Meher Castelino, India’s first Miss India and a pioneering figure in fashion journalism, passed away at 81, leaving behind a legacy that transformed the industry and inspired countless individuals.
Meher Castelino, renowned as India’s first-ever Miss India and a significant voice in the realm of fashion journalism, passed away on Wednesday at the age of 81. Her death marks the conclusion of an era that intertwined beauty, intellect, and industry insight.
Castelino is survived by her son Karl, daughter-in-law Nisha, and daughter Christina. Her passing has elicited heartfelt tributes from designers, editors, students, and industry leaders who credit her with reshaping the understanding, documentation, and respect for fashion in India.
Born and raised in Mumbai, Castelino first gained national recognition in 1964 when she won the Femina Miss India title, becoming the first woman to don the crown. At a time when beauty pageants were still emerging in India, she represented the country in international competitions, including Miss Universe and Miss United Nations, showcasing Indian womanhood on a global platform.
Despite her achievements in pageantry, those who knew her assert that she never allowed the glamour of the crown to define her. “Winning Miss India opened doors, but Meher chose to walk through them with purpose,” recalled a senior fashion editor who collaborated with her for decades. “She wanted to build something lasting, not just be remembered for a title.”
In 1973, Castelino made a pivotal shift towards writing, publishing her first article in Eve’s Weekly. What began as a single byline blossomed into a formidable career spanning over five decades. She became a full-time fashion journalist and syndicated columnist, with her work featured in nearly 130 national and international newspapers and magazines.
At a time when fashion writing in India was primarily focused on trends and celebrity wardrobes, Castelino approached the subject as a serious industry. She wrote extensively about textiles, craftsmanship, branding, consumer psychology, and the economics of style—long before these discussions became mainstream.
<p“She was talking about fashion as business when most people were still dismissing it as frivolous,” noted a leading Indian designer. “Meher gave the industry intellectual legitimacy.”
Widely regarded as a pioneer in Indian fashion journalism, Castelino infused her writing with analytical rigor and historical depth. Her columns served as a living archive of India’s evolution—from small boutiques and export houses to global fashion weeks and international runways.
She authored several influential books, including *Manstyle*, *Fashion Kaleidoscope*, and *Fashion Musings*, which explored changing trends, evolving gender norms in fashion, and the cultural forces shaping style in India. These works continue to be reference points for students and professionals alike.
Castelino also held the position of official fashion writer for Lakme Fashion Week and other major fashion events in India, documenting not only collections but the broader ecosystem surrounding them. Her reviews were celebrated for their clarity, fairness, and deep contextual understanding.
“She never sensationalized fashion,” remarked a former Lakme Fashion Week organizer. “Her writing respected designers, readers, and the craft itself.”
Beyond her contributions to journalism, Castelino played a vital role in mentoring the next generation of fashion professionals. She frequently served as a judge at fashion awards, was a sought-after speaker at fashion institutes, and guided young designers and aspiring journalists.
Students remember her for her uncompromising standards and extensive knowledge. “If you exaggerated a fact or misunderstood a reference, she would gently but firmly correct you,” shared a former fashion student. “She believed fashion deserved the same integrity as any other field of journalism.”
Her remarkable ability to recall decades of collections, designers, and industry milestones earned her a reputation as one of Indian fashion’s most reliable chroniclers.
While history will always remember Meher Castelino as India’s first Miss India, those who knew her assert that her true legacy lies elsewhere. “She proved that beauty and intellect are not opposites,” stated a fellow journalist. “She redefined what it meant to move beyond a pageant crown.”
With her passing, Indian fashion media has lost not just a pioneer, but a conscience—someone who insisted on depth in an industry often tempted by surface appeal. Her career serves as a reminder that fashion, when thoughtfully examined, reflects society itself.
As India’s fashion industry continues to gain global recognition, Meher Castelino’s voice will endure in the words she wrote, the minds she shaped, and the standards she set, according to Global Net News.