New York Indian Film Festival Marks 25th Anniversary With Powerhouse Lineup, Pays Tribute to Shyam Benegal, Features Special Film on James Ivory

The New York Indian Film Festival (NYIFF), the longest-running and most prestigious U.S. festival dedicated to Indian independent cinema, returns for its milestone 25th edition from June 20–22, spotlighting bold new voices, storied auteurs, and urgent narratives from the Indian subcontinent and its global diaspora.

Screenings will take place at Manhattan’s Village East by Angelika, with tickets and full programming details now live at nyiff.us. All the films have English subtitles.

The 2025 lineup includes 22 feature-length films—18 narratives and 4 documentaries—spanning more than a dozen languages and regions. From Tamil and Odia to Assamese, Hindi, and Malayalam, the selection reflects both the diversity and the evolving language of Indian cinema. The festival program also includes 21 short narrative and documentary films.

Opening Film Showcases Emerging Voices

The festival opens with the East Coast premiere of The Fable, Raam Reddy’s visually arresting drama that debuted at the 2024 Berlinale. Starring Manoj Bajpayee, Priyanka Bose, and Deepak Dobriyal, the film merges surrealism and psychological tension against the Himalayan backdrop. Reddy, whose debut Thithi won the Golden Leopard at the Locarno Film Festival and an Indian National Film Award, returns with what critics have called a “lyrical, genre-defying triumph.” The Fable recently took home Best Film at the Leeds International Film Festival.

With haunting performances and a stellar ensemble including Tillotama Shome in a cameo, The Fable sets the tone for a weekend of cinema that is as thought-provoking as it is emotionally resonant.

Opening Night: The Fable

Centerpiece and Closing Films Bring Star Power

Kennedy, the noir thriller that bowed in Cannes’ Midnight Section, headlines as the centerpiece. Anchored by Rahul Bhat’s intense lead performance—building on his recent acclaim for the series Black Warrant—the film is directed by Anurag Kashyap, stars Sunny Leone and tackles corruption and inner demons.

Centerpiece Film: Kennedy

The closing night film, Little Thomas, is a coming-of-age dramedy set in 1990s Goa, marking the directorial debut of Kaushal Oza. The film stars Rasika Dugal (Delhi Crime, Mirzapur) and Gulshan Devaiah (Hunterrr, Ulajh), who will be in attendance alongside the crew.

Closing night film - Little Thomas

Off-Screen Celebration at Chatti

Following the closing night, the festival will host its official after-party at Chatti, a buzzy new Manhattan hotspot by chef Regi Mathew. Known for its contemporary twist on Kerala cuisine, the venue offers an intimate setting to toast the future of Indian cinema.

Honoring Master Storytellers: Shyam Benegal and James Ivory

The festival pays tribute to Shyam Benegal, a titan of Indian parallel cinema who passed away in 2024. NYIFF will screen a 4K restoration of Manthan (1976), his landmark film about India’s White Revolution, restored by the Film Heritage Foundation. The film premiered at the Cannes Classics in 2024.

 

Also on the slate is An Arrested Moment, a short documentary from The Metropolitan Museum of Art, directed by Dev Benegal. The film explores Oscar-winner James Ivory’s enduring fascination with Indian art and culture.

Narrative Features Reflect India’s Multitudes

Other Feature Narratives Include:

  • Angammal (Tamil) — Vipin Radhakrishna’s emotional film – adapted from a short story by Perumal Murugan, delves into generational resilience and women’s agency in rural South India.
  • Humans in the Loop (Hindi) — Aranya Sahay’s near-future narrative explores the ethics of AI in an increasingly mechanized society.
  • I’m Not An Actor (Hindi/English) — Starring Nawazuddin Siddiqui, Aditya Kriplani’s film blurs fiction and reality in a searing critique of fame and identity.
  • Kaisi Ye Paheli (Hindi) — Ananyabrata Chakravorty’s thriller examines a mother-son relationship and a series of murders.
  • Madam Driver (Hindi/Gujarati) — Indrajit Nattoji delivers a witty, heartfelt tale of a middle aged woman learning to drive.
  • Parab (Odia) — Chinmay Das brings indigenous voices to the forefront in this powerful tale of resistance and land.
  • Parikama (Hindi/English/Italian) — A multicultural cinematic journey along the Narmada River and the dams built around it from veteran director Goutam Ghose.
  • Pyre (Hindi) — Vinod Kapri crafts a haunting drama about an elderly couple facing loneliness and abandonment in a small Himalayan village.
  • LGBTQ Double Feature celebrating Pride Month: Riptide (Malayalam) — Afrad VK’s moody, melodious gay romance that interweaves reality, fantasy and legend. Followed by the short film IYKYK (Hindi) by Bonita Rajpurohit.
  • Second Chance (Hindi) — Subhadra Mahajan’s film tracks the narrative of a young woman’s grief, healing, and rediscovery.
  • Simple Manusan (Tamil) — A collaborative directorial debut from Shobaan Nagarajan and Haran Kaveri that explores marriages, culture and identity among the Tamil community in Kuala Lumpur.
  • Sunday Special (Kannada) — Abhilash Shetty’s film about a young girl who wants a chicken meal.
  • The Ancient (Bengali) — In Suman Ghosh’s new film Sharmila Tagore returns to Bengali cinema after 14 years playing the role of an 80-year-old woman with a deteriorating mental state.
  • The Other Side (Malayalam) — Indu Lakshmi’s debut feature has a teenager coping with her mother’s death and an oppressive patriarchal society.
  • The Tiger (Marathi) — Nikhil Mahajan delivers a rousing tale of climate change, and the struggle between humans and tigers in a rural village.
  • Village Rockstars 2 (Assamese) — Rima Das returns with a follow-up to her internationally acclaimed and National Award winning debut, continuing the story of children and their musical dreams.

Documentaries Spotlight Urgency and Humanity

NYIFF’s nonfiction programming includes A Fly on the Wall, a deeply personal film by Shonali Bose and Nilesh Maniyar documenting physician-assisted suicide in Switzerland. Other standouts: Marching in the Dark (Marathi), on widows of suicide-struck farmers; Renaissance Man, about parliamentarian Vivek Tankha; and Turtle Walker, which follows a conservationist’s mission to protect India’s sea turtles.

Legacy and Looking Ahead

“What began as a grassroots platform is now a global stage for Indian independent cinema,” says Festival Director Aseem Chhabra. “This year’s lineup is one of our most powerful and wide-ranging to date. From deeply personal documentaries to regional narratives that rarely reach global audiences, the 25th edition of NYIFF reflects the evolving language of Indian cinema. We are especially proud to welcome back stalwarts like Goutam Ghose, Rima Das, Suman Ghosh and Nikhil Mahajan, while also shining a spotlight on extraordinary new talent making their debut. And we are thrilled to have actor Nawazuddin Siddiqui, who has won two NYIFF best actor trophies, attend this year’s festival.”

Adds Suman Gollamudi, Executive Director of the Indo-American Arts Council, which presents NYIFF: “This festival has long been a space where India’s cinematic legacy meets its most daring futures. At 25, we are not just celebrating the past—we are investing in what’s next.”

Tickets, schedule, and full program details are available at nyiff.us.

About the New York Indian Film Festival:

The New York Indian Film Festival is presented annually by the Indo-American Arts Council, a non-profit organization dedicated to promoting Indian arts and culture in the United States. Since its inception in 2001, NYIFF has showcased the best in Indian cinema, celebrating the diversity and creativity of filmmakers from India and around the world.

Vijay Declares TVK’s Stand Against Sectarianism and Corruption in Tamil Nadu Politics

Actor and Tamilaga Vettri Kazhagam (TVK) president Vijay announced on Sunday, October 27, 2024, his party’s intent to combat divisive and corrupt forces in Tamil Nadu, asserting that TVK will tackle “sectarian forces” with ideological opposition and take on corrupt “Dravidian model”-claiming parties through political means. Vijay also indicated that TVK would consider power-sharing with political allies who approach the party during the 2026 Tamil Nadu Assembly elections.

At the first State-level TVK conference in V. Salai, near Vikravandi in Villupuram district, Vijay addressed an expansive audience of party supporters. Without directly naming any specific entities, he emphasized his commitment to fighting “sectarian and corrupt forces.” Speaking on the party’s ideological stance, Vijay stated, “The moment we declared ‘Pirapokkum ella uyirukkum’ (all beings are equal by birth) as the foundation of our ideology, we not only positioned ourselves clearly against sectarian politics but also exposed our ideological enemies. Our people know very well who should come here and who shouldn’t, as Tamil Nadu has been the land of secular principles.”

Vikravandi transformed into a lively setting for the conference, attracting a massive crowd. Attendees were surrounded by a festive atmosphere, as the event marked a significant declaration in Tamil Nadu’s political landscape. Vijay’s statements reiterated his dedication to TVK’s secular and socially inclusive principles, which have become central to his political vision.

Targeting what he described as a “self-serving family group,” Vijay expressed his disapproval of those who claim to follow the philosophies of Thanthai Periyar and Perarignar Anna but, in his view, exploit their names for personal and political gain. He condemned these groups, which he accused of misappropriating the legacy of the Dravidian movement for their benefit, saying, “Our next enemy, the political enemy, is a self-serving family group, which is scraping and looting Tamil Nadu invoking the names of Thanthai Periyar and Perarignar Anna, in the garb of Dravida model.”

Additionally, Vijay criticized parties who present themselves as anti-fascist but, according to him, maintain hidden alliances with the same forces they publicly denounce. He mocked these politicians, arguing that their main activity appears to be fueling a “majority-minority divide,” despite Tamil Nadu’s historical unity. Addressing their seemingly contradictory approach, Vijay remarked, “Some people’s full-time job is to create a fear about majority-minority divide among people, who are united, screaming fascism, fascism, fascism,” adding a humorous jab, “if they are fascism, are you payasam (sweet)?”

In a strong call to action, Vijay urged voters to support TVK in the upcoming elections, drawing a vivid analogy between each vote cast for TVK’s symbol and a powerful tool for change. Anticipating the 2026 Tamil Nadu Assembly elections, Vijay referred to it as a “democratic war” and expressed confidence in his party’s capacity to challenge the current political establishment. “The time is not too far for us to face those who are corrupt and cheat people,” he stated. Vijay continued, “The Election Commission of India, in 2026, will decide the date for the democratic war. On that day, every vote of the people to TVK’s symbol in all the 234 constituencies will be like a bomb.”

Vijay advocated for a caste census, underlining the importance of proportionate representation in education and employment. He argued that such measures are vital to fostering social equity in Tamil Nadu. Confident of TVK’s potential electoral success, Vijay asserted that the party would emerge with a clear majority in the 2026 Assembly elections, though he noted an openness to alliances and power-sharing arrangements with parties that share TVK’s vision and approach the party for collaboration.

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