadpool & Wolverine

Music and Sound

The Original Song category includes El Mal from Emilia Perez, composed by Clément Ducol, Camille, and Jacques Audiard, and Kiss the Sky from The Wild Robot. Elton John’s Never Too Late from his biographical film and Diane Warren’s The Journey from The Six Triple Eight also made the cut.

In the Best Sound category, films like A Complete Unknown, Dune: Part Two, Gladiator II, Joker: Folie à Deux, and Wicked are among the nominees.

Documentary and Short Films

In documentary categories, nominees include Daughters, No Other Land, and Sugarcane for Feature, while Death By Numbers and I Am Ready, Warden lead the Short Documentary nominations. For Live Action Shorts, highlights include The Last Ranger and Anuja.

Conclusion

The 97th Academy Awards promises to be a celebration of cinematic excellence, with Emilia Perez leading the pack and strong contenders like Conclave, Wicked, and The Brutalist keeping the race exciting. As anticipation builds, it remains to be seen which films and artists will claim the coveted Oscars on the big night.

Psychological thrillers have always held a special place among film enthusiasts who appreciate intense, mind-twisting narratives. The Malayalam film industry, renowned for its remarkable storytelling, has consistently delivered outstanding contributions to this genre. Among these, the 2019 psychological thriller Athiran, starring Sai Pallavi and Fahadh Faasil, has recently re-emerged as a sensation on OTT platforms. Since its debut on Disney+ Hotstar, the film has maintained its position at the top of the streaming charts, cementing its legacy as a standout in its category.

A Gripping Storyline

Set against the backdrop of a secluded hospital in Kerala, Athiran unfolds as a psychiatrist delves into the enigmatic history of an autistic patient with extraordinary abilities. The story’s intricate narrative takes the audience on a journey filled with unexpected twists and revelations. The film seamlessly weaves together themes of mental health, power dynamics, and the complexities of the human psyche, creating a truly immersive experience.

What makes Athiran particularly compelling is its ability to hold viewers in suspense throughout. With each twist, the narrative becomes increasingly gripping, making it a must-watch for fans of psychological thrillers. Its layered storyline explores not only the mysteries surrounding its characters but also broader questions about human nature and morality.

Stellar Performances

At the heart of Athiran is the exceptional performance of its lead actors. Sai Pallavi’s portrayal of a troubled patient is nothing short of extraordinary. Her nuanced depiction brings authenticity and depth to her character, allowing viewers to empathize with her struggles while marveling at her capabilities. Pallavi’s performance has been widely lauded for its emotional range and precision, demonstrating her exceptional talent.

Fahadh Faasil, known for his versatility, shines as the determined psychiatrist. His portrayal strikes a perfect balance between empathy and resolve, adding layers to the character. Faasil’s ability to convey the complexities of his role with subtlety and intensity has earned him widespread acclaim.

The supporting cast, including Atul Kulkarni, Shanthi Krishna, Sudev Nair, and Renji Panicker, also deliver noteworthy performances, enriching the film’s overall impact. Their contributions ensure that every character, no matter how minor, adds to the depth and texture of the story.

A Unique Thriller with Universal Appeal

One of Athiran’s standout features is its ability to remain engaging long after its initial release. The film shares thematic similarities with the Hollywood thriller Stonehearst Asylum (2014), but its unique setting and psychological depth set it apart. The blend of a gripping storyline with the culturally rich backdrop of Kerala gives Athiran a distinctive identity.

Audiences across India, including those unfamiliar with Malayalam cinema, have praised the film for its impeccable execution. Its captivating narrative, coupled with stellar performances, has garnered widespread appreciation, transcending linguistic and regional barriers. The film’s ability to resonate with viewers from diverse backgrounds highlights its universal appeal.

The Vision of Director Vivek

Athiran marks the directorial debut of Vivek, whose vision brought this compelling story to life. The inspiration for the film stemmed from a real-life experience when Vivek visited a Kalari school in Kerala. He observed autistic students performing complex skills with remarkable precision, comparable to their peers. This profound encounter became the foundation for Athiran’s narrative, lending an element of authenticity to its exploration of the human mind.

Vivek’s direction skillfully balances the film’s psychological depth with its thriller elements. His meticulous attention to detail ensures that every scene contributes meaningfully to the overarching story. The director’s ability to translate his vision into a captivating cinematic experience is a testament to his talent and creativity.

Enduring Popularity on OTT Platforms

The sustained popularity of Athiran on OTT platforms underscores its timeless appeal. Even years after its theatrical release, the film continues to attract viewers, solidifying its status as one of the most-streamed Malayalam movies on Disney+ Hotstar. Its gripping plot, compelling performances, and thought-provoking themes make it a favorite for repeat viewings.

For many, Athiran offers a perfect blend of suspense and emotional depth. The film’s ability to keep audiences on the edge of their seats while exploring profound psychological themes ensures its enduring relevance. Whether watched for the first time or revisited, Athiran remains a rewarding experience for all thriller enthusiasts.

Conclusion

Athiran stands as a testament to the brilliance of Malayalam cinema in crafting psychological thrillers that leave a lasting impression. The film’s intricate narrative, outstanding performances, and cultural richness have earned it a place among the finest examples of its genre. As it continues to dominate OTT charts and captivate viewers across the nation, Athiran proves that a great thriller can transcend time and geography, offering an unforgettable cinematic journey for all who watch it.

Renowned filmmaker M. Night Shyamalan is embroiled in a legal battle over claims that his Apple TV+ series Servant borrows heavily from an independent film. Italian-born director Francesca Gregorini is suing Shyamalan and Apple for $81 million, alleging that the series appropriates significant elements from her 2013 movie, The Truth About Emanuel, according to Variety.

Gregorini’s attorney, Patrick Arenz, laid out the case in federal court in Riverside, California, presenting the jury with clips from both Servant and The Truth About Emanuel. During his opening statement, Arenz contended that both stories revolve around a delusional mother who treats a doll as if it were a real baby, with a nanny enabling the delusion.

“This is a simple case,” Arenz stated before the jury. “There would be no Servant without Emanuel.”

Shyamalan was present in court, seated behind his defense team, along with producer Taylor Latham and Apple TV+ programming head Matt Cherniss. Tony Basgallop, the British writer credited with creating Servant, joined the defense at their counsel table. Meanwhile, Gregorini sat with her legal team at the plaintiffs’ table.

The defense, led by attorney Brittany Amadi, refuted the allegations. Amadi argued that Basgallop had started developing Servant years before The Truth About Emanuel was released in 2013. She emphasized that neither Shyamalan nor anyone associated with the show had drawn inspiration from Gregorini’s film.

“Ms. Gregorini is seeking a windfall here,” Amadi told the court. “She’s seeking $81 million for work she didn’t do. The truth is the creators of Servant do not owe anything to Ms. Gregorini.”

The legal dispute dates back to January 2020, when Gregorini filed her lawsuit shortly after Servant premiered on Apple TV+. Initially, a federal judge dismissed the case a few months later. However, in 2022, the 9th Circuit Court of Appeals reversed the decision, stating that there was a legitimate question about whether the two works are “substantially similar.”

In November, Judge Sunshine Sykes rejected Apple’s motion for summary judgment, ruling that the case should proceed to a jury trial. Now, the fate of the lawsuit hinges on the jury’s determination of whether Servant indeed infringes on The Truth About Emanuel or if the similarities are purely coincidental.

Travis Kelce, the highest-paid tight end in the NFL, is fully focused on leading the Kansas City Chiefs to another Super Bowl victory. Meanwhile, his girlfriend, Taylor Swift, continues her streak of breaking records in the music industry. Recently, Taylor released her Lover (Live From Paris) heart-shaped vinyl, which has taken the music world by storm by selling 200,000 copies within just two days in the U.S.

Although neither Taylor nor her team has officially confirmed the sales figures, reports suggest she has set a new benchmark. According to these reports, Taylor broke the record for the “single-week vinyl sales of any other artist” in history. The overwhelming demand for the vinyl has left fans scrambling, as all copies sold out quickly after it became available on Tuesday. The frenzied rush to secure this limited-edition record underscores Taylor’s enduring popularity and record-breaking abilities.

One excited fan expressed their enthusiasm online, saying, “Oh y’all have been craving for that heart-shaped vinyl HARD😭.” Another added, “Considering there was like no promotion for this, it’s safe to say it’s a good testament to Taylor and her legacy.” Fans are eagerly awaiting their copies, which are expected to start shipping on January 20.

The Lover (Live From Paris) vinyl features eight versions of songs from Taylor’s Lover album, recorded during her 2019 Paris concert. That performance was meant to be part of a larger tour planned for 2020, but the global lockdown forced Taylor to cancel those plans.

For Taylor, breaking records has become routine. Over the past few years, the pop superstar has continuously set and shattered records, solidifying her place in music history. Although she and her team have remained silent on this recent achievement, fans have flooded social media with praise, celebrating her artistry and influence.

While Taylor continues to achieve milestones in her career, she has also taken a step back to recharge after the grueling Eras Tour. The tour, described as “exhausting,” prompted Taylor to retreat to her $50 million apartment in New York City during the final days of December. However, she soon shifted her focus to spending time with Travis Kelce.

Taylor reportedly accompanied Travis to his $6 million mansion in Kansas City to ring in the New Year with him. Speculation is rife that she plans to remain in Kansas City for the duration of the 2024 NFL season. This decision appears to reflect her desire to support Travis as he navigates the playoffs and works toward winning another Super Bowl title for the Chiefs.

Meanwhile, fans are buzzing with anticipation over Taylor’s next potential project. Rumors suggest she may soon release Reputation (Taylor’s Version), a re-recording of her 2017 album. However, Taylor has yet to confirm these plans, leaving her fanbase eagerly awaiting any updates.

As Travis Kelce keeps his sights set on NFL glory, Taylor Swift continues to redefine success, breaking barriers and captivating audiences worldwide. The duo’s combined achievements are a testament to their unparalleled dedication and talent in their respective fields.

Psychological thrillers have long captivated audiences seeking a unique and intense cinematic experience. Over time, the Malayalam film industry has contributed some remarkable films to this genre. If you’re looking for a movie that will leave you on the edge of your seat, ‘Athiran,’ currently streaming on Disney+ Hotstar, is an excellent choice for your next chilling film session.

Released in 2019, ‘Athiran’ is a Malayalam psychological thriller that stars Fahadh Faasil and Sai Pallavi in the leading roles, supported by an ensemble cast including Atul Kulkarni, Renji Panicker, Shanthi Krishna, Sudev Nair, and Prakash Raj in a special cameo. Directed by Vivek, the film is produced by Raju Mathew and is noted for its striking parallels with the 2014 Hollywood film Stonehearst Asylum.

Set in an isolated hospital in the remote hills of Kerala, the story follows a psychiatrist who uncovers the dark past of an autistic patient with extraordinary abilities. The film weaves together themes of mental illness, power dynamics, and the complexities of the human mind, keeping the audience engrossed with its unpredictable storyline and shocking revelations.

‘Athiran’ marks the directorial debut of Vivek, who drew inspiration for the film from real-life experiences. Speaking about the origins of the story, Vivek shared, “The story idea came up after I went to a Kalari school in Thrippunithura, Kerala, where autistic students were performing with the same prowess as the school’s other students.” This unique perspective on autism, combined with the thriller’s chilling atmosphere, adds depth to the narrative, making it more than just a typical psychological thriller.

Fahadh Faasil, who plays the role of the psychiatrist in the film, continues to impress with his versatility. Recently, Faasil starred in Pushpa 2: The Rule, where he portrayed the antagonist, Bhanawar Singh Shekhawat. The film became a massive success, earning over Rs 1000 crore in just two weeks, and Faasil’s performance was widely praised. The actor’s growing reputation is set to reach new heights with his upcoming Bollywood debut in a film directed by Imtiaz Ali, featuring Triptii Dimri. Production for this project is slated to begin in early 2025, and anticipation is already building for Faasil’s performance in a new language and genre.

Sai Pallavi, who stars alongside Faasil in Athiran, is another standout performer in the film. Known for her expressive and natural performances, Pallavi was last seen in the 2022 Tamil film Gargi, where she received significant attention for her portrayal of a complex character. She is now gearing up for her next project, a film directed by Chandoo Mondeti, where she will share the screen with actor Naga Chaitanya. This collaboration has already generated excitement among fans of both actors, and their chemistry in the film is keenly anticipated.

Set against the backdrop of Kerala’s serene yet eerie landscape, Athiran uses the environment to its full advantage. The secluded hospital, far from civilization, is an apt setting for a story that delves into the mind’s darkest corners. As the psychiatrist, played by Faasil, begins to probe deeper into the patient’s past, he uncovers disturbing secrets that blur the line between reality and delusion. The film explores the delicate balance of power between the doctor and the patient, questioning the role of authority figures in the mental health system and their influence on those they are meant to help.

The film’s focus on mental illness is not just a plot device but an exploration of the human psyche. Athiran challenges the audience to consider the complexities of mental health and how society perceives those who struggle with it. As the narrative unfolds, the psychiatrist’s own understanding of mental illness begins to evolve, as he realizes that the mind is capable of both immense strength and profound fragility.

One of the most compelling aspects of Athiran is its unexpected twists. The film constantly keeps viewers on their toes, never allowing them to settle into a predictable narrative. Each scene adds another layer of mystery, and just when the audience thinks they have unraveled the truth, new revelations turn everything on its head. This unpredictable nature of the plot makes Athiran a gripping watch, one that will leave viewers thinking long after the credits roll.

While Athiran has drawn comparisons to Stonehearst Asylum, it manages to carve out its own identity through its unique setting, characters, and cultural context. The film takes the familiar framework of a psychological thriller and infuses it with elements that are distinctly Malayalam, including the regional setting and the nuanced portrayal of mental illness. This cultural grounding adds authenticity to the narrative, making it resonate deeply with local audiences while also appealing to fans of the genre globally.

Vivek’s direction is another highlight of the film. As his directorial debut, Athiran shows a confident hand at crafting tension and suspense. The pacing is deliberate, allowing the tension to build gradually before exploding in moments of shocking revelation. The film’s atmosphere is suffused with an eerie stillness that heightens the sense of unease, while the performances from the cast elevate the material. Fahadh Faasil and Sai Pallavi, in particular, shine in their respective roles, bringing emotional depth and complexity to the characters.

The supporting cast, including Atul Kulkarni, Renji Panicker, and Shanthi Krishna, contribute strong performances that enrich the film’s narrative. Kulkarni’s portrayal of a key character adds layers of intrigue, while Panicker and Krishna provide emotional depth that grounds the film’s more fantastical elements. Prakash Raj’s cameo adds an extra layer of star power, though it is his subtle yet impactful performance that leaves a lasting impression.

In conclusion, Athiran is a psychological thriller that offers much more than just suspense and thrills. It is a thought-provoking exploration of the human mind, mental illness, and the power dynamics that shape our interactions with others. With standout performances, an unpredictable narrative, and a haunting atmosphere, the film stands as one of the best examples of Malayalam cinema in the psychological thriller genre. For those seeking a film that will keep them guessing until the very end, Athiran is a must-watch on Disney+ Hotstar.

As director Vivek aptly put it, “The story idea came up after I went to a Kalari school in Thrippunithura, Kerala, where autistic students were performing with the same prowess as the school’s other students.” This powerful quote encapsulates the film’s underlying theme of challenging perceptions and embracing the complexities of the human experience.

There is a certain intensity in Shahana Goswami’s piercing gaze that carries Santosh, a riveting new feature by writer-director Sandhya Suri, from start to its harrowing conclusion. Goswami’s portrayal of a female police officer navigating a complex investigation into the rape and murder of a woman in rural India keeps viewers on edge. With its nerve-wracking twists and an unsettling yet rewarding two-hour runtime, this police thriller allows you to finally breathe only at its gripping end.

The film offers a rich, suspenseful character study, where every turn keeps the audience guessing. Even the subtle actions of the protagonist, who can be unpredictable at times, add depth to the narrative. The movie immerses its audience in a documentary-like realism, spiking tension with every revelation. While its slow-burning nature might deter some viewers, patience is ultimately rewarded in this unique crime drama that moves away from the usual Western-style police procedurals to explore a refreshingly distinct backdrop.

A Feminist Lens on Law Enforcement

At the heart of the story is Santosh Saini, played masterfully by Goswami, a woman thrust into the role of a police officer after the tragic death of her husband. She inherits his position, a scenario reflective of rural India, where widows sometimes take over their spouses’ jobs to survive. Goswami captures Santosh’s stoic resilience, underscored by a hidden brilliance, as she maneuvers through a world riddled with systemic sexism.

Her journey begins in a deeply patriarchal police department, headed by the disdainful Chief Thakur, played by Nawal Shukla. Thakur embodies toxic masculinity, dismissing serious cases like a missing girl reported by her distraught father. Santosh’s frustration with his lack of empathy propels her to collaborate with Geeta Sharma, a senior female investigator. Sunita Rajwar’s commanding portrayal of Sharma is both sensational and scene-stealing, as she leads a team of female detectives in pursuit of justice for the rape and murder of a low-caste girl.

“Santosh’s ability to sniff out the inherent misogyny in her surroundings sets her apart,” observes a critic, highlighting her determination to fight back against an oppressive system.

A Mystery That Demands Patience

Unlike conventional police dramas that neatly resolve their mysteries with the apprehension of a suspect, Santosh delves deeper, exploring the ethical and professional complications that arise during the pursuit of justice. Much like Jack Nicholson’s detective in Chinatown (1974), Santosh finds herself entangled in a web of corruption and moral ambiguity as she progresses in the case.

Significant developments occur early in the film, creating the illusion of resolution. However, this is merely the beginning of a labyrinthine journey that tests Santosh’s resolve and ethical boundaries. Alongside Sharma, she employs extreme measures, including orchestrating torture scenarios, to extract confessions and information from the suspect. These actions, intended to expedite justice, unleash chaos that leaves Santosh questioning the true cost of her pursuit.

“Actions have consequences,” the film subtly reminds its audience, as Santosh grapples with the fallout of her choices, which blur the line between justice and personal vengeance.

The Reality of Corruption and Gender Inequality

Director Sandhya Suri’s background in documentary filmmaking lends Santosh an unparalleled authenticity. The film’s handheld camerawork creates a gritty, immersive experience, pulling the audience into the raw, chaotic pursuit of the rapist and murderer. The absence of an original score heightens the realism, allowing the sounds of the environment and dialogue to drive the tension.

Suri uses this gripping narrative to shine a light on systemic corruption and gender inequality within law enforcement. Despite their determination and skill, female officers like Santosh and Sharma find themselves fighting an uphill battle against entrenched male dominance.

“The lengths to which those in power go to preserve masculine control in the justice system can be soul-crushing,” says a poignant moment in the film, encapsulating its thematic essence.

Ultimately, Santosh is more than a thriller; it is a powerful critique of societal structures that undermine women, even as they strive to bring about justice. By spotlighting the resilience of women like Santosh and Sharma, the film underscores the importance of persistence in the face of systemic oppression.

A Distinctive Addition to the Genre

Clocking in at 120 minutes, Santosh challenges the audience with its unpredictable and slow-paced storytelling. For some viewers, this might be a drawback, but for those willing to stay the course, the film offers a deeply rewarding experience. The unique setting, away from the polished environments of Western crime dramas, lends the story a sense of authenticity and urgency.

Critics have lauded Goswami’s performance as a tour de force, with one reviewer noting, “Her lioness eyes and unwavering intensity are the soul of this gripping narrative.” Rajwar’s portrayal of Sharma, meanwhile, provides the perfect complement, adding layers of depth and authority to the unfolding drama.

While Santosh doesn’t shy away from the darker aspects of its story, it also poses critical societal questions, making it a memorable addition to the crime thriller genre. It is a film that challenges, provokes, and ultimately rewards its audience with a story that stays with them long after the credits roll.

With its stunning performances, immersive direction, and fearless storytelling, Santosh is a triumph of feminist cinema that demands attention. As the credits roll, one cannot help but reflect on the bravery of women like Santosh, who navigate oppressive systems to seek justice, often at great personal cost.

In Santosh, the fight for justice is more than a procedural—it’s a battle for equality in a world that refuses to yield.

Indian filmmaker Payal Kapadia’s film, All We Imagine As Light, failed to win an award at the 82nd Golden Globe Awards held on January 5. Despite being a strong contender, the film lost in both of its nominated categories: Best Director (Motion Picture) and Best Motion Picture (Non-English Language).

In the Best Motion Picture – Non-English Language category, All We Imagine As Light was defeated by Emilia Pérez, a 2024 Spanish-language French musical crime comedy written and directed by Jacques Audiard. While Kapadia’s film didn’t secure a win, it achieved a significant milestone by becoming the first Indian film ever to be nominated in this category at the Golden Globes.

Kapadia’s loss in the Best Director category also marked a setback, as she was outpaced by Brady Corbet, who won for his film The Brutalist. However, Kapadia’s nomination placed her in elite company, as she became only the second Indian director to be nominated in the Best Director category at the Golden Globes, following in the footsteps of Shekhar Kapur, who earned a nomination for the English film Elizabeth.

The Golden Globe ceremony, held at the Beverly Hilton Hotel in California, attracted attention from the global film industry. Despite not claiming a win, Kapadia’s work continues to garner international acclaim, with critics and audiences praising her distinctive storytelling approach. Furthermore, Kapadia’s presence at the Golden Globes red carpet was a moment of cultural celebration. She wore a striking black silk jumpsuit designed by Payal Khandwala, known for her understated luxury and contemporary design. The outfit, from Khandwala’s Autumn-Winter 2024 collection, was made from ethically sourced handwoven matka silk from Eastern India. Featuring intricate brocade detailing on the pockets and a signature loop neck, the jumpsuit combined traditional Indian textiles with a modern, elegant silhouette.

All We Imagine As Light is an Indo-French co-production that stars Kani Kusruti, Divya Prabha, and Hridhu Haroon. The film explores deep themes of personal struggle and emotional awakening, focusing on the lives of a nurse named Prabha and her roommate, Anu, as they navigate their desires during a trip to a beach town. The film made headlines last year when it became the first Indian film in three decades to be entered into the competition section at the prestigious Cannes Film Festival, where it won the Grand Prix, one of the event’s highest honors.

In addition to the Golden Globe nominations, All We Imagine As Light continues to build momentum internationally. It has been longlisted for three categories at the upcoming 2025 British Academy of Film and Television Arts (BAFTA) Awards, further solidifying its global recognition. The film is part of the longlist for Best Director, Best Original Screenplay, and Best Film Not in the English Language. The BAFTA longlist was revealed on January 3, marking another important milestone for the film.

Although All We Imagine As Light did not win the Golden Globe, Payal Kapadia’s filmmaking continues to resonate with audiences worldwide. Her innovative storytelling and thoughtful exploration of human emotions have earned her a spot among the most respected voices in international cinema. The film’s historic Golden Globe nomination, along with its growing recognition at other prestigious awards, marks the beginning of an exciting chapter for Kapadia, promising even more success on the global stage in the years to come.

Kapadia’s All We Imagine As Light has proven itself as not only a critical success but also a cultural milestone, representing the richness of Indian cinema on the international stage.

Payal Kapadia’s film All We Imagine As Light is making waves as it heads into the 82nd Golden Globe Awards with nominations in two significant categories. Kapadia has become the first Indian filmmaker to secure a nomination for Best Director, marking a milestone in the history of Indian cinema. Should she win, it will be a historic achievement. However, the category is fiercely competitive in what has been an unpredictable awards season.

The film has also earned a nomination for Best Motion Picture in a Non-English Language, competing against notable films like Jacques Audiard’s Emilia Pérez, Sean Baker’s Anora, Edward Berger’s Conclave, Brady Corbet’s The Brutalist, and Coralie Fargeat’s The Substance.

The Importance of the Golden Globes

Often seen as a precursor to the Academy Awards, the Golden Globes set the tone for the awards season. A win for Kapadia in the Best Director category could firmly establish her as a contender in the Oscar race. However, the competition is fierce, and other factors could influence the outcome.

A Look at the Contenders

Kapadia faces tough competition, particularly from Jacques Audiard, whose film Emilia Pérez has made history by securing 10 nominations in musical/comedy categories. This drug cartel musical drama captured attention at Cannes earlier this year, solidifying its status as a favorite. Audiard has also been nominated for Best Screenplay and Best Original Score, further enhancing his chances. Known for his previous Golden Globe successes with The Prophet and Rust and Bone, Audiard is a formidable competitor. Should he win, his momentum toward the Oscars will be unmatched.

Brady Corbet’s The Brutalist is another strong contender. The three-hour-long epic about a Holocaust survivor has garnered seven nominations, including Best Director. Corbet’s win at the Venice Film Festival for Best Director adds to the film’s growing momentum. With Adrien Brody and Guy Pearce also in contention for acting prizes, The Brutalist could emerge as a big winner, especially in the Best Director category.

Edward Berger’s Conclave, with six nominations, also poses a challenge. Meanwhile, Coralie Fargeat’s The Substance, a body-horror epic, and Sean Baker’s Anora, share five nominations each, making them potential dark horses in the race.

Kapadia’s Chances

While Kapadia’s win in the Best Director category would be groundbreaking, it would also come as a surprise. Historically, the Golden Globes have played it safe in this category. Over the past five years, all winners in this category were from U.S. productions, with three of them eventually winning the Oscar for Best Director.

However, All We Imagine As Light seems to have a stronger chance in the Best Motion Picture in a Non-English Language category. The film has gained significant momentum, having won multiple critics’ awards in recent weeks. It was named Best Foreign Language Film by prominent organizations such as the Gotham Awards, New York Film Critics Circle, Los Angeles Film Critics Association, and Toronto Film Critics Association, among others.

Sight and Sound hailed it as the best film of the year, a notable accomplishment given the tough competition from frontrunners like The Seed of the Sacred Fig, I’m Still Here, and Anora. This critical acclaim positions All We Imagine As Light as a leading contender in the Non-English feature film category.

Historical Context

If Kapadia’s film wins in the Non-English feature category, it would join the ranks of Indian co-productions like Richard Attenborough’s Gandhi, which won in 1982. Mira Nair’s Salaam Bombay! was another Indian-directed film nominated in this category in 1988. More recently, in 2022, SS Rajamouli’s RRR also earned a nomination.

The Road Ahead

The stakes are high for Kapadia at the Golden Globes, with the potential to create history not only for herself but also for Indian cinema. As the awards ceremony unfolds on January 6th, streaming live in India on Lionsgate Play at 6:30 AM IST, all eyes will be on All We Imagine As Light. Whether or not Kapadia triumphs in the Best Director category, her film’s critical acclaim ensures its legacy as a landmark in Indian filmmaking.

The night promises to be an exciting one for global cinema, and Kapadia’s groundbreaking nomination is already a victory for representation and storytelling.

The Indian film industry in 2024 witnessed a whirlwind of highs and lows. Blockbusters with high expectations faltered, while unexpected gems triumphed. Several films that failed at the box office found appreciation on OTT platforms, transcending borders. As we usher in 2025, it’s a fitting time to evaluate the cinematic landscape of the past year, which offered a mix of successes and setbacks across India’s film industries.

Bollywood faced another challenging year, continuing its post-COVID slump. Despite heavy investments in star-studded films, the industry struggled to connect with modern audiences. High-budget films like Bade Miyan Chotte Miyan, Singham Again, Sarfira, Khel Khel Mein, and Yudhra underperformed critically and commercially.

Among these, Singham Again garnered particular attention. Despite a cast featuring Ajay Devgn, Kareena Kapoor, Deepika Padukone, Akshay Kumar, and Tiger Shroff, the film faltered due to a weak storyline. Its attempt to integrate elements of the Ramayana felt “forced and irritating,” according to viewers. Although it managed to break even, the overall reception was disappointing.

For Akshay Kumar, 2024 continued his rough patch. Out of five releases, three failed miserably, including the Hindi remake of Soorarai Pottru. His only relief came with a role in Singham Again and a cameo in the successful Stree 2.

Political narratives also made their way into Bollywood, with films like Accident or Conspiracy: Godhra, The Sabarmathi Report, and Swatantra Veer Savarkar. Critics accused these films of being government-appeasing ventures, and they failed to resonate with audiences, becoming box-office disasters.

On a brighter note, Stree 2 emerged as a blockbuster, rejuvenating Bollywood. Similarly, Kill, a thriller about an army man’s rampage on a train, captivated audiences nationwide. Other hits included Bhool Bhulaiyaa 3, Fighter, Shaitaan, Crew, and Chandu Champion.

Bollywood also found success in smaller, content-driven films. Titles like Laapataa Ladies, Maidaan, Amar Singh Chamkila, and Bhakshak gained traction post-OTT releases. This trend underscores the need for Bollywood to focus on relatable, human-centric storytelling that resonates with audiences.

In contrast, Tollywood showcased a seamless blend of Indian mythology and modern cinema. Nag Ashwin’s Kalki 2898 AD emerged as a standout, weaving a post-apocalyptic narrative with mythological elements like the Mahabharata war. For Prabhas, it marked a triumphant comeback, further solidified by the success of Salaar in 2023. Kalki stood out as a thoroughly satisfying cinematic experience, featuring a stellar cast and visionary direction.

Other Telugu hits included Hanuman, a story of a young man endowed with mythological superpowers, and Devara Part 1 starring Jr NTR. Saripodhaa Sanivaaram, featuring Nani and SJ Surya, also garnered attention both in theatres and on OTT platforms.

Malayalam actor Dulquer Salmaan made waves in the Telugu industry with Lucky Baskhar, a Rs 100 crore hit that eschewed typical cinematic tropes for a strong narrative. The film’s pan-Indian appeal was a testament to the power of storytelling.

Meanwhile, Pushpa 2: The Rule, starring Allu Arjun, continued its box-office dominance, particularly in North India. Despite receiving mixed reviews in Kerala, it reaffirmed Allu Arjun’s pan-Indian appeal. Mahesh Babu’s Guntur Karam also added to Tollywood’s success story.

However, not all was rosy. Ravi Teja’s Mr Bachchan, a lacklustre remake of Raid, faced harsh criticism for its outdated romance. Vijay Deverakonda’s Family Star alienated audiences with its problematic narrative twist. Sequels like Yathra 2 and films like Double iSmart failed to live up to expectations.

Kollywood, often seen as a cinematic powerhouse, had a mixed year. Major releases like Suriya’s Kanguva, Rajinikanth’s Lal Salaam, and Vijay’s The Greatest of All Time disappointed fans. Even Kamal Haasan’s much-anticipated Indian 2 turned out to be a major box-office failure, despite its legacy.

Vikram’s Thangalaan earned critical praise but couldn’t translate it into commercial success. However, films like Maharaja and Amaran provided some relief, with Vijay Sethupathi and Sivakarthikeyan delivering stellar performances. Other successful titles included Captain Miller, Raayan, Aranmanai 4, Guardian, and Vaazhai.

Kollywood’s art-house offerings like Lubber Pandhu and Meiyazhagan gained acclaim, particularly after their OTT releases. Films such as Lover, Blue Star, and Kottukkaali also spurred meaningful discussions among viewers. Late in the year, Viduthalai Part 2 received a strong audience reception, sustaining Kollywood’s reputation for impactful storytelling.

Sandalwood, the Kannada film industry, faced a challenging year, failing to replicate past successes like KGF and Kantara. The release of Martin highlighted the industry’s struggles, as it fell short of the grandeur audiences expected. With weak scripts and repetitive themes, Sandalwood risked audience fatigue, especially with sequels like Martin 2 announced despite lukewarm reception to the original.

In stark contrast, Mollywood continued its golden streak. The Malayalam film industry, known for its nuanced storytelling, delivered consistent successes in 2024. Films like Premalu, Braramayugam, and Manjummel Boys captivated audiences. The year reached its peak with Rifle Club and Marco, the latter being hailed as one of the best Indian films of the year, even outshining Bollywood hits like Animal and Kill.

Mollywood’s diverse narratives and grounded storytelling silenced critics who had previously dismissed its modest approach. As the industry carved its niche in Indian cinema, it delivered a strong reminder of the power of relatable and heartfelt storytelling.

As 2024 ends, Indian cinema stands at a crossroads. Will Mollywood maintain its dominance? Can Bollywood reinvent itself to align with audience expectations? Only time will reveal the cinematic landscape of 2025.

As 2024 comes to a close, the film critics at Deadline have chosen their top three international movies of the year. Several of these films were recently included on the International Feature Oscar shortlist, though not all were submitted by their home countries. Reflecting on the year’s cinematic achievements, Deadline’s Awards Columnist and Chief Film Critic Pete Hammond remarked, “There was an exceptional list to choose from.”

Hammond’s top selections all premiered at the Cannes Film Festival, which he described as “another reason that iconic French fest sets the table for cinema for the rest of the year.” Other highlighted films debuted at major festivals in Berlin, Venice, and Toronto, showcasing a diverse array of global talent. Below are the top picks from Hammond and fellow critics Damon Wise and Stephanie Bunbury, presented alphabetically under their respective names.

Pete Hammond’s Picks

The Count of Monte-Cristo

This latest adaptation of Alexandre Dumas’ classic tale, The Count of Monte-Cristo (Le Comte de Monte-Cristo), captivated audiences with its premiere out of competition at Cannes, earning a massive standing ovation. Directed by Alexandre de la Patellière and Matthieu Delaporte, who previously worked on The Three Musketeers, the film delivers a sweeping three-hour epic. The story of Edmond Dantes, wrongfully imprisoned for 14 years and bent on exacting revenge, is brought to life with a riveting performance by Pierre Niney in the titular role. Hammond called it “the stuff great adventure movies are made of.”

Emilia Pérez

After its Cannes debut, Emilia Pérez became a sensation, winning prizes for its four female leads and earning director Jacques Audiard a Jury Prize. This Spanish-language musical, submitted by France for the Best International Film Oscar, is unique in every respect. It tells the story of a drug cartel boss who decides to change both his life and gender. Featuring stunning performances by Karla Sofía Gascón, Zoe Saldaña, Selena Gomez, and Adriana Paz, the film dazzles with originality. Hammond noted, “Even on its second viewing, it only gets better.”

Flow

Latvia’s submission for Best International Feature Film, Flow, stands out as a haunting animated feature in a year rich with exceptional animation. Directed by Gints Zilbalodis, the film premiered in the Un Certain Regard section at Cannes. It follows a cat who survives a catastrophic flood and bands together with four other animals to survive as their world crumbles. Hammond praised its “gorgeous animation” and emotional resonance, describing it as a story that “will live in your hearts long after seeing it.”

Damon Wise’s Picks

April

At the Venice Film Festival, Dea Kulumbegashvili’s April emerged as a standout, winning the Special Jury Prize. The film, described as a nuanced abortion drama, follows an experienced obstetrician on trial after a patient loses her unborn child. Damon Wise compared the film’s atmosphere to the work of Michael Haneke, noting its “immaculate but knowingly enigmatic compositions.”

Bring Them Down

Christopher Andrews’ Bring Them Down is a rural Irish thriller that unfolds with a unique storytelling approach, withholding key details until halfway through the film. Starring Christopher Abbott as a shepherd and Barry Keoghan as a duplicitous neighbor, the movie evolves into a gripping tale of betrayal and violence. Wise highlighted Keoghan’s performance, stating, “His shiftiness creates a mood of its own in the film’s tense, violent third act.”

Loveable

Lilja Ingolfsdottir’s Loveable, a Norwegian drama, offers a raw deconstruction of suburban relationships. The film focuses on Maria, a 40-year-old divorcee questioning her choices seven years into a new relationship. Helga Guren delivers a powerful performance, embodying Maria’s complexities with vulnerability and strength. Wise likened it to Marriage Story, saying, “This makes Baumbach’s film look like a Pixar comedy by comparison.”

Stephanie Bunbury’s Picks

Dahomey

Directed by Mati Diop, Dahomey explores the cultural history of the West African kingdom now known as Benin. The film reflects on the looting of 7,000 artworks by French invaders in 1890, some of which were only returned to Benin in 2020. Diop’s film blends historical reflection with imaginative storytelling, featuring a statue of King Behanzin coming to life. Bunbury described it as “an intellectually dense film bursting with ideas, some of them contradictory, some troubling, all of them provocative.”

My Favourite Cake

This Iranian romance centers on Mahin, a septuagenarian who defies societal norms to pursue a relationship with a kind taxi driver. Directors Maryam Moghaddam and Behtash Sanaeeha craft the story with charm and subtlety, presenting it as both a rom-com and a critique of restrictive cultural norms. Bunbury praised the film’s “simple charm” and “campaigning fervor.”

When Fall Is Coming

In When Fall Is Coming, French director François Ozon offers a poignant exploration of familial relationships through the story of Michelle, an elderly woman living in Burgundy. Hélène Vincent delivers a mesmerizing performance as Michelle, who harbors dark secrets despite her outward virtue. Bunbury described the film as “a wistful but unsentimental meditation on families: how they fail us and how, with love, they might be rebuilt.”

Conclusion

From sweeping epics to intimate dramas, 2024 has been an exceptional year for international cinema. These top picks from Deadline’s critics showcase the global richness of storytelling, with films that challenge, entertain, and leave a lasting impression. As Pete Hammond summarized, “There was an exceptional list to choose from.”

While Bollywood celebrated a triumphant 2023 with Shah Rukh Khan leading the charge, and other major film industries such as Telugu, Tamil, and Kannada enjoyed similar success, the Malayalam film industry struggled in the shadows. Last year was particularly challenging for Malayalam cinema, with only a handful of films making a mark.

However, 2024 proved to be a game-changer for Malayalam cinema. As critics compile their lists of the year’s best Indian movies, it is evident that Malayalam films dominate these rankings. In a year when industries like Hindi and Tamil faced setbacks with numerous underwhelming releases, Malayalam cinema not only delivered remarkable creative masterpieces but also shattered records. Here’s a look at some of the finest Malayalam films that defined 2024.

9) Bramayugam

In a daring departure from the norm, Mammootty played Chathan, a mystical goblin in human guise, in Rahul Sadasivan’s Bramayugam. Shot entirely in black and white, this period folk horror film demonstrated the experimental spirit of Malayalam cinema. Mammootty’s extraordinary performance elevated the film, making it one of the most memorable cinematic experiences of the year. Cinematographer Shehnad Jalal, editor Shafique Mohamed Ali, music composer Christo Xavier, and art director Jotish Shankar contributed significantly to the film’s distinct visual and narrative style.

8) Aavesham

Director Jithu Madhavan struck a perfect balance between comedy and action in Aavesham. Fahadh Faasil excelled as Rangannan, whose humorous portrayal captivated audiences, especially with his memorable “Eda Mone!” delivery. The film transitioned seamlessly from comedy to a gripping gangster drama, with Fahadh’s exceptional performance proving his versatility. As a full-fledged entertainer, Aavesham stood out as a favorite among audiences this year.

7) Aadujeevitham (The Goat Life)

After 14 years of anticipation, Blessy’s Aadujeevitham finally graced the big screen, and it was worth the wait. Starring Prithviraj Sukumaran in a career-defining role, the film adapted from a beloved novel explored the harrowing journey of survival with emotional depth. Exceptional technical contributions from cinematographer Sunil KS and editor A Sreekar Prasad ensured Aadujeevitham became a monumental success, both critically and commercially.

6) Kishkindha Kaandam

Mystery dramas often focus solely on suspense, but Kishkindha Kaandam balanced mystery with emotional depth. Directed by Dinjith Ayyathan, the film featured stellar performances from Asif Ali, Aparna Balamurali, and Vijayaraghavan. Writer Bahul Ramesh’s nuanced storytelling, combined with Dinjith’s direction, ensured a deeply moving narrative. The film also proved that Malayalam cinema could create exceptional works on modest budgets.

5) Ullozhukku

Christo Tomy’s Ullozhukku challenged stereotypes by focusing on the stories of two women reclaiming their autonomy. The film critiqued societal norms that pit women against each other, perpetuating isolation and division. With powerful performances by Urvashi and Parvathy Thiruvothu, Ullozhukku became a technically and visually stunning exploration of resilience and solidarity.

4) Paradise

Legendary Sri Lankan filmmaker Prasanna Vithanage directed Paradise, a politically charged film set against the backdrop of Sri Lanka’s economic crisis. Starring Roshan Mathew and Darshana Rajendran, the movie depicted the struggles of ordinary people amidst political and economic collapse. The narrative resonated globally, drawing parallels with other humanitarian crises. Cinematographer Rajeev Ravi’s exceptional work further enhanced the film’s impact.

3) Family

Don Palathara’s Family redefined horror, portraying the chilling reality of how tightly-knit conservative societies can enable child sexual abuse. Set in the picturesque Idukki district, the film highlighted the societal structures that shield predators. The minimalist visuals captured the haunting atmosphere, while the cast, including Vinay Forrt, Divya Prabha, and Mathew Thomas, delivered compelling performances.

2) All We Imagine As Light (Prabhayay Ninachathellam)

Payal Kapadia’s All We Imagine As Light emerged as a poetic masterpiece, exploring the lives of migrants in Mumbai. The film delved into themes of belonging, community, and resilience, with stellar performances by Kani Kusruti, Divya Prabha, and others. Winning the Grand Prix award at the Cannes Film Festival, the movie showcased Malayalam cinema’s global appeal.

1) Aattam

Anand Ekarshi’s Aattam took the top spot as the year’s finest Malayalam film. Featuring Zarin Shihab and Vinay Forrt, the film offered a profound exploration of human complexities through its meticulously crafted characters. With its innovative storytelling and technical brilliance, Aattam earned multiple accolades, including Best Feature Film and Best Screenplay at the National Film Awards.

As 2024 draws to a close, Malayalam cinema has emerged as a beacon of creativity and resilience, proving its mettle on both national and international stages. This remarkable year will undoubtedly be remembered as a turning point for the industry.

Renowned composer and award-winning musician A.R. Rahman has been named the Honorary President of the Trinity Laban Conservatoire of Music and Dance, a distinguished London-based institution celebrated for its innovative programs in music, musical theatre, and contemporary dance. This honorary role, which Rahman will hold for a five-year term, underscores his significant contributions to the performing arts both in India and on the global stage.

This notable appointment arrives during a vibrant phase of Rahman’s career, as he continues to excel in the international music industry and demonstrates unwavering dedication to nurturing young talent. Rahman, known for his Academy Award-winning compositions and groundbreaking ventures in musical theatre, views this honor as a step toward advancing his vision for the future of music and performing arts in India.

Reflecting on his journey, Rahman recalled a pivotal moment in 2000 when he met musical theatre legend Andrew Lloyd Webber. “When I met the king of musical theatre, Andrew Lloyd Webber, he casually asked me, ‘Are you going to take the mantle of musical theatre forward?’ At the time, I didn’t fully grasp what he meant,” Rahman said. “But as I worked on projects like Bombay Dreams on Broadway and The Lord of the Rings in England and Canada, I began to realize the depth of his vision. It was a serious, visionary thought.”

Rahman has great optimism for the future of musical theatre in India but emphasizes the necessity of fostering local talent and developing essential infrastructure. “If we invest in our talent and build the right infrastructure, we can open up a whole new genre of entertainment in India,” he stated. However, he acknowledged that collaboration is key to achieving this ambition. “But I can’t do it alone. I need government support, incentives for performers, musicians, and the infrastructure to support this growth. We are now at a technological crossroads where visuals can be easily generated, but nothing compares to the magic of live performance.”

He also noted the growing global appetite for live entertainment, citing the recent success of major Western music tours. “Western artists have made billions on recent tours. People want to experience real performances,” Rahman observed. The timing of his new role aligns with his aspirations for transformative projects in India. “The honour of being appointed Honorary President of Trinity Laban comes at a perfect time, as it also empowers me to undertake transformational projects in India, particularly through collaborations like the KM Music Conservatory and exciting future initiatives at Trinity Laban.”

Through this prestigious position, Rahman aims to influence the global music community while simultaneously bolstering the performing arts in India. His collaborations with institutions such as Trinity Laban, the KM Music Conservatory, and the Sunshine Orchestra are designed to pave the way for young talent to flourish in an increasingly dynamic global entertainment industry.

“The next five years at Trinity Laban could mark a new era of global collaboration in music and dance,” he remarked.

Looking ahead, Rahman’s upcoming projects include several ambitious endeavors. These include Chhava and Lahore 1947, an Indian period epic, the Gandhi series, and collaborations with acclaimed filmmakers Imtiaz Ali and Mani Ratnam. Alongside these, Rahman is also committed to fulfilling international assignments, further expanding his already remarkable global footprint.

As Rahman steps into this influential role, his efforts are poised to create meaningful changes in the landscape of global music and performing arts, bringing his unparalleled passion and creativity to inspire future generations.

In today’s increasingly globalized media landscape, much of the music we encounterremains deeply rooted in the traditions of our respective regions. One artist who has successfully blended the musical traditions of the East and the West is A.R. Rahman, the iconic Indian composer also known as ARR or Allah Rakha Rahman.

Rahman is celebrated for his groundbreaking cinematic soundtracks. He made a powerful debut in Kollywood with the Tamil film Roja in 1996, which set the tone for a stellar career that would eventually conquer Bollywood and Hollywood. His work on Slumdog Millionaire earned him two Oscars, and he received further acclaim with nominations for his compositions in 127 Hours.

Beyond his success in films, Rahman has ventured into diverse musical territories. Over the course of his career, he has contributed to over 145 films, created original compositions, worked on musicals, and collaborated with artists like Mick Jagger as part of the supergroup SuperHeavy.

When discussing his creative process, Rahman emphasizes the primacy of melody. “Melody is king,” Rahman shared in an interview with Euronews Culture. “You can do crazy orchestration and everything, but if you don’t have anything to remember, I think it’s useless.”

However, crafting melodies for global audiences comes with its challenges. Rahman notes that musical preferences differ across cultures. For instance, Western music often adheres to the structured theoretical lines of linear scales, while Indian music is built on the complexities of seven mutable swaras within the framework of raga. “India accepts everything, but it’s not the other way around,” Rahman observes. He elaborates by demonstrating melodies that Western audiences might find intricate, referring to the nuanced use of microtones.

“Tuning for Western songs is easier than for an Indian one,” he explains. “We have such complex ragas. These are certain bandishes that every Hindustani student learns.”

Bringing cultures together has been a constant theme in Rahman’s illustrious career. This mission gained further recognition with his appointment as the Honorary President of Trinity Laban, a renowned London-based conservatoire for contemporary dance, music, and musical theatre. This role brings Rahman’s journey full circle, as he once studied Western classical music at Trinity College of Music in London on a scholarship at the age of 13.

Trinity Laban has an impressive legacy, with alumni ranging from Afrobeat pioneer Fela Kuti to contemporary jazz stars like Ezra Collective and Tom Misch. Reflecting on Rahman’s appointment, artistic director Aleksander Szram described him as “the living embodiment” of the institution’s vision to push artistic boundaries. “We strive to lead the arts beyond convention, to make change and to break expectations,” Szram stated.

Rahman’s innovative spirit was evident from the very beginning of his career. “Even on Roja, my first film score, it broke with all the traditions. I was already so bored of what was traditionally expected of a movie,” he said. For Rahman, reinvention is essential. “The world needs reinvention,” he insists.

This philosophy of reinvention extends to education, an area where Rahman has made significant contributions. He founded the KM Music Conservatory in his hometown of Chennai to provide aspiring musicians with professional training and career opportunities. To make music accessible to marginalized communities, Rahman also launched the Sunshine Orchestra, which offers free training to children from disadvantaged backgrounds.

“When I started KM, I felt like if the rich kids wanted to master violin for 12 years, they could because they can always find a job, money, and everything,” Rahman reflects. However, for children from less privileged communities, societal barriers often make such dreams unattainable.

Rahman believes that music can transcend these barriers. “Once you’re in that orchestra, no one cares who you are,” he explains. “When you hear a sound, you don’t judge who’s playing it, right?” This inclusive vision fuels Rahman’s drive. Despite his monumental achievements, he remains motivated by a sense of purpose. “You might feel like I’ve done it all,” he says, referencing his numerous accolades, including Oscars, Grammys, and National Awards. “But I want the fire to burn, and the only way to burn that fire is by having a purpose in life.”

Rahman’s passion for music is deeply rooted in his spiritual beliefs. He views music as a powerful medium for uncovering truth and achieving inner purity. “Certain religions say music is forbidden,” he notes, reflecting on how people’s understanding of life’s purpose can be clouded by societal norms. “My ultimate quest is to see how many veils you can remove to find the truth within you.”

For Rahman, inspiration can come from any source—a street musician playing the flute, a grand symphony, or even the azan from a mosque. He believes that music can serve as a pathway to self-discovery. “The search to purity within yourself, to see the truth, could be through music leading you to something,” he explains.

Whenever Rahman encounters creative blocks, he turns to the works of Sufi philosopher Baba Bulleh Shah. By stripping away the lyrics from Bulleh Shah’s poetry, Rahman seeks to uncover the underlying melody. “There’s something about those lyrics, the power those lyrics have, that elevates the whole value of that tune,” he says.

At 57, Rahman shows no signs of slowing down. In addition to his role at Trinity Laban, he has an array of ambitious projects in the pipeline. These include plans to establish a new theatre in Chennai, develop the virtual metal band Secret Mountain, adapt Slumdog Millionaire for the stage, and direct his own films.

For Rahman, the journey is far from over. “The best is yet to come,” he says, embodying the boundless creativity and passion that have defined his career.

Instead of relaxing at home after Thanksgiving, many Americans chose to visit movie theaters, spurred by the premieres of Disney’s “Moana 2” and the appeal of Universal Pictures’ “Wicked” and Paramount Pictures’ “Gladiator II.” Together, these films created a record-breaking boost for the domestic box office.

The trio of blockbuster releases helped the five-day Thanksgiving weekend box office revenue soar to an estimated $420 million, surpassing the previous record of $315.6 million set in 2018. This significant milestone underscores the resurgence of the moviegoing experience during the holiday season.

Disney’s “Moana 2” led the charge, achieving the highest-grossing five-day opening in history by earning $221 million domestically. This figure eclipsed the previous record set by “The Super Mario Bros. Movie,” which earned $204.6 million in 2023. Alan Bergman, co-chairman of Disney Entertainment, expressed his enthusiasm in a press release, stating, “‘Moana 2’ has far surpassed our high expectations this weekend and is a testament to the phenomenon that Moana has become.”

Paul Dergarabedian, senior media analyst at Comscore, highlighted the strategic advantage of releasing three major films during the same period. “Having all three of these films seems to be a strategy, whether by design or by accident, that really draws massive amounts of attention to the movie theater experience,” he said. He also noted that the unexpected $420 million box office haul reshaped perceptions of the year’s overall potential.

“Wicked” contributed significantly to the holiday success, grossing $262.4 million domestically, including $80 million earned between Friday and Sunday. Similarly, “Gladiator II” added to the momentum, with its cumulative earnings reaching $111.2 million after generating $30.7 million over the same three-day period. Both films, which debuted on November 22, have collectively been nicknamed “Glicked,” drawing comparisons to the summer 2023 trend of “Barbenheimer,” which paired the releases of “Barbie” and “Oppenheimer.”

In fourth place, Amazon MGM Studios’ Christmas action movie “Red One” earned $12.89 million during its third weekend of release. Distributed internationally by Warner Brothers Discovery, this film was followed by Lionsgate’s “The Best Christmas Pageant Ever,” which grossed $3.27 million in its second weekend.

Industry analysts predict that the box office momentum will persist in the coming weeks. The three leading films are expected to maintain their strong performance, drawing audiences well beyond the holiday weekend. Daniel Loria, editorial director at The Boxoffice Company, pointed out that “Gladiator II” faces little competition until mid-December, when Sony’s “Kraven the Hunter” is set to release. Similarly, “Moana 2” will dominate the family animation genre until December 20, when “Sonic the Hedgehog 3” and “Mufasa: The Lion King” hit theaters. “Wicked” will continue its run with a special interactive experience starting December 25, allowing audiences in approximately 1,000 North American theaters to participate in sing-along showings.

Michael O’Leary, president and CEO of the National Association of Theatre Owners, noted that some moviegoers have faced difficulties securing advance tickets. This demand could translate into extended interest and attendance in the coming weeks.

Industry experts attribute much of this success to a revitalized focus on theatrical-driven marketing. Loria emphasized how Universal, Paramount, and Disney capitalized on this strategy to ensure their films’ success. According to data from The Boxoffice Company, 75% of all showtimes during the Thanksgiving weekend were dedicated to “Moana 2,” “Wicked,” and “Gladiator II.” This approach allowed theaters to cater to a diverse audience base seeking animated adventures, musical fantasies, or epic historical action.

Dergarabedian remarked on the evolving relationship between theatrical releases and streaming platforms. “That was additive and complementary: having the big screen and the small screen for Disney working together to build up the potential revenue and viewership,” he explained, highlighting how the synergy between the two formats amplifies a film’s reach and profitability.

This record-breaking Thanksgiving weekend not only underscores the enduring appeal of the big screen but also signals a promising trajectory for the box office in the weeks ahead. With no direct competition for the leading films in the immediate future, theaters are poised to continue reaping the rewards of a strong holiday season.

Shivangi Desai, a 22-year-old final-year law student at the Indian Law School (ILS) Pune, has brought pride to India by winning the prestigious Miss Charm India 2024 title. This remarkable achievement will see her represent India at the global Miss Charm 2024 competition in Vietnam this December. A dynamic blend of intellect, beauty, and cultural advocacy, Shivangi’s journey exemplifies resilience and determination, inspiring young aspirants across the nation.

Shivangi’s journey in pageantry began at the age of 16 when she won the May Queen title at the RSI Army Institute in Pune in 2018. This success set the stage for numerous accolades, including the Miss Teen India North title at Miss Teen Diva, Miss NDA, and 1st Runner-Up at Miss Universe Gujarat. Her early achievements provided a strong foundation for her triumph at Miss Charm India 2024, showcasing her dedication and talent in the competitive world of pageantry.

Shivangi’s upbringing has played a pivotal role in shaping her character and aspirations. As the daughter of an Indian Navy officer, she grew up attending ten different schools across India, adapting to new environments and challenges. This upbringing instilled in her qualities like resilience, discipline, and adaptability, which have been instrumental in her success both in academics and pageantry.

Beyond her achievements in pageantry, Shivangi is deeply passionate about promoting India’s rich culture and heritage. Her commitment to this cause is evident in her authorship of the book Beyond the Usual, which explores India’s lesser-known tourism gems. Her efforts to highlight India’s cultural wealth align seamlessly with her aspirations to represent the country on the global stage.

In addition to her accomplishments in pageantry, Shivangi excels academically as a law student. She has participated in and won national and state-level moot court competitions, interned with leading law firms such as Trilegal and Khaitan & Co., and authored research papers. Her ambition to become a top lawyer specializing in fashion, sports, and entertainment law reflects her multifaceted personality and determination to succeed in every arena she pursues.

Shivangi credits her success at Miss Charm India 2024 to the guidance and mentorship she received from Pageant Coach Ritika Ramtri and the Glamanand Supermodel India team. Their support helped her hone her skills and prepare for the rigorous competition, contributing significantly to her victory.

As she prepares to represent India at Miss Charm 2024, Shivangi’s story is a testament to the power of perseverance, passion, and purpose. Her achievements in academics, pageantry, and cultural advocacy position her as a role model for young Indians. Shivangi Desai’s journey is far from over, and she is set to make a lasting impact on the global stage, showcasing India’s grace, intelligence, and charm to the world.

Arshia Puri won the prestigious Miss Bharat Connecticut, during a glittering inaugural Miss Bharat CT pageant which made a stunning debut in Connecticut, showcasing the beauty and talent of participants across various categories. The event held on November 10, 2024 at the beautiful Villa Louisa in Bolton, CT recognized a diverse group of winners from across the Constitution state.

Hannah Newman was crowned Tween Bharat CT, while Pooja Prashanth claimed the title of Teen Bharat CT. In the married categories, Priti Goyal was honored as Mrs. Bharat CT, and Yash Malhotra was named Mr. Bharat. The couple category saw Sujal and Minar Muzumdaar awarded as Mr. and Mrs. Bharat CT, while Namita Dandekar and Sudhir Oak were celebrated as Mr. and Mrs. Elite Bharat CT. Ukti Goel earned the title of Mrs. Bharat CT, and Pallavi Jawale was recognized as Mrs. Bharat Elite CT.

The inaugural edition of the pageant that brought together the most beautiful women of Indian origin from across the state was organized under the guidance of Vice President Mohana Namle and State Director Amey Tumne, along with the unwavering support of Rashmi Bedi, the CEO and Founder of My Dream Tv, and President Surya Bedi, the dedicated team of My Moda Glam poured immense effort into crafting an unforgettable event.

The atmosphere was electric as Bollywood actress and celebrity Tulip Joshi graced the stage, adding a touch of glamour by crowning the deserving winners amidst a backdrop of elegance. The night sparkled with empowered individuals exuding beauty and confidence, highlighted by mesmerizing fashion show performances orchestrated by the talented Paromita Ghosh. It was truly awe-inspiring to witness the remarkable talent emerging from the state of Connecticut.

The judging panel was comprised of esteemed professionals from the pageant and fashion industry, including Mukta Munjal, Dr. Jaya Daptardar, Anushka, Kiruthiga, Priya, Shilpi, Mrs. Bharat New York, and Tom. Their expertise ensured that each contestant received fair and knowledgeable evaluations.

Overall, the night was a glorious celebration of artistry, confidence, and cultural pride, leaving a lasting impression on all attendees.

Pope Francis addressed the U.N. climate summit on Wednesday, delivering a powerful message that stressed the importance of addressing both ecological and foreign debt in the fight against climate change. He warned that both forms of debt are “mortgaging the future” of nations, particularly those already struggling under the weight of crippling economic burdens.

In his message to the 29th Conference of the Parties (COP29) to the U.N. Framework Convention on Climate Change, which is currently taking place in Baku, Azerbaijan, from November 11 to 22, the pope emphasized the need for global efforts to find sustainable solutions that would not further damage the development potential of countries already facing severe economic challenges. “Efforts should be made to find solutions that do not further undermine the development and adaptive capacity of many countries that are already burdened with crippling economic debt,” he stated.

One of the key focuses of COP29 is the establishment of a “New Collective Quantified Goal on Climate Finance,” which aims to mobilize resources to support climate change mitigation and adaptation efforts across nations. Climate finance, as defined by the U.N., refers to the financial resources, whether local, national, or transnational, that are allocated to help mitigate the effects of climate change and support global sustainability initiatives.

Cardinal Pietro Parolin, the Vatican’s Secretary of State, is representing the Holy See at the summit. On November 13, he read Pope Francis’ message to the assembly, reinforcing the pope’s call for increased international solidarity and cooperation on climate issues.

Pope Francis used his platform at the climate summit to underscore what he sees as a growing indifference toward environmental issues in the modern era. “We cannot wash our hands of it, with distance, with carelessness, with disinterest. This is the real challenge of our century,” he declared. He highlighted how indifference to climate change has compounded the problem, calling it “an accomplice to injustice.”

The pope’s remarks come at a critical moment in global climate discussions. The Conference of the Parties (COP) has been convening annually since 1995 to assess and address the goals of the 1992 United Nations Framework Convention on Climate Change (UNFCCC). The Holy See became a full member of the UNFCCC and the 2015 Paris Agreement in 2022, further demonstrating its commitment to global climate action.

Pope Francis also reiterated the Holy See’s support for the work of COP29, particularly in the area of integral ecology and environmental education. He emphasized that the climate crisis is not only an environmental issue but also a profound human and social issue, affecting the poorest and most vulnerable communities around the world. “It is essential to seek a new international financial architecture that is human-centered, bold, creative, and based on the principles of equity, justice, and solidarity,” he urged.

The pontiff emphasized that such a new financial framework must prioritize the needs of the most vulnerable nations, many of which are already facing the worst impacts of climate change despite contributing the least to the global crisis. He called for a financial system that enables all countries to pursue both low-carbon and equitable development pathways that ensure every nation can reach its full potential while safeguarding human dignity.

“A new international financial architecture that can truly ensure for all countries, especially the poorest and those most vulnerable to climate disasters, both low-carbon and high-sharing development pathways that enable everyone to reach their full potential and see their dignity respected,” Pope Francis stressed.

The pope’s remarks underscore the urgent need for a shift in how the world approaches climate finance, as well as the role of international cooperation in addressing the mounting pressures of both ecological and economic debts. His call for a human-centered financial system reflects his ongoing advocacy for a more equitable world, where the wealthiest nations support the sustainable development of poorer countries, rather than perpetuating a cycle of exploitation and debt.

Pope Francis’ message to the U.N. climate summit also aligns with his broader environmental teachings, which have been a cornerstone of his papacy. His 2015 encyclical, *Laudato si’*, called for urgent action to combat climate change and protect the planet, emphasizing the moral and ethical responsibility to care for the Earth and its most vulnerable inhabitants. In his address to the COP29 assembly, the pope reiterated this commitment, framing the climate crisis as a deeply interconnected issue that requires a global response rooted in justice and solidarity.

As the COP29 conference continues, world leaders, policymakers, and climate activists will continue to grapple with the complex and multifaceted challenges of addressing global climate change. Pope Francis’ message serves as a powerful reminder that climate change is not only an environmental issue but one that touches on broader themes of economic justice, human dignity, and the future of humanity itself.

In his call to action, the pope highlighted the responsibility of both wealthy and developing nations to work together in finding innovative and equitable solutions to the climate crisis. He urged world leaders to take bold steps in addressing both foreign and ecological debts, which, if left unaddressed, could hinder the development and prosperity of future generations.

Pope Francis’ message to the U.N. climate summit is a timely reminder that the fight against climate change is not just about reducing emissions and protecting ecosystems but also about addressing the systemic injustices that have contributed to the crisis. The Holy See’s continued advocacy for a just and human-centered approach to climate finance is a call for greater international cooperation, solidarity, and action to ensure that the future of our planet is one of sustainability, justice, and dignity for all.

Pope Francis’ message to COP29 underscores the interconnectedness of economic and environmental challenges facing nations today. By calling for a new financial architecture centered on equity and justice, he emphasizes the moral imperative to address both foreign and ecological debts, ensuring that all nations, especially the most vulnerable, can thrive and contribute to a sustainable future.

Indian-American artists have made a strong impact at the 67th Grammy Awards, which will take place on February 2, 2025, at Los Angeles’s Crypto.com Arena. A lineup of nominees with Indian roots spans several categories, underscoring the increasing global influence of these musicians.

The list of nominees features Chandrika Tandon, Anoushka Shankar, Varijashree Venugopal, Ricky Kej, Noshir Mody, and Radhika Vekaria. Each artist has made noteworthy contributions in their respective genres, representing a diverse spectrum of music.

Entrepreneur and musician Chandrika Tandon has received a nomination for her album Triveni in the Best New Age, Ambient, or Chant Album category. Tandon, also nominated previously for her album Soul Call in the Best Contemporary World Music category, is known both for her artistic work and her business acumen. She is the founder and chairperson of Tandon Capital Associates, a financial advisory firm established in 1992. Tandon is also notably the sister of Indra Nooyi, former CEO of PepsiCo, adding a unique blend of corporate and artistic success to her profile.

Joining her in the same category is Anoushka Shankar, who received a Grammy nomination for her album Chapter II: How Dark It Is Before Dawn. Shankar, daughter of the legendary sitar maestro Ravi Shankar, carries forward her family’s legacy in Indian classical music with a modern touch. This nomination is part of her broader recognition in the industry, where she is seen as an innovator in the genre. Shankar received a second Grammy nomination this year in the Best Global Music Performance category for her collaboration on the track A Rock Somewhere with Bengaluru-based vocalist, violinist, and composer Varijashree Venugopal.

Venugopal, who is a first-time Grammy nominee, made a significant contribution to A Rock Somewhere, bringing her skills in both voice and violin to the project. In addition, Venugopal has collaborated with Ricky Kej on his album, adding another dimension to her Grammy debut. Kej, who is based in Bangalore and has previously won three Grammy Awards, has now received his fourth nomination for his album Break of Dawn. Although Kej currently resides in India, he was born in North Carolina, giving him a background that bridges both cultures.

Adding to the representation in the Best New Age, Ambient, or Chant Album category is Radhika Vekaria, nominated for her album Warriors of Light. Vekaria was born in the UK to parents who emigrated from East Africa, with family roots tracing back to India. Now based in Los Angeles, Vekaria’s nomination highlights her cultural journey and the influences that shape her work.

Noshir Mody, a musician born in Mumbai, is also a first-time Grammy nominee. His track Kashira has been nominated in the Best Global Music Performance category. This nomination marks a milestone in Mody’s career, as he gains international recognition for his work, representing a distinct style that combines his Indian heritage with global sounds.

Additionally, the Best Global Music Performance category features Pakistani-American artist Arooj Aftab, who has been nominated for her song Raat Ki Rani, part of her album Night Reign, which is also competing in the Best Alternative Jazz Album category. Aftab, who gained significant attention in 2022, made history as the first Pakistani woman to win a Grammy with her song Mohabbat in the same category. Her latest nomination underscores her continued success and artistic influence.

These Grammy nominations reflect the vibrant diversity and artistic contributions of Indian-American and South Asian artists to the global music industry. With nominations across different genres, each artist represents a unique blend of cultural heritage and modern influence, celebrating a shared legacy on a worldwide stage.

In the 1960s, Lata Mangeshkar brought a seismic shift to Bollywood’s music industry by demanding that playback singers be paid on par with lyricists and composers, a notion largely unheard of at the time. Back then, even popular singers like Mohammed Rafi and Manna Dey were paid modestly at around ₹300 per song, despite their fame. Yet, Lata’s strong stance on fair pay changed the game. As Bollywood transitioned from vinyl records and cassettes to YouTube and streaming platforms, the value and visibility of singers skyrocketed. This journey has led to a new era where India’s top singers command massive fees, with one singer, AR Rahman, emerging as the industry’s highest earner.

Currently, AR Rahman holds the distinction as India’s highest-paid singer. Industry sources reveal that Rahman commands an astounding ₹3 crore per song whenever he chooses to lend his voice. This fee is 12 to 15 times more than what other top singers in the country typically charge. Sources say Rahman sets this high rate deliberately to limit requests, as he wants to prioritize his focus on music composition. He usually only sings songs he has personally composed, but if he agrees to lend his voice to another composer’s work, the producers are required to meet his premium price.

In the list of top-earning full-time singers, Shreya Ghoshal ranks highest, charging approximately ₹25 lakh per song. Following her is Sunidhi Chauhan, who demands between ₹18-20 lakh per song, positioning her as one of the highest-paid singers. Arijit Singh matches Sunidhi’s rate, earning between ₹18-20 lakh for each song, as per industry estimates. Completing the top five is Sonu Nigam, who commands a fee of ₹15-18 lakh for a single recording. Meanwhile, rapper Badshah and singer Diljit Dosanjh have recently increased their rates, potentially setting them up to break into the top ranks of India’s highest-paid music artists in the near future.

Actor Richard Gere recently announced his intention to relocate to Spain and has sold his Connecticut property for $10.75 million. Gere, who purchased the house in New Canaan for $10.8 million in 2022, has decided to leave the United States, where he has lived with his wife, Alejandra Silva, since their marriage in 2018. The sale of his Connecticut home marks a financial loss, as he sold it for $50,000 less than his purchase price.

The actor had envisioned transforming the Connecticut estate into a farm. Set on 32 acres of land, the property includes 11 bathrooms, a pool, various gardens, and a three-bedroom guest cottage. Originally, it was sold to Gere by musicians Paul Simon and Edie Brickell, who also took a loss on the property after they paid $16.5 million for it over 17 years ago. According to Sotheby’s listing, the estate boasts “period details” that capture an old-world charm, and it remains a stunning representation of architectural craftsmanship.

Gere’s decision to move comes as he considers the happiness and cultural roots of his wife, Alejandra Silva, a native of Spain. In an interview with Vanity Fair Spain, Gere shared his appreciation for Spain, where Silva’s family resides, stating, “For Alejandra, it will be wonderful to be closer to her family, her lifelong friends, and her culture.” He also expressed his gratitude for Silva’s willingness to spend the last six years in the United States, noting, “She was very generous in giving me six years living in my world, so it is only fair that I give her at least another six living in hers.”

The relocation is also anticipated to be an enriching experience for their young children, Alexandra and James, who are five and four years old, respectively. Reflecting on the move, Gere described Madrid as a “great adventure” for himself, Silva, and their children. He expressed his admiration for Spanish culture, saying, “I love Spain and the ability of the Spanish people to live transmitting joy and happiness.”

While Gere prepares for a new chapter in Spain, he still maintains ties to the U.S. through another property. He mentioned that he keeps a house “in the countryside near New York,” indicating he’ll continue to have a connection to his current homeland. Gere and Silva’s relationship, which began in Positano, Italy, in 2014, culminated in marriage four years later. At the time, sources close to the couple spoke about the depth of their happiness, noting they were “extraordinarily happy,” with one source adding, “They’re so comfortable with each other, have fun together, and are looking forward to their future together.”

The world’s largest icebergs, sometimes exceeding the size of entire countries, are born as they break off the Antarctic ice sheet. These colossal ice masses, drifting and melting in the Southern Ocean, create distinct and temporary ecosystems around them.

It all began with a significant crack. Late in 2016, scientists observed a swiftly expanding fissure in the immense Larsen C Ice Shelf, which extends into the Weddell Sea from the West Antarctic Peninsula. Within months, this crack grew to an enormous scale, ultimately leading to one of the most massive icebergs ever recorded breaking away into the ocean.

The iceberg, labeled as A-68, was an immense structure, more than double Luxembourg’s area at 2,200 square miles (5,700 sq km) and around 770 feet (235m) thick. Initially, it barely moved, trapped in the seasonal Antarctic sea ice. However, it eventually began drifting northward, carried by ocean currents and wind.

This giant iceberg set out on a notable four-year voyage from the Antarctic sea ice to a distant island in the Southern Ocean. Iceberg A-68 became widely known, particularly when its travels captured attention on social media during the Christmas of 2020. During a time when Covid-19 lockdowns isolated many, people followed A-68’s journey with great interest, rooting for it as it crossed the Southern Ocean. There was even a chance of a dramatic finish, as ecologists feared A-68 could collide with South Georgia Island, potentially devastating its ecosystems.

The iceberg eventually broke apart and melted before reaching the island, dispersing billions of tons of chilled freshwater into the ocean. Over the years, it shattered into smaller pieces and gradually vanished, disappearing into slushy seawater by April 2021. This process significantly impacted the surrounding marine habitat, creating conditions that supported a unique ecosystem. Scientists tracking A-68 from its birth to its end gathered valuable insights into the effects of massive icebergs on marine environments. A-68, for its short existence, became a mobile refuge for various species.

With years of data collection, researchers can now tell A-68’s complete story and analyze its environmental impact on the ocean.

Breaking Away from Antarctica

On Antarctica’s side closest to South America, the West Antarctic Peninsula stretches into the Southern Ocean. This peninsula, home to numerous penguin colonies and other thriving life forms, is the most habitable region of the continent. To the east, it is bordered by the Larsen ice shelves, vast plains of floating glacier ice that extend tens of thousands of square kilometers. The seas beneath these ice shelves remain mostly uncharted due to the thick ice, which blocks vessel access and sunlight from reaching these regions, isolating the marine habitat beneath for thousands of years.

The Antarctic ice shelves are not stationary. Ice flows continuously from the continent towards the ocean, creating a dynamic environment as the ice interacts with the thinner seasonal sea ice. Occasionally, a significant chunk breaks off—a process known as “calving.” According to Geraint Tarling, a polar ecologist with the British Antarctic Survey, “Calving is a natural event.”

In July 2017, the growing fissure in Larsen C led to the detachment of a massive ice block, which represented about 10% of the shelf. This newly calved iceberg was the largest in the ocean at the time, and among the top six over the last 30 years. The US National Ice Center designated it as “A-68.” Within days, a portion of it broke off, creating fragments known as A-68a, A-68b, A-68c, and so on.

Embarking on Its Journey

The formation of A-68 exposed a previously hidden seabed that had remained beneath the ice for millennia. Polar scientists were eager to investigate this newly uncovered area before changes in the ecosystems began. “There was a big move to get expeditions in there,” says Tarling, noting, “Unfortunately, when it calved, there was a huge amount of ice around… The opportunity was lost.”

Thus, A-68a remained in place for a couple of years, trapped in its icy surroundings. In July 2018, it began drifting within the Weddell Gyre—a circular ocean current. By summer 2019, it had traveled about 155 miles (250 km) north. Then, as it reached the edge of Antarctica’s year-round sea ice, it drifted into “Iceberg Alley,” a path where powerful currents steer icebergs northwards.

In these waters, A-68a encountered warmer temperatures. By April 2020, a chunk measuring 67 square miles (175 sq km) had broken off, leading scientists to anticipate a collapse. Yet, A-68a persisted. Describing this iceberg as unique, Tarling notes, “It was the sixth-largest ever detected” and “stayed together for an incredibly long period.”

During the same period, Roseanne Smith, then a student researching polar and alpine change, tracked A-68a’s progress using satellite data. “I was doing it from home,” she recalls, adding, “It was a case of waking up every morning and then checking where the iceberg had moved to.”

Smith’s work at the British Antarctic Survey revealed that vast but thin layers of freshwater spread more than 620 miles (1,000 km) from the iceberg. “Satellites are only able to tell you anything about the conditions in the top few centimeters of the surface ocean,” she explains.

Approaching South Georgia Island

By the summer of 2020, the iceberg was drifting closer to South Georgia, raising concerns among scientists. South Georgia’s marine ecosystem is enriched by glacial runoff, which fertilizes surrounding waters, promoting photosynthetic plankton growth that sustains krill and other marine life. The island also serves as a breeding ground for species like elephant seals, king penguins, and wandering albatrosses.

An impact with the island’s shallow seabed could have damaged these ecosystems. “That probably would mean that there would be low levels of survival at those colonies for that particular year,” Tarling explains. This potential danger prompted an urgent attempt to arrange an expedition to assess the iceberg’s effects on the region’s marine environment.

In February 2021, the RRS James Cook vessel was directed to study the freshwater layer around A-68a, although Tarling could not join due to pandemic restrictions. The ship conducted transects, measuring water conditions and observing marine life.

The Final Break-Up

In December 2020, satellite images showed A-68a was “fraying at the edges” and developing cracks. As the iceberg approached South Georgia, one corner became lodged in the shallow waters off the island, breaking off from the main body. “It got very, very close,” says Tarling. Fortunately, this break spared the island, though it carved an indentation in the seabed.

The final break-up was driven by strong ocean currents that exerted a shearing force on the iceberg. This unusual event caused one section to break off, with pieces dispersing into the sea. Tarling’s team had to alter their research approach in response to the iceberg’s rapid disintegration, making observations around a collapsing iceberg for the first time.

In the peak of its melt, A-68a released around 1.5 billion tons of freshwater into the ocean daily. By late January 2021, as the RRS James Cook arrived, the researchers deployed gliders to monitor the icy fragments. Meanwhile, A-68a’s main body was melting at a rate of 23 feet (7 meters) per month due to the warmer northern waters near South Georgia.

Ultimately, in mid-April 2021, A-68a had disintegrated into fragments so small they no longer qualified as giant icebergs. Over three and a half years, A-68 shed a staggering 802 billion tons of ice, marking the end of its journey.

As scientists now assess the legacy of A-68, they reflect on the iceberg’s transformative effect on the ocean. This single calving event not only provided a unique glimpse into how massive icebergs influence the Southern Ocean but also highlighted the fleeting nature of such phenomena.