Rhythmic Resonance: T. S. Nandakumar’s Global Impact on Classical Percussion

Well known around the world for his mastery of the Mridangam, a percussion instrument that is a primary rhythmic accompaniment in Carnatic music ensemble, and with expertise in various other percussion instruments, including konnakol (vocal percussion), thavil, ghatam, kanjira, and morsing, T. S. Nandakumar is a world-renowned south Indian music artist, showcasing his versatility in Carnatic music, has devoted his entire life to the cause of popularizing Indian classical music around the world.

TSN Mridangam 05 (1)T. Shankaranarayanan Nandakumar, popularly known as “TSN” has played a pivotal role in spreading the knowledge about Indian drums, particularly the mridangam in the United States through his stage performances at prestigious orchestras, participation in global music events, educational initiatives and contributions, collaborations, global impact, and philanthropic endeavors. He has demonstrated a commitment to social responsibility through charity work, including organizing a 24-hour non-stop Akanda Seva Bhajan in aid of India’s tsunami victims.

Nandakumar’s belief that “Music is like a horizon which is never ending and has no boundaries” has enabled him toLifetime Achievement Award by SAFE (1) take music with him wherever he goes. TSN’s participation in international festivals and workshops has contributed to the global awareness of Indian percussion, showcasing the richness of Indian drumming traditions and providing a platform for cross-cultural exchange. By actively participating in musical collaborations and performances in the United States, TSN not only showcases the beauty of the mridangam but also educates audiences about the intricacies and significance of this traditional Indian percussion instrument.

As a percussionist, TSN has accompanied luminaries in Carnatic music, including Semmangudi Srinivasa Iyer, M. D. Ramanathan, Bhimsen Joshi, T. N. Krishnan, M. Balamuralikrishna and others. His role as an accompanist has greatly enhanced the events with the performances of these eminent artists.

Through his musical engagements, TSN engages in cultural diplomacy, fostering an appreciation for Indian musicTSN Mridangam 06 (1) and drumming traditions. This indirect form of education occurs as audiences experience the artistry and cultural depth of the mridangam during performances.

“Through music, you can reach god,” says Nandakumar who wants to spread this path to the Almighty. Not satisfied with his mastery of classical Indian music, TSN took upon himself the mission to spread Carnatic music around the world. He established TSN’s Percussive Arts Centre. Inc (TSNPAC), where students are trained in diverse instruments. Since its inception in 1998 in Mumbai, India, TSNPAC has evolved into a hub for Mridangam (1)students to refine their skills and collaborate within the realm of Carnatic arts.  Upon migrating to New Jersey, USA, TSN seamlessly incorporated TSNPAC, offering courses in higher learning for Carnatic percussion enthusiasts in the United States. Today, TSNPAC stands as a beacon for aspiring artists seeking to master the intricacies of Carnatic percussion.

It’s well known around the world that through TSNPAC, TSN has played a very important role in teaching and training students in diverse percussion instruments, including the mridangam. In addition, Internationally famous musical institutions have tapped into TSN’s expertise, hosting his performances and through his highly acclaimed special, lectures in percussive arts.

TSN Mridangam 02 (1)TSN has performed at the Thyagaraja Festival, a prestigious and culturally significant experience for Carnatic musicians. Thyagaraja Aaradhana Festival in Cleveland, Ohio, is the largest Indian classical music festival outside of India.

“I feel very good about my accomplishment in spreading my knowledge about music to everyone. I have students all over the world, students of Indian origin and from other nationalities, some of them have become full-time musicians and are accompanying renowned artists,” Nandakumar says with pride. TSNPAC, in addition to providing training to music enthusiast, has successfully organized numerous annual events by notable artists in Carnatic music, including luminaries such as K J Yesudas, N. Rajam, N. Ramani, A. Kanyakumari, and L. Subramaniam.

Mridangam Arangetrams are held annually at TSNPAC, where graduating students perform along with accomplishedLeading concert (1) artists, without prior rehearsal, which is a unique approach that serves as a culminating experience for their graduation from the Center.  TSNPAC’s significant milestones include a decennial celebration marked by a grand performance featuring over 100 students. The center conducts Mridangam Arangetram annually, where students, without prior rehearsal, accompany main artists like A. Kanyakumari, culminating in a graduation ceremony. They follow in his footsteps by training their own students in the style of TSN and continuing to promote Carnatic percussive arts.

In addition to training students of South Asian students, several artists from the West, who are now well known forTSN Mridangam 04 (1) their expertise in Carnatic Music include Paula Jeanine, Todd Isler, Johann Berby, Guillaume Barraud, Will Calhoun, Bill Buchen, Lenora Zenzlai Helm, and Bernhard Schimpelsberger. TSNPAC’s legacy embodies a commitment to excellence, providing a platform for students to explore and flourish in the rich tapestry of Carnatic music.

TSN’s discography, featuring solo performances and collaborations with various artists, serves as a valuable resource for those interested in Indian percussion. His recorded works contribute to the preservation and dissemination of this musical knowledge. His album, “Jewels of Rhythm” by his ensemble has earned him high accolades. Vibrative Rhythms by TSN is a fusion of Carnatic, Hindustani, and Western music as a one-man ensemble With K J Yesudas (1)of mridangam, konnakol, thavil, ghatam, kanjira and the morsing played by himself. Author of several books, to educate students to the themes of Indian Percussive Arts, TSN is currently working on writing books that cover advanced topics.

TSN Mridangam 03 (1)Son of Shrimati Saraswati and Shri Balakrishna Panicker, a great supporter of the arts as member of the Devaswom board in Kerala and actively involved in promoting Carnatic devotional music in temples and organizing concerts, TSN was born in the village of Ambalappuzha in Kerala, India. As a child, he was fascinated with the rhythmic chants and bhajans. Nandakumar soon became a ‘Laya Vidwan’ due to his mastery of Carnatic percussive components: Laya, Raaga, Thaala and Bhava.

“At a very early age I started learning mridangam (A South Indian Classical Carnatic double-sided drum) because I was fascinated about percussion and its beats when my uncle’s (Shri Amabalapuzha Brothers) concert was held in the temple where I used to put Thalam,” recalls Nandakumar. “When I started learning, I enjoyed playing mridangam and other percussion instruments. I was so passionate about it that I got into teaching mridangam and other percussion instruments and making people aware of the importance of music.”

In Performance (1)As a young prodigy, TSN gained a reputation as an accompanist to renowned Carnatic musicians such as Semmangudi Srinivasa Iyer, M.D. Ramanathan, S. Ramanathan, R. K. Srikantan, V. Dakshinamurthy, Bhimsen Joshi, N. Ramani, M. Balamuralikrishna, T. N. Krishnan, K. J. Yesudas, N. Rajam, T. K. Govindarao, Nedunuri Krishnanmurthy, T. V. Gopalakrishnan, Parassala . B. Ponnamal, A. Kanyakumari, M. Chandrasekaran, D. K. Jayaraman, B. V. Raman, B. V. Lakshmanan and many others.

In recognition of his great accomplishments, TSN was honored with The Lifetime Achievement Award by the ShantiTSN Mridangam 01 (1) Foundation in Chennai. He was awarded the “Best Teacher Award” from several organizations with the most prominent being awarded by Shanmukhananda Fine Arts and the Cleveland Thygaraja Aaradhana Festival and by the Shanmukhananda Fine Arts, Sangeetha Sabha, Mumbai in 2007, Bharat Ratna Dr. M. S. Subbulakshmi Sangeetha Pracharya Award), and Visionary Award by Academy of Indian Music, USA.

Dedicating his entire life to the spreading of Carnatic Music, Nandakumar has been highly sought after as a teacher in India and abroad. He has conducted several musical concerts, lectures, demonstrations, and workshops at universities in the United States abroad like Lamar University of Houston and Indiana University of Pennsylvania. TSN conducted special classes in percussive arts at the Sri Venkateswara Temple in Pittsburgh, and the Academy of Indian Music in New Jersey and Switzerland. He also conducted 24 hours nonstop Akanda Seva Bhajan (Offered a Prayer through the medium of music) with his students in Mumbai for the tsunami-affected victims of India.

Nandakumar says, “My aim of contributing to Carnatic music by spreading knowledge has been successful and I forever am indebted to my parents and my teacher. I feel even more proud that some of my students have become masters of mridangam and it’s an honor knowing that the knowledge I shared with my students is now spreading around the world, imparting to many generations.”     For more details, please visit: http://mridangam.info

 

Mridangam Maestro T. S. Nandakumar: A Cultural Ambassador of India

Well known around the world for his mastery of the Mridangam, a percussion instrument that is a primary rhythmic accompaniment in Carnatic music ensemble, and with expertise in various other percussion instruments, including  konnakol (vocal percussion), thavil, ghatam, kanjira, and morsing, T. S. Nandakumar is a world renowned south Indian music artist, showcasing his versatility in Carnatic music, has devoted his entire life to the cause of popularizing Indian classical music around the world.

TSN Mridangam 02T. Shankaranarayanan Nandakumar, popularly known as “TSN” has played a pivotal role in spreading the knowledge about Indian drums, particularly the mridangam in the United States through his stage performances at prestigious orchestras, participation in global music events, educational initiatives and contributions, collaborations, global impact, and philanthropic endeavors. He has demonstrated a commitment to social responsibility through charity work, including organizing a 24-hour non-stop Akanda Seva Bhajan in aid of India’s tsunami victims.

Nandakumar’s belief that “Music is like a horizon which is never ending and has noTSN Mridangam 04 boundaries” has enabled him to take music wherever he went. TSN’s participation in international festivals and workshops has contributed to the global awareness of Indian percussion, showcasing the richness of Indian drumming traditions and  providing a platform for cross-cultural exchange. By actively participating in musical collaborations and performances in the United States, TSN not only showcases the beauty of the mridangam but also educates audiences about the intricacies and significance of this traditional Indian percussion instrument.

TSN Mridangam 06As a percussionist, TSN has accompanied luminaries in Carnatic music, including Semmangudi Srinivasa Iyer, M. D. Ramanathan, Bhimsen Joshi, T. N. Krishnan, M. Balamuralikrishna and others. His role as an accompanist has greatly enhanced the events with the performances of these eminent artists.

Through his musical engagements, TSN engages in a form of cultural diplomacy, fostering an appreciation for Indian music and drumming traditions. This indirect form of education occurs as audiences experience the artistry and cultural depth of the mridangam during performances.

“Through music you can reach god,” says Nandakumar and wants to spread this path to the Almighty. Not satisfiedMridangam with his own mastery of classical Indian music, TSN took upon himself the mission to spread Carnatic music around the world. He established TSN’s Percussive Arts Centre. Inc (TSNPAC), where students are trained in diverse instruments. Since its inception in 1998 in Mumbai, India, TSNPAC has evolved into a hub for students to refine their skills and collaborate within the realm of Carnatic arts.  Upon migrating to New Jersey, USA, TSN seamlessly incorporated TSNPAC, offering courses in higher learning for Carnatic percussion enthusiasts in the United States. Today, TSNPAC stands as a beacon for aspiring artists seeking to master the intricacies of Carnatic percussion.

It’s well known around the world that through TSNPAC, TSN has played a very important role in teaching and training students in diverse percussion instruments, including the mridangam. In addition, Internationally famous musical institutions have tapped into TSN’s expertise, hosting his performances and though his highly acclaimed special, lectures in percussive arts.

TSN Mridangam 03Performing at the Thyagaraja Festival is a prestigious and culturally significant experience for Carnatic musicians. The Thyagaraja Aradhana is an annual music festival held to commemorate the legendary Carnatic composer Saint Thyagaraja. TSNPAC conducts Thyagaraja Festival to commemorate the legendary Carnatic composer Saint Thyagaraja. Thyagaraja Aaradhana Festival in Cleveland, Ohio, which is the largest Indian classical music festival outside of India.

“I feel very good about my accomplishment in spreading my knowledge about music toTSN Mridangam 01 everyone. I have students all over the world, students of Indian origin and from other nationalities, some of them have become full time musicians and are accompanying renowned artists,” Nandakumar says with pride. TSNPAC, in addition to providing trainings to music enthusiast, has successfully organized numerous annual events by notable artists in Carnatic music, including luminaries such as K J Yesudas, N. Rajam, N. Ramani, A. Kanyakumari, and L. Subramaniam.

Mridangam Arangetrams are held annually at TSNPAC, where graduating students perform along with accomplished artists, without prior rehearsal, which is a unique approach that serves as a culminating experience for their graduation from the Center.

The festival is characterized by an atmosphere of devotion, celebrating the profound impact Thyagaraja had on the Carnatic music tradition. Musicians engaged in marathon music sessions, presenting a repertoire of kritis (compositions) composed by Thyagaraja. The festival features continuous music performances, creating an immersive experience for both performers and the audience.

Leading concertTSNPAC’s significant milestones include a decennial celebration marked by a grand performance featuring over 100 students. The centre conducts Mridangam Arangetram annually, where students, without prior rehearsal, accompany main artists like A. Kanyakumari, culminating in a graduation ceremony. Notably, TSNPAC’s influence extends globally, with 108 professional student performances, including drumming, at the Cleveland Thyagaraja festival.

Many of his students have achieved high accolades as professionals and have become graded artists by All India Radio. They follow in his footsteps by training their own students in the style of TSN and continuing to promote Carnatic percussive arts.

In addition to training students of South Asian students, several artists from the West, who are now well known for their expertise in Carnatic Music include: Paula Jeanine, Todd Isler, Johann Berby, Guillaume Barraud, Will Calhoun, Bill Buchen, Lenora Zenzlai Helm, and Bernhard Schimpelsberger.

TSN’s discography, featuring solo performances and collaborations with various artists, serves as a valuable resourceTSN Mridangam 05 for those interested in Indian percussion. His recorded works contribute to the preservation and dissemination of this musical knowledge. His album, “Jewels of Rhythm” by his ensemble has earned him high accolades.

Nandakumar composed and released Jewels of Rhythm Vol 1, Jewels of Rhythm Vol 2 and Jewels of Rhythm Vol 3 which were performed by his students. Vibrative Rhythms by TSN is a fusion of Carnatic, Hindustani, and Western music as a one-man ensemble of mridangam, konnakol, thavil, ghatam, kanjira and the morsing played by himself.

Author of several books, with the objective of educating students to the themes of Indian Percussive Arts, TSN is currently working on writing books that covers advanced topics.

Son of Shrimati Saraswati and Shri Balakrishna Panicker, a great supporter of the arts as member of the Devaswom board in Kerala and actively involved in promoting Carnatic devotional music in temples and organizing concerts, TSN was born in the village of Ambalappuzha in Kerala, India. As a child, he was fascinated with the rhythmic chants and bhajans that would emanate from the various temples, was introduced to his Guru, Shri Kaithavana Madhavadas, where he was trained in the gurukula samprada tradition of Carnatic music. Nandakumar soon became a ‘Laya Vidwan’ due to his mastery of Carnatic percussive components: Laya, Raaga, Thaala and Bhava .

In Performance“At a very early age I started learning mridangam (A South Indian Classical Carnatic double-sided drum) because I was fascinated about percussion and its beats when my uncle’s (Shri Amabalapuzha Brothers) concert was held in the temple where I used to put Thalam,” recalls Nandakumar. “When I started learning I enjoyed playing mridangam and other percussion instruments. I was so passionate about it that I got into teaching mridangam and other percussion instruments and making people aware about the importance of music.”

As a young prodigy, TSN gained a reputation as an accompanist to renowned Carnatic musicians such as Semmangudi Srinivasa Iyer, M.D. Ramanathan, S. Ramanathan, R. K. Srikantan, V. Dakshinamurthy, Bhimsen Joshi, N. Ramani, M. Balamuralikrishna, T. N. Krishnan, K. J. Yesudas, N. Rajam, T. K. Govindarao, Nedunuri Krishnanmurthy, T. V. Gopalakrishnan, Parassala . B. Ponnamal, A. Kanyakumari, M. Chandrasekaran, D. K. Jayaraman, B. V. Raman, B. V. Lakshmanan and many others.

In his recognition of his great accomplishments, he was honored with The Lifetime Achievement Award by the Shanti Foundation in Chennai. He was awarded the “Best Teacher Award” from several organizations with the most prominent being awarded by Shanmukhananda Fine Arts and the Cleveland Thygaraja Aaradhana Festival and by the Shanmukhananda Fine Arts, Sangeetha Sabha, Mumbai in 2007, Bharat Ratna Dr. M. S. Subbulakshmi Sangeetha Pracharya Award), and Visionary Award by Academy of Indian Music, USA.

Acknowledging contributions to the world of music, TSNPAC has bestowed prestigious titles upon distinguishedWith K J Yesudas artists. In 2022, the centre conferred the title “Ranjakagayakasiromanih” (The Crown Jewel among those singers whose music is charming) upon the legendary K J Yesudas. A. Kanyakumari was honored with the title “Sasvatanadavidushi” (One Who Is Adept in Music Which Is Ishvara).

Dedicating his entire life to the spreading of Carnatic Music, Nandakumar has been highly sought after as a teacher in India as well as abroad. In Mumbai, TSN trained students at large institutions like Shanmukhananda Fine Arts, Chembur Fine Arts, Gana kala, Music Triangle and Naadalaya.

He has conducted several musical concerts, lectures, demonstrations, and workshops at universities in the United States abroad like Lamar University of Houston and Indiana University of Pennsylvania. TSN also spent some time conducting special classes in percussive arts at the Sri Venkateswara Temple in Pittsburgh, the Academy of Indian Music in New Jersey and Switzerland. He also conducted 24 hours nonstop Akanda Seva Bhajan (Offered a Prayer through the medium of music) with his students in Mumbai for the tsunami affected victims of India.

He continues to provide opportunities for his students to perform by conducting seminars specific to accompaniment to other Indian art forms, such as Bharatnatyam Dance recitals and vocal or instrumental concerts, as well as through  Talent Exposure Concert Series which are published on YouTube to give students a forum to display their prowess.

Beyond geographical confines, TSNPAC continues to host performances not only in New Jersey but also in various parts of the United States. As a nurturing ground for Carnatic percussion, TSNPAC’s legacy embodies a commitment to excellence, providing a platform for students to explore and flourish in the rich tapestry of Carnatic music.

Looking back into his life’s mission, Nandakumar says, “My aim of contributing to Carnatic music by spreading knowledge has successful and I forever am indebted to my parents and my teacher. I feel even more proud that some of my students have become masters of mridangam and it’s an honor knowing that the knowledge I shared with my students is now spreading to around the world, imparting to many generations.”

Lifetime Achievement Award by SAFETSN’s commitment to promoting local talent and fostering cultural exchange remains unwavering. He has invited senior artists from India for the upcoming TSNPAC annual events with the objective of creating a global stage for collaborative performances.

Don’t miss this cultural extravaganza that promises to transcend boundaries and create lasting memories. Join us for an unforgettable musical journey at Sri Balaji Temple in Bridgewater.

Prepare to be captivated by a Rhythmic Extravaganza, an enchanting spectacle of rhythm, melody, and cultural celebration as T. S. Nandakumar (TSN), the maestro of Carnatic percussion presents an extraordinary event at Sri Balaji Temple in Bridgewater on March 17, 2024, from 9 am to 1 pm.

Event Highlights:

  • Multifaceted Performances: Join different groups of percussionists, including students of TSN, along with talented musicians playing Violin, Flute, Veena, and Vocal.
  • Diverse Instruments: Experience the soul-stirring sounds of Mridangam, Ghatam, Kanjira, Morsing, Thavil, and Konnakol, creating a symphony of percussion.
  • Artistic Fusion: Enjoy dance recitals by students of TSN, mastering Nattuvangam, a South Indian rhythmic recitation, and percussion, creating a seamless fusion of arts.
  • Music Cum Percussion Ensemble: Be part of a unique ensemble featuring students across age groups, showcasing the rich diversity of talents from ages 4 to 60.
  • Book Release: Witness the unveiling of TSN’s latest book, a testament to his deep-rooted knowledge and contribution to Carnatic percussion.
  • Distinguished Chief Guest: Dr. Venkataraman Swaminathan, a revered musicologist, will grace the occasion, releasing TSN’s book and adding to the cultural richness of the event.
  • Star Performance: TSN himself will take the stage in the climax, inspiring and boosting the spirits of the budding talents.
For more details, please visit: http://mridangam.info

Pope Francis Reflects on Threefold Impact of Art at Critical Time in History

Pope Francis pointed to three characteristics of art that can play an important role during this challenging Christmas season in which “the somewhat dimmed Christmas lights invite us to keep in mind and to pray for all those suffering from the pandemic.”

His comments came when he received the musicians who participated in this year’s Vatican Christmas Concert, gather in a meeting room adjacent to the Vatican’s Paul VI Hall. Artists everyone would no doubt appreciate his presentation of three artistic impacts:

“A first movement has to do with the senses, which are struck with wonder and amazement.  This initial, outer movement then leads to others, more profound.

“A second movement touches the depths of our heart and soul.  A composition of colors, words, or sounds has the power to evoke within us memories, images, and emotions…

“There is a third movement, in which the perception and contemplation of beauty generates a sense of hope that can light up our world.”

In light of the pandemic, the Holy Father praised the hope that art brings and thanked the musicians for their participation in the concert.

Following are the Holy Father’s full remarks, provided by the Vatican.

Dear artists and dear friends,

I greet all of you most cordially and I thank you for your presence.  This year, the somewhat dimmed Christmas lights invite us to keep in mind and to pray for all those suffering from the pandemic.  In this situation, we have come to realize even more powerfully how dependent we are on one another.  Our gathering today gives me an opportunity to share with you a few thoughts on art and its role at this critical moment in our history.

We can speak of artistic creation in terms of three “movements”.  A first movement has to do with the senses, which are struck with wonder and amazement.  This initial, outer movement then leads to others, more profound.

A second movement touches the depths of our heart and soul.  A composition of colors, words, or sounds has the power to evoke within us memories, images, and emotions…

Yet artistic creation does not stop here.  There is a third movement, in which the perception and contemplation of beauty generates a sense of hope that can light up our world.  The outer and inner movements merge and in turn affect our way of relating to those all around us.  They generate empathy, the ability to understand others, with whom we have so much in common.  We sense a bond with them, a bond no longer vague, but real and shared.

This threefold movement of wonder, personal discovery, and sharing produces a feeling of peace, which – as the example of Saint Francis shows – frees us from the desire to dominate others, makes us sensitive to their difficulties, and prompts us to live in harmony with all.[1]  A harmony deeply associated with beauty and goodness.

That association is very much a part of the Jewish and Christian tradition.  The Book of Genesis – in speaking of God’s creative work – emphasizes that he contemplated his creation and “saw that it was good” (Gen 1:12.18.25).  In Hebrew, that word “good” has a wide range of meanings, and can also be translated as “harmonious”.[2]  Creation amazes us by its magnificence and variety, while at the same time making us realize, in the face of that grandeur, our own place in the world.

Artists know this. As Saint John Paul II wrote, they “perceive in themselves a kind of divine spark which is the artistic vocation”, and are called “not to waste this talent but to develop it, in order to put it at the service of their neighbor and of humanity as a whole”.[3]

In his famous Message to Artists on 8 December 1965, at the conclusion of the Second Vatican Council, Saint Paul VI described them as being “in love with beauty”.[4]  He noted, too, that our world “needs beauty in order not to sink into despair”.[5]  Amid the anxiety provoked by the pandemic, your creativity can be a source of light.  The crisis has made even denser the “dark clouds over a closed world” (cf. Fratelli Tutti, 9-55), and this might seem to obscure the light of the divine, the eternal.  Let us not yield to that illusion, but seek the light of Christmas, which dispels the darkness of sorrow and pain.

Dear artists, in a special way you are “guardians of beauty in our world”.[6]  I thank you for your spirit of solidarity, which is all the more evident in these days.  Yours is a lofty and demanding calling, one that requires “pure and dispassionate hands”[7] capable of transmitting truth and beauty.  For these instill joy in human hearts and are, in fact, “a precious fruit that endures through time, unites generations and makes them share in a sense of wonder”.[8]  Today, as always, that beauty appears to us in the lowliness of the Christmas crèche.  Today, as always, we celebrate that beauty with hearts full of hope.

I am deeply grateful to Don Bosco Missions and Scholas Occurrentes for the commitment and spirit of service with which they are responding to the educational and health emergency through their projects inspired by the Global Compact on Education. Again, thank you, best wishes and enjoy the concert!

Classical Musicians From India & North America Perform At The Chaar Prahar Indian Classical Music Festival For A Global Audience

Bharatiya Vidya Bhavan USA, Sneh Arts, Kolkata Sitar School & Viewcy in association with the Consulate General of India & Dhwani Academy of Percussion Music presented the 2nd Annual Chaar Prahar Indian Classical Music Festival. Adapting to the challenges of the global pandemic, the festival was held online on November 29th & December 5th on the digital platform Viewcy, which enabled us to reach audiences in Asia, Europe & North America. The artist lineup included some of the most recognized names in Indian Classical music as well as rising stars. The concert was streamed in several time zones to accommodate audiences from around the world on both days. The festival was supported by our media partners : TV Asia, World BBTV, Radio Zindagi, Divya Bhaskar & The Indian EYE.

 

Viewers were treated to soul stirring music at this 2 day, 12 hour – festival, which featured 26 musicians from both the Hindustani & Carnatic styles of music. Community of artists & music lovers gathered to enjoy instrumentalists & vocalists from various gharanas (school of music) showcasing their talents & mastery on the sitar, tabla, sarod, esraj, santoor, violin, veena, mridangam, harmonium & vocals. The festival team was particularly enthusiastic about giving a platform to the younger generation of Indian American artists who work very hard to pursue this art form alongside those based in India.
Dignitaries from the music world & the community graced the occasion online to bestow their blessings, not only to the young artists, but also to the organizers for continuing this special initiative. The Consul General of India in New York Amb. Randhir Jaiswal & Deputy Consul General Amb. Shatrughna Sinha, who graced the occasion, appreciated the work & effort put into presenting the rich music of India through this festival. Bhavan Chairman, Dr. Navin C. Mehta, joined the festival on both days, commending the music community for coming together for such a special marathon of music. He was thrilled to see such a fantastic line up & engaging audiences that were enjoying this online festival.

There were countless comments of support & appreciation pouring in during the live streaming of the festival, which encouraged the artists & the organizers. Dibyarka Chatterjee wrote, “What a treat these past 6 hours have been! Congratulations once again to the organizers, not only for being able to continue the festival despite these trying circumstances, but for such a high-quality production. Deepest gratitude to all the performers for bringing light & joy into our homes!” Vineeta Khanna wrote, “Much gratitude to Bharatiya Vidya Bhavan, Sneh Arts, the brilliant artists & all the folks instrumental in making this event happen! You all are doing great service to the Arts!”

This year’s festival had a very special significance to the organizing team of Chaar Prahar, which consists of Minesh Patel, Managing Director of Bhavan USA, Indro Roy Choudhury, Bhavan Sitar guru & Director of Chaar Prahar Festival, and Sunny Thakkar, Founder of Sneh Arts.  It was dedicated to the former Executive Director of Bhavan USA, Shri Deepak Dave, who left this world too soon; it was his vision that motivated the team to continue this festival. It was also dedicated to one of the board members, Megha Bhouraskar’s father, Shri Digambar Bhouraskar. He was a long time Bhavan supporter & an ardent lover of Indian Classical Music. Long time vocal guru at Bhavan, Smt. Sanjukta Sen & her daughter Shruti Sen, performed the opening invocation for the festival.

The Chaar Prahar Music Festival team is extremely grateful to the artists, community partners, media partners, team members & everyone who worked tirelessly behind the scenes to make this festival possible. They look forward to even more support from the musicians & music lovers so they can continue to present such special events & give a continuous platform to local talent. The team has announced that the next Chaar Prahar Festival will be in November 2021. More info on bhavanusa.viewcy.com

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