Eric Adams Cancels Appearance at Event Honoring Anti-Muslim Activist

New York City Mayor Eric Adams has withdrawn from a controversial event featuring Hindu nationalist activist Kajal Shingala, who is known for her speeches promoting violence against Muslims and boycotts of non-Hindu businesses.

Eric Adams, the mayor of New York City, was initially expected to be the guest of honor at an event in Queens that will feature Kajal Shingala, a prominent Hindu nationalist activist whose rhetoric often includes incitements to violence against Muslims. The event, a dinner at an Indian cultural center in Fresh Meadows, Queens, was organized by the Gujarati Samaj of New York. However, the mayor withdrew from the engagement following media inquiries.

Kajal Shingala, also known as Kajal Hindusthani online, has gained notoriety for her incendiary speeches advocating against Muslims and other religious minorities in India. Critics, including Raqib Hameed Naik, who runs an organization tracking hate speech in India, denounce her as a leading figure in promoting hate and violence through her oratory.

A statement from Adams’s spokesperson, Zachary Nosanchuk, clarified that while there were requests for the mayor’s attendance, Adams had no plans to attend, and it was never part of his public schedule.

The controversy heated up after it emerged that the event’s organizers, including Harshad Patel, president of the Gujarati Samaj of New York, publicly advertised Adams as a guest of honor through promotional materials and social media posts. Shingala, who has close to a million followers across various platforms, also shared the advertisement to her audience.

Nevertheless, Adams still plans to participate in a fundraising event organized by Patel, which is aimed at supporting his reelection bid. The mayor’s seat is being contested in an upcoming election, where Adams faces a significant challenge from state Assemblymember Zohran Mamdani. Mamdani, who secured the Democratic primary, might become the first Muslim mayor of New York City.

Supporters of Indian Prime Minister Narendra Modi, who have substantial connections with the Gujarati Hindus in the U.S., have criticized Mamdani ever since he labeled Modi a “war criminal” during a mayoral forum in New York City. Mamdani, himself having Gujarati Muslim heritage, criticized Modi’s involvement in the 2002 Gujarat riots.

Kajal Shingala’s presence in the U.S. is part of a wider speaking tour that has included states such as Texas and Georgia. Her speeches often return to consistent themes, notably advocating patronage of Hindu-owned businesses and avoiding transactions with Muslims. A particularly inflammatory example of her speech rhetoric surfaced during a 2024 address in India, where she made egregious and unfounded accusations against Muslims.

Additionally, Shingala promotes the debunked conspiracy theory known as “Love Jihad,” suggesting that Muslim men are conspiring to convert Hindu women through marriage. Such remarks have drawn strong criticism for inciting division and fear.

In response to the uproar surrounding Adams’s involvement, over two dozen groups from an interfaith coalition published an open letter condemning his initial association with the event.

This incident adds to a series of controversies linking Mayor Adams to sensitive topics in Indian politics. In the previous year, he distanced himself from a float in New York City’s India Day Parade that featured a model Hindu temple built on the ruins of a mosque destroyed amid communal violence.

According to New York Focus, Kajal Shingala has been accused of spreading hate speech, resulting in her arrest in India after her talks allegedly spurred inter-religious discord.

Malayalam Cinema Report: Hyped Movie Disappoints, Mohanlal-Mammootty Dynamics Shift

The first half of 2025 proved a mixed period for Malayalam cinema, with notable successes and significant disappointments marking its journey.

The first six months of 2025 demonstrated a period of fluctuating fortunes for Malayalam cinema. While 2024 was a year of consistent triumphs in the industry, the recent period has been marked by both high-quality productions and underwhelming failures, indicating that success in the film industry is never guaranteed. Numerous factors contribute to the rising and falling fortunes of an industry, and Malayalam cinema is no exception.

The year started with high expectations following the successes of 2024, but it got off to a slow start with the release of “Identity,” an action thriller by directors Akhil Paul and Anas Khan, which failed to impress audiences due to its lackluster writing and weak performances from stars Tovino Thomas and Trisha Krishnan. Smaller releases like “Communist Pacha Adhava Appa” and “ID: The Fake” made little impact, while the alternate-history thriller “Rekhachithram,” directed by Jofin T Chacko and starring Asif Ali, quickly became a notable success.

In contrast, technical prowess occasionally shined through, as seen in “Rekhachithram,” where innovative use of AI technology helped overcome budget constraints. Meanwhile, high-budget films struggled with issues such as poorly executed visual effects, evident in releases like “The Greatest of All Time” starring Thalapathy Vijay, Kamal Haasan’s “Indian 2,” and Mohanlal’s “Barroz.” These issues contrasted sharply with the disciplined craftsmanship that allowed directors like Jofin T Chacko to succeed.

The year continued unevenly as stalwarts of Malayalam cinema experienced fluctuating success. Mammootty, following a run of successes, faced a downturn with “Dominic and the Ladies’ Purse,” directed by Gautham Vasudev Menon. On the other hand, Mohanlal reversed his string of disappointing releases with “L2: Empuraan” and “Thudarum,” generating more favorable outcomes at the box office.

February mirrored the unevenness of the year, failing to replicate the golden run of February 2024, and instead delivering a lackluster slate of releases including “Painkili,” “Bromance,” and “Daveed,” which struggled to connect with audiences. Kunchacko Boban and Priyamani’s “Officer on Duty” found some success despite mixed critical reception.

March traditionally sees fewer releases due to academic exams and Ramadan, but “L2: Empuraan” emerged as a blockbuster despite initial critical feedback regarding its script and controversial themes. The film eventually became the highest-grossing Malayalam film of all time.

April was another mixed month, with inconsistent performance from films such as Mammootty’s “Bazooka” and Basil Joseph’s “Maranamass,” the latter overshadowed by Khalid Rahman’s sports comedy “Alappuzha Gymkhana.” Meanwhile, May saw a lineup that included forgettable titles like “Mr & Mrs Bachelor” and “Azadi.” The dance drama “Moonwalk,” with its fresh approach, stood out among the releases, echoing broader appeals for Bollywood to reassess its formulaic approaches.

The final month of the half-year, June, saw another wave of underperforming films such as “Written & Directed by God” and “Abhyanthara Kuttavali.” However, the police procedural drama “Ronth,” directed by Shahi Kabir, garnered praise for its incisive storytelling and impressive performances, underscoring the industry’s capability for high-quality productions.

As Malayalam cinema moves forward into the latter half of the year, the industry must navigate its precarious position with strategic planning in both film production and distribution. While the first half of the year has highlighted some remarkable successes, it also reinforced the need for improved planning and promotional strategies to ensure more stable performance moving forward, according to Indian Express.

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