Category: Film

Oscars to Live Stream on YouTube Beginning in 2029

Staff ReporterEntertainment, Film, Lifestyle 0

The Oscars will transition to YouTube for live streaming starting in 2029, marking a major change in the award show’s broadcast strategy and accessibility.

LOS ANGELES, CA – After more than five decades of airing on ABC, the Oscars will move to YouTube beginning with the 101st Academy Awards in 2029. This significant shift in the award show’s broadcast strategy aims to enhance the viewing experience for audiences worldwide.

The Academy of Motion Picture Arts and Sciences announced this week that it has signed an exclusive multi-faceted contract with YouTube, the largest online video-sharing and streaming platform owned by Google. The partnership will span from 2029 to 2033.

As part of this agreement, a comprehensive lineup of Oscars-related events will be available live and free to over two billion viewers globally on YouTube, as well as to YouTube TV subscribers in the United States. This includes the awards ceremony, red carpet coverage, behind-the-scenes content, and the Governors Ball.

YouTube will enhance accessibility for the Oscars audience by incorporating features such as closed captioning and audio tracks in multiple languages, according to a news release from the Academy.

In addition to the main event, the partnership will provide global film fans with access to a variety of other Academy events and year-round programming. This includes the Governor’s Awards, the Oscars Nominations Announcement, the Oscars Nominees Luncheon, the Student Academy Awards, the Scientific and Technical Awards, as well as interviews with Academy members and filmmakers, film education programs, and podcasts, all exclusively available on the Oscars YouTube channel.

The collaboration will also leverage the Google Arts & Culture initiative to offer online access to select exhibitions and programs from the Academy Museum, which houses the largest film-related collection in the world. This initiative aims to create a true hub for film enthusiasts accessible from anywhere in the world.

“This collaboration will leverage YouTube’s vast reach and infuse the Oscars and other Academy programming with innovative opportunities for engagement while honoring our legacy,” said Academy CEO Bill Kramer and Academy President Lynette Howell Taylor in the announcement. “We will be able to celebrate cinema, inspire new generations of filmmakers, and provide access to our film history on an unprecedented global scale.”

The Academy’s domestic partnership for the Oscars will continue with Disney ABC through the 100th Oscars in 2028, alongside an international partnership with Disney’s Buena Vista International.

The Oscars have been televised since 1953, but ratings have declined in recent years. The transition to YouTube is anticipated to provide a substantial boost in viewership.

Nominations for the upcoming 98th Oscars are set to be announced on January 22, 2026. India’s official entry, “Homebound,” directed by Neeraj Ghaywan, is among the 15 films shortlisted for nomination in the Best International Feature Film category.

The awards ceremony will take place on March 15, 2026, at the Dolby Theatre in Hollywood.

According to India West, this move represents a pivotal moment for the Academy as it embraces digital platforms to reach a broader audience.

Global Indian Council Marks Republic Day with Film Release and Language Program

Staff ReporterCulture, Film, Nation 0

The Global Indian Council will celebrate Indian Republic Day on January 24, 2026, with the release of an award-winning short film and the launch of a language initiative promoting Malayalam.

P. C. Mathew, the Global President of the Global Indian Council (GIC), announced plans for a vibrant celebration of Indian Republic Day on January 24, 2026. Joined by General Secretary Sudhir Nambiar and Treasurer Tara Sajan, Mathew shared details during a special news communiqué attended by various global cabinet members, including Tom Kolath, Santy Mathew, Goodwill Ambassador Jija Madhavan Hari Singh, Prof. Joy Pallattumadom, and Adv. Susan Mathew.

As part of the Republic Day festivities, the GIC will officially release the award-winning short film “The Footprints” (Pairon Ke Nishan) on its YouTube channel. This film draws inspiration from the life and legacy of Mahatma Gandhi, presenting a compelling narrative based on real-life events during his visit to Kerala.

Set against the backdrop of Gandhi’s brief stay at Elamon Mana, a traditional house in Thiruvalla owned by one of his admirers, “The Footprints” encapsulates the enduring values of simplicity, truth, compassion, and moral leadership that Gandhi espoused. The film aims to resonate with audiences by highlighting significant incidents from this pivotal moment in history.

Produced under the GIC banner and sponsored by Dr. Babu Rajan, one of the council’s ambassadors, “The Footprints” is directed by Thulasidas and features a script by Prof. K. P. Mathew. The role of Mahatma Gandhi is portrayed by George, a native of Alappuzha, whose striking resemblance and compelling performance have garnered praise from viewers.

The film has achieved notable recognition, winning six awards at the Mumbai International Film Festival and receiving accolades at various national and international film festivals. Its artistic excellence and socially relevant message continue to resonate with audiences worldwide.

In addition to the film release, the GIC Cabinet has approved the launch of the “Shreshta Bhasha Malayalam Project.” This initiative aims to promote Indian languages, with a focus on helping individuals acquire reading and writing skills. Malayalam will serve as the pilot language for this global endeavor.

Prof. Joy Pallattumadom, Vice President of GIC and a respected educator, will lead the project. He has authored several books on learning Malayalam and has developed a comprehensive digital learning program consisting of 50 episodes, each approximately 18 minutes long. The curriculum includes structured lessons, 36 short poems, and additional learning materials contributed by Prof. Pallattumadom, Prof. K. P. Mathew, and Mr. John Pattarkuzhi.

Prof. Pallattumadom has generously dedicated the completed project to the Global Indian Council, which will oversee its distribution, promotion, and copyright ownership.

The Global Indian Council (GIC) is a rapidly growing organization representing the Indian diaspora, dedicated to promoting artistic, cultural, educational, occupational, and charitable initiatives on a global scale.

For more information about the Global Indian Council and its initiatives, visit www.globalindiancouncil.org.

According to Global Net News, the GIC’s upcoming events reflect its commitment to celebrating Indian culture and heritage while fostering language education among the diaspora.

Cactus Pears Thrive in Arid Conditions: A Unique Agricultural Challenge

Staff ReporterCinema, Film, Indian 0

In “Cactus Pears,” writer-director Rohan Parashuram Kanawade crafts a poignant exploration of grief, love, and the complexities of returning home in this award-winning Marathi film.

In “Cactus Pears” (Sabar Bonda), writer-director Rohan Parashuram Kanawade presents a quiet elegy to loss and love, revealing the hidden lives we carry within ourselves. The film opens in mourning but evolves into a profound exploration of what it means to return home and reconnect with oneself.

The film was recently screened at the 23rd Annual San Francisco International South Asian Film Festival. “Cactus Pears” had its world premiere at the World Cinema Competition of the 2025 Sundance Film Festival in January, where it won the prestigious World Cinema Grand Jury Prize: Dramatic. This co-production between India, the UK, and Canada marked a significant achievement as it was the only Indian title featured at Sundance this year and the first Marathi film to win an award at the festival.

With support from acclaimed filmmakers Mira Nair and Payal Kapadia (known for “All We Imagine As Light”), “Sabar Bonda” is set to release in the U.S. on November 21.

The narrative begins with Anand (Bhushaan Manoj) and his mother Suman (Jayshri Jagtap) receiving the news of a death. Their father and husband has passed away, prompting the pair to leave Mumbai for their ancestral village, where they must participate in traditional funeral rites. Kanawade immerses the audience in the rituals surrounding death, including the ten-day mourning period, omens, and the societal expectations placed upon Anand, whose life has diverged from the family’s traditional path.

As the village engages in collective mourning—through prayers, muted glances, and communal responsibilities—Anand’s inner turmoil intensifies. He is not simply a son returning home; he is a man burdened with secrets. His relationship with childhood friend Balya (Suraaj Suman) serves as the film’s emotional core, representing a connection that seeks tenderness amid societal pressures for conformity.

There are no grand betrayals or melodramatic twists in “Cactus Pears.” Instead, the tension arises from internal and societal conflicts, rooted in silence—the silence of traditions that suppress individuality and the love that must remain hidden to endure. It is within these unspoken spaces that Kanawade discovers poetry, capturing lingering moments of dust in sunlight, fields at dawn, and hands that nearly touch. Each gesture is imbued with both restraint and longing.

The performances in “Cactus Pears” are solid and restrained. Bhushaan Manoj delivers a nuanced portrayal of Anand, whose grief, guilt, and yearning coexist in a delicate balance. Jayshri Jagtap’s Suman embodies quiet strength, portraying a mother who perceives what she cannot articulate. Suraaj Suman’s Balya, with a blend of warmth and world-weariness, provides the film with its moral compass. Their chemistry evokes an intimacy that feels both ancient and forbidden.

The beauty of “Cactus Pears” lies in its ability to leave much unsaid. Kanawade refrains from dramatizing conflict, allowing it to breathe naturally. The scenes between Anand and Balya, illuminated by the soft glow of dusk, pulse with unspoken tenderness. The film prioritizes silence over dialogue, achieving a rare honesty that feels sacred.

Visually, the film is both spare and haunting. Cinematographer Vikas Urs captures the essence of rural India with a painter’s eye, showcasing dry earth, expansive skies, and crumbling walls. The color palette reflects the emotional landscape—muted browns, greys, and the deep crimson of the cactus pear fruit, which symbolizes vulnerability and love that dares to flourish in arid conditions.

As Anand returns to Mumbai, the audience senses that while nothing has changed externally, everything has shifted internally for him. His transformation is subtle yet profound. The rituals may have concluded, but the ache of loss remains. “Cactus Pears” does not offer closure; instead, it extends an invitation to acceptance.

Tender, meditative, and achingly human, “Cactus Pears” lingers like the aftertaste of its namesake fruit—bittersweet, haunting, and full of life, making it a film that resonates deeply with its viewers.

According to India Currents, “Cactus Pears” is a film that captures the essence of love and loss in a way that is both poignant and relatable.

Film Examines Connection Between Humans and Nature in Modern Society

Staff ReporterCulture, Environment, Film 0

Actor Vemal shares his unique experience of befriending an elephant while filming the action thriller ‘Mahasenha,’ which explores the relationship between humanity and nature.

CHENNAI—Actor Vemal, who stars in director Dhinesh Kalaiselvan’s upcoming action thriller, ‘Mahasenha,’ recently revealed an interesting anecdote from the set. In an effort to befriend an elephant he would be acting alongside, Vemal fed the animal jalebis, a popular Indian sweet.

Produced by Marudham Productions, ‘Mahasenha’ is an action thriller deeply rooted in themes of nature, spirituality, and forest mythology. The elephant, named Sena, plays a significant and symbolic role in the film’s narrative.

Vemal recounted his initial apprehension about working with the elephant, especially in light of recent news reports about an elephant that had tragically crushed two people to death in Tiruchendur, Tamil Nadu. “There is a portion in the film in which I had to shoot with this elephant. We shot the elephant portions of this film completely in Kerala. Initially, I was a little scared to act with the elephant,” he said.

Written and directed by Dhinesh Kalaiselvan, ‘Mahasenha’ delves into the eternal conflict between divine natural forces and human greed. The story unfolds in the lush forests of Gudalur, Wayanad, Kollimalai, and Ooty, providing a rich backdrop for the film’s exploration of these themes.

Kalaiselvan emphasized that ‘Mahasenha’ is more than just a film set in the jungle. “It’s a story about faith, power, and the harmony between man and nature. I wanted to explore how greed disturbs this divine balance, and how spirituality restores it,” he explained. “Every frame of this film reflects our respect for nature and the belief that divinity exists in every living being. The forest itself is a character—alive, emotional, and powerful.”

The film promises to be a visually stunning cinematic experience, blending real forest landscapes with impressive CGI artistry and a deeply emotional human narrative. According to IANS, ‘Mahasenha’ aims to resonate with audiences by highlighting the intricate relationship between humanity and the natural world.

Dharmendra’s Passing Marks End of an Era for Deol Family

Staff ReporterEntertainment, Film, India 0

Bollywood icon Dharmendra passed away on November 24 at the age of 89, marking the end of an era in Indian cinema and leaving behind a rich legacy through his expansive Deol lineage.

MUMBAI – Bollywood legend Dharmendra has passed away at the age of 89, a loss that resonates deeply within the Indian film industry. He died on November 24 after a period of recovery at home following his admission to Breach Candy Hospital in South Mumbai. His passing has prompted an outpouring of condolences from fans and colleagues alike, with notable tributes, including an obituary published by The New York Times, highlighting his significant impact on cinema and audiences in India.

Dharmendra’s death signifies the conclusion of a remarkable era in Bollywood, where he dedicated over six decades to building one of the industry’s most enduring legacies. He leaves behind a multi-generational family that is intricately woven into the fabric of Indian cinema, alongside an estimated personal net worth ranging between Rs 335 crore and Rs 450 crore, according to NDTV.

Born in Nasrali village, located in Punjab’s Ludhiana district, Dharmendra was the son of schoolteacher Kewal Krishan Singh Deol and Satwant Kaur. His journey into the film industry began in the late 1950s when Filmfare magazine, in collaboration with Bimal Roy Productions, held a nationwide talent contest to discover new faces for Hindi cinema. Dharmendra emerged as the winner in 1958, recognized for his striking looks and natural charm, which opened the door to his illustrious career.

He quickly gained fame for his emotional depth and effortless screen presence, showcasing remarkable versatility across genres. Dharmendra starred in numerous iconic films, including ‘Phool Aur Patthar,’ which established him as a leading man, and ‘Sholay,’ where his portrayal of the lovable and witty Veeru became legendary. His impeccable comic timing was evident in ‘Chupke Chupke,’ while action-packed dramas like ‘Yaadon Ki Baaraat’ solidified his status as the quintessential Bollywood hero.

Before embarking on his film career, Dharmendra married Prakash Kaur in 1954, and the couple raised four children together. Their eldest son, Sunny Deol, has made a name for himself as an actor, filmmaker, and politician. Sunny is married to Pooja Deol, and they have two sons, Karan and Rajveer. Karan, who is married to Drisha Acharya, has already entered the film industry alongside his brother Rajveer.

Dharmendra’s younger son, Bobby Deol, also carved out a successful career in films and is married to interior designer Tanya Ahuja. They have two sons, Aryaman and Dharam, while their daughters, Vijayta and Ajeeta, have chosen paths outside the film industry. Vijayta lives a private life with her husband Vivek Gill and their children, Prerna and Sahil, while Ajeeta resides in California with her husband, Dr. Kiran Chaudhri, and their daughters, Dr. Nikita Mina and Dr. Prianka Chaudhri.

In 1980, Dharmendra married ‘Dream Girl’ Hema Malini, a superstar of her time who is now a BJP MP, film producer, and dancer. Their relationship garnered significant public attention, particularly because Dharmendra remained legally married to Prakash Kaur. Despite the scrutiny, their marriage endured, becoming somewhat of a norm in an industry where second marriages have become more common.

Dharmendra and Hema Malini have two daughters. Esha Deol, an actress, is married to businessman Bharat Takhtani, and they share two daughters, Radhya and Miraya. Ahana Deol, an Odissi dancer and entrepreneur, is married to Vaibhav Vohra, and they have twin daughters, Astraia and Adea, along with a son, Darien.

Although Hema Malini and her daughters have long resided separately in Mumbai, Dharmendra maintained cordial relationships and participated in significant family events across both households. He spent his later years at his farmhouse in Khandala, having relocated there due to the worsening pollution levels in Mumbai.

The broader Deol family includes Dharmendra’s younger brother, the late Ajit Singh Deol, who was also an actor and producer. His son, actor Abhay Deol, has remained close to his cousins Sunny and Bobby, further enriching the Deol legacy in the film industry.

Dharmendra’s financial legacy reflects his disciplined and successful career. Estimates suggest that his personal wealth ranges between Rs 335 crore and Rs 450 crore. When combined with the earnings and assets of the broader Deol family, their collective fortune is believed to exceed Rs 1,000 crore, establishing them as one of Indian cinema’s most significant dynastic portfolios.

Beyond his cinematic achievements, Dharmendra was cherished for his humility and charisma, making him a beloved figure both on and off the screen. He was honored with the Padma Bhushan, India’s third-highest civilian award, recognizing his contributions to the arts.

Source: Original article

Songs of Paradise: Honoring a Timeless Voice from Kashmir

Staff ReporterCulture, Entertainment, Film 0

Inspired by the life of Raj Begum, “Songs of Paradise” is a poetic tribute to Kashmir’s first female singer, exploring themes of love, loss, and the transcendent power of music.

“Songs of Paradise” is a film that hums like a dream—fragile, haunting, and steeped in longing. Directed by Danish Renzu, the movie draws inspiration from the life of Raj Begum, Kashmir’s first female singer on Radio Kashmir. It reimagines her journey through the character of Zeba, also known as Noor Begum, portrayed with piercing authenticity by Saba Azad, and later by Soni Razdan. Rather than a conventional biopic, this film serves as a luminous, poetic tribute—a fictionalized account that captures the emotional truth of a woman whose voice rose from a conservative and politically volatile valley to touch the heavens.

Noor’s singing transcends narrative; it becomes an element of nature itself. Her voice embodies the towering mountains, open skies, rushing streams, and lush valleys, encapsulating both peace and desire, longing and prayer.

The film’s visual artistry draws viewers in with stunning imagery: shikaras gliding on the shimmering Dal Lake, and three young women in festive attire singing at a friend’s wedding, their eyes sparkling like diamonds reflected on the water. We catch glimpses of Zeba’s modest one-room home, adorned with a flowerpot drawn on a brick wall—a small bloom of hope amidst hardship. In a dimly lit kitchenette, Zeba mischievously cooks a photograph of a “potential groom” in a pot of stew, adding a touch of whimsy to her otherwise challenging life.

Cinematographer Vincenzo Condorelli captures Kashmir as a living soul, showcasing snow-dusted Himalayas, saffron-scented air, and alleyways perfumed with kahwa and rogan josh. Each frame feels like a prayer, inviting viewers to immerse themselves in the beauty and complexity of the region.

The emotional core of the film lies in Zeba’s bond with her father, an uneducated tailor with a liberal heart. Their quiet, affectionate scenes together by his sewing machine are filled with unspoken understanding. He believes in Zeba’s innate talent even when others do not, and his quiet faith becomes her guiding light.

Her Ustadji, played by Shishir Sharma, is gentle yet discerning, recognizing the divinity in her voice. He encourages her to enter a local singing contest, which becomes one of the film’s most arresting sequences. Dressed in a simple pink and violet Kashmiri salwar kameez, with a biscuit-colored hijab perched on her head, Zeba appears like a schoolgirl—uncertain and seeking her teacher’s approval. As she begins to sing “Dil Tsooran Hai,” the song that first wins her recognition, the audience is drawn into her world.

Following her performance, Zeba is awarded a trophy and a contract to sing for Radio Kashmir, where she meets Mr. Kaul, played by Suhail Nathani. The skeptical producer doubts that a young Muslim woman can endure the pressures of public life, but her voice silences every hesitation and gives her wings. Panditji, portrayed by Renzu himself, is a composer overwhelmed by her gift, creating rich orchestral arrangements that amplify the purity of her tone.

Zeba’s journey leads her to perform live at Tagore Theatre, but her photograph in the local newspaper brings her family shame. She is rescued from this scandal by poet Azad, played by Zain Khan Durrani, who asks for her hand in marriage. Azad’s poetry merges with her music, and the scene by Dal Lake, where she sings a verse composed by her husband, becomes a poignant invocation of love and devotion.

The film’s musical magic is heightened by Sufi-inflected songs like “Karsa Myon,” alongside many Kashmiri folk songs beautifully sung by Zeba, with playback by Masrat Un Nissa. Each note is layered with longing and spiritual surrender, deepening the emotional resonance of the narrative.

On a personal note, redemption arrives quietly for Zeba when she returns home with a new sewing machine for her father—a gesture of love, dignity, and self-worth. Her mother, played by Sheeba Chaddha, acknowledges her mistakes, whispering, “I was wrong. You have only brought us respect.” This moment of reconciliation is tender, evoking the breath of spring.

However, “Songs of Paradise” does not shy away from conflict or pain. Zeba faces her community’s judgment and endures the heartbreak of losing her entire archive of recordings in a fire. As she stands frozen before the flames, her face illuminated by loss, Saba Azad’s cries pierce the skies, leaving her silent and unable—or unwilling—to sing again.

Saba Azad’s performance is the heartbeat of this film. She embodies Zeba with an open, luminous face, an authentic Kashmiri accent, and questioning eyes that hold both courage and generosity. Whether demanding equal pay, sharing her food with colleagues, or seeking higher verse to lend her voice meaning, Azad delivers each moment with quiet ferocity. When she sings, the valley itself seems to hold its breath.

Unaware of her growing influence, Zeba inspires a generation of Kashmiri girls to sing. They come to her door, their voices opening with hope, asking to sing her songs. In that moment, her voice echoing against the mountains, Noor’s voice is not hers alone; it belongs to every woman who has ever sung her heart out.

Produced by Ritesh Sidhwani, Farhan Akhtar, Shafat Qazi, and Danish Renzu, “Songs of Paradise” is currently streaming on Amazon Prime.

Source: Original article

Digital Domain Names Sudhir Reddy as Head of Global VFX Operations

Staff ReporterBusiness, Entertainment, Film 0

Digital Domain has appointed Sudhir Reddy as President of its Global VFX Business, succeeding Lala Gavgavian, who served the company for 18 years.

LOS ANGELES, CA – Digital Domain, the acclaimed visual effects studio known for its work on some of Hollywood’s most celebrated films, has announced the appointment of Sudhir Reddy as President of its Global VFX Business, effective immediately.

Reddy takes over from Lala Gavgavian, who dedicated 18 years to the company, including the last four years as President and COO. Gavgavian’s tenure was marked by significant growth and innovation within the studio.

With 27 years of experience in the visual effects industry, Reddy has played a crucial role in expanding Digital Domain’s international presence over the past 15 years. His leadership has been instrumental in the launch of the Hyderabad studio, as well as the management of the Vancouver and Montreal locations.

Reddy’s extensive experience includes overseeing global productions across feature films, episodic content, and emerging media. He has earned a reputation for successfully delivering ambitious projects on a worldwide scale.

Before rejoining Digital Domain, Reddy held various creative roles at prominent studios in India and at Flux Animation Studios in New Zealand. He later transitioned into senior production and management roles at Reliance MediaWorks in both India and Los Angeles, where he managed large-scale VFX pipelines and cross-border teams.

Digital Domain is recognized for its innovative artistry, contributing to several Academy Award-winning films, including ‘Titanic,’ ‘What Dreams May Come,’ and ‘The Curious Case of Benjamin Button.’ Reddy’s appointment is expected to further enhance the studio’s creative capabilities and global reach.

According to India West, Reddy’s leadership is anticipated to drive the company into new realms of creativity and technological advancement in the visual effects industry.

Source: Original article

‘De De Pyaar De 2’ Receives 4.5 Stars for Heartfelt Humor

Staff ReporterCinema, Entertainment, Film 0

‘De De Pyaar De 2’ is a heartwarming sequel that combines humor and emotion, earning 4.5 stars for its relatable storytelling and strong performances.

MUMBAI – It’s rare to find a film that evokes laughter, tears, and smiles all within the same heartbeat. ‘De De Pyaar De 2’ is that exceptional gem. This sequel not only lives up to the 2019 blockbuster but also expands on it with heart, humor, and a narrative that feels both deeply personal and universally relatable.

In a year dominated by thrillers and high-octane spectacles, ‘De De Pyaar De 2’ emerges as the standout family entertainer of 2025. It’s a film centered around family, designed to be enjoyed with loved ones. Whether you’re a parent, a young adult, or a daughter sharing a special bond with her father, this film resonates on multiple levels.

The film masterfully balances comedic moments that invite applause with tear-jerking scenes, ultimately delivering a subtle yet powerful message about love, relationships, and what it means to be ‘man enough’ in today’s world.

Lead actor Ajay Devgn shines in his role, effortlessly transitioning between subtle humor and emotional depth. His clever references to his own iconic films are a delightful treat for fans and are perfectly timed throughout the film. It’s refreshing to see him return to the romantic-comedy genre after a series of action-heavy roles.

R. Madhavan adds a soulful touch to the story. Portraying a father grappling with complex emotions, he embodies warmth and vulnerability. His interactions with Ajay are particularly noteworthy, blending humor with heartfelt moments that resonate deeply.

Leading lady Rakul Preet Singh delivers her finest performance to date, exuding charm, confidence, and radiance on screen.

Jaaved Jaffery consistently brings laughter, ensuring that audiences are in stitches every time he appears. Meanwhile, Meezaan makes a striking impression in the second half, looking effortlessly dashing and leaving a lasting mark despite his limited screen time.

The supporting cast, including Gautami, Ishita, and Suhasini Mulay, adds natural warmth and depth, beautifully rounding out the film’s emotional landscape.

Director Anshul Sharma infuses ‘De De Pyaar De 2’ with heart, humor, and a seamless storytelling approach. His vision is evident in every frame, skillfully bringing together a powerhouse cast and allowing each performer to leave a significant impact. Sharma adeptly orchestrates the film’s emotional beats and comic timing, blending warmth and wit in equal measure, solidifying his reputation as a filmmaker who knows how to entertain while keeping emotions genuine and grounded.

Unlike many sequels that merely aim to capitalize on a franchise name, ‘De De Pyaar De 2’ feels like an organic continuation of its predecessor. The callbacks are clever and not forced, with the story flowing with sincerity and purpose.

Just when viewers think they’ve seen it all, the final 20 to 30 minutes deliver one of the most emotionally satisfying climaxes in recent cinema. This rollercoaster of emotions leaves audiences with full hearts and broad smiles as they exit the theater.

Source: Original article

Makarand Deshpande Praises Innovation and Depth in Malayalam Cinema

Staff ReporterBollywood, Entertainment, Film 0

Bollywood actor Makarand Deshpande lauds Malayalam cinema for its innovative storytelling and emotional depth, calling it the epicenter of exceptional filmmaking in India.

Bollywood actor Makarand Deshpande has expressed profound admiration for Malayalam cinema, describing it as the current epicenter of exceptional filmmaking in India. His remarks came during a visit to Kochi for the pooja ceremony of his upcoming Malayalam film, Vavvaal.

During this event, Makarand highlighted the unique blend of innovation and emotional authenticity that characterizes the Malayalam film industry. He emphasized that the strength of Malayalam cinema lies in its close connection to human emotions and the audience’s deep understanding of the art form.

This knowledgeable viewer base, according to Makarand, empowers Malayalam superstars to take creative risks and experiment with their roles and narratives. He noted that such an environment is less common in Bollywood, where commercial considerations often limit artistic ventures.

Makarand, who has appeared in notable Malayalam films such as Amen and Pulimurugan, praised the storytelling culture of the industry for its ability to balance authentic narratives with profound emotional depth. He recalled his involvement in the thriller No.66 Madhura Bus, emphasizing that Malayalam cinema prioritizes acting prowess over star power.

His comments reflect a broader recognition of Malayalam cinema as a space for world-class, experimental, and performance-driven films that resonate deeply with audiences. Makarand’s insights underscore the industry’s commitment to innovation and emotional storytelling, setting it apart in the landscape of Indian cinema.

As the industry continues to evolve, the appreciation from established actors like Makarand Deshpande highlights the growing influence and respect for Malayalam cinema on a national scale. This acknowledgment may encourage more filmmakers to explore the unique narrative styles and emotional depth that Malayalam films offer.

In conclusion, Makarand Deshpande’s admiration for Malayalam cinema not only celebrates its current achievements but also serves as a reminder of the importance of storytelling that connects with audiences on a deeper level. The industry’s ability to innovate while remaining rooted in genuine human experiences is what makes it a vital part of India’s cinematic landscape.

Source: Original article

The Growing Influence of India’s Soft Power at Major Film Festivals

Staff ReporterCulture, Entertainment, Film 0

India’s presence at the Cannes Film Festival highlights its growing soft power, showcasing its cinematic achievements and cultural influence on the global stage.

Experience the magic of Cannes, where films, frenzy, flamboyance, festivity, and fortunes converge in a spectacular celebration of cinematic excellence on the French Riviera. Since its inception in 1946, the Cannes Film Festival has become a shining example of India’s burgeoning soft power.

Bhuvan Lall’s book, Namaste Cannes, offers a first-hand account of the festival’s remarkable history and India’s emergence as a global entertainment powerhouse. With decades of experience at Cannes, Lall transports readers to the world’s most famous film festival, where the Indian cinema industry shares its stories on an international platform, receives standing ovations, and wins prestigious awards.

Namaste Cannes honors the legacy of Satyajit Ray and celebrates the trailblazing filmmakers who have illuminated the path for future generations. The book showcases visionary film producers and distributors at the festival’s Marché du Film, who have extended the reach of Indian films worldwide.

Lall shares exclusive anecdotes about film stars who have influenced the global perception of India, chronicling unforgettable moments in Indian cinema’s journey across the world. His narrative evokes pride and patriotism, reflecting on how Indian cinema has shaped cultural dialogues internationally.

As India embarks on its next chapter in the world of entertainment, Namaste Cannes inspires optimism and energizes dreamers, storytellers, and achievers. The book serves as a testament to the power of cinema in bridging cultures and fostering understanding.

Namaste Cannes is available on Amazon worldwide, offering insights into India’s rich cinematic legacy and its enduring relationship with the Cannes Film Festival.

Dr. Bhuvan Lall deserves credit for his insightful narrative and historical perspective shared in Namaste Cannes, which chronicles India’s cultural influence through its participation in this prestigious film festival.

Source: Original article

Priyanka Chopra Returns to Music with Desi Version of ‘Last Christmas’

Staff ReporterEntertainment, Film, Travel 0

Priyanka Chopra Jonas brings a desi twist to the classic holiday song “Last Christmas” for Gurinder Chadha’s upcoming film, Christmas Karma, set to release on November 14 in U.S. theaters.

Priyanka Chopra Jonas is set to add a distinctly desi flavor to the holiday season this year. The global star has reimagined Wham!’s iconic classic “Last Christmas” for Gurinder Chadha’s new festive film, Christmas Karma. This much-anticipated movie will hit theaters across the United States on November 14, coinciding with the release of its original motion picture soundtrack.

Directed by Chadha, who is renowned for her work on films such as Bend It Like Beckham and Blinded By The Light, Christmas Karma presents a vibrant, musical retelling of Charles Dickens’ beloved tale, A Christmas Carol. The film features Kunal Nayyar, known for his role in The Big Bang Theory, as a modern-day Scrooge named Mr. Sood. The cast also includes notable appearances by Eva Longoria, Billy Porter, and Boy George, who portray the Ghosts of Christmas.

For Chopra Jonas, this project represents a significant collaboration with a longtime friend and a fellow pioneer of the South Asian diaspora in global entertainment. “Gurinder Chadha has been one of the very few stalwarts in entertainment that has championed stories of the Indian diaspora globally and consistently with absolute authenticity and heart,” Chopra Jonas remarked. “She is a dear friend, and I am so happy to support her in my little way in Christmas Karma. I hope this desi twist to a song that has long been the soundtrack of Christmas for so many of us resonates with audiences.”

Chadha, a self-proclaimed fan of George Michael, expressed her gratitude to his estate for permitting the team to create their unique interpretation of the beloved 1984 hit. “When I called my mate Priyanka Chopra Jonas to sing our fun Hindi version, she kindly stepped in to support me and the film with her beautiful take on Last Christmas,” Chadha said. “I hope George will enjoy this track in heaven, and all his fans around the world will sing along to the catchy Hindi vibe.”

The soundtrack for Christmas Karma reflects Chadha’s signature blend of cultures, incorporating elements of gospel, bhangra, Christmas carols, and pop music. In addition to Chopra Jonas, the album features performances from artists such as Gary Barlow, Billy Porter, Pixie Lott, Boy George, and legendary Punjabi singer Malkit Singh, with production contributions from Nitin Sawhney, Panjabi MC, and others.

As the first South Asian actress to win a People’s Choice Award for her role in Quantico, Chopra Jonas continues to exemplify the essence of a global crossover star. Her rendition of “Last Christmas”—a mix of nostalgia and reinvention—adds a fresh sparkle to a song that has long defined holiday playlists around the world.

With Christmas Karma, Gurinder Chadha delivers yet another joyful, multicultural celebration that feels perfectly timed for the season. Priyanka Chopra Jonas ensures that this festive offering comes with a generous dose of desi glamour and heartfelt spirit.

Christmas Karma is set to release in U.S. theaters on November 14, accompanied by its soundtrack album.

Source: Original article

Scientists Connect Time Crystals to Mechanical Systems for Quantum Advances

Staff ReporterFilm, Science, Technology 0

Scientists at Aalto University have successfully connected continuous time crystals to mechanical systems, paving the way for advancements in quantum computing and information technologies.

Time crystals, a fascinating new phase of matter, exhibit unique oscillations over time, similar to the repetitive atomic structures found in traditional crystals like diamonds or ice. In this state, particles within a quantum system cycle perpetually in precise patterns through time rather than space.

A specific type of time crystal, known as continuous time crystals (CTCs), showcases behavior akin to perpetual motion, maintaining ongoing oscillations without the need for external energy input. Until recently, these time crystals existed in isolation, unaffected by external forces. However, groundbreaking research conducted by scientists at Aalto University has successfully coupled a continuous time crystal to an external system, resulting in what is termed an optomechanical system.

This significant breakthrough enables researchers to tune the properties of the time crystal through its interaction with a mechanical oscillator. This connection is reminiscent of optical cavities utilized in advanced physics experiments, such as those involved in gravitational wave detection.

In their study, the researchers employed radio waves to excite magnons—quasiparticles associated with magnetic properties—within an ultra-cold superfluid helium-3 environment. When the external excitation was halted, the magnons formed a time crystal that oscillated steadily for approximately 108 cycles, which translates to several minutes.

As the motion of the time crystal gradually diminished, it began to interact with a nearby mechanical oscillator. This interaction led to frequency adjustments that were precisely linked to the characteristics of the oscillator. The optomechanical coupling established through this research opens new avenues for exploration, particularly in quantum computing, where these stable oscillations could potentially function as long-lasting memory components.

Importantly, this discovery does not contravene classical thermodynamics; rather, it delves into quantum realms where traditional physical laws, such as the second law of thermodynamics, exhibit different behaviors. Continuous time crystals present a novel playground for revisiting these foundational scientific principles.

With further refinement, these hybrid time crystal systems hold the potential to revolutionize quantum information technologies. They could enhance the coherence and efficiency of quantum computers while also creating ultra-sensitive sensors capable of detecting minute changes in physical phenomena.

Since their first experimental realization in 2016, time crystals have continued to reveal unexpected properties that challenge and enrich our understanding of matter and time. The implications of this research are profound, suggesting a future where quantum technologies are more advanced and capable than ever before.

Source: Original article

6-A Akash Ganga Challenges Myths Surrounding Annapurna Devi, Ravi Shankar’s Widow

Staff ReporterCulture, Entertainment, Film 0

Documentary “6-A Akash Ganga” explores the life of legendary musician Annapurna Devi, shedding light on her decision to step back from performance to support her husband, sitarist Ravi Shankar.

Legendary musician Annapurna Devi, known for her mastery of the surbahar, was the widow of renowned sitarist Ravi Shankar. Her influence in the world of Indian classical music is profound, yet her story is often overshadowed by her husband’s fame. It is said that even George Harrison of The Beatles sought special permission just to hear her practice, highlighting her exceptional talent and the respect she commanded among her peers.

In the mid-1950s, Annapurna Devi made a significant choice that would shape her legacy. To protect her marriage to Ravi Shankar, who was becoming increasingly uneasy with her rising acclaim, she decided to stop performing altogether. This decision has led to various myths surrounding her life and career, which are now being addressed in a new documentary film.

Titled “6-A Akash Ganga,” the film is directed by Nirmal Chander and features insights from her disciple, Nityanand Haldipur. The documentary aims to cut through the misconceptions and reveal the true essence of Annapurna Devi as a matchless guru and musician.

“6-A Akash Ganga” has garnered significant recognition, winning several awards, including Best Documentary at the 2024 Jagran Film Festival, Best Film at Film Southasia 2024, and Best Indian Documentary Film at the 2024 Mumbai International Film Festival. Additionally, it was a runner-up for feature documentary at the 2025 South Asian Film Festival of Montreal.

Nirmal Chander, who has dedicated over three decades to the film industry as an editor, director, and producer, has received multiple accolades for his work. His previous documentary, “Moti Bagh,” was even submitted as an Oscar entry from India in 2019, showcasing his ability to tell compelling stories through film.

The documentary “6-A Akash Ganga” will be screened on Saturday, October 25, at Facets, located at 1517 W. Fullerton Ave., Chicago, and on Sunday, October 26, at Hollywood Blvd. Cinema, situated at 1001 75th St., Woodridge. These screenings are presented by Mandala South Asian Performing Arts in partnership with India Development Service.

For those interested in learning more about the film and its screenings, additional information can be found at mandalaarts.org.

Source: Original article

Kiran Desai’s ‘The Loneliness of Sonia and Sunny’ Shortlisted for Booker Prize

Staff ReporterEntertainment, Film, Nation 0

Kiran Desai’s latest novel, *The Loneliness of Sonia and Sunny*, has been shortlisted for the 2025 Booker Prize, showcasing her distinctive narrative style and exploration of loneliness.

Kiran Desai’s upcoming novel, *The Loneliness of Sonia and Sunny*, has garnered significant attention after being shortlisted for the 2025 Booker Prize. In this work, Desai employs a naturalist’s eye, crafting a narrative that is both observant and immersive, transporting readers to the diverse settings she vividly describes.

Desai’s journey to this point has not been without its challenges. In the margins of an early draft of her manuscript, her mother, Anita Desai, famously wrote, “Cut. If not, shorten.” This advice came after Kiran had already reduced a staggering 5,000-page manuscript to a still-imposing 1,000 pages. The final published version, at 688 pages, has sparked debate among readers regarding its length.

During a recent event at Kepler’s Books in Menlo Park on September 21, Desai discussed her novel in an engaging conversation moderated by her friend and fellow writer, Ellen Sussman. Heather Birchall, a representative from Kepler’s, introduced the event by recalling that Desai was the youngest female winner of the Booker Prize in 2006 for her previous work, *The Inheritance of Loss*, at the age of 34.

The inspiration for *The Loneliness of Sonia and Sunny* stems from Desai’s own experiences at Bennington College in Vermont, where she encountered what she describes as a winter of “exquisite, artistic loneliness.” The novel delves into various forms of loneliness, including romantic, existential, and those arising from racial, gender, and national differences.

Set against the backdrop of privileged upper-class Indian families, the protagonists, Sonia and Sunny, are raised with the expectation of leaving India. Their families attempt to arrange a marriage for Sonia while she is a lonely college student in Vermont, and Sunny is an AP reporter in New York. However, these attempts ultimately fail, leading them to pursue their own paths.

Sonia relocates to New York, where she becomes involved with a self-absorbed and abusive artist named Ilan. Meanwhile, Sunny’s close friend, Satya, a medical student, decides to enter an arranged marriage and seeks Sunny’s assistance in selecting his bride. Fate brings Sonia and Sunny together in India, sparking a sweet but complicated romance.

Throughout their relationship, Desai illustrates how external circumstances continually pull Sonia and Sunny apart, prompting questions about whether love can truly overcome such obstacles. Both characters are portrayed as writers and wanderers, grappling with their identities and how they fit into the world. Sussman highlighted Sonia’s struggle with her writing, quoting her reflection on the creative process: “I am trying to write a book, in fact, but I feel I am circling the story.” This sentiment resonates throughout the novel, as Desai’s prose often reflects a similar circling of ideas.

While the book features moments of striking prose, such as “The train began to clop to a tabla beat,” and “An aberrant ice cube harboring a bubble of air begins to squeal in the glass and spin around like a dervish,” it also contains lengthy passages that can feel meandering. These extended musings, while occasionally meditative, sometimes detract from the narrative’s momentum.

Desai’s exploration of racial relations and justice adds depth to the story, particularly through Sunny’s experiences as a brown person navigating a predominantly white audience. A poignant moment occurs when an acquaintance warns Sunny that seeking American citizenship may alter his perspective as a reporter, suggesting that he might lose touch with the very humanity he aims to advocate for.

The narrative is punctuated by significant historical events, such as 9/11 and the destruction of the Babri Masjid, which serve to anchor the characters in specific contexts. However, these references often feel superficial, as they are more about situating the characters in time rather than directly affecting their lives.

Desai also touches on elements of magical realism, inspired by her introduction to an exhibition by Francesco Clemente. While she acknowledges the use of magical realism as a means to explore complex themes, the execution in this novel may not resonate as strongly as in other celebrated works of the genre.

Desai’s keen observational skills shine through in her descriptions of landscapes and settings. She paints vivid images of nature and architecture, such as “a forest of doves” and “water pooling in the corner of a bathroom.” However, her character descriptions tend to focus more on personality traits than physical attributes, which may leave readers wanting more depth in understanding the characters.

Among the characters, the resilient mothers stand out, each embodying different aspects of loneliness. Sonia’s mother, referred to simply as Mama, finds peace in solitude, while Sunny’s mother, Babita, believes that loneliness is the only problem worth solving. This thematic exploration of loneliness echoes contemporary discussions, such as those presented in Surgeon General Vivek Murthy’s 2021 book on the subject.

At the book signing following the event, Desai’s warmth and graciousness were evident as she engaged with fans, remarking on the “cool” Advance Reader’s Copy in hand. Her approachable demeanor leaves a lasting impression, inviting readers to wish her well on her literary journey.

Source: Original article

Kishkindhapuri: New Telugu Horror-Thriller Set to Premiere on ZEE5 Global

Staff ReporterCinema, Entertainment, Film 0

ZEE5 Global will premiere the Telugu horror-thriller *Kishkindhapuri* on October 17 at 6 PM IST, featuring a gripping storyline set in an abandoned radio station.

ZEE5 Global is poised to unveil the Telugu horror-thriller *Kishkindhapuri* on October 17 at 6 PM IST. Directed by Kaushik Pegallapati and produced by Sahu Garapati under the Shine Screens banner, the film stars Bellamkonda Sai Srinivas, Anupama Parameswaran, Makarand Deshpande, and Tanikella Bharani in key roles. Following its theatrical release, the film is set to make its digital debut, promising a chilling experience for viewers.

Set against the eerie backdrop of an abandoned radio station, *Kishkindhapuri* follows a group of visitors on a ghost tour who inadvertently awaken a dormant spirit. What begins as curiosity quickly spirals into terror as they find themselves trapped with no means of escape, delivering suspense at every turn.

Bellamkonda Sai Srinivas, who plays a pivotal role in the film, shared insights into the challenges of horror acting. “Horror acting is challenging because you respond to unseen threats. This role pushed me beyond my comfort zone, as the atmosphere of fear lingered even off-camera. Audiences will experience suspense and tension throughout,” he remarked.

Anupama Parameswaran also reflected on her experience, stating, “My character feels genuine fear and finds inner strength in unexpected moments. Shooting in the haunting locations made the experience intense, almost as if the environment itself was guiding our performances.”

With its immersive visuals, strong performances, and a gripping storyline, *Kishkindhapuri* is set to captivate horror enthusiasts. Viewers can catch the supernatural thrills starting October 17 at 6 PM IST, exclusively on ZEE5 Global.

Source: Original article

Mohanlal’s Cinematic Craft: Mastering the Art of Despair

Staff ReporterBollywood, Cinema, Film 0

Mohanlal’s exceptional ability to portray despair has defined his career in Malayalam cinema, resonating with audiences through his nuanced performances and emotional depth.

Mohanlal’s ability to convey deep despair and helplessness has been a hallmark of his illustrious career in Malayalam cinema. His performances often transcend mere acting, resonating deeply with audiences through subtle expressions and restrained emotions.

In the acclaimed film Kireedam (1989), Mohanlal portrayed Sethumadhavan, a young man whose life takes a tragic turn. This role showcased his talent for depicting the internal struggles of a character facing overwhelming circumstances. The film’s sequel, Chenkol (1993), further explored Sethumadhavan’s transformation, highlighting Mohanlal’s skill in conveying complex emotions without resorting to overt dramatization.

Another notable performance came in Nokkethadhoorathu Kannum Nattu (1984), where Mohanlal played a mute character. This role emphasized his versatility and depth as an actor, further solidifying his reputation as a master of subtle emotional expression. His nuanced portrayal in this film demonstrated his ability to evoke empathy and understanding from the audience, even without spoken dialogue.

Mohanlal’s approach to acting is characterized by a profound understanding of human emotions and a commitment to authenticity. His portrayals of despair are not merely performances; they are deep explorations of the human condition. This dedication to realism makes him a cherished figure in Indian cinema, as he connects with viewers on a deeply emotional level.

Throughout his career, Mohanlal has consistently chosen roles that challenge him and allow for a deep dive into the complexities of human experience. His work serves as a reminder of the power of cinema to reflect the intricacies of life, particularly the darker aspects of existence.

As audiences continue to engage with his films, Mohanlal’s legacy as a master of portraying despair remains firmly established. His ability to evoke genuine emotion through his craft ensures that his performances will be remembered and celebrated for years to come.

According to Global Net News, Mohanlal’s contributions to the cinematic landscape have not only enriched Malayalam cinema but have also influenced aspiring actors and filmmakers across the industry.

Source: Original article

Manoj Bajpayee Declares He Will Not Portray Young Lover Roles

Staff ReporterEntertainment, Film 0

Critically acclaimed actor Manoj Bajpayee discusses his reluctance to play young romantic roles while emphasizing the importance of age-appropriate storytelling in film.

MUMBAI – Manoj Bajpayee, a veteran actor known for his powerful performances, recently addressed a question regarding his interest in romantic roles. During an interview, he was asked whether he would consider taking on a romantic character, especially as many actors from his generation are currently exploring such roles.

In response, Bajpayee expressed his reservations about portraying a young lover. “Definitely you can’t imagine me doing a 25-year-old falling in love with a 20-year-old girl,” he stated. “I will personally not touch or take that kind of risk in this life.” His comments reflect a thoughtful approach to age and authenticity in storytelling.

However, Bajpayee did not completely dismiss the idea of romantic roles. He mentioned that if a script is well-crafted and the role is appropriate for his age, he would be open to it. “Love doesn’t limit itself to age, right?” he remarked. “So, if there is a very fine script which has a romantic story about two middle-aged people, why not?”

The actor emphasized his preference for portraying relatable, middle-class characters. He believes these roles resonate more with audiences and allow him to connect deeply with the material. “I enjoy doing these roles, I enjoy playing common people because I relate to them,” he shared. “Each and every character that I read, I feel like I have seen them somewhere—in real life, in a documentary, in my initial days in Mumbai, in the train.”

Bajpayee also reflected on his experiences in theatre, recalling a conversation with a director about the importance of observation in acting. “Once I spoke to a director and I said, ‘We can’t be observing all the time, people will eventually beat us up—Why are you looking at me?'” he recounted with a sense of humor. He explained that observation is a crucial aspect of an actor’s craft, stating, “Even if he is not looking at someone, he is observing. So, make it a part of your personality.”

In conclusion, Bajpayee articulated the essence of being an actor as being an observer of life. “So we actors are like that—we are observers of our own life, we are observers of people’s life, what’s happening in society,” he said. His insights highlight a commitment to authenticity and meaningful storytelling in his work.

Source: Original article

Javed Akhtar Reflects on Everlasting Regret Regarding Mohammed Rafi

Staff ReporterCulture, Entertainment, Film 0

Legendary writer Javed Akhtar reflects on his regret of never collaborating with iconic singer Mohammed Rafi, highlighting the enduring impact of Rafi’s music.

MUMBAI – Renowned writer and lyricist Javed Akhtar recently revealed a poignant regret: he never had the opportunity to collaborate with the legendary singer Mohammed Rafi. Despite being an established screenwriter during Rafi’s prime, Akhtar had not yet embarked on his journey as a lyricist.

“When he was in this world, I couldn’t write songs,” Akhtar explained. “I was a scriptwriter. So this desire remained in my heart that Rafi bhai should have also gotten to know me.”

Akhtar expressed his admiration for Rafi’s extraordinary talent, emphasizing that the singer’s voice continues to resonate with new generations of listeners. “It is impossible to find such perfection,” he remarked, referencing memorable tracks like “Jaan Ke Liye Deewana” and “Meri Duniya Mein Tum Aayi.”

In his reflections, Akhtar underscored the importance of honoring artists, asserting that a society that respects its creative minds is both healthy and civilized. His sentiments serve as a reminder of the lasting impact that artists like Rafi have on culture and society.

As Akhtar continues to contribute to the world of music and film, his regret highlights the fleeting nature of opportunities in the creative industry and the profound influence of legendary figures like Rafi.

Source: Original article

Manoj Bajpayee Delivers Outstanding Performance in Netflix Thriller

Staff ReporterFilm, Entertainment 0

Netflix’s ‘Zende’ features Manoj Bajpayee in a gripping true-crime drama that highlights the relentless pursuit of justice by an unsung hero.

MUMBAI—Netflix’s latest release, Zende, is a compelling true-crime drama that delves into the untold story of a police officer dedicated to capturing one of the most cunning manipulators of his era. This film shines a light on an unsung hero whose bravery and resilience often went unnoticed, yet whose impact remains significant. What unfolds is a gripping tribute to determination, with Manoj Bajpayee delivering a powerful performance in the titular role that brings authenticity to every scene.

At its core, Zende unfolds as a taut cat-and-mouse thriller, skillfully engaging viewers in the unpredictable chase between justice and deception. Director Chinmay D Mandelkar expertly balances suspense with sharp writing, ensuring that the audience remains a step behind the action. The film’s nostalgic backdrop, set in the 1980s and 1990s, is recreated with striking detail, evoking a time before modern technology simplified crime-solving.

The performances in Zende are undoubtedly its strongest asset. Manoj Bajpayee infuses his character, Inspector Zende, with trademark intensity and subtle wit, while Jim Sarbh effectively portrays the calculating antagonist, creating face-offs that are both cerebral and thrilling. The film is further enhanced by a solid ensemble cast, including Sachin Khedekar, Bhalchandra Kadam, and Girija Oak. Their camaraderie and emotional depth feel natural and unforced, adding warmth and humor to an otherwise tense storyline.

What sets Zende apart is its genre fluidity; it seamlessly blends crime, suspense, and humor without sacrificing emotional depth. Beyond the thrills, it tells an endearing story of a cop whose wit, resilience, and heart make him instantly relatable. With clean humor and family-friendly storytelling, this true-crime film is suitable for viewing in the living room across generations. Ultimately, Zende is not just about a thrilling pursuit; it celebrates an unsung hero who finally deserves his moment in the spotlight.

Source: Original article

Babul Supriyo Discusses Destiny’s Influence on Art and Cinema

Staff ReporterEntertainment, Film 0

Actor and politician Babul Supriyo reflects on the significant role of destiny in the entertainment industry, inspired by veteran actor Mithun Chakraborty’s insights on success.

MUMBAI—Babul Supriyo, an actor, singer, and politician, has been contemplating the profound influence of destiny in the world of showbiz. His reflections were sparked by an old interview featuring Mithun Chakraborty, a celebrated Dadasaheb Phalke awardee.

In the interview, Chakraborty, who was enjoying a remarkable phase in his film career, attributed much of his success to destiny. He emphasized that while talent is essential, it is destiny that ultimately determines whether that talent will flourish. “Destiny is there. Everything comes with destiny. If the actor is good, then he performs well. But destiny brings all this. Then you have to promote your talent,” he stated.

When asked how long one can rely on destiny, the veteran actor responded, “As long as destiny supports me.” This perspective resonated with Supriyo, who expressed his thoughts in a lengthy social media post.

In his caption, Supriyo described it as “scary” to witness prominent figures in the industry attribute their success to fate. He noted, “It’s pretty scary to hear that ‘everything is Naseeb/Kismat/Luck,’ but it’s not just Mithun Da alone; I have heard even Big B say ‘Bhaggya’ when asked what is that one thing that he attributes his success to.”

Supriyo pointed out that these reflections come from individuals who have achieved remarkable success in their careers. He remarked on the unique nature of Mumbai, a city where both triumph and failure are inevitable experiences for everyone. “Many failures and successes defy artistic or creative logic,” he added, highlighting the unpredictable nature of the industry.

The context of Chakraborty’s journey in cinema further underscores the importance of destiny. Before his illustrious acting career, he was involved in the Naxalbari movement, which was inspired by Maoism. However, he eventually left the movement to pursue his education at the Film and Television Institute of India (FTII).

Chakraborty is one of the few actors across various Indian cinema industries to have received a National Award for his debut film, *Mrigayaa*. To date, he has won three National Awards and was recently honored with the Dadasaheb Phalke Award, which is regarded as the highest accolade in Indian cinema.

Supriyo’s reflections on destiny and success in the entertainment industry serve as a reminder of the complex interplay between talent, hard work, and the unpredictable forces that shape careers.

Source: Original article

‘Stolen’ Offers Emotional Depth in Indian-American Action Thriller

Staff ReporterEntertainment, Film 0

Director Karan Tejpal’s “Stolen” is a gripping action thriller that explores the darker side of rural India while delivering a powerful emotional narrative.

The transformation of Indian villages has often been depicted in contrasting ways, from idyllic scenes of sun-kissed fields to stark portrayals of poverty. However, a new reality is emerging in these villages, where the influence of mob mentality can overshadow the law, and fear often dictates the actions of both residents and authorities. In this setting, two men find themselves embroiled in a desperate struggle against a mob, ignited by a viral video that sets the stage for chaos.

Director Karan Tejpal’s film “Stolen” opens with a shocking scene that sets the tone for the rest of the narrative. Within the first 30 seconds, viewers witness the kidnapping of an infant from the arms of her sleeping mother, Jhumpa, played by Mia Maelzer, at a deserted railway station. This harrowing event thrusts Raman, portrayed by Shubham Vardhan, into a chaotic confrontation with Jhumpa, railway officials, and a police officer who mistakenly believes he is the kidnapper. As the plot unfolds, Raman’s brother Gautam, played by Abhishek Banerjee, joins the fray, attempting to protect his sibling. The ensuing 24 hours are filled with tension and urgency, driving the narrative forward.

<p“Stolen” is inspired by true events, and Tejpal’s direction reflects an unfiltered approach that enhances the film’s authenticity. Cinematographers Isshaan Ghosh and Sachin Pillai contribute to this raw aesthetic, opting for minimal artificial lighting throughout the first half of the film. This choice immerses the audience in a dark, gritty atmosphere, particularly during a suspenseful sequence set in a deserted location where characters search for the kidnapper and vital clues. The filmmakers avoid the synthetic blue tint often seen in thrillers, allowing viewers to experience the unfolding drama as if they were physically present in the dilapidated surroundings. The action sequences are visceral and intense, eschewing over-the-top stunts and special effects. A particularly striking moment occurs when a mob of villagers charges toward a moving jeep, evoking a sense of dread that underscores the film’s setting.

While “Stolen” is undeniably a suspense-filled action thriller, it also possesses a deeply emotional core. The film’s strength lies in its ability to evoke empathy for the characters, particularly the desperate search for the kidnapped baby and the longing for her safe return to her mother. The performances by the cast, which features actors who may not be household names in Bollywood, contribute to the film’s authenticity and emotional weight. As the narrative progresses, viewers become increasingly invested in the characters’ plight, culminating in a poignant moment that pays homage to a forest Goddess believed to ensure justice through her miracles.

“Stolen” is a film that demands the viewer’s full attention. It is not a movie to be watched casually or while multitasking; instead, it offers a richly rewarding experience that draws audiences into its gripping narrative. With its compelling storytelling and immersive cinematography, “Stolen” stands out as a unique entry in the action thriller genre, providing a glimpse into the complexities of rural life in India while delivering a powerful emotional impact.

As the film concludes, audiences are left with a sense of hope and a reminder of the resilience of the human spirit, making “Stolen” a must-watch for those seeking both thrills and emotional depth.

Source: Original article

Punjabi Cinema Remembers Jaswinder Bhalla, Beloved Comedian and Actor

Staff ReporterEntertainment, Film 0

Jaswinder Bhalla, a beloved figure in Punjabi cinema known for his comedic brilliance, passed away at 65 after suffering a brain stroke, leaving fans and colleagues in mourning.

Jaswinder Bhalla, a cherished comedian and actor in Punjabi cinema, passed away on Friday morning following a brain stroke. He was 65 years old. His sudden departure has left the film fraternity and fans around the world in profound shock.

Regarded as one of the most iconic figures in Punjabi entertainment, Bhalla was celebrated for his sharp satire, relatable characters, and unmatched comic timing, which made him a household name across the region. His contributions to the industry have left an indelible mark on the cultural landscape of Punjab.

Born on May 4, 1960, in Ludhiana, Bhalla initially pursued a career in academics before venturing into the world of entertainment. He held a doctorate in Extension Education and served as a professor, eventually becoming the head of the Department of Extension Education at Punjab Agricultural University (PAU) until his retirement in 2020. Despite his academic achievements, it was his natural humor and keen societal observations that propelled him into the limelight.

Bhalla first gained widespread recognition with “Chhankata,” a satirical audio-video series launched in 1988 that became a cultural landmark in Punjab. His character, Chacha Chatar Singh, known for his rustic wit and incisive social commentary, remains a beloved figure in the memories of audiences. Over three decades, Bhalla produced 27 installments of “Chhankata,” each resonating with Punjabi communities worldwide.

His success on stage seamlessly transitioned into cinema, where he delivered some of the most memorable performances in Punjabi films. From “Mahaul Theek Hai” to mega-hits like “Carry On Jatta,” “Jatt & Juliet,” “Mel Karade Rabba,” and “Power Cut,” Bhalla consistently left audiences in stitches with his effortless delivery and signature one-liners. His portrayals as Advocate Dhillon in “Carry On Jatta” and Inspector Tiwana in “Jatt & Juliet” are celebrated as some of the finest comic roles in Punjabi cinema.

Throughout his illustrious career, Bhalla received numerous accolades, including the Gopal Sehgal Award in 2012 for his contributions to satirical comedy, the Mohammad Rafi Award for Best Comedian, and the Best Punjabi Comedian award at the Asian Festival. His performances in “Carry On Jatta” and “Jatt & Juliet” also earned him recognition at the PTC Punjabi Film Awards. His work was acknowledged not only in India but also at cultural events across Canada, the UK, and the US.

Beyond his cinematic achievements, Bhalla remained actively engaged with academia and social causes. As the brand ambassador for PAU, he promoted initiatives such as Mission Swachh and Swasth Punjab, effectively blending his humor with messages of awareness and community welfare.

In a heartfelt tribute, Punjab Chief Minister Bhagwant Mann expressed his condolences on social media, stating, “ਜਸਵਿੰਦਰ ਭੱਲਾ ਜੀ ਦੇ ਅਚਾਨਕ ਇਸ ਦੁਨੀਆਂ ਤੋਂ ਚਲੇ ਜਾਣਾ ਬੇਹੱਦ ਅਫ਼ਸੋਸਜਨਕ ਹੈ..ਛਣਕਾਟਿਆਂ ਦੀ ਛਣਕਾਰ ਬੰਦ ਹੋਣ ਤੇ ਮਨ ਉਦਾਸ ਹੈ..ਵਾਹਿਗੁਰੂ ਚਰਨਾਂ ਚ ਨਿਵਾਸ ਬਖਸ਼ਣ…ਚਾਚਾ ਚਤਰਾ ਹਮੇਸ਼ਾ ਸਾਡੇ ਦਿਲਾਂ ਚ ਵਸਦੇ ਰਹਿਣਗੇ..”

Actor Upasna Singh also remembered Bhalla, saying, “His passing marks the end of an era. His laughter will continue to echo through his films, reminding generations of the joy and insight he brought to Punjabi culture.”

Jaswinder Bhalla’s demise leaves an irreplaceable void in Punjabi entertainment, but his legacy of satire, laughter, and heartfelt humor will continue to inspire generations to come.

Source: Original article

John Abraham Discusses Audience Response to Chhaava and The Kashmir Files

Staff ReporterEntertainment, Film, Politics 0

John Abraham expresses his awareness of the audience’s positive reception of the film “Chhaava,” despite not having seen it himself.

Actor John Abraham recently shared his thoughts on the film “Chhaava,” acknowledging its popularity among audiences. Although he has not yet viewed the film, he is aware of the positive feedback it has received.

Abraham’s comments come in the context of a broader discussion about the impact of films that tackle sensitive subjects. He emphasized the importance of storytelling in cinema and how certain narratives resonate deeply with viewers.

While he appreciates the success of “Chhaava,” Abraham also expressed his concerns regarding films that delve into controversial topics. He mentioned that the reception of such films can be overwhelming and, at times, frightening.

“It’s scary,” he remarked, reflecting on the societal implications of films that garner significant attention. Abraham indicated that he would prefer to avoid making films that provoke such intense reactions.

His perspective highlights the delicate balance filmmakers must strike when addressing sensitive issues in their work. Abraham’s comments resonate with many in the industry who grapple with the responsibilities that come with storytelling.

As the film industry continues to evolve, the discussions surrounding the themes and messages conveyed in movies like “Chhaava” will likely remain at the forefront of conversations among filmmakers and audiences alike.

Abraham’s insights serve as a reminder of the power of cinema to influence public discourse and the importance of thoughtful storytelling in today’s cultural landscape.

Source: Original article

Utah May Attract Film Productions from Hollywood

Staff ReporterEntertainment, Film 0

Utah’s film tax incentives may not rival California’s, but the state’s unique landscapes and a “film-friendly” attitude keep it competitive in the entertainment industry.

Once synonymous with filmmaking, Los Angeles is no longer the automatic go-to location for every film, as production studios explore possibilities in other states. California Governor Gavin Newsom is working to reinforce L.A.’s status as a central hub for the entertainment industry. Despite challenges, including actor and writer strikes and the rise of streaming services, he announced a significant increase in California’s film and TV tax credit program to $750 million annually, aiming to sustain the city’s allure amidst a $12 billion budget deficit.

While California waits to see the effects of this increased funding, other states are seizing the opportunity to draw film projects with their own tax incentives. Texas, for instance, has raised its film tax credit to $300 million biennially, placing itself among significant, albeit secondary, production hubs like Louisiana and Pennsylvania.

Utah, though not matching the high fiscal incentives from states like California or Texas, presents an appealing alternative through practical incentives and a conducive filming environment, according to the Utah Film Commission. Virginia Pearce, director of the commission, states that Utah benefits from frequent requests for specific outdoor locations and a lower filming cost than cities like Manhattan. While Utah occasionally loses projects to other regions, it compensates with a strategic “film-friendly” atmosphere.

In December of the previous year, Utah commemorated 100 years since its first film production, highlighting a long-standing tradition of filmmaking. Utah’s Motion Picture Incentive Program, established in 2011, initially capped at $6.79 million, spurred the local film industry forward. Iconic productions like “Yellowstone” filmed approximately 75% of its initial three seasons, spending around $80 million locally. Although Utah later lost “Yellowstone” to Montana due to enticing incentives, the state remains vital in the industry.

An enhanced financial boost came with the introduction of a bill — SB49 — which provided a $12 million incentive for productions filming primarily in Utah’s rural areas. This initiative increased the annual incentive cap by nearly $2 million and attracted 28 projects, contributing over $200 million in spending.

Unique landscapes and settings in Utah continue to draw filmmakers. Productions such as HBO’s “Mountainhead” and Disney projects have capitalized on the diverse scenery from snow-clad mountains to picturesque towns. The state’s reputation for offering a general “any town in the U.S.A” aesthetic further appeals to varied storylines.

Despite these positive developments, Utah faces challenges such as the relocation of the Sundance Film Festival to Colorado, following a more attractive $34 million tax credit. Although this represents a potential economic setback, Utah’s Film Commission remains optimistic, acknowledging Sundance’s formative influence on the state’s creative economy. Pearce highlights this as a turning point for expanding the broader creative economy rather than relying on a single event.

Across the state border in Arizona, the viability of film tax credits faces scrutiny. The Goldwater Institute challenged Arizona’s $125 million film tax incentive, arguing it violates the state’s gift clause by failing to demonstrate a tangible return on investment.

Despite debates around economic returns, both Utah and California continue to invest in film tax incentives, recognizing the symbiotic relationship between filmmaking and economic activity. Utah’s film-friendly policies, rich history, skilled production capabilities, coupled with its natural allure, position it as an enduring competitor within the film industry.

Source: Original article

Shah Rukh Khan Wins First National Award After 33 Years

Staff ReporterCover, Election, Film 0

Shah Rukh Khan has been awarded his first National Film Award for Best Actor, marking a long-awaited milestone in his distinguished career.

After an illustrious career spanning over 33 years, Bollywood icon Shah Rukh Khan has received his first National Film Award for his role in Jawan. The recognition is seen as a significant milestone for the actor, who is affectionately known as the “King of Bollywood.” This award comes on the heels of a storied journey marked by numerous acclaimed and commercially successful films.

The 71st National Film Awards, announced today, honored Shah Rukh with the Best Actor award for his powerful performance in Jawan. Despite his long list of achievements across both critically lauded and blockbuster movies, this marks his first National Award. Many in the industry and among his fanbase view this achievement as long overdue.

Shah Rukh Khan began his film career in 1992 with Deewana and swiftly ascended to become one of India’s most celebrated and bankable actors. Over the years, he has starred in films such as Dilwale Dulhania Le Jayenge, Swades, Chak De! India, and My Name Is Khan, each earning critical acclaim.

Despite being a fan favorite, Shah Rukh often found the prestigious National Film Award just out of his reach. In 2004, his performance as Mohan Bhargava, a NASA engineer reconnecting with his roots in Swades, was highly praised but overshadowed by Saif Ali Khan’s win for Hum Tum.

His role in Chak De! India as Kabir Khan, a hockey coach on a redemption path, led to the film winning a National Award, yet Shah Rukh himself was once again passed over for Best Actor, a title which went to Hrithik Roshan for Dhoom 2 in 2007.

In 2010, Shah Rukh delivered a powerful performance in My Name Is Khan, portraying Rizwan Khan, a man with Asperger’s Syndrome navigating a complex global backdrop. While it won international accolades, Amitabh Bachchan took the National Award for Best Actor that year for his role in Paa.

Finally receiving this recognition after years of near misses, Shah Rukh Khan’s fans and critics alike believe the award confirms his status not only as a beloved superstar but also as one of the finest actors working in Indian cinema today.

Beyond this recent accolade, Shah Rukh Khan’s contributions to cinema have been recognized with numerous prestigious honors. He is a recipient of the Padma Shri, one of India’s highest civilian awards, and has been awarded two of France’s distinguished titles, the Ordre des Arts et des Lettres and the Legion of Honour.

His journey to receiving a National Award underscores a career marked by persistence, outstanding performances, and a profound impact on audiences worldwide, cementing his legacy in the annals of Indian film history.

According to Hindustan Times.

Source: Original article

New Faces Emerge as Bollywood Stars, Surpassing the Khans

Staff ReporterFilm, India, Social Media 0

Young actors Ahaan Panday and Aneet Padda shine in the new Bollywood film “Saiyaara,” offering a refreshing shift from industry veterans like Shah Rukh Khan, Salman Khan, and Aamir Khan by portraying authentic young love and igniting global box offices.

Bollywood’s latest sensation, “Saiyaara,” features a storyline that many in the industry might consider daring: casting young actors to play young characters. The film stars Ahaan Panday and Aneet Padda, both in their twenties, whose on-screen chemistry has become a major talking point.

This rise of “Saiyaara” marks a significant departure from Bollywood’s standard fare, which has long been dominated by seasoned actors like Shah Rukh Khan, Salman Khan, and Aamir Khan, all of whom are well past their prime but have nevertheless continued to portray much younger roles. This film, however, heralds a potential shift toward more age-appropriate casting in the industry.

“Saiyaara” has captivated audiences not because it aims for high art or intellectual discourse, but rather for its straightforwardness in telling a cheesy yet heartwarming story. The plot centers around a young musician grappling with anger management issues, who meets a novice journalist and songwriter. Their collaboration on a song leads to romance, heightened by the dramatic twist of the female character being diagnosed with Alzheimer’s disease. Despite the predictable melodrama, the film’s emotional core has resonated deeply with audiences, as evidenced by its box office success.

The film’s success hints at a broader yearning for narratives that reflect genuine youthful experiences and emotions. In a cultural landscape increasingly dominated by bravado and spectacle, “Saiyaara” offers a narrative of sincerity and commitment that starkly contrasts with the transitory nature of modern relationships often reflected in today’s society.

The popularity of “Saiyaara” suggests a fatigue with the star-powered action extravaganzas that have traditionally drawn crowds. Films showcasing heartfelt stories with younger protagonists seem to be gaining traction, recalling an era when throwback hits like “Aashiqui” captured audiences with their fresh and relatable love stories.

This evolution indicates that Bollywood might be moving away from its reliance on big-name veterans to spearhead its narratives. Instead, fresh faces could be paving the way for more realistic and poignant depictions of life and love, making room for new kinds of storytelling in Indian cinema.

Beyond its success as an individual film, “Saiyaara” represents a cultural shift: a move from nostalgia-driven narratives towards new, contemporary stories. It is a rebellion against the Bollywood tradition of recycling its own stars and storylines, suggesting that the film industry is ready to embrace change.

In a world of fleeting digital interactions and half-hearted commitments, “Saiyaara” provides a glimpse into fantasy fulfillment where steadfast devotion is lauded. This sincerity in storytelling might just be the next big trend, offering a refreshing change for audiences seeking authenticity over spectacle.

The film’s success and its ripple effects across the industry might indicate a growing appetite for films that are relatable and grounded, rather than those that rely solely on star power and over-the-top action sequences, according to Gulf News.

Source: Original article

“The Sound of Music Child Star Reveals Cast’s 60-Year Friendship Secret”

Staff ReporterCinema, Entertainment, Film 0

The former child stars of “The Sound of Music,” who have maintained a friendship spanning 60 years, recently reunited in Florence, Italy.

Kym Karath, known for her role as the youngest von Trapp sibling, Gretl, shared snapshots on Instagram showcasing a joyful reunion with her on-screen siblings. Surrounded by bottles of wine, the group included Nicholas Hammond, 75, who portrayed Friedrich; Duane Chase, 74, who played Kurt; Angela Cartwright, 72, known as Brigitta; and Debbie Turner, 68, who portrayed Marta.

While the reunion was filled with joy, it was also bittersweet due to the absence of Heather Menzies-Urich (Louisa) and Charmian Carr (Liesl), who passed away in 2017 and 2016, respectively. Christopher Plummer, who famously played Captain von Trapp, died in 2021.

“Celebrating together in Florence with all my film siblings was a complete delight,” Karath expressed to Fox News Digital.

The cast gathered in Florence’s historic Teatro Niccolini. Karath noted the city’s beauty and the warmth of the fans and press, exclaiming, “The press was wonderful, and the fans were overwhelmingly warm and enthusiastic.”

Reflecting on their long-standing friendship, Karath shared, “I think the secret behind our friendship is the secret of all enduring friendships, although ours began at a film studio; staying close, loyal, and being there for one another.”

The lasting charm of “The Sound of Music,” which premiered on March 2, 1965, is attributed to its portrayal of a real family and their courage. The film, an Oscar winner inspired by the von Trapp family’s true story, follows a governess and her impact on the family she cares for amidst the backdrop of the Nazi regime.

“Here is a little-known fact – the film family is friends with the real family,” Karath remarked. She mentioned her friendship with Elizabeth von Trapp and the unique bond that existed between Duane Chase and Werner von Trapp.

The cast’s reunion in Italy was not just for nostalgia. “We are currently working on a documentary and filmed [it] while we were in Florence together!” Karath revealed, hinting at a project that fans can look forward to.

Karath’s career began serendipitously when she was discovered at age three while enjoying a cheeseburger in her father’s restaurant in California. However, her fame soared with “The Sound of Music,” which sparked her lifelong love for Europe and history. She fondly remembers the camaraderie among the cast in Salzburg, Austria, noting that the group truly became a family.

Julie Andrews, who played Maria, quickly formed a remarkable bond with the child actors. Now 86, Andrews’ kindness and talent left a lasting impression on Karath, who described her as “a gift.”

Karath recalled, “There is never a bad moment with Julie Andrews – never. She’s just the sweetest, most unbelievable, talented, brilliant human.” One cherished memory is when Andrews entertained the children between scenes by strumming her guitar and singing with them.

In contrast, Karath’s early impressions of Plummer were mixed. “At the time, he was kind of standoffish,” she said, reflecting on her five-year-old perspective. However, her views softened over the years.

As the cast members continue to hold onto their shared memories and strong bond, their story profoundly resonates with audiences, further solidifying the timelessness of “The Sound of Music.”

Mohanlal Steps Down; Boban, Vijayaraghavan Lead 2025 AMMA Election

Staff ReporterElection, Film, Leadership 0

The Association of Malayalam Movie Artists (AMMA) is set to undergo a significant leadership transition as superstar Mohanlal steps down as president, with Kunchacko Boban and Vijayaraghavan emerging as frontrunners for the position.

The AMMA, which represents actors in the Malayalam film industry, is preparing for a pivotal leadership change with current president Mohanlal announcing he will not seek re-election. This decision has ignited excitement and speculation within the industry as new candidates emerge. The upcoming elections are scheduled for August 15, 2025, with preparations already underway.

Nominations for the election, which began on July 17, will decide 17 key positions, including six officer roles and eleven executive committee seats. The opening of the nomination window has generated significant interest, with at least five members collecting nomination forms on the first day and over 30 members expected to compete for various posts.

With Mohanlal stepping aside, the focus has turned to two prominent actors: Kunchacko Boban, representing the younger generation of actors, and veteran Vijayaraghavan, who has considerable support from senior artists. Sources close to AMMA suggest that should Vijayaraghavan officially declare his candidacy, he may secure an uncontested victory, given the respect he commands among peers.

The post of general secretary has also attracted interest, with actor Baburaj preparing to file his nomination. Rumors suggest that actress Shwetha Menon, a former AMMA officeholder and seen as a formidable female candidate, may also join the race, although her participation remains unconfirmed. Many are keenly observing whether she will officially enter the contest.

Several well-known figures, including former executive members such as Tovino Thomas, Tini Tom, Vinu Mohan, Kalabhavan Shajohn, Jayan Cherthala, and Suresh Krishna, are expected to contest in the elections. Their involvement indicates active engagement from both senior and younger actors in shaping AMMA’s future leadership.

Candidates wishing to contest in the election have until July 24 to submit their nominations. As voting day approaches, the coming weeks are anticipated to reveal more contenders. This election is expected to herald a new era for AMMA, bringing fresh direction and energy, as all eyes focus on who will succeed Mohanlal as president.

In his final acting endeavor before stepping down, Mohanlal was featured in the crime thriller ‘Thudarum,’ directed by Tharun Moorthy. He portrayed Shanmugham “Benz,” a challenging role met with acclaim for its compelling narrative and strong performances, including Mohanlal’s own.

Source: Original article

Mohanlal’s Film ‘Swapnamalika’ Finally Set for Release

Staff ReporterFilm 0

After a 16-year delay, “Swapnamalika,” the first film penned by Malayalam superstar Mohanlal, is set for a theatrical release this October.

After languishing in post-production limbo for more than a decade and a half, “Swapnamalika” is finally poised to make its debut on the big screen. Directed by the late Adv K A Devarajan, the film stars Mohanlal, who also wrote the original story. Completed in the early 2000s but beset by numerous setbacks, the film is expected to resonate with audiences this October.

The storyline of “Swapnamalika” is based on “Tharpanam,” a short story written by Mohanlal. Screenplay adaptation was handled by S Suresh Babu, ensuring that the emotional depth and complexity of the original narrative are vividly brought to life. The film initially generated significant excitement upon production, only to be shelved due to unforeseen issues after filming wrapped.

In the movie, Mohanlal takes on the role of Dr. Appu Nair, an oncologist traveling to Varanasi on a poignant mission to immerse his father’s ashes. During his journey, Dr. Nair encounters Radha Carmel, a foreigner played by Israeli actress Eleena. This meeting and the evolving events form the crux of the narrative, promising an emotional exploration of themes like grief and cross-cultural connection.

The film’s cast also features some of the stalwarts of Indian cinema, including the late Thilakan, Innocent, and Sukumari, along with Urmila Unni, Kottayam Nazeer, Saju Kodiyan, Kulappulli Leela, Shivani, and Vidya, among others. The music, composed by Rajamani and Jayakishan, is set to complementary lyrics written by Aparna, daughter of the late director Devarajan.

The path to this release has been fraught with challenges, involving script revisions and other disputes that indefinitely stalled its progress. Unfortunately, the director, Devarajan, passed away in April of the previous year, unable to witness the premiere of his long-awaited project.

Despite these hurdles, “Swapnamalika” offers fans an opportunity to appreciate Mohanlal’s unique storytelling and artistic vision, presenting a film that seemed destined to remain a lost piece of cinematic history.

For an audience that has waited so long, the release of “Swapnamalika” marks a significant cultural moment and a return to a project that had risked fading away over the years.

According to Mathrubhumi, the impending release brings a sense of closure to a project that has been deeply anticipated by fans and cinephiles alike.

Source: Original article

Pre-Release Screening of ‘The Bengal Files’ in New Jersey

Staff ReporterFilm, Nation 0

Filmmaker Vivek Ranjan Agnihotri’s latest historical drama, “The Bengal Files,” offers a gripping portrayal of Bengal’s past and invites audiences in New Jersey for an exclusive pre-release screening and interaction with the filmmakers.

The renowned filmmaker behind “The Kashmir Files,” Vivek Ranjan Agnihotri, alongside actress Pallavi Joshi, presents another thought-provoking film, “The Bengal Files,” which delves into the lesser-known chapters of Bengal’s history. This compelling film, already generating significant anticipation, is set to captivate audiences with its powerful narrative and historical revelations.

The pre-release screening of “The Bengal Files” promises to be a unique experience for attendees, providing them not only the opportunity to be among the first to see the film but also to engage in a live Q&A session. Filmmakers Vivek Ranjan Agnihotri and Pallavi Joshi will be present to discuss the creative process behind their latest project, answer questions, and interact with the audience.

This exclusive event is organized by the Coalition of Hindus of North America (CoHNA), the Global Kashmiri Pandit Diaspora (GKPD), and the I am Buddha Foundation, providing a platform for film enthusiasts to connect with the creators and delve deeper into the film’s themes.

The screening will take place at AMC New Brunswick 18, located at 17 US-1, New Brunswick, NJ, 08901. Following the film, a dinner will be held at Royal Albert’s Palace, situated at 1050 King Georges Post Rd., Fords, NJ, 08863, offering further opportunities for attendees to discuss the film and its impact.

As seating is limited, interested individuals are encouraged to secure their tickets promptly to ensure they do not miss this rare cinematic experience.

According to Eventbrite, this event provides a significant opportunity to witness an epic drama expected to leave audiences both enlightened and contemplative.

Source: Original article

A.R. Rahman to Score Music for S.J. Suryah’s ‘Killer’ Film

Staff ReporterFilm, India 0

Oscar-winning composer A.R. Rahman will score the music for “Killer,” marking the highly anticipated directorial comeback of renowned Tamil filmmaker and actor S.J. Suryah.

CHENNAI — Renowned composer A.R. Rahman, known for his Academy Award-winning music, has officially joined the team of “Killer,” the eagerly awaited directorial return of celebrated Tamil filmmaker S.J. Suryah. Suryah announced the collaboration on Monday, expressing his excitement and highlighting Rahman’s participation as a significant enhancement to the project.

The filmmaker took to his X (formerly Twitter) account to share photos with the legendary composer, writing: “Yah, it’s none other than our Isai Puyal (musical storm), the musical legend, Indian pride, our one and only @arrahman sir. Sirrrr welcome on board sir. Immensely happy joining you again sir. #Killer”

“Killer” marks S.J. Suryah’s return to directing after finding success in recent years as an actor. Earlier on X, he described the film as his dream project, expressing joy about his return to the director’s chair. “Hi folks, your director S.J. Suryah is back with his dream project titled, yeah you know it — #KILLER. Feeling blessed and happy to collaborate with the prestigious @GokulamMovies and Gokulam Gopalan sir. Need your love and support as always. Love you all,” he posted.

The film is being produced by Sree Gokulam Movies, a noted production house within the Malayalam film industry. It will feature actress Preethi Asrani, known for her acclaimed performance in the Tamil film “Ayothya,” in a lead role.

Industry insiders describe “Killer” as a stylish action-drama about the life of a hitman, incorporating elements of action, comedy, and romance. The story reportedly took shape during the COVID-19 lockdown, written by Suryah himself, adding a personal touch to the project.

While much of “Killer” will be filmed in India, key scenes are planned to be shot in Mexico to enhance its international appeal. The film is intended as a pan-Indian release, aiming to reach a broad audience by being made in five languages.

With A.R. Rahman on board, S.J. Suryah’s return to directing is set to be one of the most anticipated releases on the Indian cinematic scene, according to IANS.

Source: Original article

Docu-Drama on Biscuit King Rajan Pillai Underway

Staff ReporterFilm 0

Filmmakers Sanjeev Sivan and Deepthi Pillay have embarked on a feature docu-drama exploring the compelling life story of Rajan Pillai, famously known as the ‘Biscuit King’ of Kerala.

Rajan Pillai’s life and legacy, marked by both success and controversy, are set to be chronicled in a new feature docu-drama by filmmaker Sanjeev Sivan and his wife, Deepthi Pillay. Pillai, a renowned businessman, remains a figure of fascination, known for his meteoric rise and tragic fall.

Sanjeev Sivan, who hails from the same region as Pillai, spoke with IANS about the project. Although he never met Rajan Pillai personally, Sanjeev was deeply influenced by Pillai’s reputation during his formative years. “He was what most young Malayalis of our generation aspired to become,” Sanjeev said, describing Pillai as an emblem of success and vision. The filmmaker’s connection to Pillai’s family extends through his own father, Sivan, a celebrated filmmaker who was a close friend of Rajan’s father, Janardhan Pillai.

Rajan Pillai’s story is one of transformation and ambition. He started as a cashew exporter, eventually becoming a key player in Britannia, a major name in the food industry that brought immense pride to Kerala. However, Sanjeev notes that Pillai’s trusting nature played a significant role in his downfall, describing it as his most fatal flaw.

The Sivan family is steeped in cinematic heritage; Sanjeev’s father was a National Award-winning filmmaker, while his brother, Santosh Sivan, is a celebrated cinematographer. Another brother, the late Sangeeth Sivan, was a noted director.

The docu-drama stems from exhaustive research undertaken by Sanjeev, Deepthi, and writer-researcher Anirban Bhattacharya. To craft the narrative, they have enlisted top international talent, including Zach Sklar, known for scripting Oliver Stone’s Oscar-winning film JFK.

A critical part of the film’s preparation involved connecting with Rajan Pillai’s widow, Nina Pillai, and their sons, Shiva and Krish. Sanjeev acknowledged that gaining the family’s trust was a significant hurdle. Nevertheless, the encounter became a pivotal moment, revealing untold stories and hidden aspects of Pillai’s life. “Nina now trusts us fully — we’re like family,” Sanjeev remarked, emphasizing their commitment to unveiling the true narrative of Rajan Pillai’s life.

The filmmakers aim to portray not only the triumphs of Rajan’s life but also the elements of trust and betrayal that led to his downfall. “His story is shrouded in mystery, but we’re determined to bring it all to light,” Sanjeev said. He views the project as not only a tribute to Rajan Pillai but also as a cautionary tale rich with lessons about misplaced trust and political manipulation.

As work on the feature docu-drama progresses, Sanjeev Sivan and his team are dedicated to presenting a comprehensive account of Rajan Pillai’s life. “This is the least I can do for a man who inspired an entire generation of Keralites to dream big,” Sanjeev stated, underscoring the importance of preserving and examining this remarkable figure’s legacy for future generations.

According to World Malayalee Voice.

Source: Original article

Karisma Kapoor Interested in Malayalam Cinema Collaboration

Staff ReporterBollywood, Film 0

Bollywood actress Karisma Kapoor has voiced her admiration for the Malayalam film industry, expressing a desire to be part of its storytelling legacy.

During a visit to Kerala in 2024 for an inauguration event, Bollywood luminary Karisma Kapoor shared her deep appreciation for the Malayalam film industry. Known for its rich storytelling and exceptional talent, the Malayalam cinema has captivated audiences, and Kapoor is no exception in her admiration.

Speaking to the press, Kapoor remarked on the remarkable talent and brilliant scripts the regional industry produces, citing her hope to one day work in a South Indian film. Despite her successful Bollywood career, she expressed a wistful longing to explore Malayalam cinema.

“I have come to Kerala before. I’ve done some shooting here many years ago,” Kapoor said warmly, addressing the local press at the event. “Malayalam cinema is absolutely fantastic. There’s such great talent here, and the scripts are brilliant. I never had the opportunity to work in a South Indian film… but maybe someday. I’d love to be a part of it.”

Karisma further emphasized her admiration for the industry, highlighting the incredible abundance of talent, saying, “There’s so much talent out here, which is amazing. We love to see all our cinemas converge together.”

The actress’s praise extended to Malayalam legends Mammootty and Mohanlal, whom she acknowledged with great respect and admiration. “Kya bole… Itni great legends hain woh. God bless everyone — such great talent,” she expressed, leaving no doubt about her genuine admiration for these iconic figures in Malayalam cinema.

Her enthusiastic words reflect a broader appreciation for the collaborative and innovatively creative space that regional cinema like Malayalam offers to artists and audiences alike.

Source: Original article

Drishyam 3 Confirmed: Mohanlal and Jeethu Joseph Set to Continue the Thriller Saga

Staff ReporterFilm 0

After a long wait, director Jeethu Joseph is returning with the next chapter in the Drishyam series.

On Thursday, actor Mohanlal delighted his fans by announcing on social media that Drishyam 3 is in development. The first installment of the Malayalam thriller, Drishyam, was released in 2013. After a break, its sequel, Drishyam 2, followed in 2021.

To make the announcement, Mohanlal shared a picture of himself with director Jeethu Joseph and producer Antony Perumbavoor. All three were dressed in matching black shirts and posed happily for the camera. Alongside the image, he wrote, “The past never stays silent. Drishyam 3 confirmed.”

Fans Celebrate Drishyam 3 Announcement

As soon as Mohanlal’s post surfaced online, fans expressed their excitement across social media platforms. One user referred to the trio as “The OG,” while another commented, “He’s coming again.” Another enthusiastic fan wrote on X, “The suspense continues! Can’t wait to see how the Drishyam saga unfolds.”

Drishyam’s Widespread Popularity

Drishyam has been a massive success across India, inspiring remakes in multiple languages. The original 2013 Malayalam film starred Mohanlal, Meena, Ansiba Hassan, and Esther Anil in key roles.

Following its success, the film was remade in Telugu as Drushyam and in Kannada as Drishya in 2014. In 2015, it was adapted into Tamil as Papanasam and into Hindi under the same title, Drishyam. The popularity of the film extended beyond India, leading to Sinhalese and Chinese versions titled Withanage and The Witness, respectively.

The sequel, Drishyam 2, also garnered significant acclaim. It was subsequently remade in Hindi, Telugu, and Kannada, with leading actors like Ajay Devgn, Venkatesh, Kamal Haasan, and Ravichandran stepping into Mohanlal’s iconic role. An English adaptation of the film is also in the works.

Director Jeethu Joseph Speaks About Drishyam 3

Discussing the upcoming third installment, Jeethu Joseph shared insights during an interview with RedFM in Malayalam. He explained, “When I made Drishyam in 2013, I did not have a plan for a sequel. It took me five years to zero in on an idea. I had problems in one particular area in the film. Similarly, I am stuck in cracking a certain area in Drishyam 3. I know how to end the movie, but I’m clueless about other areas. The climax of Drishyam 3 is already in my head. I narrated it to Mohanlal Sir, and he liked it as well. But, I want to crack that one area.”

With Jeethu Joseph working through the storyline and Mohanlal returning to lead the film, expectations for Drishyam 3 are already running high. Fans eagerly await to see how the next chapter unfolds in this gripping thriller series.

Chhaava’s OTT Release: Vicky Kaushal’s Historical Drama Set to Premiere on Netflix

Staff ReporterFilm 0

The Bollywood film Chhaava, featuring Vicky Kaushal, Rashmika Mandanna, and Akshaye Khanna, is gearing up for its OTT release. The movie, which presents a gripping historical drama based on the life of Sambhaji Maharaj, has captured significant attention since its theatrical debut. With an expected release on Netflix, audiences will soon be able to witness this epic tale from the comfort of their homes.

Chhaava made its theatrical debut on February 14, 2025, earning widespread acclaim from critics and viewers alike. The film’s compelling storytelling and rich historical narrative contributed to its success at the box office. Given its strong performance in theaters, anticipation has been steadily building for its digital release, allowing a broader audience to experience the cinematic grandeur of the movie.

The movie boasts an impressive cast led by Vicky Kaushal, who portrays Chhatrapati Sambhaji Maharaj. Rashmika Mandanna plays the role of Maharani Yesubai, while Akshaye Khanna takes on the character of Mughal Emperor Aurangzeb. The film’s star-studded lineup enhances its authenticity, making it a must-watch for fans of historical dramas. The performances by the lead actors bring depth to the portrayal of these significant historical figures, adding to the film’s overall impact.

OTT enthusiasts can look forward to watching Chhaava on Netflix, where the film is set to be released. While the exact release date has yet to be confirmed, subscribers can expect the film to arrive on the platform soon. With its gripping storyline and stellar performances, the movie promises to be a compelling watch for global audiences.

Bollywood films typically make their way to OTT platforms within 45 to 60 days after their theatrical release. If Chhaava follows this trend, it is likely to be available for streaming on Netflix by early April 2025. This timeline aligns with recent Bollywood releases that have transitioned from theaters to digital platforms, allowing fans to revisit the film without waiting too long.

The movie draws inspiration from the book Chhaava, which explores the courageous journey of Sambhaji Maharaj and his relentless fight to protect the Maratha empire. Through its historical depth and emotional storytelling, Chhaava offers an immersive cinematic experience, highlighting the valor and resilience of its central characters.

As fans eagerly await the OTT release, Chhaava remains a testament to the power of historical storytelling in Bollywood. The film’s arrival on Netflix will provide an opportunity for a wider audience to appreciate the legacy of Sambhaji Maharaj and the rich history of the Maratha empire.

Akshaye Khanna’s Chilling Portrayal of Aurangzeb in Chhaava Leaves a Lasting Impact

Staff ReporterFilm 0

One of the most defining traits of a great actor is their ability to display a wide range of emotions. Another important quality is how well they interact with their co-stars. However, the most compelling sign of an exceptional performer is their capacity to be so convincing in a role that audiences fail to see the actor behind the character.

This was precisely the case while watching Chhaava. As the film ended and the credits rolled, the name Akshaye Khanna appeared on screen, leaving me puzzled. I had completely missed the promotional material that revealed he was portraying the Mughal emperor Aurangzeb.

Akshaye Khanna, known for his impressive acting prowess, delivered a subtle yet powerful performance as Aurangzeb, a ruler who valued kingship over kinship and had no hesitation in eliminating family members to retain power. His quiet yet menacing presence was the perfect foil to Vicky Kaushal’s intense and war-driven portrayal of Chhatrapati Sambhaji Maharaj.

Aurangzeb has long been a captivating figure in Indian cinema, much like the Mughal Empire itself. The grandeur of its courts, decorated with intricate ornaments, rich golden and crimson drapes, and vast, lush gardens, has often inspired filmmakers to reimagine this historical period. Over the years, emperors have been depicted in various lights—from the stern and disciplined Akbar in Mughal-e-Azam (1960) to the romantic and visionary Akbar in Jodhaa Akbar (2008).

Chhaava continues this tradition by presenting yet another cinematic perspective on Mughal history, this time centered on one of its most feared emperors. As one of the most controversial figures in Indian history, Aurangzeb has been portrayed in different shades, ranging from a ruthless despot to a calculated strategist.

Several historical dramas have depicted Aurangzeb’s reign, which spanned nearly five decades from 1658 to 1707. He took the throne by imprisoning his father, Shah Jahan, and ordering the execution of his elder brother. In Shyam Benegal’s acclaimed TV series Bharat Ek Khoj (1988), Om Puri gave a remarkable performance as a proud and imperious Aurangzeb, perfectly embodying the character’s complexities.

Actor Ashutosh Rana, who plays Hombirrao Mohite, Sambhaji’s uncle in Chhaava, also took on the role of Aurangzeb in MX Player’s 2021 web series Chhatrasal. This 20-episode historical drama chronicled Maharaja Chhatrasal’s struggle for Bundelkhand, and Rana delivered a chilling performance as a merciless usurper.

Reflecting on the challenges of portraying historical figures, Rana once remarked, “The biggest challenge in playing a historical character is that people have already read about that character and have formed his/her image in their head. An actor never knows of that image, so meeting that expectation of the audience is tough.”

He further elaborated that an actor must capture not only the physical presence of a historical figure but also their emotional, psychological, spiritual, and social dimensions. “All that needs to be done is to get the psyche of a character right,” he explained. Before stepping into Aurangzeb’s shoes, he sought to understand the ruler’s core nature and instincts.

In Marathi television, Yatin Karyekar earned widespread acclaim for his portrayal of Aurangzeb in Swarajya Saudamini Tararani and Raja Shivchhatrapati, proving that the character continues to captivate audiences across different platforms.

In Chhaava, Akshaye Khanna presents Aurangzeb as both formidable and composed. While the film primarily revolves around Chhatrapati Sambhaji Maharaj’s courage and resilience, Akshaye ensures that Aurangzeb is more than a one-dimensional antagonist. Instead, he captures the emperor’s calculated brutality with a measured performance. His silence alone conveys an overwhelming sense of menace.

Even after leaving the theater, one cannot help but appreciate Akshaye’s ability to emote through facial expressions rather than dialogue, especially when considering the film’s otherwise unimpressive lines. His performance proves that sometimes, less is more.

One particularly chilling moment involves Diana Penty as Zinatunissa, Aurangzeb’s fearless daughter, who delivers a monotonous dialogue about Sambhaji resisting their torture. Meanwhile, Akshaye does something far more powerful—he merely munches on grapes and subtly signals for Sambhaji’s eyes to be targeted next. This quiet but ruthless gesture sends shivers down the spine, making the audience wonder what horrors will unfold next.

Even three centuries after his death, Aurangzeb remains a figure of intrigue in Indian historical dramas, frequently portrayed as a tyrant, a religious zealot, or a ruthless ruler who prioritized power above all else. Many actors have taken on this complex role, yet Akshaye Khanna’s portrayal in Chhaava stands out as one of the most compelling in Indian cinema.

Ironically, Vicky Kaushal was originally set to play Aurangzeb in Karan Johar’s now-shelved film Takht. However, fate had other plans, paving the way for Akshaye Khanna to deliver a masterclass in restraint. His greatest strength lies in his quiet authority, which is evident in Chhaava’s opening sequence. Rather than reacting emotionally to the news of Shivaji Maharaj’s death, Aurangzeb surprises both his courtiers and the audience by coldly declaring state-wide celebrations.

Akshaye’s Aurangzeb lingers in the mind long after the film ends, proving that the most terrifying rulers do not need to shout or rage—they simply need to exist.

Shah Rukh Khan’s Rare Journey with Sequels in His Film Career

Staff ReporterFilm 0

Shah Rukh Khan made his debut in the film industry with the 1992 movie Deewana and eventually rose to become the most prominent superstar in Indian cinema.

One distinctive feature of Shah Rukh Khan’s extensive film career is that, despite being in the industry for over three decades, he has appeared in only a handful of remakes and just a single sequel.

At a time when many leading actors are leveraging sequels to deliver major box office successes, Shah Rukh Khan remains one of the few superstars who has taken on only one sequel as a lead actor throughout his career.

That lone sequel came in 2011 when Farhan Akhtar directed him in the heist action thriller Don 2: The King is Back.

Don 2 was a follow-up to the 2006 hit Don: The Chase Begins Again, which itself was an official remake of the 1978 film Don, originally starring Amitabh Bachchan.

Released on December 23, 2011, Don 2 performed well both critically and commercially, achieving box office success with worldwide earnings of Rs 202 crore against a budget of Rs 76 crore.

Although Don 2 remains the only sequel in which Shah Rukh Khan played the lead, he did reprise his role in another sequel—Bhoothnath Returns, released in 2014.

Shah Rukh Khan made a special appearance in the 2008 film Bhoothnath, which featured Amitabh Bachchan in the lead role. In its sequel, Bhoothnath Returns, he reprised his character in a brief cameo, appearing in just one scene, while Amitabh Bachchan once again played the protagonist.

Shah Rukh Khan’s Upcoming Sequel

After a gap of 16 years since Don 2: The King is Back, Shah Rukh Khan is set to return for another sequel—Pathaan 2.

The film will serve as a continuation of his 2023 blockbuster Pathaan and is expected to begin production by the end of 2026.

Pushpa 2: The Rule (Reloaded Version) Dominates Netflix’s Global Charts

Staff ReporterFilm 0

Pushpa 2: The Rule (Reloaded Version) has taken the global streaming scene by storm, securing its place on Netflix’s Global Top Ten Films (Non-English) for the second consecutive week. Currently ranked #3 worldwide, the film is trending in 14 countries, amassing an impressive 9.4 million views over two weeks. This milestone underscores the massive reach of the action-packed blockbuster and the electrifying screen presence of its star, Allu Arjun. Available in Telugu, Hindi, Tamil, Kannada, Malayalam, Bengali, and English, the film continues to captivate audiences across cultures and languages.

Star-Studded Ensemble and Visionary Filmmaking

Directed by Sukumar and produced by Mythri Movie Makers in collaboration with Sukumar Writings, Pushpa 2: The Rule features a powerhouse cast, including Allu Arjun, Rashmika Mandanna, Fahadh Faasil, Jagapathi Babu, Sunil, Anasuya Bharadwaj, Rao Ramesh, and Ajay.

Allu Arjun, whose stellar performance has won hearts worldwide, expressed gratitude for the film’s overwhelming success. “The love and adulation for Pushpa 2: The Rule (Reloaded Version) from across the world is truly overwhelming. This film was made with blood, sweat, and heart — and to see it connect with audiences at such a massive scale is beyond gratifying. I am incredibly proud of the film’s success on Netflix. Through the platform, our story is reaching millions across different countries, breaking language and cultural barriers. And I’m deeply grateful to the fans whose unwavering support and excitement continue to fuel this journey,” he shared.

Director Sukumar highlighted how the film builds upon its predecessor’s legacy. “Pushpa: The Rise set the stage for a world and a character that audiences embraced wholeheartedly, and with Pushpa 2: The Rule, we wanted to take that legacy forward in an even bigger, more immersive way. The film’s success on Netflix is a testament to the universal appeal of Indian cinema, and I’m grateful for the love it continues to receive,” he said.

Netflix Celebrates the Blockbuster’s Success

Monika Shergill, Vice President of Content at Netflix India, emphasized the film’s impact. “Pushpa 2: The Rule Continues, India’s biggest blockbuster, is now one of the most-watched films on Netflix. The raw intensity of its characters, combined with the fearless vision of director Sukumar and the teams at Mythri Movie Makers, has set new benchmarks for Indian cinema. We are proud to bring this reloaded edition featuring new scenes that deliver an even more thrilling experience for our audiences. As its influence continues to break boundaries, this reloaded edition stands as a must-watch for our audiences all over the world,” she stated.

A Cultural Phenomenon

With its high-octane action sequences and the now-iconic ‘Jathara’ scene, where Arjun dons a saree, Pushpa 2: The Rule has earned widespread acclaim from both fans and critics. From India to international markets, the film is redefining mass entertainment, proving that the fire of Pushpa’s legacy burns brighter than ever.

Pushpa 2: The Rule (Reloaded Version) is now streaming on Netflix in Telugu, Hindi, Tamil, Kannada, Malayalam, Bengali, and English.

Indian Cinema’s Heritage Shines Bright: Shyam Benegal’s ‘Manthan’ Set for Cannes Revival

Staff ReporterEntertainment, Film, News 0

During the filming of ‘Manthan’ in the remote Gujarat village Sanganva, director Shyam Benegal instructed his actors, including Naseeruddin Shah, Smita Patil, Girish Karnad, and Amrish Puri, to wear the same clothes for the entire 40-45 day shoot, reflecting the locals’ reality of enduring days without bathing due to water scarcity. Benegal humorously remarked, “if they stank, they would stink jointly!”

The 77th Cannes Film Festival, set to take place from May 14-25, presents an Indian showcase with ‘Manthan’ among the eagerly-awaited films. Payal Kapadia’s ‘All We Imagine As Light’ joins the Competition section, marking 30 years since Shaji N Karun’s ‘Swaham,’ bringing a full Indian summer to the Croisette.

Several other Indian entries grace the festival: Sandhya Suri’s ‘Santosh’ in Un Certain Regard, Karan Kandhari’s ‘Sister Midnight’ in the Director’s Fortnight, Maisam Ali’s ‘In Retreat’ in the ACID program, Chidananda Naik’s ‘Sunflowers Were The First To Know’ in La Cinef competition, and ‘The Shameless’ by Bulgarian director Konstantin Bojanov. Additionally, ‘Sauna Day’ directed by Anna Hints and Tushar Prakash features in Critics’ Week.

Beyond screenings, renowned cinematographer Santosh Sivan receives the Pierre Angenieux award and conducts a masterclass, highlighting the diverse talent representing independent Indian cinema.

‘Manthan,’ Benegal’s third feature, portrays a fictionalized account of India’s successful co-operative movement in milk production, commissioned by Dr. Verghese Kurien, the visionary behind Amul. The film garnered National Awards and served as India’s Oscar submission in 1977, embodying the essence of India’s ‘White Revolution.’

Now, ‘Manthan’ receives a grand revival, presented in the Classics Section of the festival in a restored version, much to Benegal’s delight. Despite health reasons preventing his attendance, Benegal’s wife and key cast members, including Naseeruddin Shah and Prateik Babbar, will be present, alongside Nirmala Kurien, daughter of Dr. Verghese Kurien.

The film’s restoration by Shivendra Dungarpur brings it back to its original brilliance, ensuring its legacy endures. Plans are underway for a wide release across India post-Cannes.

Dungarpur, known for his preservation efforts, continues his Cannes streak with ‘Manthan,’ India’s first crowd-funded film, reflecting the communal effort of 500,000 farmers from Kheda district.

Reflecting on the shoot, Benegal fondly recalls the cast’s immersion in village life, despite the challenges, emphasizing their commitment and camaraderie. The experience, though rugged, remains a cherished memory for Benegal, epitomizing their collective achievement.

‘Manthan’ stands as a testament to India’s cinematic heritage, its restoration and Cannes screening symbolizing its enduring impact and relevance.

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