The Ba***ds of Bollywood, Aryan Khan’s directorial debut, offers a humorous and self-aware satire of the film industry, captivating audiences with its charm and star-studded cast.
The Ba***ds of Bollywood, Aryan Khan’s highly anticipated directorial debut on Netflix, has quickly ascended to the top of the streaming platform’s charts in India, captivating audiences worldwide. This seven-episode series features a star-studded cast, including Bobby Deol, Lakshya, Raghav Juyal, and Sahher Bammba, and delivers a breezy, entertaining experience that keeps viewers engaged throughout.
As an Indian American with a casual interest in Bollywood, I approached The Ba***ds of Bollywood with a sense of curiosity rather than nostalgia or deep insights. The show is filled with enough cameos and humor to appeal to casual viewers, while die-hard fans of Bollywood will likely appreciate the numerous references that may elude those less familiar with the industry.
The plot centers on newcomer actor Aasman Singh, played by Lakshya, as he navigates the complexities of his newfound success in the film industry. The central narrative revolves around his romance with Karishma Talvar, portrayed by Sahher Bammba, and the relentless efforts of her superstar father, Ajay Talvar, played by Bobby Deol, to thwart their relationship. The story culminates in a surprising twist that momentarily left me pausing the screen in disbelief.
One of the most engaging aspects of the series is its tongue-in-cheek humor, which cleverly critiques the Hindi film industry. The show features cameos from iconic figures such as Karan Johar, Shah Rukh Khan, Rajamouli, Ranbir Kapoor, and Amir Khan, along with the notorious Bollywood Wives—appearances that only someone like SRK’s son could successfully pull off. The series thrives on its self-awareness, as Aryan Khan, a product of nepotism himself, boldly addresses the ongoing debate surrounding the issue. This ability to laugh at its own culture is refreshing, especially in light of the recent scrutiny and controversies that have plagued Bollywood, including Khan’s own highly publicized drug arrest in 2021.
Fans of the industry will appreciate the lighter touches throughout the series. Raghav Juyal, known for his dance skills and his chilling performance in the critically acclaimed film KILL, plays Aasman’s loyal sidekick, injecting humor that feels perfectly at home in this Bollywood satire. Lakshya, who also starred in KILL, convincingly portrays a starlet overwhelmed by the chaotic world of Bollywood.
Aryan Khan’s direction exudes confidence and a sense of playfulness. His use of meta-commentary, extravagant visuals, and satirical exaggeration sets the series apart. Through the portrayal of a vengeful film tycoon and a washed-up star, the show embraces the absurdity of the industry rather than shying away from it, resulting in a narrative that is unafraid to look ridiculous—because that’s precisely the point.
The performances of the cast are commendable; Lakshya shines as Aasman Singh, effectively capturing the naive optimism and insecurity of a newcomer thrust into the chaotic world of Bollywood. Sahher Bammba adds depth to her role as Karishma Talvar, ensuring she is more than just a “nepo baby love interest.” Bobby Deol’s portrayal of Ajay Talvar oscillates effortlessly between an intimidating superstar and an over-the-top, almost cartoonish antagonist.
While the fast-paced narrative occasionally loses momentum in the middle episodes and flirts with ludicrousness—such as during a scene where Aasman helps Karishma escape her home—the sharp writing and witty commentary keep the series afloat. It is not a show meant for deep analysis; rather, it is one to be enjoyed for what it is: a fun, self-aware satire that reminds us not to take Bollywood (or ourselves) too seriously.
Source: Original article