In pictures: Celebrating 100 years of the ‘greatest showman of Indian cinema’

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Raj Kapoor, fondly called the “greatest showman of Indian cinema”, was a leading filmmaker, producer and actor whose work continues to shape and inspire Indian films.

Today, almost four decades after his death in 1988, he remains one of India’s most-loved stars.

Kapoor began his film career in India’s post-independence era. His early work often carried a socialistic undertone, mirroring the country’s mood and aspirations of the time.

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Kapoor’s directorial debut Aag (1948) marked the beginning of RK Films and his legendary pairing with Nargis. Their magnetic chemistry lit up the screen, making them an iconic onscreen duo. Picture: Film Heritage Foundation.

“Kapoor brought romance, sexuality, song and soul to Indian socialism,” said historian Sunil Khilnani, in Incarnations: India in 50 Lives, a 2015 BBC Radio 4 series on the men and women who made India.

So perhaps it isn’t surprising that celebrations to mark what would have been his 100th birthday on Saturday are taking place across the country, honouring his enduring legacy.

Among them is a retrospective showcasing 10 of his iconic films that will screen across 40 cities and 135 cinemas in India at the weekend.

Born as Shrishti Nath Kapoor to actors Prithviraj Kapoor and Ramsarni Kapoor, he later took the name of Ranbir Raj Kapoor and debuted as a child actor in Inquilab (1935).

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Barsaat (1949), a tale of love and longing, was Kapoor’s first major hit as a director. It also firmly established RK Films as a powerhouse studio.Picture: Film Heritage Foundation
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Awara (1951) showcased Kapoor’s iconic tramp character inspired by Charlie Chaplin and introduced the unforgettable song, Awara Hoon, still celebrated globally. The film was a box-office sensation, not just in India but worldwide – it garnered unprecedented success in the former Soviet Union. Picture: Film Heritage Foundation

Before making waves on screen, Kapoor honed his craft behind the scenes – assisting filmmaker Kidar Sharma, working as an art director at his father’s Prithvi Theatre, and appearing in smaller roles.

His breakout came with Neel Kamal (1947), launching a storied career that combined artistic ambition with mass appeal.

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